#get out of my lane

[through-rosey-glasses]

It's weird going from a sport that is pretty straight forward (line up and whoever gets to the end first wins) to a sport where there are rules about where players can be and when.

[egophiliac]

Hello ! I positively adore the running joke of Idia unknowingly finding Lilia to be the coolest guy ever whenever he doesn't know it's him, like when Silver described his father, or obviously with muscle red. I can't say what'd be funnier, Idia finding out his online best friend is actually Lilia, resident spooky hyper fairy; or them both never finding out, and it'd become even more ridiculous as time goes on. How do you think it'll play out ? You're always so on point

(Also, though it makes sense, I'm still devastated bat boy didn't get a ticket for the Halloween skeleton train : ( does anyone mentions him at some point ? Like how he'd have fit right in with all those Halloween town little freaks, and how he'd have impressed them with his spooks and scared techniques; after all he's been every Briar Valley's children worst fear on Halloween for centuries. I'm on the eng server and I didn't wanna spoil myself by watching the whole thing on youtube)

Have a nice day !

you and me both, Idia and Lilia being oblivious online BFFs (+ Idia being incredibly intimidated any time Silver brings up his jock gamer dad) is my favorite running joke/subplot. 🤝 it's SO good, to the point where I also am unsure if I actually want it to ever be resolved or not...maybe, like, as a post-canon stinger or something? everyone's standing around covered in overblot ink, and Idia and Lilia's phones go off at the same time...

(legit I do think this is part of why Idia couldn't be present for Lilia's dream, because for some reason Lilia decided he was going to just. embody his past self online. he probably quotes his own battle strategies or whatever in the middle of boss fights. Idia didn't pick up on the whole "oh how weird that we both live on a super remote island" thing, but he would spend thirty seconds listening to General Lilia describing siege warfare and be like "w-wait")

all that aside, however it does end up happening, I do see Lilia being very blasé and all "oh! cool!" about it. y'know, taking it very much in stride! and Idia...very much not.

(can't tell if tumblr is going to chew this into illegibility or not, this will be a fun surprise ᕕ( ᐛ )ᕗ)

as for Lilia sadly missing out on Halloweentown shenanigans...he does get one little mention as part of an offhand reference to the light music club, but so far no one has brought up how this basically is just Lost In the Book of Liliatown (Sebek's been too busy yelling about not getting to be in the same group as Malleus). 😔 honestly though, it's probably for the best that he got left out, because he would just settle right in and refuse to ever leave. canon would shatter. we would miss out on all the delightful angst of episode 7 because Lilia is too busy eating poisonous shrubbery inbetween practicing his very best screams, and no one can pull him away from it.

(I can hope for a sequel next year though...)

[deadpoets]

DEAD POETS SOCIETY (1989) dir. Peter Weir

[mamawasatesttube]

i just think lois lane should put tim drake in her purse like a little dog. a scrunkly little companion who's even better at picking locks than she is, which is saying something. a nosy little freak after her own heart. the rubber duck she uses when talking her thoughts out loud to put clues together. her coffee gofer. her purse ferret.

[fictionadventurer]

Everything I learn about Rose Wilder Lane makes me more and more aware that she was a hilariously outrageous person who needs a movie made about her immediately.

After leaving Missouri, she moves to California and marries a real-estate guy who once tried to get her to help him con the railroad.

She gets hired at a San Francisco newspaper known for its yellow journalism, where she does things like writing a series of columns featuring the "real-life stories of a police detective" who, in real life, was a high-end jewel thief.

Her first book is a first-person "autobiography" of Charlie Chaplin that she (after a few interviews with Chaplin) completely made up, and that Charlie Chaplin immediately threatened to sue her publisher for.

Her second book is a biography of Jack London, which his wife only reluctantly allowed her to write because Rose presented herself as "someone who had never written for the newspapers before and needs a chance to break into the magazines." This book was also almost entirely fictional, and her publisher also almost got sued over it.

Third biography is the first-ever biography of Herbert Hoover, also a heavily-fictionalized account. (Doesn't seem to have been sued for this one. Steps in the right direction!)

Traveled as a reporter through Europe (to places like Albania and Poland) post-WWI. (If we want to talk about legal things that she did).

Wrote a book based on Laura's late-childhood pioneer experiences while Laura was writing the early books of the Little House series, and did not tell Laura about it. (Laura was ticked off).

