#give him *more* agency

[carrion-art]

I like commander fox being put through the ringer as much as anyone else, but I would LOVE to see him being an actual asshole for once

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[caffstrink]

T4t huntlow so real etc etc

[liyv]

is this what you wanted?

[akiacia]

the things that come back

[orchid-n-petals]

So I've already shared parts of this on a discord server, but I have to scream about Ketheric Thorm on here as well. Obviously spoilers about the character under the cut! It's a long one.

The entirety of act 2 is about him, right? Jaheira, Shadowheart and numerous other NPCs shit on him for his fickle faith. First Selune, then Shar, then, as we meet him, Myrkul. You hear about his changes of faith on a whim, you hear that he's the person responsible for the shadow curse, he is painted as a villain, plain and simple.

You can figure it out pretty early on that Isobel was resurrected and that she is his daughter; the detail as well that he wants Isobel alive is so on the nose, it gives him away completely but there are still a few questions that remain unanswered, mainly about his faith.

And then you get to the mausoleum and the picture assembles; this entire tragedy, the death of hundreds if not thousands and the complete ruination of a landscape was all, ALL because you had this absolutely wrenched, heartbroken father who had lost everything and nobody answered his grief. He was left woefully alone, the Goddess whose daughter his daughter was involved with did nothing to save Isobel.

Imagine outliving your wife and your daughter. Imagine dedicating your life to fight the Lady of Loss, your Lady of Silver's enemy, and then be left so completely alone and in silence with your grief, with your loss. It's so, so poetic how and why he turned from Selune, and it's so understandable as well; he broke. His spirit completely broke. He couldn't deal with that void of having lost the only two important people in his life, seemingly undeservedly so. He was going mad with this and a lot of his ire was likely targeted at Aylin who, in his eye, represented Selune; she's literally her daughter, after all, and it was implied that even before the deaths of his family, he sort of saw Aylin courting Isobel as Selune taking his daughter from him, despite his service. This relationship was clearly not seen by him as a boon of "giving his daughter to the Moon-maiden".

His ways in the past clearly didn't spare him from tragedy and having to cope with it (which he clearly didn't, he snapped under the weight of his grief). He was clearly angry and unable to do anything, furious and helpless, which is a dangerous combination. A good part of his first change of heart must have been fuelled by a sense of revenge.

But then Shar didn't provide any balm to his aching heart either. If you read his letters in Grymforge and in act 2, he is so focused on enacting the will of Shar because he believes that healing lies in oblivion. Everything would be easier if he could just forget, if the damn world could just forget, if nothing was remembered because without Melodia and Isobel, nothing was worth remembering.

Then came Myrkul. Literally the only god who was not only able, but WILLING to give back his daughter to him. Imagine spending your all, EVERYTHING you have to serve two gods who would not give a single shit about the greatest suffering in your life. You were basically nothing, your loyalty didn't matter for shit, everything that was taken from you amounted to no recognition whatsoever: you should simply cope and seethe. Your grief will not simply go unanswered (which is not inherently antagonising) but ignored.

And then comes this supposedly evil entity who can alleviate your pain just like that, snap of a finger and it's a done deal.

I am so serious when I say that I believe Ketheric's main incentive was to extend Aylin's immortality to Isobel as well. You can read in her diary that she feels a taint after having came back, and there are things not even Selune can cleanse, but at this point, Ketheric doesn't care about Selune, vengeance is secondary if not tertiary, he's done that war during his Shar years and what did it give him? Literally nothing.

He doesn't even care about the fact that Isobel is still her cleric. He cares about the single most important fact: Isobel is back. Life is worth living again, there is something for him, and it was not Selune or Shar who gave it to him but Myrkul, and for this singular gift, he would raze the world for the Lord of Bones. Like people can clown on him for being disloyal but the man has the loyalty of a dog bonded to its owner.

He is powerful and is willing to go to insane lengths for crumbs. What is raising a single life for a god? Nothing. It has happened and it will happen again. But Ketheric will go to the ends of the earth to serve the single god who actually listened to him. The one god who didn't ignore him.

He knows that what he does is not the morally upright thing! He is so insanely self-aware that allying with Orin and Gortash and doing this entire plot with them only to then betray them is morally reprehensible at the best of times, he knows that people hate him, etc-etc. He was a Selunite at one point and he's not stupid. He just doesn't care; it could be literal Asmodeus and he wouldn't care as long as he got what he wanted, no matter the price.

