#geto suguru analysis

[lxmelle]

Geto was loved even in death.

Wouldn’t it be nice if he were judged by his intentions in the afterlife - wherever that was? He had suffered living with the love he had. We see through the eyes of those left behind, that the ill deeds didn’t define him, as strange as that may be to us as readers in the real human world we live in. Geto’s influence and loving nature were far reaching; Gege certainly made him so treasured by many even after his death. If Gojo was touched by his caring influence, this was also Geto’s will he passed onto his students.

NOT spoiler-free as I’ll be referring to the recent chapter, 255.

I wrote this the other day:

And honestly it’s long enough; here’s part 2.

Is it obvious I’m suffering from brainrot? All my drafts from jjk brainrot are rivalling my thesis/dissertation from way back (lol)

Here is more under the cut:

I’m really moved by the reasons for why Miguel and Larue have decided to join in the risky fight against Sukuna.

It’s very obvious that Miguel is reluctant at first. He says he he’d rather terrible curses arrive at his shores than to fight with Sukuna, adding that he doesn’t see himself having any ties with Japan any longer.

We can deduce that this was part of Gojo’s plan for the possibility that he dies/loses, and I had a post about this saved in my drafts - but I guess I never got around to finishing it. Basically, in sum, he will achieve giving Geto a cremation (avenging him) and gets to show off to his students (which he does enjoy) by going all out (soo satisfying), and in the worst case scenario, he loses but gets to go all out, weakens Sukuna (for the rest to handle), and idk if he really is that romantic (so it’s really stsg headcanon fantasising) he will die on the same day as Geto.

The Opening theme is rather beautiful in that it interprets Gojo having the words, “we’ll meet again” stuck in his throat, which he doesn’t say. But I’m a bit weird and tend to separate anime from manga. But it’s worth noting that here.

I digress. Back to Miguel and Larue who have moved to speak privately without Yuta.

In a previous post I wondered aloud about what Yuta knew about Geto from others aside from being villainous and I guess this implies he doesn’t know much, since he wasn’t close to Miguel enough to sit around to chat with them. It makes sense.

Miguel and Larue both agree they followed Geto in jjk 0 because they wanted to see him become King. What does this even mean, really? Gege, you’re missing stuff out again!

Nevertheless, we understand how reluctant Miguel was. He enquires that Larue intends to do, clarifying: is it for revenge or to take Geto’s body back?

And it seems like their main motivation for putting their lives on the line... is to honour Geto’s memory. Like a traditional ritual one makes for the dead (customary in Japan on death anniversaries - not limited to the year, but also number of days).

It’s incredibly moving how much they love him. This is actually what led Miguel to reconsider. We see him go silent as he thinks “...” before he reaches a moment of clarity/a decision.

Tbh I have issues with interpreting his statement in between the two panels (re: hell) in Japanese - it doesn’t directly indicate if he is referring to the former part of the conversation (whether he thinks Geto is in hell), or the latter (he thinks the battle will be hell). The phrasing goes like this: “no matter how I think about it: it’s hell.” - I’m not a native speaker so it’s difficult for me to be certain which is right. But the consensus is as translated above. Larue thinks Geto is in heaven, Miguel thinks it’s hell, and we see the airport scene where presumably Haibara and Riko with Kuroi have been there for over a decade. lol. Who knows!

So the bottom line is… regardless of where they think Geto ends up in the afterlife, Miguel is willing to give Geto a send off that’ll even reach hell. Or, despite it going to be hellish, he will do it. It also seems so heartwarming how they still emphasise family and friendship in wanting to fight together - perhaps things we can surmise had meant something to Geto.

They will fight Sukuna because it is for Geto. Geto was so loved that they would risk themselves - not for a title, not for revenge, but out of … love. Again. That’s pretty damn loving. Can we imagine what Geto did and was to them, for them to experience such loyalty and reverence?

Sadly, it goes without saying that Geto’s body being used as a vessel and puppet by Kenjaku has possibly evoked an emotional response by those who cared for him - namely Mimiko and Nanako, and also Gojo. Arguably, even if it were a death without his body being hijacked, Gojo did refuse to cremate his body or have it processed “by the book” of jjk high through Shoko. If that’s not out of a form of love (or “consideration” as Kenjaku put it), I don’t know what is.

The twins went against what Geto wanted for them (to carry out his will) to fight against immensely power beings in hopes they could bring him home. Those were their reasons to fight. Gojo scheduled 24th December - this was after he teleported to Kenjaku immediately upon unsealing so he could bury Geto. We saw Larue and Miguel’s. Toshihisa is alleged to be quite weak, and despite potentially being considered a son to Geto (if his life situation did mimic that of the twins’ - source: jjk character book), he opts to follow the inherited will as prescribed by Geto.

It’s all love. Geto was loved, I’m telling you. I want to shout if off the rooftops because that man just looked so darned sad and deranged after he lost it.

So. Continuing where I left off: Everyone thus far has had a reason to go into battle with Sukuna. I wonder what / who will actually reach him? I hope it’s Yuji ... and that Megumi will react again at some point. They have their own themes relating to love and purpose. I’ll leave them to someone else more familiar with their characters to write about!

And now I’m going offside quite a bit, but it’s still of relevance to Geto and the theme of love that seems to surround him. Way back to jjk 0 and Hidden inventory.

I wanted to just bring this into the picture as well now that I’m already writing a post on that topic, but please feel free to stop if you’re bored now.

So. Jjk 0!

