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#gale x mara
megs-98 · 8 months
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Megs BG3 Masterlist
Please feel free to check out my works or my AO3! :3 Everything is listed by character <3 If you want added to a taglist at all, DM me and let me know!
My AO3 Account
Dammon
It's Always Been You
Summary: Tav left Baldur's Gate after the final battle but years later something... or someone, drew her back and she had to find out why
Pairing: Dammon x f!reader (Tav)
Tags: Fluff, light make out scene at the end, mostly just Dammon being the sweetest boy
word count: 3.4k
Gale
No Extra Excitement
Summary: Tav comes back with the party after a long day exhausted but thankfully everyone's favorite wizard stayed behind to prepare a couple of surprises for her and they both have a lot of thoughts about each other
Pairings: gale x f!reader (Tav)
Tags: Explicit, fingering, vaginal sex, fluff, mutual pining
wordcount: 2k
Like You Mean It
Pairing: Gale x f!reader (Tav)
Summary: After a long, dreary day spent in Gale's tower, barely seeing him at all, you decide that you're going to get the attention that you crave. Even if it means Gale has to tame his brat with the help of a mage hand.
Tags: Explicit!, bit of a dom!Gale, use of mage hand, clothed nipple play, some voyeurism, male masturbation, riding, lots of praise, mutual orgasm (Please let me know if I missed any!)
Word count: 3.8k
A Gentle Touch Under A Canopy of Wonder and Beauty
Pairing: Gale x f!reader (Tav)
Summary: (This turned into a different take on Gale's love confession) Tav and Gale share a night together, saying, and doing things, that they need to get off their chest before they reach Moonrise Towers.
Tags: Explicit!, little bit of angst? (if you squint), expressing feelings, Mystra hate, female receiving oral, vaginal sex, sweet Gale, soft fucking, mutual orgasm, some religious themes during the smut (it's my favorite) idk I just have a lot of thoughts and feelings about this pixelated man.
Word count: 4.6k
Petals and Poems
Pairings: Gale x f!reader
Summary: Gale is off to work after making you breakfast, so you decided to go shopping and leave some gifts for him to find once he arrives home. Also Tara is peak mom in this.
Tags: None, just two idiots in love :')
Word count: 1.9k
Mesmeric Revelation Chapter 1
This will be a multiple chapters - it's a modern au (still set within Faerun but no magic or anything), slow burn, enemies to lovers fic between Gale and my tav Mara
Pairings: Gale x f!namedTav (Mara) & Astarion xf!named Tav (Fox)
Other characters: Hoping to get all the companions in even if it's a small scene, Gortash, Orin, mentions of Thorm
Summary: It's the start of a new school year at Chiontar High and there's been talk amongst the teachers about how the esteemed Professor Dekarios from Blackstaff Academy has joined the school's faculty. After a chance encounter between Gale and Mara, leaving her less than impressed with the professor, will the two be able to start a friendship and maybe something more?
Tags: Gale is a dickhead, eventual smut, slow burn, enemies to lovers, Astarion being incredibly sassy, just a good ol time
Halsin
There's A First for Everything
Pairing: Halsin x f!OC (Elyra)
Summary: (Taking place post game and featuring bloodlessbhaalbabe 's OC Elyra) After celebrating Love Day in Thaniel's Realm with the refugees and his love, Elyra, Halsin sets up a romantic evening for the two. He has something important to tell her before the fun starts.
Tags: Explicit!, mutual pining, fluff, love confession, f! receiving oral, inappropriate actually quite appropriate use of entanglement spell, vaginal sex, lots of praise. I think that's it
Word count: 2.7k
I'm Aching for You
"My mind has been haunted by your visage. Everywhere I looked, there you were; smiling that sweet smile, putting others before yourself, fiercely protecting your friends. During the nights that I could not get you out of my mind, I would turn into a bear and run halfway through the forest, yet your smell still lingered in my nose. Everything about you has beckoned me to you yet I could not."
back with another halsin x oc fic! this one for @stinadrawsthings 's beautiful tav, gia! hope yall like it! :) also trying a slightly different way of formatting these posts
Pairings: Halsin x oc!f tav (Gia)
Summary: As the shadow curse has finally been lifted, and your party ready to start towards Baldur's Gate, Halsin has asked you to meet him at his room in The Last Light Inn for a much needed conversation.
Tags: Mutual pining, making out, lots of praise, m & f receiving oral, fingering, light fem dom, vaginal sex. Really these two just finally fully confessing their feelings and fuckin like the oak father intended
Word count: 5.4k words
An Understanding
"You have a good heart, little one. One that I admire very much. It takes a special person to do everything that you have done, please don’t forget that.”
A/N: LOL i was big in my emotions the other day and i guess i just needed to hear a pep talk from halsin so i wrote a drabble. i think i'm gonna keep doing one shots of halsin and my tav mara and seeing how their relationship evolves
Characters: Halsin, f!named Tav (Mara)
Tags: Thoughts and talk of low self confidence, depiction of smoking, the slightest mention of death, halsin being a reassuring sweetheart
Word count: 1.6k
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fenharel-archived · 4 months
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astarion & ysabel ✨ gale & elowen lucien & shadowheart ✨ marazhai & arabella
tagged by @leviiackrman, @risingsh0t & @baldurians to use this picrew for my ocs, thank you!! tagging
@rkyloren, @shadowglens, @rosymorns, @solasan, @catacomb-chaos,
@stephschoices, @thefathersbride, @faerune, @queennymeria, @thedeadthree,
@alistairs & you!!
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scrollsaplenty · 1 year
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Meet My OC!
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Mar’enthia ‘Mara’ Ni’Dar is the only child of the elven Lord Ilidan Ni’Dar and late wife, Merlanna.
Mara is a High Half-Elf, wild magic sorcerer, and comes from a noble family in the Upper City of Baldur's Gate. Though she grew up in high society, Mara's life was more akin to a gilded cage then one of elegance and privlage.
Due to her somewhat unstable magical abilities, Mara was isolated from others due to her father's fear that her instability would tarnish the family name. Ilidan commissioned the wizard Lorrokan to fashion magic suppressing bracelets for Mara to wear at all times. Lord Ni'Dar also went to great lengths to hide his daughter's magical abilities by hiring private tutors from the Under Dark to train the young sorcerer in secret. He feared Mara's unstable magic would ruin his plans of marring her off for political gain.
Before our story begins, Mara escaped from her father's home with the help of her tutor, a Drow wizard named Kethan. While running from her father's guards, the pair are separated. Mara is abducted by a Mind Flayer and thrown into a events that are destined to change the history of Faerun forever.
Mara is a bit naive, kind hearted, adventurous, and is eager to about the world. Mara struggles to see herself and her magic in a positive light. Mara loves the freedom of her newfound situation and is deeply afraid of heights.
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gale-enjoyer · 10 months
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This is my OC Mara (32), you can find her in the druids' grove along with the rest of the tiefling refugees. Her father is a close friend of Zevlor and she can normally be found taking care of stray animals or trying to look out for the orphaned children. She had a fleeting crush on Rolan, who showed no interest in her, and then on Wyll, who she was tragically too shy to approach beyond a few polite words.
She has always wanted to learn magic, but her self-study has not taken her very far and her attempts have been known to cause some accidental destruction, so others have discouraged her from continuing to try. Still, she sneaks out into the forest to practise sometimes. It's during one of those times that she meets Gale, who saves her from some perils. She begs him to teach her some magic, even if she has nothing that she can offer in return. I'll be writing some one-shots for her and Gale, and maybe some for her and Wyll as well! 🌼
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simstorian-blog · 10 months
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Dusty Turf
(CC List + Links)
World Map: Oasis Springs
Area: Parched Prospect
Lot Size: 30 x 20
(3-bedroom, 2 Bathroom)
Gallery ID: Simstorian-ish
Packs Used
Cottage Living
Desert Luxe Kit
Dream Home Decorator
Eco Lifestyle
Get Famous
Get Together
Get To Work
Growing Together
Island Living
Laundry Day Stuff
Outdoor Retreat
Spa Day
Wedding Stories
Build Mode
AnneSimmer – Wall Mural Pt. 1
Felixandre – London (Chandelier, Panelling)
Felixandre – Grove Pt. (Plaster Floor)
Harlix – Bafroom (Mirrors, Windows)
Harlix – Harluxe (Used Throughout)
Harlix – Orjanic Pt. 1 (Column)
Harlix – Tiny Twavellers (Mural Wall)
Harrie – Kwatei Pt. 1 (Doors, Windows)
Max20 – Polished Sandstone Trim
Peacemaker – Curly Koa Flooring
Peacemaker – Simple Siding
SimPlistic – Leafy Wallpaper
Sooky – Victorian Floor Tiles
Buy Mode
Anye – Cal Magazine
Anye – Neomy Table Lamp
Anye – Zara Bathrobe
Awingedllama – Apartment Therapy (Rug)
Awingedllama – Boho Living (Cement Planter)
Awingedllama – Blooming Plants
BlueTeas – Rivers Bedroom (Base, Headboard)
CharlyPancakes – Lavish (Shopping Bag)
ClutterCat – BusyBee Pt. 2 (FlatBox)
ClutterCat – Cozy Casita (Candle)
ClutterCat – Dandy Diary Pt.1  (Leather Tray)
ClutterCat – Dandy Diary Bathroom
Dereon – Silver Lining Stool (DL Available via Patreon)
Felixandre – Chateau Pt. 4 (Square Container)
Felixandre – Colonial Pt. 3 (Parasol)
Felixandre – Florence Pt. 3 (Luggage)
Felixandre – Florence Pt. 4
Felixandre – Grove Pt. 2 (Stacked Plates)
Felixandre – Paris Pt. 3 (Pouffe)
Felixandre – Shop The Look 1 (Side Table)
GreenLlamas – Kerv Inkblot Rug
Harlix – Baysic (Bedding, Hanging Clothes, Packs System)
Harlix – Baysic Bathroom (Toilet)
Harlix – Kichen (All glasses)
Harlix – Livin’ Rum (Tv, Bowl, Vase)
Harlix – Orjanic Pt. 2 (Vase)
Harrie – Octave Pt. 4 (Light Switch)
Joyce – Simple Live #5 (Separate Towel)
LeafMotif – House & Garden Covers
LittlBowBub – Home Barista
Littledica – Delicious Kitchen (Paper Towel)
Littledica – Rise & Grind (Flavour Syrup)
Madlen – Dionis Ottoman
MyCupofCC – ColourTalk (Mirror)
Myshunosun – Gale Dining (Cart, Wine Bottle, Wine Glass)
NoStyle – Mara Living Chair
Peacemaker – Ellipse Armchair
Peacemaker – Mid-Century Abode (Bedframe)
Peacemaker – Oasis Chic Living (Cordyline)
Pierisim – Domaine du Clos Pt. 2 (Account Book)
Pierisim – Domaine du Clos Pt. 4 (Zucchini Chopping Board)
Pierisim – Living Room Mini (Citrus Bowl)
Pierisim – MCM Pt. 2 (Rug)
Pierisim – MCM Pt. 3 (Metal Sconce, Soap)
Pierisim – MCM Pt. 5 (Table Lamp)
Pierisim – Oak House Pt. 4 (Shower)
Pierisim – Vera Bathroom (Mounted Hook, Robes, Soap)
Ravasheen – Hot Sim Disguise Clutter (Tray)
RusticSims – Kind of Modular (Books, Coffee Table)
RusticSims – Lofi Pt. 1 (All Lighting)
Severinka – Aura Ottoman
Sundays – Duvet
Sundays – Kediri Pt. 1 + 2 (Sofa, Throw Pillows)
Sundays – Kuta Pt. 1 (Dining Table)
Sundays – Pandawa Pt. 3 (Pouf)
Sundays – Sumba Pt. 1 (Pillows)
Sundays – Swell Pt. 1 (Bolster Pillow)
Sundays – Ungasan Pt. 2 (Slippers)
Sundays – Yarra Pt. 3 (Bed Pillows)
Syboubou – Caroline Shower Rug
Tuds – Ind 02 (Wine Rack)
Winner9 – Malibu Pillow
DO NOT REUPLOAD MY LOTS.
