#fun fact when we would play ''the magic game'' where we basically had powers and went to wizard school

[daisywords]

little sketch of Alya in one of her earliest iterations

11yo me's super special main character girl oc

[bubbleddisasters]

So I saw a cool ship edit with Cater and Che’nya, and that has given me the confidence to talk about my favorite crackship/Rare pair!

(This is pretty long, sorry!)

Che’nya and Idia!

It originally started out as a joke like “Over Powered Cat Boy x Cat Loving Gamer Boy”, but then I realized how actually good they could be for eachother.

Although they never technically talk in canon, they do meet in Glorious Masquerade for like 6 seconds, but I shipped them prior lol.

Basically, Che’nya would be extremely good for Idia in many ways, I hope its not a bother, but I’ll just list my personal ideas!

(Keep in mind that in Alice in Wonderland, Its stated in “Through the Looking Glass” the Cheshire Cat is the second most powerful being, next to the personification of Time, So I envision Che’nya is pretty op, and theres some evidence to prove that but i’m not going to get in to that right now)

Starting off from Idias side:

One: Lets say Idia refuses to eat or care for himself, Che’nya could teleport away his consoles until he does, or teleport the food to him.

Like : “You won’t shower? Gee I wonder where your routers went.” “Won’t sleep? I opened a portal on your gaming chair that teleports you to your bed” “Won’t drink water? Damn, that figurine near the edge of the table looking real pushable right now.”

We also know that Idia has a huge soft spot for cats. Che’nya is most definitely the most cat like person in the cast. I wouldn’t be surprised if he had a cat form. So thats definitely some sway there.

Also, if he does or even if he doesn’t have a cat form, he has a big and floofy tail, and if he does have a cat form, I imagine it to be Mainecoon like (since Che’nya is pretty tall and lanky) so free floof to pet/brush when Idias stressed (also A Whisker Away AU?)

Another thing is Che’nyas invisibility: He can be a comfort for Idia without being seen, so Idias less judged for his anxiousness. Like if Idias in a stressful meeting or something in STYX, He can be there to comfort or calm him without anyones notice. Also, If Idias in a stressful social situation, Che’nya can teleport him or them both away, or make them or just him invisible.

Plus, judging from the most definitely self made artwork on Che’nyas pants, I think its safe to say he’s probably an artist of some sort, and I think he’d be more than willing to indulge/read/play/watch Idias recommendations, and maybe draw something for him. (The requirements are either cuddles or Solving Che’nyas riddles three)

Finally, judging by the fact Che’nya casually waltzes through NRCs magic barrier, which took SEVERAL HIGH TECH STYX STRIKES TO CRACK, often enough for Riddle to be able to say “The Intruder” and everyone just knows its Che’nya.

Also, RSA is THE ENTIRE ISLAND AWAY AND ON A GIANT FUCKING MOUNTAIN, so this means Che’nya is very casually teleporting across the equivalent of atleast a small country without producing jack shit in terms of blot, while (from what we can see on his design) not wearing a mage stone.

He’s also been detaching his own body parts, flying, going invisible, etc since age 5, and from Rollos story we know that amount of magic use would indefinitely kill 80% of people, especially a kid, so knowing that, I’m pretty sure its somewhat safe to say if Che’nya got into S.T.Y.X atleast once so he knows where it is, he’d be able to teleport back in and out (the security team fucking hates him and the blot research team wants to experiment on him.)

With that, Idia wouldn’t feel as if he’s trapping Che’nya down there if they were to tie the knot, and gives the possibility of being able to teleport out to shore for in town dates.

On Che’nyas side, Idia is someone who’s very fun once he sort of lets himself go, and god forbid if those two team up on April Fools.

He’s also someone that is already pretty lonely by nature and I find it extremely plausible Che’nya feels slightly replaced by Cater, and although he definitely still cherishes Riddle and Trey, its nice to have someone that you don’t fear might find a replacement.

Also, at RSA, we know he’s good friends with Neige, but because of Neiges fame, that must be hella stressful when you’re trying to hang out and get jumped by fans or paparazzi.

Not to mention Neige is likely very very busy due to the same factor. I’d also wager most people at RSA are not as much fun to him, considering it’s mentioned they always seem to be perfect and pristine at events.

That cycle of semi- perfect paradise like school days would probably bore him, along with the very bland or stereotypical reactions I can imagine his pranks getting.

So we have on one side the stress of being friends with someone in the limelight at all times, and the stress being chased around when you go to visit your childhood friends + being lowkey replaced.

So someone you can pretty much always count on to be available and a dorm that won’t chase you out (probably too anti-social and/or Socially anxious to do so) and is somewhat willing to indulge in your chaos from time to time, or just play games with.

I could also see Che’nya and Ortho getting along very well too, with Ortho being the most aggressive wingman for Idia. Also, if Che’nya gets Ortho in on pranking Idia, it’s going to turn into a prank WAR.

Also, fun idea, Lilia, Cater and Trey being Che’nyas Wingmen.

I like to imagine Che’nya and Lilia are extremely good friends (They call themselves the Pink Bats and Purple Cats Jumpscarers) and since from what we know, Che’nya only has his grandfather, Lilia emotionally adopted him after Che’nya unintentionally fell asleep in his Cat form in the woods and Lilia told Silver to bring him back because “he was concerned about the high magic levels he sensed” and basically did the equivalent of

—-

Silver: “Father, It might not be a stray-“

Lilia, fully aware its a fae beastman : “Finders Keepers :) “

——

Basically this snowballs into Che’nya getting invited into the dungeon runs with Idia, and yea.

Trey’s wingmanning is 40% trying to make sure Riddle doesn’t catch Che’nya, 20% trying to make sure he doesn’t blow up the kitchen trying to make something for Idia, and 40% being the sane consultant of date ideas, making sure Cater doesn’t go overboard with ship posts, and the preventive measurer to the date ideas recommended by Lilia.

——

“Please do not have a sword duel for a date.”

“Nya? I’d be fun!”

“I don’t see why not. I did that with my lovers back in the day. Melanor in her training uniform was quite a sight to behold, Ravaene also looked fine, I suppose. Poor him was always too easy for us to take out however-“

“Lilia, thats uh, not the point. I don’t trust either of them with weapons.”

“Hm? Silver got his first sword when he was 10 or so. Baul and I refereed Sebek and Silvers first real duel when they were…12, methinks? For all Bauls bragging about his grandson, it was my son who won in the end-“

*Camera pans to a very concerned Riddle in the doorway.*

“What kind of a discussion is going on here?!”

—-

Yea, thats pretty much it!

(If you recognize some of the beginning spiel from a comment section on tiktok yes I wrote that and I got mildly lazy and thought past me explained it pretty well so I copy and pasted a few pieces)

[hellspawntale-rebooted]

Azreal and Emily. A... Thing.

As some of you know, Azreal and Emily are two main Characters in Hellspawntale Rebooted. But, who are they REALLY? Well, that's what this post is all about. Azreal and Emily.

SECTION ONE. Their Characters.

Azreal is a kindhearted child. They are a bit shy sometimes, but not around people they trust. They do have their breaking points though, specifically when someone they care for is in danger or when their horrible excuse for a sister comes around and tries to take them away again. (sarah fucking sucks.) They are canonically the LEAST determined human to fall into the Underground and only have Saving and Loading abilities due to Univer forcing them into Azreal. (with the power of plot i bestoweth upon thee time travel.)

Emily is The Patience Soul. She was awoken by Azreals fall. She was kind of just following them (Along with Frisk, Hellspawn, and eventually Frost.) Around until.. In Waterfall, after Azreal bought some Sea Tea, and then THIS Scene happened. (Recreated with the new sprites :P)

And with that, Emily got a crush on Azreal. However, she would not truly act on it until..

The CORE! After an encounter with an old foe, She encouraged Azreal about how they're a good person, And THAT's when Azzy started to like Emily back. Yes, yes, I know, throwing romance into a story isn't really exciting, but I found it fun.

The moment they for sure knew they liked eachother, however, was When Azreal saved Emily from Asriel (the goat one) during Twisted Timeline.

However, they did not become an official couple until the VERY end of the Christmas Arc of this Askblog, which takes place after the story of Hellspawntale Rebooted.

BOTH are mostly self aware, knowing they are part of just one of many universes. (Thanks to the In-Universe Character of Univer giving them a crash course on all things UTDR MV) They also know about the fact the Askers aren't from the same world as them. They both also have canonically played Undertale Yellow, as with the Help of Univer they can indeed download and play these games from our world.

They are, however, still just kids.

Section TWO. Azreal's LOOORRRREEEE.

Azreal is a descendant of a monster and human family. They can use Magic. They only recently learned how to, though. Magic they canonically learn to use (at some point) is:

Fireball power

Flight

Teleportation of objects and self

Plant magic

Healing spells

and Telepathy

They're kinda OP. Currently though they only have access to Fireballs.

Azreal also adopted the annoying dog and named him Toby (thanks to Univer suggesting the name HMM I WONDER WHERE THEY GOT THE IDEA)

Azreal also was friends with Frisk BEFORE their fall.

SECTION THREE. Emily: Where was she in Hellspawntale prebooted?!?

First off: We don't talk about Prebooted.

Second: Uhhh, Dead? Yeah, this section is basically to explain why Emily was added in as a main Character for prebooted.

I wanted to have someone other than chara ALSO travel with Azreal and Frisk as a ghost, HOWEVER, I ALSO kinda wanted a Love Interest for Azzy.

Emily didn't even reveal her name until New Home, by the way. Although it always was going to be "Emily." I just liked the name.

SECTION FOUR: Appearances in my other AUs?

As you may or may not know, In Univer's Underswap, Azreal and Emily appear as Robots built by undyne for Two ghost monsters (That are NOT related) to use as vessels. She based them off of (insert ambiguious anime couple she saw).

In Undertale Anomalous, However...

Emily takes the Role of Papyrus, and Azreal takes the role of Sans. Don't let that fool you, though! These two are NOT siblings, nor do they see eachother as Siblings. Instead, they are the corpses of 2 fallen humans, that, with the little DT they still had after the experiments, fled their coffins, and surprisingly made it all the way to Maple Midtown. There, they learned how to survive so well they basically started to function like they were monsters. Even going so far as to be able make their skin look relatively normal aside from it's strange color. They protect the citizens of Maple Midtown as The maple mage (and her "lovely" sidekick. Her words not mine.)

SECTION FIVE: Wait, Univer, I thought you were on Hiatus? What's with this post?

I finished the main story of yo-kai watch 3 so i won't be playing as excessively anymore. I'll still be playing, just more balanced. Or at least I'll try to be.

Anyway, uhhh...

Hiatus over!

[eggman91]

random dnd worldbuliding stuff I quess of the world of edo

ok so I play dnd with my friends for years now and over that time we bulid up our world with random stuff also some wargames play a part and existing stuff but yeah here 5 random things that I got written down in my world book warning I may ramble

5 cult of hastut (made by my brother he play couple of clerics and paladins of this faith)

while the follower of hastut covered in scars and blood rushing into battle like gore mad berserkers, they are the quite opposite of what you think they would be.

