#gender and media

[prokopetz]

I have no particular stance on whether estrogen would have saved Shinji, but I'm looking at it from the family dynamic angle, and... well, Jesus Christ. On a good day, Shinji already looks like a teenage soft butch version of Yui Ikari – can you imagine how Gendo would react to his "son" slowly morphing into his dead wife?

[the-girl-from-another-time]

This is especially upsetting when you contrast it with the way women’s “wish fulfillment fantasies” (e.g., rom coms) are demonized. When people criticize the kind of narrative OP describes for its toxic masculinity and casual sexism, or even when people criticize porn, men frequently respond with “But media targeted at women does the same thing in creating unrealistic expectations for men.”

Except, it doesn’t.

Granted, I’ll be the first to admit that fewer rom-coms need chiseled, muscular male leads who set an unrealistic and harmful body image for men. It’s also important for men in rom-coms to have their own lives and goals, so they don’t simply exist to be love interests. However, that’s overshadowed by the fact that the biggest “unrealistic expectation” of women’s “wish fulfillment fantasies” is that in many, men care. Men are respectful. Men listen. Yes, they have flaws, but they acknowledge them. Men apologize. Men recognize their mistakes and learn from them. Yeah, men IRL don’t necessarily have porn star stamina and technique, but at least men in rom-coms care about their partner’s pleasure.

In short, the “unrealistic expectation” male romantic leads set for men is that they’re kind, decent human beings who respect women.

The bar is so far beneath the ground you’d need a metal detector to find it.

men aren’t called out nearly often enough for the gross amount of wish-fulfillment fantasies they insert in media. they’re different in spirit than women’s too, women’s wish fulfillment fantasies often involve a certain amount of hardship and effort and a sense of having earned the right to this unrealistic dream-reward while men’s are like “look average dudes you deserve this for existing.” they let other men know what rewards to expect for being mediocre males and tell women what to settle for. men should be ridiculed for creating & enjoying media involving wish-fulfillment fantasies a lot more than women esp since due to their position in society men’s fantasies are given a dignity & credibility & power over reality that women’s don’t have. i dream of a coalition of female media critics giving the twilight moms treatment to dads who enjoy dumb escapist self-insert fantasies for males that are not even widely recognized as such

[idiosyncraticrednebula]

Hot take: I actually think men and women are meant to work together and complement each other and not like,,, dislike each other and be divisive.

[haru-dipthong]

Gendered pronouns in Japanese vs English

In Revolutionary Girl Utena, the main character Utena is a girl (it says so in the title), but very conspicuously uses the masculine first person pronoun 僕 (boku) and dresses in (a variation of) the boys school uniform. Utena's gender, and gender in general, is a core theme of the work. And yet, I haven’t seen a single translation or analysis post where anyone considers using anything other than she/her for Utena when speaking of her in English. This made me wonder: how does one’s choice of pronouns in Japanese correspond to what one’s preferred pronouns would be in English?

There are 3 main differences between gendered pronouns in Japanese vs English

Japanese pronouns are used to refer to yourself (first-person), while English pronouns are used to refer to others (third-person)

The Japanese pronoun you use will differ based on context

Japanese pronouns signify more than just gender

Let’s look at each of these differences in turn and how these differences might lead to a seeming incongruity between one’s Japanese pronoun choice and one’s English pronoun choice (such as the 僕 (boku) vs she/her discrepancy with Utena).

Part 1: First-person vs third-person

While Japanese does technically have gendered third person pronouns （彼、彼女） they are used infrequently¹ and have much less cultural importance placed on them than English third person pronouns. Therefore, I would argue that the cultural equivalent of the gender-signifying third-person pronoun in English is the Japanese first-person pronoun. Much like English “pronouns in bio”, Japanese first-person pronoun choice is considered an expression of identity.

