#going on adventures and getting sick and then she has to deal with the results

[whatsthisascianbullshit]

To prevent the spread of the strange plague and deterioration of those already afflicted, the 'Tonberries' were sealed in the Wanderer's Palace by a number of powerful wards. The maintenance of these wards fell to scholars who were inexplicably unaffected by the Green Death. Ufufu Ufu, a student of the renowned scholar Surito Carito, was the last known scholar to hold this position before the Sixth Umbral Calamity destroyed the area.

Extract from the detailed field notes of Alka Zolka, Nymian Marine, marauder, and historian.

[asha-mage]

WoT Musing: Bits and Bobs from a book nerd

A few unsorted/random thoughts from a book mega nerd about various things in the show-

It's interesting to me that they changed Logain's innate talent from being able to see ta'veren to being able to see when a man can channel or not. This is practically probably because Mat was also in that scene, but I've also noticed that they've dialed back on the use of the term 'ta'veren' as a whole this season. Probably to avoid over cluttering all the concepts their having to introduce.

Elayne's desire to work with her hands/fascination with craftsmanship showing itself in her 'sparker trick' being a weave to make alcohol is very funny and on brand.

The show is continuing to walk out the small shifts in it's dynamics born of re-ordering things in a smart way. Everyone being slightly older was felt sharply in season 1: Mat's mischief and gambling is a whole lot less cute and a whole lot more worrying since he's no longer a teen, Perrin is married (like always intended to be) and settled as the most 'responsible' of the boys, etc. In season 2 Egwene arrived first instead of Elayne, and is the more experienced/knowing Novice, to Elayne's naive newcomer. As a result we get to see the slightly spoiled sweet girl she was before the Tower started to bust down her pride and teach her more about the world. She's a little more unsure, and a little more eager to make friends- both of which work in favor of showing off her strengths as a character, endearing her to both Egwene and the audience.

The choice to give Perrin the ability to see visions of the past with his wolf brother powers is interesting. I get that they need a visual way to express Perrin's wolf senses, and this is probably the most direct, since their's not a non-weird way to visually depict smell, but I hope we at least get a TAR related explanation from Elyas.

I find the use of the Crimson Thorn as a symbol of the Red Ajah and the cruel mercy that they grant to be fascinating. More over, I find Nynaeve's being pulled between the Red and Yellow Ajahs (something I suspect we are going to get more of) to be smartly done: Nynaeve has never been afraid of doing what needs to be done, but that doesn't make it easy, and Liandrin is right: to an extent that their always been a little bit of Red in her, a belief that the world would be better if everyone just followed her rules. And yet it is her compassion that defines her, that fuels her rage most of the time. Compassion for those hurt and sick and dying turns to rage against what caused it: a cruel world or a war or a sickness. Compassion for those she cares most for fuels her rage at those that would threaten, hurt, or control them. She left the Two Rivers to protect the EF5 and that remains her goal all the way to the series's end, her character arc is largely about accepting what that will mean, and learning not to be afraid to claim the power to do that.

I've said this in various other forms but it bares repeating: Lanfear really is winning right out the gate. She's got the hot new hardware LTT as her naive sugar baby, their is no one in sight to threaten her control over him with things like 'morals' and 'duty', and he's slowly succumbing to her influence. More then worth the price of having to run a small business in a slum I'm sure.

That said I want a 50k word fic that is just Lanfear's Adventures in Small Business Ownership. We know those drinks where over priced, but where they watered down? Did she have to pay a mortgage? Deal with uppity suppliers? Was their a Darkfriend Company Discount as Selene's Totally Normal And Not At All Evil Bed and Breakfast?

I have two nitpicks that are so minor they barely warrant discussion, and one is not even the show's fault. The first is that everyone keeps saying things like 'your powers' rather then 'strength in the power'. Jordan goes to so much trouble to make the point that people and objects don't have the power, they use it and strong in the power, and then Sanderson changed it to 'my powers' and 'how powerful he is' and *gargles*. This is like the peaches all over again.

The second is that as much as they nail the arches scene/ceremony, I wish they had gone the final mile and said 'Be steadfast'. It wasn't necessary exactly, but it's exclusion made me whisper under my breath, like a rhyme I just HAD to finish.

(This is completely normal and sane person behavior, stop looking at me like that internet stranger).

I don't have to much to say about Mat's story line beyond being VERY interested in where they are going tying him and Min together. I still needs to get off the ground for me to have more Thoughts.

Adeleas being Cringefail re: Lan is so funny to me in ways I can't quite explain.

I reiterate the point that since Rand's can't be Warder trained, giving him an old veteran blade master who is suffering from PTSD/Dementia was a VERY smart move that fits the feel of the books.

RIP Joshua's soft boy curls. You where a casualty of this war.

[gctchell]

@damnedrainbows asked: 🤔🤔🤔 (and a sex canon for lucifer for his wifey)

FOR  EVERY   🤔  I’LL  POST  A  HEADCANON  ABOUT  OUR  MUSES.  ADD  A  +  FOR  A  SEXCANON. // 𝖆𝖈𝖈𝖊𝖕𝖙𝖎𝖓𝖌

1) Listen, they have the ability to shapeshift. Lucifer's more masterful and has a much bigger variety of what he can become, but Lilith's selection is nothing to sneeze at, either. Combine this with the fact that they trigger silly moods in one another so easily and you got a goofy couple who both enjoy transforming into animals and running off on their own Creechure Adventures lmao. They can disappear for hours because they get so caught up in it, and if Charlie can't contact either of them, she can safely assume they're just off on one of their little Milo & Otis excursions.

Sweet Rings, have they been through some adventures. This ability in HELL of all places? Oh yeah, they've been in situations that get the heart racing and adrenaline pumping. Sometimes it's a nice day where they're literally re-enacting the damn Untitled Goose Game, sometimes it's a chaotic day where they are starring in their own Don Bluth feature film. Honestly, it's a great way for the Queen & King to keep connected to their domain. They see a lot of things when they're this tiny.

After Lilith came back home, it was Lucifer who got this ball rolling again after he shyly offered up the idea to his wife. Lilith was sick and she needed to get re-acquainted with the energies of Hell for her health, and what better way then skittering around together in creature form? They could not go as wild and far as they used to, but they still did it and they had fun, and it helped her a lot. Finally when she was better, they fell right back into this little hobby of theirs full-fledged.

It's good medicine for Lucifer, too. It gets him out and about, it's good for his head and helps ease the depression, and Lilith likes to keep that in check.

2) As the Hotel Parents(tm), they like to gather everyone together on Friday for a movie night every week. They insist upon it! They know it's a good bonding activity and that it's simply nice for everyone to coexist in the area for an hour or two in peace (for the most part).

On Tuesday, they take suggestions for movies and add it into a bingo cage to draw on Wednesday morning during breakfast. It's a fun little routine for the two of them, though they've had to deal with the process getting pranked or entirely thrown off course a time or two for someone who wanted to rig the results. Charlie loves the whole routine top to bottom - she is her parents kid.

3) Light sensitivity and overstimulation to it is something that Lilith is all hands-on-deck for taking care of, or at least providing relief for; the Queen of the Night hushes light sources - let them be electrical, magical, or flame-oriented, she extends her magic to snuff it out. If there is an instance where this is not ideal, or not possible, she creates dark barriers to shroud Lucifer for relief. They're cool and encapsulating, and he can walk anywhere with them. On the outside, it almost looks like a huge black egg with legs going for a walk.

It's not tangible, he can reach outside of it if he likes. It feels like pushing through a light stream of cold water.

🔞

Lilith is masterful in home crafts, and one of these skills branches into toiletries. They still shop for their favored brands, but she's made their own soap, lotions, shampoos, and conditioners for years to run alongside it. She had a lot of fun figuring out how to create bath bombs and went wild with it, and naturally, it did not take long for her to steep into the sensual side.

Lilih & Lucifer have their own private stock of these special bath bombs; there are combinations that heighten sensitivity, and then there are the really fun ones that they use quite often - the aphrodisiac bath bombs (encouraged to drop while in the bath for a better experience).

Pop them into the warm or hot water and they get to work; they fizz and spin with their lovely colors of red and magenta, black and white, all while gradually releasing more and more of the effect - it gets stronger the longer it goes on. Combine this with the steam, the heat, and the vapors of the water, and these two are going crazy with lust during bath time. They can get carried away. They might have broken a tub or four because of this lmao.

[commenter2]

Alpha Betas episode ideas

In my last pic I talked about how I believe the Alpha Betas web series should be given another chance as it had the potential of being a good series but was the victim of bad timing.

I���m happy to say that it was recently brought to my attention that a while ago the VA for Mason (who is also a director and producer of the show) stated that there has been talks about doing stuff with the show, so there is some hope it could return one day! Until then I’m going to help spread the word about the series by making content about it.

I thought I start by making a list of ideas for episodes the series could have if it ever returns. Spoilers ahead for those who haven’t watched the first season yet, but luckily all the episodes are available to view on YouTube so I recommend checking them out.

Rated E for Eat S#$@- Alpha Team has to deal with a problem in a family friendly kids game, which they hate as it’s really simple and boring to them. Mason (the weapons expert) takes it the worse since he can’t use guns in it, while the others are able to at least use their talents to a degree, which Buck makes fun of Mason for. It would be interesting to see him try to prove to the others that he is more than the weapon’s guy.

Alpha Bravo Tango- Before it was written out, it sounded like there was going to be a plotline where Alpha Team would have to secretly deal with another team of gamers called Bravo Team. Now at the beginning of episode 2 Allision made it sound like they were among the other dead teams, but I could see a few ways to bring the original Bravo Team back, one simple way is that they really messed up on a job and were fired before the main story of season 1.  I’d also be okay with an entire new team but still. 

Either way Bravo Team’s main goal in the series is to aid Alpha Team during bigger missions, and to prove to Allison that they are better than Alpha Team and deserve to replace them.

I could see this leading to a 2-episode story where a multiplayer only game is acting up, so both Alpha and Beta Team are sent in to fix the problem, but because the teams dislike each other they mess up the simple task, and now have to actually work together in order to save the day.

Gamer girl, I mean woman, I mean female- The title is based on a joke from the pilot.

One of the team members is sick and because she is knowledgeable about the game causing trouble and Bravo Team is busy with something else, Ruby (the lady who runs the equipment that sends Alpha Team into games, and who Eddie has a crush on) has to go into the game to help.

It would be interesting to see Ruby fighting alongside Alpha Team instead of just giving them support/commentary. Maybe as a result of her adventure she will get a slight understanding on why they act the way they do; she still thinks they are immature idiots but oddly respects them a bit more. I also see such an episode being filled with jokes about gamers girls and about what guys think gamer girls are like, but I mostly could see some ship moments happening between her and Eddie.

Alpha Red vs. Omega Blue- Continuing the idea of Ruby being a gamer, I could see her befriending several other gamer girls and forming a gaming squad called Omega that becomes popular online. Unknown to Ruby, these girls are saboteurs/anarchist and are trying to take down parts of the U.S. energy grid for reasons which leads to a confrontation with Alpha Team.

I could see this being a continuing storyline in the series as we see Ruby slowly realize what is going on.

Government mandated gaming tournament- In the pilot it was implied that other parts of the world power their countries via video games and occasionally they would attack another countries’ systems. What if secretly, governments from the around the world partake in video game tournaments as a way to settle certain problems without actual bloodshed and this time Alpha Team is being sent to participate.

Console War 3- The next generation of consoles are coming out and one hacker obsessed with a certain console series is determined to make his console the best, so he causes chaos through a popular FPS game about World War 3 in hopes people will switch consoles. Of course this would be bad for energy grids around the world so Alpha Team deals with this, but they soon start to argue about which of the upcoming consoles is better, districting them from completing the mission.

Grand Tommy Auto- While Tommy is an expert in controlling vehicles in video games, he canonically can’t actually drive them in real life. That sucks for him as his gear gets damaged before a mission, and now has to use devices based on the mechanics of a real car to control a vehicle needed to save the day. Will Tommy learn how to properly drive to save the day, or will his friends and part of the world be doomed?

Punk Spunc- After a mission, a virus infects Spunc, Alpha Teams AI buddy, causing him to act up and go rouge. Alpha Team has to find a way to cure Spunc before Steven (who hates Spunc) destroys him.

Body swap like episode- Since Alpha Team uses unique machinery to enter video games, there obviously needs to be such an episode. I could see this happening during a mission where they are permanently locked in as a certain class/character from the game that they personally specialize in. Something happens in the real world that messes with the machinery which somehow causes Alpha Team to switch bodies in the game, and now they have to learn how to handle using their new classes before it is too late.

Freemiumdeddon- Alpha Team has to deal with a freemium game on the fritz, but this becomes a personal mission of vengeance for Buck. He once was addicted to a freemium game and it almost ruined his life so while facing the problem with the others, he secretly tries to destroy the game and prevent others from suffering what he went through, which could just be as dangerous. They should have the freemium game be a Sea of Thieves/Skull & Bones parody just so they have the excuse to have Buck go all Captain Ahab XD.

Gaming Community vs. T.B.A.G.- With Alpha Betas being a M rated series about video games, there would totally be jokes about tea-bagging in it, but I had a different idea related to it.

Not all threats to the Energy Division are from video games on the fritz or hackers, as I could see Alpha Team and the other members of the Energy Division having to deal with an organization in the real world called T.B.A.G. “Tough Beings Against Games”, whose goal is to ban all video games.

I could see having such an enemy have moments throughout the series that foreshadow that the group is not what it seems, but more on that later.

Dating Reality or Dating Simpulator- Steven falls for an NPC from a videogame that was discontinued and destroyed for being too buggy, but he saves her before she got deleted for good and puts her in a female robot body. The NPC has trouble getting use to the real world and, of course, goes on a rampage causing the others to try and stop her. I say at the end some of the characters are able to save the NPC and she and Steven are able to stay together, as Steven does deserve some happiness. Either that or she becomes attracted to Spunc, making Steven made, which is admittedly kind of funny XD. Maybe that last thing could be an alternate ending.

Eddie’s Game- This would be a multi episode story that would also count as the series finale, as I could see Alpha Betas having 2-3 more seasons if it ever comes back, which I’d be okay with.

For those who haven’t seen the pilot or the first season there are aliens in the series, and (major spoilers for the season 1 finale) the wife (named Lisa) of the evil alien Alpha Team killed was able to escape from Area 51 thanks Alpha Team freeing her for fun. I could see Lisa wanting revenge and plans on destroying Earth for killing her husband and keeping her locked up for so long. 

I would make it so it was revealed that since she couldn’t attack directly at first, Lisa had to recruit others to help her. Here we find out she was the true leader of T.B.A.G. and used the organization to weaken the world enough for her forces to attack, and that one of the members of Omega was working for her. Apparently Lisa and her husband had daughters so maybe said Omega member was one of them in disguised. 

However again gamers are the answer to saving the day as governments of the world have made war machines that can be controlled by gamers like jets/spaceships, boats, and maybe a parody of that mech from Overwatch. With this and a lot of previous character working together, they combat the aliens with Eddie being the leader as he develops a grudge towards Lisa during the story. I also could see a joke where Lisa’s other daughter appears out of nowhere wanting to help the humans stop her revenge obsessed mom and sister and shows them a weakness to her mom’s fleet, resulting in the others making a semi 4th wall breaking joke where they point out how convenient all of this is.

Of course they defeat the fleet and Lisa, but Eddie and a few other characters spare Lisa and just tells her and her daughters to leave and never return, as they know this isn’t a game. The series wraps up with the world now knowing video games power the world (angering gamers for doing it for free) so the world decide to look for alternate means for energy. Alpha Team is disbanded but unlike last time, Eddie is okay with it especially since at this point he and Ruby have gotten together. The guys still manage to hang out through games and I could see Steven hanging out with them too.

Maybe there could be an alternate ending to the finale where Eddie kills Lisa and we see a slightly different epilogue, referencing games that have multiple different endings.

If I could come up with all of these ideas, imagine what could happen with a full team of writers working on the show. I really hope it will come back one day and if you think so too, then favorite Alpha Betas content like this and help spread the word.

