#got some battle scars

[passumstars]

Sweet dreams

[cry-ptidd]

The Hellsing family and its leaders

[pastlivesandpurplepuppets]

Five years later, while enrolled in an Advanced Infantry Officer’s Course at Fort Benning, Speirs reflected on his own shortcomings and successes in a revealing assessment of his platoon at Carentan. The thirty-two-page monograph concluded with these judgments:

LESSONS

The following lessons were brought out by the operation:

Strategic use of airborne is essential. The attrition of trained parachutists in extended ground combat operations as infantry is wasteful and should be avoided.

When assigning missions to lower units, the commander must consider the comparative strength of his units as reduced by previous casualties.

Bravery in combat must be recognized by decorations and awards. Morale is raised and incentive provided to perform well in future combat.

Tables of Organization and Equipment must be constantly revised to increase the fighting strength and capabilities of the unit.

Flank security during night movement is essential, regardless of the effect on speed and the physical condition of the men.

In night movement all men must be alert to keep contact both to the front and to the rear.

When in contact with the enemy at night, one-half of the unit must be alert and in position to repel attacks.

Intelligence agencies must keep commanders informed of the enemy indications. Commanders can then adjust their plans in accordance, avoiding the possibility of surprise by the enemy.

Wounded men must be carried along when a unit is forced to withdraw.

The hand grenade should be used to full advantage in close combat. The present hand grenade is too heavy for long throws, and, too, it cannot easily be carried in sufficient number for a sustained fight.

Soldiers must learn that an enemy assault is repelled by fire power alone. When individual targets cannot be located, continuous area fire must be used.

Units are forbidden to withdraw without orders however desperate the situation. Unit commanders must keep higher headquarters informed of the amount of enemy pressure, and request authority to withdraw prior to movement.

Most poignant of Speirs’s observations was his self-condemnation for disregarding Dielsi’s plight. “The platoon leader is to be severely criticized for failing to carry the wounded man back as the platoon withdrew from the house on the thirteenth,” Speirs wrote. “His assumption that the man was dead does not excuse him. His expectation of another enemy assault and his fear that this would find the platoon with no ammunition were the factors causing this grave mistake.

~ Jared Frederick & Erik Dorr

[limeade-l3sbian]

I'm going to be a brave, vulnerable young woman and tell you that I roleplayed between 7th grade to 9th grade (KIK/Omegle). And I gotta tell you, it was always obvious when it was a dude pretending to be a woman because they would always hone in on some bullshit no woman would even mention.

You have an average sized clit underneath the hood? Oh, right, right. Like how women talk.

[irelandseyeonmythology]

One thing I'm mildly obsessed with is the idea, that we see in a couple of texts, that the Tuatha Dé regularly "put on" another form, even though might have a "true" face or appearance.

Like, how much of that image of perfection that they convey is them naturally looking like/obviously medieval writers writing them to conform to a specific image, and how much of that is them very consciously projecting the image that they WANT to project?

Do they have stretch marks? Do they have lines under their eyes, or dark circles? Do they have scars from battles that took place centuries ago? Do they have laugh lines or frown lines? Like.

[studentinpursuitofclouds]

On adophis being a discovery: it's possible that anyone who ever saw the beast ever lived to tell the tale!

Hmmm, don't think so.

Experienced adventurers know very well that that zone is a one-way ticket, even if you're fully prepared. They're still studying Crimson Baldlans to find a way to get more or less safely into the inaccessible part of that damned desert. So they did not get so far as to meet one-on-one with Apophis, but they understand very well that the area where the bloody fog is thickest is certain death.

Back to last question about Apophis, by the way, it seems to me that Camilla is the first to survive the encounter with Apophis after all. At the very least, because she had the good sense not to get into a fight with that monster. She needed the Swirl Stone, so she took it and teleported back to Castle Village. And, probably, she didn't decide to tell any of her coworkers because, one, it would raise a panic, and two.... Well, I like to think that in a way Camilla harbors hope for Farmer. Although it would seem that what would a kid from the city who came to grow turnips be able to do to help in the Hell of the earth.

