#god this man will be the death of me

[theoccasionalpariah]

Guys! I just woke up and there were so many Pedro content my heart was racing. How am I supposed to function at work today, huh?!

[rjshope]

insane face card, absolutely INSANE

[yashley]

So sad. Do you think I do not understand the sorrow of responsibility?

[yennao]

Hey if Deathbit ain’t scorched to hell in 97 I’m gonna be disappointed. I’ll draw that too. Obviously. Asap. Till then, comic Deathbit

[neonlazycat]

LDR moon by @spadillelicious

Guys.....I caved in

[twin-yards]

it is completely one hundred percent baffling to me that any of the foxes would come away from witnessing neil and andrew's reunion in baltimore with the opinion that their relationship was just hate fucking . like my brother in christ are you blind

[the-boney-rolls]

You could almost be forgiven for thinking “Good Night” was mine, because it’s so soft and melodic and so un-John. I believe John wrote this as a lullaby for Julian, and it was a very beautiful song that Ringo ended up singing to the accompaniment of a big string orchestra. I think John felt it might not be good for his image for him to sing it but it was fabulous to hear him do it, he sang it great. We heard him sing it in order to teach it to Ringo and he sang it very tenderly. John rarely showed his tender side, but my key memories of John are when he was tender, that’s what has remained with me; those moments where he showed himself to be a very generous, loving person. I always cite that song as an example of the John beneath the surface that we only saw occasionally. I think that was what made us love John, otherwise he could be unbearable and he could be quite cruel. Now that I’m older, I realize that his hostility was a cover-up for the vulnerability that he felt, and if you look at his family history it’s easy to see why. But this is an example of that tender side.

Paul McCartney, Many Years from Now

[drenched-in-sunlight]

the Light of Miquella incantation Eng description is so confusing to me, so i decided to look at the JP text, still confused (i asked both my native speaker friend and American friend working as a translator in JP, and even they are confused and i couldn't just give them a wall of text on Elden Ring lore so they could translate 1 paragraph), so i turn to the CN translation which follows the JP one... and it's so clear??????????? im shocked

(please note im not native CN speaker either, but my mother tongue is built based on their language and i double check with my friend who is fluent)

Miquella wishes to embrace everything, yet he understands that there is one exception: whether it be the absolute God or the Lord (King Consort): there could only be one (of them)

so us player, as Lord of the old Order, is the one he could not embrace. and we clearly see that for him to accept us, we already have to be charmed and relinquish our claim to Lordship (thus failing the boss fight).

i feel like this is the translation i could understand & line up well with how events in the game plays out. Miquella wants to accept all, but the rule of the world dictates that there could only be one God & one Consort (who the hell wrote that rule...), and so one of us has to give.

it presents a paradox of him wanting to become a God to save people & bring compassion, but to be a God he HAS to eliminate all other candidates for Godhood. he has to be the only one.

it sheds light on why Marika's age also started with conflicts. it's something demanded of the new God. and also us when we fight to become Elden Lord (+ line up with why Ansbach is not mad at us for killing Mogh, as he too understands that rule).

[mochii-derogatory]

ive been watching the dog motif show... why is no one talking about this guy. isaac lahey come home from france,,,, sweet boy,,,, we miss you,,,

[ilovemesomevincentprice]

Vincent Price - Bloodbath at the House of Death (1984)

[glorified-phantom]

I JUST nOTICED THAT hE HAS LITTLE SHARP TOOTHIES

I MIHGHT BE STUPID BUT I JUST NOTICED THE,M THIS CHANGES EVERYTHINg

[bookshelfdreams]

That is certainly - a statement.

What about Jim, who both metaphorically and literally discovers a path for themself beyond what they were raised to be? What about Pete, who learns to overcome his toxic masculinity, his posturing and self-importance? What about Ed, whose entire story is about deconstructing the performance that is expected of him?

What about, oh, idk, our main fucking character Stede Bonnet, whose arc starts with him literally breaking out from the hetero marriage he was forced into despite never fitting in? Who tries (and initially fails) to build a community where he can be himself? Whose entire story is about discovering his own queerness! He starts out not even able to put a finger on WHY his marriage made him feel so suffocated, and then journeys through s1 until he reaches the emotional climax - "His name is Ed"!

Contrast that with Izzy, who has to be dragged into a supportive community kicking and screaming. Who rejects care and compassion, even at his worst, who has to be forced to accept help. He receives the leg and calls the crew a homophobic slur for it, ffs. Only after that, only when people refuse to let him push them away, is he able to poke his nose into something approaching positive human connections. And that's a powerful narrative, sure, in it's own way; but it's hardly the Ultimate Queer Experience, and it's definitely not the "only queer arc".

And Izzy never lets go of the old ways. He never abandons the Blackbeard-era pirate lifestyle for something more positive, not fully. And that's okay, because ultimately, his arc isn't even about himself.

It's about Ed.

Ed keeps repeating toxic relationship patterns, and Izzy is a part of that. He's linked (on purpose, and I wish it had been done more explicitly) to Ed's father; because Izzy represents the poison that was instilled in Ed from a young age, and that has become so entrenched in his system that he can't imagine a life without it. He keeps Izzy around despite being hurt by him because Izzy is predictable, and in that, is safe, even though he hurts Ed; at least it's a hurt Ed is familiar with and can rely on.

When Izzy slowly changes it's to show that Ed is growing beyond the little voice in his head telling him to reject softness, that he can never be loved, that We're just not these kinds of people. If Izzy can evolve from someone spitting boyfriend at Ed like it's a slur to someone congratulating him on getting laid by that same person, Ed can overcome his inner demons telling him the same thing.

That's the point of Izzy's arc. And this is why he has to die, because Ed can never be truly free as long as Izzy is around. So Izzy goes, quietly, peacefully, and releases Ed of the poison; apologizes to him, tells him I was so wrong, and I am so sorry, because that's what Ed needs to hear to move forward.

And that's such a kind, positive way to end the story of Izzy Hands.

[cairafea]

he makes this joke every time.

[yashley]

[marquis-charbon]

Why does Gale have to kneel down so that he could connect his memories to yours. He could have just put your hand on his chest and just show you, but this man had to kneel down.

Like sir? SIR? My answer is always yes unless you're gonna ask me something else.

[rbtlvr]

(text from this post, fic is little kid with a big death wish by @remedyturtles)

i'm genuinely not sure where to start here - ig first of all this fic is absolutely incredible and if you somehow haven't read it yet you absolutely should!

okay. man. rem, this fic means so so much to me and i'm so glad i got to be here for it. i think this is one of those fics that'll stick with me years down the line even if one day i'm not into tmnt anymore, one i'll come back to over and over again

your writing has touched so so many people myself very much included, and i just. want to thank you so much for writing this fic and thank you for sharing it. you're an amazing writer and an amazing person and i'm lucky to know you. i can't wait to see what you do next