#giving us character and relationship development

[sol-iscus]

❗️Mild arcane spoilers ❗️

Miiight ruffle some feathers.

Not EVEN going to lie, unnecessary ship wars aside, the fan base has developed such a deep love and understanding for these characters (because let’s be honest, there are some pretty intelligent people giving eye opening analyses) that after the finale, it appears that we have a better understanding of them than the actual writers.

We deserved better as the audience after all the hype over the years, all the waiting, even after some episodes got leaked a while ago, most of us remained respectful and waited to see what this season would bring us. The core characters ABSOLUTELY deserved better as well.

It felt as if I was watching all of the characters’ development be erased in real time, or become sidelined and nearly mute after being propped up to appear as if they were going to have a significant arc.

With the amount of episodes we had, it felt like they were trying to cram a bunch of different storylines into one 9 episode season and that left us with annoying plot holes and rushed sequences.

And I’m just gonna say it.

If a certain relationship needed to be sacrificed if it meant that other characters had the proper development they needed and DESERVED, then I would have preferred that much, MUCH more than that undercooked finale.

Don’t. Even. Get me started on that caitvi scene. In the cell? Right after that conversation she had with her sister? Don’t give me that nonsense about how it’s vi reclaiming her power or something. (An actual weird ass statement from Amanda Overton in a Q&A video about how that was Vi reclaiming and working through her trauma in that cell).

No apology? No groveling for forgiveness? That little argument they had lasted like five seconds and didn’t even address the earlier conflict that happened in the show after cait left vi. And before any of you say “cait apologized with her actions”

I don’t care. Two things can be true at once, she can and should have apologized directly as well as displayed that with her actions.

Moving on to Mel??? We did not nearly have enough time to explore her new abilities as a mage, her armor, and her connection to the black rose. As I said, the storylines this season should have been more refined so we could focus on a central group of characters. They did nothing but hint at her armor from the end of season 1 all the way up until now.

Also maybe I’m hallucinating, but did we ever find out what happened to the firelight’s tree?? That’s one of the main reasons Ekko and Heimerdinger went to the lab isn’t it? HELLO?

Next on my list, Jinx. This girl has suffered to no end.

- Lost her whole family except for Vi.

- Almost died once and was brought back to life.

- Tried to end her life several more times

And you slap us all in the face by writing her off?

“Oh but she may not be GONE gone, look at the glitching at the end!"

I. Don’t. Care. It’s the principle.

I’m sick and tired of seeing characters that struggle with mental health and keep having one bad event after another happen to them, never receiving a proper ending. What messages are the writers sending with this? That death is basically the answer because there’s no hope for them? Cool. That was not an honorable act of self sacrifice, that was plain insulting.

Instead, if they still really wanted to have a Jinx redemption arc and a chance to rekindle her relationship with Vi, having her tap into engineering for the betterment of Zaun would have been the better route.

We should have gotten an extra extended episode since this is last season for the Piltover/Zaun region, and for Jinx and Vi's story. I really want to blame Riot for being greedy and possibly becoming too cocky with the popularity of Arcane that they think anything would suffice because It's Arcane.

[louisferrignojr]

i'm gonna go ahead and say something very controversial but i'm not interested in another "buck feels abandoned" arc re: eddie moving to texas. please be aware this is coming from a person with abandonment issues and easily triggered RSD. i get it.

when i say i want some fucking character development for buck, this is what i mean. it's been 8 seasons. we cannot be doing the same shit over and over again, and yes, as much as 911 has an ongoing theme of "your past catches up to you and triggers you unexpectedly" and "grief and trauma are never fully resolved" which are all good and make for interesting storytelling. i cannot reconcile with the idea that a 33 year old man is gonna feel "abandoned" by his best friend moving back to his hometown to be with his son to repair the relationship he damaged. like that's fucking common sense. of course eddie needs to do this.

