#gotta have that thematic seven in there still

[lynxgriffin]

In Eldritchrune since Dess was the first sacrificed and Kris is the most recent how many kids have the cult sacrificed to try to summon Ralsei?

Kris was the seventh child that was sacrificed!

[sortyourlifeoutmate]

Also, semi-related, but I enjoy how in 40k all the major players all settled on having spaceships more-or-less in the same size category. That is to say, big.

Like, every race and species has warships that are kilometer-plus in size. Indeed, just about every escort is kind of around a kilometer to start with, and that's the lower end, and basically anything that's a cruiser or bigger is, ooh, five? Six? Seven?

They're all fucking big, is what I'm saying.

Which thematically makes sense, but sometimes is just odd. Warp drives are, we know, very large, which is why all warp-capable ships - i.e. most ships you see fighting (never do see system ships, shame) - are all big. So that makes sense.

But then you've got all the races that don't need a warp drive - tyrannids, eldar (and dark eldar), and necrons - and their ships are just as huge as well! Because, I mean, it's 40k. They gotta be huge.

Especially though it sticks out to me for the tau, a race that should by all rights have made svelte, efficient spaceships and instead made the merchant fleet (before they got the beefier fleet later) which just-so happened to be big enough to be an actual threat to the imperial navy. Lucky, that!

It is just one of those things where "This Is How The Game Works" and it wouldn't make sense if someone broke with the design protocol but it amuses me anyway.

As I am easily amused.

(Still chuffed I caught some guy out once because I knew how tyrannids get through space and he didn't. Nyeh nyeh bigger nerd than you on this one!)

[b1adie]

Gifset makers like you are so unrelated oh my gods I just spent three hours making seven gifs and it was so tedious if I wasn't hyperfocusing and if it wasn't about a special interest I'd have been absolutely screwed

and yours are so good and thematic I don't know how you do it

i think you probably mean underrated or smth instead of unrelated lol but YEAH tbh like ohhh my god even just doing a simple set from a single video takes a MINIMUM of an hour. and usually with mine i collect a bunch of videos and then have to edit them all and get the timing right and cut them into sections and possibly edit the timing again then format them from mp4 into gifs and then optimize them so theyre not 276mb AND still make sure they look decent and then arrange them nicely.

but like idk.. i’m picky with gifs. i started making them in the first place cuz i’d always get frustrated that no gifs in the tags got a particular scene i liked or smth… or that smth i liked had none at ALL. so ykhii.. if u want smth done right do it urself. and now here i am. fighting thru a shitty website that works 60% of the time and is covered in ads cuz my usual video downloader broke. but i gotta make gifs of video game characters to post on tumblr. its my calling…

[rarepairnation]

6, 13 and 22 for the ask game?

hi friend!!! thank u for sending these<3 i was gonna ask you if you wanted to send different questions bc there’s a couple repeats from the last ask but then i came up with new answers. if you still wanna send diff ones though i will answer them as well

6. which ship fans are the most annoying

ACTUALLY LMFAO I LIED IN THE LAST ONE. i think (hope?) you’ll find this one funny lol well the 0.5 people in the denethorongil ao3 tag who are just there for crack. girl the psychic situationship. that is so fucking interesting. this is like the reverse answer. which ship NON fans are the most annoying. Anyway. i think it just pisses me off whenever a dynamic that could be so thematically (and dramatically) intriguing gets dismissed or made into a joke bc like. come on is that the best we can do? perhaps i just frequently lack a sense of humour about this kind of thing. or maybe people mostly are not funny…who can say.

13. worst blorbofication…TWO!

now is my time to SHINE baby….little pathetic baby faramir is SUCH a textbook fucking case of blorbofication. that shit is ridiculous. yeah the idea of a punching bag dad to take shit out on and/or guy bending over backwards just for his dad's approval appeals to you. unrelatedly how is your relationship with your dad. but i swear to god i KNOW that there are other characters out there that fit this archetype better. there are PLENTY of sad little people pleasers out there. dont take one of the greatest bitchest craziest men in the whole wide green world and make him your little crybaby. if you read the denethor faramir relationship as abusive you gotta also understand that he is right there punching back at it all. goddamn. he had gone on the orders of the lord of the city indeed. peter jackson im gonna fucking get you. this is a guy that first blamed his brothers death on their father and THEN promptly forced said father to order him to his probable death for the sake of his own moral code he has never once laid down and taken it in his LIFE. he’s been arguing back since he was like seven years old or something. in MANY THINGS he displeased his father! he is not a doormat he is a motherfucking doorstop and he WILL make it your problem! also i don’t have anywhere else to put this opinion so it’s gonna go here. it hit me sometime yesterday that the desperate-to-please faramir narrative almost works better with canon denethor. i mean film faramir is a totally different guy so like im not even sure if he would have the same history with his father but like just bear with me here. if he knows that his father trusts him as a commander and yet cannot (seem to express, although failing to express for long enough is basically equivalent) love him as a son…that he has memories of… actually just kidding this doesn’t fucking work at all. because the POINT of it all is that denethor and faramir are the same until they’re not. sly and tactical and cunning and so so so numenorean that elros tar-minyatur would WEEP. while i think film faramir and book denethor are - if not diametric opposites, at least not. so similar. i mean peter jackson literally blorbified him himself. here is my new guy with maybe one of his key traits preserved. man when i reblog a film faramir gif im just imagining book faramir’s personality. i hope you all understand this. i just. i DO love david wenham’s faramir face. he put so so so much 100% home grown bitch energy into the capturing frodo and sam scene faramir and i am simply imagining him translating all that onto "on one occasion at least your counsel has prevailed, not long ago. it was the lord of the city that gave the errand to him." now THAT…oh captain my captain. do you get it

22. your favourite part of canon that everyone else ignores

on one occasion at least your counsel has prevailed not long ago/stir not the bitterness in the cup i poured for myself. people LOOOVE you wish now that our places had been exchanged but read two more lines girlypop IT GETS BETTER. i mean people smarter than me have figured it out already but "restraint"…the idea of faramir having been holding this back for a long time. perhaps even since he first realized boromir was dead and thinking oh. oh, father sent him, or agreed to let him go, or however it went down, and now he is dead and it is father's fault. jesus christ that makes me crazy. and denethor basically saying what else do you think i have been thinking about for weeks. do you dare to think this is new news to me im not the heartless bitch you think i am. of course i blame myself. ARE YOU KIDDING? this is like the entire dynamic contained in two lines of dialogue. i had a runner-up answer but im too sleepy to write it all out but ill tell you what it is and its how WEIRD denethor and faramir are. theyre so weird you guys. i am psychic and prophetic and i WILL make it your problem.

[timeclonemike]

"Wow. Did not see that coming. I mean, the job. I was half expecting to end up here anyway."

"Right, because your grandparents and your aunt kept threatening you with damnation as punishment for disobedience."

"That's literally it."

"Yeah, I know. They're on level fourteen, Gamma Wing."

"...you just made my day. I mean I am still very confused but knowing they didn't make it into paradise just put a little pep in my step, not going to lie."

"It's actually pretty simple. The core theological premise of Abrahamic Monotheism is that God is omnipotent. Not only can He do anything, but by definition, nothing can happen without Him wanting it to happen. Therefore the idea of opposition to God, or even the very concept of Sin itself, is heretical by its very nature."

"So free will doesn't exist. Okay. That's a bit of a bummer-"

"Free will DOES exist! But you know how it is in life. Big wheels do as they please and little wheels do as they must. But we're getting off track. The important part is that a lot of people think that Hell and damnation exist in opposition to paradise, at least in part, even when it doesn't make sense. I mean, if I was opposing God it would make more sense for me to reward the souls of the wicked instead of punishing them, right?"

"Oh, yeah. I asked my aunt about that once and she put a cigarette out on my forehead."

"One of many reasons that she's down here."

"Okay, I think I'm keeping up, but that does raise another question. It sounded like you said that Sin just... doesn't exist."

"Right. There's no such thing."

"...so why do people end up in Hell at all?"

"Because of another theological axiom. God is Love. Love is God. Those without love in their hearts, whose thoughts and actions are defined by hate, have no place in paradise; it wouldn't be paradise if they could go around making other people feel like shit for eternity, would it?"

"...aha. It's all coming together."

"Exactly. But of course it wouldn't be very loving if God just tossed people away and forgot about them for eternity. So that's where you and the other tormentors come into play. By the time they get to you, all the Souls who could be guided towards redemption by acts of kindness have already been filtered out. So your job is to fight fire with fire."

"...okay then. How do I do that and when do I start?"

"It's usually pretty easy, bullies are notoriously fragile, but don't worry if you run up against a particularly stubborn Soul. We've had a team of seven thousand expert torturers working in shifts on Ronald Reagan since the day he died. Actually I gotta head out like five minutes ago, heaven and hell are having a meeting to see if we can't form a joint task force of devils and angels to break Ronnie with thematic whiplash. So gonna wrap this up fast. I'll start you off easy with some neo-nazis, gotta go, good luck!"

There’s good news and bad news. Bad news, you’re in hell. Good news, you’re not being punished. You are the punishment.

[starlight-time-machine]

Week in Review

11/05/2023 – 11/11/2023

Sunday

As expected, the Ichinose chapter last week was a fake out. Just one more gotcha – but just kidding this time! before the end of the road. And now that we’re here…it’s a little baffling to me that it took us 48 chapters and an entire year to impart the relatively basic message of “families aren’t perfect but you gotta keep trying anyway.” I wish we could’ve gotten more focus into each of the other family members like Tsubasa did, what with the whole set up of the seven deadly sins and all. I wish there weren’t so many twists that seemed to be only for shock factor/cliffhangers. And I wish this series had a stronger thematic backbone, but I’m learning that Taizan 5’s M.O. is all about bordering on trauma porn/shock factor until they pull it back for a conclusion that’s about as complex as you’d find in a Disney Channel movie. They always have great premises, but from what I’ve seen, I don’t think they have the skill to actually follow through with interesting and evocative ideas. I’m just glad the trip is finally over. I’ll give Ichinose a 3/10, and I honestly don’t think I’ll check out Taizan 5’s works in the future.

Next up is Undead Unluck, and it’s so serendipitous that we got this chapter right after episode 5 of the anime, because otherwise I don’t think I would’ve remembered Andy firing his fingers at the Round Table, and then I wouldn’t have caught this parallel of Fuuko shooting her guns at the UMAs! What a full circle moment. And oh my God Andy…pulling a Fire Punch, I see. Solid chapter overall.

Dandadan 127: YAYYY RIN!! LET ‘EM KNOW!!!

Magilumiere 90: Plot-wise I don’t have much to say about this chapter, but it’s fun to see everyone in the Manga Plus comments lamenting about Shigemoto being denied his magical girl dress.

Hmmmmm yeah okay, it’s the end of the line for Akane-banashi for me…I know I said I was going to stick with it for the rakugo stories, but I think I’ll just listen to a rakugo podcast or something. I’m glad I got to see fox Karashi before I went, though.

One Piece was fine.

CIPHER ACADEMY YAYYYYY I’m glad to finally learn more about Karigane and what a threat she can be! I also love when Byu’s eyes go into sniper mode, it’s such a unique character design detail. But oh boy……I tried so hard to get into mahjong when I played Yakuza 0, and I’ve since accepted that I’m just too dumb for it LMAO like, there’s no way I’ll ever be able to memorize all the point-winning hands, and I barely understand what a dora or tenpai is. I wouldn’t even be able to tell if I was winning if there wasn’t a video game telling me that I was…all of which is to say that this code battle is just going in one ear and out the other, I’m afraid. But I’ll just focus on the emotional journeys of the characters and I’ll still have a great time.

My friend and I finally marathoned a ton of House episodes, but they were all pretty standard fare. I can’t believe we’re only halfway through season 5 and there’s still four whole 22-episode seasons left…they really let TV shows go on forever back then, huh? What’s really surprising to me on this rewatch is how Taub has become my favourite character…? He’s pragmatic, self-aware, and doesn’t tend to get caught up emotionally – my kinda guy.

Monday

Finally got around to watching the Dirty Laundry episode that came out like two weeks ago. This one was pretty fun, with one or two wild stories, but still doesn’t reach the heights of some of the earlier Dirty Laundry episodes for me. And every time I watch, I think about how hard it must be to cast for this show, because not only do you have to get good comedians, you have to get four of them who are familiar enough with each other to have funny banter and to actually guess whose secret it is… And I fear that their talent pool is running out…or rather, their talent pool of people I recognise and would like to see on the show is running out.

Watched the new Make Some Noise episode while I was at it and I love seeing Jacob again, his energy with Lou is really fun. I feel like some of the prompts this season have been a little…subpar, though… I don’t like the ones where it’s just a pop culture reference that’s basically only one obvious joke, or the ones where there’s no real room to expand… But I think the guests this time did the best with what they got. But holy shit I did not enjoy the minigames in this episode…

Tuesday

Agh

Wednesday

Ack

Thursday

Aghhh

Friday

It’s been a busy week… I’ve gotten sucked into all my various projects and errands…but I always have time for new Undead Unluck episodes. Unfortunately, this was probably the weakest episode in the series so far. Story-wise it was a lot of setup for next week’s fight, and visuals-wise…look, I get it, there’s literally no other way they could feasibly do this on a TV anime schedule, but goddamn the 3D zombies look goofy as hell… I really hate seeing 3D human models in 2D anime, it just never looks convincing and completely takes me out of it. But it is what it is, I suppose.