He is probably the only one from the three of the chosen who has complete clarity over his situation, he almost sways (if you pass the check during his confrontation), he is not an inherently evil man blinded by power.

But he is inherently loyal to those deserving, and as of the story's standing, completely broken by his grief. In his eyes, at this point, the only one deserving loyalty is the one who actually listened to him. Isobel lives. It doesn't matter that she hates him, that his entire life has fallen apart, that literally nothing else that is good has come of it, because Isobel lives.

I don't think he regrets a single thing. His consciousness might tear at him at the end, but I believe he would do everything over again, exactly as he did, because in the end, his daughter was brought back. Because what would a grieving, broken parent give to bring back their child? Everything. Absolutely everything. And it's such a simply given answer, no second thoughts, no doubts.

Nobody can tell me that this man is fickle. Nobody. This man was willing to burn the world to the ground, create a Boudica destruction layer all by himself for the one single thing he wanted. For any God that would listen.

I don't know, I just have a lot of thoughts about his character.

[shorthaltsjester]

free my complex female character, she did the same thing as complex male characters but the fandom takes Any analysis of her actions/choices/motivations that doesn’t strip her of all of her agency in bad faith and claims that only misogynists would dare to critique the things that they’ve noticed in her character because she’s a woman, completely ignoring the over-presence of discourse about similarly traited male characters in their fandom.

[pisces-swirlix]

Okay DBD fandom. Bear with me, this is stupid as hell, but I’m laughing uncontrollably on the floor of my room and I have to share.

For context, there was this show I used to watch: Galavant. It only ran for like two seasons back in 2015, but it was awesome. It was like this fantasy/comedy/musical type thing. I was recently reminded of its existence when I randomly heard one of the songs.

It was a song that they did in the show sang by this evil witch. When the main character meets her, you find out she owns this tavern, and it’s full of all these muscly dudes, so you’re like “oh he’s about to get the shit beaten out of him.” Long story short, no. The witch owns a gay bar, and instead of beating him up, they proceed to do a musical number titled “Off with His Shirt.”

I don’t even know if I have to elaborate more on this, but I’m cracking up at Charles and Edwin meeting Desire and it being exactly like this.

[agencyboys]

("both" can be they equally do it, or one does it more than the other)

as always, feel free to go in depth in the tags/replies or whatever! i love reading everyone's thoughts on silly stuff like this!!!

[storyteller-aprendiz]

So maybe I am wrong but I don't think you can gendered Louis & Armand, the way you do Loustat.

Because neither Louis nor Armand are really the "housewife" in the situation. In Dubai and SF is Louis' initiative and therefore his business but Armand does have an equal role on it, tho Louis is the more capitalist/investment savy, Armand is like the one to schedule talks with buyers, help fix the houses etc. It is not Armand's home, like Louis moving into Lestat's, is THEIR home, both in Dubai and SF.

And like even if the bullshit with the books (which tf) and the tree are definitely Armand, the art, the furniture even the gray are Louis' (cause he's grieving). Like for me the Dubai penthouse is like a reflection of Louis' self/soul "You are in my coffin" as much as a manifestation of Armand controlling tendencies.

I saw a post about exactly this, like how Armand & Louis relationship is a Depiction of how even in the queerest of models and types of relationships abuse can still take part if people are not willing to question the systems, dynamics or just plane different levels of power their members have.

And then we have the D/S dynamic. Kink and BDSM are already shamed upon in our heteronormative society, because they play with the power dynamics that already exist in the relationship, and they create a separte extructure through safe-words and after care and good old communication in which both member can consent to those dynamics, be safe and most important GET PLEASURE from them.

And like, Armand as the powerfull abusive partner Technically, considering our heteropatriarchal lense should be dominant, but he gladly relinquished it to Louis. Which is a role we don't expect from the patriarch of the house.

Plus all of Louis' boys, means he has a sexual freedom that is not allowed to the "housewife". Though, of course that extend of freedom is still determine/manage by Armand, but not in the sense of Louis is sexually his, ergo he can't be with x. But rather Louis might get Hurt, so I need to control him, for his sake.

Which is why Armands abuse looks more to me like care-taker abuse than like the heteropatriarcal shit Lestat does.

Which I think, is also because Armand being a racialized man with a learned helplessness ingrained to him, really can't like inhabit the same role Lestat does in a home. He will always be a step down, cause masculinity and male privilege gets further away (or like changes? I think that's a better way to put it) the more marginalization you inhabit. Which also makes a lot of men of color double down in what little power it does grant's them (sometimes going to bigger like displays of power than the subtler types of white men), which you could argue Armand also goes for/participates in with the staging of the trial.