Japanese pronouns are used exclusively to refer to yourself, and therefore a speaker can change the pronoun they’re using for themself on a whim, sometimes mid-conversation, without it being much of an incident. Meanwhile in English, Marquis Bey argues that “Pronouns are like tiny vessels of verification that others are picking up what you are putting down” (2021). By having others use them and externally verify the internal truth of one’s gender, English pronouns, I believe, are seen as more truthful, less frivolous, than Japanese pronouns. They are seen as signifying an objective truth of the referent’s gender; if not objective then at least socially agreed-upon, while Japanese pronouns only signify how the subject feels at this particular moment — purely subjective.

Part 2: Context dependent pronoun use

Japanese speakers often don’t use just one pronoun. As you can see in the below chart, a young man using 俺 (ore) among friends might use 私 (watashi) or 自分 (jibun) when speaking to a teacher. This complicates the idea that these pronouns are gendered, because their gendering depends heavily on context. A man using 私 (watashi) to a teacher is gender-conforming, a man using 私 (watashi) while drinking with friends is gender-non-conforming. Again, this reinforces the relative instability of Japanese pronoun choice, and distances it from gender.

Part 3: Signifying more than gender

English pronouns signify little besides the gender of the antecedent. Because of this, pronouns in English have come to be a shorthand for expressing one’s own gender experience - they reflect an internal gendered truth. However, Japanese pronoun choice doesn’t reflect an “internal truth” of gender. It can signify multiple aspects of your self - gender, sexuality, personality.

For example, 僕 (boku) is used by gay men to communicate that they are bottoms, contrasted with the use of 俺 (ore) by tops. 僕 (boku) may also be used by softer, academic men and boys (in casual contexts - note that many men use 僕 (boku) in more formal contexts) as a personality signifier - maybe to communicate something as simplistic as “I’m not the kind of guy who’s into sports.” 俺 (ore) could be used by a butch lesbian who still strongly identifies as a woman, in order to signify sexuality and an assertive personality. 私 (watashi) may be used by people of all genders to convey professionalism. The list goes on.

I believe this is what’s happening with Utena - she is signifying her rebellion against traditional feminine gender roles with her use of 僕 (boku), but as part of this rebellion, she necessarily must still be a girl. Rather than saying “girls don’t use boku, so I’m not a girl”, her pronoun choice is saying “your conception of femininity is bullshit, girls can use boku too”.

Through translation, gendered assumptions need to be made, sometimes about real people. Remember that he/they, she/her, they/them are purely English linguistic constructs, and don’t correspond directly to one’s gender, just as they don’t correspond directly to the Japanese pronouns one might use. Imagine a scenario where you are translating a news story about a Japanese genderqueer person. The most ethical way to determine what pronouns they would prefer would be to get in contact with them and ask them, right? But what if they don’t speak English? Are you going to have to teach them English, and the nuances of English pronoun choice, before you can translate the piece? That would be ridiculous! It’s simply not a viable option². So you must make a gendered assumption based on all the factors - their Japanese pronoun use (context dependent!), their clothing, the way they present their body, their speech patterns, etc.

If translation is about rewriting the text as if it were originally in the target language, you must also rewrite the gender of those people and characters in the translation. The question you must ask yourself is: How does their gender presentation, which has been tailored to a Japanese-language understanding of gender, correspond to an equivalent English-language understanding of gender? This is an incredibly fraught decision, but nonetheless a necessary one. It’s an unsatisfying dilemma, and one that poignantly exposes the fickle, unstable, culture-dependent nature of gender.

Notes and References

¹ Usually in Japanese, speakers use the person’s name directly to address someone in second or third person

² And has colonialist undertones as a solution if you ask me - “You need to pick English pronouns! You ought to understand your gender through our language!”

Bey, Marquis— 2021 Re: [No Subject]—On Nonbinary Gender

Rose divider taken from this post

[mostly-funnytwittertweets]

[annabelle--cane]

hey magheads, just quickly reminding everyone that ink5oul uses they/them pronouns. they have been spoken about in the third-person extensively with only gender neutral language. we're all going to stick to that, right? we aren't going to mysteriously start using gendered language after learning their legal name and hearing them speak for a long period of time, right?