I loved the part in the beginning of the episode though, where Shen was being cute and having fun banter with Fuuko. And then the fish-eyed lenses effect to amp up the horror vibes when they were listening to the recording was also a nice touch. Now I’m just really looking forward to seeing if Shen has his little unhinged moment next week. (Special shout out to the cameo from Mr. Spongebob himself, that made me laugh).

Saturday

Pretty good episode of SpyFam today. I love seeing the tension racket up as Yor and co. realize that they’ve been found out – the scene with the room service guy was particularly excellent. The Anya segment provided a nice balance of comedic relief, though perhaps it dragged a bit longer than it needed to. I’m excited to get into the assassin battles proper next week.

It’s fun to be eating Chinese food while watching Kusuriya, especially when it’s a super spicy mala dish…I feel like I’m doing a poison mukbang with Maomao. Rihaku is really cute in anime form! The Garden Party as a whole was adapted about as well as I could’ve expected, but I think I just prefer seeing it in manga form for whatever reason…probably something to do with the pacing of reading the dialogue versus watching it being spoken aloud.

Pretty barren week, huh? I wish I could say I was being productive the whole time but it’s more like I got sucked into my hobbies while watching a lot of YouTube in the background. Hopefully next week will be more eventful.

[miredinmiddleearth]

Rings of Power, Ep. 7 Review - RIP

I’ve made it this far...Buckle up, mellon. Time for my thoughts on episode seven:

1. Dang. Everyone survived. Whelp, except that guy whose name I neither remember nor care to remember.

2. Wait, they SURVIVED?! Heat alone would do the trick, but pretending they survive the heat, that’s not snow they’re walking through! The ash would finish off anyone left! Look, LotR doesn’t have the best history with believability when it comes to volcanoes, but Rings of Power keeps professing it is meant to feel grittier and more realistic. So much for that, I guess.

3. The scene where Durin begs his father to help Elrond is actually poignant...and it makes me angry. Here’s why -

Lore/book reason the dwarves awake a Balrog: they were too greedy and dug too deep.

RoP reason the dwarves awake a Balrog: Durin is desperate to help his friend.

Writers, do you not see how thematically misaligned and stupid you are being?!

4. So now we know how the mithril cures the darkness. Apparently you just sit beside it. Wait, that begs the question, why do you even need to mine for mithril? Couldn’t the elves just book a mithril session and hang out int he caves for a bit? Totally cured.

5. Miss Pro-Genocide Galadriel gives a lecture on goodness and letting go of revenge. HA. That’s rich! Have we seen literally any evidence of a mind-change or reason she grew between the last episode and this one? Psh, no. Why would we need such a thing? 

6. I actually found the scene where Miriel realizes she’s been blinded quite decent, as well! Amazing! In an ACTUAL display of strength (not whatever fake nonsense we’ve seen the women display prior), Miriel must maintain composure and pretend she can see so she can be strong for her people. They actually did something good? 

Don’t make me laugh. The next time we see her, she’s wearing a blindfold, not hiding her blindness in ANY way. Apparently she only needed to fake being strong for a short horse ride.

7. When the heck did they have time to set up camp? At least the show is consistent. They’ll always fail to include what’s actually relevant. 

8. Apparently we need to waste time worrying that Isildur, the incredibly vital character from later tales, is dead. Great use of time. Proof upon proof upon proof of the ineptitude of the writers.

9. Galadriel finally said her brother’s name! Her primary motivation, and it only took 7 episodes for his name to get dropped.

10. Celeborn DEAD?! They had me going for a second. But no. Clearly gotta come back (Galadriel says he went away to war and never returned). Still, super stupid. Brother motivates her but apparently couldn’t care less about her hubby. Also, she met Celeborn because he came upon her dancing? Seriously? You couldn’t give them their own meet cure? You had to steal Luthien and Beren’s?

11. Durin is going to mine all the mithril by himself? Great plan, dude.

12. So are we supposed to dislike the dwarf king? Because I don’t dislike him. Mining mithril is not safe. Period.

13. Cool burning of harfoot carts, but unclear how many perished. Unfortunately, I think they all survived. Alas.

14. SIgh. Bronwyn survived, too. Also, watching her fling her arms around her son’s neck reminds me that she was shot through the shoulder the day before. Healed up nice and dandy, apparently. Also, she’s awfully clean for someone that went through a volcanic blast.

15. I laughed the hardest I’ve ever laughed in this show when Nori’s dad gives his brethren a pep talk. He says the harfoots, better than anyone else, “stay true to each other.” I CACKLED. Harfoots stick together? The same harfoots who wanted to leave you behind. Who wanted to take off your wheels and leave you to die. Who didn’t offer a single ounce of assistance when you were injured. THOSE harfoots?! (The laughter continued when harfoot who proposed murder is declared “always right.”)

16. Halbrand survives to show his pretty face another day. HIs wound is infected and he must be gotten to the elves!

Oh wait, he’s fine. Walking around like the wound is nothing. No? He still needs immediate aid that will require a very long horseride? Okay...

17. I know they’re shooting for Disa sounding inspirational and supportive of her husband, but to me she just sounds straight up evil in that speech at the end? SHE sounds greedy and possessive and manipulative. Definitely don’t think that’s what they were going for...

18. Ah. She we’re not just changing greedy dwarvish motivations to helping a friend, we’re adding that a leaf woke the Balrog. What is this, Kung Fu Panda?

19. The introduction of Mordor’s name made me roll my eyes.

Just one episode left. Just one. The end is in sight. (Yes, I know they’ve started filming season 2).

[kindahoping4forever]

Watch Me Bloom: A Few Months Ago // Ashton Irwin

I’m so excited to finally share this with everyone! As I mentioned, the week leading up to Superbloom really inspired me. It was so hard to believe that just seven months prior, we were living the ups and downs of CALM’s release while this was a essentially a never ending parade of self-reflection and joy. My fic Release explored a relationship dealing with CALM and I thought it’d be fun to see what the Superbloom experience might look like thru the lens of a relationship. (I wouldn’t say it’s a sequel - in my mind, they’re different relationships- but you could call it a thematic companion.)

As always (but honestly even more so this time because omg this section especially changed again and again), my eternal love and gratitude to @cal-puddies​​ for always offering direction, notes, encouragement and a good roast when I need it.

Warnings: What a surprise, it’s Boyfriend!Ash. Brief quarantine mention. So much fluffy smut you’ll wonder if I’m alright. Oral sex performed on a female. Unprotected sex within an established relationship. This is the tame chapter, folks. The calm before the smutty storm, if you will.

Word Count: 3319

Watch Me Bloom Masterlist

Masterlist // Taglist // Ko-Fi

Let  me  know  what  you  think!

You sleepily roll over to snuggle your boyfriend but instead of being surrounded by the warm firmness of Ashton’s back, you feel cool air and the beginnings of a falling sensation. Your body jolts awake to catch itself, your brain making the unpleasant discovery that there’s no one laying next to you and you’re about to tumble off the couch. You shake your head upon realizing you once again fell asleep in the living room, watching TV.

It was a bad habit you fell into once Ashton got busy with his new project. You still hadn’t gotten used to falling asleep without him and a part of you can’t help but long for the early days of quarantine, when you spent the majority of your time lazily wrapped up in sheets and each other.

But as time went on, you started waking up alone and finding him sitting outside with a coffee, scribbling away on a notepad. Other days you’d wake up to the sounds of him already in the shower, singing gibberish words to fill out gorgeous melodies he dreamt of and is trying to perfect while he gets ready to take on the day.

He eventually showed those scribbles and shower songs to his housemate, Matt, who helped him shape them into demos, which they then decided to make into fully produced tracks. After weeks of rearranged furniture, strewn about instruments and dodging cables running through the hall, Ash gleefully shared that he planned to release these songs as his own album. You’d kissed him happily, shared in his joy and teased him relentlessly that it took him this long to tell you. You couldn’t have been happier for him and you loved seeing him excited about work again, especially after the frustration surrounding the band's album release earlier this year, but every night when you go to bed alone, you just miss him.

You shuffle into the kitchen and dump the rest of your long forgotten tea in the sink, turning on the tap to wash the cup. While you wait for the water to warm up, you cartoonishly stretch your arms over your head and loudly yawn.

“Long day?” A voice asks from across the room.

You chuckle and turn to greet Matt, who’s headed towards the sink with an armful of various mugs he and Ashton must’ve used for tea, coffee and water over the course of the day.

“Well, I got up earlier than usual and Ash had already made his side of the bed, so I’m sure it was nowhere near as long as yours,” you comment, reaching out to take the dishes from him.

He silently thanks you with a kind smile. “Yeah he was up and at it even before me today,” he admits, shaking his head. “Had quite the breakthrough today, though. I’m sure he’d love to tell you about it if you wanna pay him a visit.”

You lightheartedly scoff as you quickly wash the cups. “And also he’s just moved from your studio down to his and you think I can talk him into actually getting some rest?”

He laughs at how well you know your boyfriend. “I told him I was gonna call it a night but I don’t think he’s taking the hint,” he admits.

“Sounds like our guy,” you shrug, setting the clean mugs on the rack to dry. “I’ll pop by and check on him before I turn in.”

You head for the bathroom and quickly go through your routine; you mentally cheer when you turn on the light and see Ash’s green henley draped haphazardly over the bathtub. It smells like him so he must have just tossed it aside when he showered earlier; you inhale deeply as you slip it over your head and throw on a pair of sleep shorts before heading down to the basement where he’s working.

You tentatively make your way down the stairs, not wanting to startle him. As you suspected, he’s intently focused on his computer screen, dragging and dropping components of a track, trying to layer the elements just the way he wants, something he was recently so proud to tell you he had learned to do.

You knock quietly on the wall when you reach the bottom. He turns around to investigate and exclaims your name with far too much enthusiasm for the late hour. He opens his arms, which you know means he wants you to come sit on his lap. He greets you with a sweet kiss as soon as you sit down and hums when he recognizes the scent of your nighttime skin products. “Bedtime already?” He asks, sounding slightly disappointed.

You jab his side playfully. “Already? It’s pretty fucking late, dude,” you tease. “I fell asleep on the couch again.”

“Aww, baby, no,” he commiserates, stroking your arm empathetically. "You weren’t waiting up for me again, were you?”

“Maybe subconsciously,” you shrug. “Missed you a lot today. Dreamt about you last night. Dreamt about you while I was asleep right now. I dunno, it’s weird.” He hugs you tighter to him and you rest your head in the crook of his neck. “Matt said you had a good day, though?” You say in a bright voice, trying to compensate for your sad admission.

Ashton softly smiles and squeezes your leg, indicating he knows you wish you hadn’t told him what you did. “Yeah, it was crazy, I woke up with this song in my head and I had to rush down here before it went away,” he explains. “It was so clear in my mind - every instrument, every aspect of the production - and it took all day but we’ve almost got it exactly how I imagined it.”

You rest against him while he clicks around on the computer, playing you different files and explaining each step they took in their process that day. You watch him, instead of the screen, admiring the way he lights up when he talks about his art, the way his dimples just keep sinking deeper and deeper as he delights in telling you the inventive tactic they came up with to get the guitars to sound a certain way.

You peck at his cheek, enjoying the scratch from his light beard. “I’m so glad you had a good day,” you coo. “Think you might want to head up to bed with me now, though? I love seeing how happy this makes you but you’ve still gotta take care of yourself, babe. Still working when I go to bed and getting back at it before I wake up? It’s happening a lot and I get worried sometimes.”

He plays with the hem of your - his - shirt while he listens to your concern. “I know. It’s just easy to get caught up when it’s going good. And it’s all been going so good!” His wide smile turns to an understanding nod when he sees you lovingly shake your head at his excited excuse. “But I know you’re right, baby, I promise I have been trying to be mindful. Today was just the perfect storm.”

“OK,” you murmur, believing him for now, knowing you’ll surely be having this conversation again in a few days’ time. He tilts your chin up to him and moves in for a soft kiss. You sigh as his lips gently move over yours and you reach up to run your fingers through his hair; because of the lockdown, he’d been letting it grow and you were loving it. You’d convinced him to let you trim it a few times to keep it healthy and now you were obsessed with getting your hands on it all the time.

He starts to pull away but you let out a slight whine and bring him back in, deepening the kiss while you’re at it. He lets you lead the makeout as he wraps his arms around you, holding your body against his. You shift yourself in his lap so that you’re straddling him in the chair.

“Is this your plan to tire me out so I’ll come to bed?” Ash grins.

"Thought this was your plan," you tease, tugging his lip between your teeth. "You asked me to sit in your lap, I know your style."

He giggles as you start nipping at his jawline before making your way down his neck and settling in to kiss up and down his collarbones. He sits back and lets you work, running his hands up and down the back of your top, occasionally letting his hands wander down to appreciate how tight your sleep shorts fit over your ass.

“You’re markin’ me up, baby,” he laughs, attempting to detach your mouth from his chest.

You allow him to bring your mouth back up to his, darting your tongue across his bottom lip before saying with a smirk, “Something to help you remember me while you’re locked away working.”

Before he can respond, you move in to kiss him again and as you feel him growing hard underneath you, you lazily begin grinding on him. He groans and moves against you a few times before running a hand up the leg of your shorts.

He raises his eyebrows when he feels how wet you already are for him. “Aww, you really have been missin’ me, huh?” He teases, eyes shining in the dimly lit room. “You know you can always just tell me when you need me, that’s part of the fun of working at home.”