They are followers of god of justice, the god of fairness of sacrifice. No one know where the worship began but the legend said it hastut was a mortal man his village had committed some great crime and so the gods punish them But he hastut step up to take all the punishment for his people all all know torture and pain hastut was still standing all his skin gone his eyes burned suffer pain greatly then any other and so he ascended to the pantheon or not .became his own god

his followers ranges form the scars of the free who fight the southern slavers city states of gash freeing the slaves there to the order of broken hand giving shelter and food to the poor in the herzland “a odd sort ain’t a mad and flaying their own skin i don’t how they still live by they they kill slavers so cool by me “ gallo a member of the one anti-slavers groups in gash hilllands

4 cor’Quessir ath swi “‘’king of swing” (made by me as a dm and warlock

A Fae being of sorts a one focus on music partying and having a good time his worship and followers bought many strange things to edo such as jazz swing and other stuff other fashion trend like top hats

(but that a myth the first top hats was made by the Halfling of erdia and it was common for those wearing top hats to be attack by religious fanatics or anti-fae people but that practice stop after marley one of the major naval power government officials and lords start to wear them so that became uncivilized thing)

not hav seen this king of swing himself in ages but his court is still playing the Savoy in his realm the band still popping there was one time a bunch of city goblins who was influenced by the fae king they along with the local ratmen form a family of sorts a criminal family in the city of sunhaven which spread to other cities

3 Olaf murinson (this mostly happen in games of one page rules and this happen the most recently and don’t underestimate dwarf miners they got bombs)

in the fourth age like that of the elves the dwarves was falling many holds and fortress was lost to greenskins the underdark or the underearth was losing to drow and other creatures of the dark and infighting and clan wars was numerous and mirrormere stars was fading the oldest mountain hold the twin peaks was still ruled by a dragon

(fun fact, one of the games actually involve that dragon muratasxa and my player actually help her)

it was not looking good for the dwarves of all kin but in the hold of kelgathgard a thane rose after a battle with the men of the herzland and this thane Olaf murinson of clan blackshovel rose though many things the battle of kegath hold (Pepsi hold) the battle of the ruined house (there was a magic gem of the old elven Phoenix empire and he was able to get it) he united the northern leagues and clans into a new high kingdom which spead to the new holds like the south an across the sea ( fun fact dwarves try to build a navy to fight the eleven one in the secondth age the great stone fleet was quickly erased form the history stones)

reforging the old dwarven kingdom even with the slag or petty dwarves form the Kodar mountains trying heal the rift he basically dwarven, Charlemagne and Aurelian and ( my players did join in those efforts when we played an All dwarf party as a one off but that was happening on a different continent then we normally played) but before Olaf could reclaim the twin peaks he was slayed in battle by undead but his kingdom did not collapse a council of leagues thane and petty kings try to hold it together who knows but the kodar dwarves already left who knows if the kingdom of rock and stone fall again or will it hold?

2 elves yay😕 most like elven falls

Ok so elves start as the first race made by the earthmother or light goddess or elune or whatever they was the first to fight teh shadows of old myth and drove them back to there plane of darkness and these elves was the most of unearthly tall and black eyes but after a time there children became tire to the world and embraced more civilizations naming nature elune or whatever which confused there older kin (like why pray to this earthmother there. Perfectly good tree over there and etc)

these elves would raise as the high elves or ella’quor and rivaling with the dwarves and the left over giants and dragons (which they got there magic form the dragons)but then boom first demon invasion that never destroy them but boom Elrond came and destroyed them destroying the portal gate, whatever that was bringing them into the world( those demons who was left later interbreed and became Teifling and etc)forming his Phoenix empire that would last 300 years

then like the eldar decadence, hedonism, self-righteous end that was the Phoenix empire at it end wizard kings rule and princes fought each other over petty things cults of dark gods like lolth or kahine rose and well then the human migrations happen coming from the north with there serpent ships so like rome they panic there armies was overglorify spearelves and well they turn to magic to stop them…oh shit they got magic too like runes and thennic magic

(thenns was a large cultural group of the humans migrations, mostly settling in the western continent many was with the East there magic a mix of tomb necromancy and runes and minor magics and since there was more shamans then there was wizard kings and minor elven sorcerers well quantity over quality )so they turn to blood Mages and there flesh crafted starting off from the basic gremlin and ogre throw in some capture humans the greenskins was born orcs and goblins of many different breeds along with anthros(breath in wulfen tirgans marleians foxvisn and etc etc )and minor stuff like centaurs they sent them to go fight the human well just like rome that backfired hopefully the oven empire fell apart many fled but many more was slaughtered The Elven groups that survived were divided into two groups, light and dark, which was extremely bias light made up of remained high elves wood elves and snow elves dark made of drow and many many different dark elves groups (also sea elves but those freaks are just jumped up, ancient pirates)

1 infernal and the abyss

What is hell? Where the souls of the Damned are sent? Infernal id just normal dnd hell princess and all etc throw in some seven deadly sins and chaos gods but

The deeper you go, you arrive to the abyss with no demon of a infernal dared to go for they are just the imps compared to what down there true hell laid there abandon all hope who enters there.

any questions?

[allaroundnerd]

Codetober Day #13

13. Give us your most nerdy computer fact

Technically it's past midnight because I got caught up trying to repair my computer chair and the cylinder is rusted in, but I'm still considering it day 13. Here's my most nerdy fact and how it's applied.

Binary is a base-2 number system (I promise I'm getting to something cool), meaning it only uses the digits 0 and 1. Because it's base 2, each digit is a 2 to the x power, similarly to how we view the numbers we use daily, which is the base-10 decimal system. We all know the ones, tens, and hundredths places, but if you consider them as 10^0, 10^1, and 10^2, you see why we call it that. For example, the number 289 is (2 * 10^2) + (8 * 10^1) + (9 * 10^0). Side note: anything to the 0 power is 1. Now apply that to binary: 101 is (1 * 2^2) + (0 * 2^1) + (1 * 2^0), which is 4 + 0 + 1 = 5. Now you know how to decipher other number systems like Hexadecimal (base-16, uses 0-9 and A-F) or octal (base-8, uses 0-7). But that's not the cool fact:

This translates into some fun interactions in video games. I'll give you 1 basic example and a funny "glitch." If you played the older LoZ games or any game around that time, you may have noticed that your inventory stack limit was 255. An odd number to us, but to a computer, it's the largest number expressible in 8 bits (one binary digit is one bit here), and we only had so much space to go with. If you use my breakdown above, you get this: (1 *2^7) + (1 * 2^6) + ... + (1 * 2^0) 128 + 64 + 32 + 16 + 8 + 4 + 2 + 1 = 255.

Now, there's actually different TYPES of integers (numbers) we can express in binary. Signed or unsigned. You're familiar with negative numbers. Signed integers are how those are expressed in binary, the first digit determines what sign you get (for those who know, I'm using one's compliment since it's a bit easier to explain and I THINK this is how these "glitches" happened. If I'm wrong, please correct me.) Unsigned integers can't be negative, but signed integers can be with this method based on the leftmost bit. If it's a 0, the number is positive and calculated as I showed above. If it's a 1, it's negative and calculated the exact OPPOSITE way, meaning 0 bits are counted and 1 bits are ignored. Using my 101 from above, unsigned would read that as 5, signed would read that as -2. Now, when counting in decimal, if you hit 9 and want to keep going, you add 1 to the higher place and get 10. Binary is the same way: 1, 10, 11, 100, and so on. You may be getting where I'm heading, but just in case (and I enjoy explaining this because I'm a nerd), let's keep going.

Signed integers can "overflow" since we're changing that left most digit. Let's say we have 8 bits: 01111111 or 127 in decimal. If we add 1 to this, we get 10000000. In an unsigned int, this is 128, easy. BUT if we're using a signed int, this actually flips to -127. We call this overflow and it can make things behave...unexpectedly. NOW I can tell you about the glitch!

A beloved game of my childhood was Final Fantasy: Mystic Quest. I remember beating it and loving the experience, but then I was told of an exploit involving the final boss. You can actually "heal" him to death. The "Cure" spell is meant to heal the living, and the Dark King is alive, but if cast with a sufficiently high magic rating, it will heal for so much that it flips the first digit, causing it to deal more damage than anything attack you could throw. If you look hard enough, you can actually find this in multiple games in the SNES era. Hope that makes up for the late entry!

[alvie-pines]

transcript:

On a modded minecraft server I managed to make a trap, basically a magical rune that once triggered sets off a chain of events leading to the the fiery death of a players entire zoo. It was a modded zoo, over a hundred specimens, hundreds of hours of work as it was fully automated in harvesting various products from the animals.

The immediate suspect was the most powerful magic user on the server, who played 24/7 and had already demonstrated his ability to bypass the anti griefing plugin by using the same magical mod as I did. Yeah there were a few other suspects (none were me I was known for choosing tech over magic in every instance when in fact I had a massive magical workshop in a different dimension), but this guy was for all intents and purposes already determined to be guilty. So one of his factory's ate a nuke from the ex zoo keeper. Funny enough but there's more.

The nuke was overkill because it torched an entire jungle biome which housed another 3 players bases. Two of these players were members of a "gang" on the server and they blamed another "gang" who had recently announced nuclear armament. So now there's a gang war going on in this shit show. Eventually an admin got word that this mostly peaceful server had fallen into anarchy, luckily anal admin was on holiday and this was chill admin who decided to let it play out on the grounds that if anyone didn't want a part of it they were to be left alone. Almost everyone on the server split into 3 factions leaving me and a guy who had progressed through every mods tree and been and done everything. Me and him chilled at his base on the moon while we watched the earth be obliterated to the point where nowhere was habitable. This happened over the space of a few days and once done nobody had any resources or anything. A few people quit and the remaining ones were put to work on our moon prison camp in exchange for ores that they would have been unable to get without our approval.

This all happened because the zoo keeper killed my pet cat. Modded minecraft is fucking cool, the most fun I've ever had in a game.

end transcript.

drama in the mad scientist and wizard communities

[lunarlagomorph]

would you be able to list some ttrpg systems that are best for specific things? or just some that you would recommend with a short little reason or something?

I'm like abt to go backnto bed lol so i dont wanna think out a huge list but here's 3 off the top of my head and ill add more later possibly

1. FATE is my go to reccomendation. It is essentially the open source software of ttrpgs. As long as you have a setting you can pretty much just drop fate into it and have a fun time. And it blends combat well with the rest of the game as opposed to having an entirely separate set of combat mechanics. And it allows for character creation that is flexible to any kind kf concelpt willbwork.

It has a few issues but its so extremely moddable that you can fix those if they bother you. I was even writing my own magic system for it back when i still had ppl to play ttrpgs with lol. But even without modding it's a ton of fun. Oh and also other ppl have written mods for kt you can use.

2. Blades in the Dark is a personal favorite of mine. I often find PBTA-based systems to be lazy but that is not the case here (if u dont know powered by the apocalypse dw about it).

The premise is you play a group of some variety of outlaw (smuggler? Assassin, cultist, etc.) uh idk what id call the setting. Like bloodborne but with ghosts instead of blood. Close to Sunless Sea, if you know that. And the gameplay loop consists of 'planning' heists or other jobs (but ill use heists going forward) going on them, and then working to expand your groups influence and goals in downtime.

I say plan in quotes because you do not in fact plan heists, mostly, though you can prepare for them. Instead bitd has a system i love where you can spend a resource to have 'flashbacks' to your preparation to the heist. So, instead of saying ohh ill bring this and that and this and that and do this beforehand you can be like. Okay flashback we agreed beforehand to have a signal for when ppl were coming. Or flashback i brought my wire cjtters along. It allows flr a heist to work without having to actually successfully plan a heist ahead of time wjich is uh. Basically not really possible to do in ttrpgs and still have an interesting heist. And if the system sound unbalanced trust me there are factors to mitigate abusing it.

Beyond that i do also just find the skill and rolling system fantastic. If you have zero idea what to do but fate sounds dauting to run i think this is rhe way to go

3. Finally this isnt the same vein as dnd but as someone who loves storytelling rpgs i strongly reccomend The Quiet Year. It's a small rpg (one 4 hour session). You take turns essentially simulating and progresding the story of along a small civilization which has been hit hard and is on the brink of collapse. It is very open as well to the point where you end up having created an entirely new setting when you're done with it. There's also games like Microscope but i havent ever actually gotten to play those with ppl lol.

Beyond those if you want a good place to find things Drivethrurpg.com is my go to source. Spend some time clicking around on there and u might find something. Bcuz tbh the real lesson i want to impart when i say dont play dnd isnt 'play this instead'. It's 'there are so many ttrpgs out there, don't just play only one' it's kind of like only playing one video game or board game. Sure you like it but theres so many to try.

Hope this helps! Like i said ill probably add more later.

[clockworklozenges]

So, a good five or so years back, I played in one of the best worst DnD games I have ever been in. The DM had bought the Libris Mortis book, which, if you were unaware, was a 3.5 splatbook adding in a lot of undead stuff, including some monsters and undead player races and stuff. Wanting to try it out, me and my gaming group decided to play things from it, our then DM deciding to run a completely homebrewed session. This proved to be a...

Terrible Idea™

(for the uninitiated, never homebrew something you do not fully understand unless it's just cosmetic. If you want to make all elves worship the god of garlic bread, Ultimo-Metatron-Omega, go ahead, but unless you know how the game works, don't make mechanical changes). So we all picked stuff from the books-one player played a skeleton Sorcerer who in life was a tribal shaman, but an attempt at healing went wrong, turning him undead as his life energy was replaced with negative energy, explaining why most of his spells were necromancy and suchlike.

