#galaxy brain rn

[dandelion-roots]

No matter what you do, you just can't shake him off, can you, Chūya?

[lyrics: Florence + the Machine | id in alt]

EDIT: I made a whole ass janky animatic to this song, enjoy!

[shaylogic]

Messy Masterpost: I don't have the words so here's a mess of links and ideas

@captainfantasticalright's Dead Boy Detectives: a breakdown of Dante's hell. This post is a masterpiece of understanding how the Hell/afterlife dynamics work in Sandman Universe and DBDA, and it's sent my mind buzzing like crazy

My post about Simon's book

Not just any book

Theory about Simon's brother/father? Being a part of Burgess' Cult ("Order of Ancient Mysteries")

Thank you @niko-sasaki-dbd

Ba'al ==> Sa'al

Seems like Simon may have gotten a demon-summoning book that worked from his brother who may have been involved on Burgess' cult from Sandman. He died with book in hand, and that's the one he's tearing apart on repeat in Hell. Tumblr user listed above identified what the book might be, based off the image.

This interview at 12:52 George Rexstrew answering that Edwin's favorite thing about Charles is his unconditional love and acceptance of him.

Post about Charles bearing his soul to the Night Nurse like Orpheus played music to Cerberus

Interviewer talking about "straight friend" Charles "rejecting" gay Edwin, only for George, Jayden, Beth, and Steve to stiffen up slightly. Asking about how Charles didn't have a gay panic reaction to Edwin's confession. This interviewer is actually gay and interviewed on a gay network later, which threw me after this question.

=>If Charles had really gay panic rejected Edwin, it really would have ended like Eurydice, thrust back to the pit of Hell to wallow in the internalized homophobia, rather than being released with the support and healthy love of Charles.

Actors have reiterated multiple times that the case is not closed on Edwin and Charles' romance, they're just getting started and figuring it out in the midst of all the chaos.

People are stuck in Hell because they believe they belong there but Edwin gets out the second time because Charles KNOWS he doesn't belong there! And reminds Edwin of this when he's getting pulled under in it all

Charles went back to his red polo after the confession and escaping Hell with @nerdytacollama's excellent addition on episode 7 specifically!!

Edwin's whole arc was about accepting loving and being loved and his attraction to men, and his love of his best friend, specifically

Steve Yockey saying the confession NEEDED to happen on the stairs out of Hell. One reason being that Edwin may have been too afraid to go through with it after, another being that he could get dragged away forever at any second and it could be his last chance.

[above article pic quote from this]

But also based on the Hell worldbuilding of the Sandman Universe where people only go to hell if they believe in it and believe they deserve to be there > Edwin believing his want for intimacy at all letalone with other men being "such a sinful life" (Night Nurse paperwork) > the upward climb of healthy love from the Dante's Inferno Post > Edwin HAD to confess on the stairs and be accepted! It freed him of Hell~!

Simon moved on from Hell with Edwin's mutual sorrow for the two of them and somewhat understanding/forgiveness? Maybe self-acceptance from the gay guilt

Edwin's form saying he would serve in Hell for living such a sinful life and then be reassigned to a more pleasant state (Hell not an eternal afterlife, just time served and then moving one)

[image posted in @reviewcreature's post with @melefim's addition]

If Edwin went back now, loved and accepted by his friends and himself, would he pass on to the better place?

My post wondering about reincarnation in the Sandman Universe, which others weighed in on in the comments about how it's indeed canon

The parallels of the Lust room in hell being a butcher shop with bloody hanging bodies to reflect the debauchery of bloody writhing lust bodies ===> compare to "Girls' Night" when Jenny was running and hiding from stalker Maxine in her butcher shop behind meat ===> compare Edwin's arc of accepting "sodomite sin" of being attracted to men (challenge to the epitome and catalyst (ha) by the Cat King) and him having been through the Lust room of hell before and him STARING AT THE RED BULL ON THE BUTCHER SHOP WALL (as compared to directly in the first linked post)

The purity of Charles and Edwin's love compared to that and the stereotypes of how male love is depicted in media, as George, Steve, and Jayden have spoken out against gently in multiple interviews

How it's partially childlike, partially deep friendship where two men can hug and cry, partially a crush, partially potentially reciprocally romantic

The juxtaposition of Edwin's archetypical confession to Charles on the stairs of Hell on the way out of the Limbo of it, with Maxine guilty and desperate just below them, not even looking toward the open door

Fans wondering why it was so easy to get out of Hell. The worldbuilding canon saying that Hell is what you make of it (Charles says this in the original Season of Mists Ch 4 comic, Edwin says it in episode 7 to Simon). People in Hell stuck because they feel they deserve it.

@podcastenthusiast's post about being glad Edwin didn't see Simon move on, because then he'd really wonder we he himself suffered so long

==>CHARLES got Edwin out because he KNEW he didn't belong there!!!!