like, will buck be sad? sure. your friend moves away. you miss them. you're allowed to sulk a little bit. but as a fucking grown up, you want what's best for them, you want to support them — and we saw it in the episode, he immediately put his baking-to-cope aside to help eddie with his facetime appointment — and the sadness only showed on his face when eddie wasn't looking, because that's what you do when you're a mature adult.

now, with tommy? that's different altogether. that's the person you're wanting to build a future with abruptly ending your relationship and leaving you hanging, wondering what the fuck happened. the fact that he's trying to stop himself from calling tommy is, at the very least, a sign that he has questions he wants answers to, he wants closure, he's open to reconciliation. this breakup would absolutely bring up old wounds of being left behind. not that i trust the show to give us anything meaningful, even if they do get buck and tommy back together — but this is how i see it anyway.

[unboundprompts]

Hello! Can you help me and/or give me examples of how to write a pre-teen? Specifically a slightly mature for their age but still socially-awkward, selfless, empathetic, extroverted 10-year-old

How to Write a Pre-Teen

Voice and Language

Simple but specific vocabulary: Pre-teens might not use very complex words, but they often know and throw in some “big words” they’ve recently learned or mimic words they hear adults use. Don’t overdo it, though—they’ll often misapply or half-understand these terms, which can create natural, humorous moments.

“It’s totally, like, a catastrophe that I forgot my project.”

Expressive dialogue: Pre-teens are enthusiastic and often exaggerate. They can also shift quickly between emotions, from excitement to frustration.

“That was the best movie ever!” might turn into “Actually, I mean, it was kinda boring in some parts, but, you know, overall…”

Thoughtful yet blunt: Kids this age often haven’t fully learned the “filters” adults use. They can be direct and say things that are surprisingly insightful or unexpectedly honest.

Thoughts and Perspective

Developing identity and opinions: They’re beginning to form their own beliefs but still echo the views of family, teachers, or friends.

“Mom says people should never lie, but I wonder if little lies are okay if they help people feel better…”

Questioning and introspective moments: Pre-teens are curious about life, relationships, and “big ideas.” They may ask questions, but sometimes keep their deep thoughts to themselves, exploring them internally.

“If friends are supposed to be there for each other, why do I feel alone even when they’re around?”

Struggle with abstract concepts: At this age, they’re just beginning to understand abstract ideas like justice or friendship but often approach them in straightforward, literal ways.

Behavior and Actions

Impulsivity and energy: They might shift quickly between activities and emotions, getting distracted or excited without much control over it. They may also blurt out ideas or act before thinking, especially if they’re extroverted.

For instance, a character might immediately jump up to help someone even if they aren’t sure what to do, or they might “borrow” something without fully considering the consequences.

Physical awkwardness: Pre-teens can be a bit clumsy as they’re still growing into their bodies. This can lead to endearing, awkward moments.

They might knock something over, trip over their own feet, or feel self-conscious in ways that show they’re still figuring themselves out physically as well as socially.

Friendships and Social Dynamics

Navigating social rules: Pre-teens are very aware of social “rules” but may not fully understand them. This is an age when they care a lot about what their friends think, but they’re also just beginning to question these dynamics.

A pre-teen might want to befriend the “cool” kids but feel conflicted when they realize their values don’t align. Or they may try too hard to impress friends and feel self-conscious afterward.

Conflicted loyalties: Friendships are often intense at this age, and they might struggle with conflicting feelings if friends argue or if they feel left out.

“I really like hanging out with Sarah, but I know Emma doesn’t. Maybe if I can make them both laugh, we could all just… get along?”

Small gestures: Pre-teens often show they care in understated ways, like sharing snacks, giving a small gift, or cheering someone up when they’re down. For a socially-awkward pre-teen, these gestures may come out clumsy but sweet.

Insecurity and Self-Awareness

Self-consciousness mixed with bravery: Pre-teens often fluctuate between trying to fit in and wanting to stand out. They might do something brave but then doubt themselves or quickly retreat if things don’t go as planned.

