#get a load of all those ships

[snivyartjpeg]

Yuma Month Day 9 - Love

[dirtreally]

Guillermo del toro is NOT good enough of a director to warrant how much he gets dicksucked and how quirky he is

[altschmerzes]

getting real tired of people who are shitting on “found family” more generally as a narrative concept and specifically named familial dynamics in fan interpretation of characters in particular because it all seems to be getting painted with a really wide and really homogenous brush. “we need to take found family away from people because they think it all has to be In Nuclear Family Terms and do you know friendship exists and you don’t have to call these characters siblings to legitimize their relationship while making it clear you Don’t Ship Them Ew Gross and THEN you sneer at people who Do ship them” cool cool that is a lot of really intense characterization and assigning of motive to other people en bloc!

like sure there’s some meaningful critique to be found in a broad trend to label every single relationship directly and specifically with terms that have very specific contexts and roles but im waiting to be told when anyone IS by the standards of people making and reblogging these very sweepingly generalized posts allowed to call a relationship parental or whatever. is that Ever allowed. who is handing out the permits. sometimes a specific term for a relationship isn’t actually about wanting an excuse to sneer about your ship (and frankly there’s a lot of projection going on there imo from people who are actively sneering about other people’s interpretation of a relationship!) and it’s because there are very specific contexts and details about a dynamic that makes exploring it from the lens of siblings or whatever very rich and compelling and interesting because words mean things and assuming everyone is just being reductive and demanding conformity to a nuclear family is, ironically, really reductive.

so like. cool it. stop being really fucking mean about people having an interpretation of a dynamic you personally don’t like or makes you feel a little weird or uncomfy because you ship them.

[cupuacu]

over two hours with a fucking rock on their shoulder/neck... these men are not real

[airenyah]

might fuck around and get myself a chinzhilla hoodie blanket

[ayyyyysexual]

Tumblr on the Seven Seas

🏴‍☠️ white-beard Follow

Can we stop all normalising the use of "sc*rvy" as a fun little thing to call people?? I literally had sc*rvy last year and it was even worse than when I got my hand cut off. Fuck anyone who uses the S word without even considering how triggering it can be to those of us who have ACTUALLY suffered though it

🌅 castedaway Follow

No wenches?

🏴‍☠️ white-beard Follow

Honestly you people are so insufferable I genuinely hope you walk the plank

🌅 castedaway Follow

AHOY???

🍑 plundermebooty Follow

Okay but OP is literally a landlubber, mateys

🌴 pegmeg

nahhh why is it literally always landlubbers faking scurvy and sending plank threats ☠☠

768 notes

🗡wagscallion Follow

everyone says "land ho!" but never "land ma'am"

💨 matelotsaboteur

Really makes you think

2,041 notes

💃 crossdressing101 Follow

this whole crew was so gullible ngl, i just cut my hair and dressed in my fathers clothes and they all fell for it, hook line and sinker??

💃 crossdressing101 Follow

honestly im surprised no one has found me out yet. surely i dont seem that much like a man? i mean it makes this way easier but like. im still a woman. obviously

🕺 crossdressing101 Follow

mateys i have come to a shocking realisation,

34 notes

⛵ privatesteer Follow

wildest argument for piracy i've ever heard was that the gold stored on government ships is dangerous cause it weighs them down, so they're just 'lightening the load'

🧜‍♀️ kiss-pretty-ocean324 Follow

աaռռa ʟɨֆȶɛռ ȶօ ֆɨʀɛռ ֆօռɢ?

⛵ privatesteer Follow

no thanks

🕶 monstermaterdeactivated16520210

outta my way gayboy im boutta get it

🕶 monstermaterdeactivated16520210

i have drowned at sea

36,251 notes

⚓ shiveringtimbers Follow

14,811 notes

🌏 boat-enthusiast Follow

i am SO sick of the term "ship-shape" like, matey, which shape?? Ships come in so many fucking shapes like have non of you ever boarded more than one vessel in your career???? Anyway fake ship fans DNI with this post i can NOT be bothered with your tomfuckery today

💦 longjohngolder Follow

girl its not that deep ☠

🌏 boat-enthusiast Follow

to YOU. i just get it

1,147 notes

🙍‍♂️ dudeindistress Follow

honestly being held for ransom isnt that bad. kinda nice to be held

4,733 notes

🦜 pollypockets Follow

SQUAWK

🐦 aviated Follow

CAW SQUAWK SQUAWK

🦜 pollypockets Follow

CA-CAW

790 notes

🍑 plundermebooty Follow

the cabin boy just winked at me?? after offering to help clean my gun? privately. in my quarters. tonight.

🍑 plundermebooty Follow

i think i hauve scurvy

142 notes

🌊 swabmydick Follow

mateys I SWEARR my captain and his first mate are gonna kiss before our next voyage. they literally have so much romantic tension every time i see them its nauseating

🕶 longjohngolderdeactivated16511205

wtf its so problematic and harmful to ship real people?? unfollowing rn i thought you were better than this

🌊 swabmydick Follow

i literally rob and kill people for a living?????? that's where you draw the line???

🌴 pegmeg

op killed them

🌊 swabmydick Follow

even better news mateys, they kissed ☠☠☠

96,538 notes

[bougiebutchbitch]

god, so much this.

There's something I think is important to say, in the wake of the season finale.

And that is that Izzy Hands' death wouldn't be such a huge blow to Izzy fans if the fandom had treated them better for the last year and a half.

Losing a beloved character can be devastating. I personally have cried for days over it. (In retrospect I had Other Shit going on that made me extra susceptible.)

But Izzy fans have been through the wringer. Outcast and targeted for abuse in the fandom, accused of every kind of derangement and personal flaw, death threats, doxxing, organized harassment campaigns.

I don't even know most of it, because I'm not someone who spent time in the Izzy trenches, I still got death threats for talking about him. But I saw things that really made me disgusted with the whole fandom.

Then they got the high of being proved right by S2 in their interpretation of Izzy's character. The writers agree with Izzy fans, full stop. And just when it seemed like all the shit might be over and have been...IDK worth it? Rewarded?

Well, then he's killed off.

I understand the rage, the grief, the despair to feel like you were finally getting the thing you wanted from a show and then to have it soured. (coughTheMagicianscough)

I think it's important for the fandom, if it doesn't want to descend back into toxic sludge, to have some compassion and tolerance of Izzy fans emotional reaction. Talking shit about the fans that just experienced a great loss is not a class move.

Please try to have an ounce of empathy and humanity.

Because it's only NATURAL in in such a hostile fandom environment, Izzy fans grew deeply attached to their messed up little guy. They suffered abuse for it. That only makes things more intense.

I've been there, multiple times. It fucking sucks. We all are having a lot of emotions about the finale, and the very least we can do is to not turn on fellow fans.

I have very little hope for this fandom not turning back into a dumpster fire, because frankly the track record is POOR. But, well, figured I give it a shot in the dark.

[fuckyeahgoodomens]

Smol snippet of Jon Hamm reading the Good Omens excerpt at the The Art of Elysium’s 2024 Heaven Gala, 6.1.2024 :) ❤ (I hope we will get it all one day! :) <3)

Jon: From a little story called Good Omens, The Nice and Accurate prophecies of Agnes Nutter, Witch, by Terry Pratchett and our own Neil Gaiman.

The angel waved a hand expansively, if a little unsteadily. "Loads of buggerall, dear boy."

"But it gets there anyway," Crowley persevered.

"How?"

"It doesn't matter!"

"It could use a space ship," said the angel.

Crowley subsided a bit. "Yeah," he said. "If you like. Anyway, this bird—"

"Only it is the end of the universe we're talking about," said Aziraphale. "So it'd have to be one of those space ships where your descendants are the ones who get out at the other end. You have to tell your descendants, you say, When you get to the Mountain, you've got to—" He hesitated.

[theonottsbxtch]

English Love Affair | LN4

an: bouncing out to 5sos rn so this is so happening also thank you for 300 followers!!

fc: hayley williams and pinterest

requests: open

oscarpiastri

liked by ynpiastri, landonorris, lilyzneimer and 927,726 others

got to see little sis live again, @/bandname on tour starting september!

*tap to load more comments*

userone: my fav aussie band

usertwo: we love a supportive brother

userthree: oscar only has one facial expression

landonorris: i’m in love

oscarpiastri: how about no

ynpiastri: it was lovely meeting you!

landonorris: 🥰🥰

userfour: help lando is in his lovergirl era

userfive: see you in london!

ynpiastri

liked by oscarpiastri, landonorris, yourbandname and 373,936 others

london are we ready!!!!!

*tap to load more comments*

userone: YESSSSSS

usertwo: she’s so pretty

nicolepiastri: i raised two very diffrent children

oscarpiastri: she’s definitely dad’s daughter

chrispiastri: ☺️👍

ynpiastri: love you both

userthree: piastri family reunion

userfour: yn supremacy ���‍♀️🧎‍♀️

landonorris: see you in london 😉

oscarpiastri: you wish

ynpiastri’s story

[caption: where’s my hot rockstar bf]

story replies:

oscarpiastri: thank god non existent

ynpiastri: let me feel love

oscarpiastri: no

landonorris: im no rockstar but i’m a pretty good driver

ynpiastri: i’ll think about it

ynpiastri

liked by landonorris, oscarpiastri, yourbandname and 827,372 others

london you were a dream

*tap to load comments*

userone: IT WAS SO GOOD

usertwo: yourbandname supremacy

landonorris: no you were

oscarpiastri: get out of my little sister’s comment section

landonorris: "how about no"

ynpiastri: you came?

userthree: LANDO SAY “YOU CALLED” RN

landonorris: couldn’t miss a gig in my home country now?

ynpiastri: ☺️

oscarpiastri: i don’t like this

userthree: i ship already

userfour: isn’t she dating her bassist?

userfive: not everyone dates their bassist

lie detector test with oscar piastri and lando norris

twitter

ynpiastri

liked by oscarpiastri, landonorris, yourbandname and 948,826 others

second leg of tour soon - who likes the new badge and shirt my 'friend' got me 🤭

*tap to load more comments*

userone: she’s so real for that

usertwo: i was there!!

userthree: she’s amazing

oscarpiastri: do i have to remind both you and your friend that our parents are on this app?

nicolepiastri: too late osc, too late.

userfour: i love their family

userfive: never change yn

landonorris: facts

usersix: WHAT

userseven: LANDO

oscarpiastri: i just threw up my breakfast

ynpiastri: 😉

usereight: lanyn is happening before our very eyes

usernine: i bet you that 'freind' was lando

twitter

ynpiastri

liked by landonorris, oscarpiastri, yourbandname and 963,234 others

seven thousand miles away...

*tap to load more comments*

userone: aesthetic queen

usertwo: getting in touch with nature after that last lando commenrs

userthree: WHAT IS THAT SECOND PHOTO?!

ynpiastri: new album cover! 😇

userfour: who IS IT!

carlossainz55: oh i know those abs

userfive: arianna what are you doing here

usersix: we just got confirmation of carlando and lanyn in one day.

oscarpiastri: please stay in aus and never come back to england

ynpiastri: "how about no"

twitter

ynpiastri

liked by landonorris, oscarpiastri, yourbandname and 958,356

my english love affair - stream now available on all platforms!!

*tap to load comments*

userone: they broke the internet with this one

usertwo: THE WAY SHE ANNOUNCING THAT THEY FUCKED HELP

nicolepiastri: thank you for letting me know you had a boyfriend through social media daughter

ynpiastri: no worries mumma

landonorris: i apologise mrs piastri

userthree: her and oscar are polar opposites and i love it

userfour: oh i know they be having the best *** of their life.

landonorris: hot 😩

oscarpiastri: someone hand me a gun

[all-pacas]

I finished my Rome book and have now begun one about Pompeii. I’m 65 pages in and I already love it: yes, it covers the volcano, but most of the book is about “this is what the town and daily life of it would have been like, actually.” Fascinating stuff. Things I’ve learned so far:

- The streets in Pompeii have sidewalks sometimes a meter higher than the road, with stepping stones to hop across as “crosswalks.” I’d seen some photos before. The book points out that, duh, Pompeii had no underground drainage, was built on a fairly steep incline, and the roads were more or less drainage systems and water channels in the rain.

- Unlike today, where “dining out” is expensive and considered wasteful on a budget, most people in Pompeii straight up didn’t have kitchens. You had to eat out if you were poor; only the wealthy could afford to eat at home.