What kind of stories could you see happening in Alpha Betas if it was to return?

[superman86to99]

Adventures of Superman #511 (April 1994)

Superman returns to Metropolis after the events of "Bizarro's World" and finds that... there's no Metropolis. It's completely gone. Did someone pull a Coast City on it? Is Brainiac back to his Pre-Crisis city-stealing ways? Superman flies down to take a closer look at the nothignness, only for the buildings to suddenly re-appear right in front of him, making him clumsily crash into one. And right in front of some hot ‘90s babes, too. How embarrassing.

Turns out Metropolis wasn't gone: Superman's powers are so out of control (as seen in recent months) that he didn't realize his X-Ray vision was making him see through the entire city. Superman tries to rescue the people falling off that building with the old "air cushion" trick, but he ends up creating a mini-tornado and injures more people. When Maggie Sawyer and the Special Crimes Unit show up to find out who's been going around destroying buildings and injuring pedestrians, Superman volunteers to be arrested for everyone’s safety, but Maggie is like "eh, let's just pretend this didn't happen... this time."

She does encourage Superman to go get his condition checked out by a specialist ASAP (which, come to think of it, he should have done weeks ago). Superman goes to Professor Hamilton, who determines that his internal solar battery has gone out of whack and is making him absorb too much energy after being exposed to some sort of kryptonite-like substance. And when was the last time Superman encountered kryptonite? At the end of "Reign of the Supermen," when a big blast of it passed through the Eradicator first and instantly gave Superman his powers back. "A bit of foreshadowing," as the Professor says.

According to Hamilton, Superman's powers will keep increasing until his body can't contain them anymore and, I guess, explode. The Professor does suggest a possible solution: taking Superman's excess energy and giving it to those sick Underworld clones who have been dying off all over Metropolis (as part of that OTHER long-ass storyline we've been seeing recently). Superman likes the idea but decides that a massive government agency would be better equipped to make it happen than some ex-con in a run down building (sorry, Hambone), so he flies over to Project Cadmus to tell them about it.

Like two minutes after Superman arrives at Cadmus, the place is attacked by some Underworlders who believe Cadmus created the illness that's killing them. Superman and the Guardian team up to stop the clones, but it isn't a terribly long fight, since the Underworlders are dropping off like flies. Very big flies.

Meanwhile, we find out that LexCorp is currently being attacked by OTHER clones and Lex Luthor Jr. is trapped inside. Lex sends a televised message blaming Cadmus for the attack and promising to "deal" with them "once and for all." In other words: WAR. TO BE CONTINUED!

Plotline-Watch:

Of course, those clones attacking LexCorp weren't sent by Cadmus, they were sent by the mad scientist living UNDER Cadmus, Dabney Donovan. Earlier in the issue, Dabney snooped into a heated Zoom call between Lex Jr. and Cadmus' Director Westfield where the latter refused to join forces to cure the Clone Plague, because he thinks Lex would just steal their tech. Lex indignantly accuses Westfield of putting lives at stake (meaning HIS life specifically, since he secretly lives in a clone body). Dabney worries that Lex might attack Cadmus and thus endanger his own operation, so he... attacks Lex and makes it look like it was Cadmus? They don't call him "mad" for nothing.

Westfield's comment about Kryptonian DNA is obviously a reference to Cadmus' troubles attempting to clone Superman after his death, which resulted in them giving up and creating Superboy. Incidentally, Superman asks Guardian how Superboy is doing, given the whole “clones dying” thing (the Newsboy Legion kids are in pretty bad shape), and Guardian just says he's "been through a lot lately." In other words: buy his solo series if you want to know if he's dying too, kids!

Back to Lex, he instructs Dr. Happersen (still wearing bandages over his head after Bizarro burned him) to contact the Underworlders, presumably with nefarious purposes. In the same scene, we learn that Lex has a virus in LexCorp computers that alerts him to any mention of his name. And guess who happens to be using a LexCorp computer to write an article about how Lex murdered his personal trainer?

We've been following Lois Lane's investigation into the Sasha Green murder for a while, but I'm a little confused about the "father" part above. Does that mean Lois knows Lex Jr. is Lex Sr.? When did she find out? Did she put two and two together after learning clones are getting sick and seeing Lex all frail last issue?

Don Sparrow points out: "As far as I know, this issue's billboard is the first appearance of Whitty Banter, the David Letterman of the DCU. It's a confusing look, though, as he seems to be a blonde, musclebound Billy Batson lookalike, with John Lennon glasses, so apart from having a talk show, he doesn’t greatly resemble any real world hosts. (A quick look into it indicates Banter’s first in-person appearance is a few years later, in Superman #117. He also appears in Man of Steel #67, where the Letterman connection is made more explicit, though Banter’s face doesn’t appear in either issue.)” As we pointed out on Twitter, there was also a reference to Whitty in the letters page for Adventures #511, in answer to a letter praising his real life counterpart, colorist Glenn Whitmore.

Patreon-Watch:

This post was sneak peek’d at patreon.com/superman86to99 earlier this month! Shout out to patrons Aaron, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Bheki Latha, Mark Syp, Ryan Bush, Raphael Fischer, Kit, Sam, and Bol; we are the Dabney Donovans leeching off of your Cadmus. We’ve been slacking on the exclusive Patreon material lately (other than the sneak peeks) but we hope to have more to show you in the next year, including more Elseworlds reviews and out-of-continuity stuff.

But right now: more Don Sparrow, under the jump!

Art-Watch (by @donsparrow​):

We start with the cover, and it’s a very good one, with a grim Superman and Guardian ready for battle.  Perhaps a little generic, and lacking in background, but it’s just a great drawing of the protectors of Metropolis, even if it doesn’t give much of a hint to the actual story.  Inside the book we are greeted almost immediately by the real reason people check in on this blog each and every week: wall to wall ass.  Superman crashes through a skyscraper Zack Snyder style while a diverse group of sunbathers look on.  This is fairly racy for a code book from 1994, so it’s worth a mention.

I love Barry Kitson’s art (even if the Jim Lee-style hatching is a bit overpowering at this time) so it’s a challenge to narrow down outstanding panels, because it’s all pretty great.  But the drawing of Maggie Sawyer in full tactical gear is a highlight, as her boots, body suit, and armour all appear to have a different surface texture.  Great stuff.  There is lots of laboratory scenes in this issue, from Professor Hamilton’s studio apartment to Project Cadmus, and all the technical equipment and wires look appropriately high-tech.

As the only action scene (Superman and Guardian battle a dying and apparently nameless Underworlder) unfolds, the image of Guardian shielding himself from an energy blast is well drawn and well coloured.

That scene is as close to we get to excitement in this story, which was definitely one of the less eventful issues I can remember.  It moves the ongoing “B” stories (Superman is overpowered, Lois is investigating Sasha Green, the clones are all dying) without having much of an “A” story.  Still there’s always forward motion in this era, setting up for the next big thing.

STRAY OBSERVATIONS:

The idea that Lex is monitoring Lois Lane, and is in turn being monitored  by Dabney Donovan is a trippy one, especially if we add in the layer that we, as readers are monitoring them all.  One small detail I’d like to highlight here is that Dabney Donovan refers to himself while he  monologues, which is quite helpful to new readers, who might be  thinking, “who is this guy, and why isn’t he fighting a blue hedgehog?”

Speaking of DCU analogues, apparently one of their daytime dramas is called Secret Hospital which sounds a lot more exclusive than our General Hospital.

I do love that for all his many sins, Lex II is about to be brought down by journalism, rather than superheroic fisticuffs.

The attacking Underworlder (if he got named, I missed it) seems like a riff on the Incredible Hulk, referring to the Cadmus agents he’s fighting as “puny soldiers”.

Slightly amusing to me that the Underworlder attacker refers to Newsboys and Superboy as “dogs on a leash”, when Cadmus once had their own strike team flat out called the Bloodhounds (who are currently chilling with Doctor Stratos in the “never seen again” lounge). [Max: Actually, someone let us know recently that Doctor Stratos DID appear again in a Roger Stern Superman novel in the 2000s, to my shock... What if the Bloodhounds also have a novel we never learned of? Or an entire YA book series? It’s possible.]

[genshinteapot]

The Desert Wind

There is something in the way the wind blows, that's always so internally calming. The desert is unforgiving, tread on it without care and it will swallow you up without hesitation. But moments like these? When nothing is around but the wind and Cyno, he could stay like this for hours.

He, unfortunately, was on a mission. There was a band of Eremites set to walk through this path just before dusk, and he decided to wait it out. The band was part of a larger organization, a band that was dealing in Canned Knowledge. What he planned to do was isolate and take out this smaller band and get them to spill whatever information they have, then set up an ambush for the other larger group...

Not that he couldn't handle the larger group all by himself, because he absolutely could...

Just that...

Perhaps he just wants to embrace the sound of his home...

For just a little bit...

Before work demands his full attention and he can't enjoy the sounds any more.

This plan of his implements his ability to just... relax. Let the desert send it's love, in the wind and the sand, feeling the tiny grains float over his exposed feet and toes, over his legs and abdomen, over his arms and hands, over his face and back.

Let it touch every part of him, remind him of times when he was so much younger, when things seemed... far more innocent back then. Life was still harsh, as it is within the desert...

The desert holds it's own beauty and love that many can't understand. Many can't handle it's 'tough love', as some put it.

Cyno can. For hours, for days, for weeks, for months, for years. Until the end of his life.

It actually brings a smile to his face, a soft exhalation of breath. The taste of the sand that lingers in the air, the grittiness he feels in his mouth for all of two seconds before swallowing the imaginary grains away.

He remembered many times as a child, having his mouth open when the wind blew-- sand getting into his mouth and grating on his teeth with it's unpleasant texture. Spitting it out and crying to his mother, when she was still alive...

His father had taught him the love of the desert, the toughness of the desert, and the beauty of the desert. All of it, and so much more.

Those ruby red eyes blink slowly.

The sun is beginning to set.

The Eremites will be here soon.

Enough reminiscing. Enough relaxing. Enough enjoying.

He has a job to do, as the General Mahamatra...

And that requires him to put that all on the backburner, for the time being...

Perhaps once this mission of his is over, he can convince Tighnari to come to the desert with him for a... 'mini vacation' of sorts. Not that he expects the Forest Watcher to agree. That dark fur of his, and the heat of the sun, the two don't mix and that much Cyno knew.

Tighnari might even chew him out for suggesting such a thing.

The thought of Tighnari getting up in arms over the invite is mildly amusing. He rarely ever gets up in arms... always such a calm individual... even when chewing out the idiot scholars and adventurers consuming things they shouldn't and getting sick as a result.

Oh, Tighnari always seems to have a new story of someone eating something they shouldn't... or messing with the wildlife and being on the receiving end of an Avidya Leopard's bite.

Cyno stood up from his position on the sand bank, staring down at a make-shift pathway. One that, despite the desert keeping covered with it's constant billowing sand, somehow still forms a path many walk upon to cross through the desert.

A path that the Eremites use to their advantage...

But not today.

Cyno is going to end them taking this path...

And many more in the future...

A group is appearing in the distance...

The General Mahamatra summons his polearm, Staff of the Scarlet Sands, and waits patiently for them to come closer...

[angermango]

ah late to the party, but wanted to share this:

The "Rachel Bronev as Descole AU"

(aka "Putting the 'Domestic' in 'Domestic Terrorism" AU" aka "DesRachel AU" aka "It Runs in the Family AU", I don't have a great name for it yet or even decided a proper villain name for Rachel...)

The one where, well, Rachel Bronev survived and escaped Targent and becomes the Descole of the setting instead after learning her hubby jumped off the slippery slope because filing for divorce isn't quite as fun as grand larceny, identity theft or building giant mechas to shit fury on Targent's front lawn.

There are also variations because I haven't yet decided on some variables, namely Des' situation so he's either:

(a) Not Descole, and he's kinda just vibing with his alive family and is better known as Layton's weirdass brother (they reunited and rekindled their bond already etc etc). he may just tag along or just happens to get tangled up in Layton's adventures anyway including encounters with Mummy Dear.

(b) Descole, and yet nothing much changes except it's funny as fuck bc Layton is now the token freak of the family for NOT being a wanted criminal mastermind.

(c) Deadsmond. (This take is a bit darker and kind of more serious as a result. tbh i think of it a lot more like a spin-off)

[cutting this up now bc got verry long but there's a few more beneath: Laytonborne, Post-canon Emmy Time Travel AU and "Small Surprises"]

Laytonborne

less an AU more just a series of ideas of cool images/scenes/concept with Layton characters in a FromSoft game-style setting with heavy borrowing from Bloodborne and started all because I wanted to give Layton a Reiterpallasch (basically a rapier with a pistol attached. it's cool as hell.)

In true Soulsborne fashion nobody, least of all me knows, the full plot here.

Something something ancient precursor civilisation from which inquisitive archaeologists unearthed forbidden knowledge and corruptive powers and artefacts. Cycles of suffering and the dangers of immortality and going too far in pursuit of power. Sick trick weapons. Illusions and mind-screw. Randall would make a cool as hell boss fight and he grows wings mid-battle. There may be werewolves. Emmy is like those sidequest NPCs who is a recurring companion encounter but if you make the wrong choices she goes mad/turns on you. Anton is an actual "vampire" and he absolutely yells "LAAYTOONN" and steams up in his boss phase transition and withers into an old man after being defeated because it's not out of place for the setting. Descole would also be a major boss somewhere and does not explain anything despite being pretty significant in the lore but at least you can buy his drip after defeating him. Poison swamp level. Not entirely sure what Luke's doing because kids don't usually appear in Souls games, but he probably has a gun. Debating on whether Flora is a sentient robot/doll sort of deal, or maybe Aurora is in that role. Claire with the kind of cursed tragic sidequest that haunts players where you can't change the outcome no matter what. The Great Ones are watching. Leon is probably responsible for most of the shit state of things and will need to be put down if he isn't already dead. Rachel turned into a moon monster. You know how it is.

Post-canon Emmy got time-yeeted whee

Post-canon Emmy ends up over thirty years in the past due to probably some Azran artefact flim-flam or something, whatever, she's got more important things to worry about right now like oh shit is that Uncle Leon all young and happy and not kidnapped or brainwashed with his very alive wife and TWO kids?? Did... did they just kind of take her in assuming she is some poor young woman with a troubled past in need??? This totally isn't going to be awkward and scary and kind of crazy because she is NOT shaking and fumbling every time she's alone in a room with Leon, she is NOT almost mixing up the kids' names after she instantly recognises the youngest's beady little babby eyes (and has a heart attack and a half over recognising the eldest's), she is NOT getting attached with the domestic family feels moments, and she is NOT trying to furiously figure out when the Cultist House Call of Doom is happening because it is NOT HAPPENING this time okay--

"Small Surprises" AU

oops spilt the time travel juice on the AU machine again except this time it's in the other direction. The Bostonius crew just discovered two lil' stowaways some point early in their trip. They're apparently called Hersh and Theo. They don't know how they got here either but their home situation sounds dire so the crew chooses to take care of them. The little guys are a little skittish at first and attached at the hip but everyone is won over by them pretty much as they share puzzles and show them the sights on their world tour and the boys come out of their shells bit by bit. Sycamore is screaming internally the entire time. Let's just hope those nasty people in uniforms don't catch wind of this!

People with PL AUs

🎤🎤🎤

Pitch me the idea

[tjswritingstuff]

Redefining family; 2022 in review.

In November of 2021 my long-term relationship ended, and life started on a new adventure. One that put my writing goals in the rear view for the time being and sent me in a direction that I couldn’t have envisioned a few years ago.

Lets start with some backstory. I was in a Polyamorous “Vee” relationship. For those that don’t know what this means is that me and another girl were both in a relationship with the same man but not romantically involved with each other. Think roommates with the same boyfriend and you’ll get close to our living arrangement.