“Don’t wanna interrupt the artistic genius process,” you tease back, sitting further back on his thighs so you can palm him through his shorts. “Plus, I don’t think Matt would appreciate that very much.”

“I’d love it if we didn’t talk about Matt while your hand is on my dick,” he jokes, lifting his hand out of your shorts and up to his lips to lick. You roll your hips impatiently as you watch his lips suck your essence off his fingertips. “Mmm, sweet tonight, baby,” he murmurs. “Think I’m gonna need more.”

Ashton grips the backs of your thighs and suddenly he’s standing to lift you off of his lap and onto the desk in front of him. He deftly uses one hand to move his laptop and various hard drives to the side and uses the other to start tugging your shorts and panties down.

He drops to his knees and the surprise of that sight gets a low moan out of you. When he licks a stripe up your center, you take on a much whinier tone. “Babyyyy,” you try to reason with him, tugging on the collar of his white t-shirt. “I don’t wanna keep you awake any later than you need to be, let’s just fuck and get some sleep.”

He sits back on his heels, peeling off his shirt, flinging it behind him. “Heard my girl was missing me,” he counters, dragging a finger slowly through your wetness. “Gotta make sure you can make it through the day tomorrow.” His thumb plays gently at your clit while he runs his beard along your inner thigh - he’s learned you love the scratch - before fixing his mouth on your skin, clearly intent on leaving a large hickey.

You shiver when without much fanfare, Ash starts softly licking at your clit with just the tip of his tongue. “That’s my needy girl,” he says in a low voice that gives you almost as much of a chill as his mouth just did. Your brain constructs a witty reply but you’re not entirely sure the mumble that came out of your mouth made sense; his tongue is fluttering against your clit now and his hands are forcefully spreading your legs wider while somehow also tenderly massaging your skin.

You pry your hands off the edge of the desk where you’ve been bracing yourself and wrap them in his hair while his mouth works you, loving how his eyes dart up to thank you every time you brush a wayward curl off his forehead. It’s a great juxtaposition to the warning look you get when you start bucking your hips against his face. You didn’t mean to start getting rowdy but he slipped his fingers inside you at just the right angle and at the same time his beard dragged across your skin and his lips finally enveloped your clit - you couldn’t help yourself.

“Easy, sweetheart,” he soothes, sliding his hand underneath your shirt and laying his palm flat across your stomach to settle your movements. “Need it that bad? Could’ve sworn I had you the other night, you’re acting like I haven’t touched you in weeks.” His tone is the perfect blend of condescension and care and his words tease you almost as intensely as his fingers curling inside you.

Your reply is interrupted with a surprised moan when he fits his lips over your clit once again and starts sucking rapidly. “Maybe… having you… just makes… Jesus… makes me want you… mmm-more… fuck, babe, I’m cumming.”

You’re shocked by how fast and strong your orgasm hits you - maybe Ashton’s teasing wasn’t too far off and you are just that needy. You lay back on the desk, tugging at his hair, biting your lip to keep from crying out too loudly; try as you might, you can’t ignore the urge to grind against his mouth and the vibration from his groaning only adds to your pleasure.

He keeps at it until you push him away and you whine when he withdraws his fingers from you; you’ve just barely caught your breath when you squeeze his arm to get his attention, craving him near. He, of course, knows what you need and stands to tend to you. He brushes his fingers across your lips before cleaning the rest of your wetness off of them with his own mouth.

You’re pretty sure you see his cock jump in his basketball shorts as your tongue peeks out of your mouth to sample what he’s shared with you. “Taste good, baby?” He asks with heavy breath.

“Tastes better when I’m mixed with you,” you counter, pulling him in.

He moans into your passionate kiss, one hand trying to lean you back on the desk and the other yanking his shorts down. You resist his attempt, catching him off guard by pushing on his shoulders, guiding him back to his abandoned office chair; you climb in his lap to straddle him again, explaining, “Been wanting you like this all day.”

You take his cock in your hand and give it a few strokes before lifting yourself up and tapping your clit with the tip; you play like this for a minute, using him to tease yourself, rubbing your pussy on him, coating him in your wetness until he grabs your hips and sighs your name in a soft plea.

Smiling to yourself, you think maybe you should rib him about being as needy as you, except you don’t want to wait any longer to get him inside you; he watches intently as you balance yourself on the arms of the chair to line up and sink down on him. You groan together in lustful harmony at the feeling and you begin tentatively rocking your hips, enjoying the familiar stretch of him filling you.

You’ve got a moderate rhythm going when Ash starts playing with your nipples through your shirt; you slow your pace a bit and reach to pull the henley off when he stops you. “Leave it on,” he requests with a glint in his eye, fingers swiftly undoing a few buttons to expose more of your chest. “Now whenever I wear it, I won’t be able to stop picturing you riding me.”

You grin at him and lean back on his thighs, grinding slowly on his cock, trying to find that perfect angle. His hands are all over you, under and over the shirt, running over the tops and inside of your thighs; his grip eventually settles on your ass, kneading it and helping you bounce yourself on him.

You ride him at varying speeds, paying attention to the sounds he’s making and the way his body responds to your movements; you can’t get enough of seeing his jaw clench as he struggles not to fuck up into you, trying to let you have your moment.

He squeezes your ass so hard you know there’s bound to be finger shaped bruises in the morning. “Fuck, Ash,” you whisper, mouth against his ear. Your tongue flicks out to toy with his earring and the gasp you get in response is as satisfying as you’d hoped.

“Gettin’ close,” he strains, lifting his hips against yours slowly, thinking if he’s subtle enough maybe you won’t mind.

“God… same,” you tell him, speeding up and bringing a hand between your legs. “Wanna cum with you, babe.”

Ashton takes that as permission to be more blatant with his thrusting and as your breath starts stuttering, he even throws in a few slaps across your ass cheeks; his instincts are correct and within seconds you’re pulsing around him. Your eyes squeeze shut and flashes of white are all you see; you can tell by the tone of his voice he’s praising you as you orgasm but you can’t process what he’s saying.

His arms wrap around you and he holds you close as you squeeze his cock. You rock against him, working yourself through it when he buries his face in your chest to muffle an exhausted grunt as he cums inside you. You stroke his hair, murmuring how good he feels; he catches his breath and his embrace tightens around you as he pulls you into a soft yet sloppy kiss.

“Love you,” he says quietly, resting his head between your breasts again, beard prickling your skin.

You play with the thin chain he’s wearing, admiring the way the silver contrasts with the dark ink on the back of his neck. You’ve seen this side of Ash more in the past few months than you had the entire time you’d been together and it still takes you aback every time it comes out. “Love you too,” you whisper in reply.

He helps you off of him and you excuse yourself to the adjoining bathroom. When you return a few minutes later, he’s redressed, the desk is back in order and all his equipment is shut off.

“Bedtime?” You ask, pleasantly surprised.

He grins. “Like I’d be able to think about anything else tonight,” he reaches for your hand. There’s a comfortable silence as he starts to lead you out of the room before pausing at the foot of the stairs and turning to you. “You know I miss you too, right? When I’m working all the time like this? I think about you a lot.”

You lift your joined hands, kissing his knuckles. “I know, babe, I’m sorry if I made you feel bad when I said all that, I was just tired,” you frown slightly.

Ash slings his arm around you, kissing the top of your head. “Can I tell you a secret? This shirt was actually clean, I sprayed it with cologne and left it out for you,” he laughs, tugging at your collar. “Wanted to wear tomorrow and spend the day having you close to me.”

“Ashhhh, that’s so sweet it’s almost gross,” you aww. He chuckles as you hop onto the step in front of him and peck rapidly at his lips. “Bold of you to assume I’d let you have it back, though.”

He snorts and follows you up the stairs. You turn to him at the top. “Make you a deal: if you’re still in bed with me when I wake up tomorrow, the shirt’s yours.”

He spins you around and gives you a gentle swat, directing you to the bedroom. “Deal.”

————-

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[brokendictionary]

Some thoughts on Romani

I created this account to dump thoughts on general. All the Solomon-topic bubbling up some weeks ago with the movie made think about Romani again. 

But I think Romani’s a good character, at least he resonated well with me and I think he resonates pretty well with FGO’s story as a whole. 

FGO like pretty much every Nasu story is an extremely humanistic narrative that cherishes humanitarian values on its greatness. While stories like Tsukihime or Fate/Stay Night deal with people trying to become human again, or trying not to fall into a dead-end path, FGO in turn is the journey about someone who was never human but wanted to become one.

Saying that I remember read in "Anatomy of a Story" something that sump up well what characters like that mean to a story: 

"We might say that theme, or what I call moral argument, is the brain of the story. Character is the heart and circulation system. Revelations are the nervous system. Story structure is the skeleton. Scenes are the skin."

Good characters are the heart of a story, they're meant to be what moves the story and the ones who tell the reader what it's all about. Its themes, arcs, questions and messages are the story itself.

The big thematic point of FGO's first arc is about freedom of choice and identity self-recognition about who you are as a person; Mash was born and raised as someone who was not allowed or taught the act of thinking for herself or having autonomy as someone. Her journey is to find herself and who she is, what she want to protect and acknowledge her own wishes. However it's the same journey that we see Romani take throughout it. King Solomon was said to be an inhuman, god-responding machine who never acted for people as individual. A living weapon who fulfilled only the role he was given.

In the very same book Truby explain something very important for our hero's arc that's “You hero has two things: what they want and what they need, and what they need was never what they wanted to being with. That's what their journey is all about. Of course, stories are never formulaic, this is just one of the many structures that can be adopted in the construction of a protagonist. But I particularly believe that it is the one adopted here.”

Even after having his wished by the Holy Grail Solomon hadn't progressed in nothing. Faced with a journey from scratch trying to help humanity on his own and after joined the Marisbury's venture he still didn't see how what he saw could be prevented. The most interesting thing about all this is that even though he understood people more, he was still one step behind the very wish he made; Romani was still afraid to trust people as a reflection of his old self. Other than that, he still lacked his sense of freedom, a big reason Romani several times in early events and Interludes said he loves sea adventures is probably because they're the very representation of a boundless freedom. At least, on my perspective.

While Romani was more human than before and was working with one of our "gotta save humanity" guys, there was still a fundamental flaw that wasn't solved in his persona yet. Just like he always did - by again sitting from a chair he saw things from afar; what he observed was the journey of a girl like him, who was raised to be a nobody. A machine tp serve to others and wasn’t meaning to even think on her own. This same girl learned the value of recognising, prioritising and valuing her own desires, of using her power to defend what she believed was right, the value of a someone's freedom, the importance of what protecting others means, the maturity of recognising one's own past and finally how precious the value of life holds during mere seven singularities. In the end such a young life did what King Solomon never did in his lifetime: she acted. Not because she was ordered, or simply because the notion of protecting an organisation, but because it was something she just wanted to do out of her own heart. And faced with this ephemeral life that meant more than any achievement, Romani decided to follow her example and do something he never did: act. King Solomon rose from his chair not to prevent a great extinction or create a great civilisation but simply to protect what he believed he should protect from his heart - from his own will. Mash's journey compelled the most inhuman and exempt of figures to do something he never did and acknowledge his own desires with the freedom he felt he had to act for it.

In the end Romani never got what he strove so much to achieve, but achieved something more meaningful. Once again representing the beauty of a life that accomplishes much just by existing, Romani sacrificed himself for what he believed in, regardless of whether what he saw was forewarned or not. As the journey of the last person who could display humanity ended and along with that to demonstrate the beauty of how small, but meaningful a single man’s life can be.

And in "The Story", Robert McKee illustrate very well what a character is about in that sense:  "We cannot ask which is more important, structure or character, because structure is character; character is structure. They’re the same thing, and therefore one cannot be more important than the other."

Romani is the very living representation of FGO's overall message. The message of humanity from Arc 1. As well as his loss, his speech about how beauty exists in small lives is the representation of Arc 2 whose message is about how everything must come to an end, but that end doesn't always mean something bad, but that its existence was good enough to be praised in what it achieved in such a short period. A thematically weighty character who represents and exposes everything this story is about in every aspect, and cannot exist without the story, just as this story cannot exist without him.

Thanks for your time reading it. I may have misinterpreted numerous conceptions about the character, so my apologies.

[holdharmonysacred]

I keep trying to write this long post about my thoughts and theories on what the hell is going on in the Hanako-kun arc in the manga right now now that I remembered that That Is A Thing but somehow my brain just keeps melting after a while trying to actually write it.

The TL;DR of what I think is that the Seven Mysteries system and whatever the hell Nene’s job as Priestess is within that system either evolved from or highjacked the sacrificial system the town originally ran on, but it didn’t actually dismantle the sacrifice system, so all those old rules are still in place and still Causing Problems even though nobody in town wants to do human sacrifice anymore and have moved on to other ways of managing their hauntings problems. Nene as Hanako’s assistant is the Official Priestess, with the role apparently gaining some more Jobs over the centuries beyond just Die, but Aoi inadvertently snatched the role away when she fell into the hell pit and died because she’s part of the family line that originally held the role, and this is probably why Nene suddenly got Lifespan (I would bet dollars to donuts that her impending death is the result of supernatural antics). Shinigami/No. 6′s rumor is probably the result of him still doing his job as someone enforcing the ritual even as the town stopped doing the thing, leading to his rumor undergoing some folkloric evolution into “we gotta stay up all night to make sure we don’t get snatched up”. The hard living world/netherworld boundary sealing in recent chapters is probably a direct result of those old sacrifice rules suddenly getting enforced again, closing the hell pit and yeeting all the spirits back in.

