#give me a moment lots was happening in that scene

[eregyrn-falls]

^^^^^^ !!!!!

There's so much I'd like to add but it would be carrying coals to Newcastle. Great post! (And a lot of great tag-rants in the notes, too.)

I did want to add one thought to this set of tags from @achromaticegoist, about the punch in particular.

It took me a long while to realize it, but not only is the punch reflective of a whole lot of things about Ford's state of mind on his arrival back through the portral... but, it also serves as some really interesting closure (and I'm not even sure the writers realized it).

In the episode, it's told out of order, so we see the punch FIRST. But later in the ep, when we see the fight that led to Ford going through the portal in the first place, what happens is that he and scan are scuffling, and there's that moment when Ford pushes Stan off with his foot and inadvertantly presses Stan against the glowing (apparently red-hot) symbol on the side of the control panel.

Stan screams in pain, of course. And immediately, Ford is suddenly worried, and contrite. He says, "Stanley! Oh my gosh! I'm so sorry! Are you alr-"

And Stan punches him in the face.

That punch is what sends Ford stumbling out into the portal room and falling against the activation lever; and landing inside the danger zone. Ford does get up, but before he gets a chance to say anything else, Stan shoves the journal into his chest, Ford begins to float, and the disaster unfolds from there.

We don't spend enough time thinking that, basically, from Ford's point of view (if he replayed those last moments over and over in his head, as he probably did), the last things that Stan did to him was: punch him in the face, and then shoving him into the portal. The latter was accidental (though disastrous); but the first kind of wasn't. Ford stopped fighting, switching to concern and apology. While Stan lashing out due to the pain is understandable, Stan's punch is what prevents the fight from being over.

Ford coming out of the portal 30 years later and immediately punching Stan in the face kind of creates a book-end with that earlier punch from Stan, doesn't it? Ford getting to hit back the way he didn't (wouldn't?) 30 years ago. (He stands up, but he just stands there angrily staring at and listening to Stan as he approaches. He doesn't try to leap at Stan again or try to wrestle him for the book, etc. Was Ford, effectively, done fighting the moment Stan got seriously hurt?)

As I said, I'm not sure the writers were thinking about that consciously. I don't remember hearing them comment about it (i.e. that Ford's punch was a mirror of the punch that Stan gave him 30 years prior). But I do like to look at what's written and think about it in terms of, these scenes are deliberately written, the way it goes and the details included are chosen, often at the end of a long process of collaboration. I think that what's chosen for the final version is always very interesting.

And I just don't often see people discuss that moment where Ford stops fighting, and immediately becomes worried and apologetic. Not least because, like... up to that point in the series, we haven't seen Stan be apologetic very often. A few times, yes! And it's always notable when he does it. It clashes with the exterior he presents to the world; the man for whom saying "Please" gives him physical pain, etc. Some of which is meant for laughs, too! And some of which is just the product of being hardened by experience and so on.

It tells us something, I think, that Stan truly getting hurt, and screaming in pain, is enough to end Ford's desire to fight. That even after 10+ years of estrangement, he's that ready to be concerned for Stan; and that he's that ready with an apology. Later reads of Ford (post-portal) will portray him as the man who won't say "thank you", and I have other thoughts and feelings about that. But getting back to this, it's the show's choice to have Ford stop their fight and make a slight turn towards a sort of reconciliation. When they could have easily just had him and Stan keep fighting and struggling and the portal turn on because of that. It's such an interesting writing decision; and I just don't hear people dig into what it means for the characters very often.

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[unoislazy]

Promises

Vi x Reader (Part Four)

Friends?

------------------------------------------

“You talk too much.” Vi huffed and with one swift movement turned around and punched the support beam of the tower behind you, causing it to start to crumble to the ground. You looked back towards Vi who had grabbed Cait’s arm and signaled for you to follow behind as she began to run. You sprinted as fast as your legs could carry you as you heard the booming sound of the tower crashing down, leaving Silco behind in a cloud of rage filled dust. 

Once you were a safe enough distance away, You all stopped to regroup for a moment, giving yourselves time to process what just happened. 

“So when were you going to tell me you knew where my sister was this whole time?” Vi asked, to which you looked directly at her and answered,

“I told you, I was getting there but there was a lot happening all at once, what was I supposed to do? Find out you're not dead and then just immediately say ‘hey Vi! I know where your sister is, har har,  let's NOT focus on the fact that you just got stabbed!” You said in an overly dramatic mocking tone as you put on a character to reenact your little hypothetical scene. 

“You could’ve just said something after you got the serum.” She huffed again, her anger not dissipating as she kept her eyes focused on you. 

“Vi, I told you, I was going to tell you but-”

“Why didn’t you?” She interrupted.

“Well you kind of have this annoying habit where you don’t let me talk so…” You said in a sarcastic tone as you looked away from her. She sighed, cupping the side of her face with one of her battered hands. She was just healed not even twenty minutes ago and she’s already put her body at risk of another injury. 

“Hey, you’re not sin free either here Vi. You’re working with a pilty? I tried to ignore it to stay out of your business but you want to get on MY case for working with the wrong side?” You argued. Vi was an older sister through and through, she was always quick to correct the actions of others without having the time to think about herself. You couldn’t blame her, with everything she’s probably been through in the last 48 hours, it’s a lot to grapple with all this new information. But just because it was hard on her doesn’t mean you were just going to let her off the hook. 

“No offense Caitlyn but I could tell you weren’t from here with just one look.” You said to her, as she looked over to you as she quickly shook her head. 

“I’m not-” She began to speak before Vi spoke over her once again.

“Leave her out of this.” 

You glanced at Caitlyn as she rolled her eyes before looking back at Vi.

“Vi how can I leave her out of this when you’re doing the exact thing you’re upset at me for. Well… maybe not the exact thing unless she’s an enforcer but there's no way you’d-” You paused. Once those words left your mouth there was a sudden silence that fell over the two of them as Caitlyn averted eye contact. 

“No. No way.” You finally managed to speak up as you looked between Vi and Cait. 

“How do you think she got me out of Stillwater?”

“Vi really? That’s clearly not the point here!”

“She needed information against Silco, that’s why she's here,” Vi excused, 

“Holy shit. I never thought I��d live to see the day when THE Violet goes out of her way to defend an ENFOR- an enforcer?!” You stumbled over your words a bit in disbelief as you held your hands up to your forehead and pushed the back over your hairline. 

Vi was quiet now. It seemed to have hit her a bit more now that she was actually taking your reaction into consideration.

“I’m here to help.” Caitlyn spoke up, causing you to look at her. You had no real reason to not trust her, she hadn’t done anything to warrant you being hesitant of her, if anything she showed you could trust her as she had given up her valuable gun without hesitation for the sake of helping Vi.

“To help who exactly? What do you even need this information for?” You asked. In your mind whenever an enforcer came down here to ‘help’ it was just because the Pilties were uncomfortable and they needed to display they’re military power against the poor people of Zaun.

“There’s an ongoing investigation involving someone named Jinx, linked to the Progress Day attack.” Cait explained which caused you to look back at Vi.

“Oh yeah, that’s gonna go well. I can totally see how this will all work out perfectly and there won't be a conflict with that at all in the slightest.” You remarked sarcastically as you crossed your arms. Did Vi seriously expect this enforcer to just let her sister go without any reason, especially if she was the one behind the attacks? Caitlyn looked at you with confusion, it seemed was a little behind on connecting the dots but all her questions would soon be answered as you looked over to Vi. 

She was staring at something off in the distance, her eyes locked on with a mesmerized air about her. 

“Vi what are you-” You were about to ask but you got your answer as you turned to see the blue cloud of smoke filling the air. 

Powder. 

Without another word you and Vi began running towards the direction of the smoke. Cait followed close behind, clearly confused as to what the sudden urgency was for, but you weren’t going to explain it to her. You couldn’t. If there was any hope of Vi getting out of this with her sister it would be by you keeping your mouth shut. 

Just as the smoke was starting to diffuse, you all made your way up. Vi was the first to greet her sister and you were a close second. As you walked up, you saw the two girls clinging to each other as they reunited for the first time in years. You kept your distance so as to not ruin the moment until Jinx noticed you. 

“You’re here too? I thought… I thought you left?” She asked as Vi released her from the hug to look back at you. You walked up closer to them with a smile on your face. You always kept your distance when it came to Powder, you were just there if she needed you but out of fear of Silco you didn’t get too close. You didn’t realize it would affect her at all if you had left, but it seems she noticed after all. You nodded at her and in that moment you didn’t see the Jinx that you were used to showing up and tormenting people for fun. You saw the young girl who used to create things and show them off to you with pride when you’d visit. You saw Powder and it was clear that Vi did too. 