Another player played Krug, an antipaladin in very spiky full plate. He was a zombie made by a necromancer of a paladin who was fighting him, but his allies killed his would-be master before he could assert control, and not wanting to just off him, his allies just...yeeted his body into a portal and hoped it'd re-kill him. It did not kill him hard enough. It did, however, explain his stats which...oof. He had already got debuffs to some stats due to being a zombie, and rolled abysmally. Fortunately for the player, he played mostly to socialise, so didn't much care.

I played... Count Nox Feratu, the Campire. As in, a vampire with a very camp German accent, which I did not break for the whole time I was playing him. To the point where "ach, nein, I haf bin heet! Heal me, meine freunde!" was par for the course. My overly camp vamp was a wizard, but due to level adjustment was a bit of a shoddy one. For backstory, he'd been ousted from his clan for ineptitude, and had sworn revenge. I was going for a swordmage build but never got there. All his spells were utility or just necromancy spells.

Our last player played...sigh...Damien Bloodmoon, cleric of Nerull, God of murder and undeath. He was one of the clerics from the book's murder Domain, meaning that he got buffs to damage. He was a vicious arse both in character and out of it, and was so dripping with edge compared to the paladin with the same IQ as a horse after its trip to the glue factory, the shaman who thought killing fixed people and the Campire that if you gave him a pat on the back you'd have finely diced your hand into a red mist. Not going too outlandish with his backstory of wanting to dominate the world as his undead thralls, Damien F***ing Bloodmoon had only taken spells which either charmed live people, dealt negative energy damage or messed with ability drain and suchlike, which he used with aplomb on townsfolk on our way to our objective. He was also, importantly, playing an elf of some sort, I forget which kind. Meaning that of the party, only one was alive.

So, just as an aside, for those of you that haven't played 3.5e DnD or have only played 5e, in Libris Mortis, undeath was gone over in detail, and had a litany of pros and cons. For one thing, undead had only the HP they had-folks like Damien F***ing Bloodmoon could be 'dying', and had some time to be stabilised before meeting the reckoning of Papa John and dying proper. Undead did not, it was just how much you had and if you ran out, poof, you're dust, bones and fertiliser again. You were also harmed by positive energy, so healing spells hurt you, as did potions of healing. However, undead were kind of hardy - poison immunity, some had resistance to non-magical melee damage, stuff that drained your ability scores and levels didn't work on them, some crits wouldn't do extra damage, and the best part- negative energy healed undead. Meaning all the spells our party had which damaged others like the living Damien Bloodmoon were curative ones for us. Keep this in mind.

So, we began our quest, learning of a necromancer a nearby town was plagued by. After using our skills (to whit: Damien Bloodmoon charming and drawing the life force out of random villagers and the only potion seller in the town whilst we went shopping. Krug got a snazzy hat, which we put on top of his helmet, and we chatted to townsfolk as I looked alive enough to pass as human and the shaman had a fake beard and toupee that people were too awkward to point out was fake so went along with it) we learn that the necromancer has a base of operations in the cemetery. "Oh ja, zo original, dahlink. Ve vill need to educate zis guy on vhat is chic and vhat is just shabby!"

So we head there and the nightmare begins. Damien Leads the charge, using all of his knowledge to deduce that the shambling horde moving towards us were stronger-than-your-average-bear undead, and he was right. These were powerful armoured zombie mages of some sort, casting ability draining spells, negative energy ray spells and even having auras of negative energy that dealt damage on a failed Fortitude save. Even their punch and quarterstaves did negative energy damage as well as the usual bludgeoning or unarmed. However...only one of us was really in danger and the DM's face fell when the squishy casters walked up and began shanking their super-special homebrew zombie wizards, being healed by the damage of their attacks as we cut them down.

Like I said, one of the benefits of undeath is that negative energy actually heals you. So the strikes of the magic staves and punches that hit us did some basic damage. Which was then immediately healed by the negative energy their weapon strikes and spells were doing.

However, you'll recall that Damien Bloodmoon was an elf. And not dead. Being a Cleric of a death god doesn't mean that you have the abilities of an undead. That meant that even with the DM being merciful, by the end of the first fight he was covered in blood, mud and withered away to just above half his original strength and constitution. More were patrolling, so we had to run. But that posed a problem.

Remember Krug had heavy armour? And recall his awful stats? He in fact, hadn't got enough strength to wear the armour he'd been given for backstory. He didn't, according to the DM, have enough to remove his own armour. And we attempted to, but also failed our checks according to the DM. And Damien Bloodmoon refused to help, simply blaming Krug and his player. Krug's player thought it was hilarious, and Krug only had enough Intelligence and Wisdom to say his own name, so saw no problem. And Krug, Nox Feratu and Shaman realised that there really...wasn't a problem.

For us, at least.

We slogged through three combats dragging Krug and wading through the mud with him. His speed was so slow that for every step he took, we took about ten. The DM was confused and infuriated that his encounters weren't working, but refused to change them. So we had fun role-playing. Or at least three of us did.

Damien Bloodmoon refused to roleplay, and none of his ranged spells could affect the zombie mages. When he went into melee, he came out wounded as all hell. He went down twice, and it was only the healing supplies of the shaman that saved him.

All the while, he was... Let's say not best pleased. Damien Bloodmoon was getting increasingly wounded, exasperated and longing for the sweet embrace of death as reprieve from the humiliation. His player was getting increasingly redder and rage-filled as time passed. Each fight ended with our characters stronger than ever and his a bloody pulp on the floor, with poor in-character knowledge (and terrible rolls) preventing him from realising why.

Eventually, we reached the final boss, pausing only to paint Krug's armour in contact poison just in case, and to find a stick to help the now-partially-crippled Damien Bloodmoon, cleric of death and murder, walk after being beaten up by angry zombie wizards for hours. And it had, indeed, been hours. Among us, only Damien had a bonus to strength, and we had two swords, a mace and a staff between the four of us. Meaning it was re-death by a thousand cuts for the enemy and a slog and a half for us.

We reach the necromancer and, having taken so long due to dragging the oblivious Krug with us, his big ritual is complete- he raises a fist-sized black onyx egg aloft, crackles with arcane power and causes the bones around him to coalesce into one massive creature - an undead, giant-sized rust monster, radiating an Aura of pure negative energy. Krug opened his arms wide, eager for the metal-eating monster cockroach to free him from his poison-painted metal prison. It ignores him as he's still very far away. Me and the others have our weapons and armour devoured.

Our DM was very much a stickler for note-taking. So because Damien Bloodmoon hadn't written 'clothes' on his sheet, his armour being eaten by the monster left him naked and afraid.

It became clear that the DM had done another f***y-wucky. See, the Aura of negative energy healed me and the Sorcerer by more than its other attacks did. So whilst Damien Bloodmoon was naked, soaked in mud and bleeding to death almost crushed to a pulp in the fetal position, rocking backwards and forwards as his player seethed with hatred, the Shaman and the Campire set about beating the thing to death with our bear hands and a stick.

The session ended once we killed the necromancer, or rather when Krug walked up to him, closed his arms and just crushed the noodle-armed bad guy to death with the weight of his ridiculous armour and poisoned him with its paintwork.

We never revisited the game afterwards. We were told later on that the DM wanted us to use the non-undead races. But at no point had he said as much, even when we asked him about our characters and the restrictions on them. We also learned a valuable lesson. DM for the players who are there, not the ones who you have an idealised mental image of. Tailor your game, otherwise you'll get a sitcom featuring a camp nosferatu, a shaman with no healing, a paladin who could barely move and a Cleric of murder who was ironically the only one at risk of actually dying.

[vampkomori]

the TMGB theory

i think theres a bit more to Shinjukus “destruction” if we shift our attention to its most iconic landmark, the tokyo metropolitan government building. 

Note: this theory is just for fun. but I think it has a good shot at estimating the future higher plane storyline

Before we get into the details of the TMGB, lets first establish something about the purification of Shinjuku

This dialogue from w2d4 is about much detail as we’ll get about what happened to Shinjuku, and what effect its “destruction” had on the RG. It was “wiped out” “erased” and “vanished”; nobody in the RG remembers it, except for the people that had been in the UG before.

Well “how can a whole city just vanish?” the answer is: it cant. But lets first bring this visual aid into play

Shinjuku used to be just north of Shibuya, but its not gone in the sense that it left a hole in reality and people just black out whenever they pass through. No, it seems like Shinjuku as an established district is gone, meaning its borders were never drawn, and all its space was instead given to all the other districts.

Basically, instead of “vanishing”, its more like memories and history were rewritten so that Shinjuku was just never a thing. Instead, the other districts just expanded their reach and parts of formerly-Shinjuku are now parts of other cities.

I believe this has to be the case because the alternative brings more trouble than its worth: If it was truly erased to a point where the space it formerly occupied is just empty, people would notice. But as we see with rindo and the others, they dont! rindo had no idea there was even a city up there. Itd also make no sense if people just blacked out and suddenly ended up on the other side of Tokyo, itd mess with measurements bc theres just a bunch of space unaccounted for. people with a 6th sense would also have picked up on the area being iffy, but none of this seems to be the case

Now we can get to the tokyo metropolitan government building! Its pretty important considering its uh. The government. And also shinjukus most iconic landmark. If the city had actually been destroyed, then thered be severe consequences in the RG because their government building is suddenly just gone. A simple memory wipe could not make up for it not existing, and it definitely couldnt just magically conjur up a new building within moments. (I mean, whose jurisdiction would this even fall under? The other Composers would fight over whod get to have the literal government in their city)

Suffice to say “Shinjuku” still exists in the RG. Its just broken up into pieces and those are considered part of the other cities now.

So, if Shinjukus RG is fine, what about its UG?

What we see in A New Day may actually just be Shinjukus UG slowly fading into another plane. 

To backtrack a little, theres a reason the Shibuya UG we’re in during neo doesnt include its newly gained parts of shinjuku, its because Shinjukus UG also still exists, and as neku says “it’s still there, but it’s been cut off from both the RG and the UG.” so its inaccessible. Also meaning, it cant be broken up and added to the expansion of the other UGs. if someone were to, theoretically, die in the RG of the areas that were formerly part of shinjuku, theyd simply go to the UG of whichever district claimed that area, and just wouldnt be able to access that other area in that UG

Now that thats out of the way we can go back to the actual star of the show: the tokyo metropolitan government building! Needless to say, whichever district has the literal government within its borders is bound to be incredibly influential.

And it just so happens

That the TMGB now falls into Shibuyas borders!

I believe this may be the key to the future relevance of Shibuya. The city is already extremely influential, as joshua himself said

Shibuyas influence is too strong.

So strong in fact, it could potentially “poison” the other districts. Now imagine how powerful Shibuya would be if you added the Government into the mix.

Additionally, Shibuya is already considered special by the Higher Plane due to the Shibuya River.

The Shibuya River is a particularly unique place, though we dont know which exact properties make it so unique, the fact that it started flowing into its own plane even after its source was destroyed already marks it as incredibly powerful.

So Shibuya as a place is impressively influential, so itd be no surprise if the Higher Plane kept an eye out for it, but if there was any doubt about this,

Due to the events of og twewy, the city is also considered to have reached its ideal state. Without a doubt this only adds to its already impressive level of power, and basically assures that the Angels keep an eye out for the city even after the Game between Joshua and Megumi was over.

But then why were they suddenly so insistent on seeing Shibuya purified in neo? Well, we dont know. Despite mentioning purification so often and the fact that Angels seem to encourage it, we dont actually know why the Higher Plane wants to see Shibuya purified. By all means, it should be an optimal parallel world now, so why would they suddenly want to see it gone?

The key may actually be Joshua himself. After all, he intended to stop Shinjukus purification. Though we dont know why he interfered, whether it was out of a newfound appreciation for humanity that went beyond his own city, or if he actually wanted to prevent the TMGB from falling into his borders, he was actively going against what the Higher Plane wanted, which would automatically mark him as a nuisance in their plans. Surely by purifying Shibuya, its entire area and also the area it claimed from Shinjuku, would once again fall into the borders of another district, and thus another Composer. 