There were direct parallels with Yuta & Rika and Gojo & Geto. This was also confirmed by the director when discussing their vision for the movie. The light novel also drew a link between Geto and Yuta where they were described as being too sincere for this world.

There is a direct theme of love - the type, is open to interpretation.

Kenjaku also makes reference to this in the Shibuya arc. So to me, it remains relevant. Love in its many forms is somewhere in what Gege wishes to convey thematically.

Within jjk 0, Geto seemed to pursue power but this was also a symbolism where power = love. It is twisted. In light of recent events, we know that the pursuit of power leads to the dilution and even absence of love. Love that gives birth to power becomes cursed. So it seems.

As we know, Yuta bound his lover to himself to gain power.

If only he had Rika (metaphor for love: Gojo) he probably wouldn’t have had to skulk around the shadows consuming curses which he hated doing. Geto was lamenting on the past in the above panels. He probably was determined to carry on, as he vouched to give it all he got (Haibara’s last words to him echoing here).

A flashback to the past:

Geto doesn’t do things in half-measures. To avoid hypocrisy, and I headcanon that it was a merciful killing to protect them from him, he kills his parents. To die by his hands than to be used as a pawn to get to him. For them to see the horrors their son could be capable of. It is so very wrong, and we can see the twisted nature of his love in this interpretation.

And Gojo delivers the ultimate blow that leads to Geto reflecting - depicted by the mysterious ellipses “…..” (gege really likes the reader to work hard huh) - insinuating it is impossible for Geto, so don’t even bother trying. The blossoming possibility of discourse was nipped, as the strength differential was implied - you’re the strongest now, whereas it used to be “we”. There was no more place for Geto; it was probably a misunderstanding. Gojo was protecting everyone in his own way, and the only way he knew how.

For power, Gojo was a source - but Geto couldn’t do that in Shinjuku, nor earlier in the arc, when Gojo himself was on the brink of insanity and deferred to Geto about annihilating humans as he held Riko’s dead body. Geto in the scene above acknowledges their different paths they needed to take - Gojo had a place as part of the elite at the school - Geto was already facing an execution order.

And after hearing Gojo’s condescending tone in an emotionally-fuelled attempt to reach out to him. He turns away to protect his friend from himself, and himself from his friend. Anyway, I touched on this in my previous post. Geto feels they had fought and didn’t deserve a place next to Gojo. But deep inside, even his body remembers the sound of Gojo’s voice, reacting to it when called despite his soul no longer being there.

sigh. Moving on... back to jjk 0:

After witnessing the bonds through willingness to sacrifice and the love between these students, Geto was really moved. Gojo trusted Geto retained his sense of humanity / love / idealism - even if it would lead to him sacrificing himself.

He was finding it difficult anyway:

He could always empathise with love. I suspect he tried his best, but the binding vow for Yuta’s life was also just the cherry on top to make Rika super saiyan.

Kenjaku knew Geto probably could’ve won though, had he been more selfish.

Geto conceded without a fight with Gojo. Maybe it was a matter of trust in that they both knew his living on borrowed time. As the light novel insinuated, this was the only way it could ever end. And Gojo would have to carry the curse that was Geto. This seems... so cruel.

He did his best. He perhaps always wanted the love but set it free.

He did so many things for others in spite of himself, in sacrificing himself, in staining himself with blood drenched hands.

Avenging Riko by killing Sonoda. Note how manipulative “humans” are by using Jujutsu rules against them.

He embraces a life of smoke and daggers. Living in lies and half truths in order to live, survive, and find justice in a wicked world.

Watch me closely, I’ll protect you, I’ll avenge you, this is how you protect yourself.

This is the path I’ve chosen.

I’m not saying he was right or justifiable. His character is just tragic. The system had set him and others to fail.

The worm foreshadows Geto’s maternal nature. Calling him “okaasan”. I mean, this very worm had a binding vow with Toji. And now it calls for a new owner? I’m not sure if Gege had anything else in mind with this... is the womb protrusion domain Geto’s? But that’s tied to a sorcerer’s soul…. Anyway, I digress again. (Sorry). Geto did have a martyr complex and was written captivatingly well by Gege. The extra touches where how he has been perceived by others and the effect he has (and continues to have) on those we see.

And I just want to leave this heartbreaking thing here:

Source from twitter/now X:

Wouldn’t it be so sweet for Geto to get one (love declaration) at the end of his life, regardless of the way you perceive Gojo and Geto’s relationship?

Wouldn’t it be nice for him if he could know that his family who he instructed to flee had all loved him, adored him, and would honour his sacrifice in differing ways...

Instead, a form of love meant his body was desecrated and used by Kenjaku. His girls were killed, and his full potential was not quite realised at all.

If only things were different.

Gojo should have kept him in his basement!

But at least, I think, Gege is giving Geto some love even after his death.

For that I’m thankful.

And thanks for reading if you made it this far with my rambling!

If you want something more light hearted I have a fluffy fic up on AO3 (it isn’t great but i enjoyed writing it to fantasise about what happens at the airport) and if you want more angst and pain, please browse my tags (lol).

[exstasyplague]

Just wanted to say, I have loved reading you jjk analysis while I hyperfix on the fandom. I have one question that I hope you can give me some answers to. Regarding Geto, do you believe that he's earned the title of special grade like Gojo and Yuki? I fully believe that he could reach a monster level like Gojo but I also think plot didn't let him grow more. Because people call him weak for losing against Toji (someone who also beat Gojo) and he wasn't at his prime yet bit then they also say Yuta was able to easily beat him and I think while the jjk 0 was good, it didn't utilize Suguru. Because it felt like he didn't do anything for the 10 years he defected and I think it's just because 0 was made so early on. Hope this isn't a bother, I just really like how in depth you are.

hiii. thank you for your kind words <33 it's time *cracks fingers* for a little...

