#go after your goals

[tessaannedesigns]

Let your ideas glow! 💙

Being kind is groovy! 🩷

Shine Bright! ✨

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[poorly-drawn-mdzs]

Burning Rotten Bridges

[First] Prev <–-> Next

[trappedinafantasy37]

One of the things that had my mind spinning for a while is that in the Shadowheart origin, if you reject Shar, Minthara will apologize. She will believe that she and the rest of the companions held Shadowheart back from achieving her destiny. She blames herself for Shadowheart making a choice completely on her own, thinking that Shadowheart's concern for herself and others held her back. Minthara feels it to be her fault that Shadowheart is not as powerful as she could be and she is to blame for Shadowheart walking away from her destiny. Minthara sees herself as having failed for Shadowheart making the choice that she did.

I know it is cut content and cannot really be considered canon, but she does something similar in the breakup. Where she's yelling at Durge and asking why they rejected Bhaal. And Durge can tell her it's cause they love her. When the breakup was slipped in, I was initially so angry because Minthara calls Durge stupid for choosing love over power (when Minthara herself chooses love over power). Especially since the breakup happens like 10 minutes after the alurlssrin confession where she says the two of you have an unbreakable bond. I used to be so confused on why she would be so upset that you actually loved her. Then I realized that she's not upset that you love her. She's upset cause she fears that your love for her held you back.

Even though she sees you as her equal, she keeps putting herself as less than you. Where your wants and desires are more important than her own, and your greatness should be put above any affection you have for her. She wants you to love her of course, but she does not want to be what holds you back from reaching for power. To Minthara, power is safety and she has never felt safe. She wants you to keep elevating yourself cause the stronger you are, the safer you will be and by extension, the safer she will be. So you picking her over power means you are less safe and by consequence, she is less safe. And as much as Minthara loves loves, she needs to be safe first. It's why it seems like she keeps making the same dumb mistakes over and over, getting herself into precarious situations. It isn't because she's necessarily blinded by love, but she feels her proximity to power should keep her safe.

I also had a discussion with someone on Reddit, talking where it almost seems like Minthara keeps putting herself in positions of servitude, despite having some pretty ambitious goals involving world domination. We are talking about someone who has been a servant of Lolth her entire life. She tells us she was raised to be a soldier in Lolth's army and that was all she was meant to be. For 200+ years she was a servant and has never been anything else and doesn't know how to be anything else, and I believe she is too afraid to try to be anything else.

As a paladin, she was responsible for keeping social order, follow the word of whatever Priestess was in charge and enacting Lolth's will, partake in surface raids, and kill any of Lolth's enemies. There was very little room for her to achieve what she wanted, because Lolth had to come first. And even if there were things she wanted for herself, they still ultimately had to please Lolth in the end. Her time in the Absolute is no different. She just swaps the Absolute for Lolth and keeps up with the same shit (although she is too brainwashed to tell). So of course she is stunned when Lolth abandons her and the Absolute attempts to kill her and throws her deep into a crisis of faith. 200+ years of service has always bought her safety, until it didn't. So when you come along, she just swaps you for the Absolute. Telling herself, "I just need to be better than I was for the Absolute, better than I was for Lolth, and I should be okay." And her little rant about the gods, Lolth, Bhaal, the Absolute. Minthara is not anti-god. Minthara is anti-gods who do not reward their followers for their service. Because to her, service should be rewarded with something (other than death). She plays both sides when it comes to Shar because although she does think Shar is a poison in Shadowheart's life and believes Shadowheart is better off without Shar, at least Shar did reward Shadowheart for her service by making her a Dark Justiciar and elevating her to Chosen.