For instance, a character might volunteer to speak in front of the class only to feel panicked once they’re in the spotlight.

Hyper-awareness of themselves and others: They’re beginning to notice how others perceive them and may get flustered easily or worry about little things, like if their clothes look okay or if they sounded silly.

“I shouldn’t have laughed like that… I bet everyone thought I sounded so weird.”

Joking as a defense: Pre-teens often use humor to cope, covering up their awkwardness or discomfort by making jokes.

Reactions to Conflict and Emotion

Quick emotional shifts: They might go from laughing to frustrated to embarrassed in just a few minutes. They feel emotions intensely and may have outbursts or react strongly to things adults might dismiss as minor.

Heroic ideals vs. real-world disappointments: Many pre-teens have an idealized view of right and wrong, fairness, and heroism, and they may be disappointed when things don’t align with these ideals. They’re just starting to understand that people aren’t all good or all bad.

“I don’t get it… why would she lie about something like that? Friends are supposed to be honest!”

[vaya-is-dead]

Hour two of my delusional city

Let's talk about Timebomb

* arcane act three spoilers under the cut don't read it if you haven't watched it you have been warned*

HOUR ONE HERE FOR YOUR VIEWING PLEASURE

*Note* I am not personally a Timebomb fan. I don't really care for it, but I think there is a lot of nuance that can go with it, especially considering that it happens in an alternate universe.

As a sidenote to the whole jinx might be alive thing. I wanted to touch upon the now sort of canon ship TimeBomb. I say sort of purely because it became real in an AU.

I see a lot of people complaining about it, becoming Canon, but I think this is a good demonstration for Ekko and Jinx as characters.

Think about it this way, in the AU there is no jinx, there is only Powder. Everyone but Vi lived. This means, specifically for Jinx, she didn't have to go through some of the most traumatizing events in her life. This allowed her to fully become who she was probably meant to be. A brilliant young woman named Powder with ideas that would change the world.

In the main timeline, Ekko and Jinx are at odds there is no room for the relationship that could've developed to be there. Even after the fact, after Ekko talking to jinx and convincing her to do one final strike with the fireflight (think the name might be wrong. Please excuse it.) Jinx is still extremely traumatized and at this point, her goal is to make sure her remaining family, Vi , to be happy. in her mind that means without her.

So I think Ekko and Jinx would never work, at least not with an intense amount of therapy or self-discovery for Jinx.

But as we see in the AU, it works with powder.

Powder is what jinx could've been, had given the chance to live a normal life. She still has the same sass and charm, but instead of it being a coping mechanism, it becomes just something that naturally is a part of her personality. She is still deeply hurt by the loss of her sister, but she has the network to cope and to heal while still remembering her, which gives her the room for a romantic relationship in her life.

And as for Ekko, there is a flashback to a time where he actually killed jinx on the bridge but he rewinded time (it might've been a hallucination too, so correct me if I'm wrong)was this just reaffirm that he still cares for her and hasn't given up on her like he's so claims to. It is a show of his compassion for others and for the cause that he fights for. There is also the parallels between season one episode seven "boy Savior" which gave us the fight scene of The fireflight against Vi and jinx which gave us older Ekko, and episode seven of season two which gives us an explanation for where he's been for majority of season two.

On a sidenote, I also wanted to add that I think the talk with Ekko, made jinx realize that Isha sacrificed herself for her to live. And I like to think that maybe somewhere in her mind, she thinks that it would've done a disservice to Isha's sacrifice for her to die. (yes this is relating back to my delusional our number one theory.)

[slowcatsisland]

Trafalgar D. Water Law; Ideal Type Deep Dive

•••••••••••••••••••••••••••••••••••••••••••••

The first thing that comes to my mind is that audio - “ I need to find my darling husband!” “What do you see in that guy?” “He makes me laugh.”

Law absolutely needs to be with someone who can make him laugh.