- Most importantly, and I can’t believe in all the pop culture of Pompeii this had never clicked for me: Pompeii had a population between 6-35,000 people. Perhaps 2,000 died in the volcano. Contemporary sources talk about the bay being full of fleeing ships. Most people got the hell out when the eruption started. The number who died are still a lot, and it’s still gruesome and morbid, but it’s not “an entire town and everyone in it.” This also makes it difficult for archeologists, apparently (and logically): those who remained weren’t acting “normally,” they were sheltering or fleeing a volcano. One famous example is a wealthy woman covered in jewelry found in the bedroom in the glaridator barracks. Scandal! She must have been having an affair and had it immortalized in ash! The book points out that 17 other people and several dogs were also crowded in that one small room: far more likely, they were all trying to shelter together. Another example: Houses are weirdly devoid of furniture, and archeologists find objects in odd places. (Gardening supplies in a formal dining room, for example.) But then you remember that there were several hours of people evacuating, packing their belongings, loading up carts and getting out… maybe the gardening supplies were brought to the dining room to be packed and abandoned, instead of some deeper esoteric meaning. The book argues that this all makes it much harder to get an accurate read on normal life in a Roman town, because while Pompeii is a brilliant snapshot, it’s actually a snapshot of a town undergoing major evacuation and disaster, not an average day.

- Oh, another great one. Outside of a random laundry place in Pompeii, someone painted a mural with two scenes. One of them referenced Virgil’s Aeneid. Underneath that scene, someone graffiti’d a reference to a famous line from that play, except tweaked it to be about laundry. This is really cool, the book points out, because it implies that a) literacy and education was high enough that one could paint a reference and have it recognized, and b) that someone else could recognize it and make a dumb play on words about it and c) the whole thing, again, means that there’s a certain amount of literacy and familiarity with “Roman pop culture” even among fairly normal people at the time.

[ddejavvu]

MEI i have severe top gun maverick brain rot and all i can think about is reader being the admirals daughter and everyone assumes rooster or hangman is gonna go after her but it turns out she’s been hooking up with bob for AGES and they’re all like ??? how did you do that???? bob gets kinda flustered but readers just like idk he was really nice and he’s really good in bed

"Check it out," Phoenix elbows Bob where the man is engrossed in reading the back of the bar napkins Penny had handed them so that they didn't stain her tables again, "There's Mav's daughter. 'Think she's got that Hawaiian shirt on to seduce Rooster?"

Bob's eyes dart to where you're chatting with Penny, his shoulders stiffening as his friends turn to watch you.

"Nah, Rooster doesn't like orange. But those cowboy boots she's got on are probably for Hangman- didn't he say he'd teach her how to square dance?"

Penny reaches over the bar to tug affectionately at one of your braids and Bob tries to no avail to break the conversation.

"Actually, she's-"

"I'd say she was here to meet Fanboy, but she doesn't date losers," Phoenix's eyes are narrowed dangerously, and she hides a smirk against the rim of her bottle.

"Hey! Hangman's a bigger loser than I am!" He protests, but before the taller man can trap him in a headlock, Penny points towards the dagger squad where they're lounged in a corner of the bar, and your eyes shine as you rush over.

"Bob!" You shriek, throwing your arms around his neck and letting your legs bend when he hoists you off of the ground for a hearty hug. His muscles are well hidden beneath his regulation khakis, but he's built for much heavier loads than you, and he lets you hover a few inches off of the ground while he hugs you.

Your face is buried in his neck but you press a kiss against his cheek, catching the bewildered blinking of the rest of his squadron over his shoulder.

"Oh. I forgot you didn't know." You supply, your feet back on the ground as Bob keeps one arm slung loosely around your waist, "Sorry, we- uh, we've been hooking up for a while, it's just... I haven't seen him since you guys got shipped out."

"You've been hooking up with her?" Coyote stares down his nose at Bob who shifts subtly closer to you, nodding once, stiffly in the face of his teammate's scrutiny.

"Damn. And he was good enough in bed to keep you waiting 'til he got back?"

Bob flushes - you feel his skin warm where it's pressed against your own, and you fill the awkward silence.

"Oh, please. I'm sure you've seen it in the locker room; I'd wait a lifetime."

Bob scoffs over your shoulder, now even more flustered, but Phoenix is happy to save the situation.

"Does your dad know?" She tilts her chin towards you, remembering how viscerally uncomfortable their Captain had been whenever someone had suggested you get together with one of his aviators.

"Of course he knows," You laugh, "He's the one that set us up! 'Said Bob had to get his hands on me before Texas over there tried to Hold 'Em."

Bob wraps an arm protectively over your chest, leaning over your shoulder from behind to return a kiss against your own cheek.

Hangman whistles lowly, shaking his head with a dazed look, "Well, shit. I didn't know the offer to hold 'em was on the table, but-shit!"

Bob's face darkens but Rooster levels the toe of his boot with Hangman's lower thigh, striking him at the back of the knee and subsequently spilling beer over his khakis. Hangman grunts as his knees knock against the beer-sticky floor, but he seems to know he deserved what he'd gotten because he doesn't retaliate.

"We'll wrangle him." Rooster promises, "You two go have fun, Bob you gotta quarter for the jukebox?"

"Yes'sir," Bob nods, tugging you towards a lesser populated area- perfect for slow dancing even if the bar isn't, "Let's make up for lost time, honey."

[pseudowho]

Operation: Babymaker-- Honeytrap/Maid Café

When it comes to trying for a baby, Nanami Kento always works overtime. And the reader had better be ready.

You are sent undercover to a Maid Café on ovulation night, to Honeytrap a curse-user for capture and trial. Kento is pissed off, and he won't be letting anyone get away with this lightly.

💛💜Part 1 LINK HERE: A Trip to the Tailors

💛💜Part 2 LINK HERE: Benchpress

💛💜Part 3 LINK HERE: Ditch the Party...again

💛💜 Part 4 LINK HERE: Wet Dreams

💛 💜 Part 6 LINK HERE: Grapple

Warnings: 18+ throughout, breeding kink, fertility/infertility discussion, jealous Kento, exhibitionism, use of toys

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+

Ships in the night.

Five days...a week...a week and a half. Kento couldn't take it anymore. The universe was conspiring against him. Against you. Work had meant you had barely shared a room together, let alone a bed. Kento hissed as he threw a file onto Yaga's desk, his neck prickling with rage...his balls heavy and untouched.

Another two months of negative tests had passed. He was still yet to see you, swollen and round with his seed. He was still yet to justifiably refuse for you to be sent on dangerous missions. His heart broke for every dribble of cum he saw trickle out of your pussy after he was finished with you.

Kento had taken to plugging you with his cock until he was ready to fuck you full of his seed again. Forcing your arse up on pillows, his cock still cushioned within you, Kento would overstimulate you with your vibrator. With you pinned and whimpering beneath him, his cock throbbing to life again inside those plush clenching walls, there was nowhere your shaking orgasms could suck his cum other than up.

Kento was obsessed. He could feel this desire to breed you becoming pathological. He read dirty doujinshi, full of x-ray panels of cocks spurting cum straight into empty wombs, soon swollen and bursting with load after load. He fisted himself with urgent strokes while reading these, your panties wrapped around his hand, moaning into your pillow with your smell, each time stopping just before he came...just in case you were to arrive home early. Which, you never did.

He cursed at the unreliability of ovulation tests, and grabbed your freshly discarded panties out of the laundry basket instead, fingering your discharge between forefinger and thumb, assessing for that egg-white stretch. You woke up more than once to a thermometer being snuck into your mouth, Kento logging your signs onto a spreadsheet, waiting for that golden ovulation algorithm to ping.

In a mad moment, he even considered buying a long syringe, so he could jack off, fill it, and then fill you with his cum while you slept, exhausted from your long days. Kento laughed at himself, horrified by such a truly insane, unthinkable notion...although...

Kento shut himself into his office, barely suppressing a groan at the thought of squirting his warm cum straight through your cervix. Kento crouched down on his haunches, cock beginning to ache and fatten, and raking his fingers through his neatly parted hair.

With a groan and a prayer, Kento pulled out his phone and messaged you. At first he was thrilled, his heart leaping with love when you text him back immediately...before the slow descent into madness began again.

Your knees. Your panties around them. Your fingers, dabbing clear, stretchy discharge between them.

Kento's cock had never stiffened so quickly in his entire life. He stood, silent. He left you on read. He couldn't possibly put thoughts as debauched as his into words, he thought, stalking through the corridors and paths of Jujutsu High until he reached his car.

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+

Kento arrived home with a spring in his step, listening to old, saved voicemails and voice notes you had left him, on his drive home. His cock ached, stretching against his tan trousers, weeping pre-cum. He planned to keep you up all night, but he'd graciously keep filling you, prone and sleepy (with your permission, of course), if you tapped out.

"Darling!" He called out, tossing his briefcase into the corner before slamming the door closed with his foot, "I'm home!"

Except, you weren't. He could feel that instantly, and a seed of horror sowed itself in his core, growing into something far meaner as he picked up the note you had left behind on the kitchen counter for him.

Kento's hand shook, crumpling the paper between strong fingers with a crunch.

He had had enough.

Reaching into his pocket for his phone, he dialled, waited...and spoke.

"Ijichi? Tell me where she is. Now, please."

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+

A brothel, barely masquerading as a Maid Café, skirting the borders of the entertainment districts and the red light districts. The usual Friday night haunt of a Curse user who had been evading capture for months. The dump where you had been sent to honeytrap him before he could escape again.

Kento had dressed to fit in, in a slim black suit and open-necked white shirt, expertly tailored, with just enough room to fit his blunt blade and harness beneath the jacket. He snaked through the dimly lit street, feeling the necking couples in alleyways, cutting through the lamp-illuminated steam billowing from noisy restaurants, until he reached some narrow stairs up, barely visible unless you knew what you were here for.

Ascending the steps, Kento could feel every curve of you on the side of his tongue, tracing your Cursed energy above the suppression of his own. He felt the Curse user, too, and Kento's face twisted into a snarl to feel such filth near you, on tonight of all nights--

"Table for one. Somewhere quiet."

The Maid demurred, smiling and simpering and barely a grown woman, Kento noted, keeping a respectful distance as she led him to his table. The lights were low enough to mute the wandering, clasping hands of the raucous tables of men. The rooms tucked to the side, bathed in red light and sin, were clearly for private commissions.

Urged into a plush corner couch, Kento turned the lamp away from himself, plunging him into shadow. He leaned back, eyes dipped low beneath dark glasses, waiting to taste you on the side of his tongue again. He accepted only a drink.

You had entered actor mode, not unfamiliar with the practice, having reeled in more than one unsuspecting Curse user over the years. In your black and white maid dress, stockings and suspenders, and tall high heels, the devilish fun of the hunt was still tainted by your lost evening with Kento.

You knew, bitterly, that you were ovulating, with sore plump breasts, that familiar low ache on one side of your belly, and your desperate need to be at home, being filled, instead of at a maid cafe trying to reel in this creep. You were doing a good job of looking like you were enjoying the feel of his cold hands creeping around your thighs. You giggled and slapped his chest when he nosed at your neck. Your new manager looked on approvingly, the new girl already raking in the customers.

Before long, you heard the other girls whispering to each other.

"--so hot, but he doesn't want anyone--"

"So what, like...he's just here for drinks? I don't get it--"

"--tried to sit on his lap and he told me I deserved better, what the hell does he mean--"

Intrigued though you were, you hardly had time to see what the ruckus was about. You were moving in for the kill, your flirtations paying off as your prey pressed a wodge of bills into the hand of the manager, and a couple of bills between your breasts.

"Let's go somewhere quiet, doll, yeah?"

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+

"...sir...I am sorry to interrupt your evening, sir...only, my girls have noticed that they don't seem to be to your liking. Is there anything I can do to make your visit more enjoya--"

"Your new girl," Kento offered, clipped as he interrupted. The manager raised his eyebrows, turning briefly to see you, being toyed with on the lap of another patron. The manager cleared his throat, his pocket full of a fat roll of bills, smiling awkwardly at Kento.

"I'm sorry, sir...it appears another guest has already taken a liking to--"

"How much?" Kento interrupted again, his deep, smooth voice gravitational, drawing the many wandering Maids closer to him. The manager faltered again, so Kento raised his voice, gripping his glass and swirling the bourbon within, amber in the warm distant light.

"How much," Kento enunciated, taking a long draw from his glass, with a hiss, "do you think your new girl is worth? Tell me."

The manager paused, his squirrelly little mind grasping another money-making opportunity. He offered Kento a figure. The girls jumped and squealed as Kento's hand tightened on his glass, breaking it, an audible crack in his hand.