My relationship had become unsustainable many years before, but I am stubborn. I stuck it out for another 5 or 6 years. You know, I just had to make sure to beat that dead horse to a pulp, nothing left to save. My ex (My children’s father) was given a medical marijuana card for pain management and after some research decided there was a strain for everything and quit taking his medications.  The story has changed about a dozen times in the past year, sometimes he was sick and forgot to take it, sometimes he was out, sometimes he took it but threw it up. Whatever the result was the same. He was off his mood stabilizers. The person he became was one I was not going to continue to put up with. Stupid is one word for it, dangerously reckless is another, borderline sociopath is another. He totaled our car on the way to pick up pot brownies. (Still went and got the brownies), ended up in the hospital for not taking his meds, aimed a gun at our son. (He doesn’t see anything wrong with it because, “The gun was unloaded, it was as safe as pointing my finger at him.) The last straw was the last straw in a haystack that had been building for years. Messing with my kid is a deal breaker, for both me and the other girl in our relationship.

We took him to his mom’s and left him there.  I tried to take the kids to see him at least once a week. We went for his birthday and for Christmas. But it really felt like I was trying to hold together their relationship for them when he didn’t care.

At home it was me, the other girl, and the two kids trying to figure out where we stand now that our poly relationship was no longer tying us together.

Then 2022 started.  In January we made a trip to the Austin area to visit some friends. I knew by the end of the trip that she’d be in Austin by the end of the year. She moved out in April.

I had a choice to make, I could stay, doing the same job I’d done for 18 years, living in the town that I grew up in, driving the same roads that I always knew, or I could go to Austin and start over. If I stayed, I knew I would never leave again. That choosing to stay was choosing to stay forever. If I went…who knows?

My kids made the decision for me. My daughter started carrying around a picture of her and asking for her Momma. My son cried because he missed her so much, and me, well I felt like I’d lost my best friend. I started job hunting.

I had a couple interviews, which lead to a couple offers. I picked the one that I liked the best. They work me hard, but I enjoy the work, and the environment is very supportive, that goes a long way.  

My son started introducing the other girl as his Stepmom. My daughter still sometimes calls her Momma, and we had to redefine our relationship. I call her my partner most of the time. If people ask, I tell them she’s my non-romantic/ non-sexual life partner, that gets some looks. Best friend helping me raise my kids, gets fewer looks. We’re still redefining what family means for us, but I think we’re figuring it out.

A couple things did fall by the wayside this year. I wrote very little. (83,000 words compared to 200,000 as my usual per year) I also read very little. 2022 was the first year that I haven’t updated my good reads account. Mostly because all of the books I read were to my baby. I did finally go in a few days ago and input those children’s books, because I did read them. A lot. Dinosaur in Trouble I can literally quote word for word without ever turning a page.

I did start a book, that became my Nanowrimo project this year.

It’s been a weird year, but a good one for me. I have spent a lot of time exploring my new home and all the things that I never would have gotten to experience if I hadn’t really taken the time to look at what mattered the most. My family.  

I’m excited to see what the future will hold for us.

[acearadiamegido]

the big arajade post

Here it is, my masterpost of why AraJade is simply poetic cinema

TL;DR: it’s all about the comparing and contrasting

Let’s get the obvious shit out of the way.

- Space vs Time aspects: Creation vs Destruction, Genesis vs Entropy, opposite but inextricably linked to one another

- Jade is her session’s resident frog hunter. Aradia was literally a frog. Do the math, my friend.

- They both have robot selves which I think is neat.

- Jade’s dream self was secretly dead from the beginning of the story, taxidermied in her grandpa’s attic. Aradia’s was secretly alive, comatose at the center of Derse.

- For that matter, Jade’s dream self was the first in her session to wake up, and Aradia’s was the last.

- Both of them self-prototyped their sprites and took on the features of their dream selves when they god tiered.

- Jade spent much of her adventure asleep, dreaming on Prospit. Aradia’s dream self couldn’t [s] wake until hers was over.

All of that is very cool, I think. But then when you actually get into their respective personalities? Even cooler.

- They both have arcs that center a lot around loneliness and agency.

Jade’s story is pretty obvious. She grows up alone on a completely isolated island, and when she finally meets her friends and starts to think that maybe things can start to be different, her friends on the ship with her just... randomly die, and she has to spend another 3 years waiting to reunite with a version of her sibling that doesn’t even come from the same timeline.

Aradia, of course, isn’t as physically isolated. But after she dies the only thing we really hear her friends say about her is that she’s creepy, and talking to her kind of sucks nowadays, aside from Vriska and Equius who clearly have ulterior motives. Sollux is another exception, but pre-retcon eventually even he and Tavros dip out on her, leaving her to third-wheel for Meenah and (Vriska) who leave to do their own thing pretty quickly, too. So she spends a lot of time roaming around the void on her own.

While Jade will take any opportunity she can get to escape her loneliness, avoiding it whenever possible, Aradia seems completely calm and content being on her own.

Jade’s agency is taken from her again and again throughout the story. From Vriska putting her to sleep throughout her life, to HIC mind-controlling her into Grimbarkness, to John’s alt-timeline deal that left her to spend 3 years alone and grieving on the ship to the new session. Even alt. Calliope tries to assert that that’s simply her lot in life, to just sort of... Wait around impotently, regardless of how hypothetically powerful she could be. 

Aradia also faces a lot of attempts on her agency. From the first time we see her, she has voices in her head telling her what the timeline has in store for her, and what she has to do to make everything happen the correct way. And for a while she goes along with it relatively complacently, seemingly in a sort of depression. But the more she breaks out of that depression, the more she meets any attempt on her agency kicking and screaming. Equius tries to take the decision away from her about how she should feel about him? She rips her heart out and starts smacking him around. Droog tries to give input as her exile? She tells him to fuck off. Even her desire to break things post-death seems like an attempt to exert literally just any influence whatsoever on her environment, because as a ghost she’s invisible and intangible. This isn’t even getting into the whole “being at the absolute bottom of the hemospectrum her whole life” thing.  She has a whole conversation with Rose apparently in crisis over whether she is in control of herself, or simply being puppeted by the alpha timeline and the voices of the dead. 

- As a result of All Of That, they approach things pretty differently. Jade sees things happening around her, and puts it on herself to take responsibility for them. If she has to experience trauma alone, and go through hardship, well, maybe that’s just her cross to bear. Everybody has an important job to do, and maybe that’s hers. She cares deeply about everything that goes on around her and wants to be a part of it, possibly because her opportunities to act are constantly taken away by forces outside her control.

On the flipside, Aradia operates at a safe distance from everything. She asserts again and again that she’s just an observer. She’s sick of playing a role in the story and has renounced responsibility for any of it. 

- And even though they’re on opposite sides of that coin, they both represent themselves very similarly, through these veneers of cheerfulness and friendliness. Not that they aren’t genuinely both cheerful and friendly people, but there’s just a lot more TO them that they don’t tend to project outwardly. Neither of them ever really lets themself be upset about their lot in life aside from the occasional outburst when somebody manages to REALLY get under their skin. At which point everybody else needs to watch the fuck out.

ANYWAY. I simply think they are Neat™

[interact-if]

Taking the spotlight for Day 6... Lucirene!

Lucirene, author of An Angel’s Song

Latino Heritage Month Featured Author

In the forest of Bres an otherworldly sickness corrodes the soil and changes the creatures within. “A parting gift from the fallen angels”  say the citizens of the Hyaku Region and the mark on your hand confirms it.

Though the scent travelling in the air is sweet and enticing everyone knows better than to get closer. But the mark, it pulses, it burns, the pain spreading as fast as the corruption of the forest does.

Your masters are calling, and it seems like this time you cannot escape them.

An Angel’s Song Demo | Author’s Ko-fi | Author’s Patreon | Read more [here]

Tags: dark fantasy, romance

(INTERVIEW TRANSCRIPT UNDER THE CUT!)

Q1: So, tell us a little bit about the projects you’re working on!

I have so many, but the only one public is An Angel’s Song. It’s, more than anything, a story about grief, loneliness and overcoming it all while navigating a hostile environment and discovering long lost secrets about the Divine and about the MC’s country. That one is very cathartic for me to make because of the themes, I feel like I’m working through a lot of feelings I didn’t even realize I had by writing it.

The next one is also an IF and it focuses on comedy, adventure and character interaction. It’s supposed to be more lighthearted, more fun, but knowing me… I don’t know if it’ll stay that way. Basically, it goes: A Captain’s boat falls prey to the storms and the strange creatures living under the sea, and they and their crew end up washing ashore an icy, snowy country. I already have the main cast written down and they have so much synergy, it’s amazing.

And the last one I’ll talk about (a traditional novel) actually happens in the same setting as my second IF, but many, many years before, when their local deity/guardian was born. It’s more of a romance-fantasy than anything, a love story between a Goddess and a half-dragon, however it also showcases many of the situations the people had to navigate and face before their country could become the place you’ll see in my second IF.

Q2: What excites you most about using interactive fiction? What are some of the biggest challenges?

What I like most definitely is how much freedom we have as authors. Of course, one is constrained by one’s ability to code but I think, for the most part, we can do so many things, reach an entirely new level of immersion that would not be possible with a regular novel. It’s amazing how sometimes I’m reading something and get so into it, feel so connected to the MC I feel dread when they do, panic when they have to make a choice that will clearly impact a lot of people in their world. With IF you can really feel like you’re part of the story.

Another thing I like is being able to explore other paths with my writing. Like for example, what if the MC had done this instead of that? How would that have affected their relationships, their world state? Writing branches is a lot of work, especially because they could change so many things, but it feels oddly satisfying when you do decide to include them. 

Challenges… Coding, mainly. I feel like a lot of new aspiring IF authors are a bit afraid of coding and I can understand that, especially since, had it not been for the help of the community, I would have taken way longer to actually start using Twine. Hopefully with time for resources come up and it becomes less daunting.

I don’t know if any other author feels the same way but, though I think branching is a blessing, it is also a curse. I can only write the same conversation so many times, I mean I know I’m writing it in different tones and sometimes with different results but it gets frustrating after a while because it feels like you’re stuck, like you’re not progressing at all.

Another one would definitely be finding a balance between reader interaction and just following your vision. Since it’s IF at times I feel like I have to meet a quota of branches or ways in which you can react, sometimes I also find it difficult to make the MC feel like a real person instead of a reader-insert. I’m working on that.

Q3: What has been something in your project you’ve had to do a weird amount of research for?

That’s a difficult one… I don’t know if I would consider it weird but I do tend to investigate a lot about fashion, especially when designing the main outfits of the characters. I spend hours trying to find out what colors were used back then, what they meant, who was allowed to use them. I have this little image with some palettes for kimonos depending on the season.

I also spend too much time coming up with names, especially for places. Like I look up names of places that already exist, what they mean, I try to investigate if the words that I want to use make sense, then I panic because I can’t find anything, but I think that’s usual for writers. I also spent more time than necessary researching for the name of a tree that you will see way later in the book, which no one will probably notice what the name of the tree means or what it symbolizes but it makes me happy.

Honestly, I feel like the amount of research I have had to do has not been particularly weird? If anything at times I think I should research more, even if some aspects of Japanese culture will not apply to Kyou.

Q4: Which of your characters is most like you? How?

The initial version of the MC from An Angel’s Song, which I miss dearly since they had more personality. They were autistic coded too, and I hope some traces of that still remain. Apart from that I feel like all of the characters from the main cast share something with me, even if their experiences are, of course, more dramatic than my own.

A lot of them have issues with a paternal figure or an absent mother, which also resonates with me. Some of Saori’s traits draw inspiration from ways in which I talked or acted before I became a little better at masking, before I became more self-aware. Hazuki being emotional and caring, K being a bit clingy but devoted, Masa having a temper yet loyal, Miwa being friendly but reluctant to open up beyond surface level information. I think those things describe me.

There’s also Rei but I don’t think I’m writing her book anytime soon. She’s someone that’s very family oriented, she’s a bit temperamental but she means well and she’s not afraid to speak her mind. Now that I think about it, maybe Rei is more the person I want to become.

Q5: Does your heritage influence your characters as you create them? (How? Why or why not?)

I’ve been living in Venezuela my whole life so I think so, even if most of the time I don’t even notice it. I believe that this happens especially in regards to relationships because people in Venezuela are very family oriented and also, from what I’ve experienced, they form strong bonds with their neighbors, which creates this strong sense of community —sometimes it goes well, sometimes it doesn’t, but my mom and her friends always make at least some friends in their neighborhoods and they gossip with some coffee about the happenings of the rest—. So when it comes to writing a character it is very important to me to make an emphasis on family relationships because those are a strong part of my culture, of my identity. 

In An Angel’s Song you have the main cast having issues or conflicting emotions about one or multiple members of their family, which influence their behavior and their outlook on life, but for the most part they are (or will be) able to form similar relationships with people that are not related to them, or to work towards restoring that relationship, transforming it into something healthier. 

In my other books family dynamics are also immensely important. For example, I’m going to mention Rei again because I love her. So, Rei has a sister named Rin, and they are both very close, even if they haven’t spent much time together. Their bond and trust in each other helps them overcome a lot of obstacles and they rely on each other when they need support or encouragement. Rei also has other people that she thinks of as siblings, and restoring that relationship with them is one of her main goals. There’s also this recurring guilt she feels at leaving her birth family and her home to explore, because to her, families are supposed to stay together.

Another aspect that I think influences my writing is religion, even if I wasn’t raised in a particularly religious household nor do I belong to any religion. Religion is a big deal in this country, we have so many events and holidays relating to religious figures. I remember when I was very young I loved going to one of the churches here because the Virgin of that town had a building filled with pretty clothes to dress her with. 

So, in that vein, I try to think about the character’s relationship with religion, do they believe in the Gods? Do they trust them? Do they follow local deities or prefer the main pantheon? How does this religion shape the way people interact with each other and the world? In regards to characters that are Venezuelan or Venezuelan-coded… I do have a few that are Venezuelan, but I don’t think I’m going to be releasing their stories soon, so I’ll keep it quiet for now.

Q6: What is something you love to see in interactive fiction?

People being passionate about their work! This isn’t something exclusive to IF, but it is something that I love seeing. I also like seeing the different ways people innovate within the genre. I feel like sometimes, especially with newer writers, there is this idea that an IF has to subscribe to a specific format and that’s simply not true. If you don’t want to use a stat system you don’t have to, if you want to add combat then go ahead, if you would prefer to write an MC that’s already pretty pre-established (which is something that I personally want to try) then there’s nothing stopping you and I encourage you to give it a go. IF is very versatile and it’s wrong to try and fit authors into a box, especially if they want to bring something new into our little corner of the internet.

Q7: Any advice to give?

In general, I advise people to have fun writing, to not worry so much about how good it is, about if people will like it. Writing, at the end of the day, ends up being a pretty solitary activity and having those thoughts in your head too long will make you spiral. Be kind to yourself, be open to feedback when it comes (and learn to distinguish constructive feedback from destructive feedback) and enjoy the exploration of your world and characters. 

You are not alone in all of this. If you can, join a group of writers you can talk with, exchange ideas, get feedback from or just exchange memes (the ultimate bonding experience). Don’t be afraid, you’re not alone.

[pyroanime2k16]

So, I figured it'd be a good idea to explain more about Sendai's history here, so here a few important things about her. Just a reminder, Sendai's name in this AU is Megami.

Does Sendai have any romantic or sexual feelings for her associates and allies?

Believe it or not, the only people she has a good relationship that could result in that are Mima (who's Marisa's mom in this AU), Ran, and Kanako. However, she has no experience of any kind.

How did Sendai become Reimu's mother?

The short answer is that Reimu was adopted by her.

The long version is that Sendai was physically unable to bare children (due to a specific condition/sickness), but she wanted to be a mother, so she looked for orphanages in hopes to adopt a child.

Eventually, she came across a baby girl that she knew she'd been able to have a strong connection with. However, many people noticed that the baby had a dangerous and unknown power within her and tried to convince Sendai to not adopt the child.

Sendai refused and when people tried to take the baby from her, she violently retaliated. Thus, Sendai became the baby's adoptive mother, naming the baby Reimu.

Sendai was aware of Reimu's power, but decided that raising and nurturing her would be a far better solution, wanting to give her daughter a normal life.

Of course, Sendai's frustrated that Reimu's unable to have that normal life, being forced to take up her mother's place as the shrine maiden.

How did Sendai become as powerful as she is and how did she get the demon and angel forms?

