#good episode! just not really sure what it was trying to say?
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What if like Vi and the others (I canāt spell their names) like tried to or kidnapped the reader to get Jinx to surrender! This is like during season 2 btw! I would prefer female reader but gender neutral is fine! Have a lovely day/night!
Sure! Have a lovely day as well!
Kidnapped
if you got kidnapped by anyone, itās a given Jinx would go fucking crazy
I feel at first there was something knawing at her in the back of her head saying stuff like
āShe left you. Itās your fault she left you. Sheās thinks sheās to good for you.ā
Even if she is really, really secure in your relationship thereās always something in her head saying that
She initially acted out as she had no fucking clue where you were and had no idea what happened to you so her mind is running wild
She is going fucking crazy looking for you bro, and Iām talking scouring the lanes, and sheās contemplating going topside as well
She either doesnt find out they have you until the Jinx vs Vi and Caitlyn be Sevika fight where they probably reveal they have you
Hey probably were trying to get her to surrender for your safety
Jinx was contemplating it, but she knew she would find a way to get you both out of there safely, and alive
But the other alternative where she finds out they have you, is probably when they started filling the lanes with The Grey and sheās in the hideout from when yāall were kids
She was in the rafters, and she saw that red headed girl she didnāt know the name of, with her hands on you and dragging you around like you werenāt the most precious thing in her life
Vi knows how important you are to Jinx
You either were with them when everything went down in episode three, and knew Vi since childhood
Or you met her during act 2 and she saw visually how much you meant to jinx and how much she relied and clung to you in her absence
Either way, she knows just who you are, and your importance to her sister
If youāre childhood friends, Vi would feel guilty but she had to do it
When Jinx gets her hands on Vi during their fight in the first scenario, she is going harder and she is more pissed
She doesnāt wanna kill her sister, she just wants her to feel the pain Vi purposely made her feel by taking you away
If she found out by scenario 2, she probably found some way to come out of hiding and get you out of there and probably fuck them up or just sneak you out of there with her and Sevikas arms
But when she does have you back, she is CLINGING to you and unwilling to let you go
She does not let you out of her sight because she is so scared that you will be taken away
Sheās always been scared of being abandoned, now sheās worrying about you being forcibly taken away
Sheās afraid youāll be taken some place where she cannot find you and cannot save you
It takes a long time for her to calm down and let you go places alone again
Her relationship with Vi was already rocky, but this solidified how far gone their relationship was and how unfixable it is
If Vi was willing to take away the one person who makes her happy and keeps her grounded, what was the point of reconnecting? What was the point of reconciliation?
It also motivates her to take out Caitlyn. She wants Vi to feel the pain that she caused her
#arcane x reader#arcane#jinx arcane#arcane jinx#jinx x reader#vi arcane#arcane jinx x reader#arcane reader#arcane imagines#arcane headcanon
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Life Series Session Recap and Alliance Analysis
Pearl opens her episode clarifying she and Impulse did nothing wrong. Finally I don't have to write āget over double life, tumblrā every week.
Yes, another Saturday means another instalment of the Life Series. This session was far more chill and slow paced than last weeks, ironic considering that this week's Wild Card was a perpetual speed increase! Going from a complete time freeze to full hyperspeed. Naturally, this led to about a 7.5 on the madness scale, so let's see what those teams were up to.
The Final Girls - (Scott, Cleo, Pearl, Impulse & Bigb (not anymore ;3 ))
On the topic of Pearl and Impulse, Cleo decides that they will fully enable all of they're future actions. Yes, she might sigh when they talk about all the evil stuff they're going to do, but she's fully on board.
Right about now Scott is probably regretting being team mum for three chaos gremlins as he's already had to instruct them not to give Gem any more reasons to kill them & had to break up the fight that was issued once they all went Matrix mode.
Speaking of Gem & Joel, a new development in the great drama sees Impulse explain himself and apologise to Gem. She doesn't buy it but it's the thought that counts. During this apology Pearl, the attack dog, is ordered by Gem and Impulse to slaughter grian. So while Cleo and Scott go off to make friends, Impulse and Pearl pop over to Rens for some very serious murder discussion, with an eventual ālet's murder Grianā party forming consisting of Pearl, Impulse, Ren, Martyn, Bigb, Scar & Jimmy. If even a fraction of these people stick to this next session Grian is pretty firmly doomed.
In other news Scott manages to make allies with the Bamboozelers through several means, including staring at Jimmy's ass. Cleo & Impulse have a little caving adventure and Impy manages to make a working Creeper farm that they may or may not be sharing with Renwood. This leaves Pearl once again building the tower, which is good since she has arguably to much experience in that
While building the tower we get more Drama! Grian and Mumbo managed to get a quick kill on Scott early on the session by digging a big pit under the tower and spleefing him in. Mumbo and Skizz later come back to this trap only to be discovered by Pearl. The Suits try to get her to lure Scott over, but Pearl is far to loyal for thatā¦. But not loyal enough to kick them out, reasoning that it would be really funny if it happened twice. On top of this she negotiated the ability to kill grian without them stepping in, very useful given her current plans & the second spleefing doesn't work anyways, so no harm no foul.
No one would actually agree to luring their team to their Death intentionallyā¦ right Bigb?
I'd say I'm surprised, but I'm not. He's worked again every team he's been in except Nosey Neighbours. I guess the āBā must stand for āBetrayalā
Bigb pulls the same thing Pearl did only not under the pretence of a joke, when Grian is around to actually make sure his team gets the kill, actually agreeing to lure Scott and doing it INFRONT OF CLEO. This being the second time this has helped to them, Cleo immediately goes off to find Scott to warn him about the traitorā¦Scott still falls into the trap anyway but that was a skill issue on his part. Bigb actually tries later to gaslight Scott into thinking that he didn't mean to betray the team, which almost worked until he started saying Cleo was the traitor, which obviously Scott would never buy. Oh he also did this in earshot of Cleo so she set her attack dog (Pearl) on him.
Bigb also later betrays the āLet's Kill Grian Gangā and warns Grian about the plan to murderficate him. I guess someone hasn't gotten over Double Life after all.
The Fast And The Furious - (Joel & Gem)
Actually, the fast and the paranoid might be more accurate as while Joel is just off having a grand old time prattling speed bridging, Gem is terrified that everyone is out to get her and doesn't seem to understand that putting your base on the main path means more people will come visit.
Aside from sending everyone they can to kill Grian and disregarding Impulses genuine apology, the team due doesn't really do much themselves
Gem was officially the last person to lose a life though, with no less than 4 people, including 2 greens, having to help kill her.
Also Joel added racing stripes to the car andā¦ it actually made it a lot less hideous, well done Joel.
The Bamboozelers - (Jimmy, Scar & Lizzie)
Jimmy has regained the title as most confident member of this teamā¦scarily confident in fact, just this session he was able to steal a potential kill from Skizz & kill his teammates, get another good kill on Joel using Lizzie as bait, managing to turn his relationship with Joel around to become allies and reaffirming his alliance with Renwood. Honesty 100 IQ plays from Tim all around.
He did die once this session, but that wasn't his fault and was also incredibly funny to watch Martyn bimbo his way through traps made for Bigb and accidentally kill Timmy. Great job everyone.
Speaking of failed trapsā¦ oh Scarā¦ he started of strong, absolutely annihilating Etho in slow motion and living up to the villain he shares a name with by tossing him off a cliff, but after that every single attempt to trap someone fails miserably and he's forced into a cheap kill on Grian that results in him calling for vengeanceā¦ wouldn't be to worried about that tho considering Skizz and Mumbo's track record.
The Spanners - (Mumbo, Skizz & Grian)
How are these idiots not dead yet.
They get one (1) successful kill this session, spleefinā Scott. A trap Mumbo tries his luck with several times after this despite knowing the Final Girls already knew about it.
Skizz gets no kills despite Grians efforts. An attempt to build a super TNT minecart launcher is madeā¦ on Scars mountainā¦ and Grian spends several.minutes explaining to his worst enemies how the trap worksā¦ and then he and Mumbo stand directly under where they know the TNT will land. Yeah obviously Jimmy sneaks in and pulls the lever to kill them.
A second attempt to launch TNT is made, but this launcher is pathetic and ends up being turned into a party game. oh, and then Grian gets hotguyed by Scar. Grian immediately screams vengeance and blows up the reputation board, ranting about how little it meant since he was in good favourā¦ which only proved he never read the damn thing but it's the thought that counts.
In their last hoorah for this session the team goes on a proper hunt The Bamboozelers as they hide in Joel's car. Mumbo sneaks up to pure lava on themā¦ and burns himself to death. He then tries to hypersonic pvp Gem and you can guess how that went. He then joins in trapping Gwm in a big hole and burning her, only for the kill to go to Ren anyway.
These guys are Doomed. Especially because Final Girls & The Family are allied with Scar & The fact that Renwood actively wants to murder them.
Predictions: Grian goes Yellow next session, Mumbo goes out-out and Skizz is somehow still Red.
Renwood - (Ren & Martyn)
We actually covered everything these guys did already, The Grian Murder Crew, Martyn being a trap bimbo, Ren allying with Impulse to make up for beheading him, really the only thing we haven't discussed is Martyns strange choice to make the first 5 minutes of his episode unlistenable
The Tuff Guys - (Etho, Tango & Bdubs
Etho finally admits they're the comic relief. Like any good comic relief, these three stooges spend the entire session failing at everything. Tango fails on the same trap 3 times. Bdubs almost kills himself in said trap. There's more fights and bickerings than you could count on 15 hands and a toe
Oh also Tango also perma-died to Pearl after going invis and being pumped full of arrows.
Honestly it's not a question of if someone dies next session, it's a question of who.
#rendog#martyn inthelittlewood#bdubbleo100#ethoslab#tangotek#grian#mumbojumbo#skizzleman#goodtimeswithscar#ldshadowlady#jimmy solidarity#joel smallishbeans#geminitay#pearlescentmoon#scott smajor#zombie cleo#impulsesv#bigbstatz#life series#traffic life series#traffic life#traffic life smp#life series smp#the life series#life smp#wild life smp#wild life spoilers#traffic smp#traffic light smp#trafficblr
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I'm reviewing episode transcripts from "Merlin" to build up my worldbuilding document (character list, mostly) and, a little ways into S2, I'm kind of feeling like the show is actually quite mean to Arthur as a character sometimes? S1 E14: "To Kill the King" is one of those episodes where I forget how badly it pissed me off until I run into it again.
Like, don't get me wrong, Arthur can be a bully, entitled, hotheaded, and reckless, but he's also at this point risked his own life to save people multiple times. Both individuals whose lives were "worth less" than his own (getting the Mortaeus flower for a poisoned Merlin, smuggling Mordred out of the city, protecting Ealdor from bandits) and also Camelot as a whole (fighting the plague-causing monster in the sewers, fighting the mam-eating griffin, drinking poison to lift the unicorn curse).
Arthur is giving me vibes of being both bored and frustrated (and probably not able to name those feelings or exactly why he has them) because he wants so badly to do good things, but he's not really sure how to go about it because (no one ever tells him anything, he almost NEVER knows what's really going on to make informed choices, and) he's also stuck under the thumb of his tyrannical father, who spends most of their scenes together berating Arthur for being too merciful, for not being dutiful enough, and/or not finding sorcerers for execution fast enough. When Arthur tries to be fair-minded and compassionate, Uther often essentially tells him that he's going to be a weak king with that attitude.
Arthur's pathways to betterment are limited, his parent and role model and boss here is an AWFUL person, but he's trying!
So, it's quite frustrating to get to this one episode where characters like Gaius (extremely biased, admittedly, clearly not an objective individual) are saying things like: "Arthur's not ready. The responsibility would be too great. Brave though he may be, he lacks experience, he lacks judgement."
Like, I don't know, Arthur may be only 21 and kind of a dipshit, but I personally think he'd still do a better job than the guy who tried to kill a kid (Mordred) just for existing a few episodes ago? Maybe? Gwen's father, who wasn't even a sorcerer or knowingly working with one, is dead explicitly because of Uther's awful laws. Did everyone in this episode forget that Uther tried to BURN GWEN ALIVE AT THE STAKE not that long ago (Episode 3)?
ARTHUR: "[Morgana]'s right, Father. You hear the word magic, you no longer listen."
UTHER: "You saw it for yourself. She used enchantments."
ARTHUR: "Yes, maybe. But to save her dying father, that doesn't make [Gwen] guilty of creating a plague. One's the act of, of kindness, of love, the other of evil. I don't believe evil's in this girl's heart."
UTHER: "I have witnessed what witchcraft can do. I have suffered at its hand. I cannot take that chance. If there is the slightest doubt about this girl, she must die or the whole kingdom may perish."
ARTHUR: "I understand that."
UTHER: "One day you may become King. Then you will understand. Such decisions must be made. There are dark forces that threaten this kingdom."
ARTHUR: "I know. Witchcraft is an evil, father. So is injustice. Yes, I am yet to be King, and I don't know what kind of king I will be, but I do have a sense of the kind of Camelot I would wish to live in. It would be where the punishment fits the crime."
UTHER: "I fear you're right. She's played with fire, and sadly she must die by fire."
When the adult druid (Cerdan) accompanying Mordred is killed (Episode 8), Arthur objects afterwards! On his own! While Arthur is sometimes an active participant in Uther's tyranny and otherwise complicit, he's been told all of his life that magic is inherently evil and corrupting, he was raised by the very man spreading this hateful philosophy, he should probably hate magic more than anyone after Uther, and yet he still disagrees with Uther's methods and judgments. Even though Uther is apparently VERY willing to lock both his son (Episode 4) and his ward (Episode 8) in the dungeons for disagreeing with him and disobeying him!
ARTHUR: The Druid was only in Camelot to collect supplies. He meant no harm. Is it necessary to execute him?
UTHER: Absolutely necessary. Those who use magic cannot be tolerated.
ARTHUR: The Druids are a peaceful people.
UTHER: Given the chance, they would return magic to the kingdom. They preach peace, but conspire against me. We cannot appear weak.
ARTHUR: Showing mercy can be a sign of strength.
UTHER: Our enemies will not see it that way. We have a responsibility to protect this kingdom. Executing the Druid will send out a clear message. Find the boy. Search every inch of the city.
Obviously, running a kingdom is complicated! Uther apparently won Camelot by conquest and is in conflict with many of the neighboring kings, including Odin and Cenred, and likely has more of the respect of the local nobility than young Arthur does. Uther's death would create some instability! (Agravaine de Bois hasn't been created yet, but let's assume there are many other potential vultures.)
But the show generally isn't pushing that angle. This isn't really about smooth transitions of power. Personally, concerning Arthur's "lack of judgment", I do find his ready conviction that it is his duty to die for Camelot's honor if necessary (he says as much to Merlin explicitly before fighting Valiant in Episode 2, then again before fighting the Black Knight in Episode 9) more than a little concerning, but that doesn't seem to be angle pushed here either.
The show has characters (Merlin, Gwen, Gaius) suggesting that offing the King, who regularly kills innocent people whether they have magic or not, who has forbidden use of the tool that might have saved innocent people from Nimueh's plague or the wraith of Tristan de Bois, would be wrong! It would be murder and murder is bad! It would make (in the words of a grieving Gwen) her "just as bad" as him.
Even though Merlin has at this point already killed Aulfric and Sophia (Episode 7), as well as Mary Collins (Episode 1) because they were trying to kill Arthur. And arguably got an assist with Valiant (Episode 2). And will kill many more as the show goes on. This conversation with Kilgharrah in S1 E14 is in many ways so, so funny:
KILGHARRAH: Well, young warlock, what is it you come to ask of me?
MERLIN: I need your help.
KILGHARRAH: Of course you do, but this time, will you heed my words?