Analysis on Suguru Geto's Powers

first of all. let's remember together what a special grade in jujutsu kaisen means~!

— a power so unpredictable that it's labeled as a calamity

— somebody powerful enough to overthrow a country on their own.

so far so clear? great.

let's also look a bit into what suguru's abilities are.

CURSE MANIPULATION

as the name implies, he can absord curses and manipulate them according to his needs/ desires, with no limit on how many at a time.

doubting him comes easy now that we know what gojo suguru's full strength is, but back in their highschool days they were called the strongest for a good reason: they were on par. on balance. gojo's birth caused cruses to go crazy and the one with the most efficient skill against curses was geto. he was so powerful in a way because gojo caused so many curses to exist, widening his range of possibilities. beautiful parallel imo.

MARTIAL ARTS

no secret that my man can throw hands. not only does he have good curses, he can also fight alongside them/use them as a distraction since unlike most shikigami users, he goes into full offensive mode. that poor old man was DONE. you've also seen how well he handles cursed weapons in jjk 0 and in general how high his battle iq is. geto was a menace.

he beat this dude so hard his literal life flashed before his eyes. and look at how casually he does that 😭 i can't. kenjaku ain't ever gonna excude this type of MAJESTY.

even if his fight against toji wasn't as flashy as gojo's, let's not forget that he actually did have a moment where he caught fushidaddy by surprise.

considering the fact that toji is literally a battle genius, that's very much something.

*clears throat.*

anyway.

the destructible power of his curses is also insane. he killed a whole village like it was just play time, no advanced plotting needed. you can say whatever you want, but being able to act on a whim like that... this absolute freedom of choice only comes from strength.

tell me that shit's not scary af.

and let's not forget that he got deemed so dangerous by the jjk society that he got put on par with a curse and even in the jjk 0 movie 'he had to be exorcised'. you know how in the manga they talk about saving riko and how because they're the strongest it doesn't matter what aftermaths they get? yeah. that's the perks of having power, the perks of being 'the most powerful'.

geto wasn't in hiding mode after his silly spree— he was easy to find at his temple and he was sentenced to death on sight yet in 10 years no fkin sorcerer was able to kill him.

they fr knew his whereabouts.

gege also shows him in his full splendid strength through his art.

geto was more than powerful— he was a low-key beast.

his only holdback was the world in which he lived, all the anguish and misery it brought him. he started doubting himself. he started losing faith in himself as human and a sorcerer and so he sought other paths through which he could find meaning, dooming himself beyond salvation. (his cursed technique is so shitty he can't live without giving it a meaning and clinging onto a meaning, let's not forget that manga panels about the awful taste and everything).

mentally he reached stagnation and from that point...he was meant to die.

that doesn't make him weak. he definitely deserved his title and definitely was the strongest along with gojo. hope this helped

[everythingseasoning]

To continue: most people aren’t evil by nature. We come into the world with some programming and will have certain tendencies due to genetics, but other than that, we are blank slates, absorbing what the world around us tells us.

You could be in their shoes spouting their nonsense too if the cards lined up (psychology proves this over and over again, don’t argue with the messenger)— No matter how detestable you find it, there is always a very real possibility that if you grew up getting brainwashed or neglected, you’d be that very person you despise with your hateful eye

I know, that’s hard to stomach. It was and is hard for me, too.

“You’re defending them! You’re one of them!”

Well god forbid that I can be against horrible things while also (quite necessarily) acknowledging that nuance exists…

The ones you hate are, perhaps shockingly, people, too. And violence isn’t the answer. *Change* towards a better, kinder world should be the priority here. You’re being counterproductive by wishing death/hate on other humans (Seriously. You think they’ll listen to you when you say they should die?)

Take a look in the mirror if your immediate reaction to something bad is to do grab a pitchfork and spurn all those you deem as monstrous and evil — are you not also committing an act of evil right now?

Argue that they started it all you want, but be aware that you’ve lost your humanity, too, once you stop seeing people as people.

TLDR: are you helping the problem by educating others, or are you BECOMING another problem, by spewing more hate and nonsense into the world?

"Those people believe x. We know they're wrong because y, but here's how they got to this point."

"So you think x!"

"No, I'm explaining what they think."

"You're making excuses for it and arguments that support it!"

"I'm laying out the arguments they give. I'm not making them, I'm showing them. I broke down why it's wrong and how it became a prevalent view."

"You're an x-apologist!"

Right, sorry, my mistake. Those people don't have a distorted worldview that leads them to cruelty, they're just evil by nature, their essence is darkness and violence, there's no humanity in them, go ahead and fantasize about wiping out whatever population you marked as bad. Didn't mean to interrupt your fantasy. I can see you're quite attached to it. Go on, advocate for whatever useless violence you think should happen in retaliation. I thought violence should be a horrible but sometimes-necessary tool, but it can be a goal, that's fine too. Everyone needs a dream I guess.

