#get some air even

[peachywontyell]

brennan lee mulligan is a fucking menace.

[united-under-skyfall]

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

[goomyloid]

got uty au pilled again, sorry... more info under the cut

an AU where ceroba, in the end, refuses to inject kanako with the serum. even after all her research, she just can't trust that it's totally safe. while kanako accepts this, she still wishes she could eventually be of use somehow, and indirectly blames herself for her father's death.

despite all this, with kanako alive, ceroba is able to grieve chujin in a far less desperate way, still having her daughter by her side. as the years go by, ceroba devotes more and more of her time to finishing chujin's research in hopes of finally making a serum that can save the underground. kanako is determined to help, too -- together, they clean up chujin's lab and make it a far nicer place to work, because they're in this together now. well, in theory.

ceroba still certainly takes care of kanako and does her best to be a good mother, but as time passes, ceroba spends more and more time in the lab trying to find an answer. kanako, being the social butterfly that she is, can't bring herself to always stay shut inside like her mother; she travels daily to Oasis Valley, making friends and becoming the town darling. as ceroba spends more time working, kanako spends more and more time taking care of the estate, trying to spend time outside whenever possible.

but it gets kind of lonely. the ketsukane estate is off outside of Oasis Valley, and not many people come by. she's worried about her mother, who's been shutting her out as she becomes more desperate to find a solution. there's only so much to do at the house.

then, clover falls into the underground and explores the dunes. there are barely any other kids at this spot in the underground -- finally, someone around her age! she's immediately entranced by them and determined to become their friend, even after finding out they're a human -- that just makes them cooler...!

but there's a problem; kanako has seen her father's tapes, she knows that a human soul would be extremely valuable to producing the serum. of course, she wants to help save the underground, and she wants her mother to finally be rid of stress and be able to spend time with her again... but after spending time with clover, kanako knows there's no way she can let clover die. they're like the sibling she never had...

and kanako can't even let her mother know that clover exists, either; she knows exactly what will happen if ceroba finds out there's a human here. and yet, a secret part of her wishes and hopes that maybe, just maybe, ceroba could find value in clover as a person and then they could all live in the ketsukane estate together. it would be a dream come true! maybe there's even some way clover can help ceroba without having to give up their soul...?

but things aren't destined to work out that way. any number of things could happen.

clover could peacefully move on in their quest through the underground, leaving a sad and lonely kanako behind.

or, ceroba finds out about clover in one way or another, and things are not looking good. but would she choose to take clover's life at the cost of her daughter's one and only friend?

what if clover didn't come in peace, but in vengeance?

or maybe ceroba somehow accepts clover, growing to respect them after all is said and done, and she tries to experiment on a living human soul?

or maybe, wracked with grief and loneliness, kanako discards her mother's warnings and takes the new, updated serum herself, determined to become the hero for her family like she always wanted...?

or, something else could happen.

what if, after an unhappy ending, kanako wakes up on that same day again, waiting for clover to come by the ketsukane estate for the first time? she doesn't even know how it's possible, reliving the same few weeks over and over. she just wants to find her happy ending, and she'll search and search for as long as she needs to.

how long can she watch the same endings play out over and over?

[chattematsu]

[4.0 archon quest spoilers]

[halorvic]

[front-facing-pokemon]

[yuseirra]

My beloved Fatale

[dykedvonte]

I think a big misunderstanding is the power people give Curly to actually change things about the way the pony express operates or could’ve done things on the Tulpar.

We are talking about a company that docks pay for bad synergy despite mandated psych evals that should tell which staff members would work well together, only allots for 5 hours of sleep despite having literally no other tasks to truly do and locks all resources behind the access of one person. The last one is likely to manage resources and make it easier to justify collective punishment and blaming one person for it; someone needs something in “excess” or the captain gives in? It’s all on them your pay is docked. Instant resentment.

It’s insidious how the company works, it’s by design to distract you from coming after them, to force tensions to line their own pockets. With all the restrictions and forced interactions, altercations are bound to happen. 5 hours of sleep a day, limited sources of entertainment, no real tasks… the monotony alone would cause bad cabin fever, mix that with just only one absolute mediator and you get the exact environment that allows shit like in the game to happen.