"More," Kento pressed, dropping his glass to the table. Another figure was offered, higher this time. Kento bared his teeth, growling at the manager, leaning forwards on his knuckles as he began to stand.

"More." The manager stuttered, throwing out another, much higher figure.

"MORE." Kento roared, slamming a fist on the table, the café growing immediately silent around him. He thought he saw you try to turn your head in his direction, and a slither of violent disgust burned in his chest as he saw the Curse user grasp you to him by the neck, pressing a sloppy kiss to it.

The manager gawped at Kento, mouth opening and closing like a fish. Kento scoffed, pulling a thick stack of bills out of his pocket, passing it to one of the nearby Maids, without breaking eye-contact with the sweating manager.

"She's priceless," Kento hissed, hearing the Maids gasp behind him at the stack of bills. "So if you know what's good for you...they'll split that between them, and you will not interrupt me. Do we understand each other?"

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+

You held your Curse user prey by his collar, walking backwards on your heels, leading him to the red velvet room. He grinned at you, all spit and salacious, with cigarette-stained teeth, his hands wandering down to ruck up the skirt of your dress.

You pushed the door open with your heeled foot, pulling the Curse user in with you. The door swung closed behind him, and you had barely a moment to see the hulking, backlit red-spectre lying in ambush behind the door.

"Get your dirty fucking hands off my wife, or I'll snap your neck."

Picked up by the back of the collar, and tossed sideways like a ragdoll, the Curse user hit the wall beside the bed with a dull crack, out cold in under a second. Kento snatched a curtain-tie, binding the Curse-user's hands behind him. You flustered at Kento, as he stood.

"Kento-- what the hell are you doing her--"

You felt your chin gripped, firm but gentle, between Kento's thumb and forefinger. He glowered down at you, icy cold, his protectiveness frosted with jealous possession. His voice was calm, measured, manipulative.

"What am I doing here? What are you doing here, little one? Dressed like that, no less...anyone would think you weren't married."

You swallowed, blushing and moving to defend yourself; "It's work, Kento, you know I--"

"--didnt mean anything by it? That it wasn't real?" Kento kept you gripped by the chin, slowly moving you back towards the high edge of the bed. You teetered on your heels, and he stabilised you, one thick arm looping around your waist, pressing you to him. You could feel the throb of his cock lengthening against your belly, and trembled.

"You're right..." Kento whispered, his breath ghosting your lips as he leaned down to trap you against the foot of the bed, caging you in, "...you couldn't possibly be satisfied by him, over me."

Kento fingered the lace edge of your stockings, the ruffled puff of your barely-there skirt. He shuddered against your lips, feeling his cock jump in his boxers.

"...seems a shame to waste this. Let's give these bastards a real show, shall we?" Kento hooked open the door with his heel, enough to hear the laughs and chatter from the café beyond.

After pressing a single, deep kiss to your lips, Kento dropped to his knees, glaring up at you in challenge. You found yourself glassy-eyed with anticipation, biting your lip, smiling as you teased the ruffles of your skirt up, to edge your lace stockings; "...do you like it?"

Kento bit, gripping you round the thighs and pressing them open with bruising force, aggressively nuzzling his face under your skirts. You squealed, laughing as he nipped and licked at you, growling against your mound and nuzzling your wafer-thin panties aside; "I love it...fuck, I love it, c'mere--"

Kento hooked your knees over his shoulders, looping his arms under your thighs to pin you against the foot of the bed. You heard a passing Maid outside your door gasp at the same time as you, at the sight of Kento kneeling and shoulder-deep in the ruffles of your skirts, your stockinged legs over his shoulders, his tongue plunging between your folds to taste you with an ecstatic moan.

"--oh god Kento-- yes yes yes please," you babbled, sinking your fingers into his hair and tugging at the roots. Kento murmured against your pussy, lubricating you with his spit, rolling his nose, tongue, and chin up and down the length of your folds, with all the fervour of a man deprived.

You heard whistles and catcalls from the café, and blushed, throwing one arm over your eyes, your pleasure building with the sloppy debauchery of Kento dipping his tongue into your entrance and nuzzling his nose firmly into your clit. He repeated this, patient, stroking his tongue over and around your clit with relentless wet flicks and sucks. When Kento gently nipped your clit between his teeth, you screamed in alarm, juddering and close to orgasm.

You clamped your thighs around Kento's head, muffling the sounds of the café around him. Reaching up two fingers, plunging them into your pussy and hooking them forwards towards him and the squashy g-spot in your cunt, Kento hooked you. Flicking his tongue from side to side over your clit, Kento chuckled against your pussy, his cock leaping within its confines.

"--in front of every-- Kento, fffuuuck please close them-- nnnngg cumming, cumming I'm cumming--"

You cried out in bliss, convulsing, gripping Kento's hair for dear life. In tandem with your twisting and mewling, you heard a chorus of cheers, hoots and clapping in the café, the men jeering and the women giggling. You shuddered, stunned, still wracked with pleasure.

"More?" Kento asked, nuzzling between your folds still, gripping you tightly to him so you couldn't clamber away across the bed. You babbled nonsense at Kento, slapping at the top of his head as his pulled his face away a little, and repeated, louder; "MORE?"

More cheers sounded from outside, and Kento grinned beneath your skirts, diving in to pleasure you again. You could barely stay upright, seeing stars, crunching around his head. The Curse-user began to stir on the floor to your right, as Kento dragged you across the coals to another stinging orgasm, so sharp after following your first so closely.

Kento came up for air to find you, flopped backwards, flushed and gasping on the bed. Slapping your thighs hard enough to make you squeak, Kento reached down and pulled you up by the back of the neck, pressing a long, familiar kiss to your lips. Tasting yourself on his mouth, you knew his next words to be true.

"Mine. Now, always, and especially-- fucking-- tonight," he emphasised each word with a brittle slap to your thigh. Flipping you over against the bed, face down and arse up, your heeled feet wobbling against the floor, Kento sighed, flipping your skirts up and admiring the view. He trailed his fingers against the top of your stockings, and the way the plush of your thighs peeped over them.

"Still no fucking baby-- and you fuck off to seduce another man tonight? The audacity," Kento purred, and you heard the clink of Kento undoing his belt behind you.

Kento was hooking his weeping, heavy cock out of his boxers just in time to see the Curse-user awaken, dazed and furious at Kento stroking his cock in preparation, over his Maid, strewn helplessly over the bed. Kento smirked, letting his Cursed-energy burst out with enough force to leave the man on the floor, and you on the bed, breathless with the stormy oppression of it.

"...you bastard-- that's my...I paid for her," the Curse user snapped, straining against his bonds. Kento laughed, bracketing you with his thick arms against the bed. His left hand grasped your left hand as he lined his aching cock up with your entrance. Kento slid your clasped hands, wedding bands clearly visible, across the sheets towards the Curse user.

"Yeah? I married her," Kento growled, kicking your heeled feet aside and fucking into you in one smooth movement, rocking his hips a few times against your cries, until he bottomed out with a roar. Kento pulled you to him by your hair, and smacked an affectionate kiss to the side of your face, before flinging you back against the velvet sheets.

He stood tall, gripping your hips to press your pussy close, and cracked his neck from side to side. He heard the enthusiastic crowd behind him, feeling a bizarre prickle of competition down his spine.

When Kento began thrusting into you with joyful abandon, you felt every vein, every throbbing ridge of him. Gripping the sheets for something, anything to stop you from being fucked up the bed, you screamed into the sheets with every hit. When you turned round to shoot Kento a blushing look of barely-sincere fury, Kento landed a stinging slap to your arse, and the Maids behind you giggled at the door.

Kento was lost in the moment, thrilled to be finally able to fill your belly, ecstatic with the knowledge that he was about to spill into you at just the right point in your cycle. His pleasure built fast, grasping your hips and slamming them back onto his cock, with rough slaps and grunts. He controlled himself for long enough to slip his hand beneath your mound, pinching and rolling your clit between his fingers while he whispered husky promises in your ear.

"--so fucking good-- waiting for me...haaah yes, take it-- good girl-- fuck a baby into you tonight-- you want that? Hmm? Is this-- is this it-- is this the--the one...fuck, not gonna last, cum with me, c'mon, please--"

Kento reached over you, his hand grasping you by the neck and jaw, craning your head backwards. He thought he'd be able to last, but when you sucked his forefinger into your mouth, your wet little tongue rolling over the pad as you suckled on it, Kento came with a slew of curses, a rough, alarmed bark.

Wildly overstimulated, you clenched around Kento as he pumped thick ropes of cum into you, feeling him tense and groan against your back with the blinding force of his orgasm. He continued to roll your clit, plugging you and panting until you came with a shaky little cry, your pussy tightening and sucking at his cock until he shivered with residual bliss.

Panting, coming down from your respective highs, you and Kento both turned to look at the Curse user on the floor. A noisy round of applause rang in from the café and you laughed despite yourself, wiggling against Kento.

"Lucky bastard..." the Curse user whined into the rug, "Piece of...piece of shit...should have been me--"

"Fuck off," rumbled Kento, "you're lucky you're not dead. Save it for trial."

You felt Kento rummaging in his pocket behind you. As he slipped his softening cock out of you, you squealed to find yourself hurriedly filled with a dildo, plugging you all the way to your belly. You groaned against the sheets, squirming, and Kento flipped your skirts down.

"...do you want to finish your shift?" He offered, voice full of mirth. You kicked back at him with one heeled foot as he laughed.

"If this is the one that gets us pregnant, I'll kill you."

[followtheechoes]

I totally see that! to me it felt like when some random old relative you barely see takes you aside and starts explaining unprompted about the insane stuff that happened in his twenties and thirties when he was at sea, only the insane stuff is treated like something commonplace and the focus is on the fact that he used to live three doors down from a minor politician while the insane stuff happened

me before nona the ninth: well after having narrators like gideon, harrow, judith, and ianthe, we can’t POSSIBLY have any narrators that’re more unreliable

me after reading a chapter of “nona” and then a chapter of john narrating his own rise-to-power backstory:

[darkbluekies]

GOLDEN TRIAL

Yandere!mafia x yandere!female!mafia x female!yandere x yandere!king x yandere!doctor x male!detective!reader

Summary: Its 1935 and you've been sent on the Liner Normandie to retrieve a stolen painting. You have six suspects and the clock is ticking — you only have four days before the ship reaches New York to find it. But soon, you find yourself caught up in something even more serious than you could have believed.

Warnings: getting hit in the head with a bottle, kidnapping, mentions of drugging, stalker behavior, light misogyny(?), guns, needles, violence

Word count: 11.7k

DAY 1 — Debark

The ship towers over you like a mad giant. Gray smoke rises from the two forward funnels. It’s the biggest in the world, bigger than any man made object that can float. You shake your head. Focus. You’re not here for pleasure. You continue your way over to the terminal. The agency sent you in hopes of finding the lost painting, no one else. You need to stay focused, they’re counting on you.

Without questioning, you give the fake ID to the man behind the desk. When you had started out as an agent, you were always nervous that your covers would be blown and you would be found out. Nowadays, you’ve noticed that if you look nervous, risk are that you’ll be asked questions. 

You walk over the gangway with your bag in hand. You have just above four days to find the painting — a very famous portrait of a woman with her head slightly turned to the viewer, wearing a big, blank pearl earring. It was stolen from the Mauritshuis in the Netherlands two weeks ago, and details have revealed that it has been taken to France, and will be moved to America on the SS Normandie. The painting itself isn’t insanely big, but the fuss about it’s disappearance is. You have to find it at all cost. 

Before you got here, you had time to take a look at the passenger list. There are six people you recognise, where of five could be your potential smugglers. 

Silas Achilleos, a mob boss wanted by the police, and his second in command. A man like him was probably not interested in paintings, but he could have clients who did. And those could pay him heaps of money. 

Edmund of Vesanus, a young king who likes the bachelor life. He surrounds himself with loads of women and alcohol, partying like nothing matters. He would take the painting because he doesn’t want anyone else to have it. He’s traveling with his doctor, a certain Karl Kry who you don’t know much about. 

Hedwig Carter, a young heiress who’s father is noble, and who's mother is famous in the acting business is traveling with a young woman named Jerry Kim, someone you guess is Hedwig’s chaperone. Hedwig is known for getting whatever she wants with a snap of her fingers, and if she wants a painting … she will get it. Jerry, however, does not have much information out in the open. Everything about her before she started to work for Hedwig is wiped away. You want to know who she is and where she comes from, and what she would want a painting for.