The others who, through stupidity, pride or greed, failed to heed the warnings of the older adventurers, fell victim to Apophis. Now their soulless bodies that roam the wastelands have become a cruel, harsh lesson and example to the living and young adventurers. But also a motivation to seek solutions to the corruption in Crimson Baldlans, to destroy evil and help their fallen comrades find peace.

But to fight Apophis, to survive and tell the story- that's only for Farmer. And even then, people won't believe them, because what can a farmer kid do to a huge monster? Especially, in my opinion, the Void Shard story was kept secret, so the Farmer has no proof of their words. Marlon and Magnus wouldn't want to make their talented apprentice a laughing stock among the adventurers, but they also hope that Farmer will realize the seriousness and secrecy of this event.

But in the eyes of the adventurers, at least, no one survived an encounter with this monster. But we know that's not true, right?

[outeremissary]

I always think I never had any particular interest in albums rather than individual songs (product of iTunes), but when I go back to relisten to stuff I remember from childhood I think that's maybe not true. I was always picking up music as individual 99 cent songs after hearing something on the radio, but my parents bought things as albums (like normal adults) and there were a lot of artists they enjoyed who I listened to as albums. Especially artists where they only had the one album for a given artist. Anyway today I'm remembering how obsessed I was with We Are the Night by The Chemical Brothers in middle school.

[insomnicbypasser]

Awhuaau just realised raine is going to have scars when they get unpossesed by belos like hunter did on no <:(

[transgender-catboy]

Wish I had cool features, something that makes me look tough

[unohanadaydreams]

I’m glad it was tasty @a-libra-writes​! Jushiro really is the most husband of husband material. It’s so natural to write him like that lmao.

And yes, I think post-tybw it would be more often than not that a shinigami would bear some kind of scar. I also think its just very sexy. The intimacy of tracing scars transcends!

[loyaltyworn]

@unexceptional​ || mcu quotes meme || accepting!

“ you look taller. “

Bucky’s still trying to wrap his mind around the fact that Becky is back in his life again. The chances that she’s here were so slim to none. Even in her natural age. She was so sickly back when they were..well..who they were before time and the world stepped right out of the novels he used to read by her side and turned their and Steve’s lives into stories he would’ve devoured each page of. But now would set the whole damn book on fire if given the chance. Or, at least, crafted in his own way so that they would have less bloody chapters than what they were dished out. He’s so used to being by himself that her voice both soothes him with something so familiar but startles him out of his train of thought.

Leaning by the long ceiling to floor length window in his apartment, bare toes curled against wooden flooring. One ankle’s lifted and the other’s planted firmly down, arm stretched high enough above his head that he can twirl a strand of hair around a finger while the other one rests on the counter---he’s rarely seen with it off. Would’ve put it on had he picked up on her footsteps but his head was elsewhere..

A quick, genuine smile. Adoring even. “Yeah? I wish,” a brow shoots up and he shakes his head glancing back out at the snow falling down before stepping away from the window and moving towards the black and gold arm patiently waiting for him where he’d left it. “Nah. Steve got the stuff that did that. I got the stuff that failed to help me out in that area. Still five nine but if Steve asks? I add an inch or two in to make myself feel better. Don’t think he believes me but he pretends to.”