I hope anything I wrote here makes sense. But yeah, I think that the patriarchal husband/edwardian wife comparison even if it works as a lense to analyze Loustat, it falls apart for Louis & Armand.

[that-was-anticlimactic]

okay but can we just talk about the severely underrated duo that is jun'ichirou and kunikida? they seem to get paired off with each other a lot, they work so well together,,, when kunikida jumped out of the helicopter and blew himself up, jun was the one to scream his name (and, by god, spike spencer - eng va - KILLED IT). and then jun has to watch him get fatally hurt again... i mean y'all saw him in the chapter... he lost it. he's PISSED. kunikida told him to run, but he refused. atsushi had to carry him away. i just. i just think that THEY.

[kindred-spirit-93]

penelope canonically retreating to her room and refusing food = she puts on some weight, the reason being both lack of physical activity as well as her body being on constant emergency mode (so what little she does eat ends up being stored away bc the body doesnt know when the 'starvation' will end). whats more her constant stress elevates cortisol levels which in and of itself leads to weight gain esp in the abdominal area.

tl;dr chubby penelope send fucking t w e e t

[babygirlhaljordan]

absolute kyle rayner but it’s him getting fridged from fighting major force & alex dewitt (his gf that got fridged) that becomes a green lantern instead

[jacobsbadwig]

I saw your tags on the other post and pls rant about Jessica Stanley being the main character. Kthankbye ✌🏻

I was trying to find a post on my blog that imagined Jessica as the Main character Twilight.

But frankly it all boils down to Smeyer using Bella as a self insert. Now a lot of people hate that criticism, but it’s not a criticism rather than a statement of fact. Her crime isn’t basing a character on herself (or a young version of herself) it’s refusing to kill her darlings. Bella’s book description is the same description of Stephenie Meyer. (See @panlight or @fuckmeyer for more information)

As for Jessica, it’s hard to figure out what Bellas (and Stephenies) beef with Jessica as a character. I would argue because we don’t get an inkling of how Bella’s friend group was in Arizona (or if she had many friends) that Jessica is another character foil how girls shouldn’t (I will link that post here) act. Of course this is a subconscious point that the narrative makes.

Jessica is this determined high schooler who likes boys (as far as we know) who is focused on her grades but is a bit of a gossip. At least from Bella’s prespective. Also, Bella is an unreliable narrator although the narrative and the author don’t treat her as such.

I think Jessica Stanley makes more sense as the main character mostly because she has more to lose than Bella, a character who doesn’t want to make connections and is only in town because of her self sacrificing mindset. (I will not go into Bella’s mother mostly because my interpretation is that she (her mother) only got worse because the narrative needed her to and then it didn’t really matter because she got to keep her family around anyway). (Also mini rant- It’s strange that a girl who was born in that town and spent summers there until she was 13 Doesn’t know any other teenagers before moving back there especially being the Chief’s daughter. I would assume she would know everyone since she wouldn’t have been left home alone. Whatever Steph)

Jessica has a family. She’s grown up in the town. She has worked so hard for her grades. It would be interesting to see all of that come crashing down because of her involvement with vampires.

@humans4vampires just made a post pointing out the adrenaline caused by Edward’s presence and its masking via Bella’s attraction to Edward. Who’s to say that couldn’t happen to Jessica in their initial meeting.

The narrative would be the Cullens moving to Forks. Jessica gets rejected by Edward. Yes, she’s heartbroken by it, but that’s the new boys problem she’s on a mission to get all A’s. Her tight knit friend group keeps her distracted. Then one day, she’s walking around in the woods taking a break from her studies or just for some quiet time and comes across Edward hunting and covered in blood.

Edward, of course, hearing her thoughts, panics. They just moved to Forks. He can’t just let her get away, but she’s well known in the town. It’s small. He can’t kill her. So (like a dingus), he runs off.

Jessica having seen something so frightening rushes home to calm down, and she plays sick for the next week.

Anyway, I just think Jessica has more to lose, and it will be real push and pull of narrative as she is not only protecting this secret from the rest of her friends. She has to get through high school without dying until she realizes that she won’t be able to live her dreams because she will be a vampire or be killed.

[enhanced-operatives-division]

This blog is gonna end up posting purely Prism stuff at this rate ..good lord

[diskusaurus]

My biggest issue in Epic the Musical is Odysseus, actually. In this essay, I will....