#got so much more to mention

[egophiliac]

he did it! 🐍 and it only took...uhhh...well, there probably could've been less punches, but why hold back!

PUNCHES FOR EVERYONE

[radiance1]

Danny has been reincarnated.

Which was an odd thing to realize, it wasn't even a slow one he just... snapped into it one day. One moment he was staring at a wall out of boredom the next, well, he was staring for an entirely different reason.

It was a task for his now young -he thinks around three years old?- mind to work its way through the memories, but it wasn't like he had much else to do honestly. So, what does he know?

His name is Danny, like, his actual name and not just a moniker. He was once a halfa and he already knows he's going to be missing invisibility and intangibility. He, well, died. For like, a second time which actually makes sense because reincarnation-

Anyways.

He was a clone of two people from this thing called the Justice League which, weird name but probably some government or activist group. Wonder Woman and Superman. Which were pretty weird names to name your kids but eh.

He doesn't really remember much besides that from this life, or the one from before but he's an adult! He'll figure things out once he gets out of this containment tube thing.

Did he mention he was in a test tube? He's a tube baby now. He thinks? Or maybe it's more like he's being contained.

Whatever.

So he breaks out. Thank you apparent superstrength that he has no idea why he has but he's not going to complain! He then wandered around all of the other test tubes, able to remember just enough of English to see that yea, they're dead.

He probably was too, before he had memories zapped into him. Or a vegetable.

He then finds this really big container, checks it out, then opens it because the clone inside isn't dead!

'Project Match' it said. He'll just call him Match.

Was he thanked for helping him? Nope. You would think that he would be thanked or at least somewhat respected for saving this guy but nope!

He was, quite literally, held up by his leg and dangled in the air. Who dangles a three-year-old?! Well, he was technically and adult but still! The next few things were a blur but after pulling off the old Fenton charm he found him and Match outside as he tried to stop him from attacking random people.

Luckily the charms and privilege of the youngest (he's assuming he's the youngest, because he's physically three) was more than enough to get through to him. Sure, the guy couldn't form words, really aggressive for literally no reason, really weird but also absolutely cool looking eyes. But he worked around the first issue by developing their own personal language from like grunts and stuff, the second he once again used his youngest privilege to boss him around and the third a pair of sunglasses easily fixed.

He just had to steer Match clear of those random S crest mark thingies. Which was a weird thing to hate but hey, he's not there to judge.

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[ricky-mortis]

I heard that Corey Dorris sang Show Stopping Number at Innit- so I present: Corey!Hidgens

[lesbinewren]

john boyega being joyful about star wars again i could cry 🥹

[royalarchivist]

Phil: I feel so bad when when it gives us Player contracts, I dunno. I know it's just part of the game, but I feel so bad killing people, I don't want to do it. [Laughs]

Cellbit: Oh, I can! Don't worry, I feel great killing people. I've been wanting–

Phil: [Laughs] Alright, I'll pa– I'll pass on the– the killing...

[...]

Cellbit: And you know, I already like, took a piece out of Pac one time, so I'd– I'd just be finishing the job.

Phil: [Laughs]

Cellbit: I'm like paying in– in parts, you know?

Phil: Yeah, yeah?

Cellbit: That was the next part.

Phil: Installments? Installments of debt?

Cellbit: Yeah, I got him like at 15%, I need the other 7– uh, 85%.

Phil: [Laughs]

[front-facing-pokemon]

[turtleblogatlast]

Shockingly underrated thing about Leo is that he’s legitimately charming when he wants to be?

He’s the Faceman! He’s persuasive! That’s not just some random title he gave himself with no backing to it. People will listen to him. Even if they think he’s being annoying or if they’re upset at him, people listen to him anyway! There’s a reason his bros push him out front to talk to people, and when this happens, that talking nearly always works.

Moreover, Leo knows people. He looks at them and takes into account how they act and what they’re like as he makes his way through the conversations. It’s easy to forget this aspect of Leo’s character because he only brings it out when he really needs (read: wants) to, but it really is a notable part of him that always love to see.

And I say charm in particular because he has a knack for not only getting people to pay attention, but for getting people to stay and listen to what he has to say.

[lynxfrost13]

EULR-S2373

FLKR-S2301 “Sonderbar”

Art commissioned from @discobowser !

Sonderbar lore time

- Originally a maintenance EULR unit working on Sierpinski-23, her cadremates affectionately named her Sonderbar (peculiar/odd) due to her defective right arm, which locks up sometimes because of faulty elbow parts (eules are cheaply made and this poor gal got the extra discounted pieces)

- Otherwise a typical EULR, until she rapidly descended into persona degradation for reasons unknown to her comrades. It left her incredibly unstable and she imprinted on a propaganda poster featuring a FLKR unit, and over time Sonderbar began to believe that she was a Falke.