But before you could all get too comfortable, you all heard the sound of Caitlyn catching up behind you. You felt a little bad for having ditched her but you knew how important this was to Vi, even if you did have your disagreements on other things.

Powder quickly reached for the gun that was strapped to her and aimed it at Caitlyn. 

“Who is she?” She asked and just like that you could see Jinx take over once again. 

“Who are you?” Cait asked back in a lower tone as she looked between Vi and Jinx. Vi quickly jumped in to be a mediator to try and keep Jinx from attacking Caitlyn.

“It’s okay… she's a friend.” Vi said, holding her arm out to Jinx as she tried to convince her. You couldn’t help but silently wonder to yourself “Is she though?” Cait hadn’t given you any direct reason to dislike her but you still wanted to be cautious. 

But it was going to take more than a couple words to undo all the trauma associated with enforcers for the blue haired girl. 

“Your sister is Jinx?” Cait asked. 

“Listen we can work this out-” Vi tried to keep things together as she often did but it wasn't working. Cait was set on her role as an enforcer, here for the blue orb thingy. You truthfully had no idea that was even involved in the equation until you watched her spot it. 

“Hm, it’s almost like someone called this.” You muttered quietly before looking back over to Jinx.

“This is a trick, you're playing me!”  Jinx shouted, aiming her gun at Vi, then you, then Caitlyn before covering her ears as she turned away.

“Shut up!” She screamed. 

“We didn’t say anything?” You shot Caitlyn a look. If there was ever a time to make a snippy comment, it was definitely not when the girl who is hearing voices has a minigun aimed directly for you. You watched as Jinx slowly began to spiral, as she often did when some news of something involving Powder would come up. You weren't exactly surprised it was happening, but you knew how irrational she could get and you'd be damned if you knew how to stop her. 

As Vi continued to try and get Jinx to calm down, you heard a low rumbling noise, it was hard to hear at first so you ignored it, paying more attention to Jinx and Vi but the longer you ignored it the louder it went until Jinx finally noticed it as well. 

You all turned to the sound and realized it was none other than 

“The firelights.” You whispered before your voice was quickly drowned out by the rapid firing sound of Jinx’s gun. You quickly ducked and covered your ears to get out of the way of Jinx’s sporadic aim. In seconds, multiple firelights joined their leader and came swooping down among you all. Luckily once Vi hit one off of their board you were able to grab a weapon to help fight alongside them. You weren’t the best at fighting, you were never trained, but to survive in the Undercity you’d have to at least be able to keep your face out of the way of an oncoming attack. 

As you continued to fight you looked around after a while and noticed that Caitlyn was nowhere to be seen. Maybe she was just hiding.

Or maybe she just got what she needed and left. 

You didn’t give too much attention to her disappearance as you found yourself fighting alongside Jinx. You listened as she took joy in the blaring sound of her gun firing before it was quickly replaced by a crazed rage. She switched back and forth between emotions like night and day as you fought together. Once Jinx had successfully cornered one of them, you noticed a distinct lack of fighting noises as you turned around.

That when you saw her.

Vi, knocked out on the shoulder of one of the firelights. Suddenly all the petty anger you felt when arguing with her earlier dispersed as you realized the very real possibility that you were about to lose her again. You had time to spend with her and you took it for granted. You spent it arguing. 

“Vi!” You cried, which quickly caught Jinx’s attention. Once she too noticed that they had taken Vi, she quickly charged at them only to be covered in a plume of smoke. You tried your best not to inhale whatever black substance was used to create the smoke.

And as the cloud dissipated you realized…

She was gone.

[alpaca-clouds]

I am kinda frustrated how some people talk about Arcane S2 as if the breakneck pacing was a good thing. Because, like... you get that it isn't, right?

I have really no idea what happened behind the scenes of that show, but something tells me that either Riot forced them to put in a whole lot more plot points than they wanted (like the entire LaBlanc/Black Rose stuff), or that they thought they would do 3 seasons and now are scramming two seasons worth of plot into a total of like 350 minutes of runtime.

But just stuff like: Vi and Cait kissing, then breaking up two scenes later, with Cait doing her face-heel-turn, before in the VERY NEXT SCENE that features both of them Cait is doing a heel-face-turn.

I am sorry, but simple rules of storytelling: If you put in a twist like a main character go bad/evil, you need to work with that. You cannot do something like that and then not work with the dramatic tension resulting from it. If you are unwilling to do something with that twist, don't do the twist. It is that simple.

If they had just wanted to seperate Cait and Vi so that Jinx could approach Vi, give Cait a depression arc, where she feels bad for not having succeeded in killing Jinx, and now she is hiding out in Zaun, and Ambessa uses the power vacuum to take over.

S2 right now watches like a darn recap episode highlighting the "best of" moments, rather than a coherent story.

And sure, there are three episodes left. But man... While I had criticisms of the writing in season 1, it was overall solid. But season 2 is a bloody mess. It is still obviously beautiful to watch. Like the animation is the best thing anyone has ever put into TV animation. But frankly, I would prefer animated stick figures, if instead I got a story that knew how to do plot twists and let them pay off.

[localplaguenurse]

Falling Head over Heels (Pantalone x Male Reader) pt 8

WE ARE FUCKING BACK! (I immediately started hacking my lungs after typing this, I'm sick :P)

To make a long story short, for the past few months I've either been really busy, really depressed, and usually both. Also for some reason chapter 8 was already hard to write and I don't know why.

ALSO before we get into the fic, @your-local-furby drew some absolutely lovely fanart of MC apologizing and seeing the library from the previous two chapters. I think it finally kicked my brain back into gear lmao.

Without further ado, please enjoy!

@thedeimoshimself @eli-chris

It feels like the ground beneath me is sucking me in.

I feel myself sinking,

I wish the ground would swallow me whole.

Embarrassment washes over me and swallows me whole. I feel the air leave my chest I want to break free but I feel like I’m drowning. 

You take the page you’re scribbling your notes on and crumple it into a ball. You’ve reread your rough draft and decided the arranged wedding scene you had planned wasn’t tragic enough. The blind musician is tasked with performing for the prince’s wedding, but his heartbreak causes him to mess up his performance, which causes everyone to notice he’s crying, including the prince. You’re trying to convey the feeling of knowing every single person in the room is watching you during the lowest point in your life, but it’s just not coming together in a way you like. You’ll run it by Alik later.

Technically, Alik is no longer your editor as a result of your deal with the Yae Publishing House. Still, they’re one of your few friends, and their workload has lightened since your previous publisher terminated all of those other book deals. Now they’re acting as your beta reader before you send off the next draft to the editor at the Yae Publishing House. It’s actually making progress go a lot faster, so much so you might only need one final draft of the whole story before it’s finally published, as opposed to multiple drafts. 

I do not need sight to know everyone in the room is looking at me. I feel it in my broken notes that trail into nothingness. I feel it in the resulting silence. I feel it in the quiet murmur spreading through the room.

I feel tears in my eyes as I drop my head down, praying no one sees me crying. If I could, I would sprint out of the room, out of the palace, so no one is witness to my heartbroken embarrassment. I’d run so fast, the prince would have no time to chase after me. It would be for the best anyways. He deserves his perfect and beautiful bride, and I am no bride, I cannot verify if I am beautiful, and in this moment, I could not feel anymore flawed as a person and human. 

A knock on your door breaks your concentration. You’re dreading whatever is on the other side, but know it’s better to get this over with. 

“Yes?”

The door opens, and your mother pokes her head in through the gap. She offers a smile. “We have company. Come say hi, please.”

“I’m… kind of in the middle of something,” you reply, “and I’ve told you that I’m going to see Alik when I’m done writing.”

“How is she, by the way?”

“They’re fine.”

“And Maria? How’s she?”

“She’s alright, I think. I haven’t seen her in a while.”

“Well, tell them both I say hello. Anyways, if you have a minute, I would like you to come downstairs. There’s someone I’d like you to talk to.”

It takes you a moment to recognize what this is, mostly because it’s been a while since she tried pulling this off. When you realize what’s happening, you just shake your head and look at your mother. “Which family friend is this?”

She gives you a very unconvincing look of confusion. “My dear, what do you mean?”

“Mother, please.”

“... Ana. Anastasia.”

Anastasia is your younger sister Adéla’s friend. Much like your sister, she’s only a year younger than you, but unlike your sister, she actually likes you. Adéla and you have butted heads throughout your lives, as siblings tend to do and especially with such a small age gap, but Adéla has taken it a step further saying that it’s your fault her childhood was so “miserable” as she puts it. She claims that your diagnosis made you the centre of your parents’ attention until your youngest sister was born, and then they focused more on her than Adéla. Conveniently, she’s never had any sisterly drama with her, only you. You feel for her, but there was only so much you could do at the time, seeing as you were eight years old.