Throughout the post time skip arcs, it has been shown that Law -

Has a fear surrounding accepting and giving love

Believes that there must be a reason for earning love/giving love to someone

Law’s character had the most development in Dressrosa and Wano that could propel him towards healing with the defeat of Doflamingo, the revenge of Corazon’s death, and the closure statement that Sengoku says to him: “Don’t try to find a reason for someone’s love.”

Law has to heal first, or have a partner that will help him heal. To me, Law wouldn’t even think of committing to a relationship until the end of Dressrosa/Wano.

Law surrounds himself with goofy people, so it makes sense for him to fall for a goofy person.

This person would probably be on his crew as his trust issues wouldn’t allow for him falling for someone that has other loyalties that could easily be prioritized over him and end up betraying him.

Law is strict about subordinate dynamics, which is why you being on his crew may also hinder him from wanting to pursue something with you because he’s supposed to be your boss essentially.

Law would want someone that is smart, textbook smart like he is, but I also see this not being important if he truly runs into the ‘one’ that brings him the most peace.

I mean by that if you can’t hold and add to a conversation about idk the anatomy of the human body and the effects of a certain ailment, you’re not totally disqualified from his radar.

Someone who could hold emotional conversations with him is good. Even if he probably wouldn’t want the conversation. He’s kinda icky with feelings. Someone that could tell him how he feels, how they feel, and how that changes the context of whatever situation they are in. He needs someone like that.

I used to be opposed to the thought, but I believe Law needs someone truly soft. That means you could still fight if needed, but would rather not yk. It’s okay if you’re not out here swinging a machete trying to bloody the streets with your foes. That aspect of humanity that you have is something Law needs more prevalently in his life.

I remember reading an analysis of Law’s type and the creator said something similar to “Law needs someone who wouldn’t pull the trigger, just like Corazon didn’t.” I don’t know how much I agree with it but I think it’s worth mentioning.

Someone patient, but stubborn. Someone who is willing to wait for him to be ready to accept his feelings and won’t leave him when he makes a mistake (trust me he will make many mistakes in a relationship). Someone who also won’t be an idle figure in situations, you have an opinion and will voice it even if it doesn’t agree with Law’s perspective. You think the crew should help him on something rather than wait on the submarine and him go off alone? Tell him and make him listen, even if he shuts you down.

Law needs someone positive that can look at things with a glass half full mindset. Someone who looks at the rain and thinks about how the plants are getting water, someone who watches the snow fall but are commenting about how Penguin and Sachi are making snow angles and Bepo is really comfortable in the temperature. You even out his pessimism and bring light.

You’d have to get along with the other crew mates, especially Bepo too. Bepo is so important to Law, and if Bepo didn’t like you it already taints Law’s image of you.

You were always kind to him. Even before he invited you onto his crew, he identified your nature and could make a note about how you’re different from the majority of people he’s met.

Preferably, you’d be goofy, but not too loud. I feel like Law gets uncomfortable around those that are crazy extroverted- kinda like Luffy. Sometimes it reminds him too much of the Donquixote Pirates with all their flamboyance. That doesn’t mean if you have this quality you’d be off the list, he would just need it in smaller chunks or around the crew to be acclimated to it.

Grr, someone that ends up reminding him of Rosinante. Someone that Law knows is just a good person, regardless of their past.

If he asked you “why do you love me?” And you couldn’t give him an answer, you’re perfect.

He needs someone to be his safe space. Someone that could sit in his office while he works, content in the shared silence. Someone that he could ramble about his coin collection to without the worry of being judged. Someone that he could let touch his chest and have them run their fingers through his hair without worry that he’ll be harmed. Someone that will soothe him after he has a nightmare or read out loud to him until he falls asleep.

Someone that cares for him- this loops back to the stubbornness. Someone that tries to make him go to sleep, to make him eat, to make him take breaks from working. To make him live happily, something that he’s starved himself of truly ever since he was 10. He prolly won’t act like it, but you showing you care for him makes his heart bleed suffocatingly.