DO NOT CLAIM THEM AS YOUR OWN.
DO NOT PLACE BEHIND A PAYWALL.
Tray Files: Download
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owlespresso · 1 year
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adrenaline lunge blade x reader tags: fem!reader, spice beneath the cut, dubious consent, Blade does unspeakable things with the hilt of his sword, reader is implied to be a reincarnation of someone Blade once knew
The fight was finished in a flash. Or at least, that’s what it felt like. It passes through your vision like old timey strips of film.
Your blade slices through the flesh of your foes like a hot knife through butter. The blood is warm on your hands, on your face. You might be covered in it, honestly. From head to heel. Maybe it’s the adrenaline that warms your body. Drenched in sweat which cools under the cold gales which slice across the muddy plane. The overcast skies seem to coalesce with the smoke. You breathe it in, become it, cloak and cutlass billowy blurs as you slice and slice and slice. 
All at once, there’s silence. Eerie quiet. The world comes back to you in stages. Awareness stumbling fumbling back into your body like a metal pipe tossed down a flight of stairs. Concrete. Concrete stairs, hard and grey. 
The only figure standing upright in the bleak landscape is the other mercenary you deployed with. Blade. A Stellaron Hunter, a trained killer whose quiet and frigid demeanor have made him an easy, though unsettling traveling partner. It’s been a week since you’ve deployed, traveling across this planet’s barren, war-torn plains in search of some sort of gadget or gizmo for them. You weren’t entirely paying attention when it was explained to you, and you don’t exactly care what it does or why they want it. The Stellaron Hunters have a horrendous reputation amongst the stars, but they pay exceedingly well. That’s all you can ask for.
It’s not like it’s difficult work. You clean up the unfortunate remnants of some Abundance-related invaders and progress towards whatever thing they’re looking for. No one knows the deadened valleys and ancient ruins and impact craters of this forsaken planet like you do. It’s an easy payday, and the company isn’t as obnoxious as you had at first feared.
He speaks only when he has to and follows commands with mechanical perfection. He stares at you, when he likely thinks you’re asleep during the night’s small hours. In fairness, though, there isn’t much else in the wasteland to look at. Maybe he’s just ensuring you don’t slip away before fulfilling your end of the bargain.
He’s looking at you now, a few yards away. His eyes are blown wide, letting you see the candle wick of his irises in perfect clarity. His bloodied lips are slightly parted. His sword is soaked in similar crimson, spiderweb veins of bright gold gleaming underneath all the viscera. You open your mouth to call out to him, but he’s already moving in your direction, taking long, measured strides across the field—until he reaches the halfway point. 
He breaks into a sprint. The hairs on the back of your neck stand on end as he closes the gap between you. He’s not there, and then he is, with a suddenness you hadn’t thought possible.
Blade bowls into you, rough hands shoving you into the grey dirt. Your back thunks against the cold, hard ground. Maybe you shout, it’s hard to tell over the sound of the blood rushing in your ears. 
“Blade—” you try, as he drops down. His knees land on either side of your hips, stranding you between those thick thighs. You swallow, eyes blown wide. The iron grip you have on your cutlass's handle doesn't wane, but you keep still, unsure if rending him in twain would truly do anything. You’ve seen him regenerate and recover from wounds that should have killed him instantly—what can you do? “We’re on the same team—” Surely, the mara hasn’t rendered him incapable of recognizing you? 
Where is his handler, the wine-haired woman you’d met for a flash few seconds before embarking? You should have asked her more—should have insisted she tell you how to deal with him when he rages out of control, but any thoughts or pre-death regrets rattle out of your skull as he sets his teeth to the bottom of your jaw, a calloused hand gripping your hip and squeezing.
“I knew it from the start,” his lips ghost against your skin as he speaks, tongue and teeth carving a raw path down your throat. Your free hand sinks into the broad, firm flesh of his shoulder, wrinkles in his jacket. “It was the way you smelled—gunpowder and chamomile.” He mutters in between bites and open-mouthed kisses. The adrenaline from the fight filters into something carnal and hot, settling low in your stomach as you twitch beneath him.
You’re left to flounder as he undoes your belt, shoves your black trousers down to your knees. His fingers pet your cunt through your panties, black and plain and unsexy. A part of you feels a rush of completely misplaced self-consciousness, but that too is shorted out along with the rest of your thoughts as he presses back close to you, idly toying with your folds and clit whilst his mouth paints spit and blood across your skin. The wetness chills under the rolling winds, free hand dipping under your shirt to squeeze and palm at your stomach, as though desperate to touch any part of you.
You take in a shuddering gasp as his warm, warm, warm tongue presses against the gusset of your panties. He licks you like a fucking dog through the wetted fabric, hands kneading your thighs tight enough to bruise. He breathes you in, long and shuddering, lets you feel the press of his face as he noses as deep into your cunt as he can get. A maniac, a madman—your pulse skyrockets, breaths becoming pants and pants becoming something deeper. Sobs? You can’t tell, anymore. 
“I knew it was you,” he repeats, softer this time, voice dragged by something tender and aching. A misplaced fondness you know not what to do with. You’ve never met him before accepting this mission, and you’re sure you would remember someone like him.
His thumbs hook underneath the sides, a thin strand of slick sticking to the cotton as he drags them down your thighs. Just enough for him to touch your skin, crowding in between your thighs. His eyes flutter shut, the very picture of a man savoring a meal. Molten strokes roll up your spine with every brush of his tongue. Your thighs snap shut around either side of his head and he moans, sound so rich and raunchy you can hardly believe it came from him. Blade, who you’ve known for little more than a week and some, so stoic and still you hardly considered him alive.
It’s with starting gentility that the tips of his fingers nudge your panties to the side. They brush over your wettening folds, thumb seeking your clit while his tongue dives deep towards your entrance, circling its very edge. You shout, you howl, you whine into the empty air, hips writhing and rolling in his brutal, unyielding grasp.
“Blade! Are we really doing this here!?” You’re more irate than afraid. You tap your ankle against the back of his shoulder, giving a surprised shout when he grabs the joint and tugs you even closer. Doing this here, steeped in blood and surrounded by the red strewn bodies of allies and foes alike, is an unsafe and perhaps unsanitary prospect. But you are not in the practice of making decisions safe or sane. 
“Do you see anywhere else to do it?” Blade replies, annoyed, not even lifting his head. You feel his lips against your clit and folds as he talks, warm breath brushing against the sopping skin. 
And fuck it, really. There’s nothing else you can do. Might as well let the sensation wash the shame away. Not that you have much of a choice. 
Those calloused fingers pet meanly at your walls, run figure-eights up and down until he hits a spot that has your back arching, toes curling as you scream to the skies. He wrings your pleasure out of you, fucks you on his fingers with a dexterity and skill he has no right to possess. Blade, cold and steel and empty before whatever brought this fit on.
You’re about to cum, you realize, nearly devastated. That tight, succulent heat churns in your lower tummy, free hand fisting in his hair. How has he managed to push you this far so quickly? You’re almost annoyed all over again. A guy with a personality this shit shouldn’t know how to do this. He shouldn’t be getting any action at all!
“Blade,” you snap, and he stops moving. Long digits leave your cunt with an obscene, wet sound. A sense of cold emptiness cloys at the space where he was, but you push the longing down in favor of catching your breath. Your chest rises and falls rapidly as you lift yourself onto your elbows, beginning to shift away from him.
Before you can even squirm an inch, he’s yanking you close again. Is he toying with you?
“Blade,” you grumble. “Don’t fuck with me.” Your ankle digs into the back of his shoulder in warning. He doesn’t answer. He doesn’t release you, either. Silence settles between the both of you, only interrupted by his deep breathing. “Fine,” you grimace, surrendering yourself to his whims for the time being. The uncertainty of what he’ll do next makes your skin crawl, but he’s clearly intent on keeping you in his grasp—and angering him is the last thing you want to do when he’s behaving so unpredictably.
There’s a metallic clink. You take in a deep, stuttering breath, steeling yourself for the oncoming press of his cock.
Except it’s too cold, too ovaline to be human. Thicker than a finger but perhaps too thin to be his cock. Swallowing another whimper, you glance back down—just in time to watch him feed the hilt of his sword into your aching, clenching cunt. The sob he wrenches from you is so deep and guttural that it burns—you’re used to blood and death and carnage, but something about this feels so filthy. Near sacrilegious, despite your complete lack of faith. The blade isn’t sheathed. It’s cutting blood gashes into his fingers and palms, scarlet bleeding onto dirt. He doesn’t react. His eyes are blown wide and his candlewick irises smothered into a bright ring around his pupils. That manic gaze remains fixed on where your legs remain splayed open and twitching for him, gasping for breath. 