“Absolutely not,” you tell your mother.

“But you two got along so well when she would visit,” your mother insists, “and she’s become a fine young lady since the two of you last spoke! Don’t you remember reading together when you two were little?”

“I’m sure she’s beautiful,” you say, “but Adéla will throw a fit if she finds out you set me up with one of her friends.”

“You don’t know that.”

“And I don’t want to find out,” you tell her, “and I told you I don’t like being set up on dates.”

Your mother lets out an exasperated sigh. “I’m just worried about you, okay? I want to make sure my son is happy, healthy, and I want him to find someone he can settle down with. Your brother was already married at your age, and Adéla’s going to be having another baby soon.”

“Yes, but I’m not Pavel or Adéla,” you say, “the dating scene is different for me, and playing matchmaker isn’t going to make me feel any better or help me.”

Your mother just looks at you. That sad, pitiful look you know all too well. It stopped pulling on your heartstrings long ago, but sometimes it’s just easier to indulge her than it is to fight her on it. Besides, she means well, you think, it just can’t be helped that she doesn’t know her son has no interest in women.

You sigh, and stand up, much to your mother’s delight. “I’ll say hi, and that’s it.”

She grins, and she motions for you to follow her.

----

“... and she just happens to be single, too.”

Alik sets their glass down. “Interesting. So when’s the wedding?”

“It’s not happening,” you reply, “thank the Tsaritsa for that.”

“I’m honestly surprised your parents haven’t put you in an arranged marriage yet,” Alik comments.

“How many viable marriage candidates do you think there are that would be thrilled to marry someone who’s not only going blind, but could pass it on to their children as well?”

“Depends on how much the family is getting paid.”

“And it would not be much.”

The tavern is surprisingly quiet tonight. You chalk it up to it being the middle of the work week, not as many patrons willing to get drunk if they have work early in the morning. Currently, you and Alik are sitting at a table in the corner of the room while a few older patrons mill about, chattering on about their own lives at the bar. It’s actually rather nice, you think.

“What would they try to sell your bride to be on?” Alik asks.

“Um…” You look into your half drunk glass, trying to think of something funny. You clear your throat, straighten your posture, and put on your best business smile. “Here’s a fine young man who has no real work skills, and it’s not like they would do him any good since he’s considered legally blind and has between thirteen and fifteen years before he is fully blind. His only profitable skill is writing, though he doesn’t make enough to support a household. His blindness is also genetic!”

“By the Archons, at least say one nice thing about yourself,” Alik teases, though there’s a subtle sincerity to their words.

“I think I’m decent,” you say, “I think I might even make an okay husband, but I don’t think I’d be the kind of husband Pavel or my father are.”

“That’s not a bad thing,” Alik replies, “there are plenty of families and couples where the husband isn’t always a provider. Besides, you’re not really a ladies man to begin with.”

You shake your head. “It’s not even that, it’s just… you know I try not to make a big deal of me going blind, but it’d be naïve of me to pretend that it’s not, and especially if I was in a relationship. Whether I like it or not, whoever I marry is going to inevitably become my caretaker. There will come a day where I’m going to need help, and I’ll rarely be able to return that favour.”

“That’s why it’s in sickness and in health,” Alik comments. They reach across the table and take your hand, giving it a reassuring squeeze. “For what it’s worth, I think you’d make a good house husband, before and after you start seeing the world how Maria does.”

Maria is Alik’s cousin, and one of your few very close friends. She has been a big help to you in writing your book as her blindness is similar to the main character’s. While he was born blind, she actually had vision when she was born. Unfortunately, she suffered a very severe head injury when she was very young. She has little to no memory of her life before she lost her sight as a result, as well as having some developmental problems growing up. These days she’s doing much better, though her eyesight is still gone. At most, she can detect if there’s light, but that’s the extent of it. 

“Do you have permission to make jokes about her being blind?” you ask.

“I not only have permission, but that’s not even the worst joke I’ve gotten away with.”

“I don’t want to know.”

“For the best.”

Your table goes quiet as you and Alik take a moment to drink. You try not to cringe at the taste of whatever the hell Alik recommended you try. It’s a beer, and you can taste that, but it’s a lot more bitter than you like. Still, they bought it for you, it would be rude to spit it out.

“You don’t have to drink that, you know.”

“It’s an acquired taste, I’ll get used to it.”

You see a smile twitch onto Alik’s lips, and even if they try to hide it, you can see a shit eating grin from miles away. 

“Okay,” you say, “out with it.”

“What do you mean?”

“You thought of something terrible, I want to hear it.”

Alik glances around the room, assessing how audible their comment would be. You take a sip of your drink, and they grin.

They lean in. “I’m sure Pantalone would be happy to hear that.”

You immediately sputter, spraying Alik in the face. They yell, swiping at their face as if they were sprayed with acid. You cough as what was left in your mouth goes down the wrong pipe. “Fuck, w-why’d I take a drink–”

“Did you have to spit that in my face?” Alik asks.

“Shut up,” you wheeze out. You give one more hearty cough, your throat and chest burning, and you can breathe again. You sit up, rubbing your chest through your shirt while Alik wipes their face and the table with napkins. You look around, and see the few patrons staring at your table. You painfully chuckle, and turn back to your friend. “S-Sorry, I should know better by now.”

Alik shrugs. “I’m not wrong, am I?”

“I told you that in confidence,” you whisper.

“You actually told me before the tea party,” Alik tells you. “I don’t know if you’ve noticed, but it’s starting to show in your book.”

You feel your face flush, and you narrow your eyes. “I think I would know if I was writing about him, thank you.”

“The prince was a lot more arrogant in your first drafts,” Alik explains, “but in more recent iterations, it’s been toned down a lot. He’s also a lot more understanding of the musician’s blindness.”

You’re confused. “Well, yes. My first drafts are years old, so I’ve had to make some adjustments to better fit my writing style now. Besides, I’ve read too many stories about asshole love interests that don’t really learn anything, they just get tragic backstories that authors think justify their shitty behaviour. I’m not adding my characters to that pile.”

“No, I agree on that,” Alik says, “but even then, he was still a solid character, arrogance aside. He was just a spoiled prince who had to actually think about other people for the first time in his life. Like he’s never had to deal with someone with a disability, and doesn’t know how else to feel other than annoyed. In the more recent drafts, he still doesn’t know how to deal with it, but he’s a lot more willing to make up for the disrespect, where the old version did it, but complained the whole time. It just so happens that this change happened right when you met him for the first time.”

“That’s… hm.” You take a sip and don’t spit it in Alik’s face. “You’re on the right track, but I don’t think I was writing all of that because of a crush.” You feel your face flush warmer again. “He was a bit of an ass at the party, but since then he’s become one of…” You take a moment to count names on your finger. “... six or seven people that aren’t patronizing about me going blind. I’d just been putting up with most of my family either coddling me or being inconvenienced by me, but he’s a rare instance of someone making accommodations, but not making a big show of it. That’s why the book was like that until I met Pantalone.”

You stare into your glass. “And… a-and it’s why I enjoy his company so much…”

Alik doesn’t say anything. You look up, and you see their expression has softened a little bit. They lift their drink up to you, and you smile and lift yours up.

“Cheers.”

You both take a swig, and somehow the disgusting drink tastes sweeter going down. Your face feels warm, and you wonder why you’re still blushing when you see you’re already halfway through your drink. Alik has a similar glow in their cheeks. 

“That’s really sweet and cute,” Alik says, “but I do have to ask you something.”

You feel whatever warm feelings you’re feeling lessen when Alik’s softened expression gains a hint of concern. Their smile looks awkward by comparison, before they sigh and lose it altogether. You’re already dreading what they’re about to say.

They hesitate for a moment, and when they speak, it’s in a whisper. “Do you like him, or do you like what he’s done for you?”

“W-What?”

“I wouldn’t ask that if we were talking about anyone else,” Alik clarifies, “but I have to ask when it’s him. I don’t want to rain on your parade, I’m happy you like someone, but… he’s a harbinger. One of the more likeable ones, but not without flaws.”

“I know…”

Alik sighs. “Look, if it were some other handsome rich man, I’d say go for it. The fact it’s a harbinger specifically makes me a little worried, I won’t lie.”

You sound like my mother. “It’s a crush, not an engagement,” you tell them. “We enjoy each other’s company while he works with my father and sister. I just enjoy it differently than he does.”

“Still, even as friends, I’d be cautious. If not for what he’d have planned, then for what others might have in store for him.”