I don’t really know how the gang is going to solve any of this, though actually taking the time to dismantle the sacrifice rules feels like it’ll be a step at some point. Tsukasa and the Buzzfeed Unsolved kids probably have their own ways of bypassing the sealing, given that Kou very inexplicably isn’t freaked out about Mitsuba being gone Again even though he probably would’ve been yeeted once the hell pit got closed. The hell pit sealing and yeeting of all the spirits and Aoi’s death more likely than not will get undone however, because while all of this force-solves a lot of the problems in the series, it defeats one of the big thematic points the series is going for of confronting problems head on and finding third options and getting humans and spirits to cooperate rather than going “yeah we gotta die/kill each other”.

[hamliet]

On Privilege and Parallels: MianMian and SiSi, Wei WuXian and Jin GuangYao

Aka two minor characters who happen to be some of the only female characters who survive MDZS. Granted a lot of characters don’t survive MDZS, but it’s definitely lopsided gender-wise. However, no story is perfect. 

(brb crying forever)

Anyways, what struck me while rereading certain parts of MDZS after watching The Untamed was how these seemingly very minor characters actually have quite important thematic roles. On the surface, both MianMian and SiSi appear to be plot devices as neither really has a character arc and yet both play important roles in two of the novel’s turning points: Wei WuXian, Jin ZiXuan, and Lan WangJi saving MianMian essentially kicks off the Sunshot Campaign, and SiSi and BiCao’s stories turn the tides against Jin GuangYao. But these characters have a lot of similarities, and these similarities reflect on their respective foilings with the main protagonist and final antagonist (Wei WuXian for MianMian and Jin GuangYao for SiSi). 

In the cave, MianMian is targeted by JiaoJiao purely because JiaoJiao is jealous. After she survives the attempt to tie her up and use her as bait, she is then captured and JiaoJiao tries to burn her face off. Wei WuXian intervenes, getting his flesh branded in the process. 

And what’s worth noting is that we see this precise situation later on through SiSi. A merchant’s wife was jealous and had her face cut seven or eight times, leaving her scarred and unable to work. 

What’s thematic about this is that it relates to what Wei WuXian observes: society is always going to find a villain.

Instead of JiaoJiao taking her anger out on Wen Chao, or the merchant’s wife on the merchant, they target the objects of their respective partners’ affections. (It’s also worth noting that JiaoJiao is actually a mistress anyways, not Wen Chao’s wife.) In these situations, MianMian and SiSi have considerably less power than JiaoJiao or the merchant’s wife; regarding MianMian, she’s noted to be “the daughter of a servant,” regarding SiSi, obviously, she was a prostitute and we’ve seen how society treats a well-known and educated prostitute like Meng Shi. We can only imagine how they’d treat SiSi. 

Along these lines, Wei WuXian empathizes with Jin GuangYao towards the end of the novel, and observes much the same:

These stories and rumors were indeed familiar. Wei WuXian recalled how back then countless people told stories of him kidnapping a thousand virgins to his demonic cave at Burial Mound, ravishing them day and night to cultivate the dark path. He found it somewhat funny, Fine. No matter what, the things they said about me were definitely better than what they’re saying about Jin GuangYao.

Jin GuangYao was not the villain society claims he is; he did not build a temple to himself as they observe, but for his mother: a scorned prostitute who lived a life of sacrifice to give him a chance:

As one sect leader saw the features of the Guanyin statue, he first paused in surprise, then pointed at it for others to see as though he found something new and interesting, “Look at its face! Doesn’t it look like Jin GuangYao?”

Everyone mused after they looked, “It’s his face indeed! Why would Jin GuangYao make such a thing?”

Sect Leader Yao, “To declare himself a god with wild arrogance, of course.”

“Arrogant indeed, then, hahaha.”

Wei WuXian thought to himself, No, not necessarily.

Jin GuangYao’s mother was seen as the lowest prostitutes, so he decided to carve a Guanyin statue with his mother’s appearance, receiving the worship of tens of thousands.

But there was no use in saying all that. Nobody knew with more clarity than Wei WuXian that nobody would care and nobody would believe him. Anything related to Jin GuangYao would be given the most malicious conjectures and passed through the mouths of the crowd.

And that’s another parallel between MianMian, Wei WuXian, SiSi, and to a lesser extent Jin GuangYao as well (I’ll get into where he differs later). MianMian, Wei WuXian, and SiSi will stand up for what they believe is right, for the people they care for, no matter who stands against them. MianMian narrowly avoided the social implications of getting her face ruined, as Wei WuXian observes:

Wei WuXian, “It’s not like I had any other choice, right?... MianMian is a girl, and quite a pretty girl, at that. If she was blind in an eye or such a thing gets onto her face, it wouldn’t be able to come off for the rest of her life. How bad would that be?”

Lan WangJi spoke in a thin voice, “The thing on your body right now will not be able to come off for the rest of your life either.”

Wei WuXian, “That’s different. It’s not on the face. And I’m a man—what am I scared of?”

These are implicitly gendered as well. Yet she chooses to throw her reputation away anyways to shame her sect for their treatment of Wei WuXian. Nie MingJue even observes "The woman has much more backbone than the mob of her sect” after they again judge her on the basis of her gender:

“There’s no need for me to say anything. You know, deep down, and we know too. You fell for him back in the cave of the Xuanwu just because he flirted with you? You’re still arguing for him, calling white black no matter how irrational it is. Ha, women will always be women.”

SiSi too stood up for Meng Shi when all the other prostitutes were badmouthing her, when she was humiliated, and challenged the men who were gawking at the humiliation:

[they were] chuckling as they told the story of the poor old woman to their clients just like AnXin did. Only one of the ladies squeezed through the doors. She took off the gauze robe that was so flimsy to begin with, revealing half of her full, snowy breasts enwrapped by a crimson slip, her waist was exceptionally thin as well. She was more than eye-catching and everyone hurried to take a look at her.

The lady spat, cursing, “Keep on looking, you bastards! Do you have the right to look at someone like me? With each look you gotta pay—where’s the money?! Come, where’s the money?!”

As she cursed, she reached out and asked the bystanders for money. The crowd dispersed somewhat, and she threw the robe she took off onto the woman, the two of them staggering into the main hall...

She challenges society thereby, pointing out that if they’re going to gawk at a woman’s fate, they might as well pay up, because they’re the ones who employ the women in the brothel, they’re the reason they resort to this fate. Society is to be blamed more than anything or anyone else. 

But their fates differ. MianMian is able to marry a man who supports her in night hunts despite her lack of sect belonging; she finds belonging and happiness outside society (which is a theme). 

Luo QingYang gazed at her husband, smiling, “My husband isn’t of the cultivating world. He used to be a merchant. But, he’s willing to go night-hunting with me…”

It was both rare and admirable that an ordinary person, and a man at that, would be willing to give up his originally stable life and dare travel the world with his wife, unafraid of danger and wander. Wei WuXian couldn’t help feeling respect for him.

We’re not given a clear answer to SiSi’s fate, and I’m not going to assume it’s negative, but it’s worth noting that SiSi is literally saved by and yet locked up by Jin GuangYao, which is symbolic of both Jin GuangYao’s choices and how society treats women like her: they are forever categorized by a life they quite possibly didn’t choose. Their scars repulse people. 

The woman spoke with no shame in her voice, not at all trying to beat around the bush. Many of the female cultivators covered their lips with their sleeves, while the men frowned. Sisi, “After my face became like this, my days were different from before. Nobody wanted to spare me a single glance, let alone do my business. My original brothel kicked me out. I didn’t know how to do anything else, but I couldn’t take in any business at all, so I joined up with the older sisters. Their customers didn’t have high demands. If a job is up, I’d tag along with them. I could manage with my face covered up.”

At this point, some of the people couldn’t take it any longer. They let the contempt in their eyes pour out without any intent to cover it.

But Jin GuangYao, to whatever extent it matters--and Wei WuXian remarks that he thinks it does matter--saved Sisi even though he had to know not killing her would likely come back to bite him. He doesn’t stand up for people against society, but he does surreptitiously find ways to protect those who were kind to him.  

“Speaking of it, that SiSi used to be quite the well-known prostitute back in the days. With how old she is, I couldn’t even recognize her. What a fucking hag. It was quite the torturous death for Jin GuangShan too, hahahahaha…”

“Props to Jin GuangYao for thinking of such a way to kill his dad. A perfect match. Absolutely perfect!”

“It’s quite a mystery—why didn’t Jin GuangYao kill that old prostitute? Witnesses should be silenced. Is he an idiot?”

“Why should he be an idiot? He’s the seed of Jin GuangShan, after all. Maybe he’s a lover of affairs too. Maybe he’s got special tastes and has… haha, an unspeakable relationship with SiSi?”

“Hah, I think so too, but don’t the stories say? Because he engaged in incest with his sister-by-blood, Jin GuangYao was so shocked he somehow fell ill in an unspeakable way, so even if he wanted to, he couldn’t, hahaha…

This is exactly what doomed Jin GuangYao insofar as his choices are concerned: he both hated society that treated his mother terribly, knew it left him with little choice, and yet still chose to be a part of it. He chose to keep himself locked up instead of seeking a more meaningful life outside of society’s approval. 

The symbolism of SiSi being locked up for so long is what happens to Jin GuangYao as well. We see both him and Wei WuXian categorized by their parents: Wei WuXian is disparaged as a “son of a servant” and Jin GuangYao as the “son of a whore.” 

Wei WuXian, however, was given a chance, a chance that enables him to save MianMian from being forever categorized by her scars: he was found on the streets by Jiang FengMian. However horrible Madame Yu was to him (and she was), however he was rumored to be the illegitimate son of Jiang FengMian (which while it’s unlikely, the novel never directly gives an answer to), he had support and love growing up. He had cultivation taught to him, and he thinks this:

if Jiang FengMiang hadn’t take him back to Lotus Pier, perhaps he wouldn’t cross paths with cultivation his whole life. Then he would have never known that such a magnificent path existed in this world. He’d only be a head beggar who roamed the streets, fleeing at first sight of a dog, or maybe looking after cows and stealing other people’s crops in the countryside, playing his flute to pass his time. He wouldn’t have known to cultivate, and he definitely wouldn’t have had the chance to form a core. With such thoughts, he’d felt much better.

Take it as repayment, or take it as redemption. Take it as he’d never received the golden core to begin with.

Jin GuangYao did not have this. He grew up as a poor child in YunMeng just like Wei WuXian, but no one stood up for him save his mother and SiSi. When he found his way to his father’s house, as the actual illegitimate son, Jin GuangShan had him kicked down the stairs of Koi Tower instead of welcoming him. Madame Jin abused him physically as well as emotionally (Madame Yu’s, to our knowledge, was primarily verbal/emotional):

Blood streamed down from [Jin GuangYao’s] forehead, but aside from the wound from the fall, there was also an old wound from before, wrapped in bandages. It had been hidden only because he was wearing the black gauze cap. Now, both wounds gaped open...

Lan XiChen walked as he spoke, “Brother, I am afraid that you do not know. Our third brother really is in a terrible situation as of the moment... His mother never liked him to begin with. After ZiXuan-xiong passed away, she often hit him and scolded him.

Wei WuXian never fully fit in with society, and no one tried to integrate Jin GuangYao with it without removing the labels and boxes they put him in . He only achieved a place in society via lies and deception that just turned out to be another box, leaving him to be trapped in a literal locked coffin for at least a hundred years. He’s fully responsible for his choices that led to his tragedy, but it’s foolish to say that his circumstances did not contribute to them as well; take Wei WuXian’s word for it, not mine. Society is a monstrous, toxic creation in MDZS, and Jin GuangYao’s focus on its approval instead of on the people who loved him’s approval (Lan XiChen, even Nie MingJue) led to him doing monstrous things to vulnerable people who had no choice in their circumstances either (namely, A-Song and SiSi’s shunned prostitute friends). 

It’s still remarkable to me how often I see takes arguing that Jin GuangYao=bad and Wei WuXian=good, when, while everyone’s entitled to their opinion, the story’s themes directly contradict this. Both of them messed up, and Wei WuXian made better choices than Jin GuangYao did ultimately. However, Wei WuXian also was had support from a young age in ways Jin GuangYao never did, and the novel goes out of its way to point this out. It’s hard for servants, prostitutes, the disabled (Xiao XingChen), the disfigured, women, to find a place in a society that scorns them. It’s directly criticizing privilege beyond sociopolitical boundaries and points to the privilege in people’s experiences as well, emphasizing the importance of empathy in solving problems. 

Wei WuXian is warned numerous times that empathy is dangerous, yet he uses it more than once in the novel. Jin GuangYao asked Nie MingJue for empathy several times, and was rebuffed (though Lan XiChen did give him empathy to an extent... but there’s more to that which is a topic for another meta). Ironically, the one who empathizes with Jin GuangYao in the end, who understands him most, is Wei WuXian, because they were not that different in the end. 

[sternbilder]

Camille Has Many KDrama Thoughts

As some of you have possibly noticed, I have recently fallen into a KDrama hole and I can’t get up, and I have just finished my 10th drama, which seems like less of an accomplishment than I thought now that I say it out loud, but anyway,

As a checkpoint/thinly veiled plug of some shows I love very much, here is a very long post with some of my thoughts on all the KDramas I’ve seen so far, as well as what’s next on my list, in case you too were interested in joining me in nonexistent fandom hell!