“Blade, are you fucking kidding me—” you must be making some sort of stupid expression, eyes wide and mouth agape. He offers no remorse or shame, leaves you to listen to the lewd squelching that fills the air as he drives the hilt further inside of you. Your cunt squeezes around it tight, and you drop your arm over your eyes. Hot tears roll down your cheeks and you blink—when did you start crying? There’s no space to think properly, not when he pulls the weapon back and shoves it forward, beginning a rough pace that absolutely knocks the breath out of you. “Blade, what are you—”
A firm hand seizes your wrist and wrenches your arm to the ground. His fingers lace through yours in some strange simulacrum of tenderness.
“Eyes on me, girl,” he snarls, but you hardly hear it over the thrumming in your ears.
You squint as light floods your vision, nothing bleak skies for miles and miles. Bleak skies and you and a madman, intent on watching your pleasure just as much as supplying it. It’s as though his universe has boiled down to a single point, bitten lips falling open around pants.
A roughened, calloused thumb bats at your clit, rolling over the bundle of nerves in a series of unkind, jerking circles that make you writhe. The feeling is white hot, unsteady pleasure slipping easily into pain as he works you over the hilt of his sword. 
You cum on it, too. With tears running down your hot cheeks, your entire body tingling like an exposed nerve. You’re not sure how long you lay there. The sky remains apathetic and unchanging as the cool air fills your lungs. His touch leaves you, bare and empty. The sweat that slicks your skin cools underneath the rolling breezes. 
The lunacy is gone from his gaze, now, replaced by something bitter and stoic. 
“Do not look at me like that. You were the one that did this,” you snap at him, and he lowers his gaze. Almost ashamed. He doesn’t reply. Instead, he fixes your clothes, sliding your panties and trousers back on with hands that have somehow already healed, gaping gashes replaced by perfect, new skin. You watch his fingers work, looping your belt back into place over your hips. The action, compared with the silence, is oddly and uncomfortably intimate. You don’t try and piece together why he does it, nor do you try and understand what just happened. It was excess adrenaline leftover from battle, you reason, and don’t peer beyond that.
You push yourself to your feet as soon as you feel presentable. He doesn’t help you (even though he by all means should), but you like it better that way. The two of you amble through the field of corpses, each step making you painfully aware of the cooling wetness which lingers between your legs. A new ache hounds you between the crux of your thighs.
“You’re taking care of dinner tonight,” you bite out. He hums, though you can’t tell whether it’s a noise of agreement. Just one of acknowledgement. His footfalls thud heavily behind you. You pretend you don’t feel the white hot of his gaze burrowing between your shoulders. In a few hours, none of this will matter. You focus on the empty horizon, amble towards the extraction point on wobbly fawn’s legs.
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benefits1986 · 3 months
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Unmothering, Unbothering
The inner child is the adult we all become and "unbecome", yes? One of the most curious stories I've witnessed is that of an adopted, abandoned, and illegitimate child. (Ang hirap i-spell ng illegitimate, mhie!) Let's call this child A so there's no hint about the identity of this soul. A's story is not in the closet. In fact, A doesn't hide the fact. A told me the story randomly. No drama. No bwelo. Much like spiced rum without the rocks and without the chaser. Nakalagay sa tagay glass na shiny and vintage. At mataas, mainit-init pa ang tagay because we're but talking about shitshows and dogshows, tapos boogsh. Ayun na po. I rarely am lost for words, but I took a deep breath and paused when I heard this side of A's story. Crickets everywhere.
We tried not blinking for a few moments, and then, poof. Kaya pala may mga moments wherein kahit sobrang A-game si A, I can't help but think with frown pa na: Huy, ang galing-galing mo na, in demand ka pa pero bakit hindi ka pa rin masaya? Parang may blank sa vibe mo especially when you're getting legit compliments. A is a complete very, very "curated" package: looks, bearing, career na may super duper golden handcuffs and feed-wise na rin, walang palag levels. Sabi ko sa kanya minsan: Tacca. Kaya pala parang incomplete tingin ko sa'yo. 'Yun lang pala 'yun. Siya naman: Sabihin ko ba agad sa first meet and greet? Hi! I'm adopted na, abandoned pa. But wait, illegitimate din. Gusto mo ganun? Me: Why not? Try mo minsan. Role play tayo. Kunwari, 'di kita kilala. Siya: Baka 'di mo na ako kausapin. Me: Aywawww siya. Maka-judge, wagas?
Fast forward... A as a shala, found a first world DNA sampling kit that enables people to trace their family tree. Opak. A curiously took it and boogsh. Nakita ang trail pero dahil nga "abandoned" siya, there's no name on any document even A's birth certificate. Ganun po kalinis ang galawan. Mala-Mara Clara x 100 vibes. LOL. I asked A kung bakit ayaw niya tanong sa nanay niya. Sabi niya: I know my mom would be hurt. Alam mo naman si mama. Me: Hahahahaha. Oks. Got it. Oo nga. As a boomer church stay-at-home mama nga pala mama niya. A told me that when the right time comes, aka mama dies, A will finally take the trip of A's life... doon pa lang niya hahanapin totoong mama niya.
Very interesting ng character sketch ng roots ni A. As in. Baka tagapamana pa ng azucarera levels. LOL. Kidding aside, here's a letter to the inner child and the abandoned adults. Gusto ko lang may context kasi late mother's day nga pala. LELS. Dear Abandoned Inner Child of An Adult,
I feel the gaps you bear because of the blanks in your life that can't be filled. I know that no amount of validation and status will make your eyes smile. The snapshots I take of you are completely incomplete and that is magic drowned in the tragic state of your true self. You may argue about the existence of that "true self". I won't contest, but hear me out.
I don't know your pains amidst all gains, all wins, all milestones. I can't imagine how you power through the chasm that's so real and unreal, at the same time. I can't fathom how you are taking care of the inner child that may be unwanted, but hey. You are not unloved forever. You've gone a long way and while you don't know your origin story, your story is unique and yours alone. Being alone may mean being lonely to you. True. But, that loneliness made you super independent and resilient. While at it, you care for people even when it's inconvenient. While it made you overthink ng malala, it also allowed you to feel more, do more, and live more. You may be dying deep inside, but, you're fighting a good fight. Tiwala lungs. I know you feel that your status and your whole personhood are but a scam. True. But, that feeling of invalidation made your strides longer, faster, and richer, too. By richer, I don't care about your golden state. By richer, I mean, you have that gift of going above and way beyond all the games you play. You're always ready to gift the world with all that you and all that you're not. Never apologize for being too much. Not a lot of people know how it feels to have much but feel so little, and almost non-existent.
You say that you're truly a "no maintenance" lifeform yearning for love, that simply stays. Never mind if it's but a fallacy. I say, LUH. ULOL. I hope you go for a love that puts acceptance at the core. The kind of love that won't make you question things that are but life's shitty curveballs. The kind of love that you deserve after a long day and longer night. The kind of love that won't doubt your capabilities and your limits, too. The kind of love that would embrace every inch of your jagged, vulnerable edges inside out. The kind of love in its purest form. That kind of love? It begins with you, and only you. The other love forms can only do so much, and so little, too. Reality. It bites hard, dear. Now, drink it and down it like the bitterest cup of piping hot coffee you chug non-stop.
You're on track in the same manner that you're a forever work in progress... like the rest of the universe. So, you're not alone, dear. You're never alone, because, we all are. Truly. Don't be afraid of dying alone, because we all die, anyway. Morbid, I know, but, you only receive the love you think you deserve. So, let's start from there.
Let's take baby steps toward the path that you didn't choose, but were given. It's okay to take steps or leaps back, too. 'Wag mong daanin sa paspasin like you do with the rest of your to-do list 'to. Nakamamatay 'yan ng kaibuturan lalo when no one is watching, and the spotlights on you are turned off. I am but a curious critter who hopes to take a snapshot of you with your eyes smiling... someday. Maybe sooner? Maybe later? Basta 'wag lang akong ma-bore. Lels.
Tara, g?
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shirtshawaiian · 7 months
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Ah thank you!! Now that ive been invited to talk about it excuse me while i dont shut up.
