#girl im staying here

[dizzybevvie]

As someone whos lived in England my whole life and is visiting Scotland, why did no one tell me this is so much better

[jackoino]

im worried i want you with the power of a thousand suns burning as one

[spookythesillyfella]

hey guys . heres my fair share of doodles from the magma i drew on with my big bro @chamom1le-t3a

[deadrlngers]

ocs as patron saints

i was tagged by @katsigian and @ecofear to take this quiz for some of my ocs, thank you both so much!!! loved doing this sm, two things i love obsessing over: saints and ocs <3

patron saint of relics. patron saint of remembering. patron saint of holding something close. patron saint of holding on for too long. for a saint, a relic is often a part of the body, kept for some physical memento of their holiness. they are all in your hands, now: does it feel like remembrance? does it feel sanctified? are the dust and blood as precious as they're supposed to be?

patron saint of bones. patron saint of frameworks. of structures. of solidity. patron saint of things that break. patron saint of things that are left behind. the bones survive long after the body, the building: what is there left for them, when the rest has gone? what do bones do, with nothing to hold around them? who holds the bones?

patron saint of heartbreak. not of comfort. not of condolences. there is a heart and there is a fissure, a fracture, something that starts to splinter and break open. you're the patron saint of the way a heart is rent open. the way it tears itself apart. patron saint of the rift. patron saint of the gash. when they say to "open your heart" to somebody, you are the patron saint of bleeding out.

tagging (under the cut!):

@marictheirins @mojaves @ruvviks @devilbrakers @dragonaqe

@pinkfey @aezyrraeshh @shadowglens @risingsh0t @ncytiri

@baelavelaryon @kibellah @pawnguild @roguette @hexmaturgy

@tethrras @lucaanis @auricfog @thedeadthree

and anyone else who wants to do it!!

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[amyrosedaily]

Day 37: Truck (Sonictober day 8)

PLEASE! Donate to save Muhammad Shehab's family! Main Post | GoFundMe

[sleepinginmygrave]

can someone explain to me why does my mum don't want me to be in my room and is forcing me to do my work downstairs 😃

[p4ngilz]

Could you write a connor x daughter of Athena. Where she has been at camp for a year, but they have known each other for about two weeks and he flirts a little too much in training and she thinks he is being mean. but in the end they make up.

★ nice

oh em gee my first req i feel like spongebob on his first day with his shiny lil spatula and squeaky shoes

p.s. so sorry this took so long i was so very sick when you sent it in and then exam week left me bruised and broken and so sleepy 😭

wc: 2.4k words

Who the Hades is this guy? Or more like, who the hell does this guy think he is?

You stared at the hunched-over figure wiping your bronze weapon down with a cloth, whistling as he went. It was too casual for someone like him to be doing something like that, especially with your weapon.

You recognized him as one of those Stoll brothers. They had been at camp for almost as long as you had, yet it seems that he's been popping up and about into your business these past few days. And he had been doing it a lot. Offering to carry your things, greeting you good morning and good night, even going so far as to try and make your bed for you. It was strange. Suspiciously strange. And you didn't trust him. From what you've heard and seen around camp, he was a prankster, an awfully resourceful two-faced troublemaker who could ruin your day with two paperclips and a cup of orange juice.

You thought he was no match for you, though. After all, you were equally crafty and clever as well, if not more than him. You thanked your mother, Athena, for both those skills and the grace to notice the signs this early on.

Gods, what was the purpose of all of this? You couldn't figure him out. You had some ideas, some guesses, but you couldn't pinpoint anything exactly. You needed direct contact with him; you needed to observe him up close so you could finally see his true intentions. Did he get bored and were you his new target? Was he doing this for a bet? Did you do something recently to catch his attention?

So, it was strange. Strange that you two have been skirting around each other for the past few years, not talking unless forced to and if you did, you only exchanged small talk. Why was he now all up in your business? Was he plotting something? You remembered when he put a tarantula in your half-sister Annabeth's bunk. You thought that was the last time you'd see those two boys.

"You look like you're plotting to kill him."