So firstly, all of the dramas I have watched to completion, in the order of how much I like them. First, my top five:

1. Sungkyunkwan Scandal (2010). My #1 favorite drama to date. I’ve probably watched it in full 4-5 times, and it’s still an absolute treat every time. Is it the best drama I’ve ever seen? Probably not. But it’s so fun and charming that it’s just gotta be at the top of my list. 

The best way I can describe this drama is Ouran High School Host Club, except in Joseon era Korea, and instead of flirting with girls the main characters learn about Confucianism and solve mysteries and play sports (twice) and end up accidentally involved in a complicated political scandal. Also, that one text post about how Shang from Mulan is bi because he falls for Mulan while he thinks she’s a man...This drama has that, except actually canon. And while I won’t pretend this is show is a shining beacon of representation, there are multiple main characters who are explicitly not heterosexual and several others with very plausible queer readings, which earns it a very special place in my heart.

As for the actual premise of the show, it’s basically about a wonderfully determined and kind and clever but lower-class girl whose writing skills catch the eye of the most stubbornly strait-laced but idealistic aspiring politician-type on the planet. She ends up getting a one-way ticket to the most prestigious school in the country, except she has to pretend to be a man the entire time because women aren’t allowed to be educated at this time. 

It’s a bit of a silly, cheesy show, and here are many wacky shenanigans, but the main cast is full of incredibly highly endearing and multifaceted characters, there is a lot of sexual confusion, the slowburn roommate romance has an incredible payoff, and it’s also full of deeply moving social commentary about class, privilege, and gender roles. This drama is a blast and I could go on and on about what I love about it, I absolutely adore it to pieces.

2. Six Flying Dragons (2015-2016). I debated between this and Tree With Deep Roots (next on my list, to which SFD is a prequel) as my #2 but I do think I want to place SFD higher just because it's the drama that I keep thinking about even after finishing it. of course, it has the dual advantages of 1) being released chronologically later (and having better production value, etc., because of this) and 2) being twice as long, but there’s just so much stuff to unpack with SFD that it makes me want to keep coming back to it. 

The show is about the founding of the Joseon dynasty, and six individuals (half of whom are based on real historical figures and half fictional) whose lives are closely tied to the fall of the old regime and the revolution that brought in the new. It has an intricate, intensely political plotline based on the actual events that happened during this time, and though this may sound kind of boring if you’re like me and not super into history (admittedly, the pacing in the beginning is a tiny bit slow), it quickly picks up and becomes this dense web of character relations and political maneuvering. Though none of the major events should come as a surprise if you’ve seen TWDR or if you happen to already know the history it was based on, the show adds such a depth of humanity and emotion to every event and character that nothing ever feels boring or predictable. As a matter of fact, there are several events that were alluded to in TWDR that, when they actually happened in SFD, left me breathless--because although I 100% knew these were foregone conclusions that were coming up at some point, I still had a visceral moment of, “oh no, so that’s how that came to happen.” 

But though I really enjoyed following the story of SFD and learning about the history behind it, the highlight of the show for me is definitely the great character arcs. I loved TWDR’s characters, too (especially Yi Do, So Yi, and obviously Moo Hyul), but with double the episode count SFD just has so much time for rich, dynamic character development, and I absolutely loved seeing how these characters grew and changed over time when their ideologies and fates collided in this turbulent and violent age: How young and ambitious Yi Bang Won eventually spiraled into a ruthless tyrant, how the naive and kind-hearted Moo Hyul struggled to retain his humanity in a bloody revolution that challenged his values and loyalties to the core, how the fiercely determined and idealistic Boon Yi grew into a pragmatic and capable leader who comes to realize what politics and power mean for her and her loved ones. 

SFD was also everything I wanted as a prequel to TWDR--I loved seeing the contrasts between some of the TWDR characters and their younger selves in the SFD timeline: The hardened and ruthless Bang Won as a passionate and righteous adolescent, the cynical and resigned Bang Ji as a cowardly boy who grows into a traumatized and bitter young man, and my personal favorite character, the comically serious bodyguard Moo Hyul as the very model of the dopey, lovable himbo archetype. And though the ending was controversial among fans (particularly those who watched SFD first), I loved how it closed all the loops and tied it back to the events of TWDR, both providing that transition I wanted but also recontextualizing and adding new meaning to the original work. I think it's still a very good drama on its own, but this hand-off is what really sealed the deal for me personally, because it was not only super emotionally satisfying to watch how the stories connected, but it elevated TWDR to something even greater (suggesting that Yi Do and the events of TWDR was the culmination of everything the six dragons fought so long and hard for), which is exactly what I expect from a good prequel. 

I’ve already talked so much about this drama but I also do need to mention that the soundtrack to SFD is A+, and the sword fights are sick as hell. There is also some romance, though it’s not really a focus--and all the pairings that do exist are extremely tragic, which is exactly up my alley. Overall, this is a hell of a historical drama, coming of age, villain origin story, and martial arts film in one, and I highly recommend it.

3. Tree With Deep Roots (2011). The sequel to SFD, though it aired first chronologically. Although this show isn’t one of those shows that I could rewatch once a year like SKKS or keep ruminating on like SFD, TWDR (much like Les Mis, or Fata Morgana) is thematically the kind of story that just makes my heart sing.

The story centers around the creation of Hangul, the Korean alphabet, by Yi Do (a.k.a., King Sejong the Great, who is the son and successor of Yi Bang Won, the main character of SFD) as well as two fictional childhood friends whose backstories and ambitions become central to the story of how and why this alphabet came to exist. Not only is the actual process of creating this alphabet absolutely fascinating from a linguistic and scientific POV, but the show dramatizes Yi Do’s motivations in a way that’s so incredibly touching and human--portraying the king as a soft-hearted and extremely charismatic yet fundamentally flawed and conflicted figure who tries so desperately to do right by his people. 

The show explores both a number of personal themes like redemption, atonement, and vengeance, as well as broader societal themes such as the ethics of authority, the democratization of knowledge, and the power of language and literacy. Though the show never forgets to remind the audience of the bitter reality of actual history, it’s still a deeply idealistic show whose musings on social change and how to use privilege and power to make the world better are both elegant and poignant. 

Romance definitely takes a backseat in TWDR, even more so than SFD, though this isn’t something I personally mind. There are, however, a lot of interesting politics surrounding the promulgation of the alphabet, including a string of high-profile assassinations--if SFD is historical/political-thriller-meets-action-film, then TWDR is historical/political-thriller-meets-murder-mystery, and it’s an incredibly tightly written and satisfying story whose pieces fall into place perfectly. Though not the sprawling epic that SFD is, TWDR is an emotional journey and an extremely well-written story with a TON of goodies if you’re as excited about linguistics as I am. 

4. White Christmas (2011). My first non-sageuk on this list! White Christmas is, in a lot of ways, an odd drama. It’s an 8-episode special, and featured largely (at the time) new talent. it’s also neither a historical work nor romance-focused, but instead a short but intense psychological thriller/murder mystery. 

The premise is this: Seven students at a super elite boarding school tucked away in the mountains receive mysterious black letters that compel them to remain on campus during the one vacation of the year. The letters describe various “sins” that the author accuses the students of committing, as well as the threat of a “curse” as well as an impending death. The students quickly find that they’re stranded alone at the school with a murderer in their midst, as they are forced to confront their shared histories and individual traumas to figure out 1) why they’ve been sent the letters, and 2) how to make it out alive. At the center of the survival game the characters find themselves in is a recurring question: “Are monsters born, or can they be made?”

If you’ve been following me for a while, it’s easy to see why I was drawn to this drama. In terms of setup and tone, it’s Zero Escape. In theme, it’s Naoki Urasawa’s Monster. It’s Lord of the Flies meets Dead Poets Society. or as one of my mutuals swyrs@ put it, Breakfast Club meets Agatha Christie. The story is flawlessly paced with not a scene wasted. There’s so much good foreshadowing and use of symbolic imagery, and though I’ve watched it at least 3-4 times, I always find interesting new details to analyze. The plot twists (though not so meta-breaking as ZE) are absolutely nuts, and aside from the somewhat questionable ending, the story is just really masterfully written.

Above all, though, WC is excellent for its character studies. Though I typically tend to stay away from shows that center around teenagers because I don’t find their struggles and experiences particularly relatable, WC does such an excellent job of picking apart every character psychologically, showing their traumas, their desires, their fears, and their insecurities. We see these kids at their most violent and cruel, but also their most vulnerable and honest. Their stories and motivations are so profoundly human that I found even the worst and most despicable characters painfully sympathetic at times, as cowardly and hypocritical and unhinged as they became. 

Like I said, it’s only 8 episodes long with probably the best rewatch value on this list. My only complaints about it are its ending, as well as its relative lack of female characters, but otherwise I would absolutely recommend.

5. Signal (2016). Okay, this might be the recency bias talking because I just finished this series but I'm sure but I'm still reeling at the mind-screw of an ending and I feel like it deserves a place on this spot just for that.

Signal is a crime thriller based on a number of real-life incidents that happened in Korea in the last 30 or so years. In short, a young profiler from the year 2015, who has a grudge against the police after witnessing their incompetence and corruption twice as a child, happens to find a mysterious walkie-talkie that seems to be able to send and receive messages from the past. on the other end is an older detective from 2000 who tells him that he’s about to start receiving messages from his younger self, back in 1989. Through the seemingly sporadic radio communications, the two men work together to solve a series of cold cases, which begin to change the past and alter the timeline.

As they solve these cases, expose corruption within the police department, and correct past injustices, the two men (along with a third, female detective who has connections to both of them) also begin to unravel the mysteries of their pasts, as well as why and how they came to share this connection.

Like WC, the story and pacing of this drama were flawless, reminding me of an extended movie rather than a TV series. I was on the edge of my seat the entire time, and the 16-episode run went by in no time at all. I always love timeline shenanigans and explorations of causality and fate and the consequences of changing the past, and this show has oodles of that peppered with the heartbreakingly tragic human connections and stories that the main characters share. The main pairing has great chemistry and gave me exactly the pain I crave from a doomed timeline romance, and the cinematography and soundtrack were also beautiful, which also contributed to the polished, cinema-like feel.

My only complaint is that I wish that the ending felt more like an ending, such that the drama could stand on its own. I do realize this is because there’s a second season coming, but right now the show feels somewhat incomplete, ending on a huge, ambiguous cliffhanger/sequel hook and with several loose ends. I obviously can’t give a final verdict until the entire thing airs (and I typically don’t like multi-season shows, so I will wait for the next season to come out both reluctantly and begrudgingly), but even where the show leaves off I still did enjoy it immensely.

...And now, some brief thoughts on the other 5 shows I’ve watched, because I ran out of steam and have less to say about these:

6. Healer (2014-2015). It’s been a few years since I’ve seen this show, but I remember being really impressed by this drama at the time, especially the storyline. Unfortunately though I don’t remember too much about the drama itself, which is a shame. It’s a mystery/thriller, I think, and there is hacking and crimes involved? The main character is a very cute and sweet tabloid writer and she falls in love with a mysterious and cool action boy who helps her uncover the truth behind a tragic incident that relates to her past, or something. Judging from my liveblog it seems like this was an extremely emotional journey, and I enjoyed the main couple (who are both very attractive) a lot, and it was just overall a cathartic and feel-good experience. I feel like I should rewatch this drama at some point?

7. Rooftop Prince (2012). It’s also been forever since I watched this show but I remember thinking it was hilarious and delightful and I definitely cried a lot though I do not remember why (probably something something time travel, something something reincarnation/fated lovers??). I do remember that the premise is that a Joseon-era prince and several of his servants accidentally time travel into modern-day Seoul and end up meeting the main character who is the future reincarnation of his love (?) and he is hilariously anachronistic and also insufferably pretentious, which the MC absolutely does not cut him any slack for, and they have an extremely good dynamic.

8. Coffee Prince (2007). I watched this around the same time as Rooftop Prince and I remember really enjoying it! it’s basically just SKKS, but the modern cafe AU, and I mean that in the best way possible? It definitely shares a lot of the same tropes--crossdressing/tomboy female lead, sexually questioning male lead who falls in love with her despite being “straight,” very good chemistry and also extremely charming secondary characters.

9. Shut Up Flower Boy Band (2012). This show...Was just OK. I enjoyed it at the time, but I can’t say I found it particularly memorable. As I said, I don’t typically find stories about high school students particularly relatable, and the battle of the bands-type plot was interesting enough at the time but didn’t really leave a lasting impression. As expected, the music was pretty good. I kind of watched this mostly to hear Sung Joon sing tbh?

10. Rebel: Thief Who Stole the People (2017). I wanted to like this show. I really did. I wouldn’t say it was bad, but the beginning was painfully slow, and I only really enjoyed the last 10 episodes or so, when the vive la révolution arc finally started kicking off. The pacing was challenging--the pre-timeskip dragged on about twice as long as it needed to, and I just wasn’t really interested in the Amogae/Yiquari storyline very much. I also really, really disliked all the romances in the show, especially the main pairing, since I didn’t particularly love either the male or the female leads until pretty late in the show. Overall I think I would have enjoyed the show more if the first 2/3 of it was about half as long, and it either developed the romance better or cut it out altogether.

