#futura free

[thousandplacesinmyheart]

[maieste]

self control by frank ocean

[pinketine]

I think Futura Free's final lines have the best Genius annotation in the whole album

[sheisconvicted]

happy 37th to this musical genius . ‘futura free’ changed my life

[dolph1nn]

I wish I could sleep without, like, being dead But forever at the same time

-Evan Clark

[gefangenimeis]

SilvesterV1 (mastered)

an silvester schmelze ich

[mewmew69]

[willowthewiccanwitch]

She was designed as a contribution to an affordable housing project in 1927, and named for an optimism for the future. She's been in the movies and went to the moon. Avante garde but approachable, the perfect combination of form and function, the typeface of today and tomorrow, the queen of sans serifs - vote Futura.

https://www.tumblr.com/typefacetournament/737081453203079168/round-2-yellow-group?source=share @typefacetournament

[skadream]

i need to relisten to twilight mirage i feel like the fact that i hadnt yet fully listened to blonde by frank ocean before TM means i didnt get the proper experience

[leefi]

frank ocean at coachella tonight and i’m not i hope i die

[swallowtailed]

i haven't listened to palisade 01 quite yet (will either be tomorrow or like... next week, haven't quite decided whether i'm gonna finish tm first), but every new detail i see makes me go ZOOP and i am so fucking ready

[keanuestrada]

"I'm on, mama, I'm on."

- Frank Ocean

[piscesmoonpress]

Art Heist, Baby! by otrtbs (@otrtbs)

When James Potter answers a mysterious ad in his local coffee shop, the last thing he expects is to be thrown into a world of white collar crime, but how can he resist when the mastermind behind the operation has dark hair and brooding eyes and promises wealth beyond James' wildest imagination? He would do anything for that boy named after a star, including stealing millions of dollars of fine art.

Pairing: Regulus Black/James Potter, Sirius Black/Remus Lupin, Marlene McKinnon/Dorcas Meadowes, Alice Longbottom/Frank Longbottom Fandom: Harry Potter

Disclaimer: otrtbs no longer allows binds of Art Heist, Baby!. This edition was first typeset and bound in May of 2023. Please do not use this post as a permission to bind Art Heist, Baby!.

Art Heist, Baby! was one of the very first jegulus fics I read, and eventually became my second-ever bind. The original binding for this fic was done over the course of a single weekend, which makes me cringe a little now—but I am still so proud of this typeset and the bind itself, despite its flaws.

Half-Letter | 219,117 words | 609 pages

Title and Drop Cap Font: Bodoni 72 Body: Adobe Garamond Pro Accent(s): Gill Sans, Futura Condensed

Typset by me in Word.

Designed by me in Illustrator.

Materials

Cover Bookcloth: Duo in Blue Jean HTV: Siser Brand in Gold Metal and Powder Blue Endbands: Mettler Silk Finish Thread Endpapers: Chiyogami Paper

Eventually, I found that the structure of my previous binding was less-than-ideal, and I decided to rebind my copy. Given that I couldn't change the typeset, I spent a lot of time deciding on a cover design, and eventually settled on using Ivan Aivazovsky's Ship on Stormy Seas (a painting synonymous with this fic) as inspiration.

The process of turning the boat from this painting into something that could be used with a single shade of HTV was difficult, but I eventually settled upon a design I was happy with after messing around in Illustrator for a couple weeks.

When I removed the cover from this bind, I also trimmed and painted the edges, sewed double-core french endbands (two-tone, to match the bookcloth), and reinforced the spine (though I couldn't do much for the pre-existing swell). Overall, I am thrilled with how it looks, and with how my original typeset fits with my more developed design style.

Thank you to Nat, for writing such a beautiful (and heart-wrenching) story. Art Heist, Baby! is free to read on ao3, here.

[secondbeatsongs]

how to make neon signs in inkscape!

I lost my mind and spent a large amount of hours yesterday perfecting my methods and figuring out how to do this, so if you're interested in making something like this:

here's how to do that!

step 1: cover your workspace in a dark grey rectangle, and lock that layer down.

I've been using 80% or 90% grey - you want this so you can see your neon effect, but you don't want it entirely black at this stage, or you won't be able to see your shadow layer.

step 2: create some text!

pro tip: rounder sans-serif fonts look the best for this, because think about what a neon sign is made of - it's tubes, bent into shapes! so if your font or design looks too sharp and pointy, it'll feel unrealistic when you make it neon.