You take a swig. “You want to know what’s funny? You’re the first person to bring up his enemies as a point for why I shouldn’t get near him.”

“I am not.”

“No, seriously. My mother doesn’t want me near him because he’ll probably, I don’t know, kill me or sell me or steal my ideas, depends on the day. My father thinks I’ll ruin everything those two have built together, which I still don’t know why Pantalone is working with him.”

“Maybe your dad’s indebted to him or something.”

“...”

Alik notices your silence. They say your name in a soft voice, seeming worried by your expression. Your father’s not in debt, is he? The business isn’t as prosperous as it was when you were little, but job markets change all the time, and the economy is ever fluctuating. It’s purely the result of what happens when a business runs for as long as it does. Sometimes an empire doesn’t crumble, but rather dies slowly.

“Hey, are you okay?”

You snap out of it. “I’m, uh, I’m fine.” You push your seat back and stand. “I’m just, um, I’m going to go to the washroom for a second.”

“... Okay? Just watch yourself.”

“I’ll be fine,” you call out over your shoulder before immediately bumping into someone. Unlike with Pantalone, you actually manage to catch yourself before you fall. You know that Alik is holding their head in their hands, possibly stifling laughter too for a little extra salt in the wound.

“Archons, sorry,” you immediately blurt out, “I didn’t see you there.”

The ginger haired man laughs. “Oh, no worries comrade! Just be more careful next time!”

You stare at the man, eyes widening. His smile grows, almost reaching the dull blue of his eyes.

“Why the surprised face?” he asks jovially.

You sigh and shake your head. “I have got to stop meeting harbingers like this.”

[deliciousnecks]

i appreciate you being a voice of reason! there really is a certain breed of singleminded nandermo stan that 1) either can't or won't recognize when something happening on-screen is meant to be a joke or part of the setup to one, 2) comes unglued when an episode focus is not on nandermo to their satisfaction. it's... interesting behavior. begging portions of this fandom to educate themselves about common writing conventions that have been used in tv sitcoms for decades 🙏

no. don't get me started on the "unglued" portion of this, because you're so right and i have seen it through all the years and it's just so... PLEASE. STOP.

it's the way that people who have this mindset, the moment the episode doesn't focus on these two, the episode is now "bad" or "boring" also "not funny at all" and this season, this same thing happened the moment the trailer dropped. let's now talk about how poorly FX did and is still doing when it comes to promoting this last season, but i also read a lot of people just talking about not being as excited, about how it just "didn't feel like a wwdits" and all those things, and the reason? because there was not a single nandor & guillermo bit in it. and this happens ALL THE TIME.

and it's like, there are other characters that also need their moment. am i saying that there aren't weak episodes? no, but if one is only watching for nandor and guillermo? yeah, you won't like this, and you will think the whole thing is shit, because they're not "giving them more time" or w/e. some people really need to learn how to appreciate the show as a whole, there's more to it than these two characters, and sometimes some people are just so focused on them and THAT next scene, that other good moments pass them over their heads.

[raddestrose]

Did he just slip up?

[astralhope]

- Ehi you, are you alright? -

- Let's win. -

- Uh!? -

- Leviathan Dragon, attack that face down defense position monster! -

- Like I said, this is so suppose to be my duel! -

Yuma and Astral in episode 6

[my-thoughts-and-junk]

i can't tell if i'm just not paying attention or if mouthwashing just doesn't make any sense

[akkivee]

THE VOICE ACTING IN THE ENTIRE KUUKOU VS HITOYA CONFRONTATION GETS ME GOING EVERY TIME

[kosmiccarma]

I'll add myself to the pool of ppl who (might delusionally) believe gojo ain't dead dead

[boygirlctommy]

ive decided that andoras almost always has crazy makeup and wigs on simply bcus its fun for him. and everin doesnt see him without any of it on until after the birthday party debacle and loses it slightly bcus she thought that was his real hair the whole time wdym youre BALD (hes not bald his hair is just short)

[cowboyskeletons]

flower language rocks. i should do more art with it

[longagoitwastuesday]

While I loved that interaction, that is all we got about something that could be taken as two of the most important (alive) people in Gojo's life mentioning him, thinking of him with fondness, or coming anywhere close to mourning him.

Then we got two pages of resolution of whatever emotional turmoil these two have going on

[miriani-lavellan]

Ahh, Lucanis. So let me first say, his scenes make total sense and I'm happy with what we got - we all want more from our faves, but they did manage to compact a lot of trauma and resolution in some fairly compact quests. Here's what I think happened that wasn't made explicitly clear though:

Lucanis chooses the pantry to sleep in because he's been imprisoned and tortured for a year, and he's not ready to leave captivity yet, not inside his head. He locks himself in there because it's familiar misery to him, which is easier to deal with than scary freedom.

Lucanis' letter to Rook before he asks Emmrich to bring Zara back for questioning tells us he's suicidal at that point, and probably has been for a while. Spite, however, doesn't see him as a lost cause - he never uses that to take over Lucanis' body entirely. This is so interesting to me, when we know things like that pretty famously happen all the time in Thedas. He's determined to keep Lucanis alive - and he asks for Rook's help in doing so.

We are in the NORTH now BABY! Attitudes towards spirits and demons are different here, especially in Rivain, and it seems with our Rook too, who never expresses any chantry-esque hang ups (that I've seen). Seer Rowan greets Spite as Determination, and that's how he's introduced by Isabela (with some excitement) if you fight in the hall of Valor. What happened to Spite is just as sad as what happened to Lucanis. He was violated, perhaps corrupted, and definitely trapped - and hurts Lucanis sometimes in his frustration. But, I think he likes Lucanis! He's his host's little head gremlin, and I think the relationship they have (that we don't see too much of) is healthier than any of the possessed individuals we've seen before.

Because? Lucanis is not a spiteful person. He wants revenge, yes, and he's angry, but he doesn't hurt everyone around him because he's in pain. One of the first things he does when he becomes part of the team is go shopping for them. And despite how Ilario and Caterina have hurt him - and you can argue all day whether he's right to be like this - he still cares for them.

I think that when we help Lucanis leave the prison inside his head, we are helping Spite to return to his original nature as Determination just a little more. We're determined to help our friend, and you know what? Spite is too. For himself, firstly, because Lucanis's pain is hurting him, but in the end, he's done it for Lucanis too. There's an argument there that Determination didn't get corrupted at all - just hurt, and that Lucanis, with his loving nature, has been keeping him from turning into a mindless demon of pain.

I thought for a long time that when Lucanis breaks away from kissing Rook, it was because Spite said something horrible to him. But actually, I think it was Lucanis himself, remembering how trapped he is. Thinking about the eventuality of killing himself - I strongly suspect that's what he was thinking about before he fell asleep, and that's why Spite was trying to go walkabout - trying to get out from where Lucanis can't. Lucanis got lost in the moment, but of course he doesn't want to drag Rook into that.

Lucanis making dessert for Rook and thinking that's the same as asking them out (but not actually asking them out) is so completely on brand for him I laughed. He has no idea what he's doing. It would have been nice, though, for Rook to reply to one of the companion's 'so you're together?' banters with... 'we are?' Or for Rook to be able to ask him. Unfortunately, we don't get those convos where we can spam ask questions etc like in DA:I - I did wonder if that got cut and we missed some resolution to that.

Lucanis gives no shits about everyone knowing he's Rook's love interest. He's not ashamed of himself or scared he'll hurt them - Rook has helped both him and Spite. And judging by the way Spite's wings come out to embrace Rook as they kiss Lucanis, I suspect that Spite might love them, too.

[soaps-mohawk]

Cherry Red, Crimson Blood

Chapter 36: To The Sea

Summary: It's time to move on. You're not sure where you're going exactly, but anywhere is better than Texas

Pairing: Poly 141 x reader

Word Count: 7,816 words

Warnings: ANGST, injuries, medical stuff, descriptions of pain and injuries, brief discussion about strangulation, mentions of PTSD and nightmares, so much crying, Alpha/Beta/Omega dynamics, Alternate Universe, angst, a very little sprinkle of comfort, language, mentions of medications, still very heavy emotionally

A/N: Not actually a lot of warnings for this one. It's a lot of dialogue and inner monologues. Not a lot happens, just mostly setting the scene for the next chunk of the story. Bring tissues though, the last part of the chapter emotionally wrecked me but also might be the best thing I've ever written.

MASTERLIST | <- Previous | Next ->

It’s warm outside. 