[selvepnea]

My Drow Warlock Talfrin :)

[alwaysshallow]

divorced simon...... or still in the court, your husband (almost ex) that doesn't want to let you go.

not only because he loves you (and in his mind, it should be clear; no matter if he says it or not) but because he owns you. he said "till death do us part" and as a person who almost died, multiple ways, it has a meaning to him.

it means that no matter what, you're gonna be here. and he's gonna be here too—crawling to you from the deepest, darkest depths of hell just to lay in the same bed as you, in his home, and you’re gonna be in his arms.

simon’s always been possessive, not only when you two got married, but when you two were dating too, so that’s not a surprise he doesn’t let go things easily. he gives your attorney dirty looks, provoking him whenever he feels like it, checking if he doesn’t have funny business with you. if he’s only your attorney. 

it’s only right that he got himself one; the best he probably could find here, a shark who definitely wants too much money, but simon ain’t gonna go cheap on you. if it means he’ll get you back—this way or another, but he prefers to do it in a civilized way—he’s gonna spend every penny chasing you.

and it feels pretty good after a few months of battling in court. your pissed glances at him only get him worked up more, and the two of you can feel exactly like when you were just fresh into your relationship. 

you’re not really one for the arguments, never were—his good girl knows better than that, knows how to talk to him rather than argue. an art he didn’t learn even to this day—so it’s not a surprise he eventually corners you in the women’s bathroom. locks the door so your mother or anyone else won’t interrupt you two. 

“what are you—”

“—sssh.” it’s probably the first situation in months that only the two of you are alone. completely alone. without all of the judges, attorneys, and family. it’s no surprise he wants to talk to you in private, but you know exactly why you avoided him.

his brown eyes; hands, full of scars, full of blood of his enemies, caressing your waist and his body that press against you when he wants something badly. just like it does right now, when he whispers something to your ear, and you’re not sure what because you can only focus on his cock pressing against your ass.

“—so, let’s go home.”

“it’s my house, simon,” you try to reason with him, clearing your throat out of all the saliva that’s been building up. “the court—”

“—built it with our money, with my own fuckin’ hands, ‘m not gonna listen to some guy that knows better.” his hand travels down, right under your skirt. “my favourite color, and you expect me to just watch you?”

yeah. yeah, maybe it was a moment of weakness, maybe longing, but when you leave the bathroom with disheveled hair, a wolfish grin on simon’s lips, you know you’re fucked with the divorce.

quite literally.

[shotmrmiller]

size difference where the one afraid to fuck you is simon. he thinks you soft. which is what you are. soft. fragile. small.

you're not like him. nothing like the guys. battle-scarred. muscles carved by relentless missions, scars that speak of duty.

your skin divots under his fingers, yielding to his weathered touch and if he squeezes hard enough, you'll have marks by morning. (he needs to be careful, he can't hurt you, won't—)

and so simon watches you touch yourself in the beginning, clever fingers swirling over your slippery clit with practiced movements even though his cock is straining against his trousers painfully. he can hear you mewl his name through bitten lips and it takes all of his self control to not tug his jeans off, slot himself between your spread, inviting thighs and push— stretch open your fluttering walls, so hot and slick, until he meets resistance, until he can push no more but—

he can't. you'd hurt. and he'd hurt because he hurt you. he won't.

after, when your eyes are heavy lidded, mouth slightly parted in exertion, you remind him that you aren't made of glass. that you won't break. you'll shatter— in the way you do when his tongue replaces your fingers— but not break.

"not a virgin either, for christ's sake," you groan.

maybe he's thinking too hard about it. he knows your teeth have edges, knows your bite is swift when deserved. but all he's truly good at is making things give. biology made it so with his bulky frame and raw mass.

his eyes trace the contour of your collarbone. delicate. then it darts to the pulse on your wrist. vital. his hands, the size of dinner plates don't coax. they demand. he'd snap you like a twig, leaving nothing but splintered remains in his wake.

you don't seem to mind, however. it slightly alarms him. where's your self-preservation? do you enjoy pain? is this some masochistic thing?

he looks at you, all glassy eyed and dewy skinned (ethereal; you're practically glowing under the soft light of the full moon that paints the room silver) and he thinks of how it's going to take work to make it work. his cock is large (he's seen the guys' eyes pop out of their heads in the showers once they caught a glimpse of what's between his legs) but you're persistent in the end. one too many nights of having him without having him.

he understands. simon knows better than most what it's like to yearn. to want and not have. he'd cause you pain by not giving in, and cause pain by giving in. damned if he does, damned if he doesn't.

so he caves. promises to go slow. careful.