(this is, of course, a perfectionism thing on my end, so feel free to ignore any and all rules in order to make the thing that you want to make. as with all art, you can do whatever you want forever!)

bonus pro tip: if you, like me, have over 1400 fonts installed and programs tend to lag when you browse through all of them, nexusfont is a great free software that lets you sort your fonts into categories, search them, and preview what any text looks like in different fonts! I love it. it is my best friend

now I'm going to do this with a few different fonts, so that you can see how it works with them. so today, I'm picking Futura Round, Harlow Solid Italic, and then to challenge myself, Beauty School Dropout and Block

make the text white, and also select the text and go to Paths -> Object to Path, because some things don't work right if they're not paths.

let's start off easy with Futura Round!

Step 3: duplicate your text layer

now bear with me here. but you need to take the text you're working with, and either right-click duplicate or copy/paste the layer until you have seven total copies of the text you're working with.

arrange them like this, making sure the top one is the first layer on the list (and so on), and then in the layers tab, label them like so:

pro tip: if you don't have the layers tab open, go to Objects -> Objects and Layers, and that'll pop it right up

Step 4: blur time!

switch to the Fill and Stroke tab, and make these changes to the paths:

glow small: 15% blur, 100% opacity

glow medium: 20% blur, 90% opacity

glow large: 50% blur, 70% opacity

glow xlarge: 70% blur, 70% opacity

your workspace should now look like this:

this is good!

pro tip: these numbers are just loose guidelines! at the end, mess around with everything to make sure that the glow looks right to you! nothing is an exact science

Step 5: shadow and outline

for the shadow layer, make it solid black, and then change the opacity to 50%

for the outline layer, we're doing something fun and weird. so right now it's a fill object, but we want it to be an outline instead! so let's hit the X in the lower left to make it empty, and then shift-click on...for the sake of this, let's say blue. to make our nice blue outline.

now's the weird part

now. use the align tool (Objects -> Align and Distribute), select the outline layer and the main layer, and align them so the outline text is exactly centered on the main one.

then go to Paths -> Path Effects, and when the tab opens, select just the outline layer, then click the drop-down arrow in the Path Effects tab and select Offset

here's our goal right now:

we want to offset the outline until it fits inside the text underneath it, and also mess with the stroke layer settings until you have a nice thick outline that doesn't overlap itself.

mess around with the plus and minus buttons. there are no exact numbers here; you just have to know when it looks good! but for me, the settings were a -0.34mm offset, with a stroke width of 0.700mm

this is roughly what you want it to look like:

now, with the outline layer still selected, blur it out just a bit until it looks fuzzy, and like the white center is a highlight rather than a separate layer. for me, the right number was about 8.3% of blur, to get a result like this:

Step 6: layering and changing colors

okay! at this point your work should look something like this:

you now want to select every layer except the shadow layer, and use Align to center them all on top of each other.

pro tip: make sure to untoggle "move/align selection as a group", otherwise this will not work.

you should now have something that looks like this, with the shadow layer sitting all by itself somewhere off to the side

now's the fun part: colors!

since we've decided that this neon light is going to be blue, it's time to change the glow to reflect that!

here's what it looks like when you change all of the glow layers to be that same, #0000FF blue as the outline layer

and here's what it looks like when you take the glow small layer and make it just a bit lighter (#4343FF) using the stroke and fill tab

in general, mess around with the layer colors until you like how they look! I find that it generally looks better if the glow small layer is a bit lighter, and the glow medium layer is as dark as the original color. everything else is fair game.

also the main layer can stay white (if you want it to seem very bright), or you can make it a very very light blue if you want it to be a bit more subdued.

Step 7: final steps

take your sad, neglected shadow layer, and move it slightly up and to the right of your main layer, so that it works...well, basically like a drop shadow.

then take your original rectangle, and switch it to 100% black.

now. gaze upon your masterpiece

that's a good neon sign if I've ever seen one.

but now. now's when we lose our minds

Steps 8-??: perfectionism and nonsense

so let's move the Futura one aside (and hide it! inkscape lags if there are too many blurry layers visible at once, so hide anything you're not using!), set the rectangle back to grey, and move on to Harlow Solid Italic.

I've sped through a few of the steps here (out of order) so you can see what I'm doing. I've added outlines to the large glow and xlarge glow, and bumped them up a bit so they'll have a larger glow area in general

this time I've made the large glow a little bit lighter than the xlarge glow and medium glow, and made the main layer a very pale pink instead of just white. I also blurred the outline layer just a bit more, because this font needed a bit more fuzz to make it look good.

hell yeah. this rocks.

now, one detail for perfectionism: in neon signs IRL, if you look closely, there are wires attaching them in the back, often connecting each letter to the next. so...let's do that!

get your pen tool, set it to spiro path, and then make little droopy lines connecting each letter.

make these thin, 100% opacity, and a very light (almost white) grey color. then group all of them together, and move this group under the small glow layer

pro tip: some of the cords might go mostly through the shadow layer. if this is the case, just put the cord group one layer above the shadow layer instead, and then it'll be fine. but you might make the cord color a pale-greyish pink to make it look like there's glow hitting it.