Kept trying to insert a story into Laura's memoirs (and Little House on the Prairie) casting Pa as a member of a posse that hunted down the infamous (and never-caught) serial-killing Bender family (despite the fact that this was historically impossible). (It got to the point that Laura herself told this story to the public as an example of "a true story I couldn't out in my children's book." Despite the fact, I say again, that this was historically impossible).

During WWII, endured a minor incident (it involved one cop coming to her house) where the FBI investigated her as a potential communist based on a postcard she sent that was critical of the government. Turned this into a short story that presented herself as the righteously-outraged American citizen fighting against an oppressive government, and used this to whip up a nationwide media campaign against J. Edgar Hoover for spying on American citizens.

Flew to Vietnam as a war reporter when she was in her seventies.

[all-i-do-is-live-in-daydreams]

LOOK AT THEM !! LOOK !! THEY ARE EVERYTHING TO ME !! ONLY 2 EPS ARE OUT BUT I ALREADY WANT 10 MORE SEASON IDC

clark and lois are so sweet already !! and look at their height difference 😭😭 idc height difference always gets me man I eat it up EVERY. SINGLE. TIME.

[charlesemersonwinchesteriii]

Kept thinking about the decline in popularity of Christmas caroling from the 1800s to now and came to the following conclusions:

Would not go caroling in any time period:

Hickey

Gibson

Golding

Wall

Des Voeux

Fairholme

Crispe

Collins (would like to, but is too shy)

Would go caroling in the 1800s but not in a modern AU:

Goodsir

Hartnell Bros

Diggle

Morfin

Weekes

Hoar

Tozer

Dundy

Crozier (coerced into it by Fitzjames)

Jopson (moral support for Crozier)

Would go caroling no matter the time period:

The Franklins

Gore

Magnus

Lane

Fitzjames

MacDonald

Irving

Hodgson

Little (coerced into it by the former two)

(List not meant to be exhaustive. I left out anyone I was undecided on. Additions and edits welcome!)

[idontmindifuforgetme]

I’m happy for the little life I built for myself

[ladyinthebluebox]

hey tumblr. what have i done to make you think that i would like to see the sad, bitter corner of this fandom actively recommended to me?? HMMMM????

[sixlane]

wine tour

jegulus microfic | idk not very many words | straight from the notes app to your dash <3

“I think I’m getting notes of…” James swirls his glass pensively, “wine.”

Regulus raises a brow. “Well, yes. I would hope so.”

Today has been a long one for Regulus, as summers tend to go, with tourists in and out of wine tastings all day. He usually feels like he has a good grasp on hospitality, a perfect combination of informative and casually funny, but something about this group has been throwing him off. Namely the tall, tanned man with glasses and a million-dollar smile that stretches across his face any time Regulus looks his way.

“Perhaps notes of grape as well?” James asks, shoving his nose past the mouth of the glass and inhaling deeply.

Regulus finds himself giggling just a bit, bringing his hand to his mouth to conceal his slip up. James tracks the moment.

Of course, it isn’t the first time he’s heard jokes like this, and it certainly won’t be the last. He doesn’t even think it’s all that funny, but something about James…

Maybe it’s the charming confidence or the way he squints in the sun despite wearing a backwards baseball cap, but Regulus can’t help the way talking to him makes him feel like a teenager again. Giddy and shy.

“Oh shit, Regulus cracks a smile,” James says, leaning back in his chair. “Been looking for that all day.”

“Yes, well your jokes have been rather subpar,” Regulus fires back, the corner of his mouth upturned.

“But ‘notes of grape’ did it for you?”

Regulus shrugs, running his eyes over the man in front of him and taking a sip of wine, “yes, something like that.”