MERLIN: The sorcerer Tauren is plotting to kill the King. He's made an ally of Morgana. I don't know what to do!
KILGHARRAH: Doā¦ nothing.
MERLIN: What do you mean? If I do nothing, Uther will die.
KILGHARRAH: Don't you want Uther dead? It is Uther that persecutes you and your kind, Merlin. It is Uther that murders the innocentā¦
MERLIN: But surely that doesn't make it right to kill him.
KILGHARRAH: Only if Uther dies can magic return to the land. Only if Uther dies will you be free, Merlin. Uther's reign is at an end. Let Arthur's reign begin. Fulfil your destiny!
[The dragon flies off.]
MERLIN: Wait! Where does it say my destiny includes murder?
KILGHARRAH: Free this land from tyranny, Merlin! Free us all!
I feel for Kilgharrah here. He was VERY straightforward. I don't know how he could have been clearer about this.
I won't say that Merlin's character writing doesn't make ANY sense here (I do think the character writing in this show is NOT amazingly consistent), because... he IS being influenced by Gaius, who is, unfortunately, a bootlicker and also probably extremely traumatized by all of the death he's seen (big contributor of the bootlicking) (also, apparently Gaius only becomes a "freeman" at the end of Episode 6, so there's that). And Merlin is also being heavily influenced by Arthur, who loves his father, despite everything. For Arthur's sake, if no one else's, Merlin will go out of his way to save Uther. Sure! That tracks!
Merlin spends a lot of time in this show protecting a terrible status quo under some assumption that Camelot will... somehow suddenly become better under Arthur? Instead of perhaps eventually just trusting Arthur and talking to him after their years of knowing each other? There are several, in-world reasons for this and I don't think they're all unrealistic! It's tense! It's thrilling sometimes!
(Though I am ultimately a little annoyed that Merlin's many secrets never really come out and get dealt with by the characters, because that would have been fun drama and some resolution to all the tension, even if the story did still end in death.)
There's some tasty tragedy in this silly show, in many ways. Merlin is confused and conflicted and scared and without clear guidance in many ways. Kilgharrah is mysterious and not at all reassuring. Gaius is complacent and (very reasonably) incredibly secretive. Merlin doesn't get to see many of the moments where Arthur speaks up for magical people and tries to talk Uther down. Morgana and Arthur are both stuck here in a "The hands that cradled you are covered in an unimaginable amount of blood." "But they cradled me, yes?" nightmare scenario. (There's also a sexist element where male characters like Gaius and Merlin won't let Morgana know about her own powers "for her own good" in a gaslight-y way that's fascinating to me in how it creates a villain.)
But, also, the compelling tragic elements here don't make certain episodes any less frustrating to watch in their execution. (I don't think villains being frustrating to watch or read necessarily makes them effective villains, especially when what I really find annoying here is the heroes' reactions to the villain. Uther has killed SO MANY PEOPLE! FOR NO REASON!) Especially when a lot of the overall results of this show often feel more accidental than purposeful. I do understand why the writers keep Uther around! He's a formidable antagonist to have looming all over the place and the actor is fun.
But OOF, I felt that "Do... Nothing".
Merlin! MERLIN! LISTEN TO THE SCARY DRAGON! MERLIN, REMEMBER THAT TIME UTHER TRIED TO BURN GWEN ALIVE??? JUST BECAUSE GWEN IS TOO NICE TO GO AFTER UTHER WITH A KNIFE AND TAKE REVENGE, IT DOESN'T ACTUALLY MEAN KILLING HIM MAKES YOU "JUST AS BAD"!!! MERLIN!!! YOU HAVE ALREADY MURDERED MULTIPLE PEOPLE WHO KILLED WAY LESS PEOPLE THAN UTHER!!!
In Episode 4, Morgana says to Uther: "You can't chain [Arthur] up every time he disagrees with you." This implies to me that Uther has had Arthur thrown in the dungeons before. In Episode 3, Arthur says to Morgana: "Father will slam us both in chains if he knew I'd endangered you," and maybe he wasn't at all joking with that? Arthur is rattling the bars of his cell here, apparently fairly ready to be aimed wherever Merlin points him, bucking against being aimed at innocents by his tyrant of a father.
But nooo, Gaius says Arthur is "not ready yet" because...??? He seems less hotheaded than Uther to me, honestly. Are his tax policies not up to par yet? You can hire a guy for that. Suggesting that Arthur would be in any way worse than His Majesty "Anyone Who Talks To A Sorcerer Gets Executed Even If They Didn't Know They Were A Sorcerer" feels quite mean to Arthur, really. I think he'd do alright, in comparison, Gaius who lies to the King every single day, but I suppose you sometimes want to be a loyal friend to good ol' King "Made Merlin Drink Poison That One Time And Wouldn't Let Anyone Go Get The Cure". Good for you. Bad for everyone else.
Like, I know, I know this show is not very deep. I like that all of the characters are flawed and fumble a lot! I even kind of enjoy that it ultimately ends in death with so many loose emotional threads. It is a weekly burst of fantasy nonsense that is not especially concerned with consistency in worldbuilding or characters from episode to episode. But the executive discrepancies here are, like the ones in "Star Wars", weirdly fascinating with all of the holes and wobbly bits it creates.
This show: "Yes, our hero has once again saved the tyrannical king who kills innocents! Preventing the oblivious prince from assuming the throne and trying to do better as he so clearly wants to do! Good work, Merlin, taking the high road (which involved murdering the rightfully angry people trying to kill the tyrannical king) again!"
Me, every time: "...I am genuinely not sure how the show wants us to interpret this. What did they think they were doing with this? Was this always meant to be a tragedy from the first season? Because personally, I'm getting some kind of tragedy from this."
#tossawary merlin#merlin emrys#arthur pendragon#long post#tossawary watching#spoilers#character death
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EPISODE 28 ā¦ PLEASE LOVE ME AT MY WORST
LOVE, MAYBE ā A CHILDE SMAU
masterlist / prev ep / next ep / wc: 1265.
fifteen minutes is almost up; am i about to die?
ajax thoughts wander to all sorts of places as he nervously checks and watches the time move on his wristwatch. as to why he agrees so easily to your request to talk to himāhe doesnāt know either. it just feltā¦ right to agree.Ā
he knows it would pain him to say no to you anyway.
perhaps it was just the small part of him that still hopes. that one little speck in him that hopes this ātalkā would mend the rift that had formed between the two of you. it was probably stupid to have such expectations when he was pretty sure you were dead set on your answer to him before.
so it confuses him. why did you want to talk? did you want to just slap it in his face once again? no, you werenāt like that. you would never do something that mean. but that just leads him back to square one: why?
the sound of soft footsteps growing louder alerts ajax, and he takes a deep breath because he knows itās you. yet he takes a glance to check anyway. there you were, standing before him as he gets the familiar feeling of being starstruck surging through him. keep it together, ajax. he warns himself.Ā
āhiā¦ā you softly said.Ā
āhey.ā
hey? who the hell says hey nowadays, ajax? get a grip! he mentally scolds himself, forcing him to pull out a tight smile to you instead to save him from his embarrassment. meanwhile, you thought otherwise of his reaction. oh god, he probably hates me. he never gives me that smile. it looks so forced. he probably just felt bad and forced himself to meet me out at this hour. your thoughts ran fast inside your mind as you fiddled with your fingers.
āuhm.. i wanted to talkāā
āso why did you want to meetāā
you both paused when you realized you both spoke at the same time. āyou go first,ā he insisted. but you gestured otherwise and told him, āoh, itās fine. you can go.ā
āi insist. ladies first?ā
seeing as this would go nowhere if you just went back and forth like that, you took a deep breath.Ā
āi love you.ā
for the whole day (and the additional fifteen minutes ajax gave you), you thought of many ways on how to approach childe with the topic of what happened before. yet none of those really started with āi love you." the best option you got after thinking so hard actually started with āiām sorry.ā the āi love youā part was supposed to be near the end of the whole monologue you had prepared inside your head.
ajax only stared at you, dumfounded at your words. āshit, sorry, iāthat wasnāt how i wanted to start, uhmāā you let out a sigh, a slightly shaky one at that because of your mistake. donāt fuck up this one up and run away again, (name). you mentally took note. but then again, fuck that monologue you prepared beforehand. if you want to do this properly, then itās better to do this as bare as your emotions could get, right?
taking another deep breath, you decided to speak up again before ajax could. āiām going to be honest. i actually prepared some long speech that is supposedly transcribed inside my brain right now. but i definitely think i just forgot a good chunk of that speech now that iām actually with you.āĀ
āiām sorry, ajax. i let my fear get the best of me that day. i never wanted to tell you to go away; in fact, i know that i wanted nothing more than for you to hold me at that moment.ā you let out a bitter chuckle at that. ajax watches you, listening to every word carefully. he takes in your appearance as well, and the slightly swollen and redness of your eyes were obvious enough for him to know your state as of late.
āi never wanted to push you away. and god, i feel so stupid and guilty for everything that i said that day. because i know none of those were true. well, i guess minus the part where i listed my flaws... because i know those were true in some senseābut i want toāno, nevermind that. iām trying to change my ways.ā you corrected yourself.
āi asked dehya and the others for some advice. and they were right when they said that you had a positive impact on my life and that iāve never been this happy with someone else other than them. because i swear, youāre just a different case for me, ajax. you make me happy in ways i never thought anyone could bring me joy. when i thought i didnāt have anyone by my side, you were there for me.ā
āand i feel so, so, so fucking stupid for shutting you away that day. because deep inside, i knew my heart wanted otherwise. my brain wanted you to leave me alone, but i knew my heart wanted for you to stay. for you to tell me that everything is alright.ā
āi guess the main gist of everything that iām saying is that i love you; iām sorry. i love you, ajax. and i know iām probably late, and that you probably hate me right now, and also how you probably just forced yourself outside just so you could meet up with me, but i love you. this whole thing is honestly still scary to me, considering this is the first time i have experienced this in my whole lifespan of eighteen years right now.ā
āyet i still love you despite that. iām sorry that it took me a while. and again, you donāt have to reciprocate itāi just wanted to let this all out. and like i said, you probably hate meāā
āam i allowed to speak now?ā ajax.
āiāyeah, go ahead.ā
āhave i told you that iām so proud of you?ā he asks. you donāt know where heās going with this. āyou mightāve mentioned it once or twice in the past, yeah.ā he chuckles at your reply. it feels like your walking on thin ice because you really have no idea if heās about to drop a bomb right now about him rejecting you.
you donāt think you could handle that anyway.
āthank you, (name). i personally didnāt know what to expect with what you were going to say. but iĀ donāt hate you. i could never hate you. not now, not ever. hell, i knew that if i said no to your request of having a talk i would definitely regret it. and iām proud of you that you managed to say all of that. learning how to communicate is a big step already, you know?ā
ajax takes a step closer and you didnāt take a step back this time. you let him get close to you this time, fixing the distance that grew after you pushed him away. āand for the record, i love you tooā he says, a bit more quietly, as if he really wants only you to hear those words coming from him. āthat fact isnāt going to change anytime soon, silly.āĀ
āiām sorry again. but iām ready now. iām prepared to take a risk in this whole thing they call love. so please love me at my worst, ajax.ā
the night ends with ajax walking you home once againābut this time there wasnāt a single residue of the bitterness from before.
this time, it was filled with relief.
extra notes.
yayyyy!!! communication!!!!
i didn't expect for this episode to be so long. i was 700+ words in when i realized that it was going to be a bit lengthy.
taglist (open): @xianyoon @mitsvriii @kizakiss @kissingkzuha @aethion @phtogravi @ell1e2010 @esthelily @b4tm4nn @hcmay @ivvieene @morganadorodo @kaitfae @kentply @scaranthropy @kyon-cherri @kookiibun @kochothehoe @mekiiiii @ibyobi @iuspired @tetsuskei @kunikuzushis-darling @morgyyyyyyy @chluuvr @scaradooche @kissmiere @a1-ic3 @bubblegum-angelquartz @tiredjxnna @levlucs-kiru @angeilix @cerisescherries @saeskiss @a-talkative-corn @briluvspnk @kamisatoyato @bbysatoruuu @viviixoxosblog @bambisz @chemiru @eternal-dokja @bflyprincess @jamieexistss @monocerosei @enjisthings @jangyung @hahalame @cupid-spams @snzhrchy @ukinya @luciledreamz @bisatanica @bananasquash @almond-t0fu @thegalaxyisunfolding @jaguarthecat [1/2]
#( smau ā love maybe ! )#genshin x reader#genshin impact x reader#genshin impact#genshin imagines#genshin smau#childe x reader#childe genshin impact#childe smau#ajax x reader#ajax#childe#x reader
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Let's Focus on Loris the Shield Man Real Quick:
Much like how Isha is there to reflect Jinx's inner child and Sevika fills in the sisterly/motherly role Jinx is so desperate for, this man will fit into the role of Vander to Vi.
Loris is meant to be there during Vi's darkest moment (like how Vander took the girls in) and help guide Vi down the right path. He disapproves of Caitlyn's raise to Dictatorship because he aligns himself with the good of all people. Something Jinx will soon symbolize to the people of Zaun. We see his alignment foreshadowed through the blue bead he wears in his hair, similar to Ekko's hair bead of a Jinx bomb later in the season; this is further pushed when Loris is covered in blue paint in ep.3.
The only thing we hear him say in all 3 episodes, the only thing is "I like peanuts" in response to Vi's negative rant about the events at the end of s1 and what just transpired with Caitlyn earlier in the episode. The only thing we hear him say, is something positive out of all that negativity. He's meant to bring some light in Vi's darkness.
He symbolizes the shield Vander failed to give the girls. Both him and Vander find Vi while they're struggling. Vander - the aftermath of a war and Vi losing her parents. Loris - the aftermath of Jinx's attack and both having fallen down a drinking spiral. He will help guide a hurting, lost Vi into the person she's been trying to be since she was a kid.
Junior Officer Maddie Nolan plays a major hand in this as well. She fits into the role of a younger VI, at least the aspirations and hopes she once held towards the future.
The show gives us a really good shot of Vi watching Loris give Maddie a comforting hand after they come up on Jinx's doll trap in the airducts. They look almost like father and daughter, like Vander and Vi... Maddie is by no means a young Vi the way Isha is almost a clone of Powder, but she holds this naive optimism for the future that helps inspire Vi to open up about joining the enforcers. Not just from what Cait had to say about her, but what Maddie said about Vi's actions and how she is viewed amongst the younger officers. This is another call back to her past when Vander tells Vi how her siblings Powder, Clagger, and Mylo look up to her and follow her. She becomes in a way Vi's two brothers story wise.
-Earlier I said Loris will be the shield Vander failed to give the girls. That's not an accurate statement, Vander tried his best to make sure his kids would be protected. He pushed for peace at every hand choosing to use his fist when all other options have been exhausted. At the end of the day his weapon is a brutal offense, Vi has never seen a true defensive weapon that protects. She only knows how to protect through means of force. Loris' treatment of Vi and her struggles will teach her how to be a proper shield for others and how she wants to protect her loved ones.
#arcane season two#arcane spoilers#arcane s2#arcane s2 spoilers#loris arcane#arcane loris#shield#vi#arcane vi#maddie nolan#arcane maddie#maddie arcane#vi arcane#arcane shield#vander arcane#loris
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Great meta about episode 8 and about Agathaās feelings. Iām particularly curious about Rio and I agree with everything you said about her feelings and why she lashed out. She finally gave up on Agatha after centuries, she accepted she would always hate her no matter what even if she chose giving Billy up or herself but did that kiss change anything for her? She looked like she was truly grieving her and letting go
I donāt think she knew about ghost Agatha but will that change anything? Do you think she will follow the deal and leave Agatha alone? There is also the issue about Tommy but if you donāt count the twins do you think Death finally decided to move on? Will she be free or with those two, never š
Heh, I did leave out the part about the kiss in my meta post didn't I? My brain was so tired lol
The short answer? It's ambiguous.
