#gecan

[thebrewerfactory]

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[fakingocaj]

Vilko Gecan, The Cynic (1921)

[1suitcase]

Top:  Vilko Gecan’s (1894 - 1973) ‘Cynic’, 1921

Museum of Modern Art

Zagreb, Croatia, January 2017

[picked4design]

Villory Gecan

[serafino-finasero]

Autoportret (Self-portrait), 1923 | Vilko Gecan (Croatian, 1894--1973)

[zekaem]

[Season 2019/2020] IT’S FINE AS LONG AS WE DIE IN DUE ORDER directed by  Aleksandar Švabić @Zagreb Youth Theatre

Ivor Martinić found his place among the most prominent Croatian contemporary authors early in career. His works play with familiar motives in unfamiliar ways with deadpan humour and a life-saving dose of (self)irony. 

It’s Fine as Long as We Die in Due Order is a play that revolves around a young man who is a millennial variation of Godot bound for the USA. His family is waiting for him to say goodbye before he leaves. Not only is the text of the play good staging material but it also reads well on its own. There are a number of metatheatrical/metatextual references to (talented human) cogs in the theatrical engine.

Martinić has developed a distinct poetics that combines distantly related dramatic situations into thematic groups with a style that is simple and dense with meaning, just like his dramatic situations. Intently and consistently he runs away from sentimentality, expressing the powerful experiences of his characters through stage directions and silent blanks to be filled by acting and reader’s imagination.

The main strength of this piece and, at the same time, its main pitfall in terms of where performance could go wrong is how Martinić plays with sentimentality or to be more precise, with the cheesy bits of theatrical discourse on one hand and the inherent incapability of the theatre to reflect reality without compressing the time needed to express what we think.

Premiere: 21 September 2019

Director: Aleksandar Švabić Dramaturge: Ivan Penović Stage designer/visual identity: Ana Savić Gecan Costume designer: Marta Žegura Music: Alen Sinkauz and Nenad Sinkauz Stage movement: Petra Hrašćanec Light: Aleksandar Čavlek

Stage manager: Stella Švacov Miletić

Trailer:

[having-it-all]

Vilko Gecan (1894 – 1973) The Cynic, 1921 (self portrait)

[notesonfreedom]

Obama’s Chicago TacticsMichael Gecan

The first quarter of the Obama administration is finally over. The key issue was not health care, not terrorism, not jobs. Nor was it the promise of “transformational change” that permeated the presidential campaign. The key issue was power—how the power of Washington’s political culture would respond to the power of the Chicago political culture imported by the Obama team.

When the media mentioned the administration’s “Chicago tactics” or when opponents complained that the White House staff behaved like “Chicago pols,” they were saying that the Obama team could be aggressive, tough, even mean.

That mild and broad critique missed the more important features of the Chicago way of doing politics: an approach that translated brilliantly in the presidential campaign and miserably after the inauguration. Here are those features—as I’ve observed them for 50 years, first as a young person growing up in a blue-collar Chicago neighborhood, then as an organizer in Chicago, New York, and elsewhere—and a look at how Washington has responded to their presence.

http://bostonreview.net/archives/BR35.2/gecan.php

[charmed-redemption]

" I hate cooked eggs."

Rico knew that dean was trying to cheer him up or was too much of an idiot to realize someone was out to kill him. Either way then topic of his death wasn't spoken of. He shook his head moving to the eggs and placed them into a class before closing his eyes and focusing. The eggs gecan to glow as he hummed the from tangled to take the eggs to a raw state.

" If they want to date that has little to do with me. However, in time, he might."

Dean and the Demon

@bloodandbulletholes

[hriminal]

OSOBA koja je 2018. godine bila pravomoćno osuđena trebala bi stati na čelo nedavno osnovanog državnog mirovinskog osiguravajućeg društva zaduženog za isplatu privatnih mirovina. Kako je to moguće?

"Reference Renate Gecan Milek nisu upitne", stoji u odgovoru koji je Index dobio od Hrvatskog zavoda za mirovinsko osiguranje. Ispada da Renata Gecan Milek nema licencu za vođenje investicijskih fondova, ali se smije brinuti za naše mirovine.

Naime, HZMO je Renati Gecan Milek plaćao 20.000 kuna mjesečno na ugovor o djelu od 1. srpnja 2019. Radi se o ukupno 200.000 kuna do nedavnog imenovanja u upravu Hrvatskog mirovinskog osiguravajućeg društva i to, naravno, bez natječaja.

Za HZMO, baš kao ni za Hanfu, tu nema ničeg spornog.

[leftpress]

On Contact: Strategies of Resistance with Michael Gecan

RT America |  Jan 7, 2017  Submitted by @sataniccapitalist​

On this week’s episode of On Contact, Chris Hedges discusses strategies of resistance with Michael Gecan, author of “Going Public: An Organizer’s Guide to Citizen Action”. RT Correspondent reports on the godfather of community organizing, Saul Alinsky.

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[kevskewl]

Published on Jan 7, 2017

On this week’s episode of On Contact, Chris Hedges discusses strategies of resistance with Michael Gecan, author of “Going Public: An Organizer’s Guide to Citizen Action”. RT Correspondent reports on the godfather of community organizing, Saul Alinsky.   Find RT America in your area: http://rt.com/where-to-watch/ Or watch us online: http://rt.com/on-air/rt-america-air/ Like us on Facebook http://www.facebook.com/RTAmerica Follow us on Twitter http://twitter.com/RT_America

[1suitcase]

Top:  Vilko Gecan’s (1894 - 1973) ‘Victoria’, 1919

Museum of Modern Art

Zagreb, Croatia, January 2017

[garudabluffs]

Building the Institutions for Revolt      By Chris Hedges          1/16/2017   

“ There are, as the political philosopher Sheldon Wolin reminded us, no institutions left in America that can authentically be called democratic.”

“ "Power is organized people and organized money," Gecan told me when I interviewed him in New York recently. "Most activists stress organized people and forget organized money. As organizers, we stress both."

13 comments

READ MORE http://www.opednews.com/articles/1/Building-the-Institutions-by-Chris-Hedges-Democracy_Demonstrations_Politics_Protest-170116-763.html

[gnatswatting]

• The calculus of power isn’t defined by hits or clicks or tweets. It is measured in relationships and meaningful reactions over time. —Michael Gecan

Boston Review