my first lets play i tried i played a barbarian elf named Mara 😌😌 they were meant to be a tough, high moral, straight edged character- (a soldier which was fun when i met Karlach). but i got a little too silly playing her for my first time and i messed up alot of things around act 2 as well as missed a bunch of shite 😭
Before act 3 could begin I decided to restart and now im playing beloved Durge but i redesigned them as a tiefling druid just cus i liked the idea of Durge being able to shapeshift into Beasts. Shes a little more sassy and very much a dumbass b u t is trying to resist the urge, and i named her Ayda <3 currently running around lost in the shadow lands wish me luck o7 (oh and shes romancing Astarion cus I'm. Predictable)
UNDERSTANDABLE i love that pale elf too. he can be quite silly
i missed soo so so much stuff my first playthrough because i got fixated on gale's plotline (i figured i'd worry about taking care of the other companions in later playthroughs)
the resist durge x astarion story ❤️ very nice indeed i ALSO love the idea of a druid durge killing people as just a little critter. like pre-everything
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ANI: A Parody (Rewatch #8, 10/27/2020)
YouTube publish date: October 31, 2014
Number of views on date of rewatch: 990,767
Original Performance Run: July 3 - August 10, 2014 at Stage 773, Chicago (part of their Summer Season program)
Ticket price: options available for Ani, The Trail to Oregon, or both shows      Individual: $35      Both shows/Season Pass: $65
Director: Matt Lang
Music and Lyrics: TalkFine
Book: Matt and Nick Lang
Cast album price and availability: $7.92 on iTunes      Release date: October 31, 2014
Parody or original: parody of Star Wars, heavily influenced by the prequels with references to the Dark Horse Star Wars comics and formerly-canon Star Wars novels
Main cast and characters
Ani - Chris Allen
Tarkin - Joseph Walker
Mara - Denise Donovan
J.J. - Brian Holden
Emily - Julia Albain
Sebulba - Eric Kahn Gale
Bob/Veers - Joe Moses
Oola - Meredith Stepien
Pappy/Obi-Wan - Nick Lang
Band and Vocals
Keyboard 1, Vocals - Clark Baxtresser
Keyboard 2, Vocals - Pierce Siebers
Keyboard 3, Back. Vocals - Max Evrard
Guitar - Corey Richardson
Bass - Mason Cormie
Drums - Nick Kabat
Percussion, Back. Vocals - Meredith Stepien
Musical Numbers:
*all vocals provided by the band
     Act I
“Ani”
“Long Ago and Far Away” 
“Strike Back” 
“With My Own Eyes” 
     Act II
“The Force (You Got It)” 
“Haunted by the Kiss” 
“One in a Million” 
“Back on Top” 
Notable Notes:
Performed two years after the acquisition of Star Wars by the Walt Disney Company, and before the subsequent Star Wars sequel films, as well as Disney’s decision to make any non-movie material produced before their acquisition (ex. Novels and comics) non-canon
Not a fun fact, but I highly recommend watching this short video essay by Silvana Ltd. discussing whether or not Ani can be considered a musical (x)
According to Nick Lang, the numbers were performed primarily by the band and are interspersed with dialogue because he wanted Ani to “feel like a Rocky movie” and give the feeling that the band was “like a Greek chorus” (x)
Cultural Context: 2014
Ellen DeGeneres take arguably the most popular selfie in existence at the 2014 Oscars
Disney’s Frozen is released in theaters
The series finale for How I Met Your Mother airs
Scotland decides to stay in the UK
Robin Williams passed away August 11, 2014
Content Analysis:
ANI: A Parody is StarKid’s least popular musical because of two reasons: the niche subject matter and the fact that people cannot decide whether or not Ani is actually considered to be a musical. This is a matter of personal opinion depending on the audience member watching it, but from a theatrical standpoint, Ani heavily leans more toward being a musical than not being a musical, despite the fact that the characters in the show do not actually sing the songs. Rather, the songs are sung for them by the band and the characters perform them through dancing or act through the songs by interspersing sung lyrics with dialogue and action. The definition of musicals and musical theatre is very loose. Musical theatre has technically existed for as long as song - even in ancient times, songs for ritual purposes were performed in a distinctively theatrical way, such as being performed with costumes and makeup and telling a story solely through song. In more recent history, vaudeville can be considered by most theatrical scholars as being a form of musical theatre because it uses song as the main source of entertainment for an audience in a very specific setting of a theatre, regardless of whether or not it physically takes place in a theatre with what we consider to be traditional architecture such as a raised stage and a strong distinction between an audience seating area and a performance area. However, many people use the terms ‘musical’ and ‘musical theatre’ interchangeably, thinking that they are one and the same when the working reality of the fact is that the two are different. Sort of like how every square is a rectangle but not every rectangle is a square, every musical is musical theatre but not every work of musical theatre is a musical. 
Now that I have that out of the way, let’s discuss the origins of what the modern-day idea of a musical is: a story that is told and advanced through song. This is often referred to as a “book musical” in that a plot, or “book”, is being performed for an audience while songs are a separate element of the performance that are used to continue the story. This is also referred to as an “integration musical” in that songs are integrated into the action of the story to make a complete performance. The idea of a book musical is a relatively new one when looking at musicals in relation to all of theatre history. Whereas theatre has existed as long as historical documentation has existed, and most likely before than, the book musical or the modern-day musical is often attributed to becoming a solidified Thing™ in 1943 with Rodgers and Hammerstein’s Oklahoma! In Oklahoma! and every subsequent mainstream musical, a story is presented in which a character or group of characters go through various experiences and eventually reach some kind of entertaining conclusion while using song, and often dance, to continue the action of the plot. That is a very simple way of defining modern-day musicals but is a definition of a musical nonetheless, which is why I consider Ani to not only be a musical, but an experimental one at that.
As stated, the characters of Ani do not sing the songs at all. The only time they interact with the songs being performed by the band are when the character or characters dance to the song or have their actions narrated by the song being sung. However, even though the characters do not actually sing the songs themselves, the songs that they interact with, which are entirely non-diegetic, are still used to advance the plot or deepen a character’s development, which is the ultimate goal of any musical. So, yes, Ani is a musical but it is a very non-conventional musical that I believe the media will be experiencing more of in the near future. One of the reasons musical were so commercially popular in the Golden Age, and even today with Hamilton and Dear Evan Hansen, is because the musical recording for the productions were made available for the public to purchase and listen to on their own time when they could not afford to go see a physical musical production of Broadway or go see a musical film in a movie theater. The beauty of Ani as a modern-day musical and a piece of musical theatre in general is that, unlike most musicals where only one or two songs can be separated from the plot and reach commercial success outside of the theatre community, is that Ani’s songs advance the plot of the musical perfectly while also being well-written and enjoyable standalone songs. 
Any Star Wars fan who is familiar with the lore of the universe can listen to the recording of ANI: A Parody and enjoy the music to the fullest extent of being a fan through the references and the general energetic composition of the songs alone. Really, despite Ani not being a traditional commercial piece of theatre on Broadway, it is a money-maker’s dream production on top of being just a great, well-rounded production in general. The songs can be taken out of context of the musical and still be enjoyed by anyone with a fan connection to Star Wars, while holding even more meaning for those who enjoy Star Wars and have also seen the production on YouTube (which is yet another reason for encouraging greater access to theatre by using the internet and  other multimedia platforms that lessen the need for large ticket and travel expenses). Similarly to the popularity of non-musical movies and their successful chart-topping soundtrack counterparts à la Dirty Dancing and Guardians of the Galaxy, musicals with the Ani format have a great future for both commercial and fandom success in the theatre community and the media industry at large. ANI: A Parody is a musical in the traditional sense and a piece of musical theatre that could potentially hold the key to theatrical accessibility worldwide due to its creative and inventive format.
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dazzys-oc-corner · 5 years
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Character/OC Guide
This here is a list of all if not most of my OC’s! Feel free to ask me almost anything about them :D
A - Dragons of Lockra (Dragon Universe)
B - The Foroverse (Demons and other beings)
C - Warrior Cats
D - Dungeon & Dragons
E - Wings of Fire
F - Guilds of Rainbow Hill (Pokémon Mystery Dungeon)
◇ - Other / Miscellaneous
Characters
Dragons of Lockra:
A1: Vibrancy (previously named Veneasha) (x)
A2: Valorous (previously named Valor) (x)
A3: Vitality (previously named Vara) (x)
A4: Rhodonite (previously named Ruby) (x)
A5: Vaunt (previously names Vroih) (x)
A6: Jiernaq (x)
A7: Swift (previously named Swijore) (x)
A8: Gamehna (x)
A9: Saline (previously named Zarshaul) (x)
A10: Aurora (x)
A11: Kelp (x)
A12: Emerald (previously named Fala) (x)
A13: Rosethorn (x)
A14: Briar (x)
A15: Mound (previously named Grala) (x)
A16: Obsidian (x)
A17: Blink (previously named Hectra) (x)
A18: Victory (previously named Glory) (x)
A19: Permafrost
A20: Snowdrop
A21: Crystaline
A22: Flint
A23: Tekeli
A24: Flicker / Yewsha
A25: Sunbeam
A26: Crystal
A27: Skyfire
A28: Striker
A29: Brine
A30: Screech
A31: Angelfin
A32: Fogbank
A33: Oyster
A34: Foren
A35: Ringleader
A36: Storm
A37: Montipora
A38: Azurine
A39: Cyclone
A40: Grasshopper
————————————————
Foroverse:
B1: Dusk Aborough (x)
B2: Static Kaiga
B3: Zakai Quip
B4: Vemunt / Daru Grambar
B5: Akalie Ahenoruvia
B6: Darren Otiragvurae
B7: Royal Blue
B8: Goldenrod Yellow
B9: Zaffre Indigo (Previously named Navy Indigo)
B10: Sora Fuari
B11: Jaia
B12: Lyrica Giantivar
B13: Lucy Ordell
B14: Garula Fuanodraki
B15: Mara Yenumma
B16: Naza Cazari
B17: Karmu Morounaca
B18: Torja Shura Pyra
B19: Nakila Cazari
B20: Viza Cazari
B21: Cricket
B22: Cobalt Indigo
B23: Slate Indigo
B24: Jessia
B25: Xynaxi
B26: Starkiller
B27: Kai Soulagoa
B28: Oruiji
B29: Zarma Ahebami
B30: Adrian Crow
B31: Caleb Fuanofru
B32: Ringleader
B33: Fleck
B34: Shimmer
B35: Turquoise Blue
B36: Fraara
B37: Galen Moroutornaki
B38: Starflare
B39: Forest Ganwousik
B40: EXDIUS
B41: Darius Blake
B42: Jared Trent
B43: Magenta "Rose" Porter
B44: Ridel Pyra
B45: Dakanza Shura
B46: Lau Harr
B47: Mani Harr
B48: Jekla Teki
B49: Dallmy Teki
B50: Jalm Teki
B51: Varka Tsara
B52 Paru-Pa Tsara
B53: Tiyani Veka
B54: Kayna Veka
B55: Soulavangar
B56: Unnamed Human Girl
B57: Unnamed Beast/Warrior Guy
B58: Unnamed Warrior/Ice Girl
————————————————-
Warrior Cats:
C1: Owlflight
C2: Gingerstep
C3: Frosteye
C4: Pinepaw
C5: Quailpaw
C6: Pebblewing
C7: Snowtuft
C8: Ebonyfoot
C9: Featherfall
C10: Alderwhisker (x)
C11: Mudpelt
C12: Rainstar
C13: Stormclaw
C14: Sunflowerspeckle
C15: Ridgetail/star
C16: Milletswirl
C17: Dappledflame
————————————————-
Dungeons & Dragons:
D1: Arri
D2: Rainer
D3: Blazing Sun / Blaze
D4: Ryan
D5: The Bronze Jester
D6: Venture
D7: Sootstone
D8: Blister
D9: Atticus Ataman
————————————————-
Wings of Fire:
E1: Vulture / Plummet
E2: Fissure
E3: Maelstrom / Irida
E4: Goldstone
E5: Snow Leopard
E6: Prickly Pear / Prickle
E7: Spearmint
E8: Rosethorn
E9: Cirrus (Sky/Ice hybrid oc, not canon)
E10: Stellar Jay
E11: Cometdrop / Comet
E12: Magma
E13: Sungaze
E14: Snapdragon
E15: Sail
E16: Fireswipe
E17: Andromeda
E18: Mantidfly
E19: Goldenray
E20: Citrus
E21: Cliffhanger / "Silversight"
E22: Pitch
E23: Temporal
E24: Nowhere
E25: Golden Ash
E26: Desiderium
E27: Cepheus / "The King"
E28: Jasper
E29: Grove / "Vile"
E30: Duskcrawler / "Noire"
E31: Lahar
E32: Asperitas
E33: Pyroclast
E34: Drift
E35: Summit
E36: Gale
E37: Rise
E38: Asp
E39: Thoughtfinder
E40: Sanddollar
E41: Stormbringer
E42: Seashore
E43: Panther
E44: Thunderbolt / "Bolt"
E45: Rutabaga
E46: Fractal
E47: Fractaline
E48: Sol
————————————————-
Guilds of Rainbow Hill:
F1: Kabu
F2: Willow
F3: Splotch
F4: Mama Apple
F5: Grove
F6: Ribbon
F7: Palm
F8: Duncan
F9: Puff
F10: Ruby
F11: V
F12: Tenzin
F13: Trident
F14: Cotton
F15: Ridge
F16: Keen Eye
F17: Cole
————————————————-
Other:
◇1: Greer
◇2: Barnaby
◇3: Okwaho
◇4: Aspect Sprites
◇4a: Nightmare
◇4b: Sleep
◇4c: Logic
◇4d: Doubt
◇4e: Motivation
◇4f: Idea
◇4g: Unmotivation
◇4h: Dream
◇4i: Soft
◇4j: Edge
◇4k: Energy
◇5: Chichi
◇6: Helia
◇7: Something More Crew
◇7a: Benny
◇7b: Rory
◇7c: Victoria
◇7d: Tony
◇8: Anima Heroes
◇8a: Ratalar
◇8b: Bunnabit
◇8c: Yinnin-Yannin
◇8d: Sunsin
◇8e: 2 Scrapped Characters
◇8f: 4 Villains
◇9: Chugs
◇10: 45 Designed "Fakemon" Dubbed "Kismets"
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megs-98 · 4 months
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BG3 Romance Picrew Game
Rules: Show me your Tav/Durge and their BG3 romance, then give me their song. Tag some friends to share too!