ultra advanced technique: duplicate the cord group, make it black and 50% opacity, position it slightly up and to the right of the original, and then move it one layer below it. you've got cord shadows babey!

lookit that. stare at that beautiful perfection. I love it. this brings me joy.

and now: the one that will be the most work

let's gooo Beauty School Dropout!

this one I'm using as an example for what to do with a font that's a bit too pointy to look realistic

this font is really fun and bendy, but the ends of the letters are flat instead of rounded, and the corners are a bit too sharp. so...let's fix that!

now, there are several ways we can do this (after doing Object to Path ofc).

one way is to edit the path yourself, going slowly, and making sure everything is perfect, editing the nodes individually.

or, you could select the text layer using the node tool, then click the button in the top bar labeled Add Corners LPE, and then drag the little circles and triangles around to smooth out the corners

I've decided to do the LPE method, but the problem here is that if you apply the LPE effect before making sure all of the corners look good nodes-wise, it's hell to try and fix it. so before LPE-ing, look at all the spots that you're going to apply the effect, and make sure each has one point at each sharp corner, with no weird overlapping bits. okay? okay.

also for the line beneath the text, it looks like it's made up of a bunch of different segments

and since I want to keep this line because I think it looks cool, we're going to have to deal with that, and make sure that it's all one solid piece, otherwise the outlining won't work. so I've gotta delete all the extra segments, and then move the points on just one of those segments until it's the full original line width, before rounding those corners as well.

basically I've got my work cut out for me here, this will all take a bit.

...aaand an episode and a half of Supernatural later, here's this!

look at how nice and round that is! perfect for the rest of the neon process

and with cords, shadows, layering, etc

hell yeah.

more things: it's block font time

let's make an outline-style neon sign!

my seven layers:

for all but the last two, I've not used the fill option with them at all - I have simply used the stroke outline.

now don't be worried! the stroke-to-path still works just the same way even using an outline to begin with! so it's easy to get an outline of an outline, and do the offset thing just like you did before

however, because this font is more complex-looking, there will probably be some errors when you offset it

for example, it didn't fully outline the second half of the Os, so I just copied the left halves, mirrored them, and replaced the right half with the complete left half

pro tip: keep in mind that you have to re-apply the offset to any bits that you add to the outline layer!

doing the same steps as last time, editing the glow blurs as I see fit, once again we end up with beauty and perfection.

another thing you can do: turn off the lights!

I'm going to use Beauty School Dropout and Harlow for this, but after making your beautiful neon signs, here's how to make it look like a turned-off sign, for if you want to make...idk, a gif of a light turning on and off, or a burned-out sign, or something like that.

so start with (ideally, duplicated copies of) your neon signs:

and then simply delete every glow layer, change the outline layer to 90% grey and your main layer to 70% grey, change the cords' color to a darker shade of grey than whatever it already is, and lower the opacity of the shadows by about 10-15%.

doing that, you end up with this

bam! lights turned off!

last thing: logos and other stuff

you can make neon signs with images as well as with text! the steps are essentially the same, though you may have to do more editing to make it look good, and use simplify on the path if it's too detailed.

and if you're using anything besides an .svg, you first go to Paths -> Trace Bitmap to turn your image into a vector! but unfortunately I've already used 29 images in this post, so here, just look at this Keith Haring thing I made as an example:

is it messier than the text? yeah for sure. does it have some pointy bits I could smooth out more? definitely. but, I've watched three episodes of Supernatural today, and that is more than enough time spent on this. so this is what you get.

but yeah, that's how I make neon signs in inkscape! I used to do it in GIMP, but this works much better, and looks so nice and clean! <3

(man, graphic design really is my passion)

[f4iry-dvst]

Futura Free

a/n: requests are always open for fic ideas!

pairing: Chris Sturniolo x fem!reader

summary: Chris is obsessed with putting a baby in you

cw: smut, daddy kink, breeding kink, cum eating

“Do you want it baby? Want me to come in you, huh?”

Chris already knows exactly what you want, how you want it and when — he much prefers to draw it out of you, though, even if it’s the last word to leave your mouth for days. He’s pounding into you, fast and with enough force behind his thrusts to throw you across the room, just the way you like it. Over time he’s grown to learn this is exactly how you always want it, there’s no need to even ask anymore, he just simply settles in you and surges forwards with all the strength he can muster in his hips to make you feel good.

A response is yet to breach your lips, whines and broken moans taking its place in your throat and flowing out like a fountain at the overwhelming pleasure your boyfriend’s giving you. He’s an impatient guy, you know that, and you’d respond at the click of a finger if you actually could. You can feel he’s getting aggravated with the radio silence on your end, if his harsher grip on your hips and ragged breaths heaving from his chest weren’t telltale enough you’d have to be dumb. He thinks you might be…honestly.