They push and pull each other by the arms the whole way to the top!!!!!!!

Magical weight in the snake pit "nothing's meant to leave this place"

Charles literally dragging Edwin out of Hell for the love and devotion to him!!!!!!!!!!!!

Allegory of dragging him out of his self-rejection and holding him by the face saying over and over "I love you. I accept you. I'm not leaving without you."

Openly gay producer/director Steve Yockey insisting on being the one to write Episode 7 and you can feel it in every color on the screen.

There's no higher power deciding this, despite the paperwork and minders ensuring everyone is sorted. It's an internal self-decided fate, unconscious.

I'm not gonna be able to link and list every pic and organize this in the state I'm in but--

ARE YOU SEEING ALL THE THINGS I'M SEEING?

Girl help I'm getting visions!!!!!!!!!!!!

[telesodalite]

I love the idea that, whenever a Cybertronian space-faring vessel lands or docks within a predominantly non-Cybertronian space station or port, that it's required that they either confirm or deny whether their vessel is sentient or not before being permitted to land.

1. For proper accommodation and clarification, along with the chance for communication between the vessel and crews working the station/port.

2. Because there has been... incidents... incidents that have led to the requirement of the above reasons.

[sunnibits]

IZZYGIRLS (GN) WAKE THE FUCK UP ONE OF THE OFMD CREW JUST CASUALLY DROPPED THE FUCKING RING BACKSTORY IN AN INTERVIEW LIKE IT WAS NOTHING. THIS IS NOT A DRILL!!!!! 🚨🚨 🚨🚨‼️‼️‼️‼️

WATCH IT HERE

OH ALSO IT JUST HAPPENS TO EXACTLY CONFIRM THE SAME FUCKING HEADCANON I’VE LITERALLY HAD SINCE DAY ONE. I’VE BEEN FUCKING RIGHT THIS WHOLE TIME BECAUSE I’M LITERALLY SO HUGE BRAINED AND HOT AND SMART AND SEXY AND MY BRAIN IS SO WRINKLY. IT WAS HIS MOMS THIS WHOLE TIME AND I FUCKING CALLEDDDD ITTTTTT

[dont-look-me-in-the-eye]

find a y-value of this function when x=5 or whatever it’s the same thing but without a straight line.

functions are just y=mx + b in a different font

[phoenixcatch7]

Security breach's story (including ruin) was super weird, right? Left a lot unexplained, introduced a lot of confusing elements, cleared nothing up, and made it worse with the ending of ruin. Very frustrating.

But.

I have a bold claim - in this essay I'm going to tell you that I think I've found the unifying theory of security breach, INCLUDING ruin. And no, it's nothing that's mentioned in the actual game.

It's 'Remnant'.

Now presumably matpat or some other theorist has made more detailed connections and I just haven't been able to find it, and I'm a casual fan at best lol. But I'm quite chuffed, so. I'm sharing.

Remnant is basically glowing soul juice produced by high emotions - children, trauma, excitement, suffering, death. Ectoplasm, essentially. It gets into physical objects and stores that emotion, like how a stuffed teddy is full of love or a torture device is full of pain. Yay!

Afton, during his killing spree, harvested this remnant from kids to fuel his plan for immortality (or something). He discovered along the way that if it was infused into a material like metal, then it could be shaped and, when combined with any form of intelligence ('even ai', he says!) it acts as a source of independent power 'that translates into movement, which is why things may appear haunted'. Ergo, animatronics. His perfect army of golems and test subjects.

The first round was, of course, fnaf 1, with the children literally stuffed into the suits to power them, which, yikes, horrible, and in a food establishment? Later he figured out how to skip the rotting corpse step and directly infuse metal, which made it temperature volatile and apparently hard to store. Anything is better than the first round. This resulted in sister location with the scooper, which could (as best I figure?) take the remnant out directly and store it for later use. It could also recycle animatronics, to scrap them without wasting all that precious soul juice that could theoretically power something forever.

Anyway, decades later, the same company is still running, and their precious 'animatronics' are now full on artificially intelligent robots with an army of drone cleaners and a dozen well covered up missing children.

You see where I'm going with this?

I think the glam rock animatronics are crafted out of the newest, highest grade remnant metal to bring them to life (maybe a little too much)... and to aid in the gathering of remnant to power Trap/afton, in his little recharge pod under the earth, at vannys direction. (And presumably all that after hour neon lighting, let's be real.)

The animatronics are all secretly equipped with track and destroy technology - roxy with her sensitive ears and x-ray eyes, chica with her stunlock voice box, monty with his metal rending claws and pouncing ability... Freddy with his chest cavity big enough to fit a small child. Like old times!

I swear the daycare attendant has infrared vision and very possibly direct access to the cctv, but anyway. (I also swear freddy collapsing on stage and triggering the safety protocol after hours was the only thing keeping him from joining, even leading the pack of machines to comb the place and take Gregory down to the scooper by trick or by stick, and Gregory almost made a fatal decision when he hid in the chest cavity. No freddy has ever been nice after hours, and there's no reason given why this one is.)