And I think that's largely deliberate because The Powers That Be (TPTB) haven't committed to where and how they want to use Rio / Death in future Marvel projects.
I think there's definitely enough setup done and opportunity in the story for Rio to come back for an AAA sequel or spin-off ā but also enough ambiguity if not.
Story-wise, the kiss is significant because I don't think Agatha's one to directly apologise or walk back what she says. It's a similar thing in episode 4 where Agatha embraces Rio with all that emotion.
I think the kiss is Agatha saying she still does have love for Rio, that she does want her despite all that she said earlier, that she's sorry but she can't let this boy die.
It's very heartbreaking if you consider Rio had resigned herself to Agatha just hating and rejecting her, and she is given this reminder of their love as a goodbye.
But ultimately I think with Agatha's progress ā inching her way along her arc ā this still marks the end of this chapter of their relationship: these two finally had something of an honest conversation, the baseline of their interactions has changed, and Rio needs to process brand new emotions like grief (which I sure hope doesn't have cosmic consequences ha ha).
That said, the kiss does seem to put Agatha and Rio in a relatively okay place at the end of this chapter. It's a bit of reconciliation. They've shown that they still love each other, but there's still a significant disconnect between them. But as a wise Lilia once said, sad is better than angry.
Now the ghost thing: it's a really interesting change to the dynamic of their relationship but I don't know if Agatha being a ghost encourages or dissuades Rio to go after her. Rio may feel motivated to help Agatha pass on and be with Nicky. Or Rio may take it as Agatha choosing to put distance between them, and from what we see in episode 5, Rio can't really do much about ghosts.
What the ghost thing does do is give Rio some grounds to ignore the first deal because if we look at the letter of the arrangement, Agatha asks for Rio "to stop making her life hell" and to not see Rio's face when she dies. These terms are no longer relevant for a ghost.
And if one argues that the deal has Agatha telling Rio to stop pursuing her, you could argue that Rio's following Billy and trying to deal with the Tommy situation. Agatha just happens to be around all the time while Rio's doing her job.
If we ignore the whole Maximoff twin situation like you say, I think it would actually be up to Agatha to decide whether a new chapter of them begins.
Because while being a ghost is a sacrifice in a lot of ways, it actually gives Agatha more control over the relationship in a way she didn't before, not even with the Darkhold. I don't think Rio can touch her, literally. It's possible Rio can't even sense her.
The good news is, this kind of ambiguity is perfect for fanfiction and fan interpretations. There is a lot of potential there.
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i know i've talked about it before but god. when house and chase are alone together their vibe is just.
chase is usually deeply and pretty happily subservient to house. he's the boss/mentor, chase is the underling. where cameron and foreman both push to be house's equal, chase really never does: he's happy to follow along. but then you get them alone. every now and then chase just strolls in and reveals he can see through house perfectly, and house ā¦ never really gets offended or annoyed by this. he's pretty indulgent. he even enjoys it. "sometimes i forget why i hired you," he says, pleased.
in the jerk chase calls him out for cancelling foreman's interview. unlike when foreman did the same, house admits it, clearly pleased to be caught. chase offers him advice:
CHASE: You cost him a good opportunity and gained nothing. HOUSE: I cost him a crappy opportunity. New York Mercy's where you go to treat boils and cysts and build a 401K. CHASE: If you want him to stay, tell him. HOUSE: I don't and there'd be no point. CHASE: You do. And the point would be to make him feel like he's wanted. HOUSE: He doesn't need that. CHASE: All right, then. It'd make him feel like maybe you weren't evil. He needs that. Talk to Foreman.
he gives him orders. and house doesn't push back, doesn't dismiss chase for trying to lecture him, answers honestly.
in human error, they actually briefly continue this conversation; chase's frustration at house not taking his advice leads to his outburst that leads to his firing. (not that house fired him for getting involved or nosy.)
and then no more mr nice guy comes around, and they go bowling. first of all: this is the only time in the series house has ever invited anyone who is not named wilson out without it being a bet or a bribe. he really needed a bowling partner and went chase. but the same thing happens.
CHASE: So what are you going to do to screw up Wilson's relationship so you don't have to listen to me while you bowl? HOUSE: I wish the best for them and their tragically deformed children. CHASE: Well, she's goodā¦ At being bad. You might not be able to destroy her. HOUSE: Well as long as I give it my best shot, I can hold my head high. CHASE: Cameron had this one insufferable friend. She wasn't going to get rid of her and I sure wasn't going to join them, so I just said, see her on Thursday's. I know it's not as exciting as an exploding birthday cake, but, hell, I don't want to hang out with her every night anyway. HOUSE: That's amazing. Cameron only has one insufferable friend?
(insufferable friend you will always be a legend) chase just! jumps in! gives advice! completely casually, like it's nothing, house not blowing him off or dismissing what he says. later in the episode, he takes this advice and tries to work out joint custody with amber.
it isn't that house never takes other people's advice. he quite commonly solicits opinions. cameron and foreman have also both offered house their takes, and he's sometimes even listened. but usually he's dismissive. he's sarcastic. he doesn't have a conversation about it, he listens and does what he wants. chase can just stroll in and say stuff and house engages.
and of course there's my favorite example of all, from the social contract, when house needs a surgery done:
CHASE: You want me to help you? Tell me why. HOUSE: Why what? CHASE: Why you care. The puzzle's solved. The guy's alive. And the odds of coming out of this surgery with that same status aren't that great. HOUSE: My patient has a quality of life issue. CHASE: He says awful things. Hardly a medical condition. HOUSE: When he leaves here, he's going to lose his family. He's gonna alienate the people he works with. And if he ever finds a friend who's willing to put up with his crap, he'll be lucky. Until he drives them away too. CHASE: ā¦I'll see what I can do.
he gets the truth. house all but says i identify with this person, i want the surgery done for me. chase doesn't ask questions, he gets it. but also he asks house why, and he gets an answer. no bullshit, no evasion.
we've all joked about how chase gets house, but it's like. he really does. he's incredibly observant, he's good at reading people, it's why house hired him. but he also doesn'tā¦ push. he doesn't use this ability to push house. he's not constantly trying to poke and prod and fix and understand house (because he kind of already does), but in return it means chase can jump in and just say stuff. because he doesn't make demands, because he doesn't ask anything of house, the few times he does, house tends to respond honestly in return. it makes me. insane
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Brilliant Minds ep 7 musings:
5 mins in and Wolf is already backseat surgeon-ing Nichols. āThat makes senseā yes wolf. Nichols is a very good surgeon. He knows what heās doing.
They really wanna hit us in the feels this episode with Roman. Everything with him and Alex was just heartbreaking given the outcome. But Roman and Alex did get to be together for Romans last moments as heartbreaking as that is itās also what both of them needed. They got to say goodbye. And most importantly Roman was finally heard after all this time and got to communicate his wishes. Again heartbreaking. But the storytelling was *chefs kiss*
Not Wolf and Nichols having a cute lil awkward moment in the doorway before giving Roman and Alex time alone. Like what was that look my dudes š come on now.
Nichols giving Wolf a great lil pep talk, gonna need to watch that again a few more times. āI admire that about you.ā You like him and everyone but Wolf can see it.
Letting Roman die at Wolfās house is just so. EMOTIONAL. The storytelling in this episode is really top tier, even if itās trying to hurt me.
Simon really coming off like an ass this episode. So is his mother. Wolf was the one most opposed to letting Roman die and she had the audacity to think he didnāt try hard enough? And of course it came down to hospital publicity and investors. While yes, thatās important, that technology could be life-saving/changing for all kinds of patients, Wolf is still absolutely right that doctors have an obligation to their patients. It seems highly unethical to force Roman to continue care he doesnāt want. And Simon and his mother KNOW THAT.
The kiss between Wolf and Nichols came earlier than I expected, I expected the end of the season earliest, but Iām ok with the way it happened and boy was it my favorite scene. Ok but Nichols lil pep talk is a close second. Loved seeing Wolf finally choose to let someone in, to choose wanting to be happy with someone. Bonus seeing Nichols follow Wolf as he pulls away from the kiss and then Wolf having the audacity to look surprised, like my dude YOU kissed HIM. Why are YOU surprised?
Iām sure they will have an obstacle or two since they didnāt go the slow burn route (sorry but slow burn means like 4 seasons minimum of build up not 7 episodes) but since ep two it was clear Wolf/Nichols were being written as love interests.
I wonder how different their relationship experience is between Wolf and Nichols. Teddy Sears mentioned a more causal/party style in an interview when talking about Nichols but we really havenāt had that shown in canon aside from Dustin from abs class and Wolf it seems just avoided relationships of most kinds. Seeing them navigate something with feelings will be interesting, since both may lack experience in that department.
I still need to know what happened to Wolfās dad. Is he dead? Or in some long term car facility? The camping flashback makes me think dead but he told Roman he hadnāt seen his dad in a long time making it sound like heās alive. Iām hoping we get that answer by the end of the season.
Also heartbreaking moment, Van learning Erika has feelings for Jacob. Like my dude really thought she liked him back. I was rooting for him tbh. Dana looked like she was picking up on a little bit of that.
#brilliant minds#brilliant minds nbc#dr josh nichols#dr oliver wolf#gay doctor show#wolfnichols#nicholwolf#zachary quinto#teddy sears
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Hello! This is my first time requesting sorry if itās bad .. but could you write one where reader used to be in a bit of an abusive relationship so when she got with Donna she wasnāt used to the kinda of care and sweet things she would do for her and doesnāt understand why Donna would do anything like that for someone like her. Then one day maybe they are out at the duke or something and reader is talking to an friend and Donna gets jealous and quiet on the way back and reader starts to get very anxious thinking Donna will do something to her like her last relationship. When they get home Donna is acting kinda weird and immediately goes to the basement after a little while of Donna being gone reader goes to confront her about it and then donna goes a little bit crazy and hits her fist on her workbench and then when she comes out of her little episode sheās you crying and feels really REALLY bad about it.
You can end it with smut or fluff Iām good with whatever. So sorry my grammar is buns I suck at writing and I love your storyās to I read them all the time!ā¤ļø
Yesss!!! Welcome to the requesting world!!! Thank you for your request and support!!! I'm sorry if it's a bit dark, and I have to say I didn't put smut due to the plot, but I hope you can enjoy it the same way!!! Sorry about the language mistakes!!!!
Demons of past, demons of mind
Pairing: Donna Beneviento x Fem! Reader
Warnings: Angst, dark themes, mentions of abuse, Donna being Donna, mental health issues, slighty dark Donna, fluff
Word count: 7,930
Summary: You have your demons, she has them too...
N/A: Sorry about the language mistakes!!! Requests are open!!! I'm waiting yours!!! I love you all!!! :))
You never liked masses.
It's not that you had anything against the Black Gods or Mother Miranda, it's just that meeting the whole village, enduring those curious glances and unconsciously looking for signs of any threat weren't your favorite way to spend the time.
Staying alone in that big mansion wasn't the best option either. Besides, you knew that she didn't like the idea of āāabandoning you. You couldn't be ungrateful. You would always do anything she asked of you.
Miranda's words slipped through your ears as you curled up on one of the first benches. You didn't want to be far from her. Villagers like you were supposed to be scared and respectful of the authorities of that place.
For you, the Four Lords werenāt an imminent danger, or at least they didn't make your chest knot or make you feel dizziness. Yes, you feared them, but that was long before you knew the true dangers of that place.
Knowing all your neighbors could be considered an advantage, it could seem cozy and comfortable, but in your case it wasn't exactly like that. As a young girl, barely 23 years old, you had been through too many hardships and none of them had to do with the influence of the Black Gods, or at least that's what you thought.
Your eyes danced around the crowd as your body slowly shrank. In your head you followed the witch's words, trying to count the time left until you were free again. You weren't scared, but without the lady in black at your side, you didn't feel safe.
āMay the Black Gods protect us,ā Miranda said, ending that sermon.
Everyone in the church repeated those words of liberation, forming a murmur that accompanied the movement. You had to assume that, of course, everyone present had better things to do than listen to Miranda's words since they wasted no time in getting up.
Before you could really be aware of everyone who had come to the old chapel, you stood up, getting closer to the altar, where the Four Lords patiently watched the walk of their flock.
A smile of relief ran across your face as you stood next to her, next to the veiled lady, with your eyes expectant, wanting to go home. Her head turned to you, silently, but surely with a smile under the black cloth.
Lady and doll stood up from their seat, walking slowly towards you.
āWait a moment, Donna,ā Miranda said when the doll maker had already let your arm hook into hers.Ā āI have something to tell you.ā
You, disappointed, looked at her invisible face as she lowered her hand to yours.
āYour cupcake can wait outside, right?ā the witch said, looking at you, making you feel those grey eyes on your chest, those eyes always covered by a golden mask.
āWait for me, (Y/N), I'll be right there,ā the lady whispered in your ear, letting your hand go and indicating with a gesture for you to go out.
You didn't insist. Being with Donna was always your priority, but to be honest, you weren't too interested in Miranda's affairs, you were much happier not knowing what she was up to that time.
You sighed as you nodded, slowly walking out of the chapel, away from the crowd. It would only be a moment and there was nothing to worry about, right?
In an attempt to distract yourself, you looked up at the sky. The clouds, as always, were as black as the Gods, as black as your past, dark, impenetrable, constant...
You sketched a smile as you waited, as you watched people slowly walk away, without paying attention to you, just as you liked to live. Questions and rumors were never to your liking.
ā(Y/N),ā a voice you recognized instantly, took you out of those thoughts of relief.
You hoped to have given up your torments, but that day had an unpleasant surprise in store for you.
Automatically, your head lowered to the snowy ground, showing an absurd respect that your body maintained even with the new circumstances.
āBecca,ā you whispered without looking at that girl in the face.
āI see that you continue to get lost in your thoughts,ā the girl sighed, approaching you with a smug smile. āPathetic.ā
āC-Can you leave me alone?ā you asked in a small voice, feeling the girl's steps in the snow as a countdown to suffering. āI don't want to talk to you.ā
āOf course, you don't want to talk to me, you never wanted to, right?ā the girl said, crossing her arms. āI always had to force the words out of your mouth, how rude.ā
āI-I have nothing to say to you, Becca,ā you whispered, noticing how sweat began to accumulate on your hands.
āOh, me neither,ā she said mockingly, tilting her head. āI'm glad I don't have to put up with you anymore.ā
āW-Well, then... what do you want?ā you asked, your whole body stiff and tense. āYou left me.ā
āIf I remember correctly, you provoked it, (Y/N),ā Becca insisted, spitting out her words in an unpleasant way. āYou never knew how to treat me properly.ā
āWas it my fault?ā you asked, backing away, drawing out some courage, the little you had left. āYou made my life a hell.ā
āBecause of you, (Y/N), I see you still haven't learned to be assertive,ā the girl murmured, shaking her head. āLuckily for you, you don't owe me anything anymore. My new girlfriend is better than you.ā
āDo you hit her too?ā you asked, with your tense gaze fixed on the ground.
āShe behaves much better than you,ā your ex hissed, blinking petulantly.
āI feel sorry for her,ā you whispered, turning your head to the chapel door, wishing she would appear to save you.
āWhat did you say?ā Becca asked, grabbing your arm tightly, causing the painful memories of your relationship to immobilize you. āYou're still stupid. You may not be mine anymore, but I can stillā¦ā
āHey!ā a scream caught your attention.
Just when you thought you were about to receive another undeserved punishment, the girl let you go, surely, seeing the lady in black behind you holding the Angie doll, owner of that shrill voice.