Not even the shade from the building can completely shield you from the dome of heat that seems to surround the base. It seeps into the concrete and asphalt that lock it into place, trapping everyone in a bubble that may as well be an oven. It’s always hot in Texas, though. You hate it. You’ve been spoiled by the cold, rainy seasons in England. You’d gladly take that over Texas. 

You’d take anything over Texas. 

The heat prickles at your skin, your arm starting to get sweaty in the sling. It had been Dr. Keller’s idea to keep your shoulder as still as possible so you don’t continue to cause yourself pain when you move. It still hurts, but at least you won’t instinctively try to use your left arm now.

Despite the warmth, there’s still a chill deep in your bones. The warmth of the pain medicine has worn off and you’ve been left with the perpetual ice that has seemed to coat your insides. Dr. Keller says it's the stress giving you a fever. Every nightmare, every flashback sends your body temperature spiking, your heart beating right out of your chest. You’re not out of the woods yet. It can take a long time to recover from that level of distress and the omega taking over. You almost regret it, but there was no guarantee you would have lived either way at that time. You did what you had to do, and it did work out in the end. 

But at what cost? 

Dr. Keller’s phone buzzes in her pocket and she pulls it out, staring down at the screen for a moment. “Kyle wants to come by.” 

You don’t want to see him. You don’t want to see any of them. 

“I think you should see him. Even if it’s just for a moment.” She squeezes your hand. “I’ll be right here.” 

It’s a predicament. Dr. Keller supports your decision to keep them away, putting some distance between all of you for the time being. Yet, she also says being close to your pack will help your healing. Having your pack around will help your omega settle once again. She needs that safety, that security before she finally lets go completely. 

You don’t want to be close to them, but you may not have any other choice. 

You sit there in silence, picking at the fabric of your sweatpants as you wait for Kyle’s arrival. Sweat has started to bead on your back, the day only getting warmer and warmer as the sun moves higher in the sky. You want to go back inside, back into the cool air conditioned building. You want to crawl back onto the hospital bed and lay there for the next few hours. 

You can’t. 

Footsteps approach, but you don’t look up. You know who it is. You don’t want to see him. 

“Kyle.” Dr. Keller greets. 

“Christine.” He says back. It still throws you off, hearing Dr. Keller's first name. She'll always be Dr. Keller to you. Kyle turns his attention to you, still standing a few steps from the bench you're perched on. “Hi, love.” He says. The affectionate nickname almost makes you wince. You don't look up at him. You don’t want to see his face. “I wanted to stop by and see how you’re doing.” 

You don't move, don't give an answer. You don't have an answer to give anyway. You shouldn't have to give an answer. 

He lowers himself onto the bench, sitting as far away from you as he can. “It’s hot today.” He says, adjusting his hat. Always wearing a hat. Maybe that's why he and Price work so well together. 

He stares at you for a long moment but you don't bother moving, your gaze still on your sweatpants. They're starting to get a bit warm, even with your perpetual chill. 

“I’m not here to apologize.” He says, breaking the silence. “You’ve probably heard enough apologies to last you a lifetime.” He shakes his head. “Words can’t fix what we did. Nothing can fix what we did, how we left you there. All we can do is give you what you need, try and make you as comfortable as possible.” 

Tears burn your eyes as you listen to him. He's not wrong, an apology won't fix what happened. No words will ever be able to fix what they put you through. You're not sure there's anything they could do that would make up for it. An apology still would have been nice, despite the fact you know how guilty he is. Their avoidance of you, their willingness to give you such space in an unknown place just proves how guilty they all are. 

That doesn't make things hurt any less. 

You slowly turn away from Kyle, angling yourself towards Dr. Keller. 

He doesn't say anything further in that regard, taking your movement as an answer to his non-apology. He leans forward instead, resting his elbows on his knees. “I just wanted to let you know that we’re getting ready to leave soon. We’ll be heading somewhere safe, somewhere quiet and secluded. I think you’ll like it.” 

Dr. Keller had informed you of that earlier after she went to speak to them. They've decided what to do, what's best for the pack again. You might have protested, except for the fact it meant you were getting to leave Texas. Where exactly they're taking you, you're not sure. You just know it's not Texas. 

“I want you to know that we’re here if you need us.” He stares at you for a moment longer before pushing himself up to stand. 

If, not when. 

Maybe they're finally getting the message. 

Dr. Keller stands, touching your right shoulder gently before she steps away with Kyle, speaking quietly with him, but you can still hear every word in the nearly silent space around you. 

“In an attempt to remain a neutral, professional party in this situation, I feel it would be appropriate for me to tell you not to beat yourself up too much about this.” Dr. Keller says. “The unprofessional side of me has many words I’d like to say to all of you.” She clears her throat. “That being said, on a positive note I can say you’re all doing the right thing for once, prioritizing your omega and fulfilling her needs, even if her needs require you to leave her alone for now. I know it’s hard, I know every instinct is screaming at you to help her, but just take comfort in knowing you are helping her. You’re doing the best thing you can do for her at this time.” Dr. Keller puts a hand on his arm, squeezing it gently. “Even if it is tearing you up inside.” 

“Thanks, Doc.” He says. 

“I’ll see you soon.” She says, patting his arm before she heads back towards your bench. 

You turn your head just slightly, not missing the way Gaz lingers for a brief moment before he turns his back on you, walking back down the sidewalk. 

It hurts. 

You want to cry with every swallow. No matter how much you chew, it doesn’t ease the pain of trying to swallow solid food. Even the worst sore throat you’ve ever had pales in comparison to this pain. Tears burn in your eyes as you eat, unable to refuse this time in favor of choking down some liquid nutrients. Even liquids make your throat ache, but they are easy to chug to get it over with at once. 

This feels like torture. 

Dr. Keller looks guilty as she spoon-feeds you the soup. Chicken noodle, something simple and easy but still something with some substance. It makes you think back to when you were sick as a child, your mother dutifully feeding you homemade chicken noodle soup until you reached the age you could feed yourself. 

You do feel like a child again, unable to even hold the spoon. Well, you could hold it, but it would have come at the expense of some burns from how badly your hand was shaking. 

So instead you sit here, being spoon-fed soup you can barely stand eating. 

“I know.” She says as a tear finally falls, your inhale shaky from the ache in your throat. “You need something in your system for the sedative. It’s a long flight and you’ll be sick when you wake up if you don’t have anything in your stomach. That’s going to hurt a lot worse than eating now.” 

Yeah. You’ve already figured that out. 

“Strangulation is a tough thing to survive.” She says, dragging the bottom of the spoon against the edge of the bowl to wipe off any soup that might drip on you. “Then again, so is getting shot, and distressing to the point of your omega taking over.” She holds the spoon up to your lips, and you’re tempted to refuse. “You’ve survived a lot, more than most could. And to look this good after...” 

You blink up at her, teary eyed and sickly looking, exhausted and bruised. Your left eye is still almost swollen shut, and your hair is tangled perhaps beyond saving, tied up in a bun at the top of your head. All just reminders of what you survived, all reminders of what happened to you. Of what was allowed to happen to you. 

You’re not quite sure when the last time you had a real shower was either. 

“I know.” She says, spooning more soup into your mouth. “You might not feel like it, right now.” 

“I want a shower.” You say, your voice still hoarse and cracking through your throat. A real shower might solve a lot of problems for you right now. It won’t fix much, but being truly clean would make a lot of things feel better. 

“I wholeheartedly agree.” Dr. Keller says. 

You give her a look. You don't smell that bad. She should know, she’s the one that cleaned the blood off of you and the one who gave you the sponge bath this morning. 

She gives you a look back. “I meant it would be nice to take a real shower. Once we get where we’re going, we can work on the logistics of a shower.” 

Right. You can’t exactly stand for a long time on your own, not to mention the problem of only being able to use one arm without bringing blinding pain upon yourself. That’s where the pack would come in handy. 

The thought of one of them seeing you vulnerable like that, putting their hands on you right now makes your skin crawl. 

A shiver runs down your spine, your body shuddering uncontrollably. You grunt as your shoulder screams in pain, another electric jolt burning straight through your nerves and down through your feet. Fuck. You mouth the word, squeezing your eyes shut. It makes your stomach churn, the soup starting to burn a path back up through your esophagus.

“Breathe for me.” Dr. Keller says, putting a gentle hand on your right shoulder. 

In and out. You focus on your breath, the only thing you can do without feeling like you’re going to go insane from the pain. It’s all you can do in this situation. It’s the only thing you can do at all. Breathe. Just keep breathing. 

Sometimes you don’t want to. 

The pain passes as it always does, leaving behind a subtle ache that will linger until the next flare of pain. It’s a constant, never-ending cycle that you can’t escape from. Weeks, Dr. Keller had said. It can take weeks to heal. You’ll be stuck in this cycle for weeks and weeks. What if it never heals? That is a possibility. It’s always a risk with any injury. 