thank you @coreene for the tag!! <3
Gale and Mara
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made using this picrew
their song:
god they make me SICK i love them so much
tagging (no pressure, just for fun!) @jeneralmischief @dr-demi-bee @lotsofthinkythoughts @tripleyeeet @bloodlessbhaalbabe
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lizartgurl · 5 years
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The Little Atlantean (Aqualad x OC
(part one) (part two) PART THREE
@princes-jasmine @the-shadow-of-atlantis @super-spoiler @dykeclone @thespacebuns @flamebiirds @snaibzel
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Emma danced arm in arm with Richard, who had finally found his sea legs once the party began. She was tossed from sibling to sibling, spinning Duke under her arm and tossing Cassandra up in the air- once to spin, and twice so Cass could swing herself up onto the mast, where, once she found her balance, did a hearty jig.
“Show off,” Stephanie grinned as she bowed to Jason and the song finished.
Richard took Cassandra as his partner for the next dance. Duke took Stephanie, Tim with Mara, and Jason took Annabella, leaving Emma with Roy, the first mate, and something like her only friend outside of her siblings.
At complete ease with the casual and less-than-noble sailors of the family’s royal yacht, the royal children felt more themselves than they had in years, than they had since their kind father had died.
King Bruce had loved sailing trips, especially toting along the whole family to visit foreign lands and old allies. They traveled by sea wherever possible, like travelling with an old friend. Obviously, all his children, adopted or by blood, had inherited his love of the saltwater.
Talia smiled as she watched her children. The twins, young as they were, were allowed to stay for cake, but had been sent to bed before the rest of the festivities. She stood on the sidelines with Captain Pennyworth, the oldest and most trusted companion of both herself and the late king. She watched it all with a relaxed grace as she clapped along to the sailor’s pipes, trumpets, and makeshift drums on barrels full of various amounts of salted fish.
After this sea shanty, Talia raised her arms,and the sailor’s instruments fell silent, followed shortly by the Princesses and Princes.
“Crown Princess Emma,” Talia said, a hint of her courtly voice rising in the back of her throat. Emma shot her a pleading look, and Talia all but sighed.
“There is one more gift that must be presented tonight. It was commissioned by your father before his death.”
“King Bruce, may he rest in peace,” the sailors chanted respectfully. A brief moment of silence swept over the ship with the breeze, and Annabella squeezed Emma’s hand.
Talia approached her children, arms spread to offer a hug, “As you all know, Your father’s statue stood in the center of the capital of Gotham since his coronation, as did his father’s, and his father’s before him.
Emma and her siblings nodded.
“Princess Emma,” Talia nodded to the sailors, who cleared aside their musical setup to reveal a large object, covered by a tarp.
“I want one,” Jason grinned mischievously.
“You don’t even know what it is!” Mara elbowed him.
“She just said it’s a statue, genius,” He hissed.
“Oh, right.” She said sheepishly.
Emma gripped a corner of the tarp, and with the help of her siblings, yanked it off to reveal her elegant and gleaming marble statue.
“Wow,” Annabella gasped enviously. Richard gave a low whistle, impressed.
"It's...shiny?" Duke said slowly. Jason and Stephanie held back gales of laughter.
“It...it’s beautiful.” Emma mumbled, suddenly intimately aware of everyone’s eyes on her, comparing her to the statue of the goddess-like woman. Her features were stern and cold, like the rock it was carved from. She held a book in one hand, and a sword in the other. She already felt completely overwhelmed.
Kaldur reached the ship, heart racing. His cheeks were already beginning to hurt from how much he was smiling.
“Your highness!” Garth hissed, not wanting to warn the humans, but unable to bring himself to scramble up the side of the ship as Kaldur was deftly doing, in order to get closer to the sources of light on the ship above.
He hardly knew what to take in first. There were dozens of humans, some dressed identically, while a few of the smaller humans were dressed more elegantly with flowing sleeves and skirts about their legs. The smaller humans danced about with incredible agility and smiles to match his own, following the music produced by the larger humans, each wearing blue stripes with a red scarf tied around his neck.
A familiar squawk sounded above the din of the jaunty music, and a few greasy feathers fell in front of Kaldur’s nose. He barely brushed them off before he sneezed.
“How ya doin kid?” Vulko screeched, landing next to Kaldur on the side of the ship.
Kaldur clamped his hand over Vulko’s yapping beak as one of the dancing humans looked up, glaring around as one of her dancing companions crashed into her.
“Bella? You okay?” Stephanie rubbed her nose, looking around with her sister.
Annabella glared at the opening in the side of the ship's railing, used for cannons inb times of war. “I thought I heard someone...talking.”
“Over this din? Really?” Duke asked.
He was right, and Annabella shook it off, but not before noticing that Emma was now standing on the side, too relaxed to be catching her breath.
When he was certain that the coast was clear, Kaldur peered back through the opening.
“I’ve never seen humans this close before.” He whispered to Vulko, hoping the crazy bird would get the message.
At that point, a medium-sized female human began to approach the side of the ship where they were hiding. Kaldur slunk back into the shadows to avoid being seen, but it was quickly apparent that this human was too lost in her own woes to notice the merman clinging to the side of the ship.
She leaned over the railing, staring off into the distance. The bright blue dress she wore matched her intelligent eyes, Kaldur could tell that even in the shadows created by the ship’s lanterns, and a thin silver diadem not unlike the ones he and Tula were required to wear at most official court functions wrapped around her forehead.
She sighed long and loud, and Kaldur immediately felt sorry for her.
“Emma,” A tall human woman, in an elegant green dress that resembled more of a robe, approached her. She wore a simple but elegant golden crown, and her shoulders seemed to bear the same weight as her younger human counterpart.
The first human- “Emma” -threw herself in the older woman’s arms the way Kaldur used to do with his mother, back before all the tragedies that took his father, his uncle, and placed Sha’lain’a on the throne until her niece could assume that duty.
“I take it you are not enjoying the festivities that much?”
“It’s wonderful, Talia, but how can I do it all? I know Bruce had faith in me, I know you and practically everyone I talk to about this has faith in me, but, but...it’s all so much.”
Talia grimaced at herself for even thinking this when Emma was in such distress.
“You know, Bruce always said that being King became ten times easier after we were married.”
Emma grinned wryly up at her mother, and her expression softened as she looked over at her siblings.
“Trust me, Talia, when I find the right partner, it’ll hit me like lightning!”
Her declaration echoed dangerously over the ship, as lightning flashed in the distance.
Roy scuttled up the mast in a second.
“Hurricane!” Came the warning from the crow’s nest a moment later. In that moment, the wind began to pick up. Jason wrapped his arms around Cass and Bella, as if the wind would lift them up by their skirts and carry them away.
“Woah!” Vulko’s grip slipped as Kaldur hung to the ship’s rigging for dear life. He couldn’t see La’gaan and Garth anymore, and a sudden fear ripped through him that he’d lead them all to their deaths. Surface-related, yes, but humans would take the brunt of the blame, should his mother find out.
“Vulko!” The winds carried away his voice, along with the seagull, who seemed worried about Kaldur, but otherwise content to let the winds carry him wherever.
“Batten the hatches, men!” Captain Pennyworth struggled to hold onto his hat. “Get the Royal Family below decks!”
Roy stumbled in an effort to get to the unattended steering wheel. Emma almost flew past him, turning as sharply as she dared to start them away from the storm.
But it was too late, the storm was already upon the unsuspecting revelers, and a fresh lightning bolt split the mast into two jagged halves.
“Abandon ship!” Roy declared. Half the sailors began to loosen the longboats while others attempted to stifle the fire for even a moment.
“Damian! Athanasia!” Talia screamed in a panic, realizing that her two babies were trapped beneath the deck, and the fire was growing closer to the stairway.
Without thinking, a plan came to Emma as she skid across the deck, soaked from the downpour. She gripped Bella and Jason’s shoulders to get their attention.
“Get Talia and everyone else off the ship, I’m getting the twins.”
“Emma, wait!” the hem of Emma’s skirt slipped through Annabella’s fingers as her big sister leaped over the flames, rolling down the stairs, steadily filling with smoke. The royal quarters were easy enough to find, and had she not known the ship like the back of her hand, the cries of her baby brother and sister were enough to lead her through the violent pitching.
“Hang on, Dami,” Emma whispered, placing the older brother on her back and holding Athanasia to her chest. She tore three strips of fabric from her skirt, wrapping it over their mouths to help the three of them breathe as she navigated back up to the deck through the smoke, now a billowing cloud of darkness that stung her eyes and seared her tiara.
