#get ed show

[molonara]

https://youtube.com/@geted-jetix

Someone’s uploading a lot of Get Ed stuff on YouTube, including the unaired pilot and full screen versions of episodes. Give them a look if you’ve never seen the show. Was one of my favorite things growing up.

[madootles]

dramatic eyes. dramatic lips. drama on the cheeks.

sketch

[ruby-static]

Welcome to another episode of “Riley’s curiosity gets the better of him, and now he has to experience situations™.”

This time, he’s gotta deal with the Twilight Zone mad scientist crater.

[akans-dead-at-sea]

It's alright

30 second timelapse:

[xoxoemynn]

Feeling extremely grateful that now when I say “hmmm I think I’m going to rewatch all of OFMD,” my last shot of Ed won’t be him sobbing, heartbroken, trapped in the Blackbeard persona, and instead he’ll be happy and reunited with Stede as they start a new life together. 💕

[bookshelfdreams]

That is certainly - a statement.

What about Jim, who both metaphorically and literally discovers a path for themself beyond what they were raised to be? What about Pete, who learns to overcome his toxic masculinity, his posturing and self-importance? What about Ed, whose entire story is about deconstructing the performance that is expected of him?

What about, oh, idk, our main fucking character Stede Bonnet, whose arc starts with him literally breaking out from the hetero marriage he was forced into despite never fitting in? Who tries (and initially fails) to build a community where he can be himself? Whose entire story is about discovering his own queerness! He starts out not even able to put a finger on WHY his marriage made him feel so suffocated, and then journeys through s1 until he reaches the emotional climax - "His name is Ed"!

Contrast that with Izzy, who has to be dragged into a supportive community kicking and screaming. Who rejects care and compassion, even at his worst, who has to be forced to accept help. He receives the leg and calls the crew a homophobic slur for it, ffs. Only after that, only when people refuse to let him push them away, is he able to poke his nose into something approaching positive human connections. And that's a powerful narrative, sure, in it's own way; but it's hardly the Ultimate Queer Experience, and it's definitely not the "only queer arc".

And Izzy never lets go of the old ways. He never abandons the Blackbeard-era pirate lifestyle for something more positive, not fully. And that's okay, because ultimately, his arc isn't even about himself.

It's about Ed.

Ed keeps repeating toxic relationship patterns, and Izzy is a part of that. He's linked (on purpose, and I wish it had been done more explicitly) to Ed's father; because Izzy represents the poison that was instilled in Ed from a young age, and that has become so entrenched in his system that he can't imagine a life without it. He keeps Izzy around despite being hurt by him because Izzy is predictable, and in that, is safe, even though he hurts Ed; at least it's a hurt Ed is familiar with and can rely on.

When Izzy slowly changes it's to show that Ed is growing beyond the little voice in his head telling him to reject softness, that he can never be loved, that We're just not these kinds of people. If Izzy can evolve from someone spitting boyfriend at Ed like it's a slur to someone congratulating him on getting laid by that same person, Ed can overcome his inner demons telling him the same thing.

That's the point of Izzy's arc. And this is why he has to die, because Ed can never be truly free as long as Izzy is around. So Izzy goes, quietly, peacefully, and releases Ed of the poison; apologizes to him, tells him I was so wrong, and I am so sorry, because that's what Ed needs to hear to move forward.

And that's such a kind, positive way to end the story of Izzy Hands.

[sigmalaussene]

Top ten weird ways Oswald Cobbepot gets called in Gotham

As I was rewatching Gotham, I decided to write down every name that people in the show canonically call Oswald Cobblepot aka the Penguin. It was a wild ride. Please enjoy

10. "Funny looking fellow"

(season one)

We start with a simple one. This isn't even an insult, it's just a fact. He is, indeed, a funny looking fellow. I'm pretty sure they say it more than once too.

9. "The Dapper Gangland Kingpin"

(season two)

This one it's just silly, especially since it was written on a newspaper. Just... that's weird ? Idk it's silly it makes me chuckle

8. "Yellow rat snitch"

(season one)

We start getting a little weirder. Why a rat? And, more importantly, why yellow???

7. "Stupid lame birdbrain"

(season four)

Just so mean. Especially since this scene it's his dumb husband making a room full of people chant it

6. "Golden goose"

(season one)

Right back to season one and it's incredible dialogue. This one is particularly amazing thanks to Oswald's reply to it, which was, of course: "Honk honk". I can't even start to describe that scene. It's a classic.

5. "Beaky nosed freak"

(season five)

Definitely the best nickname the last season had to offer. Like, you know that moment when a guy kills your bestfriend/girlfriend and you call him the silliest name you can think of? This is one of those times.

4. "Scaley faced bitch"

(season one)

This is the first one in the show, directly from the first episode. I am a firm supporter of calling men bitches when they deserve it, and he did, so I wholeheartedly approve this message. Adding the scaley face part just makes it more poetic.