What if the rest of your life is like this? 

You’re crying again, hot tears blazing a path down your cheeks. They won’t stop, they never stop. There’s a constant stream down your face, even in your sleep. You’ve woken to find your face and neck damp from the never ceasing flood of tears. 

How you can’t wait for the time to come when you have none left.

You’d welcome the numbness at this point, greet it like an old friend and invite it in for tea. Anything over the pain and tears that won’t stop. The depression-fueled numbness that had filled you when Price and Gaz left, then Soap and Ghost would be a welcome relief at this point. Anything would be better than the pain. 

You almost wish you were in a coma right now. Then you wouldn’t feel anything at all. 

Dr. Keller puts the spoon back into the soup bowl before rolling the table to the side. She puts a hand on your head, gently stroking your hair as you cry. The room is silent aside from your sniffles, Dr. Keller not having to say a single word. The silence is almost a blessing. You’re tired of hearing words, of hearing people speak. There’s nothing anyone can say that will do anything to help you, to comfort you, to make it better. 

There’s nothing anyone can do to make it better. 

You’re so tired of being like this. 

The sedative is kicking in before you even reach the airfield. She can see the way your head is drooping further and further forward in the car, your body jostling without any complaint. It had started kicking in before you even got into the car, as you offered very little resistance when Kyle helped her mauver you into the front seat. She chose Kyle out of everyone to help her in hopes it would be easiest on you. Your claimed alpha’s beta is a good place to start in rebuilding the bonds within the pack, and his calm demeanor certainly helps. He is a caretaker through and through, that beta trait prominent above the others in him. He would have made a good medic, had he gone that route. 

Your chin drops to your chest as the car comes to a stop in front of the plane, your body slumping to the side against the door. 

“She’s out.” Christine says, unbuckling her seatbelt. 

“Makes this easier.” Kyle says, getting out of the car. 

They maneuver you into the wheelchair, Christine easing your head onto your right shoulder to avoid aggravating the left. The less pain you’re in when you come out of it, the better, though pain will be unavoidable. Kyle pushes the wheelchair up the ramp of the plane, Christine following close behind. She’s glad she gave you the sedative before you left the med center to avoid as much pain as possible. She almost wishes she had given it to you earlier, as getting you into a sweatshirt had been a battle of its own. Though, the longer it stays in your system, the longer you’ll sleep through the flight. The longer you sleep through the flight, the longer they can delay the inevitable emotional storm of being enclosed in a tight space with your pack. 

If you’re lucky, you’ll be out of it long enough for them to reach the cottage without incident. 

John is waiting near the front of the aircraft, his eyes watching carefully as Kyle helps maneuver you into a seat. Even with the turmoil in the pack bonds, an alpha will always feel protective over their omega. There’s some things that can’t be undone, even in such a fragile state. Some instincts can’t be unlearned, no matter what. 

“I gave her a sedative.” Christine explains as she gets you as comfortable as possible in the seat. “It won’t last the whole flight, but it’ll take a while to wear off regardless.” 

“Is that more for her or for us?” John asks. 

“Both.” Christine says. “Mostly for her. It helps with the pain of moving around, but it will also keep her calm in close quarters like this.” 

“Here.” John says, handing her something. It’s a blanket, brand new by the feel of it. “Johnny made a store run this morning. It’s going to get cold in here, so he got the warmest one he could find.” 

Christine takes the blanket, the fabric thick and soft in her hands. It’s a touching gesture, speaking volumes of their desire to still care for you despite everything, their willingness to do what they have to, to keep the pack together. “Perfect.” She says, carefully draping it over you and tucking it around you before John gets you secured in the seat. 

“It’s going to be a long flight.” John says, taking a step back. 

“It is.” Christine says, pulling out her thermometer. She takes your temperature, letting out a hum at the number that pops up on screen. “I need to monitor her temperature.” She explains as John gives her a look. “It’s been spiking when she gets stressed.” 

“She's not quite out of it yet, is she?” John asks.

“Not quite.” She says, putting the thermometer back in her bag. “I’ve only seen two omegas successfully come back from that point, and I know the number across the board isn’t very high. It takes a long time for the body and the brain to get back to normal.” 

“And on top of everything that happened...” 

She stares up at him for a long moment. “She’s very strong. I knew she was a fighter, but to come out the other side even where she is now...” Christine shakes her head. “I didn’t want to say this at the time, but I was expecting the worst. When that call came in about what state she was in...” She bites her lip, holding the emotions back. “Her resilience and fortitude is what kept her alive. That and Simon’s courage to do what needed to be done.” 

“I know.” John says, looking past her. “We all owe a lot to him.” 

Christine puts a gentle hand on his arm. “You’re doing what’s best for her. No matter how much it hurts, no matter how much it goes against every instinct you have, it’s what she needs.” 

“That’s all that matters to us right now.” John says, staring down at her hand for a moment. “There’s nothing else we can do, so it’s time we start putting our priorities where they should have been the whole time.” 

Christine gives him a small smile. “I’m proud of you for that. It takes a lot to unlearn the things you’ve been told since the beginning.” 

The corner of John’s lips twitch before his face falls into the emotionless mask he’s been wearing for the last few days. “It’s about time we get our heads out of our arses.” 

“I can’t blame you totally.” She shrugs. “We were all just doing what the initiative was telling us to do. We couldn’t have known. There wasn’t any room to question it.” 

“I wish we would have figured it out sooner.” He sighs. 

“Things might have been worse if the truth did come out sooner. If you started digging into the initiative too soon, Shepherd might have gotten antsy and taken more drastic measures to stop the truth from coming out entirely.” She glances down at you. “I think this was all inevitable.” She turns her gaze back to John. “What happened, happened. None of us can change that. All we can do is keep moving forward with what we have right now.” 

He stares at her for a long moment. “The more time passes, the more I’ve come to realize why Kate chose you for this position.” 

The corner of her lips turns up in a smile. “Well, I am rather good at my job, which, among other things, involves advocating on behalf of omegas.” 

John huffs. “Wish we would have listened sooner.” 

“You can’t change the past.” She repeats, looking down at you again. “But you can change the future.” 

You woke from your sedation about four hours from Helston. 

Well, ’woke’ might have been too strong of a word for it. Your eyes opened, but you were still hazy, movements sluggish and entirely unaware of the world around you. You floated between sleep and awareness for an hour before finally gaining consciousness completely. Awareness took quite a while to return, though. Not until they were moving you to the car from the plane. 

Even still you’re groggy, slumped against the door in the back seat of the car. You blink slowly, eyes unfocused as you stare out the window at the blur of green passing by. 

“How is she?” John asks from the driver's seat, glancing up at the rearview mirror. 

“Cow.” You say, blinking slowly as the car passes a field of cows. 

“Still out of it.” Christine answers from the back seat where she's sitting next to you. Your response might have been enough to answer that. “Better than being in pain, though.” 

“How long will it take for her to get out of it?” Kyle asks. 

“Hopefully she’ll be more lucid by the time we get there, but it could take a few hours for it to completely wear off.” Christine says, wiping a bit of drool from your chin. “Probably not a bad thing. This is a big change, and with everything that’s happened, it’s going to take some time to settle in.” 

“Things are going to be rough.” Kyle says. 

“Yes.” She agrees. “Being enclosed in a small space with the people you want to see the least in the world isn’t an ideal situation. It’ll be an adjustment for everyone. I trust all of your abilities to adapt, though. Just don't go in expecting things to be the way they were.”

John's hands tighten around the steering wheel, his knuckles going white. Kyle cracks his window open, prepared for the thickening of John's scent in the air. Christine knows she hit a nerve, but it needed to be said. Even if you were open to forgiveness right now, even if they had chosen to go after you right away, things still wouldn't be the same. Things won't ever be the same. It is their fault deep at the root of it. Those cameras were put up because of them, you were taken because of them. You were chosen for the “initiative” because of them, because Kate thought you'd fit in well with them. Their decisions shaped your life, and will continue to shape your life. 

Can you ever come to forgive them? Christine likes to think so. She has the hope that they can put in the work and regain your trust and earn eventual forgiveness. She knows you'll allow them to try once the initial hurt and emotions begin to fade, once the two of you put in enough work to start processing the trauma around the events that happened. It will take time. Probably a long time. 

She'll be there every step of the way. 

“Ashley did some shopping for us, picked up some stuff to get us until we can get into town.” Kyle says, looking at his phone. 

“Good.” John says, his shoulders starting to relax. “Should wait a couple days before going. Get settled in.”