āDonna,ā you sighed, breaking free from Becca's grip and cowardly running to take refuge behind the lady.
āWho are you, stupid?!ā Angie asked, with a demanding tone. It was impossible for you to tell if Angie was speaking, or Donna was the one demanding answers but you didn't really care who it was.
āLady Beneviento, I...ā your ex-girlfriend murmured, moving away from you. āN-Nobody, I'm nobody.ā
āYou're nobody? Fine, then get out of our sight,ā Angie said, gesturing towards the road.
The girl shook her head as you tightly grabbed the arm of the woman in black, who remained motionless, threatening.
āI'm sorry, my lady,ā Becca said, quickly fleeing the scene, causing the puppet to laugh triumphantly.
āIf you come near her again, I won't be so kind, stupid!ā Angie shouted while laughing amused. āLook how she runs, Donna, you scared her.ā
āMm,ā the lady murmured discreetly, turning to look at you. ā(Y/N), lasciami.ā
āI'm sorry,ā you said nervously, realizing that you were holding your girlfriend with excessive strength, due to fear. āT-Thank youā¦ā
āThank you? Why? Who was it?ā the doll maker asked, grabbing you gently and starting to walk, finally returning to the mansion.
āNobody,ā you murmured, finally finding the comfort of her body very close to yours as the village grew ever further away.
āYou're lying to me,ā the lady said, walking slower, looking at you, surely, with a frown.
āNo, I...ā you stammered. āIt's just that...ā
You didn't want to lie to Donna, but you never dared to talk about your past with her. Not out of fear, but rather so as not to remind the hell you lived through.
āWho was she, silly? It seems you knew each other,ā Angie said, insisting, just like her owner.
āYes, well, the truth is that she is... my ex,ā you finally said, lowering your head without releasing the lady, who turned slowly, but didnāt stop walking.
āYour ex,ā Donna repeated with a sigh, looking at you out of the corner of her eye through the gaps in her veil.
āShe wasn't nice to me,ā you said with a weak voice due to your horrible memories, with the pain of her slaps still impregnated in your cheeks. āI know I hadn't told you much about her, but I just didn't want to remember andā¦ā
āSo she was the reason you were crying when I met you,ā the lady said, with a voice apparently devoid of emotions.
āYes,ā you said dryly, getting closer to the lady, who, apparently, understood your concern, surrounding you with her arms as if she wanted to protect you. āI didn't expect to find her again.ā
āDo you want me to kill her?ā she asked, making a shiver run down your spine.
āWhat?ā you asked scared. āN-No, of course I donāt,ā you said, shaking your head effusively, moving away from her. āNo, Donna.ā
āHey, if that stupid girl hurt you, why don't you let Donna punish her? She'll do it gladly, right?ā Angie said, with a sinister voice.
You regretted thinking, for a second, your answer.
āNo, umā¦ā you said, blinking a little nervously. āI don't want you to hurt anyone.ā
āMm, as you wish,ā Donna commented, impassive at the idea of āāfinishing off that girl, something you still hadn't quite gotten used to.
Donna was a Lord. After all, the lives of the village were at her will.
āThe past is the past,ā you murmured after a tense moment of silence. āI like the present much more,ā you said as you sighed in relief, leaning back against the lady, who nodded elegantly.
āA very wise phrase,ā she said, kissing you through her veil. āYou know I would do anything for you, tesoro.ā
āI know,ā you said with a tender smile, not having the capacity to thank her enough for that protection, that promise of not letting anything, or anyone, hurt you ever, ever again. āIt will be better if we forget it, okay, darling?ā
āVa bene, your wishes are my commands,ā she said, interlacing her fingers with yours. āLet's go home, it's cold today.ā
āYes,ā you said, thanking the affectionate gesture, her sinister closeness that was so different from what you had experienced before.
Yes, Donna was dangerous, sometimes even terrifying, but she loved you. She really loved you.
During that quiet walk, you began to remember. You had said that the past was better off far from you, but you were only fooling yourself. That previous relationship was still very present in your memories.
You were never a normal girl, you were a bit withdrawn. It's not that you hated people or anything like that, you just didn't fit in. The villagers never isolated you or considered you a freak, and maybe that was your downfall. After years of voluntary solitude, you met a girl, a girl you fell in love with almost instantly, Becca.
It was your first relationship, an explosion of new emotions that at first made you seem like the happiest girl in that sinister place. Time passed and everything seemed perfect. But you had read too many stories not to start seeing similarities with the behavior of that girl who claimed to love you.
Like in that children's story, Becca began to neglect her lamb costume, revealing the dark fur of a fierce and hungry wolf. At first, they were just absurd arguments, ones in which you always seemed to be at fault.
You remembered the sleepless nights, wondering if you had really done something wrong to disappoint the girl you loved, if you were guilty, if you hurt her without realizing it. Acknowledging a guilt that you didn't fully understand became a habit, it became an easy way to stop the wolf from roaring.
But time didn't improve the situation, quite the opposite. That submission increased to the point you no longer asked yourself what you had done to deserve a scolding, accepting the reality of her words, bowing your head and asking for forgiveness.
Being so young, your character was deformed, turning you into something like a slave to her thoughts, her desires, a rag doll to be ordered around and tortured whenever she wanted.
Your friends began to be a problem for Becca. She herself urged you to abandon those innocent walks with the village girls, to put aside the only people who had always understood you. Of course, this unhinged behavior didnāt go unnoticed by your best friend, since she was the one who tried to open your eyes.
It didn't matter that you began to believe she was right, since, because of Becca, you stopped hanging out with her. Controlling you was her greatest hobby, torturing you was her only way to spend the time.
Submissive and obedient, you pleased that disguised wolf as much as you could, although as the months went by, you stopped receiving anything in return.
The screams, the senseless threats became routine. Every time you weren't with Becca, she acted, she marked your skin with slaps and warnings, making you believe that you were to blame for the blows you received. Your vision of reality didnāt change, even though your life was hell.
One day, Becca left you, she abandoned you. You remember the screams, the cries, the pleas. At that moment you were unable to see the level of pathos you were in, begging your tormentor for a second chance.
The pain, the suffering of having lost her was too great, you spent weeks crying inconsolably. Your parents were busy weaving and making fabrics, and your personal problems were of no importance when it came to helping them. Becca was a lovely girl in their opinion.
She was always a wolf in sheep's clothing, capable of deceiving even the shepherds, even the people who were supposed to take care of you.
You were crying as you walked, as you breathed, you were almost unaware of where you were going. It was not an ordinary commission. Those fabrics werenāt for Luiza or the Lupu family, noā¦
The landscape was changing and deep down you felt that you should be afraid, but you werenāt. The pain and the tears were much stronger than the fear of your destination, the Beneviento House.
The rumors about the lady in black didnāt sound in your head, you could only hear Becca's screams and insults. So much so, that you arrived at the house at the waterfall without being aware of the danger you were in.
The sobs accompanied the first encounter you had with the veiled lady, and, somehow, they aroused her curiosity. Chance was never your best ally, but, it seems that at that moment, it decided to grant you a favor.
āThose beautiful eyes donāt have to cryā¦ā
You remember that whisper, that hoarse voice speaking through the veil, that voice unknown to the village, those hands that wiped away your tears. You always knew what she was, that she was a dangerous woman, that she was sick, that she was dark and soulless. Well, at least that's what it seemed to you.
Donna Beneviento, fourth Lord, seemed to take pity on your soul, something no one did, something no one had bothered to relieve. Your body, torn apart by tireless crying, yielded to the offer of tea, of telling her the reason for your tears.
So you did, or at least, you made it clear to her that a breakup was the cause of your problems. She didn't seem to give any importance to that, but she did to something, which, according to the lady, was terribly unusual: you didn't tremble in her presence, you weren't afraid.
That involuntary behavior granted you a second chance, granted you the love of someone you shouldn't love, who was cold as ice and dangerously disturbed. It didn't take you long to realize you were wrong.
Donna was quiet, but kind, attentive. The Angie doll was funny and eloquent, thus forming the counterpart the Lord was missing. Love arose from the ashes of your soul, which revived like a phoenix, hoping the fire would burn your past as well.
She wasā¦ beautiful, simply beautiful. Her complexes about her appearance were stupidity to you. Her deformed face was beauty itself, and you let her know that.
Laughter, whispers, kisses, caressesā¦ Thus began a very different relationship, one in which you felt good, too good. Sometimes, just sometimes, you didn't feel worthy of so much affection, you didn't feel you deserved Donna, to calm her desire to love someone as pathetic as you.
After a few wonderful months with the lady in black, you finally realized. The sheep costume Becca was wearing became invisible. All those mistakes you thought you had made became injustices, all the slaps you thought were fair became abuse, mistreatment.
You regretted having cried for Becca, but, luckily, you would never have to face her again. To think that, perhaps after that unfortunate encounter, Donna protected you, was much more than you thought you deserved, even if her way of protectingā¦ was kind of abrupt or sinister.
āAre you okay?ā the lady asked closing the door of the mansion and removing her veil, a gesture you adored.
You nodded uncertainly, letting the lady's intense gaze stare into your eyes and her hands cup your face. It wasnāt easy to deceive her, you should know that.
āYour words tell me one thing, but your gaze tells me another, tesoro,ā she said, with a tender voice, while her caresses comforted your nerves. āPlease, tell me what's wrong.ā
āIt's nothing, Donna,ā you said, lowering your head, joining one of your hands with hers. āIt's just that meeting h-herā¦ made me nervous.ā
āI see,ā the lady whispered, bringing her lips closer to yours, kissing you slowly. āShe hurt you bad, vero?ā
āYesā¦ but, but I prefer to forget about it,ā you said with a fake smile, in case the desire to get revenge came back to her mind.
āIt seems that it's hard for you,ā Donna commented, with a slightly colder look. āDo you have doubts?ā
āNo!ā you squealed nervously, shaking your head and making exaggerated gestures with your hands. āNo, Donna, don't say that. I love you, and only you. Sometimes the past just hurts, that's all.ā
The lady stared at you for a moment, but sighed in relief, coming closer and stealing another soft kiss from you, giving you a tender smile.
āWell, now you're with me, I'll protect you from pain, amore mio,ā she whispered lovingly, wiping away a tear that was starting to run down your cheek. āCome, I'm going to prepare something for you to relax.ā
āThank you, darling,ā you said with a sincere smile, expressing the love, the gratitude you had for the lady in black, the extreme fidelity you would always have for her.
āHey, hey, hey,ā Angie interrupted, separating you comically. āLess cuddles, that doesn't make anyone happy. (Y/N), silly, all you have to do to be happy is play with me.ā
You both kissed again, looking at the doll so she would growl angrily. Afterwards, the lady in black came down to prepare one of her relaxing teas and you had no choice but to spend some fun time with the doll.
You were grateful for all her love, her understanding, her sweetness, but your demons kept whispering to you, telling you that it wasn't fair, that you didn't deserve that special treatment, that love, those kisses, those caresses...
Luckily you managed to forget about your problems. Donna was lovely, she would always do everything possible to remove the sorrows from your soul, but with Angie... with Angie forgetting was much easier, since diverting attention could bring unpleasant consequences, like a scream in your ear, or, in the worst case, a bite.
The rest of the day passed like any other: glances, smiles, kisses, moments of quiet reading on her lapā¦ Did you really deserve all that? You didn't think it possible.
āWhat are you doing?ā you asked affectionately, when Donna moved to her desk, studying some papers.
āMm, I'm going over my research,ā the lady commented, concentrating on those essays written in elegant handwriting, with words that, unfortunately, you didn't understand. āThere are too many mountain plants.ā
āOh, plants, of course,ā you said amused, leaning down to kiss her cheek and earning one of her irresistible shy laughs. āIs it Mother Miranda's thing?ā
āNo, I've always found the power I have over these kinds of plants interesting, I want to know everything,ā she explained, making you shrug with an amused laugh. āLook at this, it seems like a good essay to me.ā
āOkayā¦ā you sighed, taking the paper and frowning amused. āUm, Donna, I'm sorry butā¦ I don't understand,ā you said scratching your neck.
āOh, certo,ā she said, shaking her head and gesturing for you to sit on her lap. āIt's part of my research with the new variety that appeared at the gardener's house.ā
āWow, so you don't only make dollsā¦ā you said, stealing a quick kiss from her.
āTo be honest, I prefer dolls,ā Donna commented, leaving the papers in order, sighing tiredly. āAlthough I haven't worked on them lately,ā she said in a different tone, frowning.
āI-I think that's my fault,ā you said with a weak voice, knowing that you were the biggest distraction.
You couldn't be a nuisance or disappoint her in any way. Any mistake on your part was a cause for absolute sadness.
āMm?ā she murmured distractedly, not paying much attention to your self-accusations. āPerchĆ©?ā
āWell... I'm always distracting you,ā you said in a serious tone, with sincere apology. āYou should pay less attention to me and more to your dolls.ā
Donna turned her head with a confused look, but smiled, kissing you in a slightly wilder, deeper way, making you almost lose your balance.
āI like dolls more than plants,ā she whispered in your ear, in a terribly sensual way. āBut I like you more than dolls.ā
You blushed, shaking your head as you comically ran away from her excessive affection, one that, you thought you didnāt deserve.
āYou always say those things,ā you murmured with a purr, playing with your finger on her chest, controlling your breathing. āYou make me blush.ā
āIf I didn't, I would be doing something wrong,ā she commented amused, brushing your hair away from your face, enjoying the touch of your skin.
āOh, so I... am I doing something wrong?ā you asked worried, making her move confused. āI-I can change, really.ā
āWhat are you talking about, tesoro?ā the lady questioned, studying your nervous gestures. āWhy do you say that?ā
āOh, I...ā you whispered embarrassed, looking away.
No matter how much time passed, your fears were still very present in your mind.
āHey, (Y/N), you're shaking,ā Donna whispered, taking your cold and shaking hands, looking at you scared. āTesoroā¦ā
āIt's okay, Donna,ā you said with a fake smile, removing your hands and looking for something to divert the lady's rational curiosity with. āWhatās this?ā you asked, reaching out to grab what looked like an old fashion magazine.
āUm, I think a catalog,ā Donna said, being distracted by your clumsy actions and taking a look with you. āIt's amazing, (Y/N), sometimes I don't even know what's in this houseā¦ā she sighed amused.
āThey look like dresses,ā you said, commenting on the images you both saw. āI didn't know you liked fashion.ā
āN-No,ā Donna said, gently shaking her head. āNot muchā¦ā she whispered, turning the catalogue over. āMy mother used to enjoy sewing patterns. I suspect this magazine was hers.ā
āDid your mother know how to sew?ā you asked curiously, finally diverting your shaking hands from her head. āI guess like mother, like daughter, huh?ā
āMm, yes, you might be right,ā the brunette said, glancing at you briefly as she turned the pages. āShe was very good at making dresses, a-although she didnāt h-have much time to do so.ā
āLook at this one,ā you said quickly, masterfully keeping poor Donna from losing her mind, like every time she mentioned her past. Seeing her out of it was something you couldnāt stand, and you couldnāt control either. āItās beautiful.ā
āThis one?ā she said, distracted again, settling you on her lap. āDo you like this dress?ā
āYes, itās simple, but elegant, Iād like to have one to wear it for you. Would you like that?ā
Ā Donna smiled with a shy blush on her skin, looking away as she nodded.
āI would like you to do it... to make yourself pretty for me...ā
Luckily, there were no problems that day, or that night. Everything had gone well and, as always when you went to sleep, you reviewed all your dialogues and actions with the lady in black, looking for some mistake, something that could make her angry. As for a long time, as always since you were with her, you found none.
Getting used to that kind, loving and selfless treatment was something that would take a lot of time, and effort, to accept. Becca's influence was still too great in your mind and the only thing you wanted, the only thing you would do anyway, was to forget about it.