The idea he could just complain and try to throw his weight around to get them to dig into their pocket for the crews comfort is laughable and misses the predatory and dehumanizing aspect of capitalism the Pony Express represents. Curly was and is still just another asset to them. Being a top show pony doesn’t mean he’s anywhere close to the actual top. He is the top of the working ladder, not whoever’s in corporate, he wouldn’t even be on the bottom step unlike what Jimmy perceives. The resounding recommendations he would get are almost mocking as they throw him out like nothing just like the rest. Being a shitty fucking company, how much do you bet they’d mean anything anyways, especially since he wanted to leave the field all together.

He made a fuss and they didn’t listen, he says he should’ve done more but you can tell he knows it wouldn’t have changed anything. Jobs like this are willing to make a sacrifice if it means even a penny more. Curly makes a bigger fuss they likely would’ve just found an “unrelated” reason to fire him, hired a more pliable guy or, terrifyingly, promoted Jimmy. The company was failing, going to shut down whether anything happened on the ship or not. But knowing that they were shutting down and that everyone, including him, would be out of a job with this being their last paycheck, he had to factor in not destroying the last bit of their financial stabilities combined with every other issue on the vessel and his own. He gets another cryopod or locks and then he has to break to them that they are not only fired but there will be substantial cuts to their paychecks due to the “upgrades” (things that already should’ve been in place on their part) on top of anything else that could be docked along the way.

You can blame him for saying it so early into the trip but then again, if he mentioned it later who’s to say it wouldn’t have been worse? On the capitalism side alone how would people in a galaxy away from home, out of a job and already stir crazy react? Don’t get me started on how Jimmy would have reacted if he realized he only had two days left to fix what would be a very hard to miss “problem” in his head…

I can’t even consider explaining this as devils advocate because it’s just facts of the world we and they live in and factors that heavily affected the situation. People are just so quick to make claims on the ease of the choices when P.E literally makes it hard to choose to do anything but suck it up.

[qoldenskies]

i think about splinter walking in on the aftermath of caged lungs a lot

[celtrist]

I really want to see a more fucked up version of Charlie in canon. Like, okay, I am a die-hard for sweet bubbly girls in media. But I always see how some people make Charlie actually, oh I dunno... demonic? And it's so refreshing for her type of character. I could honestly see her having low empathy (and we kinda see this with how she handled Angel's situation or even Vaggie's nervousness about taking control on an activity). An exploration of that trait (if it was intended) would be interesting to see for a protagonist, especially when her main goal is about helping others. I would love to see her actually have a level of difficulty in understanding others' feelings from the other residents, sinners, and even her father.

But give her a fucked up side. Not a "she gets more power when she's angey uwu", but a "oh, she's a little fucked in the head". It would give so much to her character that she just doesn't have.

@/murmurmurena (don't wanna bother them so slash there we go) has some fun ideas with Charlie. I highly encourage people to check their stuff out! So many fun dark ideas with her character while also still keeping to her canon personality pretty well! Personally, I think Charlie being a bit more naive to her own messed up traits would work best but her also being aware of these traits can make for some interesting character for her.

THIS FIC, "A Game Between You and I". RIGHT HERE WITH THE FIRST CHAPTER. A bit of spoil for the fic here: but I love how they handled Charlie’s absolute ignorance as to why the idea of Russian roulette is horrifying to Angel Dust. It doesn't feel like her being intentionally malicious or aware that she's the odd man out here. This is also a pretty old fic going by only the pilot, but the point still stands that it was such a fun take for her character!

Charlie is one of my favorite characters in the show in part of the POTENTIAL she could have as being the most bubbly sweetheart character while also being the most messed up character in the show. I can't say I have strong confidence with the show's writing and fully expect them to stick with Charlie being the "nice girl but oh no, don't get her angry or she gets scarwy". Which isn't bad for a character mind you, there's just so much more potential to Charlie outside of that trope, especially when you get into the theories of her either being a doll, Roo's biological daughter, or what have you. And for the MAIN CHARACTER of the show, it would be not only interesting but also bring the spotlight back to her.

There's really no question that the side characters steal the show, particularly all the male characters. If I'm honest, Charlie does not feel like she gets a lot of love from the show itself when she's supposed to be the main character. She feels far more flat compared to the rest of the characters (again, the male cast in this "female-lead" show has more depth than most of the female cast currently. I wouldn't be pointing this tidbit concerning the genders of characters if it weren't for the fact Viv defended Helluva's lack of development with their female cast by saying "Hazbin is a female-lead show and Helluva is a male-lead" and Hazbin ended up with it not feeling female lead (to me) and the male cast just completely stealing the show. I don't normally care about gender stuff, especially since I do personally lean interest towards male characters. But using one show as a defense for poor development of the female characters, and then that show not really holding up with no very interesting well-developed feeling female characters irritates me. It's just very clear that these shows don't seem to care much about the female cast :/)

