#full drv3 cast
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After three days worth of work, and a whopping 26 hours of pen to tablet drawing time (according to procreate), I present: them.
I was originally going to do no references, but then I decided I didn’t hate myself. Then I was going to do no symmetry tool, but then I decided I didn’t hate myself. Not all of these are perfect, but I’m glad I finished it!
#danganronpa#dr1#danganronpa trigger happy havoc#sdr2#super danganronpa 2#goodbye despair#drv3#killing harmony#i don’t think i can tag all the characters without hitting the tag limit#so i’ll just tag my favorites#kiyotaka ishimaru#gundham tanaka#kaito momota#sakura ogami#maki harukawa#fuyuhiko kuzuryuu#ryoma hoshi#danganronpa full cast#will i repurpose these portraits for the cryptid au? perhaps
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I think the funniest thing about Drv3 is that I can't imagine them being a functional class group. Like at least the bad seeds in Sdr2 and THH have a heart of gold, or are tolerable at best. But DRV3's cast feels like they're one second away from a full on brawl.
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DRV3 meets SDR2
A drabble for that idea where the DRV3 cast also went through a simulation.
.·:*¨ ✘♚✘ ¨*:·.
He’s been speculated, many times, if he really was the Ultimate Liar and not the Ultimate Supreme Leader with how often his mouth spews bullshit.��
But everything was a lie, so what does it matter anymore?
There’s the strange way he had to look at this man, with dark hair cropped under the cheap, shitty lighting that fills this facility, claiming to have all the talents under the sun, and simply trust that their talents weren’t real.
“But, you have them now.” He stated, again in this monotone voice that grated his ears. He sounded so bored while everyone else's world crashed around him like the predictable little pawns they were not that he was faring that much better.
“You sure seem pretty nonchalant about this! I sure thought you’d be more touchy-feely, Mr. Kamukura, sir.”
Heterochromatic eyes immediately sharpened toward him. He heard the way his classmates whisper, how loudly they go, “Kamukura? That guy’s name is Hajime Hinata, isn’t it?”, but he ignored it all. Despite his sly tone, he knew his face is only dead serious. He heard all about this man in passing, from the whispers of other Remnants and snooping into places he got into with more ease than he probably should’ve. There was no use playing pretend with this man. He was a cold, unfeeling robot- full offense Kiibo- but a masterful genius who contributed to the Tragedy.
“I… apologize.” Kamukura’s tone turned more contemplative, but still undeniably monotone. He even had the audacity to nod at him, as if acknowledging what he said, but he knew he’s not even going to attempt to address it. “I harbour empathy for you all, despite how I express it.”
That was the worst lie he ever heard, but the man had no tells suggesting it, or perhaps he will never be able to recover the ability to understand a person from their body language. So what’s the point then? None of this was going to be worthwhile. Might as well tune it out. It's all white noise, until-
“I was once a talentless nobody, and I gained every talent at once.”
“How… is that possible?” Shuichi’s voice chimed in, and Kokichi started. The detective hadn’t made a single sound since everyone came in.
“Human experimentation.”
Silence.
“I have no desire to discuss it. I hardly remember it, regardless. The fact of the matter is, I was talentless, a Reserve Course student of Hope’s Peak, and well… I obtained a talent. Talents.”
He looked around the room. “You would be going through an experience. The inverse of my situation applies to you, so I cannot say much. The talents you had in the game were false, but that does not mean no portion of it was real. I know some of you have already recovered some of your past memories.
Being talentless does not mean useless. This I swear to you.”
“Easy for you to say! You have every talent at your disposal! We lost the one thing that makes us-!”
“‘-who you are.’” Kamukura finished. “Predictable. Bor-.” A pause.
Suddenly, his eyebrows furrowed and a scowl painted his features. This was Hajime. “I’m sorry about him, he’s trying. Look, just take it from me, even when I was talentless I was probably the most sane and helpful out of all the damn Ultimates in my killing game. Hope’s Peak were monsters for making us think that not being labeled as Ultimates suddenly meant you were useless. They forced society to care about a select few individuals and look where it got us.”
“Your talents didn’t make you who you are. You made your way through because of everything, and the talents you had didn’t really help much in the end, did they? Because they sure as hell didn’t help me.”