[ilyuan]

໒꒰ྀིっ˕ -｡꒱ྀི১ SYPNOSIS — doin a little trolling with them hehe

— lyney, xiao, zhongli, alhaitham, wriothesley, childe

@sugarmouchie do not copy/translate/repost on other platforms 🪽

[shinyasahalo]

Have you ever noticed how in the media only men and boys are the ones to talk about how lonely they? And of course it's usually tied to being unable to have sex, which is falsely implied to be something only men and teen boys experience.

There's a difference between being lonely and being horny, however I of all people know that both can be experienced at the same time.

The assumption is that being a woman means you can have sex whenever you want to, which is false because 1. anyone who's not a cis man has to consider their safety, and 2. prostitution is criminalized and centered around men as clients.

Being an incel is not about a lack of sex, because those with the means will hire a sex worker and then hate her for it, because being an incel is about entitlement and misogyny.

In media, a woman or girl is only showed as wanting a romantic relationship.

It's very allonormative to think that a romantic/sexual relationship is the only way to not be lonely, and unfortunately I had that kind of thinking when I was a teen and adult.

[karakuliiii]

My fav codependent idiots!!! I'm so happy season 3 is coming out yayyy

Absolutely love their new fits

[celluloidrainbow]

GENDER TROUBLEMAKERS (1993) dir. Mirha-Soleil Ross & Xanthra Mackay What happens when two Transdykes get sick of non-transsexual's uninformed representation of their sexualities and their lives? They grab their 8 millimeter home video camera, their last 200 bucks, and come up with an uncompromising in-your-face flick about their shitty relationships with gay men and their unabashed attraction to other trans women. (link in title)

[theeretblr]

Hey Tumblr, I have some big things planned for next year that I can't wait to share! Until then, Merry Christmas! 🎉🎄🎅

[prokopetz]

Me: *opens Tumblr dashboard*

Tumblr dash: It's misogynistic not to acknowledge that women are more susceptible to propaganda because our brains have more goo.

Me: *closes Tumblr dashboard*

[ofstarsandvibranium]

A Day in the Life...

Fandom: Marvel (Actor AU)

Pairing: Bucky Barnes x GN!Reader

Summary: You're hired to be famous actor, Bucky Barnes' social media manager. This is probably the best and worst job you've ever gotten because Bucky gives you free reign of his social media but also...you may or may not be crushing on Bucky aka your boss. Based off my imagine here.

A/N: this is 3,180 words because i refused to break it up into parts. anyway, ENJOY!

You press record and begin to narrate, "A Day in the Life of a Social Media Manager for a Super Big and Popular Actor *Working Title*"

You face the camera to you and continue to speak, "Bucky had some morning meetings but I wasn't allowed to film. So now here he is doing his daily workout."

You pan the camera to him and he says, "Hi," with a shy smile.

You snort, stopping the recording, "What?"

"This is..." he gestures to you and your work phone, "awkward."

"Then don't make it awkward! And hey, you said I had free reign! I asked your followers what they'd like to see and they say they want a glimpse of your daily life."

His brows furrow, "Didn't you just say this is a day in the life of a social media manager?"

You shrug, "The poll was tied to seeing your daily life and my daily life working for you. So I just decided to put the two together. Anyway, the title is a work in progress. We'll see how this does and go from there. Anyway, just ignore me. I'm not even here."

Bucky gets back to his work out. He has an outdoor and indoor set up. Because the weather was nice, he decided to do his workout outside...shirtless.

He goes to the lifting station, picking up some weights. You begin to narrate again, but this time in a Steve Irwin impression, "Right. Now watch as the esteemed actor gets ready to work out his arms in preparation for an awesome movie that I'm not allowed to mention."

Bucky lets out a chuckle, dropping the weights and looking back at you, "You filming a nature documentary now?" he rests his hands on his hips and smirks at you in a way that makes you want to melt.

You give a playful yet dramatic sigh, dropping your filming arm down, "Are you this difficult with your directors, Barnes?"

He shakes his head, "Nah. None of my directors have been as dorky as you."

