Percy at ease
Percy calm, but a little on edge
Percy when mildly angry
Friendly reminder that Percy jackson - our beloved silly adorable seaweed brain - is absolutely terrifying. When he’s angry, when he’s scared, when he’s on edge - he’s not warm and fuzzy.
No other character gets that reaction from people. Jason (the sweetie) is perceived as calm and in control, nico (our favorite self-outcasted outcast) is perceived as solemn and creepy, reyna (girlboss queen slay) is perceived as confident and assertive, and annabeth (our girl) is perceived as fierce, clever, and formidable. They are all intimidating to an extent.
But not like Percy. No. Becasue even when he’s at ease, he’s described as wild and disobedient. And when he’s not at ease, even if just little bit, he’s perceived as powerful, dangerous, and scary. Someone who NOBODY wants to mess with. Nobody even questions his power. One look from him has literal gangs running the other way. One look from him has Leo so scared that he’s literally shaking, and feeling the same innate fright and alarm that he does when jason summons an ear-piercing, earth-shaking, deadly bolt of lighting.
like… HELLO??? can we all just sit on that for a moment?? good lord
One angry look from percy has people thinking one thing: Run.
Percy is, canonically, the character that people find the most frightening and intimidating.
And unless he’s in a good mood - which you better hope he is - the reality is that most of us would be completely terrified of him if we met him.
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Thinkin about a DCxDP where Danny’s helping ghosts find peace while he’s laying low in Gotham.
Like, he moved away from Amity for whatever reason. Maybe the reveal went badly, maybe he just couldn’t stand staying any longer. For whatever reason, he’s in Gotham, because the rent is cheap and he’s nowhere near the strangest thing there so no one looks at him twice.
However, this city is cursed. Like, cursed beyond cursed. It’s actively alive with how many curses there are, and the ghosts there are extremely unhappy about it.
(Of course, that’s not a problem for Danny. His ghost side filters out the toxic smog and the chemicals in the water, and his human side gives a resistance to the rank ecto and the hexes that are actively trying to devour him.)
He doesn’t really want to do anything about it, to be honest.
He’s sick of playing hero, considering how it went last time, and he’s busy working at Waffle House or Walmart or whatever other store doesn’t bother doing a background check (in Gotham, that’s probably all of them), and maybe trying to find a way to get highschool credits that don’t immediately disqualify him from every college in existence.
Still, the ghosts know he can hear them. They know, and they keep coming for help.
So, hey, why not? He definitely can’t put this as experience in any sort of job application, but he really doesn’t have much else to do.
So, he becomes errand boy for a bunch of ghosts.
Sometimes he’s finding objects that are important to them, sometimes he’s giving evidence they collected together of their murders to the police, sometimes he’s getting them the last meal they never had, sometimes he’s just spending time with them like they’re not dead.
The ghosts don’t always move on, but they’re always more at peace. Occasionally they pay him back in charms and blessings and the locations of valuables that he can keep or pawn for cash.
Eventually, a new ghost shows up.
She looks like a shadow, like all the ghosts of Gotham, but she seems stronger than usual. She asks him for a favor that those who came before him were never able to fulfill.
She asks him to find her engagement ring, and give it to her son.
Easy enough, he thinks. It’s a bit of a pain to buy the ring from the seedy pawn shop it’s in (he would usually just steal it, but he doesn’t want to implicate her kid in anything, which she seems grateful for), but everything’s going mostly alright.
Then, she tells him who her son is, and wow, no wonder no one’s helped her yet.
He’s Red Hood. The guy who is(/was) the crime lord in charge of crime alley. The title sounds a bit stupid to Danny, but he’s still a genuine threat to a living person.
Good thing he’s not one of those.
And so, the next time he sees Red Hood out and about, he goes right up to him. The man seems mostly unbothered, but Danny does notice how his hand slightly drifts towards one of his many weapons.
He tells Red Hood outright that he’s there on behalf of the man’s mother, then just holds out his hand with the ring inside, dropping it into Red Hood’s open palm.
Then he leaves, not waiting for a response.
—
Jason has a mystery on his hands, and he might just cash in some favors from Babs and Tim to figure it out.
He’s got to find the guy who gave him his mother’s ring, and find out everything he knows.
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When you really think about it, Daniel Molloy being a vampire is objectively terrifying. This is a guy who, as a mortal:
- Followed a stranger to a second location in peak serial killer era California.
- Was down to fuck in a coffin.
- Was down for fangs in his neck.
- Consistently interviewed dangerous or powerful people and was antagonistic to them.
- Literally never stopped when on the hunt for a story to the point it destroyed his personal life.
- Got on a plane in the middle of a pandemic with a degenerative disease because the guy he barely remembers following to some place on Divisadero, who he knows is an immortal killing machine, is offering Daniel his story and this also means Daniel could get some clarity on his fucked up memory.
- Has a big fucking mouth. He will just say fucking anything regardless of it being inappropriate.
- Has a fantastic bullshit radar.
- Beat a professional gaslighter at 3D chess.
...and then said powerful 514yo gaslighter gives this man litres of his, essentially, untouched blood and makes him his fledgling? Like...INSANE.
Daniel is, no doubt, EXTREMELY powerful and with a personality type that will probably make him a good vampire. Absolutely terrifying...and hot. God I hope he's still "sun challenged."
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Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.
Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
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