#drabbles#danganronpa#drv3#kokichi ouma#hajime hinata#izuru kamukura#izuru & hajime are co-existing in the same body in this one#shuichi saihara#kinda post-drv3#drv3 spoilers#maybe???#all the talents are a lie#i attempted to write kokichi pov how did i do#lore? what lore?
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PRESSURE YESS!! Oh I'd *love* to see that!! Kaede would totally own a wall dweller! I can imagine Shuichi reading all the documents and starting a chart like "WHAT DOES IT MEAN?? WHAT HAPPENED"
Him figuring out what happened at Urbanshade BEFORE buying Sebastian's document^^^
And PLEASE talk about your OCS!!! I love hearing about them- the lore is always so fun to hear about :D tell me tell meee/nf
So I actually have two drv3 x Pressure AUs !! One is the oneshot AU, which I plan to write, and the other is the Pressure Time Loop. Shuichi takes Sebastian's place as Kokichi goes through every run over...and over...and over... But I could totally see Shuichi getting crazy invested in all the documents XD He's off to the side going "hmm..." while Kokichi is flashbanging Sebastian and Eyefestation every chance he gets. Kaede is having a silent panic attack the whole time and trying to make sure the boys don't get themselves killed. She was also 100% the first one to walk into a locker full of POVM (个_个) LOL
and oh I WILL talk about them!! LUNARLEONARDO ART REVEAL LETS GO BABY
Keep in mind before proceeding that some sensitive subjects might be covered here :{
Since their stories are so extensive and Tumblr might legitimately explode if I go into as much detail as I would've, I'll keep their stories as brief as I can. Starting with my favorite,
MONTSERRAT!!
(a lot of these are drawn on flipaclip so forgive me)
Mont, as you can probably assume, is an Undertale OC. They originally came from my avid Handplates AU obsession, so they were a Handplates OC (个_个) BUT! I have since deviated from that AU and now their AU has their own thing going on, even if there are still some similarities QwQ
The three were born as brothers, Sans and Mont being created as twins (hence why they look very similar. also papyrus i just hard to draw but shh) Of course, Gaster is their dad, except he is just.. straight up evil. There's no redeeming this guy sorry Gaster fans (me. I am the Gaster fan. :( funney void guy). Sans and Papyrus were often kept separate from Mont, mostly since they were a menace even while they were being experimented on lol. And because of this and the need to keep Mont in heavier security, the funny skeleton guys we know and love both escaped the lab together. These kids didnt think twice about taking Mont with them, mostly since they just assumed that they could find someone strong enough to defeat Gaster to save them afterwards. :")
Those two's escape scared the SHIT out of Gaster. Now all these people were gonna know that he was experimenting on children to try and make super soldiers to blow up the barrier with void power and wipe out humanity !! And he couldn't have that happen!! He tried his best to do damage control, but Snowdin (where the skelebros showed up after escaping the lab), kind of.. rioted?? Like imagine an angry mob with pitchforks and fire. That kind of riot. That drove Gaster all the way to the CORE, and down down down he went. With Gaster being erased from existence, so was his lab and his followers.
...of course, since you cannot truly erase anything-- not as a monster, at least-- Gaster and that lab were cast into the void. And thus... So was Mont.
Mont, of course, was confused. They were like 11 years old when this happened, and the only knowledge they had on anything was what they had learned from the books they snuck behind Gaster's back. They wandered the lab over and over, eventually coming to realize that wow, they really were alone. Everybody left. There was no way out for them. These negative emotions were too much for them to bear as the years went by, those feelings continued to grow and grow. And eventually, the void releases them from those emotions. At a price, of course. Mont called it the "Voidserpent"; a long, snake-like creature made of pure negativity (yes i was deep into the sans auverse) that kind of wanted to kill Mont ?? I mean when you have suicidal thoughts and all of your negative thoughts and stuff manifest as a Creature. It still wants itself dead. And itself is you, so um. mont spent a loooong long time running for their life in that lab (���´;ω;`) just running in circles
There is Kind Of a happy ending though! This brings us to my sweetheart Cleudo! :D
(i dont have much art of her ;_; cluedo im sorry)
Cleudo works as an assistant scientist under Alphys, researching primarily the void. Eventually, their research led them to find some of the weaker spots in their world, where essence of the void could be found and studied. One of those spots is deep within the forest of Snowdin, which is where she'd often be. One day, she decided to try and access the void. Probably not the wisest decision on Cleudo's part, but she's a liiittle impulsive xD
It was because of this decision though that she gave Mont the gateway they needed. They pretty much noclipped out of the floor, scaring the everloving shit out of themself AND Cleudo. By now they're 22, so they've spent a reeeally long time in that lab. Cleudo, who has NO idea what she just witnessed, decides to do the one thing she can do: Take this skeleton to Alphys' lab and make sure they're not radioactive or something. And also call Sans and Papyrus, the only skeletons in the underground.