This is a two-part question, so I figured grouping them together would be better.

So, the reason why Sendai's so OP is MOSTLY because of the demon and angel forms. They do give her strength that is leagues beyond most of Touhou's cast, even surpassing Yukari.

She got these forms by making a deal with a VERY powerful (but dead) youkai who was aligned with Hell and the Shinto gods. In exchange for power to protect her home, Sendai needed to be bonded to said youkai and the gods.

This gave her absurd levels of power and various abilities that made her feared by humanity and youkai-kind.

The angelic abilities are what frightened the youkai, as the demon form's powers aren't TOO different from most demons. For reference, the angelic powers are similar to the abilities of the Ark shown in Raiders of The Lost Ark (one of my favorite adventure films).

The forms came with very serious flaws. The angel form literally had to feed on Sendai's life force, which is what caused her accelerated aging. The demon form, on the other hand, had to feed on the souls of humans.

This meant that Sendai had to consume the souls of her human opponents. This is why Sendai RARELY used this form, as she began seeing herself as a monster.

I'm not sure if I want the souls to haunt Sendai from inside her, as humans are not built to ingest souls, or have the souls perish like actual food, thus sending the souls to the afterlife.

Still working on the flaws. Might add more, might not. Dunno.

Does she have other forms?

Theoretically, Sendai can have two other forms, as she's dead. But given her trauma with the demon and angel forms, she's more likely to not use forms, other than her base and normal forms.

If she were to focus more on controlling the angelic powers, she would achieve a power akin to that of the Dragon God, thus surpassing the entire Touhou cast. Her hair and eyes would be yellow and glowing green respectively (yes, like a Super Saiyan), as well as gain a halo.

If she let herself go down the path of the demons, she would gain power that would surpass every devil and demon known to humanity. Her hair would've become white and her eyes purple with black sclera. She would also have horns.

However, if she had time to strengthen her own humanity, she would have an appearance similar to that of Mikumo Kushinada from the manga/anime Kenichi. Her hair would've been more flowy and her eyes would've been brown to represent her more natural growth.

The RAREST possibility is, if she somehow managed to accept and merge her humanity with her demon and angel powers, she could have become stronger than the Dragon God. Her hair and eyes would've been silver and she would have all the strengths of her forms.

Out of all of these possibilities, the form that represents her humanity is the most likely outcome and the one she's currently attempting to achieve.

Will, has, or would Reimu be able to achieve or gain forms like Sendai's?

Technically, she has, but only by theme.

Her base form has evolved and become much stronger, due to experience. She has transformations based on the Oni Miko (demon) and White Reimu (angel) characters from MUGEN. She also has the Blue Reimu form, which is related to White Reimu.

The Maga-Reimu (Wicked Reimu) is similar to the youkai form, but here, it's the Hakurei God using Reimu as a host. This ultimately means Reimu has no control of her actions, unless the two are separated.

Will add more soon.

Touhou Project AU: Fate of Gensokyo

Lore

Setting: Set where Reimu (and other characters her age, like Marisa) is in her late teens (at youngest, she's 17, while at oldest, she's 19).

Synopsis: A few years after her latest adventure, Reimu has begun to make her own choices in life, becoming more independent as she strives to forge her own future. However, a new threat is arising from within Gensokyo; a threat that will determine the futures of EVERYONE within it.

Changes

The STORY change is a result of me not being a fan of ZUN's storytelling. I find certain stories in the Touhou games to be boring and not as serious or interesting as they could've been, as they have serious potential.

Most CHARACTER changes are due to the characters' age and the AU's plot. This includes a more mature personality (while staying true to canon) and appearance (while not over-exaggerating). At most, the human characters are a full foot taller and have a lean, athletic, or muscular build now, due to the amount of fighting that's happened as a result of the incidents.

A few human characters has headed to the outside world for a different path in life. These include Sakuya, Marisa, and Reimu.

Out of all the characters, Reimu is the one who changes most significantly. She has grown taller, has shorter hair, has a more muscular build, and has become more serious.

As stated earlier, she has begun searching for her own path in life. A life OUTSIDE of Gensokyo and being a shrine maiden. This has caused some friction between her, other maidens, and of course, Yukari.

Characters

Major

Protagonists: Reimu, Marisa, Sakuya, Remilia, Sanae, Kanako.

Support: Sendai Hakurei No Miko, Yukari, Ran, Byakuren, Toyosatomimi no Miko, Alice, Oni Miko and White Reimu (treated as ancestors of Reimu), Dragon God.

Antagonists: Maga-Reimu (Wicked Reimu), Gensokyo, and certain residents.

Minor

Pretty much the rest of Touhou's cast of characters, including the rest of Japan.

About the Sendai Hakurei No Miko

Okay, so given that this character is the most popular OC in Touhou content, I would like to go over my interpretation of her.

Firstly, she has four official forms.

Her human form was what her base form evolved from. It is very similar to her base, with the exceptions of being shorter, having shorter hair, a lean and thin physique, and black eyes. This is what she was like when she was in her early 20s.

Her base form (provided by Rion) is her fueled with her powers as a shrine maiden. In terms of appearance, this is what she looked like when she was at her prime and raising the infant/toddler Reimu, so in her late 20s to early 30s. Her eyes are blue, she's lean and fit, and has short hair.

Her demon form (provided by warugaki) is her borrowing the powers of Hell. Due to this, her appearance changes to having much longer hair, a more voluptuous body, an increase in height, and piercing red eyes, all matched with a cold-blooded killer-instinct demeanor.

Her angel form (provided by lockheart) is her using the powers of the heavens. Her appearance is similar to her demon form, which the sole changes being her yellow eyes and her overall demeanor being less threatening and far more calm, though still intimidating.

Her end form is an older version of her base form, as well as much weaker, due to her shrine maiden powers sweeping away as she gets older. Her accelerated aging is a horrendous side effect of her power usage and consumption, so while she in her late 30s, she looks like she's in her 50s to 60s. Her hair is now gray. Her eyes are white, due to her power usage. Her physique is frail and thin. However, she is able to use her base form's power and transform into a more youthful state, at the cost of her power becoming even weaker.

In regards to her personality, in both her base and true forms, she has a gentle and more cheerful demeanor surrounding her. She is filled with so much love in her heart that she can't bare the thought of losing someone she cares about. She can be a worrywart, but she knows to trust people. In spite of her forms, this never changes. She is best described as a Mama Bear/Wolf and is a good mother to Reimu, in spite of Sendai's struggles and challenges.

In terms of fighting prowess, just watch this video: https://www.youtube.com/watch?v=I5trgSvUAGM

[yumeka36]

Analysis on the absence of Elsa and the Northuldra in post-Frozen 2 stories

If you've been following post-Frozen 2 storybooks and comics as closely as I have over the past year and a half, you've probably noticed that the majority of stories take place in Arendelle and focus on Anna partaking in adventures with Kristoff, Olaf, and Sven. While Elsa has appeared alongside them in a few stories, as well as a couple of her own stories taking place in the forest with Olaf and Bruni, the ratio of "Anna stories" vs "Elsa stories" is pretty one-sided. And, while new characters introduced in Frozen 2 like Mattias, Halima, Bruni, and Nokk, have had some appearances in post-F2 stories, the Northuldra have had zero…not even mentions or cameos. I’ve been pondering on this topic quite a bit and finally got around to writing all my thoughts. This is a long and thorough analysis so sit back, enjoy, and put your thinking cap on...

The lack of Elsa in post-F2 stories is puzzling since both Anna and Elsa are fairly even when it comes to post-F2 content in general; all the post-F2 merch I've seen has both of them in equal amounts, and pictures of Elsa are always all over the magazine covers and paper craft pages that the comics come from. So it's not like she's being excluded from post-F2 merch overall, she's just noticeably absent from most of the comics and storybooks. Again, this is puzzling because post-F2 marketing gives the impression of "Anna's doing her thing in Arendelle" and "Elsa's doing her thing in the forest," so an equal number of stories for each sister, as well as a few where they do things together, seems like the most logical way to go. Yet the ratio of post-F2 stories currently looks something like this:

Stories featuring Anna in Arendelle with other characters (no Elsa) - 56%

Book & Comic: Anna getting a gift for the queen of Chatho

Book & Comic: Anna getting an official portrait as queen

Book: Mattias getting accustomed to Arendelle again

Comic: Anna and Mattias visit Halima

Comic: Anna and Kristoff make a bicycle for Olaf

Comic: The gang helps Olaf find a new nose

Comic: The gang celebrates the spring festival

Comic: Olaf minds the kingdom when Anna is sick

Book: The origin of Olaf, Kristoff, and Sven's epilogue outfits (this one is technically not post-F2, but I'm counting it since it's so close to the end of the movie. Also it’s an upcoming book, so no link yet)

Book: Arendelle celebrates the cloudberry festival

(out of these, Mattias has featured in about 17%)

Stories featuring Elsa with Anna and the rest of Frohana - 27%

Book: Anna awaits Elsa's visit after their initial parting

Book: Explore the North (this isn't a storybook but a collection of isolated scenes during and after F2; since some scenes are post-F2, I'm counting it)

Comic: Elsa visits Arendelle for charades

Comic: Anna and co. visit Elsa in the forest to help Bruni

Comic: Elsa visits Arendelle for the snowman competition

Stories featuring Elsa in the forest with the spirits (and Olaf, no Anna) - 17%

Book: Bruni's Big Adventure

Book: Elsa, Sven, and the spirits help Olaf find a unicorn

Book: Elsa helps restore balance in the forest that resulted from the misguided actions of some travelers

(out of these, Yelena, Honeymaren, Ryder, and/or other Northuldra have featured in 0%)

*Major shoutout to @chileanon​​ and @bigfrozenfan​​ for translating many of these stories that aren’t available in English*

(my percentages are based on the number of post-F2 stories released thus far, to my knowledge, in the form of comics or books. Some stories have both a comic and book version, as well as two different book iterations with only slight differences. In these cases, I'm counting them as one. Since comics are released sporadically and only in a few European countries, my number may be slightly off if there were any not brought to my attention on social media. I'm very active with finding information about post-F2 content, so I feel my numbers are fairly accurate. And again, I'm only counting stories that take place post-F2, or at least within the timeframe of the epilogue, not stories that take place during or before)

(I'd also like to point out that Olaf is the only character who has appeared in every single post-F2 story so far. It makes sense since he's a very marketable character for the kids and simple to write for. Though this probably wasn't the intention, I'm seeing him as a connection symbol between Anna and Elsa as they go about their new roles).

So what is the deal with these ratios? As I said, both Anna and Elsa have been evenly highlighted throughout all of Frozen 2's marketing, and continue to be to this day (and Elsa is arguably the more financially successful of the two and Disney knows it), so why is Anna so much more prevalent when it comes to post-F2 stories? And why are the Northuldra so left out? Obviously they wouldn't feature in a lot of stories since they're not main (and marketable) characters, but if Mattias can appear in a story or two, why can't the Northuldra at least get a mention? If someone hadn't seen Frozen 2 and read these post-movie stories, they would think the only residents of the forest are Elsa, the spirits, and some animals. Is there a reason for this? These are the kinds of questions I will examine and attempt to answer in this post.

But before I get to the meat of this analysis, please take note of the following disclaimers (I apologize for the length of the disclaimers, but they're important things to keep in mind):

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Disclaimers

- All of this is my own speculation based on the facts made public; namely, the content of the post-movie stories themselves. Since I have no insight into the coordination, publishing process, or other planning/logistics behind the creation of these stories, theorizing is all I can do. I don't know to what extent executives at Disney dictate what authors can and can't write in these stories, whether the authors actually have a lot of creative freedom yet choose to write the stories this way, or whether these outcomes vary depending on factors like country and story format. So I'm purely going off the limited knowledge I have and what I feel is most logical.

- Continuing from my previous point, unless you have some insider knowledge about the inner workings of Disney Publishing Worldwide, Disney Press, or whatever branch of Disney creates these post-movie stories, exactly who is responsible for the way they are is unknown. I could be wrong of course, but I doubt that Head of WDAS Jen Lee has the need to personally green light 6-12 page comic stories that get printed in a foreign language magazine read by, like, 1% of Frozen's worldwide audience. Even though Jen Lee and Chris Buck created the story and characters of Frozen, the franchise is owned by Disney firstly, and it's very likely other people at Disney provide approval for things like this in lieu of the filmmakers. It’s doubtful that the Frozen 2 filmmakers had any input into the creation of these post-movie stories, or even know that they exist. While the Frozen 2 filmmaking team is responsible for how Frozen 2 ended, they ended it in a way for post-stories to easily expand on the Frozen-verse like how I previously described; some stories featuring Anna as queen and interacting with the people of Arendelle, some stories featuring Elsa in the forest interacting with the spirits and the Northuldra, and some stories with them doing things together. And technically this is exactly what post-F2 stories have been doing–we have stories featuring Anna as queen, stories with Elsa in the forest, and stories of them doing things together…it's just that the proportion of "Anna stories" vs "Elsa stories" is surprisingly off, plus the complete absence of the Northuldra. And again, whether it was someone's decision that the stories should be this way, or whether it's just a weird coincidence, is unclear. Is there a particular person or persons from Disney's publishing branches pushing for the stories to be the way they are? Or is it the individual authors' decision? Or some combination of both…or some other factor entirely? Yes, higher ups at Disney have to provide approval for every official piece of media that gets released for their IPs, but who is "Disney" in this case? A manager/supervisor at Disney Press? Is it the same person who approves every new story or just some? Is it just one person who approves or is there some long chain of approval? And if so, how far up does it go...all the way up to someone who actually worked on Frozen 2, or does it stop before then? Does it vary by country? Does it vary whether the story is in comic or book format? There are a lot of unknowns in terms of how these stories come about, so please be mindful of that fact before assigning blame to any one person or group of people.

- And lastly, again, I'm only focusing on post-F2 stories–stories that take place after the events of Frozen 2. I know that comics and books have come out after Frozen 2's release that take place during or before the events of the movie, such as a comic about Ryder helping Kristoff with the proposal and a book showing Frohana having a family game night prior to the movie. For this analysis, I'm only focusing on how the characters and franchise are presented post-movie, in brand new ways not yet explored in the actual canon of the movie. I'm more interested in seeing how these stories are shaping the franchise going forward in anticipation of new official canon content whenever it comes.

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So with all this in mind, let's keep analyzing…

Lack of Elsa

First I'm going to examine the main reasons I have for why we don't see Elsa as often in post-F2 stories:

Arendelle stories are easy and familiar: Personally, I think this is the most likely reason, especially for the comics. The comics are made as part of magazines released in a few European countries. They're simply extra selling points for the magazines, which contain other items that appeal to kids, like arts & crafts activities, and Elsa is always all over those even if she's not part of the comic. I would also venture to guess that the authors and artists who create the comics don't have a ton of time, or incentive, to weave together interesting stories. After years of releasing Frozen 1-based comics that almost always involve adventures in Arendelle, I'd imagine it's very easy for current Frozen comic writers to simply follow that formula, since it worked in the past and is easy and familiar. Sure, they could include Elsa in more of those stories, but if you look at it from the perspective of a comic writer with deadlines, if I could get away with writing an acceptable story without including an extra character to draw/write for, I would do that as much as I could. If Elsa is still in, like, 80% of the magazine, I think little kids would still be enticed to buy them even if she's absent from the comic stories. Obviously with Frozen 1, all the characters lived in Arendelle, so it wouldn't make sense to have a lot of stories without Elsa (though there were some). But now that Elsa is living elsewhere, her absence in these stories isn't as questionable, especially when she's still part of the magazine in general. While this logic applies more to the magazine comics than storybooks, I would still argue that the storybooks are also niche and are simply made to bring in a little extra revenue to small markets rather than a serious attempt to expand the canon.