[justrustandstardust]

the op of jjk season 2 is rife with symbolism. there's one particular motif, however, that foreshadows the trajectory (and tragedy) of gojo and geto's love story.

almost immediately, we see geto running through the rain. the stylistic choice to portray him holding his bag over his head is deliberate, because it emphasizes what he conspicuously doesn’t have but so clearly needs: an umbrella.

gojo, on the other hand, is not operating with the same sense of urgency, seen through him taking his time looking at a cat. gojo has what geto needs, but he's not rushing. their behaviour is incongruous; geto is hurrying to get out of the rain, and gojo remains still, because he’s absolutely not hurrying at all.

the sense of urgency is compounding, seen through geto bouncing his leg. he’s waiting impatiently in the rain, and he's not using his bag to cover up his head anymore. geto knows gojo is coming; that's why he's impatient— because he's waiting for someone who has what he needs that hasn’t shown up yet.

geto needs him, yet gojo doesn’t pick up the pace. this is despite the fact that he needs to because it’s raining and geto doesn’t have an umbrella. we, as the audience, feel geto's impatience and we're urging gojo on, yet he still doesn't go any faster.

sharing an umbrella is an established trope in japan. it’s widely recognized and practiced enough to have its own designated terminology.

gojo is bringing an umbrella for them to share. that's why it’s repeatedly reinforced to the audience that geto doesn't have one. that’s also why the shots cut between them; it highlights what gojo has that geto doesn’t, and in doing so, ties the narrative together through the umbrella.

by the time gojo finally shows up, the sun has come out. gojo lowers the umbrella and smiles sheepishly, rubbing the back of his neck. contrarily, geto almost seems resigned, like he’s accepted the fact that gojo took too long. they can’t share the umbrella anymore because they missed their chance to use it.

we can see that geto is saying something to gojo when he finally shows up with the umbrella. you know what i would bet actual money it probably was?

“you’re late, satoru.”

[sasukesun]

the directing choice of putting the soft music playing the moment kenjaku says “yo, satoru” and make it stop the moment gojou realises it was a trap, the moment he falls back into reality and asks who is he, as if in the meantime he was dumbstruck by the possibility of having suguru back while also being flooded with the memories of his first and last blue spring of youth and the warmth that those memories bring him, to make him subtly smile when his six eyes tell him that it’s suguru, and then to play the same song but in a sinister way when kenjaku reveals himself and gojou realises his best friend’s body was violated like that, the sickening feeling. you could say the music expresses how gojou was feeling inside. and would also like to highlight the excellent job getou’s va did here, he speaks in a much somber way than real getou. great choices mappa.

[lxmelle]

Post appreciation! Absolutely agree with the points made here, barr one about the beta fish. It seemed to me that it was more to illustrate their mental states as individuals (sickly and thriving) rather than being unable to be in sync / coexist in harmony, because they were shown to be each other’s complimentary half.

You know, like just by existing Gojo induced more & stronger curses; just by existing Geto could incite balance by absorbing curses. One was born, and shortly after, the universe brought in Geto.

They represent more Yin & Yang energy where, without the other, there would be no balance. One cannot exist without the other for long. There can not only be winter (Gojo) for summer (Geto [his name in kanji]) is needed for growth. Yin is dark, Yang js light. It hits all the other points in OP’s post. The completeness that they, by design, brings to one other - shipping aside.

Anyway, that’s all I wanted to add. Admittedly I have this weird thing with anime sometimes where I think they take artistic license to portray something / a point which may not be what the mangaka intended, but this is just my opinion! (Not worth much 😂)

Seeing people saying that Satoru doesn't actually care about Suguru and that the only reason Kenjaku caught him was bc he was surprised to see a person he killed alive is fucking wild, man

Like. Gojo's entire life revolves around Geto. The entire series happens because he loved Suguru too much to kill him, even though he knew he would have to do it eventually. The world literally went to shit because he wasn't over him

Geto Suguru's life would be completely unimportant to the story without Gojo Satoru, and Gojo Satoru's would be completely unimportant without Geto Suguru. They complement each other. They need each other

Two male betta fishes can't coexist. They will fight and one will die. They can't see each other — even if they're in different tanks, they won't be able to live. They'd eventually tire each other out, resulting in death. The only way for Satoru and Suguru's lives to be able to continue without the other would've been for them to never have met at all. And they can't be together. Not now, not ever again. Not while they're still alive. Not after everything that's happened

The entire story revolves around their relationship. Yuuji is a boy who ate a curse('s finger[s]), and Megumi is the prodigy who befriends him. Satoru is a prodigy, the strongest, and Suguru, the boy whose technique is eating curses, befriends him. The Jujutsu Kaisen story is all about parallels and they all connect to fucking Satosugu. It's all about them

The only reason Kenjaku's plan worked is because the body he used didn't belong to some random person Gojo killed, it worked because the body he used was Geto Suguru's, Gojo's one and only, his best friend. He must be thinking “Thank god they're gay” right now lmao

Gojo fucking hesitated. He hesitated multiple times when it came to Geto. He was supposed to kill him, yet he let him go. He has the Six Eyes, he could've easily tracked him down. He probably could tell if he was nearby (he can recognize Suguru from his scent) and just didn't go looking for him. And he could've so very easily escaped the trap that was set up for him, he was going to run away from it because we see him about to take that step but then Suguru's body shows up and says “Yo, Satoru!” with Suguru's voice and Satoru freezes and hesitates

They weren't able to let go of each other even after years of being separated (like a decade). When they meet, Suguru still greets Satoru warmly

Suguru is pretty much Satoru's moral code. He was the only person Satoru took at least mildly seriously pre-Toji (and we know Satoru just didn't do serious back then). He actually took his words to heart. He was kind, of course (especially from Suguru's PoV, since he's the person that knows him most), and not a bad person, but he wasn't nice. Suguru was always the ‘nice(r) one’, the one who actually had a moral code, while Satoru was more of an asshole to literally everyone and everything (some more, some less), thinking he and Suguru were above everyone else