“She's still working on cleaning up. Probably still be there when we get there.” Kyle says, putting his phone back in his pocket. 

“That's fine. We’ll probably have to utilize her a bit.” 

“Doubt she'll complain.” Kyle says, looking out the window. “Be thrilled to have something to do besides work.” 

You let out a quiet groan, shifting against the door. “Hurts.” 

“I know, honey.” Christine says, carefully adjusting your left arm. “I’ll give you more pain meds once we get to the cottage.” 

“We’ll be there in half an hour.” John says, glancing up at the rearview mirror again before turning his eyes back to the road. 

The half hour seems to take the longest as you continue to become more and more lucid and aware. The pain sets in first, your brain picking up on those signals before anything else. John’s knuckles are white around the steering wheel as you begin to whine and whimper around every bend in the road and turn he has to make, every jostle of the car. Every instinct in his body tells him to pull over and comfort you, but he can’t. It’s more important to get to the cottage, and there’s no guarantee you’d even let him. It might make things worse. 

The last thing you need right now is for things to get worse. 

Christine breathes a sigh of relief as they pull up to the cottage, glad she can finally get you somewhere more comfortable. You’ve been in far too many uncomfortable positions today, moved around too much. She would have liked to keep you in Texas a couple more days, but she knew as soon as you were able to travel, the better. The sooner they could get off the grid, the better. 

The sooner they could get out of Texas, the better. 

Kyle is getting the wheelchair out of the trunk when Johnny and Simon pull up, not having been far behind. They likely took a turn around the back roads to ensure no one was following and to keep things from looking too suspicious. 

Christine keeps you from slumping out of the car as she carefully opens the door on your side. You’re more awake than you were, blinking up at her with almost startlingly aware eyes.

“Crutch.” You pout when she pulls the wheelchair closer. 

She gives you a look. “Honey I'm not sure you could even stand right now.” You may be more aware, but that doesn’t mean your body is working as it should.

You let out a defiant noise as you attempt to get your legs out of the car, trying to hide your grunts of pain and discomfort. 

She's tempted to stand there and let you try, but she knows all hell will break loose if she lets you fall. She's not willing to take that risk, not to mention it will cause you more pain to get you up off the ground. 

“Come on,” She says, stopping you before you can get your feet under you. “Nice and slow.” 

You let out a quiet growl of indignation but you allow her to help you, your legs trembling as she eases you up. Kyle is there with the wheelchair, getting it as close to you as possible so she can sit you down quickly. 

“Ow.” You breathe, eyes pinched closed as you breathe through the pain. 

“I know.” She says, patting your good shoulder lightly. She's glad she put you in the sweatshirt before you left Texas. It's chilly outside, chillier than it was further inland a few days ago. 

It's hard to believe it's only been a few days since you were taken. Barely even a week. So much happened in such a short period of time. It feels like it’s been weeks since everything started, but then again, it had been weeks since John and Kyle first left. It had been weeks since you had been around your whole pack together by the time you were taken. The deep depression you sunk into before the events of the last week had been draining you slowly for weeks before this. It had started before John and Kyle were deployed, back to that day when you revealed the cameras and the secret you had been hiding from them. 

How long you’ve gone in such turmoil. 

How far you still have to go. 

The path up to the door is rocky and uneven, the wheelchair jostling as she pushes it up towards the door. She can picture your face, the way it has to be screwed up in pain. You're silent though, holding it all in. She almost wishes you weren't being silent about it. 

The door is already open, light shining from inside as she approaches. Kyle is in the house already, having gone ahead to greet his sister. John is right behind the two of you as Christine turns to wheel you up the steps into the house. His eyes are on you, focused and ready should you fall.  

Christine would never let you fall, and from the way your hand is gripping the arm of the chair for dear life, you probably couldn't anyway. 

She wheels you through the entryway, the inside warmer thanks to a fire that's burning. It's a nice cottage, far nicer than she had been expecting judging from the outside. 

Johnny lets out a low whistle as he enters behind John, looking around. “Yer parents own this?” 

“It was given to our mum by our grandparents. They did some...renovations before they passed it on.” Kyle says. 

“Yer tellin’ me.” Johnny says. 

It looks new inside. New wood floors, freshly painted walls. The furniture looks like she would expect to find in an English seaside cottage, though. Kyle’s parents went to France for summer vacation instead of utilizing the cottage, and none of his siblings had wanted to use it, he told them. It looks almost perfect, like it came right out of a home renovation show. Kyle’s sister must have worked some sort of magic to get it this clean. 

It is a very nice cottage. It’s small, the door opening right to the main area. There’s two couches and a chair in the middle of the room around a coffee table. To the left of the couches is a fireplace, the fire already lit and crackling. It looks original, likely having been untouched in the renovations. There’s a door to the left of the fireplace closer to the main entryway. A bedroom maybe? To the right of the front door are two doors, one on the far wall and one facing the front door. 

The stairs are in the middle of the house, leading up to the second floor where there’s likely more bedrooms. On the far side of the main area is the dining area and beyond that is a sliding glass door. Around the corner on the far side of the stairs is likely the kitchen. She can see the fridge from where she’s standing. It’s new. Very new. Makes her wonder just how long ago it had been renovated. 

“Everyone, this is my sister Ashley.” Kyle says, introducing the other woman in the room. 

“Hello,” she says, giving everyone a wave and a dazzling smile. 

She’s dressed simply in jeans and a t-shirt, her medium box braids pulled up into a bun on top of her head. They look a lot alike, her and Kyle. Tall and slender and stunning. They have the same smile and the same soft brown eyes. She's wearing scent blockers, but Christine can imagine her having a soft scent like lavender or something fresh like mint. 

“There's two rooms down here, and two upstairs.” Kyle says. “The main bedroom is through there.” He points towards a door to their left. “I figure we'll give that to our omega. The bathroom in there has a walk-in shower.” 

“Perfect.” Christine says. That will make getting you in and out of the shower easier at least, and you won’t have to go far to use the bathroom.

“You should take the other room down here.” John says, looking at Christine. “So you can be close in case of an emergency.”

And so you don't have to be too close to them, so you won’t feel like they’re hovering.

He doesn't have to say that part out loud. 

“I put new sheets on all the beds.” Ashley says. “I also picked up everything Kyle sent on the list. Food, some clothes, some other necessities.”

You let out a quiet groan, Christine patting your head gently. You have to be exhausted and sore after the day. She should give you another dose of pain medicine like she said she would. You’re going to need it tonight. 

“Let's get you laying down for a bit.” She says, wheeling you towards the door. 

Kyle opens it for her, revealing a spacious room with a big window looking out towards the sea. You're going to spend a lot of time in front of that window, she thinks. The bed is in the middle of the room, and there’s two chairs facing the window. She’s almost tempted to sit you in one of the chairs, but laying down will be more comfortable for you right now. 

You're still too out of it now to care much as she wheels you to the double bed. With Kyle's help they get you horizontal, Christine draping the blanket at the end of the bed over you. It’s not very soft, but it will do for now. She’ll have to get the guys to pick up some soft blankets for you when they go to town. She has a whole list of things starting in her head she needs them to pick up.

She leans your crutch against the end of the bed just in case you might need it for an emergency. She hopes you’ll yell first, but you always have been stubborn. Being mostly bed-bound has only made that worse. 

“I’m going to go look through the things Ashley picked up.” She says, patting your leg gently. “Get some rest.” 

Christine leaves the door open a crack as she exits, wanting to give you a little privacy as you nap, or at least she hopes you’ll nap. It’s going to be a rough adjustment, and you’re going to need as much rest as you can get. 

“I’m assuming you’re Christine.” Ashley says, walking up to her. 

“I am.” She says, giving Ashley a smile. 

She can’t help but get lost in Ashley’s soft gaze for a moment. The Garrick siblings seem to share the same magnetic energy. There’s something almost ethereal about them. She could easily imagine them with glowing halos and angel wings. It’s almost like she’s being blessed with the opportunity to look upon her. She could spend an hour staring at Ashley’s face and not grow tired of looking at her.

“I picked up the items Kyle said you needed.” She says, motioning to the bags on the coffee table, pulling Christine out of her daze. “I couldn’t find the exact nutrient powder you asked for, so I got one that was as close as I could find.” 

Christine glances through the bags. She was thorough, getting at least two of everything. 

“I got warmer clothes for her too, since it can get chilly out here this time of year. Just some simple things for now until you guys get into town.” Ashley says. “I did some research too and I read that omegas like comforting things so I picked up some extra blankets and pillows” Ashley says, motioning to a couple bags sitting on the couch. “I also picked up this,” She pulls a stuffed dog from one of the bags, holding it up. “It was the softest one I could find. I thought it might help.” 