So then the question becomes, why not show more stories of Elsa in the forest with the spirits and/or Northuldra? Those stories could be simple too, like a story about Elsa and the spirits helping Honeymaren find a lost baby reindeer or something like that. The reason for this could again boil down to Arendelle simply being an easier and more familiar setting to work with. If excluding Elsa from the comics has no affect on magazine sales, since she's already present in the rest of the magazine, why not just stick with a formula that works and takes less effort to write? Even if coming up with simple stories for Elsa in the forest isn't too difficult, Arendelle is a more recognizable and "glamorous" setting, especially for the magazine's target audience of little girls. Another key point is that Elsa's exact role in the forest was left much more open to interpretation at the end of the movie than Anna's role as queen. Being the queen of a kingdom is something easily identifiable, and again, easier to write for. Why risk depicting Elsa's activities in the forest in a way that could conflict with Disney's expectations (assuming someone with clout at Disney green lights these stories) when you can just stick with safe adventures in Arendelle?

Disconnect between stories and canon: This is more of a general statement about fandom interpretation of the comics and storybooks as serious depictions of post-movie canon: it's best to keep in mind that these stories are, again, simply made to bring in a little extra revenue for the franchise, as most of Frozen's earning are either from box office sales or toys/dolls and other merch. Most of the books and comics aren't made with a large, worldwide market in mind, so I'd hesitate to think that a lot of effort is put into creating stories that are true depictions of post-canon content that would perfectly align with a potential Frozen 3 or other future official releases. Many of the post-Frozen 1 stories released in books and comics contradict each other in minor ways, as well as the actual canon movies and shorts as well. This is unfortunately what happens when you have a franchise like Frozen that's owed by a company (Disney) and not an individual director, author, etc. Unlike, say, Harry Potter or Naruto, where the work is owned firstly by the original author who has say into practically every new media piece that's created for their franchise, lots of different people at Disney contribute to various pieces of Frozen media and bring their own interpretations into it…interpretations that could end up not aligning with each other or future canon content from the filmmakers. A few different authors write the post-F2 storybooks, and still different authors write the comics, and I doubt they collaborate to make sure everything in their respective mediums match up exactly, nor do they check in with the Frozen 2 filmmakers to make sure every story released is a clear representation of whatever vision the filmmakers have for not-yet-conceived post-F2 content. This might not be the case for a bigger production, like the Frozen novels such as Dangerous Secrets, and shorts like Olaf's Frozen Adventure, but it is for these little kiddy books and comics that a very small portion of the market even knows about. Even if someone at Disney has to approve them, as I mentioned in the disclaimer, we have no idea if it's the same person always approving, different people depending on country/format, or if there's some chain of people who provide approval. This spreading out of the Frozen-verse across different media formats and Disney branches unfortunately spells frustration for fans who are constantly trying to build one, coherent view of the franchise's world through the alignment of the comics, books, shorts, and movies. This is unavoidably the nature of the kind of franchise Frozen is–something that's owned by a multi-faceted behemoth like Disney rather than a single author, so there's going to be a disconnect between its media formats that are conceived by a variety of different minds at the company. In the end, everyone is free to decide what they do and don't consider canon, but don't be surprised when the image the storybook writing team has for Frozen ends up being different than what the filmmakers create years later.

The pandemic: While I don’t think the covid pandemic is the sole reason here, it could be a possible contributor. Manufacturing was compromised across various industries in 2020, and magazine/book publishing could have been one of them. Maybe Disney did have plans to create more post-F2 books in early 2020, but had to change those plans (among many other things) when the pandemic hit. Some possible evidence for this is that, for some of the storybooks at least, the European translations are based on the English versions, which means the English versions came first, and yet the English versions weren’t released until several months later, most not even in hardcover form. This could indicate a slowdown in this branch at Disney in the US, or at least a portion of it. The US did get some hardcover Frozen 2 books in 2020, like Explore the North, Bruni’s Big Adventure, and the Frozen 2 manga, but not as many as Europe, which is strange if these books started off in English first. Again, without any insight into the industry, I can only theorize, but I do believe the pandemic should at least be considered.

Disney restrictions for future canon: This is an optimistic reason, but one that I think is important to mention. A possible reason that Elsa is noticeably absent from post-F2 stories, but not F2 marketing in general, could be because Disney has future plans for exactly what her role as the fifth spirit is and they don't want to risk anything that portrays that role in a contradictory way. They might not know exactly what that role is yet, but they'd rather not risk retconning anything that's shown in official content, like the comics and storybooks. Since Elsa's role was left open to interpretation at the end of the movie, focusing too much on what she's doing everyday could inadvertently reveal things about her role that could be portrayed as expanding the canon, something that these stories aren't allowed to do. So perhaps the authors are told to downplay Elsa's activities in the forest as much as possible, so often they'd rather just exclude her altogether to make things easier. Of course, this is complete speculation, but I'd like to hope it's true if it means Disney has future plans for Frozen!

On that note, the only story released thus far that has a direct depiction of what Elsa does in the forest is Tales of Courage & Kindness, a digital book that was recently released as part of Disney's Ultimate Princess Celebration campaign. I feel like this book is slightly closer to canon than the other books and comics because it was promoted on various official Disney social media outlets (and was released in English, while many of the books and comics aren't). It depicts Elsa's role (one role she has at least) of helping the spirits protect the forest from outside influences that could throw off its balance. Again, this book is still pretty niche and we don't know if there was any collaboration between the filmmakers and the author of this story, so this depiction of Elsa's role could be downplayed in favor of something else in future canon content. But what I found most puzzling about it is that this book, which seemed to be written for slightly older children than most of the post-F2 storybooks, had a perfect opportunity to feature the Northuldra, since it takes place exclusively in the forest. And yet, there wasn't even a mention of them at all. Which leads to the next portion of this analysis…

Lack of Northuldra

Even though Elsa doesn't appear in as many post-movie storybooks and comics as Anna (for possible reasons I just discussed), she still features in some of them. The Northuldra, however, have not appeared in any post-F2 stories, even the few that take place in the forest. This is strange since the epilogue of Frozen 2 very clearly shows Elsa with the Northuldra at their camp, as well as with the spirits. But as far as post-movie stories, the most we've gotten is one line from Elsa in one of the comics (English version from the official UK magazine):

(thanks to Snow on Discord for sharing this with me)

We can assume the "anyone" she's referring to are the Northuldra who live in the forest (unless she's referring to the animals of the forest, lol. Also, why the heck are they calling Bruni an "it"? This is a prime example of what I mentioned before about the disconnect between the various branches at Disney. In the Bruni's Big Adventure book and other official content, Bruni is referred to as "he/him")

As a matter of fact, Olaf, who lives with Anna and the others in Arendelle, is more prevalent in the forest stories than the Northuldra! I feel like he's been added to these stories to give Elsa someone to talk to, since Bruni and the other spirits don't talk. But why not have her talk to Honeymaren, Ryder, or Yelena? I know all the kids love Olaf, but you'd think they could get away with having one story where Elsa interacts with the Northuldra, just like Anna has a couple of stories where most of her interactions were with Mattias. And like Elsa, the Northuldra aren't excluded from post-F2 overall as they're still seen occasionally in other merch. They're just not in any stories that are set post-F2. This exclusion of the Northuldra is very bizarre, so let's see what we can analyze for why it's like this…

The Northuldra aren't marketable characters: This would be a likely reason if it weren't for the fact that Mattias, who is also arguably not a marketable character, has appeared in a few post-F2 stories. In fact, many minor Arendellian characters often appear in the comics and storybooks…Halima has gotten more attention in these stories than the actual movie! So I think it's more than that, which leads to my next point…

The spirits are more marketable: This is probably why stories that feature Elsa in the forest aren't focused on the Northuldra. Again, assuming the stories in the books and comics are created just to bring in a little extra money and not as serious depictions of canon content in collaboration with the filmmakers, it makes a lot of sense to keep the focus on what sells the best. We know that (in terms of merch at least) Bruni and Nokk were the most popular new characters from Frozen 2, so why not have stories with Elsa in the forest focused on them? This doesn't contradict the ending of Frozen 2 after all. However, this doesn't explain why there's literally no mention of the Northuldra. Even if the stories focus on the spirits, they can at least show the Northuldra in the background or mention them here and there. Which then leads to my next point…

Few stories in the forest, so few chances: In conjunction with my previous two points, I think this is the main reason for the lack of Northuldra in post-F2 stories…there just hasn't been enough opportunities. First off, most post-F2 stories take place in Arendelle, so no reason for the Northuldra to be seen there (unless they wanted to depict Arendelle and Northuldra mingling with each other, but that concept is probably beyond the scope of the kiddy books and comics!) And as of now, there have only been four post-F2 stories that take place in the forest…

-Bruni's Big Adventure: this one gets a free pass because it's aimed at very little kids and literally just shows Bruni and Olaf goofing off, with Elsa making brief appearances at the beginning and end. The more descriptive European version does mention about Elsa living in the forest with the spirits and no mention of the Northuldra. But again, this book seems aimed at an even younger audience than the others, so I wouldn’t be surprised if the author needed to keep things very simple and only mention what’s important for the story at hand.

-A Day With Bruni comic: this one could have definitely shown some Northuldra in the background, or even mentioned them in Elsa's dialogue. I guess the idea was for the group to meet Elsa in a secluded area, since the story was about helping Bruni get his fire going again, which could be dangerous at a camp site. I still don't know why they weren't at least acknowledged in Elsa's dialogue, but that could have just been a conservative choice by the comic writer.

-A Unicorn for Olaf: while this book could have shown the Northuldra, since it features Elsa, Olaf, Sven, and the spirits travelling all around the forest, I kind of see why they didn't; the theme was that each spirit Olaf encountered helped him get closer to finding the unicorn–it's a simple and easy narrative for a little kid to follow, no need to complicate it by including extra characters (I know it's hard sometimes, but we have to keep the target audience for these stories in mind...it’s much more narrow than the movies!)

-Elsa's story in Tales of Courage & Kindness: out of all these stories, this was definitely the one where the Northuldra should have at least been acknowledged. The story features the forest getting disturbed/thrown off balance, so you would think Elsa would mention the Northuldra, the people living there, perhaps to ask if they know what's happening or if anything was wrong. Really strange that this wasn't the case…only reason I could think of is, again, insistence on simplifying Elsa's role in the forest as much as possible, which includes downplaying anything going on in the forest besides just her and the spirits. Maybe the book author wanted to include mention of the Northuldra, but then was told to edit that part out for simplicity's sake. In Anna's equivalent story in this book, Mattias is absent, which I found strange too. Maybe the author was instructed to keep things simple and not include extra characters if it's not necessary for the story (again, the target audience for this story is the general audience of little kids, not hardcore adult Frozen fanatics). But still more possible reasons for the Northuldra's exclusion from this story, and perhaps the others, could be as follows…

Disney restrictions on depictions of indigenous people: I'm not sure how valid this reason is, but we do know that the filmmaking team consulted with the Sami people about how the Northuldra were depicted in Frozen 2. So when it comes to depicting them in anything post-F2, perhaps Disney's being super sensitive. Maybe the image they want to avoid is "we got your approval to depict the Northuldra in Frozen 2, but as far as anything after that, we can do whatever we want." It wouldn't pay to consult with the Sami on all these little niche storybooks and comics, so why go through that hassle when it's very easy to just exclude the Northuldra from them? There are some flaws with this idea though, like where does Dangerous Secrets fit into this (it's not post-F2, but it's still content featuring the Northuldra in ways not shown in the movie). Then there's the fact that Disney doesn't have this restriction with their other movies that feature indigenous cultures, like Moana for example. But the argument there could be that Moana is a main character, so they literally couldn't have any post-movie stories if they had this restriction, so maybe different coordinating/negotiations took place in that case compared to Frozen 2.

The Northuldra are nomadic: This is a reasonable argument for why Elsa seems to often be alone with the spirits in the forest. But I feel like the movie tried to convey that the Northuldra live in the forest. They might travel around the forest to forage for food and set up camp at different locations, but they don't stray too far. In the movie's prologue, Agnarr does say that the forest was "home" to the Northuldra, and I don’t recall Dangerous Secrets giving any indication that they leave the forest for extended periods of time. But this is something that could definitely be addressed in future canon, I just don’t think there's enough evidence for it as of now.

Coincidence/author's choice: This applies not just to the absence of the Northuldra, but lack of Elsa in the post-movie stories as well…it could all just be a coincidence. Maybe the authors of these stories have freedom in terms of how they portray Elsa and whether or not they include the Northuldra, yet they simply are choosing not to. Their reasons for doing so could be what I've already discussed–stories in Arendelle are easier and more familiar, so why not stick with that when there's no consequences for it? And likewise, why continually include Elsa, an extra character to draw and write dialogue for, in the Arendelle stories when there's no need to anymore? Maybe tomorrow a new story will be announced that features Elsa in the forest interacting with the Northuldra and what I've said here becomes way less relevant? But I feel like it's not a total coincidence…like, maybe some countries are more restrictive than others, or some Disney branches are more restrictive, like the comics vs the storybooks. It's hard to say, but some of this could be coincidence for sure.

Conclusion

To summarize, there could be several reasons for why Elsa and the Northuldra aren't as prevalent in post-F2 stories, or it could just be a weird coincidence. I'm of the opinion that the authors of these stories keep the focus on adventures in Arendelle out of convenience and familiarity, since the books and comics are made just to bring in a little extra revenue from small markets. Elsa is still all over other Frozen 2 merch like dolls and toys, and that's where the bulk of the franchise's sales come from. The authors could be restricted by Disney in some way with how they depict Elsa's role in the forest, or whether or not they can include the Northuldra, so they often opt to just not have them in the stories, or just stick to the more marketable characters like Olaf and Bruni. Without any inside information about how Disney's publishing branch makes these stories, we can only speculate. But what I do know is that viewing these stories as an accurate image of what all future content for the franchise will be like is very premature. It's only been a year and a half since Frozen 2 (and only seven months since new animated content with Once Upon a Snowman). Even though that seems like a long time for fans, it's an extremely short time in terms of how long Disney takes to create new content for their animated films. Just look at how many years it took to announce new series’ for Princess and the Frog, Zootopia, and Moana? Monsters Inc. just got a new series ten years after its last movie, and Lion King, one of Disney's biggest hits, didn't get a series (The Lion Guard) until nearly twenty years after its sequel movie. Even if Disney seemingly abandons a franchise, they often come back to it in time, especially one as popular as Frozen. Unlike a franchise such as Star Wars that has a whole studio just for it, Frozen has to share resources with other Disney movies, which is why new content for their animated movies is spread out across so many years. And if we do get a Frozen 3 or a series on Disney+ however many years from now, there's a good chance it could portray the current status quo differently from these storybooks and comics, just like how the post-F1 stories feature a different status quo than now. Whether another change like this is good or bad has yet to be decided, but until it happens, I'd like to imagine it's something like this page from the Explore the North book (one of my favorite post-F2 images)

We see Anna and Elsa having fun together while Arendellains, Northuldra, and the spirits are learning to get along again...and honestly, nothing in these post-F2 stories I’ve discussed contradicts this scenario. Even if we don’t see the Northuldra in the stories that take place in the forest, that doesn’t mean they’re not there. Even if there’s fewer stories featuring Anna and Elsa together, that’s no indication of how often they get together in canon. As I discussed, there could be a number of reasons for why the post-F2 stories are as simplified and one-sided as they are...they’re only meant to extend the ending of the movie in minor ways, so that if Frozen 3 or other official canon content is released down the line, nothing will have to be seriously retconned. As I mentioned, a lot of hands at Disney touch these stories without paying mind to the fact that the filmmakers could conceive something different in the future, which is why I don’t take the post-F2 books and comics too seriously. I simply enjoy them for what they do offer and don’t get hung up about what they don’t offer.

[royallyprincesslilly]

Title: Rumor Has It {Epilogue}

Chris Evans x Famous Reader Uriah “Riah” Tyler

Warning: Cursing, Plot, Fluff, 

Words: 2.2k

Summary: You and Chris have been married for four years after a whirlwind romance. You are both happy and trying to navigate marriage in the public eye while balancing your successful careers. In the entertainment industry, not everything is as it seems, the flash of a camera lens impairs vision. As scandal and flashing lights put a strain on your once fairytale marriage is it possible your Hollywood marriage can stand the test of the rumor mill?

**Inspired by a video seen of Chris and his co-star Ana De Armas on their press tour for Knives Out at TIFF where she kept touching his chest and face standing about five inches apart.