"i can take it," you bravely say but he's barely pressing himself to your entrance and you're already making noises that tug at his pathetic little heart. the way your teeth sink into your bottom lip-- you look so pretty, how'd a twisted creature like him get someone like you to come home to-- as his cock fills you has him feeling lightheaded. it takes every ounce of self control to not sink into your heat, to hook your legs around his thick waist and let gravity do the rest.

an unsteady hand weaves its way down to your stuffed cunt, fingers splitting into a vee, feeling how he splits your puffy lips, and the view makes him buck his hips involuntarily.

his hands tighten around your calves when you keen, a high pitched noise that swells the lust he feels burning white hot at the base of his spine, tips of his fingers, deep within his loins. he feels ready to burst.

and he's only halfway in.

your voice cuts through the ringing in his ears. "m-more, simon, c'mon," the n is low and drawn out.

his fingers bite into your flesh as he pushes slow, oh so slowly, until your vise-like cunt envelops him completely. the sibilant hiss you let out makes his hair stand on end. (shame pricks at his nerves like a thousand tiny needles when his cock twitches at the sound of your slightly pained moans)

simon doesn't move, feeling your swollen walls around his cock ripple, tighten and slacken, like it's got a pulse of its own. he could be here, in you, cock deep in paradise for the rest of time.

"fuck me," you warble out, hand rubbing your swollen clit to well up the pleasure that's being smothered by the searing pang of discomfort.

when simon cants his hips back, he watches his cock come out of you, glistening with slick. his jaw aches from how hard he's clenching it. control. got to keep it slow, gentle. slow, simon, slow, slow--

"harder."

he feels the sudden sharp sting of your nails and jerks forward in surprise, filling you completely in one fast movement.

your moan this time is needy, thick with want, arousal dripping from your voice as it does your pussy, coating him in creamy white, a frothy ring at the root.

simon can see the barest of bumps below your navel, or maybe he's seeing things, your hot cunt putting him in a state of delirium but the way you take all of his cock and continue to beg for more, beg him to fuck you like he means it even though he's twice if not thrice your size well...

you'll just have to forgive him on the finger-shaped bruises they're going to be on your body after.

(you'd looked so cheeky before he flipped you onto your knees, grabbing onto your delicate neck like a lifeline as he pulled your hips to meet his. you'd taken him easier here, cunt sodden with slick but the angle had him reaching a devastating depth no one else could ever dream of reaching and even though it'd sprung tears to the corners of your eyes at the pinch, "mama ain't raise no bitch.")

[gravegoer]

OMG sevika x reader who fills in for silco after he dies?? 🤍 but sevika is oddly shocked at her kindness—

Sevika's boss ꩜

i absolutely love this idea ! sevika pledging her loyalty to you whilst you pledge yours to her !! so this is how you met + how you treat her on the job.. and off (i fear silco didnt provide a safe work environment)

visit my masterlist HERE , part 2

Zaun needed a new leader, and you just so happened to be the second in line to the throne.

You had the option to throw Sevika out if you really wanted a different right hand man. But in your opinion, if she worked for SIlco; she would work for you.

You'd never met her before, only heard the things that Zaunites whispered about her on the street

" She took on three men at the last drop yesterday. I think Silco put her up to it. "

" The way she looked at me made me think I was going to meet my end. "

Silco was no gentle ruler, he was strong and fierce. You could only imagine how he treated his goons, and and only Gods know how he treated Sevika.

You sat in his office chair, displeased with the scattered papers on his desk and the old whiskey in a glass that now smelled rank.

You had called her in to have a chat, so that you knew who you were really working with. Not knowing what to expect; you watched as the door creaked open and you nervously drew in a quick breath.