What I’m thinking of watching next:

1. Chuno (2010). Mostly because the soundtrack to this show is so goddamn good, but also because I’m craving more historical dramas with good sword fights after SFD. I was kind of hoping Rebel would fill that need but I was a little disappointed tbh?

2. Warrior Baek Dong Soo (2011). Same reasons as above, honestly. also has a very good soundtrack, and Ji Chang Wook, who is a known nice face-haver, doing many very cool sword fights.

3. Mr. Sunshine (2018). Late Joseon era is something I’ve never really seen before in media so I’m pretty intrigued? Also Byun Yo Han was one of my favorites from SFD and I definitely want to see him in more things.

4. Rookie Historian Goo Hae Ryung (2019). A coworker recommended this to me and the trailer looks delightful. first of all it’s a sageuk with the gorgeous and talented Shin Se Kyoung in it playing a smart and plucky female lead, which have historically been extremely good to me, but also it gives me massive SKKS vibes, so how could I not.

5. My Country: The New Age (2019). This caught my attention because it’s based on the same historical events as SFD, so it features some of the same characters. I am very very interested in Jang Hyuk’s take on Yi Bang Won, even if he is less of a main character here compared to SFD, and he’s already an adult so he’ll already be well on his way to bastardhood. I also hear it’s very heartbreaking, which is instant eyes emoji for me?

6. Chicago Typewriter (2017). It’s about freedom fighters from the colonization era, which I’m very intrigued by after The Handmaiden and Pachinko, plus a reincarnation romance. I am very predictable in my choice of tropes. Also, Yoo Ah In is in it.

7. Arthdal Chronicles (2019-). Ok, it’s a gorgeous-looking historical fantasy set in Korea written by the same writers as TWDR and SFD, plus it has not just one but TWO Song Joong Ki characters, one of which is a pure, doe-eyed soft boy and the other an evil long-haired fae prince looking asshole who I hear is a complete and utter Unhinged Bastard Supreme. Nothing has ever been more Camille Bait than this, but unfortunately this show hasn’t finished airing, which does pain me deeply. speaking of,

8. Kingdom (2019-). It’s a fantasy sageuk with zombies, is about the extent I know about this show. The fact that it also hasn’t finished airing turns me off a bit but it looks absolutely gorgeous and I also just found out it was written by the same writer as Signal, so,,,,,,,,,

9. Gunman in Joseon (2014). I honestly don’t expect too much from this drama but I just enjoy its premise a lot? From what I understand it’s just Percy from Critical Role, but make it Joseon era.......Like, they just straight up took a Shadow the Hedgehog, “let’s make a sageuk, but guns,” approach, and I kind of unironically love that. Also the soundtrack kicks ass, which like...you can really see where my priorities lie here, huh,

10. Misaeng (2014). I don’t remember at this point why this is on my list but I found it in the Keep note I have of all the media I want to watch?? I have no idea what this show is about, except that it takes place in an office. Apparently Byun Yo Han is also in this one? I’m sorry this is the only non-sageuk or sageuk-adjacent show in this list, I know what I’m about, and it’s fancy old-timey costumes and cool braids.

[peppersandcats]

Flash stuff, comics and TV

So, I am finally up-to-date on The Flash in both comics and TV format, and I have some thoughts. The comics ones are mostly in the “oh come on are we expected to buy this, clearly you are aiming for that” vein, and the TV show ones are very mild and possible super-obvious, but since both deal with what both what is happening and what I think is going to happen, both might be spoilers so I’m putting them under a cut.

To be clear: please do not tell me anything about these assumptions that does not come from existing text. So for example:

“but in issue 76 we saw X” or “in episode 6 of this season Y happened, so we might get Z fallout” is totally fine. Yay analysis! Would love to hear from you!

“in the comics X happens, so that might mean Y for the TV show” is also cool.

“the comics writer said he’s aiming for X” or “a casting decision has been made so we know Y is still showing up/is not on the show anymore after this point” is really not fine please do not tell me that. I do not want to hear it. Thank you.

Also: discusses possible upcoming character death. I know some people would rather not see that, so mentioning it now.

With that in mind, here are my “I am okay with being wrong about this, but I bet this’ll happen” thoughts:

Comics

Oh, comics. Len has apparently turned into a vicious blowhard, Lisa is picking a fight with him, evil King Cold rules over Central, all is lost, no-one is paying me enough to pick up extra titles from DC to find out what all space and time being broken means, dour, dour, grim.

With that in mind, I have a possibly-more-cheerful read on current Snart events than the one initially presented. I’m going to keep in mind Len’s mention of the Rogues going with Lisa’s plan (issue 78 “Without my sister, the whole plan is on hold.”; issue 79 “This isn’t Lex’s plan. It’s not even my plan. It’s your plan.”), and assume that that was true.

This means that I think (hope) that what they’re going for is a long con. That the Snarts are running with a plan where Len plays bad guy to Central City, Lisa tries to convince Barry to use mega-uncontrollable Speed Force power against Luthor by pitching it as "save my brother he's gone bad", and the end goal is that the world-breaking nonsense and Luthor both get taken down while the Rogues get to keep all the shiny new tech in a world that isn’t weirdly broken by evil.

The big thing that kept throwing me about the narrative presented to Barry is why is Len keeping Barry alive?

Because, look. Right now everyone thinks the Flash is dead (seriously, those guards in the throne room were absolutely thinking “jeez, boss, we’ve heard how the Flash died in your arms three times already this week”), and yeah, that’s good to keep Central hopeless. And Len is coming across as mean as hell. But then why hasn’t he really killed Barry? He’s not angling for the “I will build my reputation with a grand execution!”, because then he wouldn’t be talking up how he’d already killed the Flash. He might be keeping Barry alive just to torment him, but then there’d be no benefit to lying about how he’d killed him. Dude’s stuck in Ice Heights, not even the Trickster* can make a dent in that, it’s not like someone is going to mount a successful rescue.

*Please insert usual where-the-hell-does-he-get-those-wonderful-toys rant here, I’m sure you’ve heard it from me by now.

And if Len was building part of his power on the “I will crush Central City’s spirit by letting them know I have taken down the Flash!” foundation, then Lisa’s “oh no, we can’t let people know you’re alive” seems a bit odd.

So if I take a step back, what I see isn’t “Lisa has a heart of gold and is begging for the Flash’s help.” It’s not even “Lisa is vamping Barry and feeding him a sob story about how her brother has gone bad.”

What I see is “the Snarts have a secret plan that involves no-one knowing that the Flash is still alive, so it doesn’t get back to Lex Luthor. Right now the genius supervillain has a massive blind spot about the existence of a terrifying Speed Force bomb, and Lisa is collecting pieces of Mirror Master’s tech. Those are totally the kind of things you could combine to break Luthor’s secret reality-busting stronghold, which would enable you to get rid of him but still keep your super-cool empowering tech.”

And if Len and Lisa are in cahoots on this, the bombast makes a lot more sense. “My sister has been in hiding ever since I took over Central City... and she reveals herself by stealing from me?" is a performance for the benefit of the two-high level mooks who were following Len and could probably hear him through the open doorway. Giant ice-wolves aren’t anything to do with Lisa being scared of dogs when she was a kid (which didn’t really come across in her reaction to them anyway), they’re just really cool and the speech is Len hamming it up for whoever in his citadel is spying for Luthor.

(I mean. It’s Luthor. You’re working with Lex Luthor, you gotta assume.)

So, yeah. I’m still hoping we’ve got the Snarts running a very sensible long con, which combines the best aspects of “we are crooks who want cool stuff” and “we’re not evil, evil is dumb.” Fingers crossed.

TV

Okay, minor stuff, but I think I’ve finally decoded the symbols on the Monitor’s door!

I was assuming, pretty much, that these referenced the Justice League. The Flash in particular has been throwing in asides to the Justice League since its inception (everyone’s seen the mural at CCPD headquarters, right?), the last crossover involved a building that has people who don’t watch the show assuring me that it’s meant to evoke the Hall of Justice, one of the trailers mentioned seven heroes, here we have seven symbols, etc.

Left to right, I think these represent

Black Lightning - it’s not a logo, but the shape evokes the lightning streaks on the torso of his costume. This one was one I kept getting stuck on - I kept thinking “Trident! ...but it makes no sense for them to bring in Aquaman.” Then I went to catch up on Black Lightning a little and it clicked.

Canary - I honestly was thinking White Canary because I really want to see LOT involved, but Sara doesn’t wear a face mask. Therefore, probably need to go with Black Canary (who is a founding member in at least one version of continuity, lord knows which one, I have trouble keeping track)

Flash - that is, to me, obviously his cowl. Little bit coming down in the middle, little chin covering pointing up, wing-y bits on the ears, we’re good.

Martian Manhunter - this one I’m the least sure of, but given the options available, I think it has to be him. He’s totally a Justice League guy, and the hex with straps pointing up and down to the sides, echoes his costume torso.

Supergirl - again, I was staring at this for a while, completely lost, but now it looks to me like a really stylized ‘S’. If it was narrower on the bottom than on the top, it would look a lot like the family logo.

Batwoman - this is both a scarier-looking mask than the second image, and can be read as a figure spreading their wings to either side. (Huh, I suppose it might be Hawkgirl? But I’m betting on Batwoman. If I’m wrong, that’s okay! I have been wrong before)

Arrow. I mean, really, just Arrow. It’s an arrow-head. Arrow.

And I mean, I don’t necessarily think everyone’s going to survive through this. Oliver Queen in particular I think is going to die. Whether that means Roy or Mia steps up to try and become the Arrow, or whether they leave a seat empty at the table to honour Ollie’s sacrifice, I don’t know. But: Arrow in the JLA of the CW.

But.

Arrow is TV, but in a lot of ways it’s still comics. You know how it happens when people die in comics.

I think we might get to see Ollie as the Spectre.

It fits with the well-meaning darkness and the grim drive. It fits with the judgement of "you have failed this city". It fits with the green hood. The recent “hey, vigilantes working with the police” feel like it gives Ollie a sort of cop-if-you-look-at-him-sideways aura that makes him line up better with Jim Corrigan and Crispus Allen--hell, even Hal Jordan functionally comes across as a space-cop. Even Corrigan’s death thematically echoes Ollie’s first (presumed) death by drowning on the Queen’s Gambit.

I would like that. I have long loved the Spectre, and I would not be where I am as a DC TV fan--hell, as a DC fan--if Arrow hadn’t clicked with me.

I would like it if Oliver Queen, that grumpy control-freak secret-keeping self-righteous ass, could still be there on some level. He means a lot to me.

[ifeveristoday]

 [video description: just me yelling for seven minutes straight]

Ok. Am I ready for this?

Every issue of the Boom! Verse has been building up layers of characterizations and the aftermaths of choices. Issue 9 shows us the fallout of two major events - the showdown at Sunnydale Museum, and Xander’s half Vampire state (and what Willow had to do to get him there).

It also touches on the fact that Buffy is in the Hellmouth with no way to contact the surface world.

Yet that isn’t the most pressing matter in this issue.

Relationships are frayed.

Everyone in the Scooby Gang is isolated.

Jenny has a cat.

Sorry, that’s not thematically relevant but I, as a cat person, am legally bound to discuss when there is a cat in media.

JENNY HAS A GREY TABBY WHAT IS THEIR NAME

Spoilers and reactions to issue nine under the cut - we scream and flail like men, who needs a review?

PTSD CLUB PTSD CLUB PTSD CLUB

edited to correct that bit about Willow’s hair and level of evil it indicates

Something that Jordie used early on is the narrator POV (unreliable perhaps) and it returns to this issue. But instead of Xander or Willow, it’s Joyce. And she’s grieving about the world she’s lost but what every parent knows in the back of their mind: the world is tough and scary and so many bad things can happen. And Joyce has survived the attack but there’s no Buffy to commiserate with, to fuss over in person. (Also, what a nod to Joyce’s obliviousness in TV canon - to believe that Buffy would just go on a mandatory field trip with no phone connection.) Luckily, she has Eric, who is supportive and says all the right things. 

Joyce’s disconnect with what she feels and the outside world’s determination to ‘life goes on’ is repeated in the rest of the issue, as our favorite Sunnydale residents deal with both small and large terrors.

Revelations besides Jenny’s cat:

Cordelia works in a clothing shop and there are some Portland looking dudes roaming around Sunnydale. Or maybe it’s Silver Lake. She still has a crush on Spike, because who hasn’t met a mysterious, well-muscled stranger emerging from the forest like a person-shaped Cheshire cat and thought, “Gotta get me some of that?”

I mean, a whole fairytale industry has grown up around that idea.

But despite all normal appearances (and Cordelia is the still most ‘normal’ character) and her Cordy Crew updates, life is not going to her plans. There are fissures erupting in the sidewalk, cracks appearing in walls, people are stressed and Cordelia can’t even play with her dog without falling over said fissures. Oh, and her books are dissolving into ash when she opens her locker.

So shit is horrible.

Willow’s dyed a black streak in her hair (honey, red hair is the hardest color to re-dye to. Your hair is so beautiful and now you’ve got to tone and strip the fuck out of that streak if you want a base to dye it red again - oh wait, magic, I guess) and is being rude and abrupt and just plain Not Willow with Rose and everyone.

Except Willow chafes at the idea of there being a standard for her - why should she be just the smart capable responsible one? While a vampire doppelganger doesn’t burst out of the wall and drawls that she’s bored now, Willow is resentful that Rose and everyone else expects her to be one way when hello, the world is on fire outside.