Overtime Mont becomes ..kind of... accustomed to life. I'm not going to get into their AUs or Everything Stays (a roleplay between me and my gf with Mont and her oc) since we'd be here forever, but as for Mont in their "canon" timeline, they avoid the human like wildfire. In the True Pacifist route, I'd imagine you have the option to fight them if you go way out of your way. It'd just be something for fun, because Mont is very fun! They're very fun and silly and doesn't take much very seriously. They looove floating, they do it a LOT, and they do have a good handle on blue magic and teleportation. However their experience with physical attacks is.. lacking, and they're very much a "one hit kill" kind of monster. They can take a pretty hard punch, but if their HP drops any amount, they're screwed. They make up for this in evasiveness though, and they make use of their surroundings to use as a weapon. They are very much the kind of person to hit somebody with a table in a fight.
The last thing I wanna mention is that pink hat. The first ever story they appeared in was a roleplay called Fallen Deep, where they wore that hat. In Fallen Deep, they did some veerrry bad things, collapsing half the multiverse to try to wipe out every AU with a Gaster variant (they were, and are still kind of, very op LOL). That hat represents Fallen Deep Mont, and thus, what they did. While the hat is a building brick of their design, it's not something Mont often has in different AUs due to what it's connected to. rest in peace fallen deep mont you would've loved commentary youtubers
QUINN
Quinn is a funky little guy. His story is a lot simpler, so hopefully this section will be shorter XD
Quinn is the eldest son to Riley Anne, a popular seamstress. She and Quinn's father divorced when they agreed that they had different goals in life-- one wanted to persue parenthood while the other just wanted to stay on that workforce grind. Quinn's father would financially assist Riley Anne as she raised their children, since she couldn't do as much work as she used to being a single mom.
When Yu was very little, she was diagnosed with an incurable illness. Dont ask me what illness because i dont know💕 but the point is that there is a very, very small chance that Yu will make it beyond double digits. Both Riley Anne and Quinn loved Yu very very much, but unfortunately, when she was 8 and Quinn was 11, Yu passed away. Quinn was right next to her in the hospital when she went, so she at least went feeling as safe and loved as possible. When this happened, Riley Anne was out getting food, unaware of her daughter's rapidly declining condition. And when she got back, she found Quinn holding Yu's hand, kind of just... frozen. It's not every day you watch someone die before your very eyes, especially not when you're as young as Quinn was. Seeing this, something in Riley Anne just... snapped. Her daughter couldn't be gone yet, the doctors said they had at least a few more years together. What happened? She was only gone for no less than a few hours.
And it hit her in that moment. Quinn must have murdered her daughter.
Of course, Quinn never did such a thing. But Riley Anne needed some reason to explain why she wasn't there with her daughter when she passed. And so Riley Anne took Quinn home. And things got... bad.
For two weeks, it was an extremely unstable household. I won't go into detail, but it was to a point that Quinn was too afraid to leave his room. He took to his father's religion for comfort, praying every day to the moon to protect his sister, wherever she was, and to bring his mother down from whatever delusional break she was having. (Note: this is not based on any real life religion, god or faith ^^")
One day, a particularly bad fight broke out. It was the usual "you killed your sister"/"what are you even talking about" argument, when things got violent. Riley Anne grabbed a knife, and Quinn, knowing perfectly well he was in danger, booked it for the front door. The neighbors intervened when they heard screaming in the front lawn, and although they stopped Riley Anne from murdering her son, he was in really bad shape. He had been stabbed over like, what, ten times ? I forget the exact number, but he almost died. And as the ambulance and police arrived, the moon god stayed true to her word-- her promise to protect those who dedicated their faith to her-- and Quinn survived. However, because of the severity of the wounds, Quinn was left with the inability to express or even feel most of his emotions. That's why is his eyes are white like that, and why he has such a flat expression. He physically cannot express anything else 。:゚(;´∩`;)゚Riley Anne was carted off to a psych ward, so shes getting the help she needs.