In walked a tall woman, definitely over 6', obviously muscular with one prosthetic arm. Your eyes traveled up to her face, and now you knew why everyone talked about her gaze. It was steely and almost frightening. She looked you up and down with something in her eyes that you couldn't place. Her skin was littered with scars, the biggest one was smack dab across her cheek. How intimidating.

You spoke to her, firmly but gently, "As you know, I'm taking over for Silco until things can be.. sorted out-"

She cut you off with a brisk, "Get to the point."

You eyed her full lips as she said this, the gap between her teeth was more prominent when she spoke. Not to mention her husky voice, she sounded tired but with still a hint of determination.

"I'm not demoting you or anything, just so you know," you spoke while raising an eyebrow at her, "I just wanted to get to know you before I start ordering you around, y'know?"

She narrowed her eyes at this statement. Its obvious she expected you to immediately ask her to do things for you the way she did for her former boss. Always running around the city cleaning up his mess, fighting his battles. But no. You weren't Silco. There was something different in the air around you.

Now that you've officially met its time to put this girl to work !!

She was almost always available. This concerned you. If you asked for her presence she would be there within minutes. It was like she was waiting for you at the door 24/7.

This made you bring up off days to her, "You know, if you ever need time off or anything don't hesitate to ask me. I don't bite"

She was confused at your willingness to let her do nothing but sit around while you did the work. And even after you said this she never asked to be called off.

"Okay, you know what. If you're injured after a mission don't even think. About trying to leave your house," You called her in to run some errands but what she didn't tell you is that she got stabbed roughly in her side the night before.

This made her angry, did you think she was weak? You're making her take a break because she didn't do her job good enough for you? Trying to cut her pay by putting her out of work?

But no, surprisingly in the next few days you sent her out again, and when she came back you slid a hefty bag of coins her way. She questioned your ways but she wasn't complaining.

You tried never ask absurd or unnecessary things of her. If you needed to talk with someone in the city you would go down and do it yourself. She caught you out one day, talking to a shop owner about prices.

"Why the hell are you out without me."

You turned around to meet her eyes (also having to crain your neck to look up at her.) "Well, I don't need a body guard to walk around you know that right?" You said, tilting your head to the side.

She drug her hand over her face at this, "You could have asked me to do it for you, I'm free. Plus don't you know anyone could be trying to get at you? Are you an idiot?"

"I can handle myself Sevika. But if you're soo worried about me ill let you come next time," You teased before turning around to speak to the owner again.

She grumbled to herself before taking a seat in one of the old chairs behind you and crossing her arms. If you didn't know any better you would think a small embarrassed blush kissed her cheeks.

When you walked around in the streets with you she always walked behind you, looming over your shoulder. Sometimes you thought she would start barking if anyone came up to you. You slowed down a bit to match her pace before latching onto her arm.

Her body tensed at your touched and she looked down at you, though you didn't meet her gaze as you continued looking forward. The neon lights illuminating the angles of your face. She shook her head at your willingness to touch her, but didn't comment on it.

You felt the flex of her bicep when she tensed up at your fingers. Her arm was hot under your touch and you could feel the scars that littered her skin.

This became routine, when Sevika walked you home late at night she would get comfortable enough to drape her arm around your shoulder, her poncho sheltering you from the cold.

And yes, she started walking you home at night because she stayed in your office to keep you company whilst you did paperwork into the late hours. Saying, "Its the least I could do since you don't let me do it for you."

Lighting a cigarillo she sat on the couch, putting her feet up on the coffee table. The smoke wafted from her position to your nose, the smell oddly comforting.

When you groaned and dropped your head into your hands it was her queue to get up and pull your chair out from your desk.

"Its too late, you should get home."

Sometimes you'd fall asleep in at your desk, but this was no problem. Sevika would pick you up, gently as to not disturb you and carry you to your home. And she was careful to walk through quieter places in the city so that the hustle and bustle of people didn't wake you.