When Suguru finally snaps (which, honestly. Fair) and goes genocidal (not so fair), Satoru slowly starts to be somewhat nicer and starts applying Suguru's old moral code to his own being — their roles weren't exactly reversed, but now they're not together anymore, so they might as well be. And Suguru was shown for having faith in the school and its system while it was Satoru the one who absolutely abhorred the higher-ups and all kinds of authority, but then it ended up with Suguru being the one to leave and become a cult leader with the blood of hundreds on his hands while Satoru was the one that stayed behind in the same place of the people he despises so much

(Imagine someone saying something like “Sometimes I doubt you even have a moral code” and Gojo answers with “Oh, my best friend my one and only is pretty much my moral code. He went homicidal a while back but it's okay haha” “...Actually, that explains a few things”)

Gojo doesn't have a god complex, but I wouldn't blame him if he did. I mean, he might as well be the closest thing to god human beings have ever seen. He used to put himself above everyone else, when he was a teenager. He thought that, the higher he was, the more he could do. And no one was better than him. But not Suguru. Back then, it wasn't “I'm the strongest” it was “We're the strongest and “We're the best” and “We're the ones that will beat you” and “We're the duo” and it was all about “us, us, us, us, us” instead of “me, me, me, me” like people thought it was — they were a pair. They still are

We know people thought and still think of Gojo as a weapon. As something that must be controlled, because on the moment he decides he doesn't want to be around them anymore, he could just straight up kill then without any effort (but getting rid of people in positions of power only gets other people in positions of power and it'll be a neverending story, and Gojo knows this so he's trying to do his best to fix it all through the younger generation, by letting them live). And we also know that Suguru is one of the very few people who did not believe that at all

Like their personalities and characters and stories and literally everything, their names complement each other. Gojo Satoru and Geto Suguru are such similar names, I get them mixed up all the time (the amount of times I've called them “Gojo Suguru” and “Geto Satoru” is embarassing. Also, “Saturu”. “Goto”. “Gejo”. Ugh). Both of their last names start with a G, end with an O and have 4 letters. Both of their given names start with an S, end with an U and have 6 letters. They complement each other. They need each other

The only times we've seen Gojo with an expression of actual pure, raw emotion is when it's about Geto. When he finds out about what Geto did, when he realizes how thin and wrong Geto looks, when he sees him again for what we assume to be the first time in years, when he dies, when a thing wearing his corpse and using his voice greets him (“Yo, Satoru!” oh my god)

Suguru was able to fight back when in Kenjaku's control after Satoru said his name. Kenjaku himself says that had never happened before

And you don't even have to see them as romantic. You don't have to ship them if you don't want to. But you can't deny that they care about each other more than they will ever care about anyone else

[nebulaaaeee]

so, in conclusion, they can never actually get close to each other. ☹️

this is very cool, considering gojo has infinity, (blocking anything from getting close to him,) and geto can absorb curses..

photos by st4rsatoru on tiktok :)

[gojosbf]

the whole story of jjk is a parallel about megumi (the blessed prodigy) and itadori (the cursed finger eater) exist because of gojo (the prodigy) and geto (the curse eater/manipulater), they parallel to each other a lot except megumi shows the signs that he can be saved unlike geto who was too far gone before he could be saved. they fight in the same way, for the same reasons but this time maybe they will break the cycle. walk with me here...maybe itafushi will be the proof that no matter how fucked up the world is and how odds are stacked up against you, there is still a chance that you can change history.

[waiting-for-a-sunny-day]

The way that Gojo cares so much about protecting his students’ right to be young and have fun…

In JJK0, with Yuta

In JJK S1, with Yuji

Because Gojo's own youth (especially his early years at Jujutsu high) was so precious to him. Probably the happiest times of his life.

[lxmelle]

Ah, this makes lots of sense - especially that last part! I never thought about it that way, but it fits my interpretation too.

Geto seemed to be trying to rationalise the distance and how “Satoru became the strongest” without attending to his feelings. This denial of his natural response to loss seems to eat away at his subconscious, furthering his depression and spiral.

He attempts to rationalise what’s going on, but this fails him, because most of his desires and decisions are largely emotional, which he supplements/justifies with a “rationale”. The repression becomes like a pressure cooker.

When Gojo confronts him and doesn’t enquire about Geto’s new family, or anything that Geto might want to talk about, it seems to push him away further, and the last straw appears to be when their power difference was hinted at - and Geto takes this as a sure sign that he’s been cast away - and turns away from Gojo.

In the back of his mind, pettiness and hurt aside, I think he recognises it wasn’t a path for Gojo, and it was one he had to embark on himself. But part of what I think he comes to realise as he ages is that he was sorry towards Gojo and he interpreted it as them having argued, because it was him who said cruel things to Gojo, shut him out in retaliation, and deliberately turned away. And I think this carried over into his philosophy with his family where Larue was shown to say that Geto would’ve hated them arguing.

I headcanon that Geto left him out primarily because he was the most important. You know, having moved from a secure -> avoidant attachment after the rupture. He feared Gojo’s rejection the most, and thus walked around with that forlorn face - I’ll break up with you so you don’t break up with me. Argh!!!! Poor Gojo, too, you coward ;_; why did you go and be brave like that instead of facing it another way...