The next day, everything seemed normal, although somehow, you noticed a certain nervousness in the lady in black, as well as an unusual urgency to return to the village to pay a visit to the Duke.
You knew she was up to something, and even though Donna was reluctant to let you accompany her, it was difficult for her to refuse your request.
Your demons were right, you didn't deserve her.
"I love walking with you," you whispered as you hung on her arm, walking slowly towards the village, feeling the warmth of her body, her protective presence next to you.
She laughed affectionately, kissing you through the black fabric. Of course you preferred her bare lips, but those discreet kisses outside the mansion, even in front of curious villagers, climbed the ranks.
āWait for me here, tesoro,ā she said when you reached the carriage while you politely greeted the merchant, who did the same with a greedy smile.
You rolled your eyes, pretending to think about whether to accept her order or not, but finally nodding, walking away from her, holding her hand until she let it go by inertia. It was becoming more and more evident that the lady had something up her sleeve, and you dedicated that moment of solitude to imagine what it was.
ā(Y/N)?ā a girl who passed in front of you, and whom you recognized instantly, stopped, looking at you with a smile.
āIvana,ā you said blinking several times, seeing, for a long time, your best friend in front of you. āIs that you?ā
āIt seems so, I could ask you the same thing,ā the amused girl said, coming closer to melt into a loving hug with you. ā(Y/N), I'm so glad to see you, it's been a while since... well, I haven't seen you around here.ā
āI was at mass just yesterday,ā you said, feeling comfort in the arms of your old friend, but separating shortly after. āDidn't you see me?ā
āUm, no,ā she said, frowning. āI guess we can't see much from our secluded spot,ā she explained, something that made you nod.
āIt's true, I was in the front row,ā you said, scratching the back of your neck.
āHow brave,ā she joked, giving you a nudge. āAlthough, judging by what I've heard, I'm not surprised.ā
āWhat are you talking about?ā you said curiously, to which the girl turned her gaze to the Duke and the lady.
āI don't know what to say, (Y/N), there are rumors. They say you have something with Donna Beneviento,ā she whispered in a low voice, pushing your back to get you a little away from them.
āThe rumors aren't wrong,ā you said blushing, glancing sideways at the lady, who seemed to be studying some fabrics. āI've been living with her for almost a year.ā
āAnd you're alive? I mean, I don't think that...ā your friend whispered, with a cautious tone.
āOf course I'm alive. Listen, Ivana, Donna isn't like people think,ā you said, clearing the black shadows that surrounded the lady.
ā(Y/N), they say she's a dangerous crazy woman,ā she murmured, looking away from you.
āDonna's not crazy, she's sick,ā you said annoyed, frowning. āB-Besides, that doesn't matter because she really loves me, she treats me well and she's not comparable to... you know...ā
āWell, that remains to be seen,ā Ivana said, with a distrustful tone. āHey, I'm really glad you ended things with Becca, really, but I donāt know if you've chosen the right replacement.ā
āShe's the right one,ā you hissed, clenching your fists, nervous about her lack of trust in the love of your life. āDonna is good, loving, kind and treats me well. Everyone says she's a monster, but they're wrong. Becca was a monster.ā
āOh, well... you're right about that, I mean, at least I know what Becca was like and her... well, I don't know her,ā your friend said, without taking her eyes off the lady. āI-If you think you're okay with Lady Beneviento, I guess I have to support you.ā
āThank you,ā you sighed, grabbing your friend's hands caressing them in a friendly way, with a warm smile. āYour support is very important to me. Maybe we should meet someday, and we can talk about it better.ā
āI wanted to hear that for over two years,ā Ivana said, changing her gaze to an amused one. āMaybe you're right, there's only one way to know... you, me, beer, Luiza's houseā¦ā
āSounds nostalgically fantastic,ā you joked, making both of you laugh in amusement, without letting your hands go.
Ivana's laughter faded in an instant, looking at something behind you, over your shoulder.
You shouldn't be surprised, since, behind you, was the lady in black, with the same calm, but threatening posture.
āDonna,ā you said, approaching the lady and grabbing her arm, forcing her to take a couple of steps forward. āLook, this is Ivana, she's my best friend.ā
āHi, Ivana!ā Angie squealed, waving effusively and getting out of her owner's arms. āWhat's up?ā
āHe-Hello,ā the young woman stammered, greeting the doll back cautiously.
āIt's been a long time since we last saw each other andā¦ā you commented, but after doing so, the lady pulled away from your grip in an unpleasant way, indicating to the doll to get back up.
āHey, silly Donna, I was chatting!ā Angie protested, rudely silenced by the lady.
āUmā¦ I'm sorry, Ivana, she doesn't talk,ā you said embarrassed, moving towards the lady, who walked away without waiting for you. āWeāre in touch, okay?ā
Your friend nodded as you ran to the lady's side, with a cheerful smile, happy to have met Ivana.
āHey, Donna, honey, wait,ā you said running after her with an exaggerated gasp.
The lady turned to look at you, but it was for a very brief moment, as she continued walking, completely silent.
āW-Wellā¦ andā¦ how was it with the Duke? Did you get what you wanted?ā you asked as the tension began to fall on your shoulders slowly.
There was no answer, something that made you nervous. You were already in her territory, normally Donna would have said something, anything, but not that day.
āDonna, is something wrong?ā you asked worried, taking her hand, catching her off guard.
The lady in black growled unpleasantly, breaking away from your grip again, walking faster.
āDonna, honey, what's wrong?ā you asked nervous, more and more nervous.
She walked quickly, with Angie tugging at her dress, trying to get her attention for something. Donna didn't pay attention to her, and neither to your calls.
āDonna, wait,ā you said agitated by the fast pace, with your heart beating so hard in your chest, that at any moment it would burst out of it.
Anxiety had already formed in your body when you entered the mansion. You knew something was wrong, you were sure, but you didn't know how to face it.
āDonnaā¦ā you whispered, moving closer to her as she removed her veil.
Her gaze was colder than an iceberg, and she looked away too quickly for you to interpret it.
āDonna, darling,ā you said hastily, grabbing her by the shoulder before she walked away again. āW-Waitā¦ā
āLasciami,ā she hissed in a dangerous whisper, moving abruptly so your hand would leave her body. āNon toccarmi.ā
āWhat? Donna, please, whatā¦ā
Before you could finish your question, the lady growled again, quickly walking away towards the elevator hallway, descending to the basement without another word.
Confused, nervous, with your whole body shaking due to bad memories, from what that behavior evoked in your mind, you looked everywhere, searching for an answer.
āUh-Ohā¦ā Angie murmured, returning from the hallway.
The situation was strange; Donna had left her doll upstairs.
āA-Angie, what's wrong? What's wrong with her?ā you asked, nervously playing with your hands. āWhy is she acting like that?ā
āI don't know,ā the doll said, scratching her head comically. āShe seems angry.ā
āAngry?ā you asked, approaching the puppet, who nodded slightly. āIs it thatā¦? Did something happen with the Duke?ā
āNo,ā Angie said, thoughtfully. āNothing out of the ordinary.ā
āT-Thenā¦ā you murmured, controlling your tremors, coming to a terrible conclusion. āIt's because of something I've doneā¦ right?ā
āWhat? You? What did you do?ā the doll asked, dropping onto a couch.
You followed her, thinking that at any moment you were going to explode with anxiety.
āA-Angieā¦ Was it my fault? I justā¦ Oh, Gods, isn't it because Iā¦? Did she get upset about Ivana?ā you asked out loud, not finding any other reason that could explain her attitude.
The doll shrugged, making the tension almost unbearable.
āYou and Donna don't share a mind?ā you asked curiously, glancing at the elevator hallway.
āWe do,ā the doll said, in a passive tone. āBut before you ask, no, I can't know what she's thinking. She learned a long time agoā¦ how to put it, not to let me get involved in her business.ā
āW-well, then I guess I have to talk to her. If I've done something wrongā¦ā you said, getting up from the couch with a nervous gasp.
āNo!ā the doll screamed, standing in front of you with her arms outstretched. āNo, silly!ā
āWhy not? I have to know what I did wrong,ā you said, dodging the doll and walking back to the elevator.
āNo, silly, don't go now!ā Angie shrieked again, running to your side with her hands on your legs. āWait a bit and she'll just get over itā¦ā
āIā¦ā you said confused. āFine,ā you whispered, glancing at the hallway and walking away, to which Angie sighed in relief.
Listening to Donna's inseparable companion was always the best option, but that time, that damn time, minutes passed and nothing changed. The brunette showed no signs of life, she was downstairs.
āI'm going down,ā you said, throwing away the cards you were playing with Angie and getting up from the floor.
āHey, hey, hey, am I talking to the walls? Leave Donna alone, you idiot,ā Angie said, following you again.
āIt's been more than an hour, no... I can't just leave it be,ā you said, shaking your head and opening the elevator gate.
āWait for me!ā the doll shrieked, sneaking past you as you pressed the button. āSilly, it's not a good idea... come up, please.ā
āNo, Angie, if she's in trouble, I have to do something,ā you insisted already in the basement, walking quickly to the workshop.
āYou'll be in trouble if you disturb Donna now, stupid, listen to Angie, Angie wants to help you,ā the doll said, pulling your dress.
You ignored her, opening the doors of the workshop.
The lady in black was sitting at her work table, staring into space, not moving. She didn't even turn her head when she heard you enter.
āDonna, Donna,ā Angie said, pulling at her clothes. āHey, Donna, donāt...ā
āTaci,ā the lady hissed in a hoarse, dangerous tone, making the puppet run back to your side.
ā(Y/N), go away...ā the puppet whispered, pushing you towards the exit.
Once again you ignored her advice, approaching the woman in black with a slow step, almost clumsy because of your nerves.
āD-Donna, my loveā¦ā you whispered, putting a hand on her shoulder, a hand she pulled away with a sharp movement. āHoney, pleaseā¦ā
The lady didn't even look at you. She kept her eyes fixed on a seemingly unimportant place in front of her.
āListen to me, Iā¦ I don't know what I could have done to offend you, but I beg you to forgive me, or at least tell me whatā¦ā you murmured with your voice broken by her indifference.
A loud bang made you step back, frightened. The lady in black hit the table with excessive force, causing several objects to fall to the floor.
āYou want me to tell you what you've doneā¦ā Donna hissed, slowly getting up, her knuckles white from the strength with which she clenched her fists. āWhat have you done!? You dare ask me what you've done!?ā she shrieked, making you retreat even further, being chased by her.
āDonnaā¦ā You sighed somewhat scared, burned by the fire that emanated from her furious, unhinged gaze. āI don't know what you're talking about, Iā¦ā
āYou don't know anything, do you? You never know anything,ā she growled, with a nervous tic that revealed her crisis. āYou're always the submissive and poor (Y/N). How good and quiet you are, tesoroā¦ Is that how you do things? Do you deceive people with that pathetic attitude and then stab them in the back?ā
āPlease, noā¦ā you murmured in a weak voice, crashing into a wall, cornered in front of Donna, who kept stabbing you with her gaze.
The memories, your demons, your feelingsā¦ Everything dangerously resembled moments from your past, terrible moments.
āPlease, no,ā the brunette mocked, tilting her head with an unpleasant grimace. āPorca puttana!ā she shrieked, hitting the wall with her fist, right next to your head.
You closed your eyes, breathing heavily and shaking your head. Tears traveled freely down your cheeks.
āDo you think you can do this to me, (Y/N)?ā she hissed, not noticing your fear, your crying or your nervousness, with a threatening, delirious voice. āI turn around for a second, (Y/N), one fucking second! And what do I find? My girl flirting with a whoreā¦ā she said almost in your ear, with a look of hate that pierced your chest.
āNo, it's not what you think,ā you said with your voice distorted by tears, closing your eyes to receive her punishment, the punishment you always deserved. āShe'sā¦ā
āYou bitch!ā Donna shrieked, hurting your heart and ears. āYou're mine! Do you hear me? Mia!ā she shouted closer and closer, with furious breathing. āWho do you think you are to cheat on me?ā
āI haven't cheated on you,ā you sobbed, covering your face instinctively.
āLiar! Bitch!ā the lady shouted again, grabbing you tightly by the collar of your dress, shaking you roughly. āYou're a slut! You don't even deserve me to fuck you out of spite!ā
āShit, shit,ā Angie muttered, walking nervously through the workshop. āDonna, stop!ā
āI should have listened to them, (Y/N). They were telling me the truth,ā Donna said with a nervous laugh, loosening her grip. āThey knew what you were, that you would cheat on me! I was fool enough to want to surprise you and make you a fucking dressā¦ Vaffanculo!ā
āNo, no!ā you screamed desperately, with your legs shaking, threatening to fail. āNo, Donna, I love you!ā
āYou don't love me!ā the lady shrieked, shaking her head, trembling too, completely out of her mind. āThey know it, they tell me so...ā she murmured confusedly, blinking erratically, alternating angry growls with delirious laughter. āYes, they are right...ā
āI'm sorry!ā you screamed, letting your legs give out, falling hopelessly to your knees at her mercy, bowing your head. āDonna, forgive me! I have failed you, forgive me!ā
āOh, you admit it, how bold,ā she growled, looking at you with contempt.
āI havenāt done anything! But, but if I have, I apologize... Donna, forgive me, please, I will do anything for you to forgive me!ā you sobbed in desperation, clinging to her legs, dragging yourself pathetically, as you used to do with Becca.
āUgh, lasciami, troia,ā she hissed, pushing you to the floor, looking at you with a disgust that could make you faint. āDon't touch me, do you hear me?ā
āPlease, Donna! Forgive me! I beg you!ā you shrieked, crawling to grab her ankle, something she prevented with a soft movement. āI'm sorry! I'll do anything to remedy my mistake! Anything!ā
Donna shook her head, trembling, putting a hand on her forehead, as if her head hurt.
āOk, that's enough, silly Donna,ā Angie said, standing in front of you, as if she wanted to protect you. āCalm down, Donna, come onā¦ā
āN-Noā¦ theyā¦ they talk to me, they whisper to meā¦ā she said nervously, covering her ears while she moved nervously, as if she didn't want to hear invisible voices. āTheyā¦ā
āThey arenāt here, Donna, Iām here, look at me, look at me, come on, itās Angie, your Angieā¦ā the doll said, trying to calm her demons.
āAngieā¦ tell them to shut upā¦ make them stop!ā the lady screamed, twisting on herself while you cried against the wall, with your knees on your chest.
āWeāll do it together, come on,ā the doll said, moving her arms to distract the lady. āRecite, recite, Donna; itās your favoriteā¦ Sempre caro mi fu questāermo colleā¦ Come on, come on, you know it!ā
āE q-questa s-siepe, che da tanta parteā¦ā Donna muttered, pronouncing with difficulty.
āThatās it! Go on, go on, theyāll shut up,ā Angie encouraged, glancing at your pathetic figure. āDellā¦ā
āDellāultimo orizzonte il guardo esclude,ā she whispered, breathing, miraculously, calmer. āT-They've stoppedā¦ā
āOf course, good job, Donna,ā Angie said excitedly, jumping up and down on the floor.
The lady made a gesture of pain, panting nervously and blinking, as if she didn't even know where she was.