[dio-icarticaae]

Chapters: 2/2 Fandom: Superman - All Media Types, Superman (Comics), DCU, DCU (Comics), Justice League - All Media Types Rating: General Audiences Warnings: Creator Chose Not To Use Archive Warnings Relationships: Justice League & Clark Kent, Clark Kent/Lois Lane, Clark Kent & Jonathan Samuel Kent, Clark Kent & Kon-El | Conner Kent, Clark Kent & Kara Zor-El, Clark Kent & Kon-El | Conner Kent & Kara Zor-El Characters: Clark Kent, Kon-El | Conner Kent, Kara Zor-El, Oliver Queen, Barry Allen, Hal Jordan (Green Lantern), Diana (Wonder Woman), Bruce Wayne, Lois Lane, Jonathan Samuel Kent Additional Tags: Silver Kryptonite (DCU), Secret Identity, POV Outsider, POV Oliver Queen, Justice League Doesn't Know That Superman Has A Secret Identity, Unconventional Families, Superfamily (DCU), Superfamily Meets the Justice League (DCU), Kellogg's Pep Cereal, Cuddling & Snuggling, Platonic Cuddling, Meet the Justice League (DCU) Series: Part 3 of Kryptonite Week 2024, Part 1 of lock and key 'verse Summary:

“What? What is it?” Hal asks, exchanging a worried glance with Oliver. "Did I excuse myself from work?" Superman asks Diana, sounding very alarmed. "Uh, no?" Diana says, confused. "Oh, no," Superman groans. "My boss is going to be so mad."

Or: As far as the Justice League is concerned, Superman's a pretty open book. They know everything there is to know about the guy and his life, right? Then again, maybe not.

For Kryptonite Week Day 3: Silver Kryptonite. Bingo prompt: Secret Identities.

[cyanide-sippy-cup]

KARA?! LEX WITH THE GREEN AND PURPLE!! Is that supposed to be Firestorm or is it Heatwave again? (Edit: okay I get it that's atomic skull)

AND IS THAT A FUCKING PARADEMON?!?!

[fancat-not-fangirl]

The first thing I thought when I saw the original pic of George was “she was a fairy”… had to get it out of my system

[mc-critical]

It's interesting to see how Mahidevran, Hatice and Gülfem's different yet overlapping relationships with outside forces (soothsayers, the superstitious/the "magical" and the "divine" in particular) form and feed into their core mindsets and views of their experiences.

Gülfem starts off rather as a background figure, so we learn more about her experiences and what exact role the outside forces have played in her processing later on. She's seen their harm, but she's also embraced the good they bring. They've caused all the bad in her life but that's why it's almost like they are the only ones aware of the full extent of her pain, hence joining in her hardships (E43: "Only Allah and I know how much I've suffered") - they're all she's left when even what small things she's established for herself in the harem are taken away, thus, unlike either Mahidevran or Hatice, she separates the outside forces from her pain altogether, pinning the blame only on herself (as seen by her scene with SS in E15). How can they be a part of her pain when she can confide in them so much? She's gained the support of others, sure, but her past isn't really brought up by anyone except herself when push comes to shove: that only stays inside her and within all those outside forces that dictate everyone's fates' grasp, the grasp of one force in particular: Allah. Gülfem goes with fate's flow, with Allah's flow (fate and Allah are constant here, but Allah is put at the most personal), only he can really console her and make everything better. What's done is done and even seeking justice is pointless, as only Allah will decide what will happen next to each and every one of them.

But what gets all the more interesting is Gülfem's persistent advocacy in one's own capability to step up and improve their own life, albeit with outside help. In Hatice, Gülfem doesn't see a mere mirror of herself, but someone who has the agency she doesn't have, the position and resources she can't have, so she, unlike Gülfem, shouldn't just stand there and wait for the outside forces to dictate her life and take away what was taken away from Gülfem herself. She should lean on Allah for help, she'll always have Gülfem's own support as well, but she should act and only if there's nothing more that can be done, then she can wait and hope for the best, but not do something drastic the way Gülfem tried to once. It has clearly taken a lot of strength out of Gülfem to keep going, a strength she perhaps didn't think she had (and that was probably due to Allah too as a presumed sharer of her suffering), so she advocates for others too to find their inner strength and believe in the best, always (even if Gülfem doesn't find herself capable to do so, she can find her solace in others doing it; until of course, all these others, all her loved ones disappear in their failed rebellions which causes Gülfem to finally rebel herself, ceasing to rely on any outside force). Or else they would just be more miserable. That is the theme in her relationship with seers and the superstitious: she didn't want Hatice to go to Yakup Efendi again in E37 because she doesn't need him, whatever he says shouldn't stop her efforts to get better (and besides, the future isn't entirely in his hands, either) but it may worsen things for her if she actually goes, bringing her only worry and disappointment (as it happened). She wants for Hatice not to take all the bad omens she gets into heart, to brush them off completely as they can't fully control her life, they can't be that final say; for a while she merely advices though, if she actively does something against them, it's to prevent Hatice from becoming more miserable. But the more desperate the people around Gülfem get and the more she loses them, the wearier she becomes of what they're doing and she tries to stop them in some way (this includes Hatice's dealings with Saliha Hatun). This is why Gülfem is the most down-to-earth and the least tied to seers, the superstitious and the "magical" out of the three. She actively strives to avoid them.