NOTE: DO NOT COME FOR ME. THIS IS A WORK OF FICTION.

**Loosely Edited/Proofread**

Thank you guys for reading!!!! If you enjoyed this please LIKE, COMMENT, REBLOG. 😊❤️❤️

~~~~~~~~~~~~~~

If the public ripped Chris a new asshole when the odds seemed ever not in his favor, they massacred Ana once the facts were revealed. When it came out just how low Ana had gone in her efforts to get your husband, the world turned into a colder place. The tabloids ran endless pieces on what a horrible person she was. They were relentless when it came to nitpicking not just her behavior and actions, but they even went in on her acting. You could have said you felt bad for her, but you didn’t. Not one bit.

 The support that came out for you and Chris was heartwarming. Everyone seemed to want to wrap the two of you in a cocoon of support and love. You received well-wishes from fans and supporters, and even celebs sent floral arrangements, all expressing their support for you. The narrative that was spun was the diabolical plot of Ana and jilted ex Christiano who concocted a plot that was to end with Ana getting Chris and Christiano kidnapping you. Most of the details were released to the press, though you and Chris had both tried to keep as much of it under wraps as possible. Neither one of you wanted to continue dealing with it. You just wanted to move forward and focus on better things—happier things.

 Because Christiano had broken into your home and attempted to cause harm to its residents, Chris’s actions were seen as self-defense, and Chrisnao’s death ruled an accidental result of self-defense. Though the White family were distraught once they were faced with the severity of Christiano’s actions and continued plans, they didn’t have the heart to put you through any further trauma. You’d suspected it was Christina’s doing, and a floral arrangement from her a few weeks after the incident proved your suspicions.

 You’d been friends with her first, and it was a friendship that survived the end of your relationship with Christiano. This was her way of letting it be known that her brother did wrong. A month after the incident, her statement shed light on Christiano’s mental health and revealed he’d been struggling for several years since the break-up. She made no apologies for his actions and didn’t try to make him seem like a victim. She was adamant about letting the full truth be seen. She did offer an apology to you, Chris, your families, and your children.

 For her part in the plot, her actions of physically trying to kill you, not knowing you pregnant at the time, was what sealed Ana’s fate. She was sentenced to jail, and it wasn’t entirely the sentence of a privileged woman. It was one of a criminal who showed no remorse for their actions. She was given nine years behind bars, and because she was living and working in the US on a visa rather than citizenship, after the completion of her sentence, she would be deported to Spain. 

Even film studios were distancing themselves from her at record speed. All the roles she had been considered for quickly changed their views and voiced wanting you to have the roles. It was sort of poetic to you. She hated you because you were black, and you didn’t deserve all you had, including your career and husband. In the end, she was the absolute furthest from your husband, and now everything that was hers would be yours.

 You and Chris were on a flight to Massachusetts two days after the incident. Neither of you were suspects; there was no reason for you to remain in LA, so you quietly packed up what you wanted and made arrangements to pack up the house for the foreseeable future, then went where both of you felt like you belonged. You left any details about your career plans to your manager to close. Everyone seemed to understand the want you had to step back from work and Hollywood, especially when the news was out that you were going to be parents.

 That was the only thing Chris seemed to care about. He was on a mission to keep you comfortable, happy, and taken care of. From the minute he carried you over the threshold of the home he’d built for you, it felt like a fresh start, a new beginning meant just for the five of you.

 He was there beside you every morning, patting your back as you vomited because of your morning sickness until you were four and a half months along. He was there for every single appointment. He read every book you did to prepare for the remainder of your pregnancy and life with twins. He was there preparing you lunch every afternoon, there massaging your feet and back at the end of every night. He was there to lather on the cocoa and shea butter to your growing belly. He was there to compliment every stretch mark you received because of your quickly stretching skin. He was there to kiss each of them while telling you how much he loved each and every tiger stripe, as he called them. He was even there for you when none of your clothes fit you, and he offered you all his cable-knit sweaters, hoodies, sweatpants, and button-downs.

 When your belly became so big you couldn’t see your feet; he put your shoes on for you. When you couldn’t get up without looking like a beached whale, Chris was there to carry you wherever you wanted to go. There rarely went an hour that went by where he didn’t strip you to worship your body as if you were his scripture, and he worshiped you and you alone. Not a day passed where you didn’t feel loved, desired, and protected.

 Through it all, you decided that therapy was beneficial and a powerful enough tool to bring you back together that you wanted to continue. Dr. Danquah was thrilled having the two of you as clients again and, because of your progress, saw no need for you to see her more than twice a month to keep the lines of communication and the roots of love and passion ever strong. The love you felt for Chris and the connection you felt to each other only deepened throughout your pregnancy.

 Just when you thought you couldn’t love him anymore, he did something to prove you wrong. Every day you found something more to love. If it wasn’t his fun-loving nature that was on display every time he played with Dodger, it was his outdoorsy adventurism with the way he bounded from the bed once the sun rose to drag you on another of his nature walks so he could photograph the trees or the hills. If it wasn’t his romantic side with how he prepared candlelit baths every night that posed as a prequel to dinner by candlelight and the most passionate session of lovemaking, it was his undercover, not so undercover freak antics with him wanting to christen every single room in the house and a few spots outdoors with your lovemaking. At nights when he thought you were sleeping, you heard him talking to the babies as he caressed your stomach. That was what you loved most. His sheer love, devotion, and adoration for his children and the strong protector that resided in him. he was the only one for you.

 “Push Riah.”

 “Don’t fucking tell me to push. You push!”

 Chris snorted, and you wanted to kill him. His hands rubbed your belly before he kissed your jaw from his position behind you in the tub in your bathroom.

 “I can push with you, but you have the babies in you. You have to show them the way.”

 You groaned, and it echoed in the hallowed bathroom.

 “You can do this, Uriah,” Lisa encouraged, giving your shoulder a firm squeeze.

 You looked across to your mother, who nodded, hoping to steel your nerve. Chris kissed your ear.

“Come on, dragonfly. You got this. Bring our babies into the world so we can spoil them.”

 And you can change all the poop diapers?”

 Chris snorted again. “I don’t recall making any such promise.”

 You squeezed his hand with everything you had. He groaned and hissed from the pain.

 “Ah, ah, wow. Okay, I see my error. Yes, all poop diapers that you don’t want.” You released his hand, letting him relax somewhat.

 “Use that, baby. I know it’s hard. I know it hurts, and I’m sorry.”

 “This is your fault,” you pointedly accused.

 “Yes. My fault. I take full blame. I’m sorry.”

 “You owe me so big for this, Evans.”

 He nodded, agreeing with you. that was when the pain intensified at levels that made you regret choosing a natural birth at home.

 “Oh fuckity, fuck. So big, Evans!”

 “You’re crowning. Do you want to come over here and catch your baby, dad?”

 Chris moved from behind you and got into position between your legs. His eyes widened, clearly seeing the baby’s head. The excitement around you was palpable, and it gave you a burst of energy to get the baby out. You grabbed your knees, hunkered down, and pushed because whether you were supposed to or not. Your scream was loud, and the screams of those around you picked up. They shouted to you, encouraging you to keep going and not to stop. The look on Chris's face suddenly changed, and you saw the tears in his eyes.

 “Oh my god, Riah, I can—I can see—oh baby, I can see a face. come on, Dragonfly, one more push.”

 You screeched out and fought through the intense burning you felt, and in seconds the crying of a baby echoed in the bathroom.

 “Aah, oh my god, Riah, it’s a girl. She’s here,” Chris elated as tears rolled down his cheeks.

 You smiled widely as Chris held your daughter and cut her umbilical cord before he placed her on your chest.

 “Oh my god!”

 She was perfect, with a full head of hair that was the color of Chris’s and cheeks so plump you were tempted to pinch them. You only had a moment to place a kiss on her forehead before you felt another stab of pain that made you shout again. The second midwife took the baby from you so you could focus on pushing out her sister.

 “She’s right there, Uriah. You’re doing incredible, baby,” your mother informed.

 “I’m thinking three good pushes, Uriah.  When you feel the urge, push.

 You instantly felt the urge to push and returned to your previous position and pushed as hard as you could. This push was just as painful as the first one, but you felt this push accomplished more.

 “Good push, her head is out. One more, and she’ll be out,” your first midwife said.

 The look on everyone's face was one of anxiety and excitement. The sounds of your first daughter’s cries had died down, and the only thing that could be heard in the room was your panting, screeching, and grunting.

 “Fuuuuuck!”

 You managed to push your daughter out, and her cries filled the bathroom. Soon, it was not one baby crying but both of them.

 “You did it!”

 Lisa and your mother both kissed your cheeks and forehead, happily congratulating you and telling you how well you’d done while the midwives cleaned the babies to bring them to you. When Chris came up beside you, your mothers backed away, giving you a few moments together. Chris kissed your forehead.

 “You’re incredible. You did so good, dragonfly. I’m so proud of you.” He kissed you once, then twice, and nuzzled his nose against yours.

 “I love you so much.”

 “Did someone order two perfect babies?”

 The midwives placed your daughters in your arms.

 “This is baby A; she was born first and her sister.”

 Your tears flowed freely as so much emotion filled you. Love in it’s purest form washed over you.

 “Chris. They’re beautiful.”

 “Of course they are. They look just like you,” Chris said, kissing your temple.

 A comfortable silence fell between you as you admired your newborn daughters.

 “Any decision on names?”

 You smiled and ran your thumb across the baby’s brow in your arm.

 “Yeah. How do you feel about Nova and Rae?”

 Chris’s face lit up as his smile spread so wide that you wondered if his face would split in two.

 “I love them. Nova and Rae Evans,” he uttered. You nodded and couldn’t help but choke up, seeing the emotion on his face.

 “Chasing dragonflies,” he whispered the meanings of the names you’d discussed weeks ago before his lips met yours for a tender kiss.

 With his forehead pressed to yours, he whispered again. “Rumor has it you’re going to be an amazing mom.”

 You smiled and looked at him before pressing your lips to his for a quick kiss. “Rumor has it you’re a DILF.”

 Chris laughed so loud it startled your babies, making them stir and cry. You joined in laughing with him, unable to keep your sublime happiness under wraps any longer.

 “Rumor has it you two will have siblings in record time,” Lisa said slightly above a whisper.

 Everyone in the room laughed, not knowing how true those were most likely were. You and Chris gazed at each other with longing and love in your eyes. When Chris kissed you again, this time taking his time to do it properly, completely and heartily, you knew his mother’s words would be the truest spoken.  

                                             The End!!!!!

~~~~~~~~~~~~~~~~~

Tag List:

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***There are a few that are bold that I tried to tag but your @ wasn’t coming up. I’m not sure why. Please check that you are taggable. I’m sorry.***

[bamfdaddio]

X-Men Unabridged: 109 (1978)

The X-Men, those plant-loving mutants that have sworn to protect a world that hates and fears them, are a cultural juggernaut with a long, tangled history. We’ve been untangling that history for a while, but sometimes, you really want a more in-depth look. Interested? Then read the (un)Abridged X-Men!

(X-Men 109) - by Chris Claremont and John Byrne

Ororo not noticing Moira casually drowning Banshee or Wolverine being punted around by some poutine-roided idiot because she’s too busy eating the Piotr-shaped eye candy is such a mood.

I wonder what my ethnic curse would be. Perhaps: ‘By Mata Hari’s bedazled bikini!’

Plot-wise, issue 109 is not that dense. Half the issue deals with the X-Men coming home from their space-adventures, the other half has Wolverine dealing with the Canadian government coming to claim their lost asset. I mean, Claremont uses three pages to tie up some loose Shi’ar ends through flashback because the last issue couldn’t fit it all in. It’s by its very definition a breather issue.

Doesn’t mean it’s not awesome.

WHERE TO START?! Why not with plant mommy Ororo?

Storm’s secondary mutation has to be that her hair always looks like a fabulous follicular cascade, even during an indoor spring shower.

Look, if I had weather powers, I’d probably be using it for mundane shit like watering my plants and ensuring nice weather at my friend’s weddings too. (Okay, maybe sometimes I’d zap dudes who tell random girls in bars to smile more.)

While Storm talks to plants and takes all her clothes off, Kurt does the other thing I do after a rough day at the office: he calls someone for some nookie.

I love that Amanda is so extra that she gives out signed photos of herself.

Kurt just looks so fucking cute here. Look at those little fangs! Yeah, Amanda, get it.

Like a lot of people to whom communication comes as easily as breathing, Piotr is defeated when faced with a blank letter. Look at that trash can: he’s tried this waaaaay too many times.

Anyway, I think “Sorry I haven’t been writing, was busy saving the universe. Weather’s lovely” has a nice ring to it.

Star Wars had been out for around half a year when this comic was published, and it’s safe to say Claremont was a huge fan. You can tell by the direction these comics are taken: the whole Shi’Ar space opera is obliquely inspired by Star Wars and Star Trek and their aesthetics. I mean, Corsair asks to be beamed up and there’s even references to a captain “Spo’ock”.

It was the end of the 70s. Everybody wanted to be a Skywalker: space was big, y’all. Nightcrawler loving the movies is not a coincidence - I wonder if Claremont was also a fan of Errol Flynn.

Anyway, we follow Kurt one more floor down, where he spooks Scott, brooding at the window. The result is an unintentionally hilarious interaction, where Scott and Kurt discuss Real Issues Like Men while Jean comes out to her parents outside.

“Mom and dad, I’m… the Phoenix.”

“Honey, we figured you might be when you introduced us to Misty Kn… Wait, what?”

To be fair, being possessed by a cosmic force for rebirth is almost the same as being gay: it imbues you with fabulous new insights, you start experimenting with your wardrobe and ever so often, you want to burn down the galaxy because some bitches in a gay club have slighted you.

But all that will come later.

Anyway, Jean’s kinda silly coming out leads to a pretty honest heart-to-heart between Nightcrawler and Cyclops. Scott tries to give Kurt grief because of his happy-go-lucky attitude, and Kurt gives him a deserved put-down.

Life can be unkind, Scotty, so embrace the kindness provided to you by a wise little devil.

Scott prefers to brood and Kurt is hanging with Amanda, so it’s a foursome - maybe even a double date? Moira and Sean, Piotr and Ororo. Logan asks for a ride - not because he wants to eat cheese and crackers among ants, no, he wants to blow off steam.

The X-Men’s chicken or egg: did Logan’s sideburns decide the shape of his headpiece, or did the headpiece shape his haircut?

I started reading the X-Men just when the Marvel Universe was starting to reach the height of Wolverine saturation: he was simply everywhere. Like, at some point, he was in X-Force and the Avengers while also being a Headmaster of the Jean Grey school. Add to that him being the face of the Fox X-Men universe… Listen, it was easy to get sick of him. I kind of did.

But this? Original flavor Wolverine, who’s still kinda short, kinda ugly and kinda stuck being a loner? He works as a character. Chris Claremont is beginning to explore his duality: the wild animal who has been experimented on vs. the honorable man who would do anything for his found family. He gives me major Granny Weatherwax vibes: he’s the kind of person who doesn’t need people, but he does need people to know that he doesn’t need people.

So yeah, he's still cool.

Also, his healing factor hasn’t been kicked to superhuman levels yet - you know, being able to regenerate from a single cell or whatever - so he actually feels kind of anxious when he’s about to toss himself off cliffs etc.

Not happy about that red belt, though.

Anyway, Wolverine is out doing the noble hunting-without-killing-thing, and then this motherfucker wrapped in a flag shows up. Look, I know I have something against dudes who brandish their nationality as their superhero identity, but this fool is just… ugh.

James MacDonald = the worst. Trust me on this.

Major MacMapleleaf then punts Wolverine across the forest, right into the other X-Men’s picnic, and now we’re all caught up.

Out of all the X-Men in this issue, Sean gets the least amount of screen time but, hey, at least I can steal a joke from him.

Don’t worry, despite the martyr/pièta pose, Moira will turn out just fine!

You weren’t worried?

Anyone?

Look, is there anyone who genuinely likes Moira as a character?