You jumped. Said Annabeth stood behind you, holding a plastic bag full of something you could only guess was your cabin's deposit of trash. Every other morning someone would do this to keep the cabin clean—and every morning Connor would greet you. Today, he added an offer to wipe your weapon down. You reluctantly agreed, vulnerable at 7 in the morning.

You knew you shouldn't be driven by rumors and gossip, shouldn't judge a book by its cover. But your overly paranoid self just refused to try and get to know the boy.

You pursed your lips and turned to Annabeth, sucking in a breath. "What's he like?" You asked.

"A little shit," Annabeth replied, and your heart sank. "But," she continued. "He's a reliable little shit. He's not evil or anything like that. He just has a talent for getting on people's nerves, him and Travis. It's a Hermes kid thing. Why?"

You glanced nervously to the side. "He's been doing the absolute most for me recently. Asking if I need help with anything, greeting me every time we see each other. We're not close. We're not even close to being close."

Annabeth took a few moments looking over at him as well, a small smile on her face. "Hmm. Well, I can't say anything for sure. But there's a very low chance he's doing this out of malice."

You cringed. "So..."

"Just wait and see where this goes," She advised, swinging the plastic bag. "If he hurts you, beat him up." Then she went away.

You scratched your head, starting to walk away from your cabin. That was...sort of helpful? No worries. You could handle this. It wasn't everyday you dealt with someone with the first name Connor and last name Stoll, but it wasn't everyday that you climbed the lava tower, either, no? And you survived that. So how hard could a boy be?

Quite hard, as it turned out to be.

You watched him stand up, stuffing the dirty cloth in his pocket. He then looked around the camp, walking in circles as if searching for someone. You knew he was looking for you, so when he turned in your direction you reluctantly waved a hand, but not enough to be obvious or easily noticed in the bustle of the camp.

When he spotted you, he jogged up to you like an excited dog, haphazardly swinging your weapon. He held it out with calloused hands. "Here!"

"Thanks. Erm, Connor." You added his name for good measure and took your weapon back. You inspected it quickly. No tampering, as far as you could see. It was clean, too. You looked back up at him and nodded. He had done a decent job. An honest, decent job?

"Did you just wake up?" He blurted out, sporting a smile that made you feel...what, self conscious? His words didn't help.

"No, I've been doing errands while waiting for you." You kept your answer plain and simple. "Why?" Without realizing it, you smoothed out your shirt.

He saw where your hands were going and chuckled, his eyes crinkling as if you just cracked a joke that amused him twice as much as the average pun did. "Don't worry, sunshine, you're not the ugliest thing I've seen in my life."

And the he walked away whistling, probably going off to tie someone's shoelaces together to trip them up. What the fuck? You thought, still processing what had just happened. What was that all about? Don't worry, sunshine?

You bet Apollo was laughing at you from Mount Olympus with the way the sunlight was shining right onto your face as Connor walked away, blinding you as you stood there in confusion.

You eyes searched the assortment of campers for Annabeth, some tiny bit of support you could anchor yourself to. She wasn't there. No striking grey eyes of hers among the orange shirts. You grit your teeth, accepting your defeat.

Well, not exactly your defeat. Not yet, at least. Hopefully not.

You gave Connor your best glare as he walked up to you in the middle of the arena. He swung his sword in his hand back and forth as if this was a game to him. Luckily for you, you also saw it as a game. A fun game to try and get to learn a thing or two about him. You wanted to observe him, close up? Here was your chance.

Sword practice. Sparring. Percy as the instructor overseeing the match. Perfect.

"Shake hands, guys," He said, standing between you and Connor. He then nodded at the boy. "No cheating, alright? No extra tricks."

"Yeah, yeah," He said, tapping his foot. You saw how he seemed almost giddy, but when he met your eyes, his smile melted and he cleared his throat.

You held a hand out. He shook it, not taking his eyes off you. He had a serious expression on, devoid of all humor or teases. "Nice shirt," he mumbled. And then he was off, stepping backwards until he was a reasonable distance away from you.

Shaking the confusion out of your head, you got into position, holding your weapon as you adjusted your stance.