Mahidevran's reliance on outside forces, her faith in Allah is established as a major part of her character right from the start, this is how she's learned to survive in a place she otherwise feels helpless and alone in; such a major part, in fact, that it's there even at one of the closest peaks we get of her past: her E55 monologue ("I prayed to Allah to help me"), perhaps clearly signifying that she's already too ingrained in this environment, that she's already adopted this culture as her own (Süleiman, Hafsa, Hatice, all of them are already her family that has likely completely overtaken any trace of the past). Her faith in the supreme justice (unlike her relationship with fate) always remains strong and consistent, only growing more and more with every experience. But what about her relationship with soothsayers, perhaps her most changing (as in foundational) relationship with an outside force??? S02 presents an interesting nonsequential throughline: in E26, when Yakup Efendi is first mentioned and appears, we learn that he was kicked out from the palace namely because of Mahidevran. We see her having rejected him, and perhaps having rejected soothsayers in general due to bad, terrifying prophesies. She was never associated with soothsayers at all before then anyway (unlike, say, Hafsa) and there we find out why. But she's apparently accepted/embraced soothsayers once - in her E55 monologue she also mentions that she had her fortunes told and they were good fortunes, pointing at the fulfillment of her desire to be with SS then ("...That I would go through a golden road and earn my desire.") and that incited her, assured her future happiness, making it almost a given. In spite of the monologue itself too pointing at all of Mahidevran's mixed feelings at the moment (that include the soothsaying, as she had then what she's long lost now and with SS's illness she gets to grapple with that for yet another time), the soothsaying clearly remains a part of the good memory to her, maybe even a cause for it, as her tone still recounts the yearning and excitement of that day, as fresh as they've ever been. It's still unclear whether Mahidevran sought the soothsayer herself or her fortunes were told in an official visit of the soothsayer (how she says it all indicates the latter more), or whether this was prophecied by another soothsayer or Yakup Efendi himself (the latter is far more likely again as Yakup was mentioned to have been the palace seer in E26), but it's palpable how that prophecy moved Mahidevran and shaped her going forward - it seems like she's really clung to it as a mark of her feelings and her prosperous future and has started to take seers and their prophesies more into account. And when she hears that one haunting prophecy which says of her not having anymore children, she can't take it. It's way too devastating to be true, so it has to be immediately discarded. Yakup has to be immediately removed of his position in order to stop saying things that make people mad, that make them tremble and shake them and the lives they've secured to their very cores. This is another reason why losing her child in E03, losing Süleiman, him not touching her even when he calls her again afterwards and Gülşah daring to even suggest that she might be pregnant in spite of all these odds aches so. She's experiencing in real time the effects of a faraway prophecy she's tried so hard to move past.

So when she sees that this particular outside force has rebuffed her, she renounces it, moving towards an outside force above it instead: just like she enlisted Ibrahim to kick Yakup out (he can't object an order), she leans on Allah (is there anyone above Allah?) for that prophecy to be avoided, for the good to come and overcome everything instead, all of this thus fueling her belief in divine justice even more. No one, not even seers, can foresee or interfere with the will of Allah. The good is there and it has to come from somewhere. And each time one force fails, Mahidevran moves to another, testing them all, from the tangible (her supporters) to the more and more intangible (seers, fate), but in the end, she always returns to Allah as the only fully reliable force as all the others still follow their own "agenda" regardless (when she loses her supporters and loved ones, she starts leaning on Allah entirely, but finding the kind of inner strength fully within herself she didn't believe she really had before as well, through letting her remaining loved ones go as well; the reverse of Gülfem's arc). Nothing can ease Mahidevran more than Allah and his supreme justice coming in eventually. But seers have hurt her especially and she doubts them even more due to the wound they've inflicted, labeling them and abhoring their practices, especially the ones applying magic: she distrusted the seer Hatice called in E86 ("...I don't hear good things about this woman. They say she's a witch. (...) What use will she be to you?"), wanting to send her off even during her "ritual' and disapproving of her arrival in Topkapi in E87. Those who come with bad omens, upset people and mess with their lives have to be involved with something bad, with these incomprehensible powers, they have to be bad themselves (is this why Mahidevran calls Hürrem a "witch" too?). This also plays part in Mahidevran's belief in the superstitious - she might have believed in it too previously, but she pays attention to it even more given the bad stuff likely to happen that always lies in her mind deep down, and will do so even more with each loss. She almost commodifies herself with the superstitious, because it immediately tells her what exactly to avoid in order for the bad stuff not to happen; it's a distant yet reachable enough force that's also part of who she is in this harem (it's no wonder she's the character who introduces superstitions the most - the impact of broken mirror(s), the snake as bad luck etc.). This is the only way she can be more laid-back towards a soothsayer too (along with her prophesies not being entirely about her), with her what recounting Remmal Elmas is known for to Aybige in E46.