You would think she'd learn, but she doesn't. Not because she's stupid, but because her basic need for safety isn't being met. And so be fair, her "mistakes" with Lolth and the Absolute were relatively recent. So she keeps pushing people down the path of ruin and never going down the path herself directly, thinking that if she helps you become powerful, she will be safe. Where if she stands beside as you walk down this path, you will reward her for her service. Where she does not believe you would betray her because she helped you get that power. Where she thinks her service to you should buy her safety. Because to her, the most important thing she can be to you is useful. And she is terrified of being useless. So she provides you with unbreakable loyalty, devotion, and servitude, (and perhaps love). Where she will help you achieve your ambitions, whether it be to become a Dark Justiciar, the Vampire Ascended, the Slayer, or a god. Her path to safety, and greatness, and true power is forever lost to her down in the Underdark. So all she can do is help you walk down yours.

She keeps doing the same stupid shit over and over, making the same mistakes with people over and over, cause her fundamental need to safety is never being satisfied. And her service to various gods and entities technically did buy her safety, but only for an unknown period of time. And when she loses that safety, she thinks that the problem is her. That she was punished because she was not a good enough servant. That if she was a truly good servant, she won't lose your safety and your protection. And she thinks love interferes with your perception of her as a servant. She wants you to see her as a loyal servant first, lover second, because the only things in her life to be truly rewarded was her service, whereas her love got punished.

[ew-selfish-art]

DP x DC AU: Danny desperately wants to find the explosion guy. Tim is really good at covering his tracks... he didn't account for ghosts.

The explosions make it onto TV as purported terror activity and most people haven't heard of that part of the world much less ever given a second thought to care about it. The only real reason it gets reported on has something to do with the Justice League and... Danny knows too much.

He's been in training for Clockwork's court (which he's suspicious of- feels like kingly duty bullshit- but Danny is playing along out of curiosity for now) and he's learned a lot about how the living and non-living worlds collide. That means learning about CW's usual suspects- one of which just happened to have a ton of bases around the area Danny was seeing on the news.

It didn't take long for Danny to try to piece together that whoever blew up Nanda Parbat was trying to fuck with the League of Shadows, and was doing it successfully. Less green portals in the world the better, same goes for assassins. But it gets Danny thinking... Maybe he can employ similar tactics on the GIW Bases that keep spawning on the edges of Amity Park. It would at least set them back while he and his friends navigated the help line desk to request Justice League intervention. None of them can leave Amity Park, so outreach is going to have to be creative.

So Danny figures he'll just find the guy. Call up some ghosts who were there, or er, came from there and get a profile and track him down. But the ghosts keep saying it was The Detective. Annoying!

Danny goes full conspiracy theory, gets Tucker and Sam involved, and begrudgingly asks Wes Weston his thoughts.

He hadn't expected Wes to garble out a thirty minute presentation (that had 100 more slides left to go before he cut it off) about how Batman totally trained with a cult and so did his kids. Danny kind of rolled his eyes but... hey, new avenue of searching in the Infinite Realms at least.

The ghosts confirm that Bombs is for sure not Batman's MO- But maybe his second kid would know? The second kid was already brought back to life though, so no way to easily reach him... Danny starts to realize that this might be the work of a Robin now. Wasn't the red one known for solving cold cases? (Sam provides this information- its a social faux pas to not know hero gossip at Gotham Galas- everything she's learned is against her will).

It all comes to a head when Danny goes about the hard task of opening a portal for the guy to come through at just the right time, explain the infinite realms so he doesn't panic and then describe what the fuck was going on with the GIW. It takes months, just over a full year, of random (educated guesses) portal generating- Finally, Red Robin drops into the land of the dead.

"So, you're the guy I've got to talk to about explosions right?" Danny enthusiastically asks.

Tim thinks he's died and landed in the after life following 56 hours of being awake and plummeting off the side of a building into a Lazarus pool. Nothing makes sense about the kid in front of him.

"Yeah, I got a guy for munitions." Tim answers cooly.

"How do you feel about secretly sanctioned government operations that violate protected rights?"

"Gotta get rid of 'em some how. Need me to point you in the right direction?" This might as well be happening.