And thus… 10 years later in the aftermath of the parade, when Gojo demonstrated his unchanging feelings, I’m sure Geto was humbled by it and relieved that he was forgiven.

His response to it was very much like his characterisation within the cultural context of Japan where honne (inner voice) and tatamae (outer voice) matter - like extreme consideration for others leading to masking, whereas Gojo is a lot more brazen and honest.

So what we get is Geto acknowledging he doesn’t feel he deserves the loving words, but rather a curse at the end.

That says a lot about his feelings of acknowledgement for the other. Like communicating his “I’m sorry”. And his smile was, “thank you”.

We can see attempts at being honest in ch. 236 too, whereas I thought it was only Gojo being more forward and honest - Geto too.

This is because, as I read up on it (choice of words being 妬けるね), envy is not regularly expressed in this way (if I’m not mistaken, because if you combine “yokatta na” which is enough to indicate envy, the ellipses “...” to demonstrate Geto is thinking [and not using his honne / inner voice - i.e. selecting his words carefully - he does this A LOT upon observation], and the admission he is envious “yakeru ne” - it is overkill in closeted honesty).

And I’ve seen Japanese natives comment on their exchange, too - that Geto is yielding to Gojo (by saying “I’m glad” [for you]) and showing envy ( the kicker is here: towards Sukuna 🤯 that Gojo had this itch fulfilled by someone else ) to which, he is then told he’d have likely been satisfied if Geto was there.

And that was why he had a little tear - Gojo was saying, don’t be jealous, I actually needed you.

Japanese fans were saying this is Gojo’s “I love you” 🤣

So ladies and gentlemen and those who are anywhere in between... profound communication is in the subtext between these two 😅

i wonder if, when satoru went to confront suguru, his comment of “you already heard from shoko, right?” wasn’t a bit of a smack to satoru’s face. the idea that his best friend, the person he’s closest to, the one who understands him best, can’t even bother to explain his betrayal. all satoru wants is to understand. he’s just asking for an explanation. and suguru is denying him even that.

[lxmelle]

KFC breakup.

I’m seeing it from a slightly different perspective which is still kind of aligned with what my thoughts were over what Geto meant when he posed the question:

Are you Gojo Satoru therefore the Strongest? Or are you the Strongest therefore you’re Gojo Satoru?

Was this hinting at how he wanted Gojo to think about who he is, because he cannot be by his side anymore following his choice. Leaving him with this question.

He wished to push him away. Never asked him to leave with him despite needing strength to realise it. Was he intending for Gojo to remain as the Human Satoru, who was the Strongest?

Since he said, “if I were you, this foolish dream would not be impossible”. So he took on the role of what Gojo could’ve done, to do it to the best of his ability, knowing he probably wouldn’t be as strong, but was committed to anyway.

And tried to leave Satoru as the one who could retain humanity? (And he did, trying to realise Geto’s own dreams because Geto did model humanity for Gojo and he made it his own set of morals and philosophy - which he did fulfil as best as he could).

More context:

Spoiler for chapter 261:

I’ll loosely translate:

Yuta says don’t become a monster all on your own, please. Gojo turns much like Geto did in chapter 78.

He then recollects his memory of Geto when Yuta expressed this concern for him, he thought to himself that it was an impossibility to not become a monster on his own. He was left behind then (when Geto left) and then in the white panel, that he has to catch up to him.

I think there is a parallel with how he has decided to proceed with the plan to kill mercilessly. To opt for moral greyness for the sake of his students and their future. Even if it is a future without him.

This is paralleled with what Geto was trying to do. Protect Gojo. Keep him humane. Since, he opted to do what Yuki thought was crazy. Since, he opted to do what he told Gojo not to do at the hideout in retaliation for Riko’s death.

Chasing after Geto could possibly mean he wished to repent for not killing him then and there, but I think it’s more about what Yuta said and the futility of it, with the burden he now bore to fight Sukuna and protect by weatherproofing the future. He had made up his mind like Geto did. Even if he isn’t alive to see it. To try his best for an impossible dream.

He seemed to understand and think about Geto’s motives then, and wished to wield his strength as The Strongest with a solid purpose this time. He would do it to protect those he cared about. He would chase the same dream as Geto. To catch up to him and not be left alone, for this (meaning/purpose) was all he had of his best friend lover all along.

That’s my interpretation anyway. Thoughts?

[bliss-in-the-void]

The way Suguru looks at Satoru has me by the neck already, but the way Satoru looks at Suguru?? Oh my god.

That’s his entire world right there. I don’t know how to explain it but these frames just scream “all Satoru sees is Suguru.” Like. He adores Suguru.

Don’t get me started on the look in his eyes when Suguru expresses his concern over his overuse of his technique. The vulnerability? The way he looks surprised, the way it looks as though he feels seen for the first time ever? There is something so tender about this. I can’t even describe it but it’s just there.

“I’m fine.”

Satoru knew damn well he wasn’t okay. No one sneaks up on him. I know he had to have been freaking out on the inside. How did he sneak in? How did I not sense him? No one gets behind me, no one is stronger than me, what’s going to happen?

But he held it together for Suguru. I feel like it’s instinct for him to automatically reassure Suguru, regardless of if it’s true or not. He schooled that expression on his face and looked so gently at Suguru…man.

You can just see how absolutely devastated this man is in the moment he has to kill the man he loves.

The split second he defied all logic and believed that, even though he’d killed Suguru with his own hands, Suguru had somehow survived? The elation on his face to see him one last time?