You walk down the stairs to your cabin on A-deck and start to pack up, using the second bed in the room to store your bag. After settling in, you decide to take a look around this magnificent vessel to get familiar with it. You make your way up to the promenade deck and give the open cinema by the stairs a quick look. You guess that they’re going to put on movies once the ship reaches open water. If you’re lucky you’ll see something interesting. And hopefully, you have the time to watch it. 

The promenade is enclosed decorated with a gray floor, comfortable deck chairs and clear windows. A line in the tricolor fashion runs along the floor, as if to show where to walk. You walk on the line, flashing a little childish smile. You’ve left Le Havre and are on your way out towards the Atlantic’s open arms. The clock is ticking. 

Your eyes lock onto someone walking towards you and you immediately realize that it is Hedwig and her chaperone, an east asian girl … wearing pants and a long sleeved shirt. You don’t realize how obvious it is that you’re staring until the woman opens her mouth and you realize that they’ve stopped right in front of you. 

“What are you staring at, sir?” she asks, raising her eyebrows and putting her hands in her pockets. “If you want to say something, do it.”

“No—no, sorry”, you say quickly, feeling your cheeks heat up. “I didn’t mean to stare.”

“Tell me, do you approve of women who wear pants?” 

It sure looks weird, but is it? When you think about it, aren't pants just pieces of the same fabric as skirts, just sewn differently?

“Uh, I … suppose so.”

To that, Jerry nods approvingly.

“I don’t see why only men should wear pants”, she says.

“Well, I don't feel comfortable wearing them”, Hedwig chuckles nervously and smiles softly. “But they fit you, Jerry. They really do.”

“You must be miss Carter”, you say, as if you don't know, and shake her hand. “It’s nice to meet you.”

“Nice to meet you too, please call me Hedwig! Who are you?” 

“I’m Axel Ainsworth, I'm in the art industry.”

Hedwig’s smile widens. “That is very interesting, I love art. Especially portraits. Capturing humanity’s differences and details are magical. Don’t you think so, Jerry?”

“I’m more for that new thing — surrealism, I think it’s called — where everything is here and there and weird to believe”, Jerry says, shrugging. “But portraits can be okay too, depending on what type.” 

Hedwig has turned her eyes to you, glued them onto you as if you are the only thing she could ever see. “Are you traveling alone, mister Ainsworth?” she asks. 

You have remembered your entire forged background and learned it skillfully. Even your fake name rolls off the tongue as smoothly as if it was your real name. You're traveling alone because you're on your way home to your fiancé from a business trip. 

“I see”, Hedwig smiles and turns to the woman next to her. “Let me introduce you to my chaperone, miss Jerry Kim. You're always welcome to sit with us during dinner. We'd be more than happy to accompany you.”

“I'm grateful to know that, miss.”

With that said, the two women walk away. You frown and sigh. Hedwig seems like a very sweet young woman, it’d be a shame if it was her who was the culprit. Her chaperone, on the other hand, gives you weird vibes. Something about the look in her eyes … as if she’s looking right through you, scanning you. 

You continue down the promenade until you turn into the Winter Garden, a half moon-shaped room full of plants and lamps and big, wide windows, overlooking the special shaped bow that has given Normandie the speed it has. Passengers have already started gathering in the Winter Garden to talk to friends and family and watch how Normandie makes her way out onto the Atlantic. None of them resembles the men you’re looking for. You continue your way through the ship, eventually finding yourself in the smoking room on the embarkment deck, where you had stepped onto the ship. You had only glanced at the room before, but now when you’re standing in the smoking room — and very well the lounge since they’re connected — you realize how stupid you must have been to miss it. There must be ten meters up to the ceiling, you think, and bigger than a concert hall. A long, grey staircase leads up to the outside deck. The art deco interior is modern and sleek, but the whip overall has a classic, conservative design that reminds you of the great liners of the old age. You sigh while thinking of the Mauretania and the Olympic, Britain's biggest rivals which now are laid up in Jarrowtown, side by side, ready to be scrapped. There’s something melancholy about it all, and at the same time something beautiful, starting as enemies and now ending it all under the same flag, together. 

You shake your head. Focus. Your eyes catch someone standing by the windows, someone very familiar. Silas and his right hand man. You move closer, trying to hear what they’re talking about.

“I’m not complaining, I just think that it is annoying that it has to take four days to get to America”, Silas mutters and takes a whiff off his cigar. 

“Any other ship would take double the time, sir”, his second in command says apologetically. “I doublechecked.”

“I don’t like being in one place for too long.”

“See it as a vacation. You’re deserving of it. Let’s enjoy some good food, alcohol and some company. It’ll do you good.”

“I don’t like to be in one place too long. Especially when we know that they're on board!”

You furrow your brows. Who?

“Nothing will happen.”

Silas hums and smokes again. You’ve stood by the windows a few meters away, pretending to be interested in the horizon. Silas turns his eyes to you. 

“You, sir”, he says, pointing at you with his cigar. 

You look away from the ocean. Both Silas and his second in command have turned to you, their dark eyes looking right at you. 

“Yes?” you ask. 

“Is it true that the Normandie keeps her speed?” Silas asks. “No matter the weather?”

“I believe so, sir.”

Silas nods in satisfaction. “Good.”

You decide to try to get some information out of him. You know who he is, but he doesn’t know who you are, doesn’t know that you’re out to get him. To him, you’re just another first class passenger. 

“Are you in a hurry?” you wonder. 

“You could say that”, Silas sighs and turns his eyes out the window again. 

You hold out your hand. “I’m Axel Ainsworth.”

Silas second in command gives him a short look before his boss shakes your hand. His grip is hard, firm. 

“You can call me Silas”, he says. “No need for a surname.” He takes another blow on the cigar. “What brings you out on the ocean like this?”

“I’ve been on a business trip, but now I’m going home to my fiancé”, you say, pretending to smile at the thought of your made up fiancé.

“What business are you in?”

“Art.”

Silas lifts one of black his eyebrows. “Art?”

His second in command straightens his back. 

“Yes, sir”, you say. 

“Are you a … painter?” Silas wonders. 

“God no, I can’t handle a brush even if my life depended on it. I’m an art trader, I help people sell their paintings for the right price.”

“I see. Well, one can’t do everything.” He blows a cloud of smoke. “Have you traveled on this ship before, Axel?”

“No, it’s my first time. But I’m not unfamiliar with the ocean, I used to travel a lot on the older ships in my younger days.”

“Then I suppose you have a favorite?”

You think for a second. “I did like that Cunarder, the Lusitania … such a shame Germany sunk it.”

“You never know which ships are safe or not, just look at that Titanic fiasco. They thought it was the safest ship afloat. Yeah, sure it was.” Silas shrugs. “Wouldn’t surprise if this peace of junk also sinks. Why wouldn’t it?”

“Well …”

Silas’s second in command taps him on the shoulder and whispers something in his ear. Silas frowns and nods before turning to you. 

“It was nice speaking with you, but I have some business to deal with”, he says shortly. 

“Have a good day”, you say. 

Silas nods politely and leaves. You follow him and his second in command with your eyes until they’ve left the smoking room. He was nicer than you had anticipated. 

Your next suspect, you find in the dining hall that evening. You’ve met up with Hedwig and Jerry in the reception. Hedwig is wearing a pink evening gown with pink gloves. Her honey blonde hair is curled and put up with hairpins. Jerry is wearing a dark purple, sleeveless dress, showing a couple tattoos. In her short, black hair, there’s a little decoration that reminds you of a flower. She's wearing dark lipstick, in contrast to Hedwig who wears a Hollywood red.

“They wouldn’t let me in unless I dressed ladylike”, she mutters. 

“I think that you look gorgeous, Jerry”, Hedwig smiles and takes her hand. 

“I guess that it isn’t that bad.”

“I like your tattoos”, you say. “Where did you get them from?”

“A tattoo artist, of course.” She then twists her arm to show something on the inner side of her bicep. “Okay, I made this one myself.”

You step closer, seeing a small heart tattooed on her arm. 

“That’s cute”, you smile. 

“Thank you”, Jerry smiles smugly. “Hurts like hell though.”

“I can imagine.”

The stewards allow you into the dining room and — for what feels like the thousand time today — you’re amazed by the interior. Silver walls with golden ceiling and art decor wherever you could see. In the middle of the long dining hall, there’s a gigantic, golden statue of a woman. 

Hedwig and Jerry leads you to a table and sit down. That’s when you see your last suspects. They’re walking through the dining hall, dressed in tuxedos. The king can’t be more than twenty years old. His doctor is a minimum of fifteen years older. 

“You son of a bitch”, he says suddenly and looks at the table you’re sitting at. “Hedwig?”

Hedwig’s eyes widen in shock.

“Edmund, what are you doing here?” she asks with a smile. “Sit with us, please.”

The king and his doctor sit down at your table. 

“Good evening”, the blonde doctor says and shakes yours and Jerry's hand before introducing himself. “I’m Doctor Kry.”

“Nice to meet you, I’m Axel Ainsworth”, you say. 

“This is king Edmund.”

You’re about to shake his hand, but Doctor Kry removes your hand. 

“I’m sorry, but he doesn’t shake people’s hands”, he whispers. 

“Oh, I see”, you say. 

The king gives you a bored look. 

“It’s a pleasure to meet you, your majesty”, you tell him politely. 

“How do you know Hedwig?” he asks shortly. “I haven’t seen you before.”

“We met today”, Hedwig smiles. “Axel, Edmund is my relative. It’s been months since we last saw each other.”

“I’ve told you to visit.”

“I know.”

“Are you that much of a hypochondriac that you need a doctor to accompany you while you’re traveling?” Jerry chuckles. 

“What are you doing here, Jerry?” Edmund mutters coldly. 

“She’s my chaperone”, Hedwig explains.

“Oh fuck me.”

“Your majesty, maybe you should think about your language”, Doctor Kry says. “We are around others.”

Edmund rolls his eyes before looking at you in a bored manner. 

“Tell me”, he says, “where do you come from, mister Ainsworth?”

You ramble your rehearsed background. Edmund nods along with you.

“I’ve always wanted to visit that place”, Doctor Kry says. “I’ve heard that it is a beautiful city.”

“It is”, you say. 

“And now you’re going to America”, Edmund says. “What were you doing in France?”

“I was on a business trip.”

“What type?”

It strikes you as odd. He doesn’t sound interested, but still he asks you curious questions. 

“I’m in the art business”, you say.

“What for?” Edmund wonders.

“Art is beautiful and should be getting what it is worth.”

“I like art”, Doctor Kry. “I would do anything to see the Mona Lisa.”

“Why didn’t you visit it when you were in France?” Hedwig wonders. 

“We didn’t have time … Edmund didn’t want to go there.”

“Why should I squash together with other people to see paintings?” Edmund scoffs. “If I want to see a painting, I get it for myself. That’s that.”

“But do you like art, your majesty?” you ask. 

“Everyone likes art”, Edmund replies nonchalantly. “That’s what gives life meaning.”

“Have you read a certain story, Edmund, called ‘The Picture of Dorian Gray’?” Jerry asks with a teasing smile. “Thought that it’d fit you.”

The story is about a man who wants nothing more than to remain youthful … to the point where he has a painting of himself where all of his sins can be seen. In the end, the picture is as gruesome as can be, but Dorian himself is as youthful as he started.

“Oh, shut up, Jerry”, Edmund mutters angrily. “One day, I’ll teach you manners, believe me.”

Jerry smirks. 

You eat dinner together with the young king and the doctor. Afterward, to soothe your aching stomach, the five of you walk up to the outside promenade deck to get some fresh air. You strut under the lifeboats, under the stars. Above you, a big luminous sign spells out the name 'NORMANDIE’, casting a soft light on you. Doctor Kry has lent his blazer to Hedwig, and you’ve tried to offer yours to Jerry who refused before you had the time to open your mouth.

“Ladies, I think it’s time for you to retreat”, Edmund says, sounding sweeter than before. “It’s starting to get late.”

“The evening is young”, Jerry insists. 

“I’m tired”, Hedwig yawns.  

“Jerry, be a good girl and bring Hedwig to your cabin”, Edmund grits. “Please. I’m not fighting with you again.”

Jerry rolls her eyes, removes the doctor’s blazer and tells you goodnight. Hedwig gives you and Edmund a hug. Her flowery perfume clogs up your nose, dulls your head for a moment. The three of you wish the girls a pleasant evening and continue walking. 

“Hedwig is a stupid girl”, Edmund says, strolling slowly. “One can’t help but want to take care of her.”