And yes she tucks you in.

If you really insisted on staying to do paperwork she would grumble a few curses but stay anyway.

You were starting to grow on her. Maybe being cuter than Silco gave you some brownie points.

thank you for reading ! if you sent an ask in the past few days, don't worry, I'm getting to them all :) I appreciate all the support !! ♡♡

[where-does-the-heart-lie]

One Piece Fighting Game AU

this au is inpired by the song Heart Attack by Chuu

hope you enjoy the designs i created most of them in a 2 hr long manic episode of just nonstop designing.

there is more to come with this au im super excited to show you guys :)

some lore ive cooked up for it and design explainations:

preface: sorry this is so much writing and im not going to grammar check it cuz aint no body got time for that.

The world of this au is like pokemon with different gyms you can fight through and beat, there's a big league of pro fighters, and there are schools for teaching you to be a better fighter.

The school our main cast goes to is called the Doki-Doki Battle Academy and it's principle is currently Crocodile. It's previous principle was Nefertari Cobra, but maybe something nefarious happened to give crocodile the spot who knowwsssss~

Doki-Doki Battle Academy (DDBA) hosts many tournaments in their school stadium throughout the school year. The tournies act as tests for the students who are taking that field of study. There are other fields the school offers though, such as weapon crafting, medical staffing, and managing. Though, if the students in those fields with so learn fighting on the side that is also accepted.

In the Pro Fighting world, there are typically pro-league teams such as the Red Hairs and The Beasts. These teams have different levels to it such as Little Leagues (for younger fighters), Minor leagues (for adults on a regional level), and Major leagues (for profighting at a national level). You can also go solo though, much like Mihawk does.

The power system in this AU is pretty simple, different color of auras do different things, but the complexities happen when you start using the different auras in tandem. I might explain it more in depth in a different post, but i dont really know what to explain about it. mostly because i dont know everything about it, myself, yet lol

-----design talk now yippeeee-----

Luffy: i tried to make him very simple protagonist vibes, play into the genre a bit. i incorporated hearts into his design in his hat, his shirt, his arm bands, and his pants poofies. His hat was given him as a sign of love, his shirt is from his school and he loves his school, his arm bands are on his arms and he uses his arms to show his love by fighting or by hugging, and his pants arent scuffed or anything so the heart puffs on his knees protects them from getting damaged (his love protects him)

Sabo: Tried to give him a more mysterious vibe with that peacoat and hat that shadows his face. I incorporated hearts into his design in his eyepatch, his vest buttons, and his boots. His heart eyepatch covers up that nasty scar, so he's distracting himself from his past pain by focusing on his love, the buttons on his vest/hearts on his boots are more or less hidden most of the time so he tends to hide his love but when he lets his guard down (when the boot is rolled down) you can see his love plainly.

Ace: Now, i dont know if Ace will die in this au or not, but in canon, he expresses his love through his torso area, i.e. tattoo on his arm and back and also that Certain Moment, so thats where i put a big ol' heart on him. His pants are also ripped in a shape of a heart but its kinda hard to see, but its meant to symbolize how the damage he takes is his love.

Nami: All the orange in her design is in heart shapes or the shapes of tangerines, thats where her love is. I also made nami's staff a curtain rod. She uses the rod to produce wind when she summons water and then manipulates it to heat it up or cool it down. i tried to add little details like that and the bandages on her torso to show that although she's outwardly clean, she's still scrappy. Nami is in the managerial pathway at the DDBA.

Zoro: I didnt make him quite as bright or vibrant as the others, i kinda just tried to make him Just A Guy. Except for his Swords. His Swords are special, so theyre bright and saturated. I roughed him up, a bit, not too much. i made his varsity jacket be ripped open so it looks like the heart on the front was broken because zoro is very broken hearted.

Sanji: I made him look like a wannabe princely character. Very cheesy, gaudy charm. I made the hearts of his design (on his boots) look like they're sewn up. So at some point his heart was broken, but he's healing them by stitching them up with love.