Unlike both Gülfem and Mahidevran, Hatice is established as quite wary of outside forces right from the start, albeit going with their flow in the first episodes (similarly to Gülfem). She is met with their finality and their inescapability early on; she's experienced enough in the past to believe that she can't avoid them at all when they come, especially if they are dictated namely by her closest. How can she defy her fate? How can she disappoint her loved ones? How can she stand against what she believes in even if it breaks her? Well, that is right until she reaches happiness against all odds. For once, she can see the outside environment in a suprisingly more favorable light, with her getting the chance to be with Ibrahim and her closest approving of it. This doesn't last for long, though, as they're quickly separated and she goes through a great misfortune that brings back her distrust in outside forces, amplifying it. But there's one outside force she starts leaning on more and more as time goes by: the soothsayers, Yakup Efendi in particular. She is clearly reluctant to call him at all at first namely due to his reputation (she generally seems to get even more uncertain and concerned if her closest have a bad view of what she's uncertain and concerned about as well), but her own worries, along with Hürrem's, push her to go for it anyway - both her E26 and E37/8 calls of him are hesitant, but she always chooses certainty over inaction. Because she's lived in the unknown for too long, she's aware more than anyone that the misfortune can come unexpectedly and from any place, she's terrified of one particular tragedy happening all over again (her losing her children), so she seeks guidance, any guidance she can get to know how to proceed next. She has to be absolutely sure that she and her family are going to be safe. For she wants to have someone to tell her for certain that it'll all be alright for once. That their happiness is secure for once. That there'll be nothing to prevent it for once. And the only one who can do all that is the seer, because he goes beyond empty reassurances that can't calm anyone down, he's in touch with all the outside forces beyond anyone's reach (so he's safe and can be counted on in that regard). And Hatice trusts the outside forces as much as she can control them. Even if the seer tells her something bad, she'll know what to look out for, she'll try to control it. At the end of the day, she just searches for the truth. Will everything really be okay? Will they really have peace or will a member of her family be gone for good (E38)? She feels powerless when everything points at Yakup's second prophecy becoming true: it becomes the center of all the bad outside forces for quite some time (it all leads to this, doesn't it?), so she waits for it to be fulfilled any second now (SS elevating Ibrahim in E39, Ibrahim's poisoned arrow and absense in E43-4 etc). The more bad things happen, the more Hatice ultimately leans on the outside forces she feared so much, directing them herself.