“She seems very sweet”, you admit. 

“She is. Just very naive. I’ve promised her father that I’m going to take care of her whenever I meet her.”

“Her chaperone is … interesting”, Doctor Kry remarks. 

“God, yes, I hate her!”

“What is it about her that you don’t like?” you ask curiously. 

“I do not like girls like her. Did you see her tattoos? She often walks around in man’s clothing and I don’t think it’s fitting for a woman — especially someone that is close to my relative. I don’t want her influencing Hedwig.”

“I don’t think you have to worry, your majesty”, Doctor Kry says calmly. “I think Hedwig is going to be okay.”

“If there’s one thing I’m glad for, it is that Hedwig is predictable.” He groans. “I need a cigar. Let’s go to the smoking room.” Edmund turns around to give you a look. “Axel, are you joining?” 

“I don’t know”, you reply. “It’s the first day, I’m still tired from embarking.”

“Don’t tell me that you’re going to bed now.” He looks at his expensive watch. “The clock is ten. Stay one hour.”

You give up and follow them to the smoking room. Maybe it is for the best. If you want to get close to them, you’ll need to spend as much time observing them as you can. 

Sitting with them in the smoking room, you find that Silas and his second in command aren't here among the other men. You frown, thinking that they would be here since they were earlier. 

When you’re allowed to leave, two hours later, your mind is fogged up by smoke and whiskey. You make your way through the empty corridors to your cabin, closing and locking it behind you. Tiredly, you sink down on your bed and sigh out. You have observed them, and talked with them the entire day, and yet you haven’t figured out who could be hiding the painting. They all seem interested in art. They all could have taken it. 

There's so many questions. What kind of doctor is Kry? Where did Jerry come from and why is there no information about her? Why would someone like Hedwig hire her as her chaperone? And who is that person that Silas doesn't want on board? Is there someone you haven't accounted for, someone else that can have stolen the painting?

You hide your face in your hands and groan. Three days left.

DAY 2 — Sea

You wake up early, get ready and head out into the corridor. You lock the cabin door behind you, feeling the handle to make sure that it is locked and make your way to the Winter Garden to have a cup of coffee. The large windows give you a wide view of the calm ocean. The sun rises up from the blue water in a magical sense that has you hypnotized. It's all so very quiet and relaxing.

After your cup of coffee, you stretch your muscles, and contemplate going down to the swimming pool to take a few laps, to warm up your muscles and clear your head for the day's work. You pay the purser and make your way down to the swimming pool on D deck. The tile walls are covered with art that reminds you of ancient Greece and the new, abstract type of paint. The pool itself was formed as a long rectangle with curved corners, green steel ladders, and a steep and a shallow part. Throughout the shallow part, there were thick, dull spikes, likely to stop children from going out into the deep end. 

Despite being the early hours of the first morning on board, someone is already in the water. Doctor Kry.

“Good morning”, he says. “You’re up early.”

“So are you”, you reply.

“I always need to clear my head before starting the day.”

“What about the king? Is he swimming too?”

“Don't kid around. He doesn’t wake up until nine. I wouldn’t be able to get him out of bed before that anyways. He’s a very deep sleeper and hates getting woken up.”

You feel your heart skip a beat. 

“Where do you have your cabin?” you ask. 

“On the promenade deck, one of the suites. A-54.”

Bingo. 

“Why do you ask?” Doctor Kry wonders.

“I was just thinking that since the king doesn't want to be disturbed, choosing the right cabin place is important.”

“Did we choose a good cabin then?”

You nod, despite not knowing a single thing about cabin placements. The only thing you're aware of is to be as far away from the noisy engine room as possible.

Perhaps if you asked the purser, you could get the number of the other cabins. He, if anyone, should have the passenger list. 

You glance back at Doctor Kry who's still hanging by the side of the pool. This is your time to investigate him. You slowly get into the water.

“Such a shame that you didn't get to visit the Mona Lisa”, you say as you start to swim. “It's a very pretty painting.”

“So I've heard”, Doctor Kry says slowly.

“My favorite painting is ‘the girl with the pearl earrings’, have you had the opportunity to see it?”

He's quiet for a second.

“I haven't”, he says, sounding low. “I guess that, an art trader like you, must be troubled by its disappearance.”

“Of course”, you answer.  

At this point, a detective and an art trader don't seem like different things, especially since both would be looking for the same thing.

“Can I ask you something?” you wonder.

“It depends”, Doctor Kry says. “Go ahead.”

“Forgive me for being nosy, but why doesn't his majesty like Jerry?”

“He is very old fashioned. He doesn't think that women should be dressed in pants or have tattoos. Edmund is very self centered, yes, but he's also very possessive of the ones he holds dear — example being miss Hedwig. As you may know, his parents were murdered by enemies to the monarchy and ever since, the only relatives that have been in his life have been Hedwig and her family. They're very close in age too — Hedwig being eighteen and Edmund nineteen — which has been a very important thing for him. He sees her as a friend, maybe his only friend. So having someone that could potentially blemish his friend and only family is a threat to Edmund.”

“Then why does Hedwig have Jerry?”

“I don't know. It could be because of a teenage revolt. Jerry is different to everything that Hedwig has ever known … and now that she's eighteen she might want to try something new.”

“Do you think that Edmund is worried about her? Because of Jerry?”

“I wouldn't say worried, because the only thing the king worries about is himself, but I think that there's something along those lines. I think that he sees Hedwig as an extended part of himself rather than her own person.”

You nod carefully.

“I wonder where Hedwig found Jerry”  you say. “How someone like her could get the job as Hedwig’s chaperone. Do you know where she comes from?”

Doctors Kry suddenly laughs.

“You ask an awful amount of questions this early in the morning”, he says and gets out of the water. “I'm sorry, I don't have more answers for you, Axel.”

You look up at him, where he stands on the tile floor. He looks down at you with a small smirk.

“You remind me of a little boy”, he says and lowers his eyes onto your physic. “You're awfully trained to be an art trader. One could think that you were an Olympian.”

“Shouldn't a doctor be pleased that I am taking care of myself?”

“I am. You look good, healthy.  Just found it humorous.” He wipes away a few drops of water trying to go into his blue eyes. “I suppose that I will see you later. Goodbye, Axel.”

“Goodbye.”

You decide to do a few more laps around the swimming pool before getting up and drying yourself. Tomorrow morning, you will sneak into Edmund’s and Doctor Kry’s cabin to see if the painting is in there. But for now, you need to go to the purser. 

You change into your suit. In the front pocket, you keep a little commonplace book to take notes. You  make your way back to the pursers office. The man behind the desk gives you a service smile and asks how he can help you. 

“Do you happen to have the passenger list?” you ask. “I would like to know where some people’s cabins are located.”

“What is your name?” the purser wonders. 

“Axel Ainsworth.”

“Who are you wanting to find?”

“Hedwig Carter and Silas Achilleos.”

The purser disappears into his office. You wait impatiently, suddenly feeling watched. Carefully, you glance over your shoulder, but the only ones in eyesight are two men who are conversing. The purser returns. You fish out your notebook, ready to note it down. 

“Miss Carter has cabin B-23 and Mister Achilleos has cabin A-11.”

You write it down. “Thank you.”

With that said, you leave to go to the staircase. You’re not sure where to go, so you decide to take a stroll down the enclosed promenade while thinking. Doctor Kry knows more, you think, but he doesn’t want to tell. 

You sit down on one of the deck chairs to write down what you have gotten to know, so that you won’t forget any important information. You write down the suspects' motives to steal the painting, Silas’s weird enemy, their relation to each other — which only connects Edmund, Kry, Jerry and Hedwig — as well as the answers that you have gotten from Doctor Kry earlier today. Who has the painting? Your first instinct says that Doctor Kry doesn’t have it, because he’s not interested in that painting. Had it been the Mona Lisa, things would have been different, but this painting doesn’t interest him. That doesn’t mean that the painting couldn’t be in his room, though, because Edmund could still want to have it. 

You stand up after a while and continue walking. Your eyes fixate on something in the distance. A woman dressed in pants talking to a man in a suit that seems to be hiding in the corner of the promenade. You frown. 

What does Jerry have to do with Silas's second in command? 

You want to move closer, but you don’t want to expose yourself. You’ll have to change the relations in your notes, because there’s clearly something more than you’ve been led to know. 

What if Jerry’s lack of background has something to do with the mafia? It would explain her tattoos … that or being a sailor. But because of what you've just witnessed you can most likely scratch the latter. A shiver runs down your spine. If Jerry is dangerous, then Hedwig could be too. You stop in your tracks. Hedwig? Really? Edmund said it himself, she's a stupid, naive girl. Could she be dangerous?

You walk up to the open deck in the stern of the first class accommodations where you find a few kids playing something reminding you of curling. You sit down on the zig-zag benches placed out on the deck and watch them. They notice you looking and ask you to join them, so you do. You decide that maybe you can pleasure yourself in a harmless children's game for a few minutes, and continue the mission after.

When lunchtime rolls around, you make your way down to the dining hall. It's emptier than yesterday evening. You find Silas and his second in command sit by a table. Silas notices you and waves you over. Your feet bring you to him.

“Sorry to cut our talk short yesterday, Axel”, he says politely and gesticulates at the chair in front of him. “Sit down. Let me buy you lunch.”

And so, he does. You sit down and try your best not to glance at the second in command who’s black eyes burn through you. Your stomach twists. 

You both get lamb, something you have eaten many times before. Still, it tastes better at sea.

“What did you say that you were here for again?” Silas asks suddenly as he’s cutting his meat.

His voice sounds different from yesterday. You clear your throat to make sure that your voice won’t shiver.

“I’ve been on a business trip”, you say. “And now I’m going home.”

“Yes, yes, I know that. What I mean is that you didn’t tell me why you were in France. What kind of business trip was it? What did you do? I know that you were there for art, but what do one do on an art business trip? You have to forgive me for being curious.”

“I was meeting some people from the Louvre.”

“I see. About what?”

“Art’s future, how to make sure they don’t break or smudge or get tainted by the sun. And how to protect them. You must have heard about ‘the girl with the pearl earrings’ missing?”

“Yes, of course. Isn’t it weird that someone would steal that painting? Why not a Monet painting? Or the Mona lisa?”

“I don’t know. Maybe taking one of them would be too big of a deal. Maybe the one taking the painting thought that since it isn’t one of the most cherished, they’d have an easier time taking it … that the commotion about it would die out sooner or later.”

“Perhaps.” 

You’ve noticed that you haven’t heard the second in command’s voice at all, beside the talk he had with Silas yesterday. He doesn’t speak to anyone else than Silas … and Jerry. You still don’t dare look at him, scared that he will see right through you and know that you’ve seen him talk to her. You wonder what they were talking about.

“Did you have a good time yesterday?” Silas asks.

“Yes, I did”, you reply.

“Did you meet someone?”

“No, I didn’t. I chit-chatted with some people here and there, but kept mostly to myself.”

“You do good in that. You never know who you can trust on a big ship as this. You never know who wants you good or not.”

“Why are you traveling, Silas?” you ask innocently. “You said that you were impatient to get to America. Is there a reason?”

“Of course. Everything has a reason. But I don’t think I can share that with you. At least I shouldn’t.”

“Why not?”

Silas turns his black eyes to you and smiles slightly. His hungry gaze makes you freeze. He had seemed so sweet yesterday, but you finally see a slice of what makes him so terrifying. 

“Because someone like you shouldn’t know that”, he smiles. 

“I understand”, you say and take a piece of food into your mouth, to avoid speaking further.

“You have to excuse my man here”, Silas says and nods at his second in command. “He’s the shy type. He goes wherever I go, so you have to get used to him.”

“Is he your bodyguard?” you wonder. 

“You could say that. But I’m always prepared in case someone wants to attack me.”

He opens his blazer, showing you a revolver tucked into the fabric. You have your own in your suitcase. Walking around with it feels too risky, but maybe you’ll have to go get it. In case anything happens.

After lunch, you’re left with a weird feeling in your stomach. You have talked with him for an hour, about everything between heaven and earth … and yet it feels like you have been having two conversations in one — one on the surface and one real. 

You walk to your cabin and press down the door handle and walk into the room. The first thing that strikes you as odd is that there’s a new smell in the air. A flowery scent. You can swear that you have felt it before. Without a second to waste, you open your bag and pick up your gun, putting it in your suit. Quickly, you turn around, realizing something. Didn’t you lock the door when you went out this morning?