Rose has found out about the weird shit that goes on in Sunnydale and accuses Willow of keeping things from her, including giant bats and the fact that Buffy was there, and she, Willow’s girlfriend and considerably known her longer than Buffy (imp.)  wasn’t there or told about it.

Willow naturally thinks that Rose being jealous of Buffy is just stupid, because Buffy isn’t even there and honestly she’s not even thinking about it. Which causes Rose to worry why is her empathetic Willow like this?

Which makes Willow lash out that she’s tired of having to be the one who has to consider everyone else’s feelings but her own? Why can’t she have the space to figure out what she wants?

And like that, Rose and Willow are on a break.

Xander, in direct contrast to everyone else around him, is calm and sensitive and just generally being a good bean. He’s concerned about Willow and Buffy, but he’s not crowding Willow. He’s patrolling in Buffy’s absence and making stakes and friends with raccoons - and all of his warm-heartedness and acceptance of ‘everyone’s journey is different’ upsets Giles, who is stubbly and running on presumably zero sleep as he worries about Buffy, and the break in his relationship.

Xander’s facade of handling all the weird crap Sunnydale’s thrown at him gets blown when he encounters a vampire delivery boy in the cemetery. He wins the fight, but the vampire’s words taunting him that they’re just monsters, and not in-between--unfinished like Xander is, resonates with him. Xander’s been doing so well, learning how to live and cope with his depression, being a good friend and responsible evil thwarter - and then to have Giles dismiss him so coldly? And to have one of his worst fears spoken out loud - he’s not human anymore. Not in the way that it used to count. And he’s only half a vampire - and there’s no one else straddling that line so he’s still alone. 

Everyone needs a hug.

Especially Giles and Jenny, because shit, things get incredibly real in the next act. Giles heads over to Jenny’s house to make some kind of amends, but Jenny is understandably Not Having It. Giles disregards all of her reasonable requests, pushes past her and enters her home and then tries to make her understand how really, she’s wrong and he’s right and MAYBE IF SHE HADN’T GIVEN THE DAGGER TO DRUSILLA, THE WORLD WOULDN’T BE ON FIRE.

This is a mess. In so many ways Giles is wrong - he ignored her request to stay away, he invited himself in - and then spent too long trying to make excuses for why it was OK for him to do all of that shit. And he looks a hot mess while doing so - I don’t even think it’s the artwork style, it’s just that Giles is wild-eyed, wrecked, and actually slavering at the mouth as he tries to explain his point of view. He’s feverish and Jenny puts aside her anger for a minute to get him a glass of water. Like, yes, she’s furious with him, but she still loves him, even though this scary man practically foaming at the mouth doesn’t really look like her partner.

Jenny presses him on his attempt to protect them all, asking pointedly, what about her?

Giles automatically assumes she’s talking about Buffy and assures her that he knows Buffy’s capable of fending for herself, which is exactly the Wrong Thing to Say, because as previous issues have shown, Jenny is not cool with children having to save the world, and also, Buffy’s mom? How about her, Fuckhead Watcher Man.

And Giles goes and puts his whole head up his ass as he says that there are sacrifices that come with successes, as in any war - and Jenny loses it. Because Giles rants do you think that it’s easy for him to live to believe that everything in his life is disposable except for Buffy? That nothing else matters?

And Jenny reads the underlining footnote - if nothing matters, where does that leave her in his life?

FOR FUCK’S SAKE GILES YOU’RE DERANGED GO HOME

And Jenny’s cat agrees with me and hisses at him to leave Jenny alone.

Giles exits the house wondering aloud has everyone gone mad, while a suspicious rabbit looks on from the grass.

There’s a Tucker Wells/Andrew shades of who the fuck cares interlude about a lonely kid who stalks his school facebook to read the comments about classmates and I might be callous, but I actually do not care about those type of characters because guess what, lots of lonely kids and people out there and their first thought is not to kill everyone else. Anyway, I suspect this is a side effect of the Hellmouth magnifying negative thoughts.

It lingers on Buffy’s face and the comments - “She’s weird but hot.”

Now imagine that being her epitaph. 

This pans over to the last sequence - Robin is chilling at home, and his dad (!!!) tells him to go to bed, he doesn’t care how much this town is falling apart. Robin’s dad believes in education.

And guess who shows up at his door in the late of night?

KENDRA.

And she hits him with a Star Wars reference. “Aren’t you a little short for a watcher?”

[davidmann95]

A different theory on the Master of Masters’ Identity

The consensus at this point has definitely settled on that the Master of Masters is someone we know - when Back Cover dropped I would’ve guessed he was a whole new figure, but in the wake of what III pulls at the end I’d say it’s reached a point where he’s probably gotta be a familiar face for it to feel like he’s been appropriately set up (though I’d also kind of dig if he was simply a resident of the ‘realistic’ world of Verum Rex who was screwing with the Disney fairytaleland). At this point, the two big theories are that it’s a time-travelling eeeeeeevil future Sora or that Demyx has been pulling a very, very long con, and while I’m not sure if either or both of them started as a joke (I swear I recall ‘evil future Sora’ being an idea tossed around for multiple mysterious figures in the past), they’ve got serious traction now.

I’m sort of ignoring the possibility of Demyx here; consider that a parallel track to what I’m thinking, as opposed to Sora which I’ll discuss a bit directly as a compare-and-contrast with my theory. I actually think it’s not totally unreasonable, but after Luxu, it’d be real, REAL hard to pull that particular trick and not have it feel like it was coming up with diminishing returns. Not impossible, but hard. And for that matter I think it being Sora could also work; if nothing else it’d be interesting to see how that guy of all people gets from THAT point A to THAT point B, which I suppose is the core of the appeal.

But assuming a couple of givens - that it’s someone we know, that the Master of Masters is indeed a very, very bad guy even if he’s doing what he’s doing for what he might consider good reasons, and that he’s either the endgame opponent of the entire franchise or that he’ll play a critical role in said finale - while I’d agree he’s a time-traveler who’s broken bad (in a series so much about growing up, what’s a better final opponent than the threat that you ‘grow up’ in all the worst, most cynical ways?), I don’t think he’s Sora.

I think the Master of Masters is more likely to be Riku.

I’ll list off what I’ve got below in two categories, the first being evidence. I don’t think I’ve got any real indisputable smoking guns here, but to be fair, unless you consider MoM and Demyx both pointing at people to be a clincher neither does anyone else, and I’d at least say there’s enough that if I’m right people won’t really be able to say that it wasn’t appropriately seeded, with one or two points I think really do solidly support Riku in a way that doesn’t quite fit with anyone else that we know of. After that, I’ll go into why I think it’s the more interesting option character-wise/thematically.

Evidence

* Right at the top, regarding the one bit of physical evidence we have: if we’re treating Sora and Riku as the only two serious candidates given only they’d pack the necessary punch, the Master definitely sounds more like an adult version of the latter than the former, at least going by the English voices. For that matter Ray Chase also voices Noctis, clearly the main aesthetic model for Yozora who’s himself repeatedly and explicitly compared in-universe physically to Riku. A stretch, but between Xehanort and Eraqus being Star Wars vs. Star Trek in BBS and then Spider-Man vs. Venom in III, it’s perfectly fair game to declare that Nomura enjoys playing those kinds of meta games with the castings.

* Obviously the Master’s personality doesn’t quite line up with anyone we know, but while his degree of over-the-topness is unique, as is that he speaks like a ‘real’ person instead of a Disney or Final Fantasy character (and given Xigbar, Genie, and Hades all act a lot wittier and more casual than the other characters and the Master’s probably in that 1000+ year old club too, we might be able to assume that’s just a trait it takes awhile to pick up in the universe of Kingdom Hearts), most of his other traits can be traced back to Sora or Riku. He’s playful and encouraging like the former, sarcastic and biting and full of himself like the latter used to be. It’s been acknowledged more than once that the two have been picking up each others’ personality traits, with Riku picking up some of Sora’s exuberance and free-spiritedness (though he noticeably tended towards the expressive, dramatic side all on his own when lost in his own darkness) while it’s hard not to imagine Sora’s gotten some of his snark in his attempts at being more like Riku. But the big Master of Masters personality thing when he’s actually apparently being sincere and serious? That “you ultimately need to do what your heart feels is right”? Sora may be the one to say May Your Heart Be Your Guiding Key after he learned about the phrase, but Riku’s the one who in both II and III argues for the right of allies to seemingly lay down their lives in service of where their hearts guide them.

* Biggie: the Master of Masters has a connection to Dream Eaters, being able to create the Chirithy. Riku’s been one.

* Another biggie: the Master of Masters presumably carries a great deal of light in him, since he’s able to pass among the other inhabitants of Daybreak Town and seems to value it when waxing mournfully about events to come, but given what he goes on to do he surely harbors a great deal of darkness as well. So much so that it would be difficult to not notice, especially in a world where it was an anomaly, unless he was able to hide it where it couldn’t be felt by others. Contained within himself alongside his light, in a way that very pointedly only one character we’ve seen has been able to do.

* Not as big, but still notable: if there are physical differences between the Master and Riku, or if the Master as some have speculated has lived through the generations by possessing others like Luxu, it’s worth noting Riku’s worn another body before himself.

* A stretch post-III where it turns out acquiring new Keyblades isn’t the biggest deal, but it’s worth pointing out that Riku giving Kairi Destiny’s Embrace is still the only time we’ve seen someone directly give someone a Keyblade the way the Master apparently gave them to the Foretellers, rather than potentially bequeathing one in an Inheritance.

* While the Master is manipulative in general, it’s his treatment of Aced that most clearly stands out as him setting the stage for these friends to tear each other apart, and it’s him playing on his students’ desire for power and significance just as Maleficent once played Riku. If it’s Riku under that hood pulling the strings of impressionable youth, he hardly could have had a better example to follow.

* Speaking of the Foretellers, each of their names corresponds with the Latin title of one of the seven deadly sins. The one that doesn’t belong with one of the six and therefore presumably lies with the Master himself would be Superbia - as eagle-eyed players have noticed partially scrawled on the mysterious Black Box - meaning Pride. And if there’s one sin that most clearly defined Riku at his absolute lowest moment, it’s pride.

* The Master of Masters acts in a way that suggests he has some manner of not entirely malevolent intentions, even if he’s perfectly willing to use the worst of means to get there. And again, when at his worst, Riku’s the one who tends towards Going Too Far for Good Reasons.

* It can be reasonably assumed the Master has some sort of massive, cosmic role of significance given all these other mighty Keyblade wielders hold him in unquestioning reverence, and while we don’t know what his power might be, it’s presumably tied in some way to Kingdom Hearts. Riku meanwhile was originally going to be the one to receive the Kingdom Key, a blade that, while it hasn’t been directly acknowledged yet, clearly has a connection to the X-Blade, marking him from jump as a figure of tremendous import above perhaps every other major character until he botched it and Sora wound up with that gig.

* Assuming the Master of Masters wants to get at Kingdom Hearts - and of course he does, what else do the villains ever want in these - and’ll get closer than anyone else because he’s the final villain, it means Riku wasn’t wrong in the first game when he said “It’s up to me. Only the Keyblade master can open the secret door and change the world.”

* The Dark Riku alongside Xigbar in the Keyblade Graveyard is the only apparent instance of pair-the-spares when it comes to the villains in the final battle rather than having any thematic connection...unless it’s actually the (offshoot of a past version of the) Master of Masters and Luxu. In fact, including Ansem since he starts off as part of that fight, that brawl would then be a reprise of you battling the first forms encountered by Sora of the three biggest villains in the entire series.

* Speaking of the Dark Riku, his crack about the Mark of Mastery is notable in this context, especially since it comes out of nowhere and Riku doesn’t seem to know entirely what he means. Was that something deliberate?

* And speaking of Xigbar, I’ve already seen fanfics and whatnot centering around Sora-is-the-Master retconning in that Luxu was actually ‘babysitting’ his master’s past self. Worth noting in that light that he spends almost as much time around Riku as Sora: he meets Sora personally face-to-face at the beginning of II and III, but every other time they run into each other it’s when Riku’s right nearby, whether in an upper level of the Castle chamber in their fight in II or fighting both in III or Riku being in Sora’s dream during their DDD confrontation (mostly stuff that’s clearly just meant in the sense of ‘Riku and Xigbar often show up during important plot stuff, of course they’d end up nearby a few times’, but it’d be easy for the creators to retcon as Luxu keeping an eye on him while misdirecting to make it seem like Sora was his real target). But as opposed to his loud, scenery-chewing confrontations with Sora, he was trailing Riku in the Land of Dragons once upon a time - the first time we ever see him face-to-face - quietly in a way that isn’t usually his style even given his noted skill at recon. And if Riku’s the Master, Riku being the last one to say something to him prior to his ‘death’, declaring him unworthy of the Keyblade when a version of him will go on to entrust him with the Keyblade most important to his plans, gets a major charge.

* As someone’s pointed out since, this, which Nomura joked is the sort of thing only the Master of Masters would do (though A Fragmentary Passage really has so far been the odd man out in the secret movies in how little has played out of it; I guess Sora vanishing must have been knowing foreshadowing in retrospect, but a lot of the rest hasn’t come to fruition. Abandoned plans for the series, or ones yet to materialize?).