Percy gave the signal and you two were off, celestial bronze clashing against one another. Your ears rung and you tried to not let the sun blind you.

Frustratingly enough, you couldn't observe much except for his physical traits (a light spray of freckles across his nose bridge, a nasty looking scar on his knee and a bruise on the other one, a hand with only one fingernail painted cherry red; unsurprisingly enough for a son of Hermes, he seemed to be ambidextrous) and that he was awfully talkative.

"I might have trouble focusing, but I'm multitasking right now, see? Your face is distracting, but I can handle it." "You're nice to look at when you're cornered like this, you know? Cute and mad, I should piss you off more!" "I really like your lack of enthusiasm all the time!"

Parry. Strike. Slash. Clang! The tip of his sword grazed your jaw and you swiped at his shins. Contrary to his blabber, you stayed silent except for grunts and the like, determined to finish him off.

Someone in the audience of campers yelled for Connor to focus. Instead he laughed. Soon you ended up with your weapons pressed against each other, screeching as the material of each grinded against one another. You were face to face with him now.

"You seem a little rusty, maybe you should consider practicing with me—"

That was your last straw. You pushed him back, so hard that you ended a few feet away from him, and charged, but at the last second swung to disarm him from his waiting sword instead of striking. With your momentum, you wrapped an arm around his neck, pushing his head upward, and stepped behind him, holding your weapon to his throat.

Victory.

"You know, I'd say something, but I don't think it's very audience friendly, I think it should be reserved for someplace without overbearing coordinators or nine year olds," He giggled.

You released him after Percy gave you the signal. Of course, you had to be somewhat polite. So you maneuvered his body so he was facing you, standing properly now. You took his clammy hand and shook it, looking him straight in the eye.

"Good duel," You said, nodding, chest still rising and falling from the intense practice match.

"Yeah, yeah, good duel," Connor replied, stumbling over his words. "Percy didn't...didn't have any comments for us, y-yeah, that's...that's good, right?"

You nodded again, and he let go of your hand, swallowing and glancing at the floor. He wet his lips, as if there was something he was itching to say, something stuck in his throat.

"You...you have nice eyes." He walked away with something you might have called a scurry.

Tilting your head in utter confusion, you heard a voice and felt a hand tap your shoulder. You turned around to see a little girl of about 12 years old. Strands of her dark hair stuck to her chubby cheeks from sweat. "Return the compliment. That's pamahiin, you know." She shot a cautious glance at Connor's turned back.

"It's what?"

"Superstition where someone curses you in the form of a compliment. He's been saying all kinds of things since the start of your match!"

"That doesn't sound like a Greek superstition to me. Where'd you hear that?" The girl left before you could finish. You shook your head. Silly kids.

You decided you had some business to attend to, so you jogged after Connor, following him down the path to the archery range.

"Hey," you called. "Connor!"

He slowly turned around, looking anxious. "...Yes?"

"What was that?"

"What was what?"

"You're being strange. You kept talking during sword practice—you never do it that much, and you keep offering to do things for me. Are you following me around? Why did you compliment my shirt out of the blue right before we started?"

His brain seemed to load. And then he smiled. "You watch me during sword practice?"

"Sometimes, when there's nothing else to watch. The point is, you're acting off!"

He cleared his throat. "Well, erm, you know, I've just been seeing you around and I wanted to get to know you more. Wait, I complimented your shirt? We're all wearing the same ones."

You stepped closer. "No, are you up to something? Trying to get under my skin? Everything you say is somewhat backhanded and it feels like you're planning to get me in trouble, or both of us in trouble. If you don't like me, just say it straight to my face." You clenched your fists as you finished.

His expression morphed and looked horrified. "Oh, my Gods. No, I'm sorry."

You stared hard, waiting for him to explain himself.

"Shit, Y/N. That, uh...that wasn't...oh man, I didn't mean for it to come out like that. I mean, I am mouthy all the time, but I didn't want you to think of it like that! I do, I'm complimenting you, I guess we just don't match up in terms of what's a 'nice' gesture or not.