Robin: The hearts in her design are hard to make out because she is hiding her love. The pink of her lacey undershirt is where the heart is and its being protected by a dark over layer. The many belts in her design, however, are meant to look like shatters in that protective layer. This is meant to represent how even though she's strongly protecting herself, that strength is still weak without any outside help. Robin uses her multiplication abilities to simply multiply the shape of her arms like how she does in canon.

Chopper: His hearts are on his viles and his hat, love was given to him when he was given that hat, and he shows his love by making his healing potions. On another note though, chopper is a Transtormationalist, which is basically the zoan fruits of this world. His model is the Reindeer and his body has naturally started morphing into that form, too. Chopper is in the medical program at the DDBA

Usopp: Usopp's hearts on his pants patches signifies the new loves he’s accepted into his once lonely life. He fights with his sling shot and his ammo is seeds he's found savaging through forests or just growing himself. the white and grey auras he commands lessen the air resistance of his projectiles and makes them go a lot faster, and once they hit their target, he makes the plant grow super quickly, like how it does in canon post-ts.

Franky: Franky's hearts are everywhere and they're bright. he doesn't hide his love and he's built love for himself to wear on his person. Franky is one of the weapon masters at the school and he's a SUUUUPER cool teacher.

Brook: the hearts in his design are his Afro and his bag. I think i read somewhere that brook has kept his Afro so that Laboon can recognize him when he sees him again and that is just so loving to me so his Afro is in the shape of a heart. His bag is also in the shape of a heart, but the bag is being weighed down by whatever he's carrying inside of it, signifying the burden of the love he carries.

Jinbei: Jinbei is a Transtormationalist, Model: Whale Shark. the heart in his design is the tattoo on his chest for his old team. He's the driver of Luffy's bus and if you do enough dialogue options with him instead of skipping the bus cut-scenes, you get the option to battle Jinbei. If you do, he takes off his jacket revealing the pro-league he used to be in and then he decimates you. it is impossible to win the battle.

Koala: the colors i used for her are peachy colors, signifying what a peach she is :)))) her goggles and the buttons on her suspenders are the hearts on her design, signifying how her love is looking out for others and how love keeps herself up.

Vivi: Her hair is a big ol heart but its upsidedow, signifying how the love she feels often makes her look at things incorrectly. Also the rips in her tights are hearts, much like ace's are. the damage she takes is how she shows her love.

Crocodile: his hook is a heart, he loves fighting. i like the idea that when a student needs a text book and and asks him for one, he gives it to them by spearing a hole through one he has in his coat and handing it to the student who has to just live with a textbook with a big-ass hole through it.

Perona: the hearts in her design are on her sleeves and on her hat. The joke about the sleeves is that she wears her heart on her sleeves. but the hat, its meant to look like more or less a cage for the heart, her love is what traps her.

Mihawk: his hearts are on his weapons, he fucking loves fighting.

Shanks: The hearts in his design are only on his torso area, the locket around his neck and the deep unbuttoned shirt makes it look like there's a heart in the negative space, and the heart patch on his jacket, the loss of his arm and the lack of something there is symbolic for the love he has given.

imma be real, i didnt put that much thought in the heart positionings for yamato buggy or law. I kinda was swept up in Hot Man, Pathetic Man, and Hot Pathetic Man.

Uta: she's based off of Cupid, so she doesn't have any hearts really in her design but her whole persona is based off of a symbol of love and how it can turn malicious.

also in general, the shines on people's hair are meant to look like a heart-rate monitor's peaks and troughs. And the shading i did just by drawing all the shading then desaturating that area

WOWEE that's a lot of designing wtf was i on when i did all this.

if you got to the end, thank you so very much for reading! i hope you enjoyed my ramblings :)

again, there is more to come with this AU so Stay Tuned, Folks!!!!!!!!!!