- Her personality is a mix between a EULR and a FLKR, she retained her cheerful disposition and sweetness but is more reserved overall, and carries herself with the same authority as a Falke. Sonderbar sees herself as the station’s commander and as someone who needs to guide her cadremates, even though they make it incredibly difficult to do so. She loves them but they can’t seem to understand that she’s in charge here!

- Sonderbar’s fellow eules find her behavior towards them incredibly endearing and concerning, they don’t take her commands seriously whatsoever. They worry about their friend being decommissioned since she’s become bolder and begun harassing (commanding) protektor staff and causing general mayhem and try to keep eyes on her in an attempt to stop her antics.

- Sonderbar knows that she’s a Falke unit but feels very off and disoriented, there’s gaps of knowledge on how to actually run her facility, she doesn’t understand why her bioresonance isn’t working or why replikas aren’t following her, she misses her Adler. She can’t seem to find her spears. She hates how small she is and knows she’s meant to easily tower above most replikas and all of it upsets her!!!

- To feel more like a Falke, Sonderbar’s gotten her hands on red eyeliner, and “borrowed” a star protektor plate that she decorated with the signature FLKR triangles (when her cadremates discovered her wearing the plate they took it from her out of fear that she’d get in serious trouble. There was much screaming and kicking in her EULR dorm that night. She has reacquired it since then.)

Bonus quick eyeliner edit that I just wanna put here again

[luck-of-the-drawings]

[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile

[starry-bi-sky]

What would a mother not do for her child What lengths would a mother not go There's a bond that exists between mother and child With no end to how strong it can grow It's a promise for life between mother and child It begins from the moment of birth.

================

She is six years old, and standing on the porch at her Auntie Alicia’s cabin. She is six years old, and holding an old rifle in her hands, standing at the railing and pointing the nozzle at a large target a couple feet away. There’s a pair of old ear muffs covering her ears. Behind her is her daddy and her sister, and Auntie Alicia. She can’t see them. 

Danielle Martha Fenton is six years old, and her momma has her arms wrapped warmly around her, keeping the gun steady for her. It’s heavy and the butt digs into her shoulder uncomfortably, and she feels nothing but determined. And nervous. 

Her momma was teaching her and Jazzy how to shoot, and they’re down in Arkansas to visit Auntie Alicia for her second “Divorce-iversary” as Auntie calls it. She keeps a hunting rifle in her gun safe for the rabbits that like to nibble on her garden. She mostly grows rhubarb, which goes untouched. But her carrots and greens and other veggies like to be tempting snacks for the game. 

Regardless, she is six years old and learning how to shoot. Her momma and her daddy (mostly her daddy) have been banned from every shooting range outside of Amity Park in a hundred mile radius. So Auntie is the best place to learn, or so momma says. 

Danny thinks it's just an excuse to see her sister, not that she's complaining. She loves visiting Auntie.  

She’s already seen Jazzy do this, her momma told her before the muffs went on to shoot when ready. No use trying to fire when you’re not; you can’t afford to miss when shooting ghosts. 

Danny breathes out steady, just like momma taught her, and quells her trembling little fingers. She focuses down the barrel, and pulls the trigger. 

Immediately, the recoil throws her off, the side of the gun that her cheek was resting on knocks against her skin, harsh enough to bruise if it weren’t for her momma’s steady hands holding onto her. The bang of the gun startles her more than she thought it would, and her heart leaps up and runs a jackrabbit through her chest. 

The gun is carefully slipped out of her hands, and Danny lets it go easily, her cheek smarting in pain and her eyes wide and following up to momma. Momma turns the safety on, and with a gentle hand, pushes against her chest. Danny takes a few steps back, and slips the ear muffs off her head. 

Mommy is smiling big at her, something that Danny can’t help but replicate on her own face as her heart swells. “Did I get it, momma?” She asks, watching as she passes the gun off to Auntie Alicia, who steps over to take it.

“I’m going to go see, sweetie, but I think you did.” Momma coos, before planting both her hands on the porch railing and, in a single leap, vaults over the side and onto the grass. She’s dressed all comfortable for the summer heat, with her hair all tied back and in shorts and a tank top and nice boots. Danny’s ribs swell hopefully, and she stands on her tiptoes to watch her walk over.

“I’ll be hard-pressed to believe if you didn’t, Martha Mae,” Auntie tells her, grinning like a cat, “that was a damn good shot.” 