Its difficult to say whether this is an overarching plan from the Higher Plan that has spanned across both games. If youve read my post about Composers, which is about how Hazuki may actually be a demoted Angel from the Higher Plane, it could be possible that his demotion was on purpose, and that they intended for Haz to purify Shinjuku, therefore making Shibuya more powerful due to the TMGB falling into its borders. He would be the ideal candidate for this, as hes considered unsympathetic and lacks knowledge about the lower planes (and thus doesnt know about the TMGB), making it extremely easy to influence him to erase his city. (though you could also claim he was in on it, but then later changed his mind about it and decided to intervene with Shibuya’s destruction, once again due to Joshua’s influence)

Either way, Shibuya was saved! (again!) and now its more influential and powerful than ever. No doubt even more people would want to come after Shibuya’s seat of Composer, just to govern this massively important city. 

And who else still desires this seat other than our favourite math guy

The fact that his plotline about still wanting to go after the Composer is tucked away in the Secret Ending of Another Day, means that this still has to be followed up on in a potential next game. 

And what better scenario to bring this up than Shibuya being highly sought after due to its recently acquired influence-boost in the form of the government

and to summarize everything once more for extra clarity

Shinjuku wasnt destroyed so much as history was just overwritten so that Shinjuku as a district was never established, causing its area to be split up amongst the other districts. the TMGB now falls into the borders of Shibuya, and with it comes even more power and influence. Shibuya as a city already had an intense amount of influence over tokyo, and even the Shibuya River is so unique that it catches the attention of the Higher Plane. Despite Shibuya having reached its ideal state of being an optimal parallel world, the Higher Plane still wants to see it purified for some reason. Though we dont know why yet, it may be because of Joshua, the fact that hes Shibuyas Composer, and that he willfully goes against the Higher Plane, most notably when he interfered to prevent Shinjukus Inversion. Whether Hazuki is aware of an overarching plan or not, Joshua still influenced him to a point where he also decided to go against the Higher Plane by saving Shibuya. With Minamimoto still wanting the Composer’s seat, it sets the tone of Shibuya’s throne being more sought-after than ever. And the Higher Plane may be more relevant than ever to make sure this influential district falls into the hands of one of their own

this concludes my case

[forcedhesitation]

the whole argument that the devs continually adding new content/features to the game is "pandering to fans" or "unhealthy for the game" is ridiculous in general. they're doing this shit for free, we aren't paying for any of these changes- changes & features that improve the overall quality of the game.

of course this doesn't mean you can't continue to ask for better! or continue to report bugs! or suggest changes that would improve quality of life! as previously mentioned, I still hope to see some improvements to wyll & karlach's routes, because they have so much less content than the other companions! but I'm not going to sit and pretend that what changes they have made have been unhealthy for the game or that larian is overall out of touch with their community.

you know what was out of touch with a community? bhvr nearly nerfing two addons on a killer in dead by daylight that almost no one plays. those addons do not make the killer OP, but simply more fun to play. this was all because whoever's in charge of deciding nerfs seems to only look at statistics without contextualising any of those numbers. that's out of touch. an entire community should not have to make a massive uproar and petitions just to prevent a change that any player with even a basic understanding of how the killer role works would never endorse. THAT is out of touch.

you know what's unhealthy? the way that dead by daylight has to consider profit when balancing perks. the fact that survivors had an obnoxious haste boosting perk that went untouched for MONTHS all because that perk came from a non-licensed chapter that they wanted to increase the profit from is unhealthy. the fact that bhvr has repeatedly stated that the most useless and weak killer in the game is "perfectly fine" is beyond ridiculous and unhealthy. the fact that certain extremely powerful perks with unfair features (like STBFL or adrenaline) have still not been nerfed is unhealthy. the fact that it's taken years for them to even entertain nerfing the numerous, outrageously strong addons of one of the most powerful killers in the game is unhealthy.

larian trying to improve the experience of a one-time payment game for new and existing players by acknowledging exploits in reasonable ways, adding additional content where it's relatively easy and feasible to do (unique kisses, the epilogue), and continuously implementing great quality of life changes (simplifying combat & indicating turns more clearly, the magic mirror) is not unhealthy. it's smart. it's more than you'll get from practically any other game.

so yeah. it could be better. but it's nowhere near as bad as it could be.

the “criticism” that larian should never have added good minthara recruitment and that that was just “pandering” to fans is so unbelievably ridiculous. what else were they supposed to do about the sheepthara exploit?? attempt to patch it out and likely fuck up plenty of people’s game files? the solution they offered literally just acknowledges the exploit without dramatically changing anything, other than the player’s ability to have both minthara and halsin in their camp. if you want to kill minthara, recruit halsin, and play an authentic good run, then do so. if you want to abandon halsin, attack the grove, and authentically recruit minthara, then do so. the sheepthara method being simplified and added into the game has absolutely zero bearing on anyone’s ability to play the game normally. some people are just making a problem out of nothing. perhaps go complain about something actually worthwhile, like the lack of content for wyll and karlach.

[loveatfirstwriteblog]

A Complete Analysis of Harry Potter

Like a lot of kids, we probably grew up on Harry potter. We were obsessed and rightly so. The universe created in the world of Harry Potter was, and is, a hugely successful one because of the fact it gave kids a world where magic exists! It seemed to be a great world to live in and it made even better with the fact that it included elements of empowerment, Whether it be showing girls can be just as successful if not more in various pursuits(Hermione), or the fact that even if you have a history of bad events, you can have a good heart(Hagrid), Harry Potter teaches us a lot.

JKR has written a mind-blowing plot in a world of magic, wizards, witches, wands, potions, friendship, love. Our inner-five-year olds--and actually most of our young adult selves too--jumps around excitedly at the beautifully penned words that creates an exit out of this world and into one where magic does exist. 

As you get older, though, you begin to think of Harry Potter in a more critical fashion. The thought of “oh my god, it’s magic” no longer completely overrides my mind, but more of “but what are the laws regarding this? Can people just do this whenever they want? Are there no ethics?” 

No matter how much we’re going to expose the flaws and plot holes in HP now, we’ll always love the books--we grew up on them! But some things just niggle you as you get older, and that’s what we’re going to be focusing on in this post.

Something I adore about the HP books is that everyone, including the “good guys”, has flaws. Harry has a “save the world alone, do first, think later” complex, a driving force that makes him go save Sirius, Ron is very, very insecure to a point where he ditches Harry twice, probably when Harry needed him the most, Hermione is a judgemental, narrow-minded nag (her thoughts on Luna, divination, Trelawney, basically anything that doesn’t fit her black and white world), Molly Weasley is misogynistic and blatantly favourites her children—probably being one of the main factors behind Ron’s insecurities, Arthur is condescending towards Muggles and makes several comments you cringe at while reading the books as a young adult/adult, Sirius, Snape, and Lupin still haven’t let go of their childhood grudges and hatred, etc etc etc. 

These flaws are what make these characters so three-dimensional, so layered, so human. But the problem was, most of these flaws are never intentionally acknowledged. And honestly, that could have been such a good character arc, because the main characters are mostly students. No student is the same through their teenage years—they change, they evolve, they get over their flaws, they try to better themselves. I would have loved to see Ron becoming his own person, Hermione opening her mind up a little, etc. 

Neville is not one of my favourites, but I love his growth and development, from someone who was scared of his potions professor to a man who faced down Lord Voldemort. Ginny Weasley could have had character development, from the trauma she went through in second year, but that was never written in.  She went through this terrifying ordeal when she was only twelve years old, and jump to a year or two later and she’s absolutely fine, with no transition from her trauma whatsoever.

Some of JKR’s characters are brilliantly written and fleshed out, but some of her others lack the structure and complexity that usually comes with being vital to the plot—Ginny Weasley for one. Her internalised misogyny also plays a huge part in the way her female characters are written. We see this again in the case of how she wrote the character of Ginny. 

Ginny Weasley is not a favourite of ours (if you don’t know that by now). She feels a lot like a convenient male daydream—when she waits for Harry to notice her by dating other guys, gets annoyed by Hermione “not knowing quidditch”, etc etc—and fits the “not like other girls” archetype too much, almost like she was made for it (hint hint). She’s portrayed to be strong-willed, spunky, and independent, and I love the idea, but I really don’t see it. To me, she’s a very shallow character, the least fleshed out one. 

Just like James Potter wasn’t necessarily redeemed just because JKR said he was, and Ginny isn’t interesting just because JKR writes that she is. 

Hermione also fits the archetype, but she’s JKR’s self-insert, so we really can’t say much about that. 

To make things worse, Ginny and Hermione are pitted against each other in a very subtle way. Ginny is the sporty, pretty, flirty girl who’s never single from book 4. Hermione is the not-conventionally-attractive, nerdy girl who’s had a few dates here and there but never a relationship. They’re very different characters (the only thing they have in common is the archetype) but they’re against each other in the defence of Harry. 

Another place where JKR’s misogyny shows up is the way other girls are written. Lavender Brown is shown as vapid and immature, just because she likes clothes and boys and didn’t know how to handle her first relationship. Cho Chang is perceived as shallow because she’s emotional. Pansy Parkinson is seen to be throwing herself at Draco Malfoy. The Weasleys hated Fleur because she was beautiful and sexy and French, and that was ever really resolved in the end (Molly accepted her, but we never got Ginny’s and Hermione’s opinions again). You see where we’re getting at? The typical “girly girls” are portrayed as insipid, shallow, emotional, and boring, while girls like Hermione and Ginny are seen to be fun and multilayered. 

The problems with Harry Potter don’t just stop with non-fleshed out characters. There are plot devices that go unacknowledged, issues like blood purity—which is the basis of Voldemort’s tyranny—are never really resolved, huge Chekhov’s guns that aren’t fired. 

A common misconception, which if cleared up could probably expose a load of problems in wizarding society by itself, is that the wizarding world is racist. It’s not racist. Muggles and Muggleborns are not a different race, they’re a different class, at least according to pureblood wizards. Mudblood is a classist insult (a direct reference to nobility blueblood and aristocracy).

Another factor that wasn’t talked about but made the HP world so complex and realistic is the inherent classism in every single pureblooded wizard, including the Weasleys.

 The “Light” wizards all operate on the notion “at least I don’t kill or torture Muggles”. The Weasleys refuse to talk about Molly’s squib cousin who’s an accountant, the Longbottoms were so desperate for Neville to not be a squib they nearly killed him trying to force magic out of him, Ron makes fun of Filch for being a squib, thinks house-elves are beneath him, and confounds his driving instructor in his mid-thirties, the ministry workers kept obliviating that muggle at the quidditch World Cup, etc. 

This could have been a metaphor for how small prejudices and microaggressions (kind of the wizarding equivalent of white privilege) enable discrimination and murder, if JKR had actually acknowledged it. 

The parallel to Nazi Germany is very twisted and definitely shouldn’t be taken too far, but the Nazi ideology grew on the basis of everyday antisemitism, “that’s not that bad” little things. Voldemort’s circle and army grew because the wizard superiority complex festered and blew up in some people, egged on by a deeply classist society. 

Ultimately, Harry Potter has very, very shoddy worldbuilding, the kind of worldbuilding that’s obsessed with answering the “what” of the wizarding world, rather than the “how” or the “why”, which is strange, considering that fantasy or dystopian-era novels’ driving plots and conflicts are usually answering the questions the worldbuilding raises--The Hunger Games and The Shadowhunter Chronicles are two of the best examples of brilliantly written YA fantasy and dystopian novels. 

In HP, however, the main plot just avoids the questions the worldbuilding brings up like the bubonic plague. 

Voldemort’s agenda is built on prejudice towards Muggles and Muggleborns, but the plot just validates the negative perception of them—at the end of the day, being a wizard is what’s special. The Statute of Secrecy is the foundation of the main concept—blood supremacists believe wizards shouldn’t be hidden away—but only vague, barely-there answers are given to why it exists (a Chekhov’s gun that was never fired). 

There are love potions that function like date rape drugs (even Harry was given one by a girl who wanted him to ask her out), potions that force people to tell the truth, potions that literally let you disguise yourself as another person, but the ethics are never talked about, and the laws are so lax that three twelve-year-olds broke them and were never caught. 

