#god can suck my dick

[babooshkart]

girl dinner (view on Ao3)

[r7leee]

just a lesbian and her emotional support tyler joseph

[avellanas-nutty-empire]

Imagine being mad at clavis bc he won't let you suck his dick.

He knows he will melt into a puddle the SECOND you start and that is precisely why he can NEVER let you suck his dick ;-; he would get too subby he doesn't want you to see his 'pathetic' side like that. But I'm just imagining knitting or sewing up some sort of clavis shaped plush to hug and spend all your attention on instead of him when ur mad at him like this.

Clavis: babe plz why u mad? Real clavis is right here stop hugging that stupid substitute

Mc: lemmi suck ur dick and I'll get rid of it

BC honestly he made you that clay figure so you wouldent be lonely when he's gone but when he's NOT gone you DONT need it bc the REAL him is RIGHT THERE. He would get SO JEALOUS. But damn the man just WONT let you suck his dick so you have resorted to drastic measures. And he doesn't know what to do about it

[hexados-on-a-string]

hexados on a string what will they do

[spotsupstuff]

headcanon that Moon's AI isn't capable of understanding any art form. she can tell when a picture is pretty, but she can't tell for the life of her what kind of emotion it is supposed to carry. prose is completely lost on her and music is more of a distraction than something helpful/nice. she'd be the kind of person you'd see in a gym exercising without music, focusedly staring into the middle distance as if she was planning murder

this wasn't done out of melicious intent or anything! all the older models don't quite Get It. the AI tech just wasn't developed enough yet

on the other hand, Pebbles loves art fully and endlessly (as canon tells us). he finds empathizing with prose very easy and reading stuff expressing anguish helps him feel better. because he isn't alone in this, feeling like this isn't wrong. he's the kind of person who, even though they don't do art themselves, would be able to give you very fair criticism and compliment the smallest ittiest bittiest details of a picture. he'd be all over palettes, would be so fascinated by shape language- bold strokes vs precise slow strokes. he has the whole music theory memorized and loves to analyze songs but also he's able to just. sit back and enjoy them or let them play in the background. a song could calm him down or hype him up, while it would hold no effect over Moon

when he found out about the whole "old models are incapable of grasping the feelings produced by art forms" from Moon he was Absolutely Distraught. he probably came to her with a piece he really wanted to talk about and she just couldn't hold the conversation. so he set himself up to explain to her what each piece is supposed to mean. he was VERY determined to do it. with a laugh, Moon let him. because she likes spending time with her little brother and he's so passionate about this- it's a joy to see him talk that animatedly

she might not understand the hidden feelings of a painting, but she can definitely join in Pebbles' happiness and fascination

also this is canon and you can't convince me otherwise

[lazaruspiss]

i am. tired. u may have noticed that i am... "American" n what not.

I dont have the mental stability to keep up w all the... everything. but news of so and so trying to take citizenship from ppl born here whose parents came here Illegally (unconstitutional, not feasible, most likely just a scare tactic) made its way to me. and 2 things.

1) "we're gonna stop illegal immigration by retroactively making more people into illegal immigrants" ...very cool guys. very smart.

2) im like. 2nd gen i think? my mom was born here but her bio dad was not lol. hope my bio gramps doing ok wherever he is. never met the guy and tbh he sounds like a dick from what lil i know of him, but no one deserves. yknow. the. well i dont think theyre called camps but i cant remember the word. detention center or smth? im tired lol

[anchored-nyctophilia]

carol last was the og sad beige mom

[sharky-the-idiot]

I'm literally so fucking cooked

[c0ntaminxted]

imagine talking shit about someone who doesn't have the privilege to better themselves through professionals. imagine

[dukeoftheblackstar]

I see opposing answers on the Plo Koon tag. Someone stab me with the truth. Was it Plo or not? Do I dare watch the Acolyte? Do I cry? Do I — .

[ctrl-lupin]

Yes, I would be very interested hearing your head canon (@tim-ribbert-56) (in response to this post)

I have decided for my personal entertainment that Clarisse de Cagliostro is related to Lupin III, and here's why.

-pulls out Arsène Lupin's Wikipedia page-

In the novel La Comtesse de Cagliostro, a young Arsène Lupin (at the time going by the name Raoul d'Andrésy) was courting Clarisse d'Etigues, a young lady of a well-to-do family, and trying to win her hand, despite her father's disapproval.