Hatice's belief in the superstitious (i.e. the statues) is similar: she's already so accustomed to bad things happening due to external forces (and her bad feelings ending up correct, on top of it!; btw, early S01 Hatice is the more stagnant aftermath period, not her norm) that she reads everything as a sign. She's used to looking for signs, she needs signs to prepare for what will await her and caution accordingly. She confronts the unfamiliar, rejecting it entirely, in order for it to go away too. Of course, the way she believes in the superstitious is also influenced by her closest and who she is. But no matter what she does, the signs Hatice desperately searches for won't leave her and she can't help but sink deeper and deeper into them and what they mean; the more she feels she loses her agency and the more people disappoint her, the most unreachable, intangible outside forces she gets into, nearly embracing them. If she can't stop them, she has to work with them, in spite of how uncertain or scary it might be. That is at its peak in S03 when she starts dealing with black magic in order to eliminate Hürrem and she searches for the whereabouts of Ibrahim's grave through unusual means. Magic is fundamentally about making things happen and Hatice wants to seek accountability and gain closure all by herself as there's no one else left to completely trust anymore. If they won't help her but only hinder her, if they don't give her what she asks of them (they can't because they don't want her to have it for one reason or another, because they've taken it away themselves!), she'll make it happen through these other ways. It's her only option now. From being wary of a seer (a "witch" in this case) due to their fame and abilities, to their fame and abilities being the very reasons why she's calling them in the first place. She wants them to do exactly what they're known for in spite of any possible danger, even for herself. She won't stop at anything until they've all fulfilled their purpose. She almost "engulfs herself" in their practices, no matter how wrong it may seem (her regrets in E90 can signal towards this). Hatice has always been most tied with all of it anyway, so why not dig in deeper? What else is there to lose? Hatice's faith in Allah is also fascinating in that it isn't as prominent. She of course prays to him for Ibrahim to come back safe and sound for the campaigns and brings him up sometimes in her fury towards someone ("Allah will punish you" etc.), but not much outside of that. Is it because Allah is the biggest outside force she can't even try to reach? Or is it perhaps because his ways and will turn out reminders of all the undesired paths she has to follow?

[fountainpenguin]

🍒 Cherry Lane Arc

Fairly OddParents

(June 2018 - Ongoing)

Cosmo and Wanda burst into view with twin poofs beside the tree. “Timmy!” But Timmy ignored them. Keeping his arm outstretched, he looked Jorgen in the eye. His teeth ground together, his buck teeth scraping loudest of all. “Yeah, you heard me right. I’m happy, and I don’t need my fairies anymore!”

- You may also like the Pink Train arc, which precedes this one

- Romance, Angst, & Fluff

- Works related to the main FOP cast and close adjacents in their teen years: Timmy, Chloe, Kevin, Chester, A.J., Vicky, Mark, Tootie, Trixie, Sanjay, Elmer, Dale... and a quietly watching Poof

-> This arc picks up after Pink Train and focuses on humans. If you're looking for pieces centered around Poof and Foop, see Lavender Train

Summary

20 years pass between the end of Season 10 and Timmy raising Tammy and Tommy in his parents' home. Every year brings new developments, and this arc's main multichapter (Along the Cherry Lane) explores each one. Several other works fall under the designation of "main cast in their teen and adult years," so they're here too. The road to adulthood is long and bumpy, but it's about the friendships we make along the way.

☁️ This is a Cloudlands AU arc. It is not compliant with City Lights AU or the "A New Wish" spin-off. However, Dale and Hadley's arcs have been soft reset so they're the same in both AUs.

-> Hazel, Dev, and their schoolmates do not appear in this AU (except in relation to Dale or Hadley's arcs). Works that follow their journey from kidhood to adulthood are in the City Lights arc.

Any Rating - This is the "teenage growth & married lives" arc. Some works are mild while others are more intense. This arc contains flirting, dating, and sexual content.

This arc follows the "Channel Chasers" implication that Timmy had his kids young.

Read on FFN | Read this arc on AO3

130 Sums | Full 130 Prompt Series (AO3) | Other Arcs

Cloudlands AU - Detailed warnings & other AU info

#130 arc guides - More posts like this

More Fairly OddParents 'fics

Highlights of this arc:

- Timmy parts ways with his fairy family early. Chloe doesn't. Poof isn't bitter... Not even a little - Remy hides things from his parents while still living in their mansion... including the orphan child he invited to stay - Teen Dale Dimmadome in recovery (If you can call it that) - Elmer struggles against Bob for control of his body - Tootie wobbles between the lines of morality, fighting to change her life for the better all the while - Trixie garners the courage to show up for D&D night with the boys. Maybe this could work? - The unbearable lightness of raising Tammy and Tommy - Several weddings, some of which go more to plan than others - Vicky and Mark living their best(?) lives - Kevin Crocker makes an unfortunate discovery about his witch genes - Foop runs away from home... and stumbles across familiar faces - Poof watches his godbrother grow up... Very maturely and non-stalker-y, I'm sure

Read on FFN | Read this arc on AO3

"A dragon lives forever, but not so little boys... Painted wings and giant springs make way for other toys..." (x)

[kedreeva]

Went to let the birds out and found this furious little (baby) lad in one of the trenches, exhausted from trying to get out of the coop he so bravely wiggled his way into. I fetched him out and let him go outside the pen. Hopefully he won't be trying that again.