Little 11 year old Quinn, was now all alone. This ones gonna be hard to explain it youve been thinking about this from a standard sociental standpoint, but basically Quinn's father buys Quinn a mansion for him to live in, which is fairly deep in the woods. It is connected to a local town though, where a lot of the adults there help Quinn out. They give him some easy jobs around town and sometimes they stop by his house to make sure he isnt like. Yknow. Starving to death. Quinn also has a lot of domesticated animals that keep him company and also make sure he is not Starving To Death. Now might be a good time to mention that I created Quinn as a Rise of the TMNT OC and he is friends with Leo who makes fun of him for being an orphan and yeah im gonna stop there
WORLD ENDER
oh boy okay this one
So this is World Ender, once known as Zelyx (the one in the tv). Zelyx was always powerful, even in their home universe. And one day, they simply just... got bored. Their home universe was an awful place to be, unjust to those who were not already at the top of the societal ladder. So Zelyx's solution? BLOW IT UP!!!
After destroying their home world, Zelyx travelled from universe to universe, looking for something that would entertain them. And eventually, they came to realize that it was ending these worlds that brought them the most joy. So they took on the name and form of "World Ender". Their whole thing is basically just going from universe to universe and ending worlds with life on them >_> they're kind of an asshole
Now as you might have noticed, Shuichi is in that second picture. Well! That is from an AU called, wouldn't you know it, World Ender/Alternative. However I won't be getting into that here, since it's not directly part of World Ender's story. It's more of a Shuichi AU tbh :p
SOMBRE
It'd be a crime not to mention my DAUGHTER. This is Sombre! It'd take FOREVER to explain what's up with her so I'll keep it simple. Sombre is a creature called a sokochou, which is something a funky little lab deep in the woods nearby realllly wants. This is "GreenFirest Lab", who further science via unethical experimentation. basically it's because of them that legit furries exist in this universe so you can imagine how humanity reacted to that. Anyhow, Sombre, also called "GFLS-53", took on the role as the "Hound", totally robbing this one guy of his job. sorry 27 xd
The Hound is a role in the lab created to prevent containment breaches and mostly to stop the less stable and/or pissed off ones from starting a massacre. Whenever a subject escapes their cell, it's Sombre's job to take them back and/or fight them into submission. yeah so you'll never guess what sombre does after some scientists fuck up their experiment with her LMAO
Sombre is taken over by what we call "Voltage", and it does the exact massacre it was her job to stop. Many subjects die, almost all the scientists die as other subjects break out and kill them. There's a lot of death on this fateful night :( And Sombre's friends, Cybro, Stargazer, 27, and arguably Ender and VD, are rightfully confused and afraid of her actions. They take to helping subjects evacuate, escaping into the forest. 27 tries his best to bring her down, and hes almost killed. He wouldve been killed if not for his bf VD. Ender and Stargazer are helping people evacuate. It's only when Cybro, a robot dog with the soul of the lab's founder's son, asks Sombre to kill him; to finally relieve him from his duty. Sombre only comes back to herself after killing Cybro, which she is Extremely Devastated about. also 27 set the entire building on fire so it's probably time to run lol. anyways Sombre goes home a changed woman and she reunites with her sister and girlfriend and yay!! everyone is happy! except for 27 who will forever be mad at sombre for taking his job
HAKURA SAINOU & KUROKA KASHIN
Okay so these are my two Danganronpa OCs!! This is Hakura and Kuroka :3 the girlfriends ever
Hakura is the Ultimate Profiler. I watched a little too much Criminal Minds and the brain worms got me xD. meanwhile Kuroka is the Ultimate Investigator! Sadly Kuroka doesnt have much to her yet :( actually neither of them have that much. But they do work together to solve crimes and stuff and they are sooo in love . The reason they don't have that much is because I've been so focused on my fics I haven't though much about my OCs ;_; BUUUT they are in my heart trust
Those are pretty much all the main ones I could think of :p If you've read this far. Why and how . But also thank you !!! I hope my funky little guys entertained you at least a little bit :3 I had to pull out my computer to finish this post and let me tell you my wrist huurrrtts. This took me like 3 hours to do LMFAO
I am nervous to be posting this QwQ I could say a LOT more about them, like Mont's AU business, the other characters within Sombre's story, World Alternative... but this post is getting rlly long and I need to cook dinner xD Thank you for giving me the opportunity to go absolutely insane for a bit!! I really appreciate it I love talking about the funney little guys in my brain :3
#alieu asks#oc posting#i probably wont need a tag for that but hey#just in case#also i've oc posted in other places before so if you've seen those#please pretend you didnt#thank you :")
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Suburbiia Biasedronpa Cast
hi. I decided it would be an interesting idea to take 16 of my favorite characters from canon dangan and fangans and put them in a killing game. here is the cast
I am not very good at Gacha. but I tried to make them unique.