But at the same time, the worldbuilding is so authentic, because it transforms the wizarding world into straight-up fridge horror. The everyday horrors are just accepted and rolled with. A corrupt government, constant obliviation of Muggles, slavery that isn’t even talked about. These things aren’t obvious to us as readers, or to the wizards as characters, because they match up to the real world, which is filled with things that are horrifying if you dig deeper. The multiple, normalised forms of abuse, police brutality, the violence in prisons that nothing is done about, the glaringly obvious cultural problems we have with consent, etc. 

The abusive authoritative figures in HP, like Rufus Scrimgeour, Cornelius Fudge, Dumbledore, Umbridge, etc, are so authentic because real-life politicians and people in high places of power behave that way, and their abuse is excused. 

The wizarding world is just like the real world. Corrupt, prejudiced, messed up, but if you’re privileged, or at least have certain privileges, you’re probably not going to notice. The ultimate problem is that the plot doesn’t acknowledge a lot of fridge horror things are messed up either, which is why it miserably fails. 

[lovee-infected]

hi! could i see your insights about ace? i saw a anon say from another blog that kinda has unrealistic expectations in a relationship and it kinda stuck with me. i mean in his ghost marriage he already knows the things he wants in a partner but he didn't show guilt about dumping his girlfriend, even. i think if you date him because he sees these quality in you and as the relationship last, he'll dump you if you get boring to him lol

I never thought that I'd say this but, wow, I'm impressed. I've been really curious about Ace since I get to see a variety of different content with different representations of his personality, so I decided to stick with his canon stories and lines. This analysis was so much fun to write and I'd assure you all that not only Ace but rather all of the first year characters are WAY more than they seem to be! Many just decide to ignore them and pass away, calling them good boys or precious stupid beanies at first.

Speaking of Ace, we've all seen how trending he's been recently. Many theories, thoughts and new arguments exist through the fandom as many want to get to know this boy better.

Theories like "Ace's betrayal theory" as well have been mentioned a lot lately, some agree and some disagree. While we aren't going to talk about that theory or any other theories in this analysis, I'd like to take time to talk about the reasons why those theories might seem appealing and accurate. In other words, we're going to talk about where they are coming from!

1) Ace is incredibly smart and brave

It's true that characters like Jade or Azul's remarkable genius often stands out as it's clearly visible through their presence in the game, from iconic decisions to stunning strategies. But what we need to realize is how characters like Ace can be just as inspiring while their true intelligence is often shallowed by extras and giving them much of a dumb picture in the game.

To begin with, let us note that Ace's brother himself was one of the considerably strong magicians in Heartslabyul's history and even his presence through the magicshift is still remarkable even though years has passed. As the second child of the family, Ace's change to achieve success is even higher than his brother's as he already has a role model he really looks up to, so in that point Ace isn't one to underestimate. But, let me point that his relationship with his brother also contains lots of jealousy and sometimes negativity. His brother was one to always trick Ace and he continues to do so even nowadays! Ace on the other hand doesn't enjoy being pissed off over and over even as he's used to it. Well, we can say that it's another reason for him to train his hardest and become a greater magician than his brother therefore he won't be the bully material of the Trappola household anymore.

Regardless of how effective his brother might've been on him, Ace himself has shown plenty of strong hints that reveal not only his high IQ but also EQ:

He can solve math problems in second, which is a rather important feature to note because the way you deal with math can directly effect the way you deal with life. Not saying that one has to be great at math to be great at something else but it's rather about the perspective and ability of logical thinking that it gives to one. I'd say that this effect is quite visible if you take a look at the way he speaks in serious situations; he's got much of an analytical brain. Let's not forget that Cater as well confirmed that he's much of a skill stealer, is pretty good at remembering things and is a quick thinker! These are go on to show how much of an underestimated genius he is.

Whenever something goes wrong, Ace would be the first one to notice it even if it's a silly matter. And it always begins with a seemingly childish argument, but ends incrucial matters that not a single soul had noticed before! Just take a look at chapter one, what would've happened if Ace hadn't spoken up? He was just one of the hundreds of students having to be severely punished under Riddle's strict rules and he surely wasn't the first one to go through this. Him taking the urge to fight Riddle sounded stupid and naïve at first, many even told him off because he was just acting like a pissed off child. But as he continued to argue and oppose toward Riddle's way as a leader, even Trey realized how he's been keeping his eye shut on all this problems for so long. The way Ace stood against Trey was iconic, he confidently defended his point not by his personal demands and feelings but with facts and logical comments on why Trey's way of threatening Riddle is wrong. He did the same thing again at he ghost marriage, just think of it! Not a single soul ever cared to tell the bride about true love but Ace was there, and he was the one and only to do this after more than 500 years of the bride's existence! This Ace, this serious and mature face of Ace is something that can surely fascinate anyone. His bravery, the way he puts all that strength through words, hisextremely logical point of view and his enthusiasm to solve the problems no matter how unimportant they seem to be is indeed appreciatble. Seriously though, what would've happened to Riddle is Ace wasn't there? When Ace firstly begun to oppose to him, everyone thought that is was just a childish argument. They had no idea how severe and destructive Riddle's temper issues were and how harmful they were down inside.

2) He's one of the dumbest characters in the whole game

You know what? He is dumb. Yes he's incredibly smart but this isn't going to change the fact that he is dumb as hell, so I'm never going to argue when someone's nagging on how much of an idiot he is. But most importantly, we need to know what's making him so dumb:

His presence through the stories has proved that Ace is eventually pretty good at detecting the main source of problems both on the mental and physical side. He was the first to realize Riddle's issues, Trey's huge mistake with Riddle, Ghost bride's unawareness and Epel's gloomy and sad aura in chapter 4. Ace's also one to easily tell whether what someone is doing is wrong or not, he can see through people and bring their mistakes to their attention. The problem is... he can't be quite the same with himself. That's what makes him awfully dumb.

Back in chapter one, he did have a point about Riddle's way of leadership being so unfair and messed up, but when he decided to challenge Riddle and even take his place as the dorm leader he was a total idiot who didn't how weak and unpractical his own magic was, he was being too dramatic. When he talked about his ex girlfriend, he just talked about how she held him back from doing what he wanted and was too uncool to spend time with, but he didn't mention a single thing about himself doing anything wrong in that relationship. He often fails to realize that he's got his own incompleteness and lacks just like anyone else, or prefers to put an blind eye to them most of the time (not all of the time)

Ace sets the perfect goals, but chooses the wrong path to achieve them. He needs to realize that just like everyone else, he can be sometimes wrong. He should take his time to get to know himself better; his abilities, his attitude, his faults and his mistakes and learn to be more patient and logical in order to achieve his goals. He's still young an inexperienced, by learning to put that brilliance of him into the perfect use he'd be able to become the great magician he wishes to be, and I'd say that in case that he continues to grow stronger and smarter, he'll have a high chance of being hesrtslabyul's next dorm leader!

3) He legit wants to be the "Ace"

This part's more of an attempt to do a name analyis and see how much it's been effective on Ace's personality. It actually makes a lot of snese since the word "Ace" itself has several meanings, and he used these different terms quite a few times in his personal stories. This point would also be explained in part (4) so for now, let's take a look at direct name definitions:

First of, remember what what an Ace is in a card game? "A playing card with a simple spot on it, ranked as the highest card in its suit" This goes on to tell us a lot, it's telling us what an Ace is. A loner yet the most powerful one of its own, just like how Ace wants to be.

Wanting to be an actuall Ace is definitely one of the things that sometimes makes Ace sound so jerky and he's aware of it! If you give it a closer look, you'll see that Ace doesn't really treat his friends like friends, especially with Deuce and Grim. He's often insulting or challenging them, and even during his birthday SSR when MC asked him about what he thinks of each of other first years (Who are basically his closest friends) he mainly criticized them and all, not a single word was said about things he likes about them and he didn't even call any of them his friend!

Well that's much of a jerky attitude to have toward people whom you spend almost all of your time with, especially your best of time.

He to play the role of the bad guy, the type to hang out with everyone without feeling any attached to them as even friends. Seems like our boy is trying to be a loner, a true Ace of cards and hearts. And he doesn't mind his friends calling him a bastard or jerk because of this. It's even confirmed that he's more of the popular guy type therefore he's mainly used to having people around!

On the other hand, he's trying his best to achieve success no matter what the obstacles are. It's true that he often messes up and fails, but we cannot say that he isn't trying. He almost lost his head for real during his SSR story where Riddle's favorite hedgehogs were lost because of Ace's impatience, but at last with the help of monsieur Rook and his own ability to imitate Rook's mole language skills Ace saved his neck one more time, and ended his story with a dramatic "Of course, I always Ace it!"

4) Ace does care, but pretends that he does not

In contrast to the fact that he wants to sound tricky,manipulative and mean, or how he's denying his friends' true worth to him like stated in part (3), Ace is probably one of the most caring and supportive characters in the game. Not saying that he's just as bright as someone like Kalim, but his way of seeing through people and wishing them to be better, wealthier and happier than they already are is surely something. This fact is often ignored because, well...everyone's too busy calling him either dumb or sus/ jk!

Just imagine having a friend or at least, a classmate you know like Ace. How's he supposed to be? He'd realize it when someone's bullying/bothering/ or intentionally harming you, and he isn't going to be silent about it. If you see that you're permanently sad, angry, rude or loud then again he'd speak up, he isn't going to just pull up with anyone's unhealthy habit like nothing's happened. He's got much of a big brain as well so you should expect him to say a bunch of helpful and meaningful stuff when he's using that brain, mainly in serious situations. He may not be a permanently mutual to have around, but when the troubles arrive, know that having Ace around is always an advantage.

To top it off, he's even shown sympathy toward people whom he seemed to like the least at first like Riddle; he wishes Riddle to be happier, to smile more, to be more open about his emotions with other students. At some point he even admits that he looks up to him, he used to overestimate his powers and challenged Riddle, but during the ghost marriage he said that he knows how powerful and strong Riddle is, therefore he should work his hardest to study and train to become strong just like him! He already seems to be more cheerful and bright when MC is talking to him, but when it comes to Grim and Deuce...it gets quite complicated. What we see the most is often Ace insulting them or saying that he's going to kick their asses, but they're also his closest friends all though he refuses to admit to it.

Just wait for Deuce or Grim to get in a serious danger or pain, and see how much of a protective one Ace can be! He isn't going to remain silent when one is in danger, but he's surely going to deny all that effort and affection he gave into action afterwards. When Ace can feel this cautious and understanding toward Riddle, someone who isn't even a friend of his then imagine how supportive and caring he would be toward his close friends like Deuce, MC and Grim!

In his ghost marriage as well, his words and the way he spoke of the meaning of true love left everyone, even Crowley, impressed (Crowley even said that he's fallen in love with this side of Ace's personality), but refused to admit that he was speaking of his true feelings after the ceremony. Someone like Grim is too bold to recognize how much of a different person Ace can be inside, so he claimed that Ace was just rambling nonsense without thinking of what he was saying back then, and Ace agreed with him! This is a continuation to part (3) where we talked about how he wants to be a loner, he doesn't want anyone to see how caring and sometimes, emotional he can be inside! Poor boy is quite shy showing his true feelings we can tell~

5) Ace can be quite tricky and manipulative

This part will also explain some of the main reasons behind famous theories like "Ace's betrayal theory", and I wanted to have a certain part to talk about this point specifically because it's been quite trending through the whole fandom, and many are wondering why theorizers are considering his betrayal a possibility, so here we go!

As said, one of the main factors the makes Ace seem suspicious would be his incredible intelligence. The fact that he can actually be that smart all the time but isn't openly showing his talents and abilities can be quite questionable, more details regarding his intelligence and most likely high IQ and EQ were discussed in part (1)!

Enough with intelligence, let's focus on his personality! This is mainly what this part is talking about, his trickiness. Just like his father and older brother, Ace is pretty good with magic tricks. Small and fun tricks are a convenient yet easy ways to inspire others and Ace doesn't mind showing the crowd what he's got up in sleeve when possible. But the thing is...this isn't just about fancy tricks.

This ability can be expanded into any other field such as mental terms and enable him to indirectly control and play with one's mind. That's more of a possibility though! He hasn't yet shown any signs of being any manipulative but, well, we can't say that it's beyond his abilities. Ace himself can be quite sarcastic and mean at the time, he doesn't seem to mind slightly tricking his friends either. Nothing about him seems to be serious, but the possibilities remain still.