That evening, you spend dinner with the two girls and stay in the smoking room with Edmund for what feels like an eternity. Edmund wants to play a deck of cards with you. He seems a bit more relaxed than yesterday and even smiles a bit. 

After your games against Edmund, you decide to retreat. You walk down the long, dimly lit corridor. The narrow spaces feel almost ominous at night time, although barely any daylight reaches here at daytime either. You glance over your shoulder every tenth step, hesitating, can't help but feel watched. Your hand reaches for your gun, but before you have time to get it, someone reaches up behind you and smashes something heavy in your head. Everything turns black.

DAY 3 — SEA

“He's waking up.”

Your eyes feel like lead, and your head is even heavier. It takes a few tries to open your eyes and when you finally manage to, you want nothing more than to close them again. For a few seconds, you wonder if you're dreaming. They're all here, looking down at you. You look around and notice that they've tied your hands and feet, and left you on the floor at the end of the bed, with your back against the footrest.

You catch a glimpse of the clock on the wall. Just a bit past one in the morning. The third day has begun. You have been blacked out for three hours.

Your head is pounding, making it hard to think clearly.

Jerry bends down, grabs your chin and turns your head back and forth to inspect the damage caused on your head.

“He'll live”, she says and gives your cheek a quick, but harsh, tap.

“Well, well, Y/N”, Silas says, smirking. “You're a bit nosy aren't you?”

The mention of your name causes you to twitch and widen your eyes. In your dulled stage, you wonder if you've heard wrong, but the smirk in their faces confirm that you have, indeed, not lost your hearing.

“So, you were the agent”, Silas continues and shrugs. “I gotta admit, I was hoping that it wasn't you.”

“You were smart-”, Doctor Kry starts. 

“But not smart enough”, Edmund cuts him off sharply with his arms crossed over his chest. “‘Art dealer’, yeah, sure. A detective dealing with art. That's not the same, Y/N, if you didn't know that.”

Silas picks up something from his pocket, a small commonplace book. 

“‘Suspects are all interested in art, could be any of them’”, he reads out loud. “‘J involved with S? Talked with SIC.’ Jerry? Involved with me? Talked with my second in command? You seem to have it all written down.”

“I was involved with Silas”, Jerry says. “I know his second in command very well.”

“How—How did you … know?” you ask, baffled. “Were you all in on it?”

“Not from the start, no”, Doctor Kry says. “I only knew Edmund and had met Hedwig before. I didn’t even know Jerry, Silas or his second in command.”

You quickly realize that Jerry is the linking chain between them. She linked Hedwig, Edmund and Kry to Silas and his second in command. 

“I had already been informed and knew that there would be someone on this ship out to get me”, Silas says. “I heard that Jerry was on board and caught up with her. She told me that she and Hedwig had met you. It was her that thought it was weird that you asked all of us about art. My men dug, and found out your real identity. My men saw you speaking with the purser, hearing you ask for our cabins and decided to tell it all to me and my second in command, who told Jerry … who told the others.”

“You have more men?” you ask and can’t hide how shocked you get.

“Of course. You don’t think I would go on board with only one man? Do you think I'm stupid, darling? You, on the other hand, probably should have had someone, at least.” 

“Awfully inconsiderate of your bosses, don't you think, to send you all alone?” Jerry says.

“You were looking for this, weren’t you?” Edmund asks and pulls out something from a wooden box behind him. 

You stare at it with wide eyes. The painting.

“Who—Who had it?” you can’t help but question, gulping between the first word. 

“Me, of course”, Edmund says with an offended, yet proud scoff. “It will do nicely in my castle.”

“Now, little Y/N, you know”, Silas says. “Are you happy now? Your mystery is solved.”

Your head hurts too much to answer. You’re not sure if you’re happy. You have learned where the painting disappeared, but you’re tied and hurt, and in the enemies’ grasp. A mixed bag, so to say. 

“I can’t watch the blood”, Hedwig suddenly says and stands up from the armchair she's sitting on. 

She has been the only one that hasn’t smirked at you and seems genuinely apologetic that you're here, but you don't trust that damsel in distress look anymore. She pushes through the others to reach you with a wet handkerchief in her hands. Carefully, she kneels down in front of you and wipes the wet cloth against your forehead. She wipes away the dried blood gently.

“What are you going to do now?” you spit, coming your head to the side. “Throw me overboard?”

“Not exactly”, Silas says, smiling menacingly. 

“Not yet, at least”, Jerry says, grinning.

“If I don't meet my contact in New York, people will know that something has happened to me”, you say coldly. “They'll hunt you down.”

“Oh, will they now? I didn't realize that we had stolen their golden boy.” Silas's cruel smile widens. “Well, Golden Boy, plans seem to have changed.”

You glare at him in confusion. Silas pets your head twice and you hiss at the painful touch. Whatever they hit you with, it must have caused a gigantic bruise.

“Seems like we have to keep you for a while”, he says. “But you will have to stay in here, I’m afraid. You probably understand that we cannot let someone like you wander around the ship.”

You glare at him.

“Do you really think ropes will stop me?” you ask. “I'll be out of here in no time.”

“I would very much like for you to see what we do to you if you decide to break free.” He gives you a testing look before turning to his new companions. “Oh, and one more thing …” He picks up a familiar revolver, spinning it around his hand. “... thank you for the free gun.”

You want to curse at him, but keep quiet for your own sake.

“It's late, the ladies should head to bed”, he says, gesturing for Hedwig and Jerry to leave. “We need to keep someone here to make sure that our little Golden Boy won't free himself and run around, causing trouble.”

“I can take the first shift”, Doctor Kry says and golds up a syringe filled with a translucent liquid.

“Do not harm him, you hear me?” Silas tells him warningly. “I want him alive, coherent and unharmed.”

“Where am I supposed to sleep?” Edmund questions angrily. “In this cabin? Now that I'll have people staring at me?”

“You and Doctor Kry will take Y/N’s cabin”, Silas says.

“Are you fucking kidding me?”

“Stop being so spoiled, your majesty.”

“Won't that be suspicious?” Silas’s second in command questions. “If they see the young king exit and enter someone else's cabin instead of his own?”

“No one knows his cabin”, Silas says as if things were obvious. “Besides, we're in New York tomorrow anyways. It won't be a problem.” He turns to the others. “Scatter.”

The five of them walk out, leaving you and Doctor Kry alone. The doctor sits down in one of the two armchairs in front of you with a long, tired sigh. In his hand, he twirls the syringe.

“What is that?” you mutter.

“Something that will make you go to sleep if you're trying to escape”, Doctor Kry says simply, as if he was talking about watering flowers.

“Why did you hit me in the head if you had that instead?” you ask bitterly.

“Because it wasn't me, it was the second in command and Jerry.”

“Did you lie down in the swimming pool? About not knowing where Jerry came from?”

“No, Y/N, why would I? I told you that I didn't know anything. I didn't get to know until this afternoon.”

“And yet you're quick to jump the wagon to get me killed. I thought doctors were supposed to be nice.”

“I’ve never said that I was nice.”

“What do you gain from this? Why do you want to engage in collusion with people like this? What kind of doctor even are you?”

“Still, with all these questions … look, Y/N, it’s late. You’d do good in trying to get some sleep.”

“On the floor? With my head pounding in pain? With my hands and feet tied?”

“Suit yourself.”

There’s a deadly silence after that. You listen to the sounds the Normandie creates, and somehow wishes that she could save you, but you’re trapped within her, there’s nothing to be done. You rest your head back onto the edge of the footrest and sigh heavily. Doctor Kry looks at his syringe as if it is the most interesting thing he has ever witnessed.

“I'm thirsty”, you say after a while. 

Doctor Kry stands up, walks over to the dressing table where a crystal carafe is waiting and pours you a glass. He returns to you and holds the glass to your lips, making you drink. You gulp it down and breathe heavily. Doctor Kry returns to his armchair. 

You don't know how long you've been sitting on the floor before you start to fall asleep. You thought that you wouldn't, not in this position (figuratively and literally) but you somehow fall asleep. 

“Wakey wakey, Golden Boy.”

You feel someone poke your head to the side multiple times and open your eyes to see Jerry hold a stick in her hand which she's using to poke your head.

“It's morning”, she says.

You groan groggily. She imitates you and chuckles.

“Did you have a pleasant night?” she teases.

You decide not to answer, not to humor her further. Your eyes draft onto a silver tray on the table.

“Yes, that's your breakfast”, Jerry says and lifts the tray, putting it on the floor in front of you before sitting down. 

She picks up a piece of toast and holds it to your mouth. You take a bite, feeling more humiliated than ever. If only you knew that this was where you'd end up when you stepped on board in France.

“We will be in New York tomorrow”, Jerry says, holding the toast to your lips. “And we'll sneak both you and the painting past your contact.”

“It's just a painting”, you say cluelessly. “Why do you all want it so much?”

“I’m not particularly interested in the painting, but I know that Edmund and Hedwig are.”

“Why?”

“Art nerds.”

“Is it even selling for much?”

“It is — if you give it to the right consumer.”

“And you? What do you gain from this?”

“The thing isn’t about what I gain, it is what I lose … in case I let you roam freely. I don’t trust what you will do with the painting or it’s contents. Plus, you know who I am. If you wouldn’t have stuck your nosy head in everything, you wouldn’t have any problem with me.”

You suddenly realize something. 

“Jerry, I need to go to the bathroom”, you say. “I haven’t been to the bathroom since before you knocked me in the head.”

She sighs heavily. “Alright, come here.”

Before pulling you up on your feet, she unties them. You stumble, almost falling on Jerry. 

“Watch it, big boy”, she warns you. “If you knock me down I’m kicking you between your legs until you can’t have children.”

“If you hadn’t tied my feet, I would actually have blood in them. I can’t feel them.”

She unties your hands bitterly. You make your way into the bathroom and catch a glimpse of yourself in the mirror. Hedwig had wiped away some of the blood, but there were still traces of it in your scalp. You sigh heavily. What should you do? Finally, your hands and feet are free, but you aren’t yet. And — after a quick look around — there’s no way out. The only way out is through the door which Jerry is guarding. 

You could perhaps get out by defeating Jerry, but you have something against fighting women. But, then again, she had knocked you with — what you guess was — a glass bottle. You look around for something that can help you and lay your eyes on a metal bar over the bathtub, used to pull one up. Without a second thought and will all your might, you rip it off. You give it a few squeezes, feeling if it could be strong enough to be used as a weapon and trying to find a comfortable, yet strong, grip. 

You open the door quickly and swing the metal bar towards Jerry. She tries to grab it out of your hands but you push her off and knock her to the ground with the bar. You're not sure how hard you are hitting her, but it's enough force to keep her down. Quickly, you make your way past her and storm out of the cabin, almost crashing into the opposite wall in the corridor. You look around quickly, trying to think of where to go. After what Silas said, that he has more men than just his second in command lurking around, you're not sure who you can be seen by. You need to find an officer. You need to get higher.

Shit, the painting!

Your heart is beating loudly in your chest as you scurry back into the cabin. Jerry is lying on the floor, unconscious, and you almost feel bad for knocking her, but you know that it had to be done. It was her or you. Quickly, you open the wooden box and fish out the painting, tucking it under your arm. You can't hide it in your cabin, not when they know about it. You have to dispose of it somewhere safe.

Every step you take is careful, planned and mortified. You clutch the painting tightly, as if it is life itself.

Moving through the long corridor, you're certain that someone will jump out behind a corner and knock you out, like yesterday. Adrenaline is pumping through your veins, almost making you nauseous. You continue through the corridor, over to the hall with the staircases. Your suit has dried blood on it, you look (and feel) manic, will anyone take you seriously?

You freeze as you see a pair of eyes on you. Kry. His blue eyes seem to darken as he notices you, and the painting.

Quickly, you throw yourself into the elevator, and press a random button, wanting the doors to close before Doctor Kry reaches you. And they do, but when you look at the display beside you, you're going the opposite to where you need to go. New plan, you think, I have to sneak into tourist class — or third class, whatever gets you furthest away.

While standing in the elevator, you take a look at the painting to make sure that it hasn’t been damaged in this mess. You turn it around to inspect the canvas and notice something stuck in the corner of the wooden brackets. Carefully, you reach your fingers in and pull out a folded paper. Tucking the painting between your arm and your waist, you unfold the paper to find a list of names and locations … some of which you recognize. They’re all wanted criminals and you guess that the ones you don’t recognize are criminals as well. And the locations …

Your body goes cold and stiff. For a few moments, it feels like the entire world has stopped spinning. This is suddenly more serious than you could ever expect. Quickly, you put the paper in the pocket of your black pants.