You stick your tongue out at him, "Fine. I'll leave you to your workout."

"No, hey, I was joking! Don't leave me!"

You shake your head, "It's fine, Bucky. I'll leave you to it. I'll chalk up some other videos we could do. Also, the getty images from last night's premiere are up. Did you want to look through them before I post?"

He shakes his head, "I trust your judgement." he turns around, his bare back facing you. You stay and watch as he do a few arm curls and immediately rush back into his home.

"Get it together, Y/N," you mumble to yourself, leaving your boss to his workout.

________________________

During Bucky's fitting for New York's Fashion Week, you were allowed to take some behind the scenes pictures. You have a few candid ones of Bucky standing in front of a mirror, his stylist fixing his collar, and him looking at the different shoe options.

Then you included some goofy ones where he copies a pose of a mannequin, a selfie of you two showing of your shoe choices (his being very fancy and yours being your regular sneakers), and then a selfie of him wearing a pair of sunglasses without a lens.

You posted all of them after fashion week was over and his Instagram followers were LOVING it.

bbarnesfan: STAHP. he's so adorable.

xbucky-muncher: he went from serious to dork. get you a man who can do both.

notyouraveragebuckyfan: ok but him and his social media manager are so cute together???

bbarnesfan replies: they're literally bucky's employee. don't be weird.

notyouraveragebuckyfan replies: i'm just saying! they seem like they have great chemistry! have you seen the tiktoks and reels of them together?

"How come you put the candids and the selfies all in one post?" Bucky asks as he looks through the latest post you made.

You're scrolling through the analytics of the last tiktok you two made, one where he guesses if one of his characters said a specific line or it's made up.

You take note of the demographics, the comments, etc. to be mindful of for the next posts you make.

Without looking up from your laptop, you answer, "It shows people the different sides of you. How you take things seriously but you can also have fun with it."

He hums, "Lots of people think we look cute together." He says this in hopes of getting some sort of reaction from you.

You continue to work, not looking back at them, "Don't pay attention to those comments. The internet will make up all kinds of stuff."

Bucky's shoulders sag a bit as he replies, "Yeah. You're right."

You'd been working for him for almost a year now. He doesn't see you every day like he did when you first were hired on. Now you only come over twice a week to go over analytics with his team and to shoot some content. Most of the time, you work from your place and Bucky's been feeling more lonely ever since.

Your presence brightened his day and you provided a breath of fresh air on his busier days. He genuinely enjoyed your company and liked making content with you. He liked learning more about you, having meals together, and just being with you. He thought that maybe there was something there between you, but then he'd be reminded that you're his employee and he's your boss. It can't work out.

But there were some glimpsed of hope. You'd look at Bucky a certain way or make a comment that seemed a little more flirty. It had to mean something, right? But whenever Bucky tried to push a little more, you'd pull away and he hated it. It was so complicated.

He wanted you as more than an employee but his team clocked him on his feelings and told him not to fuck it up because you've helped Bucky's image immensely.

He can't fuck this up, not matter how much his heart yearns for more.

___________________________

"Hello, hello!" you greet Bucky, handing him his coffee as he lets you into his home. You've been working for him for over a year. It's one out of the two days you come over to do work with him.

His stylist, Michael, was nice enough to bring some clothes over for a TikTok video that you had which was "My Social Media Manager Picks Out My Next Event Outfit".

The next event that Bucky needs to make an appearance in is his friend, Nat's, movie premiere. The dress code is very formal so it's no surprise to see various kinds of formal wear.

What does surprise you is that you see a rack of clothes that you know wouldn't be for Bucky.

"Um...what's this?"

He grins widely at you, "Clothes for you to choose from."

Your brows shoot up in surprise, "Excuse me?"

"You said you've always wanted to go to one right? You're coming with me."

"As your social media manager?"

"You're not working the event. You're going as my plus one."

"Uuuuhhh..."

"You don't have to, but I was hoping to bring you as, ya know, a thank you for all the amazing work you've done for me this past year."