I also have some other assets and information that is under [ read more ].
First of all, full cast in case you are unfamiliar with any of them:
David Chiem (Danganronpa Despair Time)
Kaede Akamatsu (DRV3)
Dennis Wells (Danganronpa V4 Rocky Restarts)
Anko Hibana (Brave Danganronpa Coward’s Paradise)
Lyle D. Termina (Danganronpa Lapse)
Hide Osako (Danganronpa Kill/Cure)
Kazuya Makishima (Brave Danganronpa Coward’s Paradise)
Leon Kuwata (DRTHH)
Eiichi Sakaguchi (Danganronpa Antebellum)
Rei Mekaru (Danganronpa Another)
Tsurugi Kinjo (Danganronpa Another)
Aiko Hiromi (Danganronpa Hushed Whispers)
Nikei Yomiuri (Super Danganronpa Another 2)
Rox (Danganronpa F Shattered Hope)
Damon Maitsu (Project Eden’s Garden)
Saiji Rokudou (Danganronpa Re:Birth)
David and Kaede are both the protagonists. David is the primary one, and he is usually seen with the personality of Pre-Chapter 2 David. Kaede is the secondary protag that occasionally takes over throughout the story when David is unable to.
there is no set antagonist or “support” character, since, I think those roles are versatile
here is the David “sprite”..
you can still see some of the green, same with Kaede. I will probably fix that soon.
also, here is her objection. I have made David’s but I am probably going to update it since it does not look very good
here is Dennis..
Anko…
…and Lyle, the most recent one I finished
I already have a big doc with death order, various events of the story, and I have a few of the murder cases written. I am unsure if I really should turn this into a bigger project but it is very tempting..
I will get to work on polishing some assets though. I hope you like them :]
#danganronpa#fangan#fanganronpa#suburbiia biasedronpa#drdt#david chiem#kaede akamatsu#dennis wells#anko hibana#lyle d termina#hide osako#kazuya makishima#leon kuwata#eiichi sakaguchi#rei mekaru#tsurugi kinjo#aiko hiromi#nikei yomiuri#rox#damon maitsu#saiji rokudou#gacharonpa
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DRV3 CHP5 DEADLY LIFE NOTES:
Yo spoilers are ahead watch out, play the full game and THENNN come back to my blog! ;D
Tenmiko for the soul while you scroll :)
Okay, the people who haven't played should be gone by now, awesome!!! :D
--- WHO DIED?!
WHO IS IT, KOKICHI OR KAITO?!?!?!??! HELP??? IS IT JUNKO AGAIN? DOES SHE GO "Yo bitches and bitchess-es I'm back for the THIRD time, recognise that death scene? Yeah that was me hos, I'm back!"
That'd be hilarious tbh.
(Little did I know that after the chapter finished there would be a cutscene with Junko Enoshima)
--- The Courtroom...
So you guys know how much I hate THH right...? They themed the trial ground as the THH one...
I'm gonna cry I DESPISE THH AUGHHHH
--- Oh!
what the hell why is there an exisal with kaito and kokichi here?!
Wait so Kaito is dead?
Wtf is going on guys help-
"OHHH MAN! I totally dug my own grave again! I give up." <- Shortest trial in Danganronpa history.
Tbh all this dialouge is very... UN-Kokichi like...