“Come on, tell daddy what you want sweetheart”

You stutter, tripping over every word you attempt to muster up, huffing in annoyance at yourself as Chris simply chuckles at your struggle. God, even when he’s just taking the piss, he has this effect on you that you can barely rationalise.

“Oh…fucked you dumb, did i? How adorable… Still need an answer baby or you get nothing, you know that.”

His thrusts have slowed down ever so slightly, but the difference between the paces is insane to you. Your hips instinctively grind down into him, messing the bed sheets up just that bit more as you move until a hand lets go of your hip just to slam it down into the mattress with his palm. He’s teasing you, working you up enough that you’ll break and spill every word that comes to mind — ashamedly, it works every time. A final pleading whine escapes your lips before the teasing grin that once adorned Chris’s face melts away and leaves his face cold; you realised then you really had to beg for it all.

“D-daddy…fuck- breed me, please!”

Your boyfriend smirks at that, diving head first into the quickest and roughest pace he could pick up. You both look down to see the way his cock disappears inside you like a vacuum with every thrust and you let out a moan louder than any tonight then. The combination of the overwhelming feeling inside and the sight of Chris pumping into you is driving you fûcking insane, you could cum on the spot, realistically.

Suddenly, the hand he was holding your hip down with was snaking it’s way down your sides, to your thighs, all the way to your middle, immediately dipping his middle finger in to tease your clit. Your hips shoot up and he can’t hold you down this time, so instead he moves with you, following the movement of your hips while his finger eagerly circles and tweaks your clit.

“Oh yeah? Want daddy to put a baby in that little cunt of yours“

You almost screamed them, or maybe you actually did, this was all so much for you but you loved it. Could never ask for less when your boyfriend had you speechless and in a puddle of yourself whenever the fuck you wanted it. You’re so close you can practically taste the orgasm on your tongue, and by the looks of things, so can Chris too. His hips are stuttering and his thrusts are not as smooth as they were before, signalling his own impending orgasm.

Chris’s finger twirls around your clit once more, and that’s the last straw for you as you tumble straight into the most intense orgasm. It feels so good you can’t help but clench down on his cock, watching his face change and overcome with pure glory at how good this is. You release all over him, feeling it drip down your thigh while your pussy just throbs and clenches out of your control. That’s what did it for Chris: the feeling of how tight you are around him no matter how many times you fuck sent him over the urge. You watched as the muscles in his stomach tenses again and you run a hand over it feeling the smooth plane of skin burn under your fingertips, just your touch sets Chris’s nerves alight.

“Fuck- God…baby you’re so…”

It’s his turn to be at a loss for words now as his cum empties into your cunt and fills you up so nicely, smothering his cock in it too as he continues to thrust ever so slightly. Your orgasm was mostly done with now, but the feeling of his cum painting your walls has you moaning all over again, rolling your hips down to coax even more out of him. The obscene squelch that sounds then almost breaks the sound barrier, and as gross as it is, it’s enough to get you horny all over again.

Chris pulls out slowly, watching his cock pull from your body and listening to your pretty whines at the loss. You always enjoyed being so stuffed and full with your boyfriend, in fact you’d keep him there forever if you could. A trickle of cum pumps out of you following his cock and hits the bedsheets,

eliciting a smirk from Chris you’d barely notice. You’ve closed your eyes, still breathing heavily and laid back to regain some life back into you — he knows this is the perfect time to play with you.

“Look at that…so full of my babies princess”

You whine again as you can’t muster up anything else, dick drunk and hazy from how good this is all was and Chris simply chuckles. He reaches forwards and dips his middle finger into your cunt, immediately feeling all the stick cum inside of you and a sense of pride drapes over him then. There’s something about fucking your partner so good and then leaving a little part of you with them afterwards. Your body twitches at the feeling of something inside you again, rubbing against your walls and working its way inside; it’s overstimulating, but you love it. He scoops up some of the cum he’d left inside you with his finger and retreats his hand, bringing it up to your face instead.

“Open up, baby”

Eyes closed, completely unaware of what he’s doing and still your jaw falls slack and drops open without a second thought. Your tongue lays in wait, because even if you don’t know what’s happening, your body does. His finger lays flat on your tongue, dragging it down until it slips off and all that’s left is the sticky white substance you always crave so much. He closes your jaw for you then and you open your eyes, staring up into his crystal blue ones with so much lust Chris is almost drunk with the look. He nods, and you swallow with a quiet moan.

“That’s a good girl…you love daddy’s cum don’t you, huh?”

You nod as well, you can’t deny that.