Someone that can show him how to love again and what it feels like to love again omg. The destruction of Flevance and the manipulation of the Donquixote Pirates so cruelly changed his perception of love.

Law wouldn’t want you to be a big shot in canon. If your bounty was rather substantial compared to his crew and him, or you had a crazy ability- it would make him worry awfully. He’d probably try to keep you out of harms way even more than he does with the rest of his crew.

Someone he can tell everything to and trust that they’ll keep it a secret.

Someone that likes the cold, likes the ocean. Living on a submarine as a pirate kinda requires this lol.

Omg imagine you’re from the North Blue too. He picks you up around the same time he does Penguin, Sachi, and Bepo. You’re one of the original members. The connection I feel like he would have with you would make him more willing to fall for you…

I feel like Law would like someone with longer hair. If he could watch them brush it, curl it around his finger, watch them create a hairstyle for the day. Small acts of domesticity in life.

Someone with large, doe eyes. He can see so much emotion through them, they hold so much weight. It reminds him of Bepo. (lol)

Someone aware of their own emotions and are in tune with their wants and needs.

I feel like he would fluster really easily if you had a gummy smile. Yk those big, pure smiles where the gums showed. When your eyes crinkly and your teeth are bared so naturally and without malice. It’s so beautiful to see.

•••••••••••••••••••••••••••••••••••••••••••••

He’s so broken

Mwah 😽

[almacambiondaughterofsaleos]

The Narrative's Spin Towards Adam And Lucifer's As Fathers

Seriously, the leaks show us that Adam at least has Abel but again due to wanting to make him one dimensional as ever they make him hate is own second born for some reason. This contrast how Lucifer the devil is treated as a misunderstood sad boy who really does love his daughter, but in earlier plans was supposed to be a bad dad. However, he's a fan favorite of Vivziepop so he gets the Stolas misunderstood sad boy treatment despite damning humanity and being homewrecker. Seriously, Vivziepop is allergic to real nuance by making Adam hate his son, Abel, because of the fact that Abel was killed and that could have been a way to maybe explain why he became what he is today but nope he just hates him because "hur be durp" he has to be this flat caricature of a frat boy. And also because this series undervalues platonic and familial relationships unless you are not the designated fan favorite of Viv. Then again even if you are a fan favorite she has a hard time understanding non-romantic relationships.

Seriously, why give Adam a moment of sympathy with his right hand, but not for his son. Again it feels she wants some level humanity for Adam, but isn't willing to go the extra mile or maybe she's afraid he will be even more sympathetic than her so-called dreamboat Lucifer who really is a pos and maybe an even bigger one than Adam when you think about the culmination of his actions. And again Adam's character contradicts what is depicted in the Bible and even if you invoke poetic license bs why is he so apathetic towards his progeny even his own child. It's a missed opportunity for character inspection and again give Adam some redeeming factors that could actually endear him to Lute instead of wondering what the heck does she see in him. Seriously, it would make more sense if he was a good dad as a show of positive elements to them that Lute could be attracted to. Instead of her just being so oblivious to his flaws despite saying Angels are supposed to be perfect when Adam contradicts that.

Also it also pissed me that her issues with her dad was easily solved and that they didn't actually give real issues with him and just made it into a case of misunderstanding. Again it's obvious if you read the early drafts Lucifer was supposed to be a less supportive dad and it would actually give Charlie more of a challenge than if he came easily to her side. Or at least developed it slowly where he grows to gradually side with her instead of rushing one season. And going back to Adam, I don't actually think they will develop anything further with Adam and Abel and just leave it at one note joke to hammer in how much of an asshole Adam is because these people have no originality or complexity to these figures.