āWhatā¦?ā she asked disoriented, looking at you and frowning. ā(Y/N)?ā
āLook what you've done, Donna, you fool!ā Angie shouted, running to your side. āHey, hey, it's all over now, (Y/N)ā
āI'm sorryā¦ I'm sorry, I'm sorryā¦ā you repeated over and over again, unable to look the lady in the face, covering yours with your hands as your tears soaked your clothes. āForgive me, Donnaā¦ā
ā(Y/N), Iā¦ā she murmured, bending down, still breathing heavily. āAmore mioā¦ā
āDon't, please!ā you squealed nervously, backing away when Donna reached out a hand towards you, twisting you around to defend yourself from a possible punishment. āDon't hit me anymoreā¦ā
āDon't hit you?ā Donna asked, shaking her head and struggling with your hands. ā(Y/N), pleaseā¦ā
āYou're stupid, Donna! You've lost your mind again!ā Angie snapped, pointing at her in an unpleasant way. āYou scared her!ā
āI don'tā¦ Godsā¦ noā¦ā the doll maker stammered unable to calm you down. ā(Y/N), noā¦ I don'tā¦ā
āI promise I won't see her again, I promise,ā you sobbed, letting her take your hands away from your face. āI knowā¦ you don't have to punish me, I'll do it myselfā¦ā you said nervously, looking for a solution to the problem, one you always had with Becca.
Nervous, ignoring the lady's grip, you got up, looking for something in the workshop, something that would make you pay the penance for having made her angry.
āWhat are you doing? Hey, no, don't do...ā she said, approaching nervously when she saw you with scissors in your hand.
āI'll cut my hair, okay? I won't be pretty for anyone this way,ā you said with a pleading laugh, grabbing a lock of hair, ready to pay for your mistakes.
āWhat?! Have you gone crazy?ā Donna asked, running to snatch the scissors from you. ā(Y/N), please stop... doing that...ā
āIt's the least I can do to make it up to you...ā you sobbed, struggling with her, without success, she was always stronger than you. āIt's what she would want...ā
āShe? What...? Gods, (Y/N)...ā the lady sighed, leaving the scissors and grabbing you by the shoulders. āYou're talking about your ex, right? Did she do this to you?ā
āI deserved it,ā you said with a broken voice, with a sore throat. āI'm sorry, I'm sorryā¦ā
āBasta, basta, per favoreā¦ā Donna pleaded, breathing nervously again. āI didn't want you toā¦ Gods, I'm sorry. I'm so sorryā¦ I've lost my mind and I don'tā¦ cazzoā¦ what have I done?ā she lamented, putting her hands on her head.
āScrew things up as always, although I must admit that it is her fault for insisting,ā Angie said, looking at her hands.
āOh, cazzoā¦ā Donna hissed, struggling with you to be able to hug you. āAmore mio, please, forgive me, I beg youā¦ it wasn't meā¦ I justā¦ Godsā¦ I'm not okay andā¦ Oh, tesoro, please, I beg youā¦ look at meā¦ā
You obeyed, looking into her eye, at the extinguished, disappeared sparkle of rage.
āI just got jealous andā¦ I lost controlā¦ā the lady explained, wiping away your tears while you were unable to utter a single word. āI never wanted to hurt you. I would never hurt youā¦ I'm not likeā¦ herā¦ā
āWhat a way to show it,ā Angie said ironically, making you wake up from that nightmare.
āAren't you going to hit me?ā you asked, calming your crying, your fear.
āI would never do such a thingā¦ you have to believe me,ā Donna whispered, dragging your body towards hers, falling to the floor, cradling you, feeling her tears on your skin as well. āI'm so sorry, (Y/N), you should never have seen me like thisā¦ I'm sorryā¦ā
āDonnaā¦ā you sobbed, letting her arms hug you, arms that you no longer feared, but that scared you, too much. āDonnaā¦ā
āListen to me, I didn't mean to tell you those thingsā¦ it wasn't meā¦ if anyone deserves a slap, it's me,ā she whispered as she cradled you, repentant, terribly hurt by her madness. āCome on, hit me.ā
āWhat?ā you said, looking up and shaking your head.Ā āNoā¦ā
āDo it, I deserve it,ā Donna insisted.
Before you could refuse for the second time, a dull noise echoed in the workshop. Angie had taken that request as her own and had crossed the brunette's face, leaving her speechless.
āOuch! Angie!ā the lady shrieked, with a hand on her wounded cheek.
āShe would never do it,ā the doll said, amused, managing, after a while of suffering, to get a smile out of you. ā(Y/N), are you okay?ā
āY-Yes, I think so,ā you murmured, letting her affection pass through your skin, her apologies being heard by your ears. Becca never apologized.
āI told you that you shouldn't come down,ā Angie said, while the lady lamented with her forehead next to yours. āDonna is sick and sometimes she hears voices that tell her horrible things. She is a jealous fool, but I swear to you by Giovanni Beneviento, my creator, that she loves you, and that she would never hurt you. I give you my word.ā
āIā¦ā you whispered, also calming the lady's crying. āYou weren't upset about my friend?ā
āYes, but... I'm a stupid jealous thing... you have to forgive me... you have to...ā
You cut her off with a kiss.
Maybe together, you could put an end to your demons.
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BuckTommy Fic: Stuck in the Middle With You
Title: Stuck in the Middle With You Fandom: 9-1-1 Rating: Teen Audiences And Up Pairings/Characters: Evan "Buck" Buckley/Tommy Kinard, Evan "Buck" Buckley & Eddie Diaz, Eddie Diaz & Tomy Kinard Additional Tags: post-episode: s08e06 Confessions, this is not a buddie story, second chances, Eddie's a good friend, Fix-It Summary: Eddie promises Buck he'll talk to Tommy to try to get his friends back together. Word Count: 2,701 Disclaimer: I claim no ownership over these characters. I am merely borrowing them from Reamworks, Brad Falchuk Teley-Vision, Ryan Murphy Television, and 20th Television. Betas: Thank you to @medieshanachiefor looking this over for me. Author's Note: I'm not really sure where some of this came from. I had a line in my head and it kind of spiraled from there. Then Tommy got notions and wouldn't give them up.Ā
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They drank their beers in silence, but after a few minutes when Buck was still staring at the fireplace with that kicked puppy expression on his face, Eddie couldn't keep his rising worry in anymore.
"Not that I'm not happy to see you, but what happened?" he asked.
Buck looked at him as if seeing him for the first time. He watched Buck take in his bare face and legs. "I could ask you the same thing," Buck said, rather than answering.
"A priest told me to do something joyful," Eddie said. 'Your turn."
"A priestā¦? We're coming back to that." Buck takes a swig from his beer bottle. "Tommy dumped me."
Eddie nearly dropped his beer in his haste to turn to face Buck. "He what? But you just had your six month anniversary!"
"Took me by surprise, too," Buck said. "I don't think he was planning it, but as Athena would say, I went full Buck and scared him off."
Eddie winced. "What happened?"
"I asked him to move in with me," Buck admitted.
Eddie blew out a breath. "Is that how you phrased it?"
"Yeah, how else would I do it?" Buck asked, confused.Ā
"You didn't suggest moving in together, but for Tommy to move in with you," Eddie said.
"What difference does the phrasing make?" Buck asked, getting annoyed. He came here for comfort, not an inquisition.
"At any time while you were deciding to ask Tommy to move in, did you remember that Tommy has a house with a two car garage?"Ā
"Iā Whatā" Buck's brow furrowed. "Of course I've been to Tommy's house."
"And you asked him to move in with you," Eddie said, again.Ā
Buck huffed in frustration. "I didn't mean my loft, literally."
"Did he know that?"
"I don't know, he was too busy breaking up with me to discuss where exactly we'd live," Buck said. "Why are you taking his side?"
"I'm not," Eddie said, holding his hands up. "I'm just trying to understand what happened."
"Did you know he used to be engaged to a woman?" Buck asked. "To Abby?"
Eddie's eyes went wide. "Not your Abby?"
"Yes, my Abby. Although I guess she was his Abby first," Buck said. "How could the two most important people I've dated been engaged to each other?"
"That is quite the coincidence," Eddie mused. "Is that what led to the idea of moving in?"
"Maybe?" Buck admitted. "Josh said all this stuff about me coming out in a post-Glee world, but he and Tommy came out in a pre-Glee world that wasn't so understanding and I wanted Tommy to know that I respected how hard it must have been for him and show him that I was all in."
"Had the two of you said I love you yet?" Eddie asked.Ā
"Why does everyone keep asking me that," Buck muttered. "No, but had you and Marisol said it before you asked her to move in?"
"No, we had not, and look how that turned out," Eddie said. "Our exes definitely had some big secrets."
"Yeah, but I knew about Abby before asking Tommy to move in. You didn't find out about Marisol being a nun until after," Buck pointed out.
"Almost a nun," Eddie corrected him automatically.Ā
Buck slumped back against the couch, draining the rest of his beer. "I went too big, too fast, didn't I?"
"You do have a tendency to act before thinking things through," Eddie agreed.Ā
"It's part of my charm," Buck said.
"Is it though?"
"Apparently not," Buck admitted. "I thought people liked big romantic gestures. Tommy loves all that rom-com stuff."
"Maybe, but not when it's a reaction to learning about a shared former lover," Eddie said.Ā
"How do I fix this?" Buck asked, tears filling his eyes. "I don't know that I am... Wasā¦ am in love with him, but I'm not ready to be without him."
"I don't know that this is something that you can walk back," Eddie said.Ā
"He said that while he may have been my first, he wasn't going to be my last. Did he tell you that he wasn't in this for the long haul?" Buck asked.
"We tried not to talk about you too much when we hung out," Eddie said. "But from what I could see, he was in it as much as you were."Ā
"Then why would he say something like that to me? Just because he's the first man I've been with doesn't mean that I want to be with other men."
"I can't speak for him, but maybe it's been his experience that when one man is just starting to date men and the other isn't, they don't usually stay together that long," Eddie said. "I'm just guessing here. You'd have to talk to him."
"Or-or you could," Buck suggested. He sat up on the couch, suddenly eager. "Yeah, can you do that? Can you go tell him that sometimes I leap before I look and I don't want this to end?"
Buck was looking at him with such sad yet hopeful eyes, that Eddie found himself saying, "Okay, fine, I'll try. Once."
Buck tackle hugged him. "Thank you. You're the best friend ever."
"I can't promise I'll change his mind," Eddie cautioned.Ā
"I'm not asking you to. I just need him to talk to me," Buck said, pulling back. "And now I think I need to know where your pants are."
Eddie laughed. "Yeah, um, so have you seen the movie Risky Business..."
~~*~~
Eddie stood before Tommy's front door, food offering in hand, and took a deep breath before ringing the bell.
It took a few minutes, but Tommy opened the door looking as rough as Eddie expected.Ā
"Had a feeling you'd need this," he said, holding up the bag containing a couple of breakfast burritos.Ā
"Did he send you?" Tommy asked, warily eyeing the bag of food.
"Yes, but I also wanted to see how you're doing," Eddie admitted. "I'm your friend, too."
Tommy stood back and let Eddie in before following him to the kitchen. Eddie got down a couple of plates while Tommy started making coffee.
"Should have known he'd run straight to you," Tommy muttered. "That man has been in love with you for as long as I've known him."
Eddie snorted. "No, he's not."
Tommy stared at him with an eyebrow raised. "I know he claimed he was trying to get my attention after you and I started hanging out, but I can tell you, he was most definitely not."
"He may have been trying to get my attention, but that's just the way our co-dependent friendship works sometimes. It's not because he's in love with me," Eddie protested.
"You tell yourself whatever you need to," Tommy said.Ā
"If he was in love with me, why would he have come to my house last night with a six-pack of beer and practically beg me to come ask you to talk to him to try to change your mind about breaking up?"
"Because you're his best friend," Tommy said.
"His straight best friend," Eddie reminded him. He idly wondered why he had to keep telling men he was straight.Ā
"You sure about that?" Tommy asked. "Should I kiss you and see if you have the same revelation Evan had?"
"Thanks, but I'll pass," Eddie said. "Because one, I'm not bicurious and two, I'm here on behalf of my heartbroken best friend."
Tommy poured them each a cup of coffee and they moved to the dining table. They each took a few bites before the conversation resumed.
"So, Buck's Abby was also your Abby," Eddie said.Ā
"It appears so. Did you know her?" Tommy asked.
Eddie shook his head. "She was before I moved to L.A. But I was there for the aftermath. Did he tell you about their breakup?"
"We didn't really get into that," Tommy admitted. "He just said she was one of his most transformative relationships, before me."
"From what I've heard, Buck slept around a lot before Abby. Bobby actually fired him his probationary year because he kept stealing engines for hookups."
Tommy choked on the bite he'd just taken. "I'm sorry, he stole fire engines to have sex? He wasn't kidding when he said he was a himbo."
Eddie nodded. "That's not the guy that I met, though. I met a guy who was living in his girlfriend's apartment even though she'd been traveling in Europe alone for months after her mom died."
"I did read about that. I sent her flowers," Tommy said.
"She basically ghosted Buck. He was staying true to her while she ran around without any real intention of coming back. She broke something in him."
"Because I broke something in her," Tommy said.
"That's not what I'm saying," Eddie said, quickly.
"Then why tell me about it?" Tommy demanded.
"To help you understand Buck. In case you haven't noticed, he has a fear of abandonment. Of not being enough," Eddie said.
"Who doesn't?" Tommy countered.
"He also tends to overcompensate when he's afraid," Eddie said.
"You're saying that he asked me to move in to his loft because he was afraid I'd leave him for a woman once he knew I used to be engaged to one?" Tommy asked, incredulously.
"No, I'm saying that between learning about Abby and something Josh said to him about how hard it was for gay people pre-Glee he wanted to show you how "in" he was in this relationship by asking you to move in."
"He's done this before? I'm not sure if that makes me feel any better."
"Did he tell you about suing the city after Bobby wouldn't let him return to work as soon as Buck wanted to after the ladder truck crushed his leg? Or asking Taylor to move in with him instead of just telling her he'd kissed Lucy back after she'd kissed him?"
"So he has done this before," Tommy said, solemnly. "Wait, Lucy Denato?"
"Or the time he tried grooming Ravi to take his place because he was convinced we all hated him after Chimney went chasing after Maddie when she left after Jee-Yun was born?"
"Or the time he thought he was cursed because he grew boils after an allergic reaction?" Tommy added.
"Exactly. He gets stuff in his head and reacts without thinking."
"And instead of talking it out, I just reacted to the words he was saying instead of talking to him about where they were coming from," Tommy said.
"Do you love him?" Eddie asked.
"Not yet, but I was close," Tommy admitted. "I didn't get into this relationship expecting love. I wasn't looking for it, but it was starting to sneak up on me."
"And that scared you," Eddie guessed.
"It did, because, as I said before, I didn't want my heart broken when you finally realized you were as in love with Evan as he is with you," Tommy said.
"I told you, I'm not," Eddie insisted. "I'm not gay, or bi."
"That's why you grew a Freddy Mercury mustache? To show how straight you are?" Tommy asked.
"Is that why the hot priest was hitting on me?" Eddie wondered aloud.Ā
"I'm sorry, a hot priest was hitting on you?" Tommy made a noise that sounded suspiciously like a giggle.
"He called my mustache very handsome," Eddie said.
"So you ran home and shaved it?"
"No, I shaved it because I realized I didn't need the mask anymore," Eddie said. "And not to mask that I'm straight. That's just the truth."
Tommy held his hands up. "Okay, fine, you're straight. You have no interest in bedding Evan."
"No, I don't. I'm not a threat to your relationship."
"There is no more relationship," Tommy said.
"If you're willing to try, there still could be," Eddie said.Ā
"I need to think about it," Tommy said.
"That's all I'm asking," Eddie said.
~~*~~
Can we meet for coffee?"
Buck nearly fumbled his phone as he read the text when they got back to the station after a call, four days after Tommy had dumped him. He frantically looked around for Eddie.
When he spotted him on a couch he ran over to him, holding out his phone. "Eddie, Eddie, he texted."
"Are you going to respond?" Eddie teased.Ā
"Oh, uh, yeah, of course," Buck said, pulling his phone back.