“It might be goodnight for me, but it’s about time for you to wake up.” This is the smile he had on his face before calling out to Suguru, attempting to reach into the land of the dead for him. It’s like in this frame instead of the monster inhabiting Suguru, he just saw Suguru.

The last thing he sees before he gets sealed is Suguru’s face, smiling. I can’t imagine the anguish he must have felt here. It’s almost as if he’s clinging to it, trying to pretend that it really is Suguru. Trying to convince himself what he knows isn’t true.

Conclusion: there is no one that loves anyone as much as Satoru loves Suguru.

[rk-tmblr]

And I said “take my body, use it as you need”, because the only one I wanted to be buried with didn't have a grave, so why should I?

-Gojo Satoru/Geto Suguru

[redrocketpanda]

Something that has been driving me insane about the credits are these sections with the fish so please bear with me whilst I do a mini deep dive (hehe) into fish discourse because YO, we need to talk about these fish!

Notice how at the beginning of the credits we actually have two white fish swimming along beside one another; one with bright turquoise eyes and the other with black.

A little while later the fish begin to circle each other and a droplet falls into the water between them. As the disturbance ripples out from the center, one of the fish dives deeper into the water and changes its colour to black; symbolizing Geto's change and descent into darkness

Then we have this heartbreakingly beautiful moment with Gojo and Geto:

I cannot stop thinking about how long Gojo watches the black fish for as it swims across the screen, whereas Geto's eyes are lowered the moment the white fish appears and he closes them as it swims past.

Gojo cannot bear to tear his eyes away, whilst Geto cannot bear to look

Throughout the credits, Gojo and Geto have been making their way towards each other through the pouring rain (or mostly sitting and waiting in Geto's case). At the end, they meet each other under a bridge and as they walk away together we see the fish a final time, swimming together again in a puddle formed by the heavy rain.

Geto walks on the left in the light, as the white fish swims close to his head, almost invisible in the brightness of the light. Whilst Gojo walks on the right in the shadow with the black fish swimming further away but still close by.

The fish speed after the two men before disappearing completely under the water just before the camera pans up and we watch as Gojo pulls Geto in for a hug as they walk away, before he's playfully shoved away by Geto.

There's a lot going on the credits (+ opening) that is absolutely killing me but man, these fish?! Breathtaking.

[justrustandstardust]

i saw an incredible post on tiktok and i wanted to expand on it, because it's genuinely amazing. all the credit to @noesbf on tt for the idea that inspired these thoughts.

geto's character is threaded through with motifs of consumption. he takes things in, whether they be curses or daughters, and is spurred by intense empathy that ends up going in the "wrong" direction once he takes the entire jujutsu world under his wing.

when we're introduced to him in hidden inventory, our first glimpse is of him consuming a curse. he's also alone, in a dark alleyway, a symbolic image that parallels his journey throughout the story. he's a consumptive force, a facet of his being that ultimately leads to his undoing because he consumes the responsibility of "saving" the strong, who are burdened by the weak.

gojo, on the other hand, repels. he's an outward force, extending out a physical barrier that creates distance between his body and the world. where geto invites, gojo rejects. their abilities are constructed as diametrically opposed to one another's.

through the motif of gojo's abilities, this image captures their consume/repel dynamic in a singular shot. after riko's death, gojo leans into red, which repels. he focuses on growing stronger and in doing so, isolates himself from the world (and subsequently, geto). on the other hand, geto leans into blue, which aligns with the consumptive nature of his character. he harbours riko's death inside of himself and it festers, like a curse.

black holes are all-consuming vacuums. they subsume everything around them and create an inescapable vortex— once you're pulled in, you're never getting out. it will literally eat you and in doing so, makes you an everlasting part of it.

white holes, on the other hand, function in opposition to black ones along the same axis. where black holes pull, white holes push. nothing can enter them; they're doomed to a lonely eternity because of the force that holds the universe at a distance. nothing outside of it can affect what goes on within, yet it affects everything around it.

however, white holes can be subsumed by black holes. while nothing can enter them, if a white hole were to cross paths with a black hole, its consumptive force is so powerful that it would eat them too.

after geto and gojo experience a rapture in their relationship, gojo withdraws from the world, holding everyone at a literal and figurative distance. yet, even while he's alone, he's endlessly drawn towards geto. his eyes are bound but his soul isn't— it's tied to the piece of him inside of someone else, and gojo visibly feels the pull.

white/black holes also correspond to the colours associated with gojo and geto's characters (they align with their yin/yang dynamic, where yin (black) symbolizes darkness & the moon and yang (white) symbolizes light & the sun).

yin/yang are more than two halves; they form an indivisible whole. they become one another: light turns to dark, the moon replaces the sun in the sky, life transitions into death only to be born as life again.

if two celestial bodies exert oppositional forces upon each other, they function in equilibrium. geto's consumption was growing alongside gojo's repelling, reaching an event horizon when he took the lives of 112 villagers and forcing the two of them out of equilibrium. he continued to consume (curses, money, vulnerable people through his cult) until he died and took gojo's soul with him.

consumption can only exist if there's a repellant force pushing back. geto and gojo are not opposites, instead, they each contain the other— every yin has yang within it and vice versa.

they are borne of each other, they are unknowable without the other. they are more than matching; together, they are complete.