Why is the exisal bipolar
"Now, Maki-Roll, don't you believe me?" <- IF IT'S KOKICHI OH MY GOD-
The low quality THH background is pissing me off, I want the V3 one back-
--- PSYCHE TAXI RAHRAHAAA:
Me when Psyche Taxi:
AJAJASNDJWQDHUKEJNSC I LOVEEEE PSYCHE TAXIIIIIII!!! It's so fun and silly!!!
--- They think they're THE SURVIVORS:
How the cast of V3 feel after saying "Hope!" "Despair!" "Battle" "Remnant" or "Junko Enoshima!"
--- BAWLING:
"Don't worry about me Maki Roll... just... run... run... and live! You gotta live!" We be bawling.
--- Me being dumb:
How I feel choosing "blood-tipped arrows" as an answer to the question of: "If Kaito's cause of death wasn't the arrows, what could it have been?":
Himiko losing her shit that Kokichi isn't the Mastermind is so funny to me.
BUT this further proves my theory... of... Tsumugi Shirogane. It's her.
It's so weird talking about Miu, she only died last chapter... she's still relevant which is great, but I'm not used to talking about her in past-tense like that yet.
--- ANGSTYYY:
Okay I got distracted and forgot to type stuff...
AUGH THE ANGST, KAITO WANTS THEM TO KEEP SMILING NO THIS IS SO SAD 2RU3RQRFKDJLWEMFRHU9J *crying*
And like... EUGHHHHHH KOKICHI DIED TOO!
:,)
--- Afterward:
I'm up to CHP6 now and I'm confused, there was no "daily life" so I can't finish my ftes with smoogs and unlock my skill >:(
My Kaimaki soul is hurting...
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I saw you like danganronpa! who’s you’re favourite character? overall or from a specific game, whatever you want ★
is it alright if I take the -sovereign sign off?
KOKICHI
OMG KOKICHI
You can see my main blog in my intro post and you can go there to see my Kokichi obsession
I have him on loop in my head. I draw him, write fanfic about him (Mind wandering on AO3) and think about him ALL DAY LONG
I love the entirety of the V3 cast, Byakuya, Nagito, Hajime, Makoto, Kiyotaka, Mondo.
LOVE LOVE
I spent 100h in DrV3, 60h in THH, 15h in UDG (HATE). And I am yet to play Sdr2 (I only saw play through) and DrS
I also love Fanganronpas, even written two of my own. I watch them on a Polish yt channel that does full play throughs of Fanganronpas (plus some other games)
THX FOR ASKING
Ond of course. "- Sovereign" sign off is yours. Love you anon!
#💌 talking#- Sovereign#jiraiblr#jirai girl#jirai kei#jiraiblogging#landmineblr#landmine girl#landmineblogging#landmine kei#jirai onna#danganronpa
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mod introductions !!
mod kokichi introduction
‘Ello! I’m mod Kokichi. My pronouns are she/her and the only fandom I write as of now is danganronpa, excluding Ultra Despair Girls (because I haven’t watched anyone do it and I haven’t played it myself). I like chicken nuggets :)
I do allow:
-Scenarios/Imagines
-Oneshots
-Headcannons
-Fluff, angst, smut
-Poly relationships (max is character x reader x character x character)
-Lgbtq+ -Any specific (or non-specific) gender/reader x character
-Any SH, mild suicide, death, murder, bloody/gory topics (as long as it’s comfort / in the killing game and y’know)
-Pregame / Post game
-Ships / Character x Character (some more than others)
-Fan Executions for any SHSL talent
I do not allow:
-Pedophile, homophobic, racist, incest, rape (sexual assault), or any other form of that
-Content including Furry x furry or animal x animal (I just feel uncomfortable writing those kinds of things)
-Negative and or hurtful comments to us or to anyone else (outside of writing)
-Piss or any other abnormal type of kinks like that
-Anything to do with religion or politics (except if we’re talking about Angie for the religion thing, because…well—), just to avoid any unnecessary fighting
Might add on some more later
Blacklist (for characters):
-Teruteru
-Hifumi
-Anyone from the anime / UDG
-Angie (only with nsfw content)
-Tsumugi (only with nsfw content)
-Gonta (only with nsfw content)
I might add on some more things as time passes, but for now that’s it! Mod Kokichi out.
mod mikan introduction
And here's my introduction: Hello, call me Mod Mikan! I go by she/her pronouns.