You can't help but snort, "Bucky, c'mon, did all of your usuals reject you or something?"

"You're the only person I've asked right now. Come on, Y/N, please?"

You want to. You really, really want to. But these past few months, you and Bucky have been toeing the line between a work relationship and something more. You're not sure if going as his plus one to the premiere is a good idea, especially since even more people have been commenting on your chemistry.

But Bucky's looking at you with those gorgeous blue eyes and he's pouting and he looks so cute, so how could you say no?

"I'll think about it," you reply and it seems to appease Bucky because he smiles again and says, "Okay. But I really do hope you'll go. It'll be fun, plus you've met Nat. She thinks you're cool."

You scoff, "There's no way Natasha Romanoff, the hottest and most popular actress right now, thinks I'm cool."

He shrugs, "Everyone thinks you're cool. It's hard to not like you, Y/N, trust me," he gives you a wink and it makes your cheeks warm up, "Anyway, so let's see what we got."

You wordlessly nod, going over to set up your work phone to begin filming.

________________________

You think you did really well with picking out Bucky's outfit. It was a royal blue velvet jacket with a black bow tie, and black slacks. Even Michael was impressed with your choice.

Even though you weren't working tonight, you still took some pictures and clips just in case. You took a video of the reveal of your look tonight and can't help but feel bubbly inside when Bucky wouldn't stop looking at you.

To distract yourself, you decided to take candids of Bucky getting his hair done after you were finished getting ready. He kept making funny faces at you, making you laugh.

After you both were ready, you took some mirror selfies, obviously, and sent them to Bucky afterwards.

You're in the car on the way to the premiere when you get a bunch of texts and notifications from people:

Wanda: I KNOW YOU SAID YOU WERE GOING TO THE PREMIERE BUT YOU DIDN'T SAY AS BUCKY'S DATE!

Pietro: good luck tonight! use protection! ;D

Carol: since when are you dating bucky barnes???

You unlock your phone but see a notification that Bucky tagged you in a post you didn't know he was going to make.

It was the mirror selfies you two took, with the caption: got the most gorgeous date on my arm tonight.

You immediately turn to Bucky, eyes narrowing, "James Buchanan Barnes."

"...I don't like how you just used my government name like that."

"Why would you post those selfies of us?!"

He shrugs, "Because we look great."

"And the caption?"

"It's true. You're gorgeous."

You groan and pinch the bridge of your nose, "Your publicist and manager are gonna kill me."

"No, they won't."

"They hired me to make sure your online presence is good and won't jeopardize your career."

"Nothing's gonna happen, Y/N."

"People already assume we're together because of how well we work together. It was fine to let them speculate because but that post will make things even worse."

"How?"

"People will think I'm a gold digger? That I got this job because we're sleeping together? I don't know! The internet makes up all kinds of fucked up reasons and I won't be able to get work ever again!"

"But is it so bad that people think we're together?"

"For you, it won't be bad. For me, it could be. So, please, Bucky, delete those photos before even more people see it."

Bucky's jaw clenches and mumbles out, "Fine. I'm sorry," he takes out his phone and you watch as he deletes the photos off his instagram. Tonight was supposed to be fun, but you're sure you just ruined it.

____________________

The entire night was awkward. Bucky did his best to still include you in conversations he had with friends and colleagues, but you felt the tension between you two. You did your best to enjoy it as much as you can. You saw Nat for a brief moment where you hugged her and congratulate her. She said she wanted to chat later but you didn't really expect much. This is her premiere and she has other priorities.

She proved you wrong, however, during the after party where she pulled you to an area for more privacy.

"Hey, how are you?"

"Um, good. A little overwhelmed, but, uh, tonight's been...fun."

She tilts her head and narrows her eyes at you, just like her character did in the movie, and you can't help but let the truth spill, "I freaked out on Bucky on the way here. He posted pictures of us that insinuate we're together and I don't want it to result in me getting fired and potentially never getting a job like this ever again."

"Yeah, I saw that before he deleted it. You guys looked cute. Also, are you two not dating?"