The way he learnt those tricks as well is mentionable; no one ever teached himm any of those tricks, he learnt them through being repeatedly tricked, and learning to copy and redo what he saw. Both Rook and Cater so far have confirmed that Ace's ability to learn so quickly and learn and redo techniques just by watching them is fantastic.

His genius and ability to learn and memorize everything that he needs to learn pretty fast, along side his tricky and sometimes personality can make Ace quite dangerous. If someone like him decides to choose such a remarkable talent for evil purposes, that's surely going to be bad news. That's much and less of what makes Ace's betrayal theory make sense although there're still fans who find it quite questionable. I'm not a supporter of this theory myself as I hadn't seen any signs of Ace having any bad intentions so far, but I do get where the theorizers are coming from and that makes sense. Ace has been trying to put on much of a mean and lowkey evil face on through the story and no one can really say what's exactly going on in that brain. We'll that about this uncertainty in part (7)!

6) His past relationship was...uh

For now, Ace is the only character who is confirmed to have experience in love and relationships, and this was a rather effective factor since many have been talking about Ace's past relationship afterwards. The thing is...Ace did talk about how his girlfriend held him back from having fun and living the life he wanted to live. Well there's actually a lot we should say about this one so I'm not gonna rush to the end, let's think about all of the aspects of this situation logically:

First of, the relationship itself. I'd say that it was a wrong attempt for them to date each other in the first place because obviously, Ace and his girlfriend weren't made for each other. They were total opposites in interests and they couldn't even have fun together. If Ace chose to go on a wild roller coater ride, the girl would've freaked out and when she chose a small, childish ride that she liked Ace instead didn't enjoy it at all. It's surely an issue when you and your partner can't even watch a movie which both of you can enjoy together since their tastes were totally different, just jow was this relationship going to last? Ace wasn't happy, and if he was going to do what made him happy the girl in return would've been sad. They were two different people of two different points, dating at this point was nothing but a mistake.

On the other hand, Ace as well is guilty. First off, she shouldn't have dated the girl in the first place if he was aware of how different her tastes were. Second, from what he said he never showed any signs of dissatisfaction when he had to give up on what he liked to listen to what the girl friend liked. The girl friend obviously told him that she was scared of a horror movie, but Ace just kept his mouth shut and felt awfully annoyed as he watched a romance movie with her while he didn't like it at all. If he'd at least told her girlfriend about this, she wouldn't have felt as injured and cheated when Ace broke up with her. Ace shouldn't have bottled it up, he deserved to enjoy the relationship just as much as the girl did. He shouldn't have expected things to get any better if he wasn't going to solve anything about it in the first place. If he'd talked about his personal desires and favorites as well, and had his uncomfortableness with most of the girl's choices discussed before hand, there could've been a chance of them coming into a conclusion and even not breaking up! The girl could've tried to be braver for him, and Ace could've agreed to be softer because of her. There would've been a HUGE difference if they'd talked about it logically.

Also, keep this in mind that the girl had no idea about Ace's uncomfortableness which was low key naïve of her (It's not cool when you don't even realize that your boyfriend doesn't like something) but this also made him awfully unprepared for a break up! Ace should've st least talked about his feelings and how he was unable to continue that relationship with her instead of just dropping her out of nowhere. That would've also decreased the chance of having to deal with the girl's friends after wards!

Finally, let's say that this relationship was wrong in too many aspects. They weren't each other's type, and we can't really blame Ace for dropping someone whom he couldn't be happy with. The main of being in a relationship is spending time with someone whom you can enjoy your time with. He as well was guilty because he can't just drop the girl like he just didn't care and had gotten tired of her while he had his own reasons for dropping her, he should've let the girl know that it wasn't necessarily her fault, it was about Ace not being able to relate to her tastes and habits.

Also, let's be honest. Not much is expected when a 15 year old is dating. Being in a relationship is an awfully sensitive and important choice and someone like Ace hasn't reached that level of maturity to be ready to date someone, let alone doing it at his 15s! Honestly... they should've learnt a lot before dating each other because it isn't a silly thing. Dating like this is nothing but playing around for a while for fun, it's a childish game of spending some time together until they break up.

For now, Ace is finds love quite silly and meaningless so we can clearly see that his past relationship has pissed him off. Well Ace needs to realize that his relationship with his ex wasn't a serious one, so it's normal for it to seem unimportant and silly. He needs to learn a lot without dating someone again, such as knowing how crucial it is to make sure that his hobbies would match his partners, to make sure tjat they get along, and simply, he needs to find his own type! Not all people are made for each other, and he isn't supposed to fall for anyone with any possible personality that pops up on his way.

Also, I'd say that he still needs to focus on studying instead of dating. He needs to reach the required level of maturity to be ready to start a healthy and successful relationship again. Also, he might end up being totally different from what we've seen about him being in a relationship do far when he grows up! Idealistics do change a lot olin teenagehood.

7) We need to talk about our first years a lot more!!!

This point isn't just about him, but rather all of the first years! If I were to rate the most ignored and shallowed personalities of twst, the first years should've gone on the top of this list. Even when we're speaking of the mischaracterized characters of the game, many consider Ace and Deuce to be the least mischaracterized while they happen to be the most mischaracterized as no one evencares to see through them and feel like we aren't mischaracterizing them just because we're ignoring them! Come on guys, Ace's design and personality is a lot more complicated and harder to read than characters like Vil and even Leona!

Out of all first years Sebek was the only one to get some proper shout outs so far but why isn't anyone talking about Ace and Deuce the way they deserve to be talked about? Their presence through the game is even more important than the dorm leaders as they are the closest characters to MC, and their personality design is just incredible, no just because of how perfectly detailed it is, but also because of giving them this unpredictability and incompleteness which totally matches their age!

Studies have shown that judging one's personality based on how they're doing at the age of 16 or younger is prettyhard and impossible, and it's a totally serious fact. At the age of 16, human's personality is under severe effects and changes until reaching it's final-developed shape. That's accurate toward almost all of the first years except Jack since he seems to have more of a mature personality.

NRC's first years are really complicated, especially a character like Ace. That why I said that we can't yet tell if he's a good guy or not, because at this level of life he can choose to be anything. He can be good, he can be bad, he can be neutral. That's why he's showing too much of opposite actions at the moment. One second he's being the biggest idiot in the whole world, the other second he's planning like a 50 year old genius. One second he's being protective over his friends, the other second he sighs and tells MC how annoying they are.

That's why Ace is hard to read, we can't tell what his true feelings are until he reaches the required mental stability to be judged as a mature and complete personality. 18 year olds like Vil have already reached that level of maturity and completeness, finding their unique magics as well is another sign of it. But our first years still need to learn and experience until they find their real selves, to see who they are.

This is one of the most adorable facts about their design because they really gave him this young and wild and incomplete nature to show that they're still young! This is quite incredible how careful Yana was to remember that they all needed some this childishness in their design, their designs are just as accurate and realistic as a real 16 year old's! They still need to learn, and that's why they're the closest ones to MC.

MC needs to learn and get to see more and more of this world, and so do the first years! They're just as unexperienced and new to this world, and they can relate to MC better than anyone else can!

So please, from now on, let's remember to talk about not only Ace, but also all of the first years more often. Ace and Deuce's designs especially are the most detailed and beautiful ones if you take time to know them better. Remember that after the 7 dorm leaders, Ace and Deuce's roles as the protagonist's closest allies are the most crucial in the game, so let's not just decide to ignore all these creative features and pass by them without thinking how much they can mean.

Woah, this one was quite harder to write than I'd expected! There are way too many things to say about him which made me have to summarize this into just this 7 parts for now. Ace is surely and odd yet interesting one to study, even more interesting than usually famous characters like Leona and Azul, which is partly because of how unpredictable he is!

[jadienjaystoriesandart]

Sander Sides - Coraline AU

So when scrolling through one of my favorite channels on here I saw someone mention Janus as Other Father, and this got my creativity going. I’ll hash out the characters and ideas, then give you a basic idea of what is cooking in my head. However, I’m not sure on how I want things to go in terms of plot. But I do have a general idea of the characters and their roles as well as background.

Other Mother: Logan Sanders

In this idea the Other Mother would have been Patton, but given there are so many sides, I thought he’d fit another role better. Then my sister suggested Logan as Other Mother, and it fits for the basic plot I have in mind. He goes by Logic by the others in the Other World, or as they call it the Alternate World or Pocket World. 

Logan says he’s the eldest one here along with Patton and Janus, and seems to be the head of the ‘family’. He’s a very stoic mother, pushing his kids, which in this case is Roman, Remus, and Virgil, to be smart. Not in a bad way, he’s a silently content mother, and you can tell when he’s proud of you. He cleans mostly and makes sure everything is in place, and enjoys gardening. Mostly he stays in the study or outside. 

In terms of power, Logan is the most powerful of them due to being the oldest person there. And no, he doesn’t turn into a spider being, he actually is a type of bird. Looking alot like harpy when you really tick him off. His buttons are dark blue with silver thread and his skin is warm but overly smooth. 

Other Fathers: Patton and Janus Sanders No one is really sure who is older, they’ve always been with each other. Janus enjoys making music and Patton enjoys cooking for the family. Both are very fatherly and enjoy doting on their kids. Going by the names of Morality and Deceit/Self. When mother dear isn’t around, it’s up to the one of the fathers to sort things out.  Janus is strange, as in he’s the one who gives the hints something isn’t quiet right. Though it’s unknown if these are his actions or not. He seems to like challenging kids that come to the Pocket World to think about what they are seeing and why. Yet does it a very coy way. Then there are days he’ll do a 180 and ask you not to question anything and actively lie about things. His buttons are dark gold with black thread, and he does have scales on his face still. Though, to a kid that’s nothing. Patton is cheerful and bubbly, his dinners are always the best as is his sweets. He’s the one that mostly sticks to Logan the most, and enjoys gardening also. He’s the first to make sure one doesn’t question, easily deflecting odd things, and is great at distracting people. He is Nostalgia after all, his areas when your near him make you feel so happy and get you lost in happy moments. His buttons are light blue with dark blue tread.  Both take on forms of a Frog and Snake when angry, which are terrifying. Their skin is also very rubbery feeling. Other Brother: Virgil Sanders  Virgil here is the youngest, looking like he’s only 15 or 16. He’s been here the shortest... and looks oddly like a kid that went missing back in the early 2000′s. The Family calls his Anxiety, and he’s rather withdrawn. But does enjoy playing video games or board games with Patton, Janus, and Logan.  Soft spoken, sarcastic, and a little emo spiderling, he’s adored by Patton mostly. Who calls him the ‘Dark Strange Son’ alot. Virgil seems rather happy in the Other World. Stating to little Thomas that this world is much better than anything he could dream of. He’s however hesitant to answer questions about things not inside the Other World. Telling Thomas to not think about that, and just be happy. He enjoys his room/the attic, and outside in the front yard. When angry, Virgil is the one with the spider form, taking on a more glass like look and his skin is cold to the touch. His buttons are dark purple with light purple thread. 

Other Twins: Roman and Remus Sanders The two Creativity Rascals, they are slightly older then Virgil, but much younger than Janus and Patton. They can warp reality around them when in their favorite spots, be it the Basement for Remus, or the Woods for Roman. Their rooms are actually in the basement in the door near the left side of the house. While Virgil's is in the attic. They serve as the entertainment, coming up with ideas on the fly to go on adventures, play dragons and knights, or kings and castles. The forest, quiet literally, is their playground. Having their own fort and castle there, and a while bunch of land to cover.  The twins play fight alot, but they get along very well and are rather close to one another. And are like the cool older brothers who have alot of fun, but are happy to let the youngers join them.  Both have tentacles in this one, though Remus is more slimy than his brother. And when they open their extra mouths on their body when angry, it’s very scary. Roman’s buttons are red with green thread, while Remus is green with red thread. And their skin is like plastic almost.  Coraline: Thomas Anderson  He’s about 12 in this one, just moved to the country side in a little blue house on the back dirt roads. This town is dreadfully boring, with dull, muted colors, always over cast and rainy. It’s like all the happiness has been sucked out of it and left to decay.  Thomas is not upset about the move, as he never had many friends, if any, from his old home. He’s mostly upset with the fact he’s just dull, he’s not allowed to be colorful. And to top it off, his parents aren’t always there emotionally for him. Leaving him completely isolated, even more so when he’s a closeted gay in a very religious family.  So when he finds a world where everything is colorful, with three dads, well two and a mom, a family who cares about him, he’s excited. Maybe this move won’t be so bad.