[sscarletvenus]

yes suguru's plans to exterminate a vast majority of humanity is undeniably evil, but to say that he is murderous from the very start, cruel for the sake of being so, or lacks compassion or any emotional nuance is a gross disservice to his character's writing.

suguru is a case study of a romantic idealist and self-sacrificial saviour whose absurdly rigid, quixotic ideals are shattered brutally by reality intervening. the intense hatred he has for humanity is born out of, is an inverse of, the intense love he once possessesed for it. this is also why even though satoru is portrayed as brash and selfish and arrogant in the hidden inventory arc, it is suguru that turns "villainous."

suguru places his faith in the goodness of humanity, believes the duty of shamans is to protect the weak, their existence solely hinged upon saving the lives of non-sorcerers, and for that he is disappointed so tremendously, betrayed to an extent that makes it impossible for him to recover his ideals and past self.

ultimately there are also more than one reasons why satoru doesn't become "evil" : 1) "protecting humanity" was never his cause to begin with. he hardly cared about preserving human life, as is evident in his intentions to kill the cultists who cheered on riko's death, and 2) he had someone shielding his inner self : suguru. for it is suguru that tells him the duty of shamans is to protect non-shamans and the weak, suguru who asks him to sympathise with riko, suguru who persuades him to not kill meaninglessly.

satoru is indeed attached to riko, as well. he is the one who decides not to hand riko over to tengen if she wishes to return home, and tries to enliven her last days as a lucid person. it would thus not surpass one’s expectations if satoru turned to villainy post riko's demise, since he never even liked non-shamans to begin with. and yet, he doesn't. suguru protects his heart, which is a part of why he is able to steadily process his grief and anguish over riko's death.

suguru doesn't have anyone to do that for him, he is strong in his own right but not the "strongest", nobody notices how deep of an abyss his soul has sunken in, and he succumbs to the lethal loneliness, falters in this marathon of sorcery.

suguru is brimming with love and compassion: it is what drives his heroism in youth and villainy as a cult leader. he is able to protect gojo's heart but not his own. he fluctuates between two polar extremes : utter distaste of humanity Vs. a duty to protect it despite its horrors. three things serve as final nails to the metaphorical coffin : yuki's words, haibara's death, miminana's abuse. he describes imbibing curses for curse manipulation is "like eating a rag used to clean vomit". how macabre, how grotesque, how enlightening - who is he doing all this for? the humans who killed riko? it was these humans haibara died serving, these same humans violently mistreated miminana.

toji and sonoda encapsulate evil very blatantly, and aren't enough to shake suguru's belief in humanity. but the turning point is the non-shaman cultists rejoicing : suguru is thus forced to confront the banality of evil.

and suguru responds by rejecting what he once loved, embraces the darkness plaguing him. believes the only way to eradicate curses is to uproot their source : humanity. humans, for as long as they will live, will give rise to curses born out of their negative emotions. there is no one to tell him any better, or protect his self-identity. he loses himself to his own sense of empathy, his own ideals.

he isn't indifferent at all, cannot pick and choose whom he loves and doesn't. his love and hatred is collective, in both he gives his all. even amidst his hatred, he doesn't lose his love.

who does he choose to target first, once amassing enough money, power, and reputation? sonoda, the man who ordered riko's assassination. someone who lies in wait to enact vengeance does it out of love. if he was nothing more than a corrupt tyrant, he wouldn't remember the circumstances of riko's demise or care enough about them. suguru's rise as a hero and his subsequent fall as a villain has always been about love. and it seems, to me, up until his death, he prioritizes satoru over himself. doesn't see satoru as a weapon at all, or he would have directly asked satoru to join his cause. instead he poses to satoru a question, presents him with a choice - which in turn makes satoru shaken enough to question his identity, his place in the system, becoming a teacher and dedicating his all to a fitting reformist centrism from an isolated and dare i say, individualistic person such as himself, who stands on the pinnacle of power. but he wouldn't have come to such a conclusion without suguru's experiences shaping his worldview (he himself apologizes to riko during his fight with toji because rather than feeling depressed over her death, he feels the pure pleasure of the world in that moment. killing toji endows him with a sense of duty towards megumi, and riko's death but obviously impacts him, but the change from full apathy, to neutral indifference except in the case of his students, was losing suguru.)

as evil as suguru becomes, he is not a hypocrite. that he kills his own parents is to show the seriousness and conviction he has in his ideals. his code of operation is consistent, even when it turns from pro-human to pro-shaman.

reminds you of what mahito tells yuuji: does yuuji ever consider how many curses he kills? so why should mahito account for how many humans he kills? suguru geto presents us with a possible answer : someone has to care about how many shamans are killed.

you can condemn him for his use of collective punishment, but suguru is a villain!

you can criticize his killing of innocents, but jjk conveys the carefully crafted narrative of a villain who once held staunch traditional and moral ideals.

suguru is evil for proposing collective punishment, but it is incredibly consistent with how emotional he is. he is empathetic because he cares about a girl like riko, doomed by the actions of the rest of the world, forgotten in her misery. he cares and it drives him to the deepest pits of despair, where life loses all color and meaning, despite only knowing her for so long and haibara as well, he enshrines haibara in his memory, when no one other than nanami does. hardly anyone remembers riko's existence, haibara's laughing face, but he does! and for that he spends each moment sinking in the quagmire of his grief and torment. his empathy is a sword of damocles hanging over his neck! to say that he is cruel and unfeeling is to contradict the very agony that drives his (wrongful?) actions. and he is indeed wrong for externalizing this indelible pain, wanting to inflict it upon innocents. but suguru is a villain! has been set up as such!

mahito raises this question to junpei,"is the opposite of love really indifference?" to satoru, it is. but to suguru, it is hatred which is the opposite of love.