James Hudson, being the worst, doesn’t give a fuck that he just cross-fired an innocent woman - er, innocent as far as he knows, at least - and just nopes out of there, too outnumbered to fight the X-Men.

Yeah, you better run.

He vows to return with Alpha Flight, which… Eh, he’ll at least bring some more interesting characters with him. (Snowbird!) Now that he has sown enough seeds for a future plot to pick up on, Claremont calls it a day. I will also call it a day, after a little fashion watch. Out of all of these character, who has chosen the worst outfit?

Scott. It’s Scott. Look, I get that those ruby quartz glasses make the world a different color for you, but you’re wearing a mustard suit and a bespeckled yellow shirt underneath. Even when considering Moira’s attitude, it’s still the most stank thing in the doorway.

Sean, just what do you see in her?

[vagrantblvrd]

AU where Luke and Leia are the children of the queen of Naboo and powerful and well-respected Jedi Knight, just about the age to marry and it’s this Responsibility hanging over their heads.

Their parents would never marry them off to someone horrible, but that’s not the point, and anyway, anyway, they know their duty.

(It breaks their parent’s hearts, but barring the same sort of Very Specific and Unique events that conspired to allow Padme to marry Anakin the best they can hope for is to like their future spouses, so.)

But then!

Conspiracies and the whatnot, and whispers of war spreading across the galaxy thanks to some faceless warlord pulling strings from the shadows and so on.

Worlds that co-existed, thrived, suddenly at one another’s throats and out of fear for their children’s safety they arrange for them to visit dear friend Bail and Breha on Alderaan.

(There’s meant to be a celebration, eligible suitors for Luke and Leia while keeping them far from skirmishes that have taken place too close to Naboo.)

Unfortunately Leia gets sick just as they’re about to leave, nothing too worry over, lose sleep over, but travel would only make it worse so she’s to stay behind while Luke and leaves for Alderaan on schedule.

(He visits her, the night before he leaves. Sneaks into her rooms the way he used to when they were younger and supposed to be asleep hours ago but young and foolish and the kind of reckless rebellion of the young and so on.

Leia’s tired, still recovering but she still manages a smile, a laugh, when Luke tumbles in through the window a though their parents haven’t been training them since they were young.

Politics, of course, but their father is a Jedi Knight and their mother is the queen, and anyway, anyway, any clumsiness they show these days are deliberate, so.

They talk, aware this may be one of the rare chances they’ll get like this again, what with their duties and responsibilities and privileged as they are the universe is far from fair.

Luke smiles, jokes, but there’s a flat tone to it that Leia hears all too clearly and Luke -

“I have a bad feeling about this,” he says, wry twist to his mouth.

It’s a childhood joke borne of the stories their father and his former mentor would tell them at bedtime, well-worn phrase that heralded the kind of adventure that made them into legends, and now -

Leia grips Luke’s hands tight in hers because she does as well, dread a heavy weight in her chest.

“Don’t go,” she tells him, knowing he has no choice in the matter. “Luke, please.”

It’s on her face, in her voice, her yes, and there’s nothing they can do.

So.

Luke smiles, jokes, reminisces with Leia about the adventures they had running around the palace and its grounds and causing no end of trouble to their minders when their parents were busy until Leia falls asleep and Luke slips out the window and back to his own rooms without waking her.)

Leia knows long before word reaches Naboo that Luke’s ship was attacked in transit, all hands lost.

(Knows when their father senses it too, his rage and grief enough to send her to knees, draw the tears she refused to shed until then. She’s Force-sensitive, yes, but her father and brother are stronger, and if he’s so certain Luke is gone, then there’s no hope left for her.)

BUT THEN.

Luke’s not dead, of course he’s not, what kind of story do you think this is?

As it turns out, Luke’s ship was attacked, but one of his guards, escorts, manages to get him to an escape pod and away from the ships painted to look like one of Naboo’s allies turned jealous and bitter and angry over years and some insult or other.

(Conspiracies on conspiracies and so on.)

Lands on a planet, rocky and desolate and very much alone, injured.

Stumbles out of the escape pod, emergency supplies held tight in hand and absolutely certain he can’t stay there. Can’t wait for rescue to come, not knowing if whoever attacked his ship might find him first and finish the job that claimed his ship and the lives of people he’s known since he was young.

Manages to get a decent ways away from the escape pod before exhaustion and his injuries lay him low.

Cave in the distance he might be able to seek shelter in, assuming there are no native predators or otherwise living there, and he almost, almost makes it before he passes out.

Comes to however many hours later to a voice he doesn’t know pitched low and annoyed, but the hands checking him for injuries - he hopes, would be the worst luck to be robbed, looted, after recent events - are surprisingly gentle.

“What?”

Luke said that out loud, didn’t he.

“...Yes.”

Luke would laugh if it didn’t feel as though his head might burst, result of his skull meeting with a bulkhead at inadvisable speeds, and that had happened before the escape pod landed, so.

“Sorry,” Luke mumbles, because he does have manners. “But if you are robbing me I’m afraid I don’t have much to offer.”

There’s a long pause then, whoever is there with him so still Luke has a moment to wonder if they’ve left, offended by Luke’s words or disappointed he’s not worth robbing and then -

“Hmm.”

Luke frowns, risks opening his eyes and sees a kneeling beside him, oddly shiny.

“’Shiny’.”

Luke squints, tries to make out the figure, but it’s difficult as there seem to be two of them, and -

“I think I might have a concussion,” Luke informs the oddly shiny figure, and passes out again.

Later, however many hour later, he comes to with that same annoyed voice in his ears, but now there’s a fire merrily burning.

Nice, because it’s nighttime now, and cold and -

“You’re awake.”

As far as observations like that go, it’s incredibly unimpressed.

“Hmm,” Luke hmms, fuzzy memory of his oddly shiny companion doing the same, and also Luke being a natural-born smartass,

(Hereditary, he’s been told, along with stubbornness and fondness for eschewing things like common sense and a flair for the dramatic.)

There’s a sigh, long and heavy, and then the sound of the oddly shiny person moving closer, shadow falling over Luke that he can’t see with his yes closed the way they are, but, well.

His father is a Jedi Knight and he and Leia take after him in noticeable ways.

Luke opens his eyes and thinks oh, and hmm, and Leia is going to kill me, because his companion is indeed oddly shiny.

Or, well.

Perhaps not so odd, what with the armor and all.

Din - because of course it’s Din - is super unimpressed with Luke and his everything and Luke is just ??? because Mandalorian???

Not known to be BFFs with Jedi or Jedi-in-training, like Luke???

But Din can be excused for not partaking in this old feud/rivalry/animosity between them because Luke isn’t dressed as it befitting someone of his position, no.

He’s wearing the clothes he prefers on long trips when the are no other dignitaries along because to start with, they’re comfortable? But also Luke likes to tinker??? Little projects and such and maybe his father sent along a speeder or some other tinker-able vehicle to keep Luke occupied on the trip, use when he gets to Alderaan or...whatever.

Doesn’t look like the royalty, especially after recent events, and nothing to mark him as the prince of Naboo, or a Jedi-in-training and sworn enemy of the Mandalorians, and really, it’s incredibly, amazingly convenient, but it is what it is.

Din grumbles and complains, but he stays with Luke until he’s able to stand on his feet and even walk a fair distance without falling on his ass, and sighs when Luke invites himself along later that day when he says he has business elsewhere,

And then the two of them traveling to...somewhere, Din didn’t volunteer that information and Luke was too grateful to be headed away from where his escape pod crashed and potential search parties (doesn’t feel like trusting to the fact they’d be friendly towards him) and so on.

Doesn’t chatter incessantly as the annoyed set of Din’s shoulders heavily imply, because Luke is still injured and while his head isn’t an agony at the moment, it’s hardly a joy to deal with.

But, he does talk.

A lot.

About everything and nothing, off on a tangent here, there, wander far and wide the better to annoy Din into forgetting what questions he asked Luke. (The ones asking who he is, how he got there, and where the hell he’s going next, because Din’s patience lasts only so long.)

To Dins quiet horror, however, he actually starts to like Luke???

Like.

Annoying, yes, with the talking? But he doesn’t complain about all the walking they’re doing, or sleeping conditions when they make camp for the night and so on.

And, alright, sometimes it does get a bit lonely out here - conveniently far enough away from settlements or cities where someone would definitely recognize Luke - but he doesn’t tell Luke that, goodness no.

They run into trouble, after a while.

People who took part in the attack on Luke’s ship and other baddies on Mandalore connected to them and it’s a matter of bad luck meeting worse luck, and anyway, anyway.

There’s a fight, and some guns with the pew-pew shootout and Luke being the one to save Din’s life, escaping with him to some abandoned mine or underground tunnels, something and -

“Ah,” Luke says, breathless from the running and hiding and saving Din’s life and then hauling him somewhere that was supposed to be safe, even with the help of the Force.

(His head is killing him again, nowhere near healed enough to expend as much effort as he has just now, but it that or die, and he’d rather not get Din killed as well since the man’s only shown him kindness - and his special brand of charm - and anyway. Yes.)

He’s expecting it to be the people who ambushed them, but to his surprise, wariness, dread, it’s a Mandalorian. (Armor’s a dead giveaway and all.)

One who cocks their head when they see Luke’s face, blaster dipping slightly at the sight of him.

Luke tries for a smile, but Din groans, low, pained, and the best Luke was able to do was check the wound wasn’t life-threatening and slap a patch-job bandage over it before they made a break for it, and -

“I don’t suppose it would be asking too much if you had medical supplies, would it?” Luke asks, expecting to get shot for his trouble - sass, snark - but the Mandalorian holding them at blaster-point huffs out a laugh and holsters said blaster.

Jerks their chin towards a side tunnel and strides off, clearly expecting Luke to follow, and after a moment’s hesitation - no way to know if the Mandalorian is taking them to their deaths - but no better option available to them, so Luke follows.

(Murmurs an apology to Din when he groans again, guilt heavier than Din’s arm slung over his shoulder, the weight of Din and his armor, knowing he wouldn’t be in this situation if he’d left well enough alone after stumbling on Luke. So.)

Mystery!Mandalorian leads Luke to a room with medical supplies stored neatly. Clean and well-lit and after getting permission - nod of Mystery-Mandalorian’s head and wave of their hand that seems more amused than mocking - Luke sets about properly treating Din’s injuries.

Fumbles a bit, because Luke’s still injured himself, over-extended himself in the earlier fight, and it’s catching up to him now they’re somewhere arguably safe.

(No one actively trying to kill them, anyway.)

Mystery!Mandalorian watches as Luke tries to et his hands to stop shaking - stress, injury, exhaustion, any of a dozen reasons and he swears, low under his breath because now isn’t the time -

He startles when Mystery!Mandalorian takes the medical supplies out of his hands, didn’t notice him moving close enough to do so, and allows the hand on his shoulder that guides him into sitting on a stool as they do for him what he can’t in that moment and looks after Din.

Watches quietly, closely, but Mystery!Mandalorian knows what they’re doing, and truthfully Luke knows if they intended them harm there would easier ways, more efficient ones than this.

So.

He watches Mystgery!Mandalorian tend to Din’s injuries, and blinks up at them stupidly when they turn back to him, head tilted just so.

“What?” Luke asks, and Mystery!Mandalorian huffs out a laugh, quiet breath of laughter and then it’s Luke’s turn to be treated.

Careful, gentle hands and Luke’s mind drifts while Mystery!Mandalorian cleans and dresses a blaster burn on his shoulder, graze courtesy of a shot he hadn’t seen coming, attention on Din instead and he knows if it were a normal (...somewhat) normal situation he’d get a lecture on that lapse.

(A lecture, his father’s face stern, and under it worry, concern for him Luke’s never doubted, and after that his mother and quiet, soft words interwined with the same firece love his father has for his children. .)

As it is...

“Thank you,” Luke says, hopes Mystery!Mandalorian hears the things he can’t find the words for, the gratitude he feels.

Mystery!Mandalorian studies him for a long moment, Luke returning their regard best as he can even as he feels his mind going slow, stupid, as exhaustion rolls over him.

He can feel Mystery!Mandalorian watching him, them, unexected guests, visitors, complications, and there’s another sigh.

A gesture towards an unoccupied medical bed, slight tilt of his head that feels of that same brand of amusement from earlier.

Luke eyes it longingly because he’s tired, isn’t he, too much happening in too short a period of time and this feeling in the back of his mind that something is happening.

Whispers and rumors building towards something catastrophic if left unchecked and murmurs though the Force he’s known all his life.

“Rest,” Mystery!Mandalorian says, gentle, kind. “I’ll keep watch.”

It shouldn’t be a reassuring as it is, shouldn’t feel like Luke is breathing his first full breath since the alarms on his ship started wailing, intangible dread he’d felt once they left Naboo’s made real.

And yet...

There’s something about Mystery!Mandalorian he can’t help but trust, and Luke’s mind is tired, muddled, clear thought a struggle but the way the Force coils around them is enough to set his mind at ease.

“Thank you,” Luke says, and the words aren’t enough to articulate what he means, but it seems to be understood anyway.

He makes his way to the medical bed, and it isn’t long until he falls asleep, swears he hears Mystery!Mandalorian say, before he does, strangely soft, fond.

“You really are just like your father, aren’t you?”, and with no little amusement, “Skwalkers.”

And then shenanigans???

Luke waking up to Din staring at him from his own medical bed, at a loss regarding their situation, everything, and annoye (at himself???) about it, because Luke saved his life, didn’t he?

Saved it, and saved it again by getting them to safety and out of the hands of whoever attacked them, and that’s about the time Mystery!Mandalorian shows up, and Din is -

Not thrilled???

Doesn’t recognize the armor, person, regarding the two of them with this underlying amusement. (It rankles, that amusement, leaves him wrong-footed.)

Still, he follows Luke’s lead when he insists Mystery!Mandalorian is a friend - “Well,” Luke allows, at the look Din gives him when he says that. “He hasn’t tried to kill us. Yet.”

Which.

Fair, if not a ringing endorsement, but it’s not like they have much choice in the matter when Mystery!Mandalorian tells them to follow them, and off they go.

Underground tunnels and such until they get to some sort of base.

Other Mandalorians and Din is like oh, no, because these ones he does recognize.

“Resistance,” he says to Luke who’s picked up on his unease, gaze flicking to Din’s behind Mystery!Mandalorian’s back as they’re led down corridors to meet with what must be leadership.

Because Mandalore and unrest and that same something Luke’s known about his whole life and the way it affects the universe around him and just, yes.

Mystery!Mandalorian cocks his head as the lift they’re on descends, listening in, and still that amusement.

“Indeed,” he says, and something about it snaps Luke’s attention to him, makes Din...wary.

Just as well the lift stops, doors sliding open and then more corridors that seem to go on forever until they reach a set of doors.

Mystery!Mandalorian glances back at them for a moment, and huffs a quiet laugh at whatever he sees, and then they’re pressing forward.

It’s...not what he was expecting.

An office of some kind, with a holomap table off to one side and monitors and consoles beside it. A stripped down version of the control room they passed by floors down, and a slight figure in armor, head bowed over the holomap table.

Mystery!Mandalorian clears their throat, a courtesy, and the armore figure lifts their head, looks over at Luke and Din.

At Mystery!Mandalorian, and there’s a look exchanged between the two, silent conversation before Mystery!Mandalorian glances at Luke and Din again.

Sighs, and reaches up to remove their helmet, crooked smile on their - his face - at the way Luke goes so, so still beside Din.

Silence stretches long enough for Din to feel it, the weight of the revelation even if he doesn’t understand it.

“Hello, Luke,” he says, tired, aching.

Sharp inhale, and Luke tears his eyes away from Mystery!Mandalorian to look at Din, something so very wrong with the smile on his face.

“It’s Ben,” he says, and his voice cracks as he looks back at Mystery!Mandalorian, laughs at something Din doesn’t understand, something that makes Mystery!Mandalorian wince, even as he holds Luke’s gaze when he looks back at him. “Old Ben.”

Din frowns, because the man is older than them, Luke, that much is certain, but surely not old enough to have earned a title like that.

Because, look, alright.

Look.