"I'll say it straight, then. I'm being nice to you, trying to say nice things. Because I think you're nice."

You raised a brow. "...Nice?"

"Yes, nice. And I really liked practicing with you. And greeting you in the morning and at night. And you. I like being nice to you even if you don't understand my little pickup lines sometimes."

"So you weren't trying to be mean?"

"No, absolutely not."

"Ah...okay. I see. That's...fair. I guess I was just paranoid." You slowly nodded, understanding his defense. You could see him nervously putting his thumbs through his belt loops.

"Mhm." He looked to the side. "Oh, and by the way, maybe the thing I said this morning was confusing, you're not ugly at all, I think you—everything about you, is very, pleasing to the eye."

You chuckled. "—Is nice."

He let out a relieved laugh at how you had caught on. "Yes, exactly that. Oh," He perked up, looking behind your shoulder. When you followed his gaze you saw some campers walking towards him, and they did not look very happy. He put his sword back into his scabbard and tied his shoelaces, which had come undone.

So he was a prankster. Obviously. But he wasn't as bad as you thought. Not mean, just a little mischievous at times. You definitely were just paranoid. It's not everyday you got that many compliments. Puzzling ones that needed comprehension, yet still compliments. And he was easy to talk to. Not mean at all. Come to think of it, you hadn't fallen victim to his or Travis's pranks lately, not in a long while—

"That's my cue," he reached over and awkwardly patted your shoulder, averting your gaze. Despite that, he was smiling ear-to-ear. "See you sometime, okay? Bye!"

"Bye...!" And he dashed away, leaving you beaming in amusement. Wait, pickup lines? Those were pickup lines to him?

Nice? Nice as in flirting?

[surreal-duck]

You should draw even more midoyuzu actually trust me i'm a doctor

more midoyuzu but you didnt say what kind. transgender lesbian beams your idols

[chai-berries]

one of abby’s favorite (and a bit least favorite too) things about you that’s painfully domestic is the fact that you’re almost too good at sticking to sides of the bed. normally people complain of their partners taking over the whole bed. instead abby had to urge you into cuddling into her side for the first few months of sharing a bed. you were just used to sleeping on one side with friends. but now you get to cuddle up with her before you fall asleep and you stay connected somehow throughout the entire night

[good-beanswrites]

An 0309 drabble for an anon ask I got a bit ago :) Thank you for being patient, I really enjoyed writing this!! It's actually a little moment I've wanted to write since I started Milgram fic, but never got around to it. (I mention his injured eye, but don't actually describe anything)

“Stop moving around so much.”

“Don’t tell me what to do.”

“I mean it. You’ll make things worse.”

Mikoto watched as the intensity in Fuuta’s gaze flickered between fire and fear.

He had a doctor’s kit laid out on his lap. Recently, Shidou had his hands full with Mahiru’s treatments and having intense conversations with Haruka, so Mikoto wanted to give him a break. With none of the injuries actually healing as they should, the prisoners were caught in an endless loop of changing bandages and checking for complications.

Shidou was grateful for the help. Many of the others tolerated Fuuta in the same way they spent only the necessary time around Mikoto. They smiled and placated him, acting like he’d gone mad all of the sudden. Whatever was making the others avoid the two of them, it drew the pair together. Mikoto was finding he enjoyed Fuuta’s company. Something about him was rather… charming. 

“Me? You’re the asshole that will make things worse. You’re no doctor! Fuck you.”

Eh, maybe he had gone mad. 

He took comfort, at least, in the knowledge that Fuuta was growing more comfortable with him. He sure had a special way of showing it, but Mikoto didn’t brag about being a people-person for nothing – he picked up on the way Fuuta sought him out during the day, pretending to be involved in his own activities. The way he struck up a conversation, then acted as if it had been Mikoto’s idea to come over and bother him. 

Therefore it was exciting, though not surprising, when Fuuta allowed Mikoto to help treat his injuries. They had only done it a few times, but today brought a whole new challenge. 

“I’m not performing surgery or anything. Shidou said it just needs some basic disinfecting.” He flashed his usual grin. “I have a steady hand – I’m a photographer, you know.”