[guiltycorp]

I feel the most upset over Mel though... realised this when i saw how my fellow fujoshis have reacted to her involvement in jayvik jdfhgfd, the Viktor parallels that i have always enjoyed and pointed out before are now treated as Yaoi Proof and nothing else. ...because well yeah they lead nowhere else this season sadly, her relevance was cannibalized by her future league iteration and by fandom's reductive approach to shipping. To me the parallels used to be interesting because Viktor and Mel in s1 were polar opposites in social standing/background & physical health and visibly disliked each other BUT they were more or less on the same page when it came to their rather centrist but ultimately pacifistic beliefs, and they both were enamored by Jayce's ambition from the second they heard him talk about magic, inserting themselves into his life immediately. Those comparisons and visual symmetry were compelling because Jayce was lowkey trying to find a way to unite the two most important people in his life (telling Mel about Viktor's importance to him, trying to get Viktor to accept his involvement in politics, having them in the room together) while technically opposing both of them ideologically by not caring that much either about applying hextech for the benefit of the Undercity or about Piltover's participation in global politics and preserving its neutral status. While initially it seemed like he had to 'choose' between them, ultimately their separate character journeys (Viktor with Hexcore and killing Sky, Jayce with Vi and killing a zaunite kid, Mel with hearing her mother's justifications of war) led them to be on the same page in the last episode of the season which was a cool twist. So logically for character growth they either needed to improve their relationships further or to have sudden conflict, right? ...but s2 ultimately went for... just getting rid of both Mel and Viktor entirely! Viktor's motivation to give himself more time to leave more of a mark on the world (and finally getting to feel good about his own efforts by focusing on the Undercity rather than working for Piltover's financial benefit) was overshadowed by Hexcore corruption and a sudden inexplicable wish to transform humanity into a hivemind, that's a different guy entirely. Mel's motivations ended up not mattering at all, the only progression was her hardening into a proper warrior, like sure yay... her vision for Piltover and her identity as a Medarda was rewritten by sudden magical powers that ultimately, yeah, also make her into a different character. She did have a brief argument with Jayce over seeing him as an 'investment' of sorts but they didn't even get to finish it and their relationship is just one big ? before Jayce fucks off to die alongside his one true partner, like all of their previous loving interactions were just a situationship they both easily moved past without even acknowledging it. Like sure yeah we got our yaoi fanservice but at the expense of female characters and previously established relationships and plotlines... And btw there's a lot to be said about the cowardly approach of the showrunners to once again centering a 'male friendship and brotherhood' while getting pissy at anyone who might interpret it as romantic at the same time, as if a canon lesbian romance is a great excuse to be saying shit like that. Also imo timebomb pairing got more actual development and emotional investment compared to CaitVi in this season despite how hollow Jinx's character felt, so there's still a vibe that a hetero ship was more interesting to the writers... while the only things they wanted from queer ships were the aesthetic and the fan engagement.

[redishsunflowers]

as a queer girl, throughout my obsession with arcane I've felt a much bigger pull towards the not cannon yaoi ship that is jayvik rather than the canon yuri ship that is caitvi, and this has made me feel kind of icky about myself lol.

i felt that i was being pulled into the grasp of patriarchy because i felt more compelled towards the shipping of two men than the relationship of two women. i also was nervous that im just a mlm fetishizer bc i like a lot of mlm media but that another story of wlw having so much less media than mlm. all of these fears are here bc im mentally ill and have problems i probably need to be medicated for but it wasnt until i saw someone's post abt why they feel ppl are more obsessed with jayvik than caitvi that i stopped feeling so icky abt myself lol.

they basically said that jayvik was written better than caitvi and basically the whole of act 2 had absolutely nothing to do with caitvi and everything to do with jayvik.

think when it comes to canon queer relationships sometimes writers forget to bring the depth and just bank on the fact that its a canon queer relationship and thats not the most common thing, but when it comes to two characters being shipped usually theyre being shipped bc of the obv closeness their relationship has and the depth in their relationship is just too hard to ignore so ppl ship them.