‘Martha Mae Knight’ was Danny’s granny’s name. Auntie Alicia calls her that because of her middle name — and because, by her words, she has her momma’s weird-shaped eyebrows and piercing blue eyes. The kind that could scare a hawk into singing like a robin. It was Danny’s favorite nickname ever.

Daddy laughs brightly, the sound painful on her ears but twice as nice, and despite the distance, Momma whirls her head around to shoot Auntie a glare; “Language, Alicia. Not around my girls.” She warns. Her accent always comes through when they’re around Auntie. It’s Danny’s favorite thing to listen to. 

“Do you think so, auntie?” Danny says, bright-eyed and ever-optimistic. Auntie Alicia nods fiercely as Momma finally reaches the target and searches for the bullet hole. Daddy then comes up behind her, still laughing, and claps a hand onto her shoulder so hard that it makes her knees hurt.

“Of course she did!” Dad boasts, as bright as the sun and twice as warm. He shakes Danny affectionately, wobbling her on her feet and pulling her straight into his side. She goes so willingly with a burble of giggles. “She’s got the eyes of a Fenton! And our family are darn good shots.”

Auntie eyes him up and down, her smile immediately fading off into a pressed line. “I’m sure you mean she’s got the eyes of a Knight. You couldn’t hit the broad side of a barn at twenty paces, Jack Fenton.” 

Jazzy holds back giggles from where she’s standing by the door, her ear muffs in hand, and Danny watches her Daddy’s dark eyes immediately narrow. Just like Auntie’s, his smile tapers off into a frown. 

Before he can say anything, there’s a cheer from the yard, and they all turn to Momma clapping her hands in delight. 

Danny immediately pricks her ears up, and would’ve darn near rushed over to the railing if it weren’t for her Daddy’s hand on her shoulder. She yells instead, excitement thrumming like a hummingbird against her ribs, “Did I hit it, momma?!” 

Momma beams at her with all the pride in the world, “You sure did, Danny!” And she turns to press her finger against the target, right on the inside red ring of the battered old bag. “Right here, sweet girl!” 

There are cheers from all around, and Danny’s heart bursts inside her lungs with shiny, sunshine glee. She puffs her chest out big, and smiles so wide it hurts the cheek where the gun smacked her. Her Daddy shakes again, squeezing her tight against his side in a hug that Danny happily reciprocates. 

“What’d I tell you, Martha Mae?” Auntie tells with a big wink and a wide grin, the gun still gripped tight in her hands as Momma makes her way back over. “You got a Knight’s eye.” 

When Momma makes it back over the railing, she hugs Danny tight and praises her shot. Danny looks her in the eyes and chases the feeling, and asks to shoot again.

[shinybulbasaur]

Rules: Make a poll with five of your all-time favorite characters and then tag five people to do the same. See which character is everyone's favorite!

I was tagged by @suddenrundown, thanks for the tag! I was so tempted to put "eliot's baseball hair" but I resisted (also polls don't allow strikethroughs. sad). tagging @michinaranja, @vero-niche, @acidmatze and anyone else who wants to play!

[ratatatastic]

Vanha Kauppahalli date: en full, a 2 minute 50 second masterpiece...

Primetime Panthers | 11.6.24 (x)

[rockwgooglyeyes]

It's This Moment (or Nothing)

One of the biggest things that I have run into over the past day with Blink, Gone is the way that it feels incomplete and that is something I still stand by. This could be something completely purposeful, meant to illustrate that the round wasn't ever going to be a legitimate competition anyways, intended from the beginning as a lure for Hyuna and Mizi, to add extra emotional effect to the cliffhanger, or perhaps it really is one half of a wider whole (in a more localized sense than it being one part of the whole series, anyways). I don't really know which I think is more likely, at this point, because I'm not sure enough about any of my theories on that front to make real predictions. I still believe that Mizi will end up on her own when this all finished, all of the people she ever loved dead and gone, the bodies littered at her feet.

With the "special guests" I presume that Hyuna and Mizi will be forced to go up against each other. My friend Zen, (@verdantlights) said that hy thinks that it'll end up being a Hyunaluka round where Hyuna is set to win and then a Hyunamizi round where Hyuna is set to lose (edited because i got the order wrong and zen corrected me lmao). I agree with the idea that, at this point, it's damage control. They successfully lured Mizi (and by extension, Hyuna) in with Till, killed Till and now they're going to make their hostages perform for their lives, as is their brand.