Obi-Wan and sekrit missions because everyone knows trouble’s brewing, and a duchess of Mandalore contacted Padme, and things kind of just. Grew from there, to the point Obi-Wan went to Mandalore as an emmisary, ostensibly for political reasons, but really to help root out what information he could with Satine’s help and things went wrong.

Had him, and Satine, presumably killed in an uprising, no longer a threat to an unknown enemy.

Until the resistance took root, grew, and other such things.

Satine and Obi-Wan at the head of it, getting what information back to Padme, Anakin they could and everyone agreeing it was best for the time being if they stayed dead.

And then Luke’s ship being attacked and everything that followed, and anyway, anyway welcome to the resistance Luke Skywalker and friend, glad to have you.

Luke is understandably confused, angry at having been left in the dark, and angrier still that he has to admit to the necessity of it.

(He understands, but he’d still mourned for Obi-Wan, his father’s former mentor, teacher, and beloved uncle to Luke and Leia. He understands.)

And then there are briefings, because it’s very much a war the resistance is waging, against a common enemy and while Luke pay close attention to everything he and Din are told, he watches Obi-Wan, Satine.

Thinks oh, of course, when it hits him why the way the two of them interacts seems strangely familiar, known, because it’s the way his parents are, isn’t it?

Familiarity and trust, a knowing, and that little knot of anger buried deep in his chest at the deception involving Obi-Wan’s supposed death all those years ago unravels until he’s no longer breathing around it.

And then!

Shenanigans in which Din very much tries to NOT be part of this madness, because no, okay, no.

Simple bounty hunter and so on, and Luke don’t look at him like that, it won’t work -

So of course that’s when things go to hell and the base is attacked and Luke is taken and Din finds himself staring “Old Ben” down in the aftermath because this may not be his war to fight, but Luke is an idiot.

“Well,” Obi-Wan says, corner of his mouth quirking. “He does take after his father that way.”

Dramatic Rescues and Dine being So Done with everything, but also, like. Being heroically injured by shielding Luke and Luke’s pale face and fear in the back of his eyes as he leans over Din to keep him from bleeding out.

Striving for calm, soothing Din in between yelling for help, Obi-Wan and the others on their way, and Din laughing at him because he was told Jedi didn’t panic.

“Shut up,” Luke says, laugh all wrong. “I thought nothing could get through Mandalorian armor?”

Well.

Things go fuzzy for a bit, Din remembers pain and blood and yelling - a lot of that - and then he wakes up in a medical center somewhere.

Not the resistance base, but he doesn’t recognize it.

“Idiot,” is the first thing he hears, and then, “Stupid,” and so on, and when he turns his head Luke is glaring at him.

He must make for a terrible Jedi, Din thinks, because Jedi aren’t supposed to have attachment, are they?

Dangerous, terrible, and yet.

“You are, yes,” Din says, voice haorse, more of a croak, and when he laughs at the affornted look Luke gives him for that it hurts - still healing and all - but so very worth it.

And then, okay, and then.

It comes out that Palpatine has been building a base of power for himself for years, slow patient, and setting his enemies at one another’s throats to weaken them.

Conspiracies on conspiracies and Din watches Luke as his father - his father, mother, and sister who hasn’t left Luke’s side since they arrived - tell them.

(Because, you know, because. Luke’s family and secrets weighing heavy and of course, of course Leia would not be held back, would not just let Luke’s death go so easily.

Would investigate, relentless, until she stumbled over everything and her parents and a shared look and she gets it from you, you know, and me? you have to be kidding, and I get it from both of you, now tell me what’s going on right now.

Adventures, because Skywalkers. A chance meeting with a scruffy smuggler and his long-suffering Wookie friend, and a rickety, rusty freighter

.Hey, that’s no way to talk about a lady, and as if you’d know, and don’t encourage them, Padme, and Of course not, Anakin, and heavy, resigned sighs because Leia has always been terrifying like her mother and somehow more stubborn.

A resistance - “Rebellion,” Obi-Wan says, glint in his eye when Anakin looks at him, “seems more fitting don’t you think?” - growing as well in secret.

Both brought into the light with recent events and untold battles ahead, and just.

It’s a lot.

“Thought I’d find you here,” Luke says, and Din doesn’t tense at his voice, quiet, something sad to it under his amusement.

Din hmms, glances towards Luke.

So much has happened since they meet, learned of things far bigger than them, and still -

“We’re meant to be enemies,” he says, a Mandalorian to a Jedi, albeit one still in training if what Luke told him is true.

Luke cocks his head, and still crosses the clearing to sit beside him.

Hmms, right back at Din and Din bites back a sigh, watching Luke from the corner of his eye.

With everything that’s happened, they’ve learned, the old grudge seems petty in comparison.

Also, Obi-Wan and Satine, and it hardly seems important anymore, long before his time as it was, and while Luke’s certainly many things, he’s never felt like an enemy.

They sit in companionable silence for a while, calm, cool of the night and so much between them they don’t have words for yet, and none of it unwelcome.

When Luke gets to his feet, holds his hand out to Din, he doesn’t have to think about it when he takes it. Lets Luke pull him to his feet with that surprising strength of his, and falls into step with him just as easily.

And then they have Adventures and death-defying shenanigans and such. Steal kisses here and there and never put a name to this thing of theirs, but it’s strong enough to last through a war and to the other side of it.

Would-be Empire scattered and broken and a good bounty hunter’s experience is invaluable in stamping out the remnants.

Almost as much as a Jedi Knight who earned their title through countless battles and conflicts, steady familiar presence at his side.And really, really, it shouldn’t surprise him so much when Luke gives him this soft little smile when Din comes home after a solo mission, small green gremlin of a kid he’d found (rescued) in his arms and knows their little family has gained another member.

(And again and again, because Luke’s just as bad as him and Finn and Rey are fine on their own, but Grogu? An absolute nightmare and evil mastermind and Din doesn’t care what Luke says, the small green gremlin child gets it from Luke’s side of the family.)

Also, though.

The day Finn and Rey met Poe (Ben a little confused, bemused, blissfully unaware of what he was witnessing) signaled the beginning of the end and Luke is absolutely laughing at Din, don’t think he doesn’t know what that looks like by now. >:(((((((((((((((((((((((((

[abluescarfonwaston]

Did someone ask for a quick and angsty immortal jaskier prompt? "It was supposed to be the music," he whispered, voice breaking. Heart breaking. "The songs. I wanted my songs to be remembered forever. I never wanted this."

Why would you do this to me anon. i’m already crying over the fact dandelion outlives everyone he loves. Major Character Death Warning. Obviously. Literally everyone dies. Uuuh also this kinda turns into Lambert/Jaskier at the end but like. They’re both Centuries old so nothing Happens.

When the wasting sickness swept through Lettenhove it killed his Mother and his Father and his Sisters and left him untouched. 

He was ten and the world was over. Except he kept waking up in the morning.

At thirteen a girl at Oxenfurt, Essi Daven, played her Lute in the commons and sang and had the most beautiful cornflower blue eyes. And for the first time in years he sang a duet with her and suddenly he was a bard and he had a little sister again. 

Maybe the world hadn’t ended. Maybe it finally restart.

At seventeen he met a man with white hair and seemly as many scars on his body as his heart and fell in love. Because Bards fell in love easily and he was impossibly easy to love.

The witcher plead for his life. Plead for them to let the bard go.

“No. Both of us or neither.” He was done outliving those he loved. At seventeen he was already done with that. “You kill him and let me go and i’ll destroy your mountain. Kill every last one of you in revenge.”

He’d leave behind a song. The one he’d written as a child and had swept the town more devastating than even the scarlet fever had been. It would live on past him. He would be remembered. The people he loved would be too. Toss a coin to your Witcher. The people he loved immortalized in song.

It wasn’t supposed to make him immortal.

“Give it a rest Jaskier.” Danity snapped. “It’s not you that has to be afraid of anything. No one ever touches a troubadour. For unfathomable reasons you’re inviolable.”

He’d still feared then. Chappelle could have had him killed. He was pretty sure he could die. Mostly he feared the pain. Or dying alone.

“When an old woman gets tired of life she walks into the woods without a weapon. The results are guaranteed.” He’d told Geralt when he’d moaned about how the world was changing and -more importantly- that he had no work.

Remember how I don’t even carry a knife when I follow you out on an adventure? No weapons at all. Ever. Just me and my lute.

He’d brushed death. A thousand times he’d almost met her. He followed Geralt- who was prophesied to always have death follow after him. You’d think at some point they’d meet.

Essi and Geralt fell in love on the coast. He wrote a ballad for them. About how their love was so powerful not even death could come between them.

He never played it. Not to anyone. He didn’t think it was actually about Essi and Geralt.

When rash appeared on Essi’s face in Vizima during the quarantine his hands shook.

“Not her.” He’d screamed at the gods. They didn’t exist of course. If they had then they’d abandoned them all long ago. “Not her.”

“Jaskier?” She shivered violently. “I don’t want to be burned.”

“You won’t be. You’re going to be fine.” He promised. Clutching her hand. “Promise Poppet. You’re going to be fine.”

The cremation fires blazed outside.

“I want to be buried in the woods. With my lute and-” She hurled mostly into the bucket. “My necklace. Please Jaskier.”

“Course Poppet. When you’re old and grey I will bury you out in the forest.”

“Thank you.” She clutched the little pearl. “For giving me him. I love him.”

“I never saw him happier than when he was with you Poppet.”

“What about when he was with you?”

“Oh come now.” He shifted her in his arms and moved the bucket a little further away. “You know me. I’m insufferable.”

“I love you Jaskier.” She cried as she shivered with less and less energy.

“I love you too Poppet.”

He carried her from the city. Into the forest. Her heart stopped beating before they arrived. He dug her grave and buried her with her lute and her pearl necklace.

With the pearl he’d given to her as a birthday gift. From him and Geralt.

When Regis passed it felt absurd. Humans weren’t supposed to outlive goddamn vampires in their fifth fucking century.

And then there was Geralt. Died in Yennefer’s arms along with her.

“It was supposed to be me.” He told no one as Ciri led their bodies out to the lake. “I was supposed to die with him.” Love so great not even death can part us.

But the story was never really about him was it?

Nenneke had a garden full of plants that grew under a crystal skylight. They didn’t grow anywhere else in the world anymore.

He’d asked Geralt about it. She’d said something about the sun and how it was changing. Apparently Geralt had asked why they all didn’t live under crystal skylights then, if it was so deadly.

“It’s already too late for us.” She’d said.

She talked liked the world was ending but the world ended all the time. And he still woke up in the morning.

Zoltan’s beard turned grey. He supposed he should have been thankful that Zoltan got to turn grey. It was better than most of the people he’d loved.

“How’s your fucking hair still Gold. You’re supposed to be getting old too!”

“I dye it.” He lied with a roll of the eyes. He’d stopped dying it years ago.

That winter he buried Zoltan too.

Golden eyes stared at him in confusion. “You look just like.” He started. His thin hair was grey. His wolf medallion gleamed in the sunlight that streaked into the bar.

“You’re one of the last Witchers i think.” He told him as the waves crashed outside. “Might even be the last.”

“Fucking hope so.” He sat down across from him and stole his beer. “Shitty job and a shitty life.” He squinted at him- which Jaskier knew was entirely unnecessary. He just forgotten to adjust his eyes. “What’s your name bard?”

“Dandelion.” He answered. It had been for the last century. “Yours?”

“Lambert.” He downed the drink. “You really think i’m the last? That worth a song? One of my brothers had a lot of songs.”

“Yes I suppose he did.” He waved for another drink. “And look what it got him.”

“Died surrounded by people who loved him.”

“Are you sure you know what a pogrom is?”

That got him a sharp toothy grin.

“I could write you a song but-” He was tired of burying people he loved.

“But?”

“I’m cursed you see.” It was definitely a curse these days. “I’ll live until the last of my songs is forgotten. I really don’t need anymore material.”

Lambert leaned forward curiously. “Doesn’t sound like a curse.”

“You don’t think it sounds like a curse?” He sneered. Lambert’s face faltered. “To outlive everyone you love?”

Lambert paused. Thinking. “Write me a song then. Play it just for me. So if my song’s the last we’ll go together.”

“And what’s my payment for this song?”

“Company.” Lambert’s grey eyes glittered. “You look like you need it.”

“Not as much as you. I bet you talk to your horse.”

“Well i know you do pretty boy. Heard you in the stable.”

He leaned back on the bench. “So what’s a Witcher do in a world without monsters?”

He shrugged. “Fish mostly.”

“I can do that. Once almost snagged a catfish the size of you. Got a djinn instead. Very bad deal honestly.”

“You expect me to believe that? I know about Bards and Ballads and how you’re all rotten liars.”

“Don’t forget about fisherman and their tales.”

The boat leaked worse than an old drunkard but it was small enough and the lake calm enough that it didn’t make him sick.

“I could just kill you. Curse probably can’t fix decapitation.” Lambert offered with his stick in the water. He claimed were bombs they could use instead if they got desperate. Or bored.

He smiled and shook his head. “Give it a try.”

Lambert raised an eyebrow but pulled a silver blade from it’s sheath.

His pole reeled and the boat tilted to the side, plunging him and the sword into the water.

He laughed as the attempted to drag the monstrous fish to the boat. Lambert cursed and climbed in. Yanking at the rod until the line snapped and they fell back into the boat in a painful pile. Laughing.

He didn’t remember the last time he’d laughed.

“Sing me a song bard.” Lambert would request from under his floppy sun brimmed hat. “No else up here but me.”

“There’s an entire stone keep on the hill.”

“No ones lived there in centuries. No one can hear you up here but me.”

He frowned at the ruins on the hill. Lambert kicked him.

He grinned and for the first time in decades - sang.

Maybe. Maybe the world hadn’t ended. Maybe it had finally restart.

“What was this place called?” He asked as they wandered through the crumbled ruin, covered in moss and ivy.

“Kaer Morhen.” He said like the words hurt him.

They hurt him too. He laughed.

He laughed some more.

He couldn’t stop laughing until Lambert smacked him hard enough to see stars.

“I never got to come here. Geralt.” He caught the flinch but moved past it. “Never trusted me enough to even let me know which country it was in.”

“So you were his bard.”

He nodded as Lambert kicked a stone apart. “He was right not to tell me of course. But.” It still hurt that his best friend hadn’t trusted him with his home. He’d taken Yennefer here. But not him. Never him.

He didn’t deserve Geralt’s trust. A thief, a liar, a spy, a bard. It still hurt.

“Well a wolf finally took you here. Is it everything you fucking dreamed?”

He took it in. “Nah. It’s rubbish.”

Lambert smirked. “Yeah. At least that hasn’t changed.”

“You’re hairs getting grey bard.”

“What?” He nearly leaped into the water in his haste to look.

Grey strands streaked his beard.

“Thank you.” He cried. “Thank you.”

“Still owe me that song Dandy.”

He wrote Lambert a lot of songs. Performed for an audience of one.

“Are you really okay with the fact no one will ever hear them? I mean what’s the point in being immortalized in song if-”

“Yeah. Didn’t give a shit about the songs.”

“Hey!” He protested. Kicking him where he lounged in front of the fire. “They’re good songs!”

He grunted in fake pain. Wiggled out of range. “Did Geralt ever tell you why he liked having you around?”

“My charming personality I assume.”

Lambert snorted.

He sat down on the floor and poke him. “Don’t fall asleep. Tell me why you think he did.”

“No one tells Witchers bedtime stories.”

“Oh.” Lambert was halfway to sleep already. “Would you like one?”

“Yeah.”

“What you think happens after?” They were huddled together. Old and grey as a storm raged outside. “We die.”

“I gave up on gods when i was a child.”

“So did i.”

“Then.” He paused. Listened to the howl. “Whatever’s next at least neither of us is going alone.”

Lambert squeezed his bony hand. “What’s the chance we see them again?”

“Hm.” He pretended to consider. “Well we’re definitely going to hell so-”

“Like anyone we gave a shit about wouldn’t be.”

“Point.”

He closed his golden eyes. “Hey Dandy.”

“Yeah?”

“Sing me out.”

“It’d be my pleasure.”

And quite singing filled the drafty cabin until the song stopped.

The world ended.

And at long last no one woke up in the morning.