"What? No! He's literally my boss!"

She shrugs, "Could've fooled me. Anyway, there's something clearly going on between you two, right?"

"I, uh, I don't know what to say. Do I have feelings for him? Yes. But will I act on them? No. Again, he's my boss, I'm his employee. I really like this job too, so I can't risk anything."

"I feel like there's a 'but' coming."

"...but he's so amazingly funny, smart, hot, understanding, compassionate, and I just love spending time with him. It's so fucked, Nat.

She nods in understanding, "I know, hon. I'm gonna say the most cliche thing ever, but listen to your heart. I'm sure you'll find another job just as fun as this one, but to be with someone you click so well with? That doesn't come often."

"Hey, you okay?" Bucky comes up from behind, placing a hand on your hip and looking at you with concern.

Nat flashes him a smile, "Just wanted to catch up with them, but I've hogged up your date long enough, Barnes." she turns back to you, "Think about what I said, okay? Enjoy the rest of your night and thanks for coming," she hugs you and heads back out to the party.

Bucky nods to her and stands in front of you, "Did you want to stay longer or are you ready to go?"

"I think I'm ready to go for the night."

"Alright." you follow him out to the front where you wait for the driver to pick you guys up. He stands beside you with his hands in his pockets, wearing that gorgeous outfit you chose.

"I'm sorry again about the pictures."

"Thank you, I'm sorry I attacked you like that."

He shakes his head, "Don't be. I get why you did. But, um, we're good?"

You nod, "Yeah, Bucky, we're good."

"Good," he gives you a shy smile and then points at the upcoming car, "Our ride's here." As soon as the SUV pulls up, he opens the door for you and lets you go in first. He follows and the drive home is in silence.

_________________________

You're working in your little alcove at Bucky's when he approaches you, "Hey, I need to talk to you about something."

You turn in your chair and look up at him, "This doesn't sound good."

"It's good and bad."

"Um, okay?" you clasp your hands together in your lap in anxiousness.

"So...I'm hiring a different social media manager."

Your heart drops, "Wh-What? But-But I thought I was doing well. Your team said I was doing a good job. What happened?"

"You are, but lemme also add that there's another job already waiting for you."

"Bucky, I'm so confused right now. Are you firing me? Or contracting me to someone else?"

"I'm firing you because I can't date an employee."

You straighten up at his statement, "Excuse me?"

Bucky steps closer to you, reaching out and grabbing your hand, "It's just...shit, Y/N, you gotta know how I feel about you right?"

You bite your lip in nervousness, "Maybe."

He lets out a long sigh and run a hand through his cropped hair, "Listen, I like you. A lot. That's the real reason I wanted you to come with me to the premiere. I love spending time with you and I've been so much happier since you've started working for me. To be honest, I didn't know how much longer I could keep myself from wanting to be with you. So to still make sure your professionalism was in tact, I reached out to Nat to see if she was in need of an amazing social media manager and, luckily, she was."

"I'm gonna work for Nat? Nat wants me to work for her?"

Bucky nods, "She does. So you'll be working for her which means I'm not longer your boss. Which means...will you go on a date with me?"

Fuck it. Fuck it all. You held in your feelings for Bucky for so long and now you've been given a loophole to be with him.

"I like you too, Bucky. So much, I didn't say anything, obviously, because I wanted to remain professional, but fuck did you make it hard to not fall for you."

Bucky snickers with a smirk, "I can say the same thing about you." His thumb caresses the back of your hand and it feels so right.

"Have you actually hired someone to take over for me?"

"Not officially, but I have some applicants already. Why? Do you know someone?"

You nod, "I do. She just graduated college with a degree in communications with a concentration in social media. I can have her send in an application, but I one hundred percent vouch for her. She's done great work."

"Alright. I trust you, but I don't think I can find anyone who works as well as you do."

"I fucking hope not. Or else you might leave me for them!"

"Never," Bucky replies confidently with a softness in his voice and adoration in his eyes.

"So...about that date..."

_______________________

"Come with me to work for a popular actor!" Kamala narrates her latest TikTok.