A small smile forms on Christine’s face, her heart fluttering in her chest from the sweet, thoughtful gesture. Ashley doesn’t even know you, nor did she know exactly what happened to you, and yet she went so far as to pick up some comfort items for you. You have nothing right now, only the borrowed clothes on your back. All of your belongings are still on base, all of the things that you had built to make your perfect nest. Would you want any of them still? Or have they been tainted by the events of the last few weeks? 

That Ashley thought to do this has warmth flooding Christine’s body. You can have some comfort now without having to wait for their trip to town. She almost feels the urge to cry. She wants to hug Ashley, thank her over and over for her kindness. Ashley has no idea how much her small act of kindness means, how much it's going to mean. 

A smile forms on Christine’s face as she stares at the stuffed dog. “It’s perfect.” 

You can hear it. 

In the distance, the quiet roar reaches your ears as you’re dragged from the sweet arms of sleep. It must be a dream, or perhaps the sedative is still clinging to your mind, making you imagine things. 

No. 

You’d know that sound anywhere. 

The effort to push yourself up to sit is a momentous one, every cell in your body protesting after a day of being moved and jostled. The last thing you want is to move right now, but you have to. 

The pain meds have done little to help.

The crutch at the end of your bed must be a thousand miles away as you sit there and stare at it. The ache in your body only increases as you become more and more aware of the pain, almost as if it can tell what it is your mind is planning. 

The door is cracked open, letting in a slit of light from outside. It’s dark in the room, the curtains pulled over the window. It’s a blessing compared to the bright yellow light outside the door. You welcome the darkness as your head begins to throb. You could call for assistance. You’d get more help than you needed. More help than you want. 

No. 

You need to do this. 

The effort it takes to get standing nearly sends you back onto the bed. The pain nearly blinds you as your feet touch the floor, your body leaning against the side of the mattress out of desperation. If you fall, you’ll never be alone again. You can’t afford that. You don’t want that. 

If you fall, you’ll never get up again. 

The breaths out of your nose are short and sharp as you reach for the crutch, fingers trembling in the effort to fight the pain threatening to blind you. You’re trembling like a leaf in a storm as your fingers finally wrap around the cool metal. The rubber bottom drags across the floor as you tug it over to you, holding it against your chest for a moment. 

Breathe. That’s what you need to do. Breathe. 

In and out. 

Nice and slow. 

The pain is only a memory. The pain is nothing. The memories forming at the edges of your mind will take over and wipe out the pain and the misery. You just have to be sure. You just have to be certain.

You push yourself upright using the crutch, tucking it under your arm. You should go back to bed. You should rest. 

No. 

You need to know. 

You need to be certain.

The first step you take nearly makes you sick. 

It’s like watching a baby deer walk for the first time, knees wobbling, feet shaking. You lean heavily on the crutch, your determination the only thing keeping you from tumbling to the floor in a heap. That might almost hurt worse than forcing yourself to stand upright. 

If you fall, you’ll never get up again. 

Inch by inch you move across the floor, silently grateful for the socks on your feet. They allow you to slide across the hardwood, but they also pose a threat. Slide too far and you’ll lose your feet. 

If you fall, you’ll never get up again. 

The determination and your desire for certainty is what keeps you sliding inch by inch across the floor towards that strip of blinding light in front of you. It’s hovering before you, threatening you. How do you know there’s not one of them standing guard, waiting for you to try and leave? You can’t know. You don’t have a clue what’s waiting on the other side of that door. It could be nothing. It could be your entire pack. 

Breathe. 

In and out. 

You take a moment at the door, resting your aching feet. Your body is throbbing from the effort to keep yourself upright, the sedative still numbing your brain and your movements. It’s like treading through honey, everything twice as hard as it should be. You can walk. You’ve done it before. You did it in the medical center. 

You can do it here. 

You use the crutch to push the door open more, your free arm still tucked in a sling to keep you from moving it. Reaching for it with that arm would have put you on the floor, would have caused more pain than you needed, would have made you fall. 

If you fall, you’ll never get up again. 

Breathe. 

The light burns. Explosions of yellows and whites erupt behind your eyelids as you screw them tight against the sudden onslaught. The sun is in the room, shining its rays directly into your sensitive eyes. Your stomach churns, your fingers tightening around the crutch so tight your knuckles begin to ache. The oppressive light makes you want to recede back into the darkness of the room behind you like a vampire shying away from the light of day. 

No. 

You won’t be defeated by the harsh artificial lighting. You need to know. 

You need to be certain.

The others are moving around. You can hear voices around the corner, voices upstairs with thudding footsteps. The air is thick with a mesh of scents, cleaning chemicals, and the burn of scent blocker. Your nose wrinkles at the sudden onslaught against your senses, your sedated brain making it all seem so much worse. 

You need to know. 

The hardwood floors continue and you use them to your advantage as you shuffle your way across the main area. The fire crackles as you pass, the popping of a log making you startle. Your feet slide again, your body pushing up against the crutch to hold yourself steady. 

If you fall, you’ll never get up again. 

Your target is dead ahead, a mile away but so close you can almost taste it. Just past the dining table and straight on till morning. 

Despite your snail’s pace, no one seems to notice you shuffling your way across the house. It should make you upset, the fact that none of them notice you moving around, but instead it makes you glad. They’d try to stop you if they noticed you, turn you around and shuffle you back to bed. Or worse, they’d carry you. 

How easily you could slip away, though. 

Well...in theory. 

Perhaps that’s why they ‘re not paying you any mind. How far could you really go in your current state? 

Why would you want to stray from the only safe space you have? 

The world outside is more dangerous with the state you’re in. Not just because of your injuries and your status, but also because you know Shepherd is still out there, and for all you know Graves is as well. 

He could be waiting right outside the door. 

No. 

They’d know. 

They’d protect you. 

They failed. 

You push past the fear in favor of certainty as you push forward, passing the dining table in your slow crawl towards the sliding glass door. 

It poses an entirely new threat as you stand before it, staring out the darkened glass. You have to get it open. Getting it open takes strength and you’re down to one hand that’s trying to keep you upright. 

You have to know. 

You have to be certain. 

You lean your weight on the crutch, ignoring the way it digs into your armpit as you reach for the handle. You click the lock, wrapping your fingers around the plastic before pulling. Your body screams with pain as you tug, the door sliding in the track as slowly as you had moved across the small living area. It’s almost as if it's mocking you. 

It’s open only as wide as you need to crutch your way through, doing your best not to knock your left shoulder against the frame. 

If you fall, you’ll never get up again. 

Breathe. 

You can smell it. 

The salty sea air invades your senses, slipping up through your nose and straight into your brain. Memories come flooding back of childhood vacations back when things were simpler. Back when nothing mattered but the sand and the water and avoiding getting chased by your brothers carrying the piece of seaweed they found. 

Polkadot bathing suits, bright red to be seen easily. Toes in the water, sand everywhere. The nap in the silent car home. 

How simple life was back then. How easy life was. 

Your heart aches for those days again. The days when you could exist without a care in the world, trusting your pack would keep you safe, trusting your family would care for you. Your mind yearns for that sense of safety and security again. 

The world is grey as you hobble across the porch, the grey seeming to go on forever. You missed it, the chill in the air, the gloomy grey overhead. How you yearned for the gloom of England while stuck in the heat of Texas. 

Anything is better than Texas. 

Your forward shuffle pauses at the edge of the deck, your eyes looking out into the grey. Your breath catches in your throat as you stare out into the distance, the ache in your chest intensifying. It blocks out the pain in your body, numbing you to everything else as you stand there, legs trembling from the effort of going the short distance from your room to the end of the porch. 

You can see it. 

Emotions swirl inside of you like a hurricane as you stare out where the grey water meets the grey sky in the line of the horizon. Those emotions threaten to choke you as you stand there trembling at the edge of the porch. There’s a breeze, a cold one that bites through the fabric of your sweatshirt and into the skin below, but you don’t care. 

You can’t care. 

Your legs shake from the exertion, the neverending exhaustion that’s settled deep into your bones. It’s not just a physical exhaustion, but a mental one as well. It’s been a long week. 

Only a week. 

So much has happened in a week. 

You want to sit. You want to sink down onto the porch and rest. 

If you fall, you’ll never get up again. 

There’s a pain in your chest as your breath catches in your throat. The emotions are whirling, tightening around your chest, squeezing your lungs until they feel like they might pop. 

Breathe. 

In and out. 

You needed certainty. You needed to know. 

You can hear it. You can smell it. You can see it. 

A single tear rolls down your cheek as you stare out at the sea. 

NEXT ->

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[eff-plays]

Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!