Yes! When and where?
Tommy responded right away.Ā
Tomorrow morning, 10am. You know where.
The coffee shop of second chances. Third? I'll be there.
"So?" Eddie asked.
"We're meeting for coffee tomorrow when we get off shift," Buck said, his face lit up with his smile.
"That's great, man. Good luck," Eddie said.
~~*~~
Buck was sitting at an outdoor table, two cups of coffee before him. The main difference this time is that he knew he had Tommy's order right.
"I'm feeling a bit of deja vu," Tommy said as he sat down across from Buck.
"Coffee should be better this time," Buck said.
Tommy brought the cup to his lips and hummed with appreciation. "At least you didn't try to be cute and order the wrong thing knowingly."
"I'd never do that to you," Buck said, offended.
"I know," Tommy said. "I'm sorry, I know that I have no right to be snarky."
"I'm the one who got dumped," Buck pointed out. "If anyone's going to be snarky, it should be me."
"I'm sorry, Evan," Tommy said.
"So it's Evan again?" Buck snarked.
"I deserved that," Tommy said.Ā
"What are you sorry for?" Buck asked.
"I'm sorry that instead of talking out my concerns that you were moving too fast I pulled away completely," Tommy apologized.
"And I'm sorry if you thought that I meant I wanted you to move into the loft. I was just so excited about the idea of living together, I didn't stop to think about where it would be," Buck said.
"I guess that's something we'll both need to work on; pausing to think before saying things," Tommy said.
"S-so there's something to work on?" Buck asked, hopefully. "Are we getting back together?"
"I think we need to have some long conversations about what we're looking for in this relationship, but I'm willing to have those discussions," Tommy said.
"Me too," Buck said, eagerly.
"But first, I want to ask you something that I should have done from the beginning," Tommy said.
Buck licked his lips nervously and nodded. "Okay, ask."
"Are you in love with Eddie?"
Buck laughed, then noticed the stern look on Tommy's face. "Oh, you're serious."
"Very."
"No, I'm not in love with Eddie. He's my best friend. My soulmate, but my platonic soulmate."
"Are you sure about that? Now that you know you're bi, are your feelings for him still just platonic?" Tommy pressed.
"Totally," Buck assured him. "He's always going to be an important person in my life, but he's not the one I want to share a bed with. My turn for a serious question."
"I deserve that," Tommy said.
"Can you handle Eddie and Christopher's role in my life? I'm always going to drop everything if one of them needs me. Are you going to be okay with that? Most of my girlfriends couldn't."
"Hell, I'll probably be the one driving you," Tommy admitted. "They're both pretty special people."
"They're the best," Buck agreed. "And I think you should take Eddie to the Lakers game instead of me. I really hate basketball."
Tommy laughed. "You know, somehow I just knew Eddie was going to end up at that game."
"Can we kiss and make up now?" Buck asked.Ā
"God, yes," Tommy said, both of them standing and reaching for the other.Ā
The kiss was fairly chaste since they were in public, but their hunger for each other was clear. This was something they both desperately wanted.
"You wanna get out of here?" Buck asked, somewhat breathless.
"Come back to my place?" Tommy suggested.Ā
"I'm right behind you," Buck said.
"Hmm, no, I think we should be face to face," Tommy said, smirking.Ā
Buck's face flushed. "That's not whatā¦ I mean yes, absolutely."
Tommy kissed Buck's cheek. "I'll see you soon."
The Beginning (Again)
#bucktommy#evan buck buckley#tommy kinard#eddie diaz#911 fic#fix-it#Fic: Stuck in the Middle With You
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As of the latest episode, with all the secrets out in the open, do you have any changed opinions on the general outcomes of your āSecret Swap: For Better or Worseā?
Now that is a fantastic question! Thank you for remembering that this post existed-- I wasn't sure if anybody other than me did š
(And also, thank you for your patience while waiting for me to respond to you.) Here's a link to the post in question for anyone who might not know what fatherfigurefusion is asking about. As for the contents of that AU...
DRDT Secret Swap AU: For Better or Worse - REVISIONS
(CW for the suite of issues that we always have to talk about when it comes to the DRDT secrets: murder, death, suicide, implied homophobia/transphobia, self harm, eating disorders.)
Well, first of all, it's good for me that (other than the Xander/Teruko swap thing still not being confirmed) all of the secrets landed in the way in which I thought they would at the time I wrote that post. I would have had a lot more workshopping to do if, say, Hu had been the murderer without remorse and Levi had been the hopeless child.
I think I'll run through each choice I made individually, and then maybe try to fix any issues I encounter at the end after summing up the situation.
The Good Timeline
Eden receives Leviās secret
Well, Eden did have a more negative reaction to Levi's secret than I initially anticipated in this post, criticizing him for being selfish in hardly even remembering whose lives he took. However, Levi also (presumably) has a more positive reaction to being approached with his secret than I feared. He was willing to share it with everyone himself, so I doubt he would threaten Eden if she were to approach him with it.
An updated summary of what might have happened: Eden receives Levi's secret, and is a little frightened, but might want more details before judging Levi fully (after all, she already knows that his family weren't the best of people). If she decides to approach him about it, Levi coolly explains what exactly his secret means. Eden's discomfort grows, which makes Levi feel bad.
Is it a fantastic scenario? Not really. But are there any better solutions to Levi's secret out there? Debatable. I think this one held up decently.
Nico receives David's secret
I still stand by this one, despite David being even more wild than initially expected. There's definitely a chance that Nico would just bluntly say the secret at some point if they determined that David was being manipulative. But, at the very least, Nico wouldn't be bringing their own drama to the situation-- just potentially elevating others' via timing.
It's a hard secret to deal with, but I still think that Nico is one of the better options.
Hu receives Ace's secret
So, this one obviously gains the new complications that we now canonically know that Ace was the killer, and that he was planning to do so basically before the motives were even revealed. I still think that Hu would probably react in much the way I "predicted" (assuming Ace's former bullying of Nico didn't already damn him in her eyes too much). But, I also don't think that hearing kind words from Hu would be enough to dissuade Ace from wanting to kill for his own safety.
Therefore, what happens to Hu after Ace kills? Is she now stuck in the opinion of defending Ace at the Class Trial, and being inevitably disappointed when he's revealed to truly be the killer? I guess that's not that different from what Hu canonically did with Nico, but it's not like that's going to be great for her mental health either. Not to mention 1) she would have been speaking up for a previously more controversial figure, therefore bringing her judgment even further into question for ever trusting Ace at all, and 2) Ace would actually die at the end, which would be worse for Hu's "wanting to be reliable and save people" bit.
For those reasons, I think this assignment is... dubious, but Ace's secret is also much more of a loaded gun now that we know that he was already planning to kill prior to the secrets' existence. I don't think there's any assignment I could make that would convince Ace out of killing.
J receives Eden's secret
This one still makes a ton of sense to me.
Rose receives J's secret
While I may wind up shuffling this one around in order to defuse another secret's problem, I think the logic behind this assessment holds true.
"Xander" receives Arei's secret
Also still makes sense to me. Let my girl rest. (But not in peace.) (Well, wait.) (You know what I mean!!!)
Arturo receives Min's secret
I don't think that any of our further explanations of Arturo's traumas would make the "poisoning the competition" secret any more traumatic to him. Thus, it still works.
David receives Xander's secret
I. Um. Wow.
I'm pretty certain I wasn't the only one caught off guard by the true extent of how much David cares/d about Xander. With the "knowledge" that David was planning on throwing the killing game and slaughtering everyone in pursuit of Xander's ideals-- taking into account that his actions may have been falsified/exaggerated, of course-- I fear that leaving David with this secret might be irresponsible.
If his emotions surrounding Xander grew even fiercer, so might his determination to bring the killing game to an end. No matter how much what David said in the Class Trial was the truth, I don't think giving him Xander's secret would have the "out of commission" effect I wrote about. This is definitely one I'd like to reassign, if possible.
Arei receives Whit's secret
Now, we have the confirmation that Arei didn't tell anyone about having Levi's secret! We still (understandably) don't know anything about Arei's relationship with her mom, though. Still, this one is looking good.
Veronika receives Charles' secret
As it turns out, Veronika actually found the secrets overall pretty boring (or at least, so she tells us), and only didn't reveal Hu's secret because of the pact she made with Hu. However, I still think that the logic behind her revealing the secret to Charles early holds, and that it's for the best that Charles learns this information on the sooner side. So, this one is still good!
Levi receives Arturo's secret
Well. We know that Levi wouldn't condemn someone for murdering a family member! If anything, if he treated Felicity's death like his own father's, he'd just forget that he ever read the secret. That's a joke, but I think I did a good job with deescalating Arturo's secret.
The worst consequences I can see here are 1) Levi coming to believe that Arturo is a bad person (which may have been the case already?), and/or 2) Levi could callously spill Arturo's secret to the group if he didn't understand the gravity of the sentiment. We don't exactly know how Arturo would react to his secret being shared publicly in a non-Class Trial setting, but given how he treated Eden in his mini-breakdown in 2-10, I can't imagine it would be good.
However, those are only hypotheticals, and I don't know if I'd really get any better by giving Arturo's secret to someone else. I still stand by most of the logic, so I think this choice would remain.
Ace receives Veronika's secret
I still think that nothing bad would happen from this assignment. Which means... Ace would proceed in his plan to kill Eden. Yay...?
Now that we finally have the answer as to who the killer is, it's really weird to look at this good AU. Every time, I'm like, "phew, we didn't do anything to give someone the motivation to kill!" But, as I don't think there are any secrets Ace could receive that would convince him not to kill, that just means that the "good timeline" is condemning Eden to die. Is that really better than some of the other timelines?
That's a bit more philosophical than I think is required for this AU re-analysis, so we'll just give this one a pass.
Teruko receives Hu's secret
Honestly, I think this one got better since I proposed it. This was probably my least favorite assignment of the original good AU. However, now we know that Hu had interest in forming a pact of secrecy with the person who held her secret.
Naturally, it's possible that she was only able to make this pact with Veronika because they had each other's secrets. I have no idea how Hu would have figured out that Veronika had her secret otherwise, barring a Hu!Mastermind situation.
However, as we saw in canon, Teruko decided to approach Rose and ask Rose about her secret. If Teruko did that in this AU, then Hu could surely ask Teruko not to tell others about her secret, and I imagine Teruko would oblige. It removes the possibility I was worried about with Hu feeling insecure about someone learning this about her; while that may still be the case, we can assume that instead of lashing out, she would just ask Teruko to keep it on the down low. This one's good!
Charles receives Rose's secret
I mean. Yeah.
Whit receives Nico's secret
Yeah x2. I do wonder how Whit would react if Nico tried to ask him for help with regards to Ace's bullying, though. I doubt that would actually happen, given that Nico doesn't trust anyone. Still, I'm curious if Whit would turn a blind eye like he did to their arguing canonically, or if that direct connection to Nico's mental health would call him to action a la Charles.
"Min" receives Teruko's secret
If David's creepy-ass smile didn't convince you that this secret should remain dead and buried, I don't know what will. This one can stay.
-
Finally, we've finished recapping the good version! In the end, I was still happy with 13/16 of my answers, which is a pretty good batting average.
But, how would I fix it? Well, as I alluded to in Rose's section, I think I would wind up giving Rose a different secret than J even though it was fine, just because Rose is a really useful slot to have. The best solution I could come up with is that Rose gets Ace's secret, David gets J's secret, and Hu gets Xander's secret.
I don't think that anyone would get mad at Rose for throwing away Ace's secret because it's pretty personal and likely not murder-related. And, Veronika was able to figure out that the secret belonged to Ace mere moments after hearing it for the first time anyways.
While giving David's secret to J is a bit of a dangerous game, I don't think he'd really be able to do much with it pre-Trial without blowing his cover. He might reveal the secret at the Trial just to throw things off track, but even when the secret was with Rose, it probably would have been revealed via process of elimination at the Trial anyways. We don't get the "take David out of commission" factor that made the assignment extra good the first time around, but that was a fluke. I don't think there's anything here that could stop David from David-ing.
I am banking on the fact that learning about Xander's suicidal tendencies wouldn't reignite any old feelings in Hu, but I think it would be okay. I would imagine that their circumstances are pretty different, and (on the surface, at least) Hu seems pretty resolute in her newfound desire to live.
As for Levi's secret, I think the best path for it would be to bury it in the "Xander" or "Min" slot and hand Eden either Arei or Teruko's secrets. Obviously, both of those are very loaded choices, given that Arei and Teruko are almost certainly the two characters that Eden is most connected to in the narrative right now.
In Arei's case, if Eden approached her about her secret, I think that encounter would play out much like the canonical clock-making scene did. However, that means that (if David is still in the area, I guess) they would also have that same rebound that would lead to Arei declaring herself Eden's friend-- albeit probably not as dramatically, given that in this universe, Arturo never attacks Eden. Of course, if Ace is still in the area, that then raises the question of whether the target would still change from Eden to Arei if Arei didn't make such a bold declaration. Which is the better scenario? That's impossible to say, because they both suck. Still, things to think about.
In Teruko's case, it really depends on how kindhearted Eden is feeling at the moment. I want to believe that Eden would approach "the killing game is all your fault" with skepticism and patience, and talk to Teruko to learn that she (most likely) has no memory of anything like this being the case. If Teruko could see that Eden wouldn't immediately turn against her at her literal worst, it would probably go a long way. That being said, it would be totally reasonable for Eden to be upset and worried about reading this secret, and to therefore begin to distrust Teruko.
Both of these situations raise enough issues that I can't decisively determine if they're better than just leaving Eden with Levi's secret. I'll leave it up to you to decide which iteration you personally prefer.
On to the bad section!
The Bad Timeline
As I said in the original AU post, it's difficult to determine which options are truly the worst when there are so many terrible options. Therefore, I expect that most-if-not-all of these options will still get a pass at least. We'll see if I wind up having enough brain cells to change anything in the end.
And, on that note...
Ace receives Levi's secret
Yeah, this one is still bad! Knowing what we know now, Ace is definitely killing if he gets Levi's secret, possibly faster. I do wonder if it would wind up leading Ace to target Levi, even if I'm not sure how he would pull that off. If Ace tried and failed, could it lead to Levi killing Ace instead? Eh, Ace probably wouldn't even try, given that everyone would suspect him if Levi were to turn up dead. "A reason to stay mad at you," indeed.
Veronika receives David's secret
The logic behind this one still cracks me up. Totally still think I'm right, though.
Levi receives Ace's secret
This one is okay. Really, the pushback I'm running into is just that things are already so bad with Ace that I don't think this extra layer of distrust would make things all that much worse. Plus, I don't know if Levi would pick up on the subtler implications of Ace's secret anymore. The question is just, "is there a better way that we can screw over Levi in this situation?" We'll just have to wait and see.
"Xander" receives Eden's secret
Sorry for kinda closeting you, Eden. But, that's what makes this selection so bad. And that's why it stays.
Arturo receives J's secret
There's no way to make J more miserable than to directly hand her secret over to Arturo. We'll continue sticking with canon on this one.
Hu receives Arei's secret
I didn't even mention in my original passage that Hu's love for her family would put her at odds with Arei's treatment of her sisters. That's really terrible, I say with a thumbs up.
Rose receives Min's secret
Tracks.
Teruko receives Xander's secret
While the whole David thing didn't really pan out, I do think that Teruko's segment still makes sense. It's possible we could do worse, but it's not like giving Teruko more reasons to hate herself is a terrible conclusion. I mean, it is, but not for the sake of crafting the worst possible timeline. You know how it is.
Charles receives Whit's secret
Charwhit angst :((((( Good thing that'll never happen in canon! Ha ha. This section is oxygen-potassium, which would also be potassium oxide (K2O), a corrosive compound! Or, you can just call it O-K.