She could barely see as she stumbled back onto the deck. The screams had mostly stopped by then, but the tears were still flowing.
“Emma!” Talia screamed, guiding Emma to the railing.
“I’m going to jump!” She warned the three boats below. Damian whimpered as the flames licked at her back, and that was enough for Emma to ignore Talia’s protest and pitch herself over the side of the ship and into the roiling waters, clinging to her baby brother and sister.
“Emma!” Richard was half-scolding as his boat reached her. He gripped the fabric of her sleeve as Cassandra and Stephanie took the babies.
Richard’s grip relaxed as he thought maybe perhaps they’d all make it through this alive. Emma only had time to flash a weekly heroic smile before another wave washed her underwater.
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The Letter (1940, A)
There is something wonderful about how the best Old Hollywood, big studio melodramas so deliciously inhabit a space between the visual beauty of their wealthy protagonists (and producers), the bigness of their emotions, and the sincerity of their realization. It’s almost funny watching Dark Victory, which fervently tugs on the heartstrings through its magnificent score, every element working in tandem to make you feel sympathetic for a dying Bette Davis. And yet, in spite of how overtly the whole thing is working to get to you, in spite of how much you can see the wires, it still works. Then again, being able to see the way these pictures are constructed isn’t because they’re poorly made, the methods of filmmaking are just more resplendently obvious than a comparable picture might be today. Then again, would a modern version of The Letter be able to be as compelling, given today’s filmmaking practices? There’s no tinkling score or over-reliance on actors to shape the material, no juggling between close-ups to film a scene, no affectation around the wealth of its protagonists, no cleaning up of the politics around it. Would it feel the need to do that, even if it set in a pre-WWII rubber farm in Singapore? What would a contemporary setting even be for this project?
But why fret about the movies of the never when we can gush about the movies of the almost eighty years ago, and how well they hold up? Even if some of why The Letter’s combined elements are so noticeable is because of the era in filmmaking it resides in, as much of it is because the film is so virtuosically assembled that you cannot help but notice the quality of the whole and how wonderfully constructed each of the parts are. Yes, there is the Hays Code ending that is so obviously tacked on, and how an oddly cast, imperiously framed Gale Sondergaard somehow turns in a bad performance despite never saying a word in English. But these are two minor perforations in an impressive vehicle, stuffed to the brim with peak contributions from almost literally everyone involved. Rare is the film with seven Academy Award nominations that I can happily stand by every single one of them, and in fact wonder where its Costume Design and Adapted Screenplay nominations, perhaps even Production Design. Even rarer is for a women’s picture of any kind to get that kind of recognition this day in age. Bette Davis is the sole, unabashed lead of this Best Picture nominee, and it’s practically impossible to attach that kind of Oscar heat to any recent Best Actress nominee that doesn’t have an accompanying Best Actor nominee waiting in the wings. Technical juggernaut Gravity is the only exception to the rule in this decade, throw in The Hours, Chicago, and Moulin Rouge! and we’ve got the millennium covered. It’s dispiriting to realize how many Best Actress nominees are the sole representatives of their films, and even more dispiriting to wonder if the same fate would’ve befallen The Letter. So let’s rejoice again that it was made in an era where women’s pictures were known as a valuable commodity at the box office and to those all-valuable awards bodies, and let me get down to actually talking about it.
You could hardly ask for a more galvanizing opening to The Letter, as the tranquil roll of the credits over workers luxuriating in their barracks in the moonlight is broken by the sound of a gunshot. Out bursts an unknown, wounded man who becomes even more doomed once we see that the person shooting him is Bette Davis. The steeliness of her posture, the rigidity of her arm, the hardness of her expression, everything about the way Leslie Crosbie kills the man she says tried to rape her is the only thing that feels like it contradicts her later recounting that she doesn’t remember killing Geoff Hammond. Her presence, her rage, is simply too potent to match her description - no, her recreation - of a frightened woman desperately fighting for her life. Not that Leslie’s retelling of the killing to her husband Robert and her lawyer Howard Joyce isn’t completely convincing. In fact, what sets off Joyce’s antennae is how perfectly she tells this story of fighting for her honor against a drunk acquaintance, how composed she is until she suddenly isn’t, how there’s something that’s just off about her otherwise spot-on description of events. These suspicions are given even greater weight once he learns from his assistant about the existence of a letter from Leslie, suggesting a relationship with Hammond and asking for a meeting the night he died, albeit threateningly. An explanation that Leslie wanted to corroborate on buying her husband a birthday gun doesn’t quite stick, but she tells it like a woman trying to save her life and get back to her husband, not a scheming murderess furious she isn’t being believed, though her rage is still palpable. 
And yet, because the letter is not public knowledge, the idea of Leslie being in any legal trouble is a joke to the wealthy whites of Singapore. Yes, she did kill a man, but because he died how he died, it’s not as though anyone thinks Leslie committed a crime. She defended herself from a drunk attacker, already ostracized for marrying a Eurasian local. Mrs. Hammond, who does not get get a first name, is the woman in possession on the titular, scandalous letter, and most of the film is devoted to Leslie and Mr. Joyce trying to get it from her, fulfilling her requests and meeting her in the ethnic part of Singapore to make the trade. The actual trade-off is perhaps the film’s second-weakest sequence, though one wonders how much this could’ve been elevated even a little had Gale Sondergaard decided to pick an expression other than Imperious Anger. Eyes lit by moonlight through window shades, the sheer electricity of her anger feels oddly one-note, though Mrs. Hammond being scripted only in unsubtitled Chinese denies us any way of understanding why she would give Leslie the only evidence that could possibly bring her husband’s killer to justice. It’s still as tense as any other scene in the film, though it’s just too obvious that Wyler doesn’t know what to do with Mrs. Hammond aside from framing her as a narrative obstacle, not a human person. As it stands, the central conflict of The Letter is not about the trial or the letter so much as it is the accruing of tensions around its main characters as these events come hurtling towards them. What is the state of Joyce’s ethics, his soul, as he commits himself to taking this letter away from the eyes of the prosecution and the hands of a widow to save his friends? What shall become of doting Robert once he finds out the letter exists, and what has been done to acquire it? What’s to make of Leslie’s soul as it is, and who is she really? A long-standing lover or a rattled wife, both perhaps responding a little too insouciantly after killing a man on front steps of her bungalow.
Still, say this for Wyler, Mrs. Hammond is by far the exception to the rule of quality in The Letter. All three of its tech Oscars are richly deserved; Georgy Amy and Warren Low make this is a fleetly edited yarn that knows when best to deploy a close-up, a two-shot, to jump to an insert of an important item. Max Steiner’s score is roiling, emotive, and malleable enough to fit into any emotion Bette Davis is telegraphing for us, even if her face isn’t quite saying it. And Tony Gaudio’s cinematography is a tremendous, nimble asset to The Letter, doing great work with moonlight coming in through window screens, with the blocking of actors, with finding the right angles to get a pang of unrest at an empty porch, a bedside confession, a shadow traveling on the lawn. . Much like the first hour of Malcolm X, Gaudio’s cinematography in the film’s lowest moments - the tradeoff with Mrs. Hammond and the tacked-on finale - creates a feast for the eyes and an interesting mood that almost takes away from how disinterested the director is in these moments. To hop off Oscar’s bandwagon for a quick moment, let’s not deny ourselves how scrumptious each and every one of Leslie’s outfits are, how well Joyce’s and Robert’s suits fit their bodies, how intimidatingly styled Mrs. Hammond is.
But let's not bury the lede here. The Letter lives and dies by how Wyler and Davis navigate the role of Leslie Crosbie, and they do incomparable work filling out this woman without betraying her. The first real genius of Davis’ performance is that Leslie’s responses to new information are in the basis on emotion and intellect without flaunting if these reactions are coming from an innocent or guilty mind. The questions of Leslie Crosbie’s innocence or guilt, steel and vulnerability, who she does and doesn’t believe in, is handled with remarkable subtlety and depth by Wyler and Bette Davis. The genius of her performance specifically is that she does not sell out Leslie, navigating her emotional and intellectual arcs without playing innocent or guilty outright. This isn’t John Carroll Lynch’s squirrelly prevarication in Zodiac, actively playing the perceptions of the audience or her fellow characters, but nor is this Rooney Mara’s shell-shocked, impenetrable innocence in the first half of Side Effects. Davis’ choices are compelling in the moment and hold up once every truth has been laid bare, every letter read and confession given. It is the way that Davis responds to new pieces of evidence, to questions, to statements of affirmation from friends, from her husband, from Joyce, emotionally and intellectually, in how she moves her eyes and cocks her head. Even if we doubt the honesty of what Leslie is saying, we never doubt the emotional Davis is an actress who knows how to use her entire body in a performance, not just those electric eyes but her posture and her physicality - the different ways she grabs her husband, her posture as she shoots Geoff Hammond, her unease with Mrs. Hammond - and that theatricality, on top of the bigness of her emotions and the subtlety of her playing, fits perfectly with The Letter’s tone, Wyler’s ambitions, and Leslie’s truths.
 James Stephenson as Howard Joyce gives the film’s other great performance, and in contrast to Davis his greatness is based in stillness, the variants and degradations of commonalities in a decent, hardworking man. Joyce’s willingness to go along with obtaining the letter goes against everything Joyce believes in, yet he cannot seem to understand why he’s putting his career in jeopardy, even if he is friends with the Crosbies. Stephenson finds the tremors in Joyce’s faux-cool exterior, seemingly taking the whole thing in stride as becomes increasingly fraught by his own actions. His closing statement to the jury of Leslie’s trial, the outcome so assured the prosecution doesn’t even bother to present their own finisher, betrays so many emotional conflicts while still functioning perfectly as an impassioned statement on behalf of his client. Herbert Marshall is very much the third wheel narratively and in terms of performance, though his turn is still poignantly sympathetic to this basically decent man being kept from the truth about his wife until he stumbles into it.