Back to the DA, it gives the implications of their old power core (freddys original upgrade and heavily theorised to have previously belonged to the only 'tronic out during the hourly recharge) a whole new meaning. Perhaps the setting of the daycare and all that happy sugar high children energy making happy memories was a perfect environment for a low level (experimental? Inefficient?) sort of... Emotional photosynthesis? It would explain why one half is the daycare and the other is the security patrol. Food for thought. Obviously freddy isn't able to receive all those benefits for a number of reasons.

(And it might explain the poor treatment of the DA, too, if the core was removed for some reason, and why sun is struggling so hard to keep his hopes up if it can no longer absorb and process literal happiness vibes for the best haunting ever. Poor guy always gets the short end of the stick. Maybe it also explains why the DA is the only animatronic to glow... because of the remnant metal? The extra juice they were supposed to have?)

Yeah, but what about ruin? How does it fit into this?

Well, for one, the new scooper. It's the literal gathering tool and storage place for all this remnant, so it's presumably pretty vital. Afton is parked directly above it in a recharge pod, sucking up all that sweet sweet juice. He's literally drinking children's tears, the monster.

And the mimic. Because there's a second part to remnant that only becomes relevant now. It's the worst and strongest emotion that can only be created through immense pain and suffering. 'Agony'. A black sludge of distilled horrors. And the thing is, it's highly infectious. But agony is useless. Unless it's combined with remnant in a specific way, and the resulting reaction is extremely powerful and dangerous.

The mimic is infected with agony. And it's found itself probably the biggest source of remnant in the world. The battery of (potentially) the whole pizza plex, and every animatronic inside it. (Moon may well have been the first infected... If the patrol animatronic encountered the mimic on its arrival. Ooh, now there's a thought. It's more likely it saw and tried to stop vanny from some unethical activity (it's a purely robot job!) And she... Prevented it from becoming a recurring issue with the glitch code. Ah, but there's no proof.)

Either all that remnant is now corrupted, or converted. My money is not on converted because the mimic is not spreading a plague of suffering across the land, and is instead trying to lure kids in again to replenish the remnant. And the poor animatronics are still clinging to blackened, crippled life.

It certainly would explain why the company just dropped the entire location without either bulldozing it to the ground or trying to scavenge and repair. With the animatronics infected with agony, it's far too dangerous to do either, and of course officials absolutely cannot find out.

TLDR: I think the missing puzzle piece is 'Remnant' to explain aftons presence, the strangely alive animatronics, the point of all those child disappearances Gregory was supposed to be investigating, the scooper, the mimic, vannys actual job as head enabler for afton, the animatronic's violent upgrades, the true goal of the pizza plex and why it was built over the sinkhole, but most importantly... how they're footing that electricity bill.

But hey ;D! That's just a theory!

[alannah-corvaine]

a romantic dynamic between wol/azem and emet just isn't my thing

but like

oh my god what if they were siblings

azem being the giant pain in the ass younger sibling that was the quirky and charismatic golden child loved by everyone

and emet being the exasperated and actual achiever older sibling who did all the work for a quarter of the recognition

oh i could have a lot of fun with that 👀

[shalomniscient]

mega sevchino lore overhaul inbound……. mostly backstory stuff tbh and some timeline alterations but call me bear grylls the way i’ll—

[livingasaghost]

i think we as a society need to talk about the absolute brilliance that is harrow the ninth like what an insanely plotted book

[liverpool-enjoyer]

i,,, i jus realized,, after twenty years on this earth,,, THEYRE CALLED LAPTOPS N DESKTOPS. LAPTOPS CAUSE THEY GO ON YOUR LAP N DESKTOPS,,, CAUSE THEY GO ON A DESK!!!

[th3archivisst]

Okay but when Crowley and Aziraphale swap bodies it's literally just Michael and David but with different accents

[wrote-my-own-deliverance]

(SPOILERS!!!!!!)

•

Marvel came out emotionally swinging in the first 5 minutes of GotG3 with Rocket ‘I didn’t ask to be torn apart’ Raccoon singing Creep by Radiohead and Nebula keeping the arm Tony made her including the nanite repulsor. Knocked me flat on my ass. 10/10, I’ll be making an appointment with my therapist first thing in the morning.

[reflection-s-of-stars]

Her Divine Highness AU is just the Selection novels but in space

[hearts-hunger]

so the dudes on the cover of from the fires were just the boys in their slutty little suits all along

[the-kipsabian]

yall should talk to me about kip and orange im just saying

[apocketfullofhobbits]

okay but. gansey accepting the new camaro that ronan dreamed for him when the old one got trashed and loving it just the same if not more AND gansey accepting that the old unbroken ronan is never coming back but he’s gonna love this new, broken and awful and wonderful one. just the same.