"So Bucky is working on a new movie with Natasha Romanoff so for promo we're filming a bunch of different content!" Nat and Bucky wave at the camera.

"After filming all of that, they're off to a photoshoot. Here are some of the potential outfits they can wear." the camera pans to several racks of clothing.

"There's a lunch break and here's my lunch versus Bucky's lunch," Kamala's plate is pasta while Bucky's roast chicken, "The boss needs to bulk up for another role so he needs a lot of protein."

"And that's all that I can show you for today. Until next time, bye!"

You scroll to the comments and they're immediately flooded with"

you're not y/n???

wait, did y/n quit?! did bucky fire them?! no!

what happened to y/n?!

and so on.

You snort and show Bucky, who was cuddling you from behind, "I told you people would notice."

He peers over your shoulder to look at your phone, "Kamala actually had an idea for that."

_________________

"A Day in the Life of an Actor's Social Media Manager. Part...whatever. So we're doing more promo stuff for Bucky and Nat's new movie. But this time I'm also working with Nat's social media manager, Y/N! We're doing a What's in the Box Challenge and here's a clip of Bucky freaking out."

"IT'S MOVING! WHY IS IT MOVING?!"

"Also look at Bucky and Y/N. They're so cute together. And yes, guys, they're totally dating now which is why Y/N no longer works for Bucky. ANYWAY..."

[ddenji]

i technically already posted this panel but the gender dynamics in csm are so beyond anything else in shonen rn. yoru occupying a more traditionally masculine, agressive, perpetrative space here and denji always, always, always occupying the space of the female, the subdued, the taken advantage of. his wording here is so defensive, trying to deflect the act, because he is always being acted against. yoru, the living embodiment of war (a traditionally male system and responsibility!) being trapped in the body of a teenage girl. fujimoto does a good job of subverting traditional gender dynamics in some very subtle ways earlier in the manga, but this one seems far more blatant and disturbing in the context of denjis entire experience.

[lgbtlunaverse]

"Female characters aren't allowed to be feminine anymore! Why aren't girly girls allowed to kick ass while wearing makeup– oh the actresss are all wearing makeup? Well not enough of it! It's so subtle I barely noticed. And they are never allowed to wear skirts or dresses– ok well those scenes don't count there are some scenes where they DON'T wear dresses. Real girly girls never wear pants. And in fact now that I think about it it's sooo misogynistic that so many of these women in fantasy and action franchises fight. Women are worthy even if they don't display masculine traits like combat! Why- oh, I said I wanted girly girls to kick ass earlier? Well obviously I meant that METAPHORICALLY. Why can't they command armies instead and leave the fighting to the men? Actually now that I think about it that would mean they are the ones making the decisions while the men follow them... that's bad! Why do we only value women if they display talent in a masculine field like politics? And they always have to fix everything while the male love interests are useless. Women deserve to be taken care of! A GOOD female character would have a boyfriend or husband who solves all the major plot points for her! That gives her more time to do feminine things like dressing up prettily and doing her makeup and dancing 🥰"

[misscammiedawn]

Thinking about We Know The Devil and Heaven Will Be Mine today. A duology. WKTD the tells the story of accepting you're queer, framed as a horror story of 3 repressed teenagers at a christian summer camp fighting off their inherent queerness and HWBM tells the story of how one accepts their place in society after embracing their queerness.

WKTD uses magical girl tropes in a fairly grounded Midwestern teen experience.

Magical girl stories often involve the struggle of the forces of Good and Evil. Purity and Impurity. Corruption often being a core theme of any girl squad facing down the nightmarish forces. This can be seen from Madoka's approach to the concept which is often referred to as a deconstruction. The Pink Opaque from I Saw The TV Glow overtly uses these themes in the exact same allegory as WKTD with the evil forces attempting to suppress the queerness of the protagonists.

HWBM uses mech anime tropes in an allegorical wonderland where the setting fades away to have the audience engage with the ideas at play rather than the lore. Mech anime often uses the giant robot duels as a method of visualizing ideological struggles. Too often in these shows beam sabers will cross as the pilots yell at one another to embrace ideas of how the concepts of war and prejudice can be battled out of existence.