Throughout the course of the novel, Lupin meets and falls in love with Joséphine Balsamo, aka the Countess of Cagliostro, and abandons Clarisse in favour of her. To clarify, Joséphine is not actually countess of anything, she is (or claims to be) a descendant of Giuseppe Balsamo aka the Count of Cagliostro (who was also count of jack shit), a famous conman from the 18th century.

Shenanigans ensue, which I will not go into in details on, but oh my god I am insane about Raoul and Joséphine, I want to dissect them and study them under a microscope. It turns out Joséphine aka Cagliostro is evil as fuck, Raoul/Lupin realizes that and goes back to Clarisse (whom he had previously abandoned like an old sock, I fucking hate this guy), marries her, and a few years later has her kid.

Unfortunately Clarisse dies in childbirth, and Joséphine, who was still around and very very pissed at Lupin (and jealous as hell of Clarisse whom, may I mention, had never personally antagonized her in any way whatsoever, Joséphine is just fucking bonkers). Joséphine also kidnaps Lupin and Clarisse's son, Jean, and raises him as her own son. (I have not yet read the following novel The revenge of Cagliostro so I don't really know what Jean's deal is, I just know he's an antagonist).

The following is my headcanon, based on these events. In the universe of Lupin III, Joséphine Balsamo was actually countess of the small kingdom of Cagliostro (maybe Giuseppe was count, maybe he conned his way into becoming count, maybe he bought the land and built a fake kingdom with a fake history, who knows).

After the events of The revenge of Cagliostro, Jean settles down in the country of Cagliostro, gets married, has a child, and that child will later have a daughter of their own, who they name Clarisse, after their late grandmother. Clarisse de Cagliostro, of Lupin III: The Castle of Cagliostro fame, would thus be the great-grand-daughter of Arsène Lupin, making her Lupin III's cousin/niece/whatever you call this specific degree of separation.

I am choosing to make Clarisse de Cagliostro a great-granddaughter of Arsène Lupin, rather than a granddaughter, because Arsène Lupin was very young when the events I described unfolded: he is 20 years old when he meets Clarisse d'Etigues and the whole Cagliostro debacle happens, and 25 by the time Jean is born. I'm assuming he had Lupin II much later in his life. So Jean and Lupin II (half-brothers) would have a significant difference in age, and so Jean's hypothetical child (grandchild of Arsène Lupin, so of the same generation of Lupin III) would be much older than Lupin III. Clarisse de Cagliostro is younger than him, maybe around the same age if you stretch it, so she's have to be a great-grandchild.

Now I need to read The revenge of Cagliostro and study Arsène Lupin's wikipedia page in more detail to determine when exactly Lupin II was born and who his mother was. And also where Albert's family branched out, because the fact that he's called D'Andrésy should theoretically place him as a descendant of Arsène Lupin's mother but not of Arsène Lupin himself; but Jean was also going by that last name, so who fucking knows.

No I am not insane I promise, I am just a gigantic nerd.

[timothyslucy]

me cheering on the little chenford friends in my phone watching the finale rn.

[rmbunnie]

I know Morrison's Batman tends to be considered one of the greats, and I am definitely warming up to it more than I did on my initial read, but there are still some elements of it I found really didn't mesh with me. I feel like I can say this a lot more concisely than I did during my initial readthrough of Batman and Robin 2009, plus I've had more time to reflect and actually form a coherent opinion that wasn't a gut reaction, and keep in mind that I've read Batman and Robin in a vacuum Morrison-wise and can't speak on it in the larger context of their Batman run, but aside from just. very odd writing of certain characters, I feel like one of the more significant things that rubbed me the wrong way with this storyline was that a lot of the "weirdness" I'd seen hyped up felt either inconsistent enough that it didn't have a significant presence for me, especially towards the end of the run, or very surface-level.