Aside from Shidou, Fuuta hadn’t allowed a single person to look under his eyepatch. 

He remained unamused by Mikoto’s smile. For better or worse, he could always tell when it was forced. “It’s not like I have any proof of that. You could be awful at it, for all I know.”

“First chance I get, I’ll request a camera and prove it. Want me to take a picture of you first?”

“If you haven’t already messed up my face…” Fuuta’s focus was glued to the hand carefully reaching towards him. 

Mikoto pouted his lips. “Shidou trusted me enough with this. And you must have, because you agreed earlier. So If it’s not about me… You’re not scared, are you?”

There were some things that Fuuta didn’t stop to see through. He sputtered in surprise. “Hell no!” He lifted his chin, finally taking his attention off Mikoto’s hands. He stared defiantly. “I can take it.”

Mikoto felt a bit guilty for resorting to foul play. But not that guilty. “Good. Now hold still...”

He got right to it. One hand held ginger hair out of the way, while the other pinched the corner of the eyepatch. Fuuta’s good eye darted nervously around the room, avoiding the other's close-leaning face. Mikoto peeled it away swiftly, gently

As a horror movie buff, the injury didn’t faze him in the slightest. As someone who’d grown close to Fuuta recently, he felt a wave of anguish at the sight.

Fuuta squirmed. “It’s nasty, isn’t it…”

Mikoto reached down for some supplies. He considered mustering up a smile and saying there was no need to worry so much, but it would have been pointless. Times like these, it was kind of a relief when someone else could see right through him for a change. 

“It looks like it hurts.”

“Tch, I don’t need any pity from you.”

“I was going to say, you hide it well. You’re tougher than the warden gives you credit for.”

His cheeks flushed red. “I – I don’t need any flattery from you either!”

“Don’t need anything from anybody, huh?”

Before he could come up with a retort, he hissed through his teeth in pain.

“Ah, sorry.” Mikoto immediately retracted his hand from where it had been dabbing alcohol onto the injury.

Steeling his expression, he muttered, “it’s fine.”

Mikoto tried again. He made sure to move with even more steadiness, his face drawn up in concentration. He saw Fuuta’s features flinch when he touched him, but he stayed still. The two were silent, now, as Mikoto worked. Leaning his face so close made the short task feel much longer. The reddening in his cheeks didn't subside.

He expected Fuuta to snatch the fresh eyepatch away the moment he unwrapped it – he was shocked that Fuuta let him adjust it into place without a word.

“Alright. You’re all set.” He started packing up the kit.

“Listen, don’t tell the others. About my eye.”

Mikoto squinted. He gestured to the right side of his face. “I hate to break it to you, but the big patch kinda gives you away.”

“You idiot! I just mean, don’t tell them what it looks like.” He pulled his hood down over his hair. “I don’t need everyone trying to steal a look at it like I’m some sort of freakshow.”

“Hey, of course.” Mikoto gave him a smile, the kind they both knew was genuine. “I’ve got you.”

Fuuta nodded. He turned his face away, his fingers lingering over where Mikoto’s had just been. “... And… thanks.”

[elytrafemme]

idgaf about followers but i do think its objectively funny that im losing followers now of all times. i was excllusively vent posting for like a ywar and a half and ppl were cool w that on the dash but when im like hi guys im more stable im gonna talk about music and jerking off people were like Now this is too much for me

[secondstar-acorn]

I’m on s1 ep10 of Gilmore Girls and I’m losing my fucking mind over how in love with Lorelai Luke is

[ratatatastic]

"its gonna come when it comes and if it doesnt it doesnt and you know life goes on" this is not the contract talk i wanted ekky have you considered im gonna walk into zitos office with a pitchfork because LIFE DOES NOT GO ON TF

toronto maple leafs @ florida panthers pregame interview | 11.27.24 (x)

[kuromi-hoemie]

it's officially fingers going numb season

[thermodynamic-comedian]

listen. i do not ever want anything bad to happen to lena kelley. however i do want her to, at some point, be in so much distress that someone has to comfort her. do you understand.