3. "Sad little breadhead"

(season two)

This one from never fails. Imagine it delivered with the most condicending tone in the world. Just amazing. Makes me laugh every time.

2. "Fruitcake leprechaun"

(season two)

This. This is the one that started it all. It was thinking about this one that I decided that this rewatch I was gonna write down all the nicknames. I dont know if it has something to do with english not being my first language, so I don't have the background of the word "fruitcake" used as an homophobic remark, but this name is one of the funniest things I have ever heard in my life.

1. "Limping little chickenbutt second banana"

(season one)

This couldn't not be on the first place. I am obsessed with the writers of this show, i want to get inside their brains. Because like what does it mean? How did they come up with this? I need to know every thought that crossed their mind for them to write this. This is art. This is poetry. Incredible. Amazing. Absolutely insane. Kudos to the actor who played Maroni because if they gave me that line I wouldn't be able to say it with a straight face.

Bonus:

(For the fans, he is also called "the only thing Nygma cares about". Just... you know, in case you forgot)

Some recurrent nicknames are: "Pengy", "Ozzie", "freak", "cockroach", "punk", bird related names (bird/birdman, feathered friend, chicken, turkey...) and "little"/"tiny" followed by almost anything (man, friend, dirtbag, bastard, creep, twerp, freak, weasel...)

Edit: i realize i didn't mention "Major Crumblepot" and that's on me sorry guys

His haircut is described as "disco vampire hair" at one point (another classic)

He is also called "specimen", which is really funny, and "dewdropper"?? for some reason I don't remember but it was in my notes and I couldn't ignore it lmao

[oifaaa]

I think it must be some sort of power move at this point that every other mildly popular anime from the 00s/10s seems to be back in one way or the other but they still refuse to give ouran highschool host club a season 2 or a complete remake

[babykittenteach]

Just for a bit.

[many-gay-magpies]

god what really gets me about dead boy detectives and what i think i love so much about the show and the relationships in it is that like. the romantic and sexual relationships aren't portrayed as being more unique or important than the platonic relationships. they're all just RELATIONSHIPS.

charles and crystal's attraction to each other and eventual hookup isn't this big end-all be-all relationship that shatter charles and edwin's friendship and draws charles' attention away from edwin; it's just a THING that happens. they're just two people that care about each other and happen to also be attracted to each other, and a hook-up happens, then they decide that neither of them are in the right place for it and it's nothing awful. crystal kisses charles, but it isn't some big spectacle of her declaring her love for him; it's just her saying goodbye and that she cares about him, like her hugs with niko and jenny and her handshake with edwin.

edwin realizes he loves charles romantically and tells him, and charles says he doesn't really love edwin romantically BACK, but it's okay, because they still love each other so much in so many other ways that this one tiny difference could never change them—and it doesn't!! they're still just as close, still care for each other just as much, still SHOW that care for each other just as much. their relationship didn't completely end because edwin loved charles in a way charles couldn't reciprocate, but at the same time it isn't "solved" by edwin getting over it, because there's nothing TO solve. it's just another type of love, added to everything that already exists between them. and they have LITERALLY FOREVER to figure out what it means.

the relationships between edwin & niko, crystal & niko, and crystal & edwin aren't given any less weight for being solely platonic, just as charles & crystal's relationship and edwin's feelings for charles aren't given (that much) MORE weight for being romantic. crystal and charles' conflict in the closet is about EDWIN, about how they're BOTH his friend and BOTH want to get him back; it has very little to do with the feelings between THEM, romantic or otherwise. similarly, the weight of charles' and edwin's relationship isn't diminished in the LEAST by charles not reciprocating the romantic side of his feelings (or SAYING he doesn't reciprocate, at least—we can all argue about the legitimacy of that in the notes).

i'm sure there are more examples than this, as well as probably some examples that CONTRADICT this, but like... by and large, it feels like dead boy detectives is a show where all the relationships are given equal weight regardless of platonic, sexual, romantic, or familial status, and as someone on both the asexual and aromantic spectrums who has struggled time and time again with shows casting out the importance of all other relationships in favor of prioritizing romance, that is INCREDIBLY refreshing to see.

[thevioletcaptain]

the thing about the devil's trap tattoo is that the flames around the pentacle are completely unnecessary. like the flames are not a functional part of the devil's trap at all. they just added those for flair.

[lunarninja613]

Death Eaters: We can excuse murder and torture, but we draw the line at transphobia.

Random Wizard Person: You can excuse murder and torture?!

[bougiebutchbitch]

cannot believe that 'yelling at your boss when he repeatedly almost gets you and your crew killed and lies to manipulate you into staying when you try to leave, is not emotional abuse, actually' and 'there is such a thing as a mutually toxic and unhealthy relationship where both parties are incredibly shitty to each other - and this is obviously where Ed and Izzy stand until S2, when it becomes blatantly abusive' is a controversial take. But as this is Abuse Apologism And Ableism, The FandomTM, I really should not be surprised

Just.