Robert’s stumbling happens almost immediately after the trial concludes, where a getaway plan is dashed once he learns about the letter, and what was done to acquire it. The truth about the night Geoff Hammond died, what prompted him to arrive and what he did to make Leslie shoot her, is finally revealed by Leslie herself. The final half hour is essentially a series of reckonings between Leslie and her husband as the two realize what their marriage can and cannot withstand, culminating in the film’s saddest confession as Leslie howls in the face of a failed reconciliation that she is still in love with the man she killed. It’s here that the tacked-on ending of the Hays Code takes hold, as an eye is exchanged for an eye on Leslie’s front lawn. A getaway stroll is immediately foiled by a police officer the killer stumbles into, an arrest seemingly made through a series of silent glances. It’s palpably odd, unlike a similar tacked-on comeuppance in The Bad Seed, where its ethics-code assigned bit of karmic justice fits the film’s cray-cray style. I suppose The Letter chooses the proper minor character to dole out vengeance, but the sudden resolution of the killing feels bizarrely enacted. As mentioned early, the sheer beauty of certain moments in the sequence feels as though Wyler is trying to find something to be interested in, and its truncated presentation suggests he’s trying to get through it as quickly as possible. The sheer distance Wyler stages us from the killing is odd considering how close we are to Leslie’s killing of Hammond at the beginning, how he does nothing to skimp on the violence of the moment and the responses it creates in Leslie, in the panicked workers. Yes, this killing is done in almost complete isolation, but even the audience is isolated from it, and the poignancy of the moment suffers for it.
If I’ve had a difficult time balancing between what’s inevitable about The Letter and keeping some of the mysteries intact, forgive me, but it’s hard to call the narrative trajectory the film’s most compelling feature. It’s a character study with the trappings of a film noir. The Letter is a deep plumbing of Leslie Crosbie by Wyler and Davis, and they do so with astonishing success and syncopation. There’s no distance between Leslie and Bette, even if the performance is so remarkably realized you can’t help but notice how good she is in the role. The diminished returns of the final minute is nothing compared to the preceding 93 minutes, and I’m amazed that in all my ramblings I’ve barely devoted a paragraph to Wyler’s direction. To be fair, Wyler credited himself totally with the success of The Letter once it was realized, though the fact that the man is perfectly willing to speak for himself is no excuse not to give my own praise. Wyler makes the film sing, coordinating perfectly not just with Davis but with Stephenson, with Steiner, with Gaudio, with Amy and Law. His is the hand that guides the whole thing to triumph, and he’s as worth crediting as Bette Davis is for making The Letter such a vivid, singular experience. Even if the trial is seen as a joke by many of the characters, Wyler’s investment in the trial is enough that the incriminating letter has real weight on him and on Leslie. The stakes of the whole thing, and how those stakes are different for Leslie and for Joyce, is never lost on him.
 Have I said enough to convince you to go and watch The Letter? Frankly, I’ve run out of nice things to say about the film. Taking into account the two quibbles I’ve made about Mrs. Hammond and the odd ending, it’s not enough to matter compared to the virtuosity that the rest of the film exerts. There’s no moment when the picture isn’t completely compelling, and if the sputtering disorganization of this paper indicates anything, it’s that my enthusiasm for the film far outweighs my interest in giving an organized testimony about it. You could never get a corker this finely tuned and psychologically rich made this day in age, let alone one starring a platinum-class actress operating in perfect sync with an equally invaluable director. The Letter has a gargantuan amount to offer, from the fascination of the central mystery to how marvelously it’s realized on every level. You could barely ask for a better version of the film, certainly not one with the Hays Code in play. I’d encourage anyone with an interest in top-tier actressing, sordid 40’s mysteries, stylized lighting, spiritual crises, all guided by a genius director, to rent this film as soon as you possibly can. Hell, buy it. Every choice in The Letter is carried out with finesse, fulfilling its duty to the moment and to the ultimate finale. At 95 minutes it’s built like a steel watch, endlessly rewatchable and sturdy enough to withstand multiple viewings. So go, my pretties. Find The Letter. Give it the attention that it deserves. Anything that has the hutzpah to open with a woman killing a man at the dead of night knows exactly what it’s doing from the start, and believe me, anything this confident and charismatic deserves more shots at our love and attention than the six that Geoff Hammond got.
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thetribes · 7 years
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Personajes
Personajes Principales:
Drew Van Acker ... Yron Taylor 
Marie Avgeropoulos ... Emery Corinthos
Brant Daugherty ... Harvey Shephard
Jessica Parker Kennedy ... Susana Lawson
David Mazouz ... Jake Taylor
Emma Watson ... Kate Henderson 
Luke Mably ... Preston Taylor
Gloria Reuben ... Evelyn Lawson
Bridget Moynahan ... Marie Henderson 
Personajes Regulares 
Tim Phillipps ... Robb Hayes
Robbie Amell ... Trent Grimm
Nicola Peltz ... Andrea Leah Walters
Hector David Jr. ... Lexon Krause
Blake Jenner ... Connor Kyte
Nicole Gale Anderson ... Didi Miller
Dan Curtis Lee ... Strike
Eve Harlow ... Tara Dreyfrus
Molly C. Quinn .... Mara Hopkins
Spencer Boldman ... Bull 
Autumn Reeser ... Secretaria Johanna Boone
Ryan Eggold ... Burt Richards
Personajes Recurrentes:
Amandla Stenberg ... Baylee Hirst 
Madeline Brewer ... Portia Shantel
Burkely Duffield ... Boyd 
Anne Winters ... Liv
A
Andrea Leah Walters
B
Bayle Hirst
Bull
Burt Richards
C
Connor Kyte
D
Didi Miller
E
Emery Corinthos
Evelyn Lawson
F
G
H
Harvey Sheppard
I
J
Jake Taylor
Johanna Boone
K
Kate Henderson
L
Lexon Krause
M
Mara Hopkins
Marie Henderson
N
O
P
Preston Taylor
Q
R
Robb Hayes
S
Strike
Susana Lawson
T
Tara Dreyfus
Trent Grimm
U
V
W
Y
Yron Taylor
X
Z
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megs-98 · 2 months
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Mesmeric Revelation
The Mystery of Gale Dekarios
“We’ll stop wasting your time then, Mr. Dekarios.” Mara said in a rough manner as she turned her body to let Fox and Astarion leave the room first, her fierce gaze still locked on Gale.
A/N: This is chapter 1 of a slow burn, enemies to lovers, modern au between Gale and my tav Mara! I've had so much fun writing it and appreciate the love on the snippets I've shared about it. Also! A huge, huge thank you to all my followers as I've hit 100 followers now ^_^ I appreciate each and every one of yall
Characters: Gale, Mara, Astarion x Fox (@justporo 's tav), Shadowheart, a little bit of Gortash and Orin, and a mention of Thorm I'm hoping to add all the companions eventually
Summary: It's the start of a new school year at Chiontar High and there's been talk amongst the teachers about how the esteemed Professor Dekarios from Blackstaff Academy has joined the schools faculty. After a chance encounter between Gale and Mara, leaving her less than impressed with the professor, will the two be able to start a friendship and maybe something more?
Tags: Really none for this first chapter, just a little bit of pining and Gale being a jackass
Word count: 2.8k
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It was a week before the fall semester was set to start at Chionthar High School. Mara and the other teachers sat in the cafeteria as they listened to Principal Gortash and Vice Principal Orin as they attempted to talk over each other about what to expect throughout the week; have all materials printed out, classrooms ready, and a good attitude to greet students with. Fox, Astarion, and Mara were sat in the back, in the middle of their own hushed conversation.
“God, I don’t understand why Thorm keeps them around. It’s not like they get anything useful done.” Fox quipped as she checked her phone in one hand and rubbed Astarion’s back with the other. 
Mara didn’t take her eyes off the athletics schedule as she said “At least we don’t have Thorm actually here. I’d rather have these two than him. We wouldn’t be able to get away with anything with Thorm here.” 
Mara heard Astarion as he let out a sigh as he tightened his grip around Fox’s waist. “This is true, darling. If he were here then our ‘meetings’ would have to be especially clandestine.” He said as he nipped at Fox’s shoulder. Mara rolled her eyes and smiled as her two dearest friends cavorted with each other. 
The trio resumed their conversation as they slowly grabbed their things as the meeting came to a close. Just as everyone was about to stand to leave as Principal Gortash had already left the cafeteria, Vice Principal Orin cleared her throat.
“One more important piece of information, that Mr. Gortash forgot,” she said with a sneer, “we will be having a new AP literature teacher this year. Gale Dekarios, from Black Staff Academy.” She waved her hand as she left, as if she were shooing away the teachers. There were immediate murmurs between the teachers as they left for their classrooms, Mara could hear whispers about a professor now being at their school and how disconcerting it was that he wasn’t present nor had been seen at all during summer prep. 
The trio made their way to their respective classrooms slowly, knowing that they had already completed everything at Mara’s behest. As they came upon the front doors to the school, Mara collided with a man she’d never seen before. She caught the man by his arm as she kept the two of them standing. 
“Fuckin’ hell, I’m so sorry, I didn’t see you! Are you okay?” She asked in a frantic tone as Fox helped steady her. Mara noticed that he was shorter than her, but not by much, with ever so slightly graying dark brown medium length hair, a single dangling earring in his left ear, and the prettiest brown eyes. She glanced at Astarion after thanking Fox, he raised his eyebrows and gave her a cheeky smile as he glanced between Mara and the mysterious man. Before she could give Astarion a smack, the man answered. 
“Quite alright. It appears I, also, was not being as observational as I should have been. Gale Dekarios,” he said with an outstretched hand and slightly irritated tone, “pleasure to make your acquaintance.” Mara shook his hand and introduced herself, and the other two. After their pleasantries, Gale awkwardly asked if any of them would be able to help him bring some boxes to his classroom. Mara agreed that they would all help him. 
“Excuse me. Why do I have to haul his stuff around? I’ve already finished my classroom setup, maybe he should have done his summer prep and he wouldn’t be so atrociously behind.” Astarion said with a groan as he looked right at the new teacher. Mara and Fox rolled their eyes and said, “Ignore him”, at the same time, which caused the two women to chuckle as they followed Gale to his car. 
“Seems you three are quite chummy, I take it you all have been teaching together for a while?” Gale asked the group as they made their way back inside. 
“Bit longer than that. We all met during our freshman year of college, were in the same classes for the teaching program, and we did our student teaching here together.” Fox answered with a smile as she looked at her two favorite people. Astarion couldn’t help but smile back at her as he spoke. 
“Yes, yes. We’ve all been such great friends for so long now. But the real question, Gale, is how did such a prestigious professor from Blackstaff Academy end up here?” Astarion asked as he cocked his head at the ex-professor. Gale narrowed his eyes at white haired man, silent as he contemplated his answer.  
“Ease up, Astarion. Let’s not scare him off on his first day here.” Mara said to break the silence. She turned her head to Gale, “It doesn’t matter, anyway, we’re always happy to welcome newcomers.” Gale gave a small nod to her as a thank you. 