In HWBM the "war" in play is humans versus space... or more accurately humans versus those who are not of Earth. Versus those who are alien. Versus those who are not human.

The dominant culture versus queer culture.

WKTD frames its tropes via the dating sim mechanics popular within its visual novel medium. But rather than choosing which of the 3 girls the player wishes to romance you must choose which of the 3 you wish to exclude. The idea being to scapegoat one's struggle with queerness by attacking outward, blaming the other, by shaming others into the closet to keep yourself in there.

Lashing outward to prevent reflecting inward.

The only good ending of the game is to accept a polycule dynamic where everyone is seen, accepted and embraced for who they are unconditionally. God's love, in this world, is conditional and one must always be excluded. The devil has room for three.

There is no room in normal society for a polycule. It is inherently queer. The dominant culture is binary and there's no version of a polycule where only a 0 and a 1 are represented. The binary is incompatible.

I recently told a friend that the duology tells the journey of a thousand miles and how it begins with a single step. WKTD is the story of that first and all too important step acceptance.

HWBM is the story of what comes after acceptance. After that first step.

It tells the story of the thousand mile journey.

The ideologies at play are the concepts of assimilation, activism and separationism. In the allegory Earth/Humanity represents the dominant "straight" society and the three characters represent each of these ideologies. Assimilation is to return to Earth, to integrate into the dominant culture and lose some of the inherent joy and "otherness" that being queer brings. It's no coincidence that the character representing this path is a trans woman who is known for defecting from her faction and crossing over to every other side while repeating the mantra "I've never betrayed anyone in my life", it is a coincidence however that her faction's war efforts are lead in part by God's Strongest Chaser herself (as far as I'm aware the Halimede Twitter Account is not affiliated with the game, but I find it funny that the assimilation path is represented by someone who a character whose gimmick account argues "t4t is incest"). It is a life of peace. But it is a life of compromise. Of giving up humanity's dream of the stars. To be grounded and tethered to Earth forever.

The Activism Path represents the idea of staying in Earth's orbit but never surrendering even an ounce of the queer identity for the sake of acceptance. Forcing the dominant culture to argue with us on our terms. Accept us on our terms. It is a life of constant battle but in that battle we will save those on Earth, invite them into the stars, embrace them with acceptance and love. Let them join us or remain where they are. This is a life of constant war, knowing that until all are loved and accepted, no one is and so we continue fighting. Letting people change sides. Nothing changes but maybe it's better that way.

Separation is the idea of abandoning Earth entirely. To become so incompatible with the dominant culture that we are no longer "human" to those who remain tethered. We are unapproachable. Separate. Unique. Other. Queer above anything else and incapable of creating a rational dialogue with the dominant culture. It is picking up your toys and walking away. Going far enough away from the culture war that it will never be able to reach you.

The author of the Halimede account once wrote, while in character, that this is the saddest ending of them all because it's unsustainable and that it does not address the inherent intersectional fighting between communities, allowing wars to simply break out further away from our blue marble in the distant stars. It is a life of abandoning war without embracing peace. To live separate in bubbles apart.

The ending of the game forces you to pick. There is no existing outside of these options. Maybe one day we'll find other ways to be but within the view of this game they are all we have. Embrace Earth, declare war on Earth or abandon Earth.

Choose.

I admit. Since the pandemic and coming out as trans, I've favored Saturn's ideology more than others. Completely giving up on "humanity" and only working within circles of those whose acceptance of queer culture is baked in. I fought so hard to accept who I was and "know the devil", so to speak, that I pulled back and withdrew.

Both games have a lot of themes about the demons ones must face within queer culture and outside of it. The way we hurt ourselves, hurt our allies and how the world outside societal, structural and individual will force us to compromise, to cut away parts of ourselves.

These games are masterpieces.

I wish I found them earlier in my life. I want everyone able to read these words to find them now.