You make your way through corridors you haven’t been in before, through doors you’re sure you’re not allowed through. You can’t help but look around at the new environment. Despite being one of Normandie’s lower classes, the attention to detail had been given to every centimeter of the ship. 

Focus!

You’re not sure where you’re going, but you need to find someone that can help you. You consider giving it to a random passenger and ask them to give them to an officer, but in your entire training, you have been told not to pull innocent civilians into your job. They could get seriously hurt and it would be completely your own fault. 

You make your way through tourist class, making sure not to be seen by anyone. If Silas have more people than you thought, why wouldn’t they be in multiple classes? You’re not even sure why the painting have caused this big of a commotion, but there’s no way you can give up the painting now — not after everything you’ve gone through. Your head is still pounding from the glass bottle and your heart beating out of your chest by the sight of Doctor Kry. He knows that you’re roaming freely, and soon, they all will know … and they will look for you. Silas’s words still ring in your ear; “I would very much like for you to see what we do to you if you decide to break free” — well you surely don’t. But where can one run where the space is limited? It’s not like you can grab a lifeboat and sail your way to safety. The sea can be just as dangerous as the people you’re dealing with. 

You look around for someone in black uniform, desperately wanting to find someone to help you before you get a bullet through your head. Finally, you find a steward carrying a metal tray. Like lightning had struck through you, you barge forward and grab his arm. 

“Sir, you have to help me!” you hiss and pull him into an empty corridor. 

“What are you doing-?” he gasps. 

“Please listen and listen quickly”, you whisper in pure panic. The words fall out of your mouth incoherently, but you somehow manage to create the sentences you need for the steward to listen to you. “I have to get to the Captain! Like … now! It’s really, really urgent! Please, just trust me!”

You look around with wide eyes, heart now pounding in your throat. The steward nods in confusion and signals for you to come with him. You’re not sure why he decides to trust you, but you’re ever so grateful for it. He takes you through hidden passages used for staff so that none of the paying passengers will have to see them, up a couple of steep stairs and through some more doors. You hug the painting tightly against your roaring chest. Every corner makes your heart stop, terrified that someone will stand on the other side and knock you out the second you turn. 

The steward points at a door with a golden sign on it — ‘Officers’ quarters’. You pound on the door until you’re sure your knuckles bleed. A stern looking man in neat uniform opens, giving you a dark look. 

“Who are you?” he questions. “What do you want?”

“I’m Y/N L/N, I’m an agent of the crown and this is the missing painting that has been all over the news … you have to keep it secure until we reach New York.”

The officer looks confused as he takes the painting in his hands and lets you into the quarters. 

“You’re bloody, what happened to you, sir?”

“There’s six passengers — Mr Achilleos and his man, His Majesty Edmund of Vesanus, Doctor Karl Kry, Miss Hedwig Carter and Miss Jerry Kim. They knocked me out and kept me in a cabin the entire night. They’re working together. They want this painting …”

… and probably my life by now.

“ … keep it safe”, you beg the officer and feel your voice quiver. “Please. If i can’t meet you at the harbor when we dock tomorrow, please give it to my contact — I will write down his name —  and tell him that he can find further information on board the ship.”

“I will tell the captain about the passengers, they will be taken care of and kept in arrest until we reach land where the police will deal with them”, the officer says.

“Thank you. A lot. Really.”

“You can stay here if you want.”

You feel for the note in your pocket and shake your head. “I have to do something first.”

The officer nodded. On shaky legs, you open the door and walk out into the corridor again. The steward is long gone and you’re alone in an unfamiliar corridor. You suddenly feel exhausted and decide to stay close to the door for a few moments to catch your breath, as if the officers’ quarter was a safe place. 

The note has to be hidden somewhere across the ship so that your contact can find it in case you don’t make it out alive. The note is more important than the painting and can, under no circumstances, go in the wrong hands. These names have to reach your contact. The group will look for the painting in belief that the note is still there, so the note has to be hidden separately so that they won’t find it. 

You make your way through the corridors slowly, making sure not to be caught with the list of names on you. In a weird, panic filled daze, you make your way through corridors, through lounges and dining halls where you hide the note. Underneath a chair, stuck to the corner. You deice to find your way back to the officers’ quarters and somehow find yourself out on deck. The wind is grabbing at you, pulling you left and right. You have a hard time keeping yourself on your feet. No one else is outside and you suspect it has to do with the fact that it’s early in the morning and the dark gray sky above you threat of rain.

“Y/N, don’t move.”

You turn to see the second in command with a gun in his hand.

“If you shoot me you'll ruin your life”, you say to him as confidentially as you can muster, but you can't help but worry if he's going to pull the trigger. 

“Do you think I care?” the second in command questions with a scoff. “I serve my boss until my last breath, I couldn't care less about other trivial matters. Where's the painting?”

“You don't care for the painting. Ask me instead where the note is.”

His eyebrow twitches.

“You know about the note, huh?” he says, eyes narrowing. “Seems like I'll have to get that out of you.”

“Why don't you have your boss do it? Or is he in arrest?”

“Don't worry about him, he always comes out on top. Come with me now or I will shoot you-”

“Shoot me then. The note is hidden and the painting is with trusted people.”

“Idiot. Do you think I was born yesterday? If I shoot you, I can't get the note. You may be stupid, but i dont think youre careless enough To sacrifice yourself for such a trivial thing. Get over here. Now.”

You're unarmed and alone, but if there's one thing you've been taught, it is to not give up without a fight. Your eyes catch onto an officer patrolling the upper deck and whistle. As the second in command takes his eyes off of you, you dive head first into the swimming pool. From his perspective, you don't think — wish — that he sees the man above him. The water wraps around you like a cold blanket and for a few seconds you can't even feel the wetness, only biting cold that almost makes you gasp under the surface. Somewhere, you think that you can hear a gunshot and see something whooshing past you in the water. And then another, and another. And then nothing.

You don't return to the surface until you're sure that the bullet rain has stopped. Your burning lungs gasp for air and you grip the ladder to your left. The second in command has been wrestled down on the deck by the same officer you saw. A smile tugs at your lips as the second in command glares at you from the floor, smashed against the planks.

“Sir, are you alright?” the officer asks, panting.

“I'm okay”, you reply, panting heavier.

An ice cold wind cuts right through you.

“Go inside”, the officer tells you.

“Y/N!” the second in command shouts as you've started to walk. “Don't forget that there are more. You barely know half of the people we have on board. Don't think for a second that you are safe!”

You pretend not to hear him and make your way inside for warmth. Unsure of where to go because of the second in command’s words, you return to the officers’ quarters.

That evening, you make your way down to the arrest. There are still two questions you haven’t gotten an answer to. You've gotten your gun back from a steward and have tucked it in your blazer. Nausea is eating you up from the inside as you walk into the room, watching the cell and its habitants.

“Look who it is”, you hear Jerry snicker. “Change your mind, Golden Boy? Do you want us out?”

You don't even bother to answer.

“The painting is in a safe place, and so are the note”, you say. “I suppose that Jerry, Silas and your second in command wanted the note and not the painting … and Edmund and Hedwig wanted the painting … but what did the Doctor want?”

“Me?” Kry asks coldly and walks over to the bars with his arms crossed. “What I wanted?”

“Yes”, you reply.

“You, of course. Imagine, my own little lab rat that I could do whatever I wanted with … no one would even bat an eye if both you and the painting disappeared.”

“You won't get any of it.” You let your eyes wander over the six people. “Not the painting, not the note, and absolutely not me. Jail is what you will get.”

You can hear Hedwig start to sob in the corner of the cell. She has sunken down along the wall with her head hanging between her knees, body shaking with sobs. Edmund sighs and walks over to her side, grabbing her shoulders and trying to pull her up on her feet.

“Don't cry”, he says quietly. “We won't go to jail, I will make sure of that. I won't allow it.”

“Did you just come down here to revel in our misery?” Silas asks you. 

You're not sure why you came down here. Did you want to make sure to yourself that they were behind bars? Or make you feel more powerful? Or even just get to see them?

“You do know that we will have our revenge, don’t you?” Edmund says and looks at you. “This is not the end.”

“I hope that you like being a dog, because that's what you're going to be, leash and all”, Silas scoffs.

“Tattooed”, Jerry adds on with a tilted smile. “Marked. Would Golden boy like that?”

You ignore her, and walk over to the cells bars, eyes glued onto Hedwig. 

“What were you doing in my cabin?” you ask. 

She freezes, looking cluelessly at you through her teary eyes.

“What?” she asks in shock. 

“Your perfume was all over my cabin”, you say coldly. “Why were you in my cabin?”

“I-I’m sorry, Y/N!” she cries and runs over to the bars, reaching out for you. 

You back away.

“I’m sorry, I-I … I looked through your things. I couldn’t help it, I just … I really, really wanted to hold you. I didn’t take anything, I promise! Please believe me, Y/N, I just wanted to- … it doesn’t matter. Forgive me.”

You don’t answer. Maybe Hedwig isn’t as sweet and innocent as you thought. 

DAY 4 — End of voyage

After your hell night last night you couldn't be more grateful for the somewhat pleasant night you had. Every single sound and movement woke you up, preparing you to see one of the six criminals or their acquaintances. And since a ship is in constant movement and makes sounds only God knows about, you barely slept for an hour straight. But at least you were in a warm bed.

You can't eat anything during breakfast. You stare at the sandwich and steaming coffee in front of you with a twisted stomach. The room is filled with passengers, like normal, but the bright room can’t be more dark and sinister. It is as if someone has drained it of color. Any of the smiling guests can be one that want to put a bullet through your skull, and is waiting for you to rise from your chair and follow you outside.

When a waiter comes over to your table, the coffee has stopped steaming. 

“Good morning, sir”, he says politely and places a silver tray with a silver cloche on your table. 

“What is this?” you ask in confusion. 

“A gentleman told me to give this to you. He has paid for it and everything.”

With that said, he smiles and walks away to continue his job. You glance down at the dome looking metal and feel your heart sink. Although you don’t want to, your heart reaches out to pull it away and reveal whatever is lying on the silver tray underneath. You’re not sure what you are expecting but a small, folded paper is certainly not it. As if on autopilot, you open the paper to see only a line. 

“We will be waiting for you when we dock, you won’t get past us. We are watching you.”

You were right. A knot appears in your throat. Your legs go numb. You will be killed. 

The air is hard to breathe in and you have to get out before you suffocate. You get out on the deck with the lifeboats hanging above your head and lean against the railing. In a few hours, Normandie would dock and you would be caught. You’re not sure that the steward who had helped you before would be able to save you, and you don’t want to put him in more danger … but you can’t step off the ship in New York’s harbor. The lifeboat above your head gives you an idea. A stupid, right out ridiculous idea … 

You look around you before your shaking hands release the lifeboat from its holds. You have been taught the most outrageous things to rescue yourself — including lowering an ocean liner’s lifeboat. The davits slowly bring the lifeboat downwards and you climb in, lying down to avoid being seen. Your body trembles with fear, unsure of what this will bring you … or where it will bring you. 

There's nothing on the ship that you should bring with you. There's no guarantee that the lifeboat will reach the harbor safely, but its a try. The painting will be more secure with the steward. 

You feel a ‘thump’ from when the lifeboat hits the waves underneath you. You see how Normandie towers above you, the black steel never seeming to end. A pair of heads stick out from the side and something hits the water beside you. Quickly, you cover your body with your arms and legs, curling up until all vital organs are covered. Hitting you with bullets on this distance are harder than one can think, but not impossible. The second you’re sure that they can’t reach you, you get up and start to paddle. If the men tell a steward about the missing lifeboat, they’ll steer their ship over here to get you. 

Your arms quickly grow sore. From now on, you’re entirely alone. There’s no one to save you in case anything happens and you will have to find your way to land by yourself. But it's better than being on board the ship.

The sea around you feels abnormally calm. There’s no distinctive sounds apart from the waves hitting the side of the lifeboat. 

You sit for a moment, taking the time to think. This case has been different from all the others you have done. More personal than you could ever have anticipated. You’re not sure why, but something with this case told you that things wouldn’t be over if they got their way. It was more than just materia, they want you too … to use as they please. Doctor Kry was right. Who would bat an eye if you disappeared along with the painting? They wouldn’t call it a kidnapping, it would be a disappearance that could be explained by the painting. And now they have none of it. Not the painting, not the list of criminals and not you. Pretty successful, you think. Maybe you succeeded this mission after all? 

You hiss as you touch your sensitive head. You’ll have to find a doctor in New York.