theres a reason jayvik are shipped and thats bc the writers wrote a duo that care more for eachother than anything else and are basically the cause and the saving grace of the whole show, while caitvi are canon and are complex and beautiful in so many ways but are kinda just put on the back burner especially in season 2. caitvi had other things they were doing other than developing their romantic relationship while jayce and viktor's whol existence at this point revolved around eachother in one way or another. im not saying caitvi shouldve been the point of the show bc its not supposed to be a romance, i just think, again, they balanced things rlly badly this season. first season their relationship was obviously there but their mission was the most important part of the show and season 2, they just kinda got back together without even talking abt their issues, and that just felt so wrong. jayvik talked things out, we saw them make up and it made sense. caitvi made up by going on a mission together then not even talking abt the biggest problems in their relationship and the writers just expect us to feel like theyre back to normal? noooooo. give us more. man this sucks. luv em to death (caitvi) but i miss them deeply.

[yazzydream]

Getting all my unexplored character interactions met in Phanpara. And all my suffix needs too.

Nobara really likes Miwa ("Miwa-chan!") and Miwa thinks Nobara might be easier to get along with then her fellow strong headed Kyoto peers... until she sees Nobara interacting with Megumi and Yuji anyway.

Nobara is the one who finds and identifies some fruits in the mountain to snack on with their tea, hinting at her country upbringing.

Nanami calls Panda, "Panda-kun." :,) I think he and Yuta are the only ones who do that.

Mai secretly became a Takada-chan fan after all. 😂

Maki is a fairly kind and gentle person actually. She's just awkward and speaks harshly. Good with kids.

On the same note, Noritoshi is straightforward and serious, but he's a really nice guy. His interactions with Inumaki give me life. He just takes everything Inumaki says so directly.

When Nobara speaks rudely to Mai, Mai replies with, "Watch the way you speak. I'm your senpai." Which— 😂 Mai learned from Utahime I see, and NOBARA REALLY IS THE GOJO OF HER GENERATION. (That's what I've been sayin'.)

Opposite that, Yuji really is such a good boy. 🥺 He calls all the upperclassmen senpai; "Kamo-senpai," "Nishimiya-senpai," "Mai-senpai," etc. Uh, Todo is Todo tho. Lol.

Megumi still calls Mai, "Zen'in-senpai."

In the "Dead Mall" story, I get the general vibe the Tokyo kids are more indulgent and fond of Ijichi than the Kyoto kids. Which makes sense. (They're also probably used to seeing Gojo bully him around, so. Lol.)

In the same "Dead Mall" arc, Inumaki and Panda both mess around Maki and Mechamaru respectively. Reminds me of that one s1 Juju Stroll where they wore the girls' clothes. 😆 You can see they share the same sense of humor.

Maki calls Nanami, "Nanami-san."

Yuji gets his Big Hero Moment in Phanpara, at least. :,)

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[extravagav]

AND WE JUST DONT TALK ABOUT THIS?!?!?!!????

[t8oo]

there is some symbolism iv never considered in that one episod of pt5 where zenigata rescues fujiko before she kills lupin

[yuripira4e]

I want to preface this post by saying that I love the cat king as a character, especially one that has such a major impact on Edwin and his relationship with his queerness and learning to be okay with it; HOWEVER, I also believe that everyone that genuinely believes he should be a love interest for Edwin should read this. (Also if you just like the cat king as a character and want to understand his character better and why his and Edwin’s relationship is not something that would be healthy or “real” for either)

[alrightsnaps]

not even a hardcore thirteen era stan but it's been pretty bizarre watching doctor who fans brush off the same weaknesses and flaws they spent years criticising chibnall for now that it's rtd who's in charge

[aroaessidhe]

2024 reads / storygraph

The Loudest Silence

YA contemporary

a newly Deaf-Hard of hearing girl moves across the country and starts a new school, struggling with navigating her disability and love for singing and lost friendships - determined to not make any new friends for the year she’s in Florida

and a boy struggling with family expectations and anxiety, after being made the fútbal captain even though he secretly ways to be on broadway, who quickly befriends her

bi & aroace-coded MCs

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.