If you like how Charlie is written that's totally fine. PERSONALLY, I just think they're missing so much opportunity with her character by just making her the standard female character type. I honestly don't have a lot of faith they'll actually do something with Charlie's character though. She's a pretty static character in S1 being the same from start to end. Not changing or learning anything to create any development. What does the end of season Charlie do that start of season Charlie wouldn't do? Fight back? Because we see with the pilot (which is the “first episode”) that Charlie does fight people if pushed like with Katie Killjoy and even Valentino. Static characters can work in media depending on the show or their role. But Charlie is the MC of a show about “bettering one's self”. So to have her as a static with not a lot of strong dilemmas for herself (like we see with Angel Husk Al and even Vox) seems silly. Plus, considering Hazbin is telling a whole story and it's not a fun episodic thing, characters are expected to grow on some level. Or else, what was the point of their hero's journey?

[anotherdragon]

crazy how we only had qsmp for like a year but it managed to irreversibly sear itself into my brain. the storylines were messy and unfinished and we will never see a satisfying end for any of it but holy shit was it beautiful

[estrangedandwayward]

Okay but like do you think the flight home after driftmark was fun? Like yeah aemond just lost an eye and they're all in huge trouble but once their up in the air, all three of them on dragon back together for the first time, would that even matter? I bet they were doing tricks and seeing who could fly the fastest, yelling things at eachother and laughing. They're kids, and we know that they all love their dragons, and I just can't imagine they weren't thrilled to finally be able to fly together

[turtleblogatlast]

Leo as a character is deeply tied to the very concept of identity that it is deeply ingrained into every aspect of his character and in this essay I will-

[kenmaiii]

after two years i finally draw the favorite

[raraeavesmoriendi]

Okay but watcher originally wasn’t going to leave the old videos up. Like that is something that they backtracked on and are trying to gaslight people about. They did an interview with Variety where they told them that they were going to slowly remove their content from YouTube.

I’m trying to figure out if you’re footstamping at me or what, but babe it’s not worth it.

they’re going to do with their videos what they deem they need to bc they’re not actually our weird friends and we don’t know them like that, they’re guys who make video series who are trying to figure out how to keep a studio afloat in a landscape currently dominated by media conglomerates owned by people like jeff bezos. that is the cut and dry of it. yeah, they probably changed their minds and reversed their earlier decision, but if anything the way people are frothing at the mouth about losing their ~comfort content~ (which. yikes don’t get me started), one would think that would be a relief.

look, I had a whole essay here but I have shit to do so, short version: watcher could have strategized and rolled this whole thing out differently, and who knows, maybe more things will change. maybe they’ll change their content output schedule for their own channel. maybe they’ll add shows or cut , or re-scale for international viewer accommodation. I’d hate to be their PR person right now. but it is what it is. if you can’t pay them, don’t. do not subscribe. literally no one is forcing you. if you wanna see their stuff that badly, find someone who can and password share. they literally said it was fine.

cards on the table, I don’t even know if I’ll be getting a sub until October, or at all, bc I’m a grad student and I have bills. but I’m not about to sit here and act betrayed and hope they fail a. because I’m an adult who understands that no matter the size of the staff, providing employee benefits and insurance costs money, as does making any kind of for-fun content in our current hellscape, and b. it’s kind of shitty to watch people turn around and act like a media company is their friends personally stabbing them in the back and betraying some grand marxist ethos when it’s literally just people who don’t have things like mousecorp and netflix behind them trying to make their shit on their own terms. I’m not going to sit here and pretend they’re some rich greedy corpos trying to wring money out of us poor broke smol beans out of malice when they’re not even in the same ballpark. they’re allowed to ask to be paid for their time and their labor. if people can’t pay them, then they can’t pay them, end of. some things we just have to go without and that’s just how it shakes out; there are worse and more critical things I could be missing out on that I will be paying that money for instead.

but I’m not about to insist their stuff be free forever because ~I want it~. because that’s not what it comes down to, in the system that we currently operate and exist under. I’m not entitled to their shit like that and frankly no one is.

watching people openly hope they crash and burn bc it won’t be free anymore just makes me chalk it up to one more shitty example of how consumer culture has just made people not think about how stuff is made as long as they can get that instant gratification, but like. water is wet, news at 11.

[dorliart]

Me every time someone talks about something that’s "in the depths" in tears of the kingdom