Whit receives Charles' secret
Meanwhile, this section gets a heart from me.
Arei receives Arturo's secret
So if Arturo were in this even worse mental state after Arei wrecking his shop, possibly even being the blackened himself, would Levi also die? Because, Teruko was presumably planning on enacting her plan no matter who the blackened was, and DefaultTV would presumably always punish Teruko for it, and Levi (unless he too was too distracted by this motive) would probably still step in front of Teruko to repay his "debt" to her. However, if Arturo was either the one up for execution or too hateful of himself or anyone else to be spurred to surgery, we'd probably lose Levi too. It's even worse than I thought! Which means it's fully approved.
David receives Veronika's secret
Although this one kinda reads to me as "not that bad," it's important to keep in mind that I gave David a "not that bad" secret so that he would continue to encourage other people to share theirs. That's important for screwing over everyone else. So, I think this one will remain, but I could see blowing it up if it would help something else worsen.
Nico receives Hu's secret
This choice has always been one that I've felt was difficult to talk about, as was probably apparent by the million disclaimers I put at the beginning of it. Because of that, I'm sort of inclined to dissolve it. However, I... think it still holds up?
We also now have the direct confirmation that Hu wanted to keep her secret under wraps because she didn't want others to see her as weak or unreliable. If Nico was holding on to Hu's secret, she would likely only figure that out in a moment of stress, when people needed her to be reliable the most. My point is, she might go into further overdrive trying to prove to Nico that she really is reliable, which would only make things more stressful for Nico and more annoying for everyone else. With that additional reasoning, I don't currently see any reason why this should be changed.
"Min" receives Rose's secret
I didn't realize before that I had Rose and Min swap secrets-- not that it really matters, given that I could have just as easily given Rose's secret to "Xander." Anyways, this also tracks.
Eden receives Nico's secret
I still feel mean for this one š
But, y'know, that's just what life is like for a professional Eden Bully. Which is worse, threatening a lesbian with homophobia or falsely accusing her of murder for a year and a half? (/j) Jokes aside, this will remain.
J receives Teruko's secret
Guys, did you know that J HATES MURDER? Forget the theorist's "I feel like" disqualifier, J would definitely tell everyone and their annoying celebrity mom that everything in Teruko's life is worth killing for. Like a fine wine, this got better with age.
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Unsurprisingly, after what I predicted at the beginning, I wound up approving 15/16 of these options. The only one I really had any issues with was Levi getting Ace's secret.
The worst secret for Levi to receive would probably be either something that makes him perceive a "good person" as a "bad person" or a "bad person" as a "good person." So, like, Teruko maybe for the former? And the worst person for Ace's secret to go to would probably be someone who would outright weaponize it against him, so possibly someone like Arei or David.
If I wanted to shuffle things around, I think it would give David Ace's secret and give Levi Veronika's secret. Ace's secret is also the kind of juicy insight that could still allow David to pull his manipulator BS, and David could absolutely destroy that man in the Class Trial, blackened or not, with the info when the time was right. Meanwhile, I could see Levi being like, "well, if it's stopping Veronika from hurting herself, then... her talent is a "good" thing, right? Every day I grow more jealous of you and your amazing perception, Veronika..." Honestly, I think I do like that one more than what I originally wrote. Let's roll with it.
And now, nearly two months after this ask was sent in, I'm finally done with it! Once again, I'm sorry I spent so long to complete this relatively simple ask. I hope this lived up to your expectations! Thanks for sending it in :)
#danganronpa despair time#drdt#drdt spoilers#fanganronpa#this ask was sent in after 2-13 which was published on september 13#so if i post it NOW on november 12TH then it in fact has not been two months since this ask was sent in#... actually this is just like the original secret swap au which also took me a ridiculously long time to complete#curse of the secret swap au i guess. it'll take me 6 months to complete the post-ch3 revisions#teruko tawaki#xander matthews#charles cuevas#arei nageishi#ace markey#rose lacroix#hu jing#eden tobisa#levi fontana#arturo giles#min jeung#david chiem#veronika grebenshchikova#j rosales#whit young#nico hakobyan#cw suicide mention#cw self harm mention#my theories
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To expand on this as a professional Dennis woobifier myself: I think the goal of myself as well as the other Dennis fans Iāve talked to is to acknowledge and discuss the reasons WHY "bad people" do the things they do. Discussing Dennisā traumas and how they explain why he treats people the way he does isnāt meant to be a justification or excuse for the awful ways Dennis treats people, more to highlight the fact that heās a human being with feelings that fuel the way he behaves. I think a lot of people find comfort in the idea that rapists/abusers/"bad people" are a completely unique type of human completely different from the rest of us "normal people", when in reality theyāre just as human as everyone else and they behave the ways they do for human reasons, as uncomfortable as that can be to think about. So I think talking about Dennisā humanity and pain and struggles and seeing and acknowledging the ways in which we ourselves relate to Dennis helps to contextualize and acknowledge the reasons people are abusive in the first place and the actual ways we can curb these behaviors in ourselves and others beyond just saying "well Bad People are just Bad and nothing like us Good People". As prev said I think that is very much the point Glenn is trying to make with the character.
Dennis acts like heās better than everyone because he hates himself. He wants to have complete control over every other person is his life because heās terrified of being hurt the way he was as a kid. That is the whole reason they call it the cycle of abuse, which is why I think youāll find a lot of the biggest Dennis woobifiers are themselves victims of some form of abuse. Itās not about forgiving his actions or ignoring the wrong heās done, itās about putting him in his full context as a complete person and the knowledge and understanding we can gain from doing that. Thatās why, along with what prev said about the majority of fans seeing Dennis only as an abuser and nothing beyond that in the first place, most analysis doesn't bother disclaiming that this is all being said in the context of Dennis being an abusive person because thatās kind of baked into the premise of analyzing him at all.
And I totally get why that can be jarring if youāre not reading those posts in that context and why it can come across as justifying Dennisā worst traits or ignoring all his bad behavior in favor of focusing on what a sad pathetic little man he is, but the truth is that abusive people are sad and pathetic and hurt and miserable, they just choose to take those feelings out on other people. But again, the fact that Dennis takes those feelings out on other people is the obvious thing that everyone already knows about him just by watching any random episode of the show, so it's not really interesting to talk about in the same way talking about his trauma or his insecurities or the fact that he does have feelings (including positive feelings) is. That's what makes him such an interesting and realistic character is all the woobie stuff underlying his actions. Again that's the whole point of him being written that way in the first place.
And don't get me wrong, I'm sure there are Dennis fans out there who do use those things to actually excuse and justify his actions, which imo would be taking the woobification too far, but it's not common even among the small circle of Dennis obsessed tumblrinas who call him our princess angel baby, at least not that I've seen. Even without any disclaimers, I've never gotten the impression that anyone is trying to say anything Dennis does is justified or moral, even when we say things like "he did think he was being helpful when he did x", there's the implied "even though he wasn't."
And back to prevs point about Charlie, I think the main difference is that there are a decent subsection of people who woobify him as an excuse for his actions rather than an explanation. Like prev said, saying he's more moral than the rest of the gang, or that he's not as manipulative or toxic as the others, is kind of missing the whole point of his character. Just like with Dennis (and like with every other member of The Gang), the point is that they're awful people who all have reasons why they do the things they do, and who all have good traits mixed in with the bad, because that's how real people work. Talking about Charlie's good traits is a fine thing to do, and talking about the way he justifies his actions to himself and others is great, calling him your precious special boy and putting animal ears on him is beautiful, but if you're taking it to the point of "Charlie is morally superior (and therefore Charlie fans are morally superior)" you've gone too far. And I'm not deep in the Charlie fandom the way I am with the Dennis one so idk how common that actually is, but just like prev said I have seen posts arguing that he actually is a Good Person who is only brought down by the gang, which I've never come across with Dennis. The Gang are all friends for a reason. There's a reason they're the only ones who can stand each other, and it's because they've all done horrible things and so they're all willing to forgive each other and keep being friends, even when they shouldn't.
Opinions on Charlie woobification? Also, do you think the fandom woobifies Dennis (too much)?
A few people have sent me asks about my thoughts on Dennis being woobified in the fandom and Iāve failed to answer them (sorry). Not for lack of interest on the subject, itās just hard to answer. I think, though, answering this Charlie question in the same ask might make it easier to explain my thoughts on this.
When we talk about the fandom weāre generally talking about the people here, a couple hundred people on Twitter, maybe some Instagram stans(?) and tend to ignore the million (1,000,000)+ people on the subReddit and the huge chunk of people on Facebook and casual Twitter who are constantly, continually pushing a narrative that these characters have no depth, and thus their characterisation is what we see on the surface and nothing more. I think the one time itās probably important not to ignore those people as fans of the show is when it comes to woobification.
Because at a surface level, the people who are consuming this show as a comedy and making posts that exhibit their takes/opinions on these characters to the majority of people portray the characters very simply: Charlie is an idiot and the best member of the Gang, in every sense of the word, and Dennis is a mere representation of toxic masculinity to a psychopathic degree. And those opinions are the loud majority.
So any discussion in our minority section of the fandom that woobifies Charlie or Dennis operates within and on top of the general narrative of the public perception (āface valueā) of the characters. Woobification of Charlie, then, almost always further infantilises the majority of his traits to contribute to the idea that heās not a bad guy and doesnāt deserve the position heās in in life, while woobification of Dennis mostly works to counteract the idea that heās a cold-blooded psychopath.
In a way, I think you have to woobify Dennis to a degree in order to properly understand his character (and Glenn makes that clear). Do some people take it too far? When it gets into the realm of genuinely somehow believing heās not a bad person, absolutely, but in over a decade of Sunnyblr posts, I think Iāve seen that conclusion once, maybe twice. I really donāt think any post thatās diving into how Dennis' actions reflect his insecurities and trauma is ever speaking ignorant of the rest of his character, and that normally seems clear to the majority of people because rarely, if ever, does a dive into Dennis woobification cause fans to understand the character worse than they understood him at face value.
Whereas, with Charlie, you constantly do see this. Posts and threads and fights between fans arguing up and down that Charlie is better than the rest of them: heās the smartest, actually, he means to do good, he shouldnāt be lumped in with the rest of them as sexual predators... People in this fandom genuinely argue that you are a *better person* if youāre a Charlie stan, that Charlie ships are softer, more moral, than toxic Dennis ships. The result of Charlie woobification seems to often make people less media literate about the character (and the show as a whole if weāre being real) than they would be if they just watched at face value.
Theyāre all morally despicable characters.
TL;DR: Due to the face value perceptions of the characters, woobification is an almost necessary tool for better exploring and understanding Dennis under his surface, while it really only exacerbates an annoying surface-level understanding of Charlie
#tldr if your woobification is just acknowledging that people are people and people can do good things and bad things#and feel positive and negative things#and perpetuate good and perpetuate harm#than you're golden#but if your woobification is saying that there are Good People and Bad People and my woobie is One of the Good Ones#maybe interrogate that a bit more
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Doctor Who this week:
#doctor who#73 yards#āwouldnt it be fucked up if that happenedā#good episode! just not really sure what it was trying to say?#like what were its themes actually?#Edit for clarity since ive been thinking. I really liked it. 2nd best of the season so far. not getting āthe messageā is entirely a me issue
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!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!
#A great episode tbh especially given the low budget. I feel like they really did their very best#And even though what I'm going to say next is probably going to be all critic - because I nitpick things and that's what I always end upā#talking about - I still want to underline that it was a very solid and enjoyable episode!!!#Alright the ss/kk was so ššš every scene I had to rewatch twice or thrice akhscbashfb they're so cute!!!#Except for the riding scene tho. That scene gives me massive second hand embarrassment every time I just wish it will end as fast asā#possible pffttt. Mmmmhhh... The drawings weren't even too bad all accounted. My main complain is about the quicksand scene...#I feel like that one should be a slow quiet emotional scene. I never licked the choice of using the song as background soundtrack :/#I feel like it ruins the mood of the scene (it was still good though)#I also... Generally don't like the direction they seem to go for with Akutagawa's character in the animeā he seems quite a bit flatterā#compared to how he is in the manga. He can't be angry and evil ALL the time you need to show that softness get through from time to time.#If not what even is the point of his character. Yet in the anime he's angry (and not distraught) when he loses the mine craft and he'sā#angry when he's questioning Atsushi about his motifs and he's angry when he's bragging about Atsushi's abilities to Goncharov and he'sā#angry when he makes the promise with Atsushi at the end of the episode and eventually he'll be just as angry even when telling Atsushiā#to run away as he's sacrificing his life for him. It is pretty flat at the end of the day.#If I can say something about K/ensho Ono without being killed I think they do contribute to making him feel angry all the time.#But that said it's all probably poor directing choices (or simply choices I don't agree with).#Alsoā about cuts. Usually I try to be lenient about itā I understand it's hard to fit in everything and b/sd already does a veryā#good job by adapting the manga almost panel-by panel. It's just that... You skip Akutagawa showing compassion for Atsushi after theā#orphanage director died. You skip Atsushi sharing the same compassion when Akutagawa loses his targed in the mines chase. You skip theā#āNothing special about that. // I suppose he's far crueler than my own mentor.ā line. And sure each of them may be negligible by their own#But together they wave a consistent web of relationship between the two characters you know? And it's a loss to omit them all#Well no mind. Again it was still a great episode overall!!!!#I think the colors in the mines could have been prettier in the mines but we can't have it all#Off to season 4!!! Omg I can't believe we got this far :DDD#random rambles#FINALLY was able to catch up in time for the season 3 finale!!!!!!
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oh it's horrible; i love it
#tm#this is SO#because from lisbon's point of view this is....let's say strange i guess#nothing's really changed for her? yes she has (they have but he's not thinking like that right now) this dangerous risky job#but she always has; there's always been 'a new train every day' and they've dealt with them all; they'll deal with this one too#so yes of course she wants to try and reassure him but it's not as major to her as it is to him#*and also she's been very patient and understanding and hasn't put any expectations or pressure on their future#(i'm sure she HAS thoughts on it obviously but she's been the one reminding him to take things as they come#'right here it's good. it's very very good.')#meanwhile jane is.....for so long jane wasn't sure if he'd HAVE a future; he wasn't sure if he'd deserve one#and then blue bird and everything that came after it and it's been wonderful and he's been trying to take it one day at a time#but it's like once he let himself imagine a future for them; for himself he was immediately hit by the full reality of how tenuous it is#he's always known they have dangerous jobs but knowing that in a pre and post blue bird world are two very different things#now he has this; he has them; and he also knows that every time they get a phone call from abbott#there's a chance he might lose the most important person in the world to him just after learning he's the most important person to her#just after they finally started something together and then what he does later this ep it's just#once you get what you wanted most what would you do to protect it (because what kind of future would he have without her)#(and then failing that (in a few episodes) what would you do to grant yourself some semblance of peace of mind?)#but this kills me because he delivers the line in a kind of teasing way? he does not let on how nervous he really is#(or what he might be starting to plan) 'i made the decision not to tell you because i was worried that it would come between us' LIKE#he tried broaching the subject before (albeit not in a way that she could very easily understand) and it went nowhere#'are we really gonna work for the fbi for the rest of our lives?' 'it's who i am jane' 'i know'#he's terrified of what might happen but he's also terrified to bring it up because what if that drives a wedge in their relationship#what if he ruins it himself without any outside issue being to blame is that a self fulfilling prophecy back to the fear that kept him from#telling her how he felt during s6#so instead he holds back just how much he's spiraling until....and then he just CAN'T anymore and he has to get away#(and then lisbon's almost blindsided because yes she knew he was worried but THIS worried? to the point he won't even hear her arguments?)#GOD it's so so good it's the wooooorst i'm eating it up
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