Hours go by. You row, you rest, row, rest, row, rest. Throw up. Damn if you have gotten a concussion, you think, but it’s probably just the sea air making you nauseous. 

How things had turned out. You thought that you would have had to deal with one or two criminals … not six. Ad how Silas had seen right through you … 

It’s over now. It will be over soon. Is it over?

You continue to row. 

in the distance, you see a fishing ship pulling up their net and you wave with your arms in hope for them to see you, which they inevitably do. Your exhausted, cold body is picked up and wrapped in an old blanket. 

“What were you doing out in a lifeboat like that?” one of the old sailors asks. “Which ship has sunk?”

“It’s the Normandie!” another one says as he reads the name on the wooden planks. “Has the Normandie sunk?!”

You tell them that it hasn’t suck — in fact, it’s steaming on better ad stronger than ever — but that an accident had happened, which resulted in you all alone in a lifeboat in the middle of the ocean. 

They give you a yellow rain coat that you use to hide in and join the sailors to New York’s harbor that evening. In the distance, you see the different ocean liner piers. Cunard-White Star Line, United States Lines, HAPAG, Italian Lines, Swedish-American Lines … and finally, Compagnie Générale Transatlantique. Normandie was towering above all the other liners and you stood there on the pier, looking at it. Four days ago, you had been standing in the harbor at Le Havre and been excited to step on board. But now, that you are looking at it from afar, in the dim lights, there’s something unsettling about the her. It looks like she’s apologizing to you for everything that she allowed to happen between her walls. You almost start to cry. 

You turn around and walk without giving the ship one more glance, hoping that it will be the last time you get to see the Normandie. 

You meet up with your contact in a small warehouse that following morning and tell him what you have hidden on the ship. He promises to retrieve it. He already has the painting and has secured it, had gotten it from the very steward you had left it with. 

“I have something else too”, he says and gives you an apologetic look. 

“What?” you ask and watch him closely as he takes out a paper from his pocket. 

“I’m sorry, Y/N.”

You open the paper and feel your blood go icy cold. The handwriting is unfamiliar, but the nickname you see written in black …

“Thought you could lock us in? Think twice, Golden boy, we’re already out. We’ll find you, be so sure of that. Don’t think that we will let you slip away. You will look good in a leash.

S.A”

You fold the paper just as quick and breathe out a shaky breath. 

“Don’t worry, Y/N, you will be protected”, your contact promises. “It will not be any problem, I assure you.”

With the six people’s contacts and power, you doubt that your protection will do much, but you nod. The painting is safe and the note is safe. They may have escaped jail and are looking for you, but you succeeded with your mission. And that is all that matters.

[mind-intheclouds342]

Do it for them - Co-captain x Curly

Previous - Part 7 - Next

Warning: Abortion mention.

You were watching the ultrasound you were doing on Anya, and you ran your hand over your face upon seeing the fetus.

"When"

Anya: "...I found out just before the crash..."

"Why didn't you tell me?" You turned to look at Curly on the stretcher and then saw Anya, "Why didn't you tell me?"

Anya: "For a moment I thought that... you wouldn't do anything for me either... and then, with all the responsibility you had on your shoulders... I didn't want to give you more problems."

"Why did you think I wasn't going to help you?"

Anya: "...You were always on the captain's side..."

"Well, when he had reasonable decisions, of course I agreed! Ugh... I don't want to talk about this now, let's focus on this now... How many weeks approximately?"

Anya: "...14 weeks..."

"Great, you're still on time. I know I ordered misoprostol, it must be somewhere."

Anya: "What's that?"

"It would help you to abort"

Anya: "How did you manage to get them to add that?"

"Well, I lied saying that some of the crew had gastric ulcers due to the consumption of aspirin to treat the inflammation caused by radiation when they had to go on walks outside the ship... And I sent Curly to ask for it so they didn't ask questions."

You mentioned searching through the cabinets for that medication until you found the tablet and handed it to her.

"I warn you that it's going to be hell, it's completely your decision, and I'll be with you to help you with all this."

You said, holding the pills while she watched you, slowly taking the box.

Anya: "How do you know?"

You fell silent and your eyes quickly moved to give Curly a glance, and then back to Anya, who understood immediately.

"Those are the side effects mentioned in the content if you take them when you are pregnant."

You told him right away and then sat down sighing.

Anya: "You look tired... Shall we grab a drink?"

You knew very well why he was saying that now, but you nodded to leave that place, not without first greeting your husband, letting him know you would be back soon.

Anya: "How was that?"

"I had gotten pregnant a few years ago, and we were about to make a new delivery, before that I asked Curly for a new load of medications, I was going to finish it myself on the ship."

Anya: "Why didn't you stay? Why didn't you do it in a safe way?"

"They keep an eye on everything you do, and they judge you. I wouldn't have gotten this job back, they would have done thousands of physical and mental tests to tell me I wasn't qualified to be co-captain... And I didn't want Curly to find out either."

You shrugged and took a seat while you prepared what was like hot chocolate, placing the powder in some cups and pouring water over them.

Anya: "Didn't he suspect anything?"

"I knew how to hide it, at that time there were only men on the ship, I lied saying it was my period, no one cared enough to ask more questions... Although Curly was very worried, he couldn't neglect his work that much either."

Anya: "...How was it? I want to know exactly what I'm going to face."

"...Hemorrhages, pelvic pain, depression, infections.... infertility"

You looked at the cup in your hands while saying this last part, taking a sip of its contents.

Anya: "...There aren't too many painkillers left in the nursery... Not for the three of us... Not for all this time we have to wait-"

She pressed her lips together as she placed her hand on her belly and tightened her uniform.

"Oh right, I haven't told you yet, the ship is heading to a Pony Express station, there we can ask for a rescue, we'll arrive in two more months."

Anya: "Even so, there aren't enough."

"I've already endured hell, I can do it again, don't worry about my dose."

Anya: "But-"

"Think about yourself! Please! Stop thinking about others!"

You slammed the cup against the table, causing a bit of the liquid to spill.

"It's your decision... Just...Decide... For you, not for others."

Anya: "Captain..."

You lifted your head upon hearing her say that, and you could see a small smile on her lips.

Anya: "Thank you"

[villainessbian]

Concept: most aliens can get anxious, can get scared, can get fight-or-flight. What most aliens do not get, however, is stress. Stress is a weird thing even by human standards. It can build up over time or be something tied to a very limited situation. It can be caused by a lot of things, and it comes in a lot of different ways. But it's a core human reaction, when a situation is wrong, it causes stress until it is righted. And it even affects different people differently!

Cue Human Cassandra, on a ship with her friend and co-worker Human Pauline. The ship is crewed with a mix of species. It's a cargo ship - load up in a space port, unload in another, get news and supplies during their stops, and live as an ever-shifting family as some of the two dozen crew members, give or take, get replaced. Some leave come payday, and new ones come looking for the thrill of low-level adventure, experiencing warp drives across the safer roads of the known universe.

But getting the supplies you need, or want, in stops is never so easy. Humans are new to the galactic community, and their needs misunderstood. Most broad-edibility food is bland for them, but that's okay. A big enough bag of their condiments can last them years. But ADHD meds... now that's less easy to get, the further from Earth you are. And a contract too big for their captain to pass on came up, much farther than the two humans expected.

Cassandra's mood deteriorated, her work priorities out of order, her sleep schedule in disarray. Little by little, she grew restless, shifting moods and gears unpredictably. A few weeks in and she was a mess, barely able to keep up with the minimum her job doing maintenance and running safety diagnostics for the route charting team required of her. While Pauline could help with the mechanical aspects of keeping the ship running, picking up the "slack", the safety had to be double-checked by the charting and pilot teams. When the curves of asteroid probability reached beyond a certain level, several hundred simulations had to be run, time-consuming processes had to be used, to avoid any collision at speeds beyond speed c. Some truly exotic things happened to ships that experienced those, but none of them contained the words "surviving crew." A safe route avoided any probability of collision over .1% and when going faster than light, any choice of course required thinking in 3 dimensions plus relative time to navigate dangerous probability fields in one piece, finding time-specific corridors and accounting for a dozen variables at once.

After she had a breakdown over a path she would normally have been able to find in under a minute, Pauline spoke to a concerned pilot team member:

"You have to understand her, this is a stressful situation and she's doing her best..."

"What do you mean by 'stressful'?" Gabalt asked. The furry little creature stood on two arched legs, and barely reached up to Pauline's shoulder, opening three wide eyes with curiosity and concern in equal parts.

"Things are... getting difficult for her, and keep getting more difficult because she does not have medication to help her brain be efficient. It makes her tired, and inefficient, and as it goes on, she's less and less able to cope with the situation. The longer this goes on, the worse it gets, and that is stress. Getting more tired because it takes more energy to deal with the situation, and less efficient because she's more tired, and things get harder because she's less efficient, on and on until something can solve the problem and the stress goes away."

"That sounds... hard. Do all humans have to deal with this?"

"Well, everyone has sources of stress, but she's got a disability. Without her meds, she gets stressed all the time. Not a lot all at once, but it always adds up."

"Oh no! So she'll be stuck like that until we get closer to Earth?"

"Most likely, yes."

But the most momentous thing to happen this day was not her breakdown. Not an hour later, alarms blared up. The simulation holograms all displayed blinking red masses - the less-travelled "safe route" was not as well protected! An asteroid range had been detected cutting through the border field, and it was in their way!

Pauline froze up, not knowing what to do. Gabalt was too surprised to act fast. All the courses from the ship's library of regular manoeuvres suggested a crash chance of over 60%, and mere seconds to act before entering the field!

Before anyone could react, Cassandra came in running from her corner to the front of the bridge, slamming the warp drive shutdown button. Most holograms stuttered and collapsed, the exit from FTL essentially dividing one or several of their dimensions by zero.

Looking quickly at the few remaining ones and gazing at the screens showing the current outside situation like a large window would have - plus a few critical extra points of data - she adjusted the angles manually while everyone still shuddered from the gravitational and temporal whiplash of suddenly coming back into normal time. Unblinkingly, she spotted the asteroids on the route while the ship was still going, if not at relativistic speeds, still fast enough for a single pebble they met to vaporise the Whipple shields, the outer hull, the inner hull, the crew members, and the hull again coming out if they but grazed it. Confirming the angles visually, she played with the reaction wheels, the thrusters, the gravity drives, to divert the ship's course just enough to miss a collision while not risking any grave injury on board. There was no time to react - if anything showed up straight ahead on the "unaugmented" outside view screens, it was too late to not get splatted. After half the crew had had the time to get thrown to the side or on the ground due to the rough handling, she'd managed to avoid any crash.

Gabalt was reeling. While it was surely not impossible, these was the kind of moves experienced veterans would never wish to attempt, and the margins for error were ridiculously low! She'd saved the ship and everyone on it, whereas she'd been unable to do a simple safety run so soon before?

Pauline was white as a sheet, but this was nothing compared to Cassandra, shaking violently and breathing unevenly.

"Pauline? What is she doing?"

"That's... probably the adrenaline."

"What's it for?"

"It's from stress. When it comes it overcharges the body. It's like the traditional, 'fight or flight' instinct from survival in prey-predator paradigms, it lets you move fast but paralyses thought... it feels pretty bad after a lot of it is released though. Now she's crashing down, must be harrowing."

"How did she do that? And you said her thoughts were paralysed for precision manoeuvres?"

Cassandra's voice came, nearly a mutter: "I just... had to. do it."

Gabalt needed to understand what happened.

"What do you mean you had to? Someone had to do it, but why you?"

"It- it was very stressful, I saw you freeze, and so."

"But... but HOW did you do all that? That was extremely complicated, few pilots -whose main craft is directly piloting- would want to even try doing that when given a choice!?"

"I had to. do it, so I did. I couldn't. couldn't make a mistake."

"This makes absolutely no sense."

Pauline interrupted. "She just works like that. Lots of stress and when people freeze up, humans with her condition... sometimes, surprisingly, function better in the moment than others can."

"Ah. So it's a human thing. of course, it's a human thing. NOTHING MAKES ANY SENSE WITH YOUR ACCURSED SPECIES" the diminutive pilot pouted.

And so one more story of the humans doing the impossible spread around. Humans of a subtype, more easily harmed, sometimes unstable and needing help for the simplest things... accomplishing odd, unthinkable, borderline heroic feats under duress none could be expected to withstand - but only then. Cursed, blessed? No story-teller seemed too certain. But the "magical" species never stopped surprising all others. And a new proverb developed: "it's not over until the human says it is".