I was deep in physically and mentally abusive relationships in my teens/twenties - including relationships that started out with mutual toxicity and bad decisions on all sides, but which became outright physical & mental & other sorts of abuse with myself as the victim. I know my shit.

I suppose I can see where 'Izzy emotionally abused Ed' comes from IF people give literally the most uncharitable interpretation to Every Single Scene, and assume Izzy shouts angrily at Ed and negs him all the time rather than this being how he acts when he's incredibly stressed by circumstance caused directly by Ed and at the end of his fucking rope? Which, as we see in S2... Is not the case.

It's not freaking emotional abuse when you're shouting at your boss who keeps almost getting you and your crew killed. Even if this is NOT a kind or productive way to help Ed deal with his mental health, considering that Ed's actions have consequences that he repeatedly and blithely ignores, it's pretty fucking justified!

It's not freaking emotional abuse if your boss OPENLY LOVES MAIMING PEOPLE AND IS MORE THAN HAPPY TO BURN THEM ALIVE and you encourage that, while upholding his right to not kill with his own hands. Even if he has private breakdowns after the fact because he suffers from black-and-white thinking, dissociates himself from any wrongdoing, and is afraid of his potential to become 'a monster'.

Are these choices helpful? No. Are they kind? No. Is Izzy demonstrating Model Citizen Behaviour? Definitely not.

But it's sure as hell not emotional abuse. And it doesn't justify the physical and emotional abuse Ed puts Izzy through in S2.

Nothing you say can 'make' him hit you. If he chooses to hit you (or... choke you out then repeatedly mutilate you and pressure you to commit suicide and makes you constantly live in fear for your life and the lives of people you care about) he makes that decision himself. Yes, even if you shouted at him first. Yes, even if you were arguing. Yes, even if you were in the wrong in that argument. Yes, even if he has a Tragic BackstoryTM and mental health issues. This shit shouldn't be controversial.

Signed: one of those actual abuse survivors.

[mwesrik]

Okay bit of a different post for the finale than my usual meme rant because I’m just done with everything today

Fandom is my safe space. It has been since I figured out what the internet was. And frankly I’ve been having a really shitty time recently.

And what the OFMD fandom is doing rn is frankly making me really fucking pissed

I understand being upset at character deaths. I understand being upset over budget cuts or lack of character development that you wished for. I understand being upset over the direction a show has taken.

But the way people are literally ABUSING the writers of a show that has been GROUNDBREAKING makes me sick.

YES! The budget cuts messed up the pacing and character development. You can think of Izzy’s death whatever you want. But to drag down a show, that has done so much for the queer community. With writers and actors and crew who have done their absolut best to make us feel seen and heard and to give us a mainstream story which is filled with queer joy. It just sets my teeth on edge.

I liked the finale. I cried over Izzy and wish HBO were less of a cunt firm and had given the show more episodes. I wish Ed and Stede had talked and I wish we had more episodes.

But I was overall happy. Because the main couple had their cheesy, happy moments. They literally said they loved each other for fucks sake. And everyone is fucking focused on Izzy and not even talking about the the main couple anymore. Not because they suck but because they’re not their blorbo they can project their angsty fantasies onto. And I like Izzy, I really fucking loved him but he was a side character. One that was quite obviously doomed to die since season 1. So saying the show is ‚literal dogshit now‘ is just such a wild jump to me.

His death was also obviously rushed because of the lack of time. It’s not the fault of the crew!!! that they had to adjust their script to the funds and time they were given.

I can’t come onto the internet to be happy about my favourite show being queer and dramatic and campy, and sure a bit messy because everything is fucking DRENCHED in toxicity and whinging.

Sorry if this offends anyone, if anyone even sees it but this really pissed me off today. My one thing that cheers me up made me even more depressed today because people have no inhibitions anymore as soon as their favourite media isn’t perfectly aligned with their image of how it should be.

TL,DR: I’m really over the OFMD fandom being toxic over Izzy and other issues while ignoring all the brilliant things this show has given us.

[o-wild-west-wind]

y’all out here saying Izzy’s death made no narrative sense because it’s a comedy show clearly haven’t seen the Shakespeare post…I’m sorry I really am but death immunity only applies to the romantic leads the genre has not changed babes

(I don’t mean this to be patronizing, but genuinely: critically analyzing and engaging with art is a skill, and an important one. it’s a tool that will help you in the real world, for real current events. use this as practice not to take everything at face value. sad art does not equal bad art!)

[bougiebutchbinch]

"I'm not surprised; I'm just disappointed"

- all of us @ the OFMD writers right now