Plot: The idea in my head is that Thomas has moved with his parents to a rather nice when hie father got a promotion. But, like most typical rich families, he’s not really paid attention to. And Thomas feels mostly left out, having no friends to call his own, and just his imagination and books to keep him busy.  When exploring his new house, finding the attic and basement locked, and a small golden key, he finds a little door. It’s been walled off, which is a bummer. That is until the middle of the night, when Thomas follows a shadow to the door. Finding it leads to a world that is perfect. The world represents everything Thomas wants, brothers, Roman, Remus, and Virgil. Fathers, Patton and Janus, and a mother, Logan, who actually cares about him. He isn’t sure if this is some very real dream or not. But he’s not complaining, he feels welcomed instantly byt he family.  Taken on adventures with Roman and Remus, playing games with Virgil and learning knew things from Logan, helping Patton cook, and Janus teaches him music and among other things. But when after a week of this, Thomas starts to see strange cracks in their personalities. And when they one day ask if he wants to stay forever and be part of their family, it meets getting this pink buttons in his eyes. He’s terrified, and now wonders if he’ll ever escape... or even if he wants to. Notes:

So I’m not sure how I want it to be played out. If the Others are truly evil in just that they want to kidnap Thomas just because they are selfish and/or turn him into a doll.  OR if I want it to be well meaning sinister, where they think they are doing Thomas a favor by taking him away from his neglectful family. 

One thing to note is they do really like Thomas, regardless of intentions, they do like him. And either way, they want him to stay forever.

Now, I’m not sure if I want with the Other Father for Patton to be controlling Janus or Janus to be controlling Patton. One of them is well aware of what they are doing, but can’t go against the wishes of their controller or Logan. While they are happy, the idea of luring kids tends to hurt them inside.

The Other World is bigger than Thomas things, he’s just in a small area that belongs to Logan. There are MANY others out there. Who lure people away into their realm, for better or worse. It’s like it’s own reality, only everything is just perfect. It’s like a nostalgic trap, much like Patton’s room only worse.

Logan is the main guy, he’s been at this for a long time, and either Patton or Janus is their partner depending on who is controlling who. He mainly lures kids as he likes the taste of their humanity. It’s what he feeds off of, draining them of their everything, and making them like dolls, only with a semi soul. Any who does this too becomes his kid or helper. Logan is fine with this, he enjoys having a family. And he only has to feed every few decades or so. He’s been around for a long time. Most of his ‘kids’ have grown up, and become true Others who have their own areas. Virgil, Roman, and Remus though are still MUCH too young for such a thing.  Others are NOT human, nor are they ‘aliens’ either. Best thing I can think of are like Fae, only... less magical as we know it. They are creatures who feed off of emotions and the essences that make people human. Which is why they all feel like dolls. 

Others are near immortal should they feed properly, and Others areas tend to just attract people to them. Some go after teens, others kids, some adults, taste is everything. Adults tend to be more fulling, but can be bitter and sour tasting, Teens are half and half depending on situation, and are often spicy tasting. While kids are very sweet, and typically are fulling also depending on how well you’ve gained their trust. If you can get them to agree to being an other, even better.  It’s harder than it sounds though.

Each Other does have a specific power that they use. Which I am still hashing out in my head. 

They rarely get angry, but boy is it scary when they do. 

The key only is Thomas’s interpretation of the entrance way, it can be anything to get into the Other World. It’s all up to the person in how THEY think to get in. It could be walking through two trees making a hole in them, opening a door that is only unlocked on certain days, or even just crawling under your bed. It’s up to the seeker how they wish to get in, which is why the Other World can stay in one spot, no matter the house or thing built on it. 

There is no real moral code for Others, their world is very well hidden. But they are very protective of their charges when they find the right type of feed off of. Logan gets extremely possessive of Thomas when he shows up, not as in he punishes the others, but if Thomas ever thinks about leaving or tries too, Logan would lock him up until Thomas gives into despair. 

If they are being unruly or try to escape, one way to get them ot agree is by isolating them, and cutting them off from happiness. Which makes kids and teens want to stay once they leave their isolation. Logan dislikes doing this, but going without a food source is rather painful, and he’d rather not put himself or his partner through that. So if he must, he will make sure the target stays. Even if it won’t be as filling as if they agreed willingly. 

Also, their areas is often where their power is the strongest.

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So Yeah, there it is, if you guys have any question just let me know. And this goes to @fangirltothefullest who when I mentioned this idea to her really wanted to see this.  I still need more for it, but I like the concept of it, it’s much different from the books, but that’s what makes it interesting. Could easily be Angst with Happy Ending. Could even get more sinister than this. We’ll see. Might post more about this later. And fanart is well loved, I can draw, but not well enough in my mind lol. 

[max1461]

ok I want to clarify that I think the first two or three harry potter books are pretty good, and it's when jk rowling tries to get into the worldbuilding stuff (which she isn't very good at) that they fail. what I mean by "harry potter like" is like... a story where there is a secret, somewhat whimsical, and culturally anachronistic magical society that co-exists with our own, and our young everyman protagonist learns they have magical powers and ends up going to school there, and we get to learn about this world as they do, through their eyes. that's a really cool premise!

I think the whimsy is the core trait that appeals to me. like when people joke about someone having a harry potter sounding name, right, that's a real and distinctive aesthetic idea! having everybody named shit like snape and dumbledore and slughorn is, you know, fun! and the anachronism of wizard society kind of reminds me of the anachronism of the vampires in wwdits, which is an aesthetic I really like. so I think this had a lot of potential.

as for what jkr could have done to improve it. well, basically I just think she should have thought her worldbuilding through more. it doesn't need to be lotr-style hard worldbuilding, where every detail is plausibly worked out; in fact I think it shouldn't be. but the way the worldbuilding in the stories is, it just falls apart if you think about it at all, in a way that really hampers one's ability to be like "wow, I am so enraptured by the experience of getting to play make-believe as a kid wizard", which imo is kind of the appeal of the first couple books. as she added more and more stuff, she lost the ability to actually make it all work together. a better route would have been to emulate something like buffy a little more, where you set up this expectation that more-or-less any magical thingy from any mythology ever probably exists somewhere in the world, and human's aren't totally ignorant of magic it's just that we mostly don't believe in it anymore, etc. this just gives you more wiggle room, you know, more room to play with the whimsical and fun premise. rather than trying to do serious worldbuilding poorly.

or, you know, you could do serious worldbuilding with the premise, that could work too if you knew what you were doing! if you actually pulled a jrr! but she didn't.

which is just a long-winded way of saying "do harry potter, but better". kind of like how I think there's no magic formula to make a better sonic game, the problem isn't some specific design choice, it's just that sonic is a poorly executed product now. just make a better sonic game! just make harry potter, but, better!

someone should really try to make a harry potter type story again but like, better. a lot of the ideas it gestures at are pretty compelling but it kind of consistently fumbles the follow-through.

[c-is-for-circinate]

Ok, Hades gameplay reaction time!

(Because I have been terrible this quarantine year about posting thoughts about stories I've been invested in, and I'm really enjoying this game, and I'm playing basically blind and I have theories, and what is tumblr for if not recording those things to look back on later.)

I love this specific kind of fantasy/speculative fiction, that straddles the line between 'allegory clearly designed to explore a real-world issue' and 'the themes of this reflect real-world issues but also everything is times one million for drama and setting's sake'. I love it so much. Because, look, this is a story about a teenager/young adult trying to gather up the skills and resources and help he needs to escape his controlling, possessive, emotionally abusive father's house. That's it. Strip away all of the trappings, and that's what the story is about. By comparison, I think about Star Wars. (I love Star Wars too.) That's also a story about a dysfunctional fucked-up family dynamic. But that family is fucked up because dad went on a magic-corruption-induced killing spree, and his twin children were separated at birth to be raised in seclusion with the intention of someday taking him down, and look, that's cool, but it's definitely not how people actually are. All of the dysfunction in that family is an outgrowth of the fantastical setting, which means it is fantastical dysfunction. It can occasionally mirror or remind us of real-life interactions, but it's a fantasy. Which is great and fun to watch and very comforting and so on, but I don't necessarily want that in every story, and I love Hades because it is not that, at all. When you extend out the basic 'kid trying to escape his toxic home environment', Hades is the story of Zagreus trying to get out with the help of his dad's estranged, complicated, wealthy and powerful family, who are absolutely part of the reason why dad is Like That in the first place, and may not be any more reliable in the long run but who he needs right now. And his stepmom and teacher, who love him enough to help him leave, unconditionally and supportively (ask me how many feelings I have about 'look, Hades can't hurt me for helping you, don't worry about me, I am going to take care of you and that means helping you get out of this house' coming from an adult authority figure, ask me). And his dad's employees, who like him but also have to fear the old man's wrath, and walk that line in different places the best they can. And stepmom's long-estranged parent, because this is a story about families and how they split apart and come back together. And all of that is so real, so grounded in actual, concrete, this-is-how-humans-work family dynamics. But it's also individual. The story works so well because Hades isn't just a silhouette of the controlling asshole father; he is clearly The Way He Is for reasons, complicated ones, good and bad alike. The Way He Is has details, particularities, paperwork, a dog he pretends not to love and rely on. He is specific. Nyx and Achilles are specific, not just generic kind stepmom here to be a trope inversion and cardboard cutout teacher. Nyx has backstory and personality of her own, Achilles has a complex history, opinions, a missing lover, and they BOTH have very particular relationships with Hades that aren't just boilerplate script. Yes, there's abstraction there, you meet these characters in brief visual novel-esque three-line conversations over the course of dozens of escape runs, of course there's abstraction--but there's the very real sense that all of these people have nuance, have good and bad days, that they've made choices to be who they are, even if we don't know what those choices are yet. And, like Star Wars, some of the ways in which this story is so specific rely entirely on the fact of the otherworldly setting! I've seen stories that go the other way, that try to use their setting entirely as window dressing, and they end up feeling so flat I can't even remember them right now because they don't let the environment lend complexity and nuance to their characters at all. The environment these characters live in matters. The absolute control Hades exerts over his surroundings is a divine power. The fact that everyone Zag runs into, for or against him, is either immortal or immortally dead, changes how the react to

one another and to the situation at hand. The shape of his attempted escapes (gauntlet combat with a variety of legendary weapons) might be an allegorical construct of the genre, true, but it doesn't work in any sort of real-world setting where there exists the possibility of authority figures above or aside from Hades and his extended fucked-up family. That's part of why the family is so fucked-up in the first place. But these changes still fit well within the realm of, 'yeah, if you took this extremely real-life dynamic and added these factors to it, I can envision people doing this thing'. I can envision these specific people doing this thing. They add to the specificity of these characters. Letting them be influenced by their unreal surroundings makes them more real. So hell yes for good storytelling!!!!

I'm still relatively early in the game (by which I mean I'm like thirty runs in but only just got past Meg for the third time, because I am not good at this game, although in my defense it's only the seventh video game and second button-mashing game I have ever played in my life so there's that), but I'm starting to develop suspicions about Persephone. Because, look, outside of Persephone's absence from the underworld, this story knows its Greek mythology, uses it, revels in it. And there is some kind of mystery still shrouding Persephone leaving in the first place. She left a goodbye to Cerberus in her letter but not to her own son. Nyx has warned Zagreus multiple times not to let the Olympians know she's his mother. He literally never even knew she existed. That's complicated! Add to that, Persephone left--the exact thing we are trying and failing to do again and again and again. She left with one note, which means either she managed a one-shot speedrun out of the entire realm or she had some other way to leave, because if she'd washed up in the Styx pool to plod back to her room and try again, she wouldn't've needed to leave the note in the first place. And, you know, she's Persephone. Really quite famous for leaving the Underworld! Also quite famous for being forced back. So. I'm wondering if Zagreus, so conspicuously absent from her goodbye, has something to do with it after all. Six pomegranate seeds condemned Persephone to six months, half a year, half her life. I wonder if a child that's half of her her constitutes a fitting trade instead. Which, of course Hades would be even more resentful and dismissive and cruel to the kid he got in place of the wife he loved (who he chased away by being cold in the first place). Of course Persephone would have difficulty saying goodbye to her son in those circumstances. It would make sense. The tricky thing here is how the Olympians fit into it, because I also suspect the rift between Hades and Zeus sprang from Persephone's departure. And yet, if the Olympians never knew Zagreus existed, let alone that he's Persephone's son--how can he count as payment into the deal in their eyes? So in that case, what does Zeus think is the justification for Persephone leaving, after the pomegranate thing? Or are we just not doing the pomegranate thing at all? It would be a shame to lose it entirely, out of a story that really seems to enjoy the myths it's playing with. And there should be something complex here, something more than simply 'mom fucked off and left because dad sucked and now I'm following her because same'. It feels more complex than that. 'Mom and dad had a baby to try and save their marriage, it didn't work, but when mom left she had to leave me behind because otherwise dad would have gotten the cops and her extended family involved' feels more right, while still just as grounded in reality as the story has been so far.