* Not actually evidence, but if he was the Master then the end of DDD where he mutters to himself “I’m...a Keyblade master?” is another bit that would take on a delightfully ominous air with the benefit of hindsight.

Thematic reasoning

In terms of character, I feel like this opens up considerably more in a much more organic fashion than the possibility of Sora being the big bad. Not that that wouldn’t obviously offer a great deal, but to do so would involve reshaping or inverting a great deal of the character and thematic arcs we’ve seen thus far, while having it all come down to the final fight for Riku’s soul and by extension the world of light as a whole would by contrast do a lot to bring things full circle.

For starters, in the ‘full circle’ sense, along with Riku being the first major adversary of the series (while Maleficent was pulling the strings, Riku was the one dogging your heels, the rival with a personal stake in the conflict at hand) the most prominent imagery now associated with Xehanort, Luxu, and the Master of Masters began for the players with Riku. The Gazing Eye, the outfit and fighting posture later taken up by Vanitas (a connection that remains tantalizingly unexplored to this day), the dark but unmarked Heart symbol of the X-blade, the very concept that there could be multiple Keyblades; he’s even one of the two we see wearing black cloaks in their first appearance. In the world of the game those are all forces that battered Riku about amidst his fall that had been set in motion before he was even born, but as a story experienced by the players those symbols all trace their origins back to him as the first, most personal antagonist. While he’s redeemed himself about as much as one person possibly could - and I’ll say right here that I think when it comes down to it he’ll grit his teeth and stick to his guns on that rather than becoming whatever the Master is - he is and always will be inextricably linked with the series’ imagery for the forces of darkness in a way no other character can be. Dig down past all the layers of continuity and Norts to the most basic idea of what a Bad Guy is in the world of Kingdom Hearts is, and a possessed Riku in front of Hollow Bastion’s keyhole is what’s waiting at the bottom. Any feasible last boss is already on some level an offshoot of that.

But that’s just why it would be a nice clean fit in terms of visual symbolism. More substantially, the Master of Masters being a potential future version of him immediately answers the question of what to do with the dude character-wise. Yozora makes it very clear he’s still going to be important going forward, but as III also made clear, his existing character arc has been closed. He’s fought his way back into the light, been willing to sacrifice that light in himself and any hope of returning home to help the friend he once betrayed, still found salvation, came to terms with the person he was and wanted to be, and was recognized as having mastered his power and his heart. His story could in every way that matters be done, but obviously it isn’t, which means there must still be something for him to deal with; something more than saving Sora, which while as serious as it gets is still for him old hat.

(Going into Sora for a bit: him being the Master of Masters could no doubt be fascinating, in the self-reflection it would induce in Sora, in the conceptual scale of the threat, in the horror it would induce in those close to him, and in Riku in being put on the other side of the equation of having to save his friend from himself. But even aside from how radical a departure that would be personality-wise, it’s a prospect that doesn’t really address Sora’s existing fears or flaws. He’s filled with doubt, yes, but regarding his perceived lack of strength rather than a simmering moral rot; his darkness when glimpsed in a few of his forms seems to be something feral rather than actively malevolent, and he already has a plot-significant counterpart to explore the darkness in himself in Vanitas. Perhaps a desire for greater strength to protect his friends could be written as leading to him losing his way to the extent necessary to pull such a 180, but that’s already Riku and Terra’s misstep to pull themselves up from. It’s shocking in a way that’s enticing, absolutely, but I think part of why it would be shocking is that without either majorly reframing some basic stuff or retreading well-worn ground, it simply doesn’t fit as well as you want it to.)

But if Riku sees a familiar face under the hood, and looks at the blue eyes that once sat in his sword and in the mirror and realizes that there’s no outside force making him do terrible things to people he loves this time? He’s faced with a threat new to the series: that in the end, redemption might fail. Whether there’s timeline shenanigans that mean this guy lived a different life, if he backslid, if he’s clear-headedly making decisions he believes are for the best, or if he just had a really bad day that knocked him off the wagon; the counterpoint to the idea that there’s a light in the dark - the way III demonstrated in such an effective way in the Keyblade Graveyard with the endings of so many enemies - is that there’s a darkness buried down no matter what that still has a chance of breaking through no matter how mightily you’ve steeled yourself against it. It’s a completely different, far more visceral and meaningful fear than the idea of Sora being the one to break bad: in that case, the idea is captivating because it’s so alien and foreign and bizarre. Here, it’s frightening because Riku knows exactly how it could happen, and he’s grown enough to feel the shame and horror of that possibility when he’s already had to live with the consequences of it once. The Organization spent III trying to poke holes in the basic tenants our heroes live by, and this is the ultimate manifestation of that spiritual challenge - that the growth our heroes have seen might come undone by their own hands. And Riku fighting desperately to prove he can remain the person he’s fought so hard to become, and Sora and Kairi fighting to save him along with themselves and each other, is the final conflict.

It’s not just a prospect that would bring urgency back into Riku’s character, it’s a possibility that would reverberate through the whole cast with a severity that it simply couldn’t with Sora. Obviously Kairi and Mickey would stand with Riku and believe he would manage to turn out alright no matter what (though that loyalty is still complicated given an evil/morally-dubious Riku would likely go after Sora - he may have already if he had something to do with bringing him to the world of Verum Rex), but what about the rest of them? They all believe in Sora and his inherent goodness and owe him their lives, but for most Riku’s simply some guy they know, a friend of a friend. Roxas was a victim of his darkness even when he was trying to do the right thing. Terra’s already likely consumed with guilt and could likely see the prospect of his hand-picked successor once again falling to darkness like he did to simply be another on the list of his own sins. Ven might look at him when in his dark outfit and be reminded of his brother. And while Axel knows friends can come back to you, he’s a pragmatic dude who’s seen just how much they can change in the first place. When the battle lines are being drawn in a war even greater than Xehanort’s, would every last one of them really stand with him when they’ve been told he’ll betray them, as he’s betrayed those closest to him before? A prophecy of Sora going wrong would just be a catalyst to bind our heroes closer together to prevent that. That Riku might turn on them could strike at the fissure that would threaten to blow them apart, or if it doesn’t that’s an even greater display of good faith on their part than it would be with Sora. Hell, even on the antagonistic end, Maleficent as an opponent seeking to usurp the Masters’ ambitions is an immeasurably different conflict if she’s up against a Riku who’s gone down the path she first steered him towards.

At the end of the day, the question is why this would be worth making the story of Kingdom Hearts about when Sora is still supposed to be the main character. I laid out earlier some of why I don’t think Sora as the Master would work, but the real deal is this: not only is the Master of Masters a counterpoint to Sora, the Least Disney character in this universe whereas even when next to Mickey Mouse the spiky kid is distinctly the Most Disney, but more importantly to be the Master of Masters would undo the last of Sora’s original premise. For all that he’s become, he was still born, as Xehanort put it, a dull, ordinary boy, surrounded by Chosen Ones and unique entities of every stripe who joined their ranks and ultimately led them purely on the strength of his decency and determination. Riku was literally a Chosen One courtesy of Terra, blessed with one of the ultimate Keyblades and tearing the sky down by sheer force of his will to be more than what one world could contain, the vessel meant to open the Door To Darkness and the one who conquered his own darkness in a way no one else could, who in the end was selected as Master. He is Maximum Protagonist, in every way a Figure Of Destiny, whereas Sora is so much not that, so profoundly the spammer in the seemingly inevitable works of fate, that the first time he meets the first trilogies’ main villain the guy comments on how unremarkable he seems to be, and the last time they meet Sora’s ultimate rebuttal is against the idea of destiny as a straightforward thing any one person can control. For Sora to actually be the guy writing destiny, to have always really been the most important of them all, is to undo that. For him to fight the ultimate figure of destiny, for that to be the guy who was his counterpoint from the very first scene before your Xehanort’s and Roxas’s and Ven’s and Vanitas’s and Luxu’s - the cool guy and fighter and dreamer and Serious Leader-Type Important One to Sora’s cheery, insecure dork in shoes the wrong size who seemed born to be the sidekick - is to bring that story full circle. And it’s to give him the chance to do the one thing he fought for in I and II that he was never able to do himself: save Riku. Because saving his friends is what Sora’s story, and all of Kingdom Hearts, always has to come down to in the end.

[makerkenzie]

IN A FINAL SEASON THAT MADE SENSE...

Let’s just toss out the question of how much info D&D got from GRRM. Sure they knew more than we do about how ASOIAF ends, but they chose to shit all over it. I’m not even trying to predict what GRRM has in mind for his endgame. He may still be figuring it out himself! 

I’m just gonna start with what we had from GOT as of the Season 7 finale and go from there.

IN A FINAL SEASON THAT MADE SENSE, the White Walker threat would not have been taken care of in the first half of the season. It would not have been a simple matter of stabbing one bad guy with a fancy knife. Dany and Jon would have made more substantial contributions to getting rid of the WWs. 

IN A FINAL SEASON THAT MADE SENSE, Dany’s going full-on Mad King’s Daughter would have been more about “there’s no way to help this country except to destroy it” and less “oh no my nephew won’t make out with me.”

IN A FINAL SEASON THAT MADE SENSE, Jon’s death and resurrection would have meant something more substantial than a plot device to get him out of the Night’s Watch.

IN A FINAL SEASON THAT MADE SENSE, there would have been no Cleganebowl. Sandor would have stayed in the North with the Starks. He might have married Sansa, or just been a household (non-)knight. Sansa might have rewarded his service by naming him lord of Last Hearth or Bear Island. Point being he would have prioritized his own life over that bullshit revenge fantasy. At the very least he would have survived Cleganebowl and gotten on with his life. 

IN A FINAL SEASON THAT MADE SENSE, Euron Greyjoy would have accomplished something a bit more interesting than shooting one dragon and then missing the last.

IN A FINAL SEASON THAT MADE SENSE, Tyrion’s hard work would have achieved anything constructive at all. 

IN A FINAL SEASON THAT MADE SENSE, Jaime and Brienne would have been together for more than a month. Jaime would have loved Brienne more than he hated himself. We would have seen more of them being together. Tyrion would have sprung Jaime from his prison tent and told him to get his ass back to Winterfell and beg his tall lady-knight’s forgiveness. 

IN A FINAL SEASON THAT MADE SENSE, Arya would have gone nowhere near KL. She’d be with Gendry. There’s no reason why Gendry needs to be Lord of Storm’s End, but he and Arya should be together.

IN A FINAL SEASON THAT MADE SENSE, the process of ending the WW threat would have been more important than the process of fighting over who rules the Seven Kingdoms.

IN A FINAL SEASON THAT MADE SENSE, the ignition of the wildfire caches would have been USEFUL. Destructive, yes, but also contributing SOMETHING to saving Westeros from the Long Night. 

IN A FINAL SEASON THAT MADE SENSE, Jaime would have gone nowhere near Cersei. Sorry, folks, I still maintain Jaime is not the Valonqar. I gotta admit, though, Jaime killing Cersei is no more thematically wrong than his choosing to die with her. If he must kill her, though, his doing so should actually prevent more death and destruction. If Jaime kills Cersei and then Dany still sets the city on fire? Pointless. If Jaime kills Cersei, her death prevents the city being destroyed, and he survives the process and goes back to Brienne? That’s okay. Overall, though, it’s really best for Jaime’s arc if he just doesn’t give a shit about what happens to Cersei. In order to kill her, he has to be in the room with her. Which is exactly what she wants. If he had to leave Brienne, he would have told her what he had in mind, he would have accomplished something that left Westeros better off than if he’d stayed at Winterfell, and he would have lived to go back to his life with Brienne. 

IN A FINAL SEASON THAT MADE SENSE, Jaime and Brienne, together, would have contributed something more interesting to ending the White Walker threat than simply ending a bunch of Snow Zombies. Twin Valyrian steel swords should mean something. 

IN A FINAL SEASON THAT MADE SENSE, Bran would have done something more useful and more interesting than to serve as bait for the Night King. His contribution to ending the White Walker threat would have been more significant than his figuring out Jon is Rhaegar’s son. 

IN A FINAL SEASON THAT MADE SENSE, Missandei would have either lived longer or died with more dignity.

IN A FINAL SEASON THAT MADE SENSE, Theon would not have died in Ep3, or if he did, his death would have done something more powerful than just buy Bran a little more time before Arya showed up. Theon’s arc would have been more about the balance of Greyjoy and Stark and less about sacrificing himself for the benefit of the Starks. 

IN A FINAL SEASON THAT MADE SENSE, Jorah would have lived longer, or his death would have achieved something better than keeping Dany alive so she could set fire to the capital because her nephew wouldn’t make out with her.

IN A FINAL SEASON THAT MADE SENSE, there would have been some acknowledgment of how many Dothraki died in the first few minutes of the big battle, and what that means for Dany’s odds as a ruler. Although?

IN A FINAL SEASON THAT MADE SENSE, they would not have wasted a huge percentage of the Dothraki on a blind charge before they’ve even tried using the dragons. 

IN A FINAL SEASON THAT MADE SENSE, Melisandre would have contributed more than just buying the alliance a tiny bit of time to catch their breath before the NK made hash of the fire-trench. 

IN A FINAL SEASON THAT MADE SENSE, Sansa would have waited more than 3 minutes before she was all like “HEY TYRION GUESS WHAT!” and then Tyrion would’ve waited more than 3 minutes before he was all like “HEY VARYS GUESS WHAT!” There should have been more of a struggle over spreading the news.

I’m sure I’ll think of more throughout the day.