[ohitslen]

College (uni??) AU catering to my own interests as it should always be hehe :)

[septimusmoonlight]

You doing ok?

hi

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[orchid-n-petals]

So I've already shared parts of this on a discord server, but I have to scream about Ketheric Thorm on here as well. Obviously spoilers about the character under the cut! It's a long one.

The entirety of act 2 is about him, right? Jaheira, Shadowheart and numerous other NPCs shit on him for his fickle faith. First Selune, then Shar, then, as we meet him, Myrkul. You hear about his changes of faith on a whim, you hear that he's the person responsible for the shadow curse, he is painted as a villain, plain and simple.

You can figure it out pretty early on that Isobel was resurrected and that she is his daughter; the detail as well that he wants Isobel alive is so on the nose, it gives him away completely but there are still a few questions that remain unanswered, mainly about his faith.

And then you get to the mausoleum and the picture assembles; this entire tragedy, the death of hundreds if not thousands and the complete ruination of a landscape was all, ALL because you had this absolutely wrenched, heartbroken father who had lost everything and nobody answered his grief. He was left woefully alone, the Goddess whose daughter his daughter was involved with did nothing to save Isobel.

Imagine outliving your wife and your daughter. Imagine dedicating your life to fight the Lady of Loss, your Lady of Silver's enemy, and then be left so completely alone and in silence with your grief, with your loss. It's so, so poetic how and why he turned from Selune, and it's so understandable as well; he broke. His spirit completely broke. He couldn't deal with that void of having lost the only two important people in his life, seemingly undeservedly so. He was going mad with this and a lot of his ire was likely targeted at Aylin who, in his eye, represented Selune; she's literally her daughter, after all, and it was implied that even before the deaths of his family, he sort of saw Aylin courting Isobel as Selune taking his daughter from him, despite his service. This relationship was clearly not seen by him as a boon of "giving his daughter to the Moon-maiden".

His ways in the past clearly didn't spare him from tragedy and having to cope with it (which he clearly didn't, he snapped under the weight of his grief). He was clearly angry and unable to do anything, furious and helpless, which is a dangerous combination. A good part of his first change of heart must have been fuelled by a sense of revenge.

But then Shar didn't provide any balm to his aching heart either. If you read his letters in Grymforge and in act 2, he is so focused on enacting the will of Shar because he believes that healing lies in oblivion. Everything would be easier if he could just forget, if the damn world could just forget, if nothing was remembered because without Melodia and Isobel, nothing was worth remembering.

Then came Myrkul. Literally the only god who was not only able, but WILLING to give back his daughter to him. Imagine spending your all, EVERYTHING you have to serve two gods who would not give a single shit about the greatest suffering in your life. You were basically nothing, your loyalty didn't matter for shit, everything that was taken from you amounted to no recognition whatsoever: you should simply cope and seethe. Your grief will not simply go unanswered (which is not inherently antagonising) but ignored.

And then comes this supposedly evil entity who can alleviate your pain just like that, snap of a finger and it's a done deal.

I am so serious when I say that I believe Ketheric's main incentive was to extend Aylin's immortality to Isobel as well. You can read in her diary that she feels a taint after having came back, and there are things not even Selune can cleanse, but at this point, Ketheric doesn't care about Selune, vengeance is secondary if not tertiary, he's done that war during his Shar years and what did it give him? Literally nothing.

He doesn't even care about the fact that Isobel is still her cleric. He cares about the single most important fact: Isobel is back. Life is worth living again, there is something for him, and it was not Selune or Shar who gave it to him but Myrkul, and for this singular gift, he would raze the world for the Lord of Bones. Like people can clown on him for being disloyal but the man has the loyalty of a dog bonded to its owner.

He is powerful and is willing to go to insane lengths for crumbs. What is raising a single life for a god? Nothing. It has happened and it will happen again. But Ketheric will go to the ends of the earth to serve the single god who actually listened to him. The one god who didn't ignore him.