Gale cleared his throat as he asked them what subjects they taught. The three each shared that Fox is the Entrepreneurship 101 teacher, Astarion taught Government, and Mara has been the underclassman and middle school PE teacher and was hopeful that she’d still be teaching an elective class. Gale simply nodded and gave a hum of acknowledgement as he followed the friends through the school.  
The group continued in a comfortable silence before they came to Gale’s classroom. There was a note littered with neat and tight cursive as well as crude, barely legible writing taped to the slightly ajar door. 
Mr. Dekarios, please visit my our secretary to receive your keys and to get a badge.  
– Principal Gortash & Vice Principal Orin
Gale rolled his eyes and pushed the door open with his shoulder after he read the note. He looked around the classroom as he furrowed his brow. “This isn’t quite what I was expecting, if I’m being honest. It all seems a bit… small. But then again, this is a small school.” He said as he set his boxes down on his desk. He sounded increasingly more frustrated than when they had first met only minutes ago. 
“It is a little small, yes, but there’s plenty of bookshelves for you. Every literature teacher we’ve had has loved this room.” Mara said as she looked for an empty spot to place the boxes. 
Gale let out a loud sigh that caused the three to stop where they were. 
“I understand you might not understand the difference, but I am teaching advanced. placement. literature, standard literature, as well as a philosophy elective.” He said with a sharp tone in his voice. He locked his gaze with Mara as he finished his sentence. She opened her mouth to say something to remedy the situation but Gale held his hand up. “I do not wish to be rude, but I don’t see how you could understand how my situation here is simultaneously underwhelming and overwhelming. I apologize that I do not have the time to explain the difference between the two to a middle school gym teacher at the moment.” 
Fox’s eyes went wide as she listened to this stranger talk down to Mara. She took a step forward as she roughly placed the boxes down on the desk next to her. Astarion quickly took a step in front of her to keep her from lunging across the room at Gale. Mara kept her gaze on Gale as she took in everything he had just said to her, her eyebrows raised at the audacity. She startled everyone slightly as she stretched out her arms and dropped the boxes on the ground in front of her with a hard thud.  
“We’ll stop wasting your time then, Mr. Dekarios.” Mara said in a rough manner as she turned her body to let Fox and Astarion leave the room first, her fierce gaze still locked on Gale. Fox grabbed Mara’s arm on the way out. She didn’t hesitate as she followed the others after she made sure to slam the door behind her. Mara widened her stride as she stormed down the hallway, her fists clenched at her sides; earning a few worried glances from the teachers that had stepped into the hallway to see what had happened.
Astarion and Fox did their best to keep up with Mara as they tried not to jog after her. They soon realized that Mara had made a beeline for Fox’s classroom as they entered the hallway; Mara opened the door to the classroom for the couple as she huffed her way in behind them, obscenities muttered under her breath. Astarion perched himself on the desk, his legs crossed while he watched Mara pace around the classroom silently and as Fox worriedly watched her beside him. 
“So,” Astarion said, as he made sure to draw out the vowel, “what do we think of our new friend?” A dry chuckle escaped him as he finished his question. His lover was quick to smack him with a glare. Mara didn’t stop pacing as she gave Astarion the middle finger.  
“That pompous, shit eating, jackass is not our friend.” Her pacing finally came to end as she stood in front of her two friends. “He’s just another pretentious savant with an inflated ego. There’s no point in wasting anymore energy on him.” Mara said as she ran a hand through her hair. 
“Oh, boo. I was hoping you two would fight him, like you did in our college days when egotistical men wouldn’t leave the two of you alone.” Astarion said with a smile. Mara tried to keep a straight face but it quickly devolved into laughs as she and her friends reminisced on their years together.
The rest of the week passed with relative ease for Mara. She made a point to avoid the hallway Gale’s classroom was on to prevent seeing him and spent her time between the gymnasium, getting the equipment prepped for the incoming students, and Fox’s classroom as she prepared herself for another year of teaching Introduction to Ethics. She was not able to escape the new teacher all together, though. Wherever she went that weren’t her usual places, she heard talk of the man and rumors that floated around; and even worse yet, she had always listened, wanting to find out more about the mysterious teacher. As much as she hated it, her thoughts traveled back to him quite often. Mara couldn’t help but think that he was quite attractive and from what she had learned from searching his name, he was, in fact, a very accomplished literature scholar and seemed deserving of the awards that he had won throughout his career. She had a hard time convincing herself that the man she met earlier in the week was who Gale actually was and that they had just got off on the wrong foot. Mara, however, was too stubborn to be the first to admit this and had told herself he needed to be the one to apologize before she attempted to make amends. 
“I hear that he was fired because so many of his students had to cheat to pass his classes. Why that doesn’t hardly sound fair though, does it? If it’s true.. the students simply leveled the playing field if he was really that bad.” Astarion said as he organized his desk for the first day of school that was just a day away. Mara sat on the floor as she stretched and Fox kept herself busy as she rearranged Astarion’s desk the moment he finished. 
“It wouldn’t surprise me if he was a dickhead teacher. He had no problem talking to Mara the way that he did, I’m sure he’d have no problem talking down to students.” Fox said as she left a wake of chaos behind her on the desk. 
Mara opened her mouth to say something before she was interrupted by someone stood in the doorway. 
“The two of you are hardly correct. The real reason is much more salacious.” The voice came from the Psychology teacher, Jen Hallowleaf; or as she preferred to be called, Shadowheart. “He left Black Staff because he was ‘involved’ with his department head, the critically acclaimed Mystra. She was going to turn him into the ethics board after he kept asking for tenure, he couldn’t risk losing his license, so he quit and accepted a position here. Took quite a hit to his reputation from what I’ve heard.” She said as she checked over her nails. 
Mara sat up from the stretch she was in, “Shadow, how would you possibly know that?” she asked with a quizzical look. Shadowheart laughed as she told the group that she had her sources. “Really? You have sources all the way in Waterdeep? That give you accurate information?” Mara continued to push, she knew that Shadowheart had a propensity to gossip and mislead. 
Shadow scowled at Mara as she answered, “Of course I do, I can know just about anything about anyone anywhere after a few glasses of good wine.” Astarion looked impressed at her answer and Fox continued to watch her as her gaze flickered to Mara occasionally. 
Mara was off the floor now as she leaned against the wall next to the psych teacher, arms crossed over her chest. “I see, and what else do these ‘reliable sources’ say about Mr. Dekarios?” Her voice was laced in sarcasm but her features betrayed her; her eyes stilled on the woman and a slight blush formed across her cheeks as her body tensed. Fox tapped Astarion with her foot and made a subtle motion for him to look at Mara. A glance was shared between the two as they saw a glint in Mara’s eyes, unsure if it was yearning or repugnance. 
“Well,” Shadow replied, “they say he’s quite close to his mother, has a cat named Tara, I believe it was, and that he has always been quite gifted in literature. Supposedly he was Mystra’s favorite professor at one point but he wouldn’t quit asking for tenure and benefits she thought he didn’t deserve.” Shadowheart seemed quite proud of herself after having relayed such information about the mysterious newcomer in the school. 
Mara shifted on her feet as she mulled over the woman’s words and pretended, not very well, to not care about the information provided to them. Shadowheart announced her departure after she grew bored of the silence between the four of them. Both Astarion and Fox had to say something to get Mara’s attention as to pull her from her thoughts. Mara looked at the two of them and caught a glimpse of the clock on the wall between the two of them.
“Shit, it’s time to leave already. I need to finish organizing the equipment closet in the gym.” Mara grabbed her bag as she gave them a wave, “I’ll call you guys later!” The two returned the sentiment and decided to leave what they saw alone for the moment as they left the school hand in hand. 
Mara made her way through the school as she scolded herself for two different things. The first being that she didn’t finish the work she had started when she started it, which now caused her to leave work late. The second being that she had been genuinely intrigued to hear what Shadowheart had to say about Gale Dekarios. The same man who had talked down to her in such a condescending tone. The same man she had been avoiding all week. The same man that had been plaguing her thoughts when she let her mind wander. She forced her mind to focus as she approached the gym and connected her phone to the bluetooth system so she could blare her music as she finished the last of her work for the day.
As she left the gym and locked it, she heard a voice emanate behind her. It was a warm and sincere voice that she had been wanting to hear; it was Gale’s voice. 
“Hello, Mara. I hope you’ve been well this week?” She saw Gale smiling up at her as she turned around. 
“Oh, hi, Gale.” She kept her voice level and did not return his smile. “I’ve been fine.” 
Gale nodded as he adjusted his bag awkwardly and cleared his throat. “I’m glad, the week of the new semester starting is always stressful so I’m happy to hear you’ve been handling it well.” 
Mara almost broke, in that moment, wanting to ask him if she had done something wrong, but she held her resolve. She didn't answer him, which made him release an anxious laugh to fill the silence. 
“Well, I just wanted to say hello and let you know that I hope you do well with your students this year. Now if you excuse me, I must be leaving now, as you probably should be as well, I’ll see you tomorrow.” And with a small wave, he took his leave as he walked away from Mara.
‘Oh, so he really is an audacious egomaniac.’ She thought to herself as she scoffed. Mara walked to the back doors of the school and pulled out her phone and scrolled through her contact list.
“You’ll never fucking believe what just happened.”, she said into her phone the moment Fox answered her call.
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megs-98 · 6 months
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Tag Game
Big thanks to @coreene for tagging me ^_^ <3
Last Song- Sabrina by PierceTheSkies
Currently watching- honestly i mostly watch bailey sarian, zachary michael, skyrimm, and minecraft videos on youtube or bluey with my toddler
Three ships- Astarion x Fox (@justporo's tav) Gale x Mara (my Tav) and Reagan and Brett from Inside Job on netflix
Favorite color- rn it's sage green
Currently consuming- blue gatorade
First ship- Dean and Cas from supernatural. I haven't seen the finale and quite honestly i don't want to. i need them together.
Place of birth- Nowhere Kansas
Relationship status- happily married and still simping over fictional men
Last movie- Damsel on netflix. honestly not too bad, i enjoyed it. i think it just needs more lore and world building
Currently working on- a fluff gale x tav fic as well as a smutty one
Tagging: @tripleyeeet @jeneralmischief @starbuds-and-rosedust @dr-demi-bee and whoever else wants to join in! (no pressure to join, just for fun :) )
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