One of the runs I see hyped up as some of Morrison's greatest work is Animal Man, especially for its metafictional ending. I haven't gotten around to reading it yet, but I expect that I'll enjoy it, or find it very interesting at the least (although author-inserts can come across a bit arrogant sometimes imo.) The point is I've heard good things, that it comes down to a very interesting and one-of-a-kind conflict in the end, which made me in some part hopeful for similar with Batman and Robin, (although I do have to admit I was reading it in part to see how off his Jason really could be.) I didn't really find that, tbh. There definitely were genuinely weird plot points with impact on the story which I feel were really successful, unfortunately it seems like a lot of them were at the cost of any prior characterization for the characters involved. Damian has steel implanted into his spine which allowed Deathstroke to control his movements and set off his emotional connection with Dick, Talia just had to be written horribly for it to happen. Sasha is a really interesting parallel to Damian/Robin-in-general. The conflict around her grotesque mask permanently fused onto her face and the fear that it'll kill her completely to take it off, the scene in which she gets said mask in the first place/the dollotrons, and the concept of a villain getting their own Robin in someone completely unrelated to Batman and the impact their legacy has had is all really original and cool, it's just that it's all dependent on a bewildering version of Jason that directly contradicts all previous characterization save BftC. To me the tradeoff doesn't feel necessary, but the events are inventive and have weight in the larger story.

In other areas though, especially as the run wrapped up, the zaniness that I see hyped up a lot, while providing a unique atmosphere, felt a lot like set dressing more than anything. In retrospect, the first time I really noticed this was the Professor Pyg dance page back in issue 2 or 3, I believe? But it became much more frequent towards the end of the series. The entire city becomes infected with a viral drug by Professor Pyg which isn't a major threat and doesn't serve anything in the story much besides being wacky, letting Professor Pyg say odd things about his mother sometimes and putting Commissioner Gordon... in a dress! Zany! (Professor Pyg is eventually... presumably?... torn apart by a parade of dollotrons and his narrative importance dies with him.) Alongside the Morrison-original villains like Dr. Hurt and Professor Pyg, there's a mysterious new player in town who's been orchestrating everything, and after a dozen issues of mystery it's the Joker, but wearing a mask and making edgy "differently-abled" jokes!

Dr. Hurt is interesting, and I liked his part of the story if I ignored the panels of auxiliary weirdness thrown on to add to the vibe, and I think there's something fun and interesting there about the legacy of Batman vs. artistic interpretations with his motive of ruining the Wayne's legacy (made more apparent with his talk about the Batcave being "the way it was meant to be in his head," the manor and Batcave "his to ruin," but Dr. Hurt kind of fades out of the story as Batman returns and is defeated by Joker, laying a banana peel on the ground. In the context of the theme of artistic interpretation and Morrison's commentary that they never cared to pretend the story was going to end with anything but a return to the classic Batman, I actually find this really interesting. A character heavily defined and reinvented by Morrison's writing being defeated by one of the most iconic Batman characters with a classic comedy trick from the 19th century feels like the conclusion to the contrast between Batman's legacy and the artistic license of the authors writing the comics: you can have your personalized elements, but the legacy of Batman is elastic and unlikely to be molded by them: certainly it won't be destroyed. Despite this, it didn't change the exhaustion of seeing the Gravedigger's mask come off and settling in for another comic where the Joker is gonna be doing classic zany Joker stuff.

As much as I'm frustrated with the way Talia and Jason are written during this run, I didn't entirely hate it, and the more I think about it, the more I find things I like. Some of my frustrations come down to taste, and are an unavoidable product of my personal taste differing from a pro comic author who had an established writing career while I was going to elementary school. I feel like some previous Batman comics were referenced in really exciting ways, for example the combination of Bruce's absence, a drug being used to gain control over citizens, an odd demonic presence, an imposter cult leader (If you can call Dr. Hurt that) prolonging his life through magical rituals, the background detail of complete chaos in the city, and one of the main villains being torn apart by a crowd of his followers, from the limited number of straight-up-Batman storylines I've read, felt pretty strongly like a nod to The Cult. But even considering the commentary on creative license vs. the consistency of Batman as a pop culture icon, the feeling of reading the comic was frequently that I was being convinced of a weirdness that didn't extend through the story down to the actual structure or plot points of the issue I was reading (with exceptions, such as the Sasha + Professor Pyg thing,) and although I appreciate the message of the return to status quo in the ending, with the hype of the story's inventiveness and uniqueness on my mind, it was kinda disappointing to realize halfway through that for all the weird window dressing, the story would be commiting to a much more traditional turn than what I was expecting.

[slutdge]

god when the catfish tacos hit....... brother i can see sounds

[butchnavi]

☕️ gauss theorem

kill yourself

[solardrop]

No disrespect to anyone that uses/used dating apps but they stress me out so bad I can't take them seriously

i may or may not also be banned from bumble