I sort of want to write some meta about how each of the six legendary weapons corresponds to their original divine wielder, but I haven't unlocked all of their codex entries yet (look I am very bad with ranged weapons in this game ok, I am working on it), and I still need to think about the details. Aside from, of course, fuck yes of course Hestia's the one with the railgun. Leave drama and elegance and traditional weaponry to her brothers and sister (Demeter, who knows how to get her hands dirty, gets a pass). Hestia is out here to get shit done. With a grenade launcher.

[agentrouka-blog]

When Jon think about wanting winterfell and it's Lord he felt hunger which he later connect with ghost's hunger. Do you think that passage is implying something?

Hi anon!

I think the passage has many layers when it comes to symbolism and foreshadowing.

ASOS, Jon XII is a fun chapter. Jon’s been through a lot. His trip North of the wall left him traumatized and disillusioned in a way that’s hard to sum up. Anything he had hoped to be proud of in life was obliterated, he suffered serious injury, has been separated from ghost, learned that all his family are dead or missing, fought a viciously cruel battle, feels responsible for the death of his stockholm-syndromy abuser, was stripped of all respect and honor by his superiors, and he got to see a woman die in childbirth. Now Stannis and Mel are squatting at Castle Black, and the threat to the North keeps looming.

Life sucks. 

We’d been introduced to some options that were denied to him in life:

His lord father had once talked about raising new lords and settling them in the abandoned holdfasts as a shield against wildlings. The plan would have required the Watch to yield back a large part of the Gift, but his uncle Benjen believed the Lord Commander could be won around, so long as the new lordlings paid taxes to Castle Black rather than Winterfell. "It is a dream for spring, though," Lord Eddard had said. "Even the promise of land will not lure men north with a winter coming on."

If winter had come and gone more quickly and spring had followed in its turn, I might have been chosen to hold one of these towers in my father's name. Lord Eddard was dead, however, his brother Benjen lost; the shield they dreamt together would never be forged. (ASOS, Jon V)

or

“If the boy shows any skill with sword or lance, he should have a place with your father’s household guard at the least,” Jon said. “It’s not unknown for bastards to be trained as squires and raised to knighthood. But you’d best be sure Gilly can play this game convincingly. From what you’ve told me of Lord Randyll, I doubt he would take kindly to being deceived.” (ASOS, Samwell IV)

One fails because of the seasons, the other was prevented by Catelyn. The Watch has been a soul-destroying nightmare, Ygritte’s offer of taking over a Tower “after” is not even worth a moment’s consideration to him. Every hope he ever had about his life has been disappointed. 

Jon’s just about sixteen and is completely done. Sam notes how much time Jon spends in the training yard, even though he’s injured and off-duty for the title of turncloak. He does not bother voting in the Lord Commander election. A maligned outcast again. Forever. 

The warg, I’ve heard them call me. How can I be a warg without a wolf, I ask you?” His mouth twisted. “I don’t even dream of Ghost anymore. All my dreams are of the crypts, of the stone kings on their thrones. Sometimes I hear Robb’s voice, and my father’s, as if they were at a feast. But there’s a wall between us, and I know that no place has been set for me.” (ASOS, Samwell IV

He is lonely. Even Ghost is gone, his one proof that he belongs to something.

Stannis alienates Jon by talking ill of Robb, but he offers Jon recognition for the things he did right, a rare thing, and then he offers him legitimization. Basically, “You proved your worth and you have the Right blood. All you ever wanted can be yours. For the small price of breaking your oaths for real and of your own volition and forsaking your gods.” Downright mephistophelian.

Jon is torn, can’t sleep, fights. For the first time he has a real choice. He remembers the traumatic incident where his bastardy became a true concept to him.

That morning he called it first. “I’m Lord of Winterfell!” he cried, as he had a hundred times before. Only this time, this time, Robb had answered, “You can’t be Lord of Winterfell, you’re bastard-born. My lady mother says you can’t ever be the Lord of Winterfell.”

I thought I had forgotten that. Jon could taste blood in his mouth, from the blow he’d taken. (ASOS, Jon XII)

And Jon’s response is a near black-out rage against his sparring partner. All his suppressed feelings of grief and anger and longing and loneliness are just broiling inside him.

Why am I so angry? he asked himself, but it was a stupid question. Lord of Winterfell. I could be the Lord of Winterfell. My father’s heir.

Jon soaks in the hot tub and thinks of Winterfell, mulls restoring it versus not belonging and destroying its soul in the process

When Jon closed his eyes he saw the heart tree, with its pale limbs, red leaves, and solemn face. The weirwood was the heart of Winterfell, Lord Eddard always said … but to save the castle Jon would have to tear that heart up by its ancient roots, and feed it to the red woman’s hungry fire god. I have no right, he thought. Winterfell belongs to the old gods

The tree is almost described like a person. A person with Tully coloring, like all his siblings save Arya. Like Sansa. The hot springs in Winterfell have a potential link to his decision to join the Watch, or at the very least to his siblings in general. The castle of Winterfell is juxtaposed with the heart, with the purpose and point of it all. Save a structure by destroying what made it a meaningful place? Betray his family in his heart, the person whose castle is truly is, betray all his values and his gods?

He takes a walk past sites of all his recent experiences and North the Wall over the recent battle field and just sits to think. 

Ygritte wanted me to be a wildling. Stannis wants me to be the Lord of Winterfell. But what do I want? The sun crept down the sky to dip behind the Wall where it curved through the western hills. Jon watched as that towering expanse of ice took on the reds and pinks of sunset. 

There’s an essay I could write about walls, Tyrion, Jon and Sansa (the sun to Arya’s moon) and how they all interact in the books, but let’s say just like this word play, the fact that Jon answers his own question is not an accident:

"Close your beak, crow. Spin yourself around, might be you'd find who you're looking for."

Jon turned.

The singer rose to his feet. (ASOS, Jon I)

The singer rose. Lyanna, his mother, the riddle. But also Sansa, who unwittingly took up her mantle. One unlocks his path to the other and everything that follows in his imagination:

I would need to steal her if I wanted her love, but she might give me children. I might someday hold a son of my own blood in my arms. A son was something Jon Snow had never dared dream of, since he decided to live his life on the Wall. I could name him Robb. Val would want to keep her sister’s son, but we could foster him at Winterfell, and Gilly’s boy as well. Sam would never need to tell his lie. We’d find a place for Gilly too, and Sam could come visit her once a year or so. Mance’s son and Craster’s would grow up brothers, as I once did with Robb.

He wanted it, Jon knew then. He wanted it as much as he had ever wanted anything. I have always wanted it, he thought, guiltily. May the gods forgive me. It was a hunger inside him, sharp as a dragonglass blade. A hunger … he could feel it. It was food he needed, prey, a red deer that stank of fear or a great elk proud and defiant. He needed to kill and fill his belly with fresh meat and hot dark blood. His mouth began to water with the thought.

Jon paints a picture of recreating his own childhood with his wolf pack at Winterfell, only this time there are no outcasts, and he is the Father. He gets to be Ned. The Lord of Winterfell with a lady’s love. And a son, something he had, apparently, dreamed of until he stoppped. 

He has always wanted this thing that he has no right to and it filled him with a guilt strong enough to concern the gods. But he admits it to himself, lets himself truly feel it. The feeling flows through him the same way the rage did earlier. powerful and all encompassing. 

Like a dragonglass blade. There we have some lovely foreshadowing for a) potentiall the origin of the Others, b) Jon’s paternity, and c) his own death when his desire to abandon his vows and head to Winterfell is met with, you know, some blades. Not to mention d) his desire to have these things.

Each of these is answered by his primal hunger response. Which is of course, his connection to Ghost. The wolf he has so woefully said goodbye to, that he missed deeply and bitterly, chooses this moment to reappear. This moment where Jon returns to his own feelings, his true self.

a) the answer to the Others are the direwolves, the Starks, their magical connection to Winterfell and what happened way back when.

b) the answer to Jon’s paternity is a violent embrace of his mother’s side.

c) the answer to his own stabbing will be warging into Ghost and biding his time in there, becoming more wolf than he ever anticipated.

d) the answer to his heart’s desire...

It was a long moment before he understood what was happening. When he did, he bolted to his feet. “Ghost?” He turned toward the wood, and there he came, padding silently out of the green dusk, the breath coming warm and white from his open jaws. “Ghost!” he shouted, and the direwolf broke into a run. He was leaner than he had been, but bigger as well, and the only sound he made was the soft crunch of dead leaves beneath his paws. When he reached Jon he leapt, and they wrestled amidst brown grass and long shadows as the stars came out above them. “Gods, wolf, where have you been?” Jon said when Ghost stopped worrying at his forearm. “I thought you’d died on me, like Robb and Ygritte and all the rest. I’ve had no sense of you, not since I climbed the Wall, not even in dreams.” The direwolf had no answer, but he licked Jon’s face with a tongue like a wet rasp, and his eyes caught the last light and shone like two great red suns.

Red suns. Arya’s wolf has golden coins (haggling for death, faceless men coins, spinning fates), Grey Wind has molten gold (like a crown that kills you). 

Jon’s wolf has red suns. Like the colors that the sun painted on the Wall. The direwolf in heart tree colors, inverted bastard colors of house Stark, Tully colors, Sansa colors. 

Red eyes, Jon realized, but not like Melisandre’s. He had a weirwood’s eyes. Red eyes, red mouth, white fur. Blood and bone, like a heart tree. He belongs to the old gods, this one. And he alone of all the direwolves was white. Six pups they’d found in the late summer snows, him and Robb; five that were grey and black and brown, for the five Starks, and one white, as white as Snow.

He had his answer then.

Not the red gods, not fire. The old gods. the heart tree, the wolves. He may be a Snow, but the old gods gave him Ghost. His own wolf. His white wolf. His place was made by their will. 

There is honor in that choice. No matter what anyone else says, Jon knows who he is and he has that power: to reject betraying his heart. 

How does this choice led by Ghost fit the layers?

a) The answer to the Others: don’t steal, don’t trick. Be honest. Accept what was painful. Not the Wall matters, the answer is in the heart tree.

b) The Dragon father does not Need to guide his decisions. He can let that go. He is a Snow.

c) Being in Ghost will lead him back to himself. Not fire, not Melisandre. The old gods.

d) Well... What does Jon want? What IS his answer?

Jon is filled with sudden energy. He strides back, rejects Val in his mind, stalks dramatically into the dining hall and is suddenly voted Lord Commander of the Night’s Watch. We close on this:

So Jon Snow took the wineskin from his hand and had a swallow. But only one. The Wall was his, the night was dark, and he had a king to face.

Jon’s answer? We never hear it in this chapter. 

We hear it in ADWD, Jon I:

"By right Winterfell should go to my sister Sansa." 

And ADWD, Jon IV:

Jon said, "Winterfell belongs to my sister Sansa." 

The chapter is followed by? Sansa. Rebuilding Winterfell out of snow. 

When Jon lets go of pretense, honestly asks himself what he wants, shame or not, his wolf takes over and helps him find the answer and the path. The answer is not in taking the Castle and creating a mimicry of what it was, it is in honoring what it truly was and truly means. The heart over the structure. 

And in giving supremacy to the heart, to the red-white heart, he unknowingly paves the way for his own place: Winterfell built of Snow. He doesn’t have to steal the castle, he will be invited to belong.

That’s my own humble interpretation, anyway.