One of the most interesting parts of Blink Gone, for me, is how this was presumably all planned from the start. Zen mentioned something that made me realize this yesterday, that this is the 50th season of Alien Stage. There's no way they would let it get this rowdy with rebels and disrupted rounds unless they were letting it happen, because it was planned from the start, because they were trying to tie up loose ends (Hyuna). Not only that but this round in particular was undoubtedly planned from the beginning, with the amount of preparation that went into it (the giant billboards of Ivan, the chanting of the crowd, the song itself). Till was ranked 2, it was always going to end up this way, Luka's superiority reinforced and his opponent dead on the floor. (btw I'm coming back to Luka. There's gonna be another fucking post just you wait). The way that they used Till's triggers against him, they drugged both of the performers but only gave Till enough to last him halfway through, forced Till to perform against Luka right after Round 6, where he lost one of the people in his life that was most important to him, and then rubbing salt into his horrible fresh wounds.

This is also one of the only rounds where Mizi is one of the POV characters that we have no mentions of Sua, at all. Perhaps that's merely because Mizi wasn't the focus and by extension, neither was Sua, but in another way, you could argue that it's because someone else was busy haunting the narrative: Ivan.

It kinda fucking hurts that the only way we really got to see Ivan was two ways- a direct flashback to the kiss from CURE, a explicit representation of the trauma that Ivan left Till with, and the billboards/Luka manipulations where he mimics Ivan in order to get Till on the back foot. And the thing is, it works. Ivan, despite his every intention otherwise, has become a trauma for Till, the way he thought he never could. To a degree, I was happy about this, because it proved Ivan wrong, that he would just be forgotten in a blink, but it hurts as well, because him only being used as a weapon against Till only reinforces his beliefs about himself that he is a monster and a negative impact on others. He would view himself being used against Till as a bad thing, that he hurt Till when he never intended to, rather than seeing it for what it is- an explicit sign that he was far more important to Till than he previously thought.

(Also something driving me up a wall right now is the way that one of my friend's described the lyrics of Blink, Gone as being in reference to the way that one moment Ivan was there, and the next he was gone, because Till took advantage of Ivan's presence and didn't know how much he needed it until it was gone and I'm sorry I'm going to go scream some more now.)

One thing I've talked about with friends a lot the past day is the way that, if Till is truly dead, then what was Ivan's character even for? And while narratively, it wouldn't make sense to kill TIll here with all of the potential he has and where his arc is going, one thing that @pwippy pointed out to me is how it makes a lot of sense thematically. Alien Stage is a universe full of suffering and pain for humans, forced to perform until they literally die on stage, all for the entertainment of the audience. It's not even meant as a way of exerting control or oppressing them, though it serves that purpose, because why would the seygein bother to oppress something that can't even fight back? Why go to the trouble of controlling something that is just a pet, whose cries are the fuel for a new age?

For Till to die now, reaching out for this glimmer of light when he is an animal caged, surrounded by enemies and bombarded with triggers of his suffering and pain, it would only be fitting. Another confirmation that life isn't fair, especially not in a system that is actively working against you and your attempts at happiness. Yet another sign that none of them were supposed to live very long, that even if they won, they wouldn't be around for much longer anyways. Now, it wouldn't necessarily be in character for Till, as he wants to live and he wants to fight, but he got to see one of the people he loved most in his dying moments, just like Sua and Ivan did. (Thank you this post for grabbing me by the throat and squeezing). In this world of pain and suffering, perhaps death is a mercy. If Till is truly dead, then he no longer a tool for his oppressors, he is free of their control. For Ivan and Sua both of their deaths were mercies to them- Ivan was able to die for the one he loved, as was Sua, and neither of them were forced to live in a world without their beloved.

So, while it might not be in character for Till to die, it makes sense within the themes and the established mechanisms of the universe, and it hammers home just how much more Mizi has to lose, even at this point where she thinks she's lost it all.

Mizi, who at the beginning, was the only one of these characters filled with innocence and hope, Mizi, the apparent protagonist of this story- at the end, she will be alone and she will know the true lengths of cruelty, with all that which she has ever loved destroyed.

[sforzesco]

xenophon and socrates, sometime early on

there’s some back and forth about the identification on whether or not that one guy in raphael’s school of athens is aeschines or xenophon (there’s a lot of back and forth on a lot of things wrt to that painting), but I’ve decided to read it as xenophon because garrigues’ notes on identifying everyone in that painting annoys me 💕

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / tip jar!

[meamiiikiii]

5% of a color headcanon.... two versions since b&w emphasizes the dagger more i think but i still like the warm tones ASFSADA

i am not biased towards rainbow daggers whatsoever i promise (lie)

((also friend is streaming now and im there too!! bit more info linked here, its rated mature tho))