He knows that what he does is not the morally upright thing! He is so insanely self-aware that allying with Orin and Gortash and doing this entire plot with them only to then betray them is morally reprehensible at the best of times, he knows that people hate him, etc-etc. He was a Selunite at one point and he's not stupid. He just doesn't care; it could be literal Asmodeus and he wouldn't care as long as he got what he wanted, no matter the price.

He is probably the only one from the three of the chosen who has complete clarity over his situation, he almost sways (if you pass the check during his confrontation), he is not an inherently evil man blinded by power.

But he is inherently loyal to those deserving, and as of the story's standing, completely broken by his grief. In his eyes, at this point, the only one deserving loyalty is the one who actually listened to him. Isobel lives. It doesn't matter that she hates him, that his entire life has fallen apart, that literally nothing else that is good has come of it, because Isobel lives.

I don't think he regrets a single thing. His consciousness might tear at him at the end, but I believe he would do everything over again, exactly as he did, because in the end, his daughter was brought back. Because what would a grieving, broken parent give to bring back their child? Everything. Absolutely everything. And it's such a simply given answer, no second thoughts, no doubts.

Nobody can tell me that this man is fickle. Nobody. This man was willing to burn the world to the ground, create a Boudica destruction layer all by himself for the one single thing he wanted. For any God that would listen.

I don't know, I just have a lot of thoughts about his character.

[transingthoseformers]

re: pharma in tfone; assuming that all cogless bots are performing some of cybertron's hardest work, you might be able to get away with making him a nurse (or receptionist? do cybertronians do that?) who chafes knowing he could be so much more. he could be a BRILLIANT medic.

Oh my God receptionist!pharma would be so interesting to me!

(don't worry pharma, you will become a medic soon enough)

I'm imagining him trying to study whenever he's not working at the desk (hell, sometimes while he is), which is difficult because being the receptionist at a hospital is still quite a difficult job

(I was previously under the assumption that it was only miners who were cogless?)

God imagine him daydreaming and making up all these scenarios where oh no! they need a medic and there isn't one! only for Pharma to jump in and magically save the day and everyone claps... Then something causes him to snap out of it and he does a little disappointed huff because alas, he's stuck at the desk all day.

Does he ever wonder what altmode he's have if he was cogged, or does that not matter to him at all?

79% of me thinking about cogless Pharma was so I can imagine the transformation and him studying his brand new kibble (especially the little winglets) because oughh that scene in the end of the movie when all the other cogless bots in Iacon got their t-cogs back💖💖💖💖

And tfone Pharma will become a medic

[itstimeforstarwars]

The longer the loops go on in isat the more I think about time loops with Fox as the time traveler. I now have a very specific plot I want to read with him and I don’t know if I will have to be the one to write it.

[chevelleneech]

Tweets like this

always sound so over the top, but Chan really has spoken about Felix being his other half, his second-self, and his soulmate. So being reminded that Felix felt not a single bit of caution around him when they met, is the sweetest thing.

He saw Chan as someone worth learning from. Someone he could befriend and debut with, and that’s what they ultimately got, and that’s wonderful, but I always find it kind of crazy that Chan seems well aware that Felix was his person the moment they met.

[theprincessandthepie]

replaying dragon age inquisition is just an exercise in “the rebel mages would not fucking do that”

[la-galaxie-langblr]

what is going on w my brain

[sydmarch]

it was so stupidly difficult to find any nutritionist who has experience with arfid & takes insurance so after having to go through all these referrals my therapist sent me & jumping through hoops I lowkey hate the lady lmao feels like such a waste of time & energy

[stinkrascal]

it’s been days and i simply cannot get over the fact that rook and emmrich’s literal 2nd date is not only at the fucking graveyard (the place he already took rook for their first-but-totally-not-first date!!!) BUT that it is for the express purpose of him introducing rook to his dead parents. the implication that this man met his problematically young girlfriend a few weeks ago and hes already like well we’re on our second date now, i should introduce her to my parents. who are also dead btw. and then he tells her to introduce herself to their graves so proper like theres nothing weird about this predicament hes found himself in. oh my god. i love you my midlife crisis king