I will write:
- Scenarios/Imagines
- Oneshots
- Headcanons
- Any genre
- Character x character
- Character x reader
-Pregame
I will not write:
- Anything racist, homophobic, or anything of the sort.
- Smut
Blacklist: While I'm willing to write just about anybody, I won't write for:
- Gundam Tanaka (He's really hard for me to write in-character, sorry.)
- Haji Towa.
- Any of the Warriors of Hope.
- Any of the DR3 anime characters, excluding Izuru Kamukura (I don't know the anime well enough yet, sorry again.)
And that's all from me, I think. If you decide to request from me, all I ask is that you be patience with me. I might not get stuff out as quickly as you'd (or I'd) like because of my own writing projects I'm working on, and responsibilities I have. Bye!
mod celestia introduction
Hey what’s up! I’m Mod Celeste or Celestia, and pronouns don’t bother me! I will do:
- Scenarios/Imagines
- Oneshots
- Headcanons
- Fluff, Angst, Lime
- x Reader + Most Ships including Poly
- Dark Topics like gore and suicide
-Post game/Pre-games
I will NOT do:
- Heavy NSFW
- Offensive Works (toward anybody or anything)
- Kinks
- Religion or Politics (not including Angie)
Character Blacklist:
- Not a full nope but I struggle with non-drv3 characters
- No Ultra Despair Girls characters minus Toko and Komaru
mod ibuki introduction
hiii!! you can call me mod ibuki!! \(^▽^)/they/them or he/him pronouns are OK to use for me. :)
i will write:
- one-shots
- fluff / angst / nsfw (any genre. i feel i’m quite versatile in this area.)
- most ships
- x reader
- any characters within DR2-Drv3 + UDG
- “Darker Topics” (ex: blood, noncon, etc.)
- i will do mental health topics.
- pre-game
- any sexualities or pronouns
I will not write:
- nsfw with minors
- i’m not good with hcs and imagines
- grotesque fetishes
- homophobia or transphobia
- racism
- incest or pedophilia
- i’m not very good with writing the dr1 cast so I didn’t include that!
note: my expertise is dr2 .. ( 〇_o) anyways! i think that’s it! please, be patient with me. i’m in college & i have responsibilities ⌒(> _ <) !! bye bye! (๑>◡<๑)
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A huge analysis of the 3rd trial | DRV3
Well! As I promised in the previous post (although since then I’ve already finished the fourth chapter – the saddest for me at the moment 😢) , today we will talk about the 3rd chapter of DRV3, Korekiyo Shinguji’s role in it, and in more detail:
a} I’ll tell you about my experiences during the direct playthrough; how hard it was for me to solve Angie and Tenko’s murder [I didn’t spoil the details for myself deliberately, only knew about the «seesaw effect» meme] b} I’ll analyze the class trial and Kiyo’s behavior in it; c} of course I’ll share my thoughts on improving Korekiyo’s arch, because actually every fan knows this truth – the writers failed their task to create an adequate, worthy story.
After all, I have no regrets; the goal of «find something useful + figure out every detail» has been achieved and to me it was paramount, because (if someone didn’t know and hasn’t read one of my posts) I plan to create my own universe where most of DRV3 cast are survived.
That’s the end of the intro! I warn you that the following text will be as full as possible of spoilers... and yes, it will be huge. Again. Just get ready for it.
☄ I’ll start by stating my attitude to what is happening during the 3rd chapter BEFORE murder (but I won’t go into too many details here, because for the most part, again, I plan to dedicate this post to Korekiyo). First and foremost, I want to say that Monokuma. is losing. his grip. Earlier I managed to spoil myself the thesis that once again chapter’s motive is sucks, but I didn’t know exactly what the problem was... Now it’s clear. As with the 1st chapter, the motive is not being used – the murder generates either additional conditions (like time limit) or the students' personal complexes / psychoses (Kaede has the desire to «save everyone», Korekiyo has the goal to collect «friends for sister»). If only the Monocubs had come up with that motive, I would understand and forgive… But no, despite the «revolt» against their father’s principles, it seems that they didn’t abandon his original idea to shove this useless Necronomicon – after all, at the end of the execution Monokuma is upset; he say: «Seems like a waste, though. You guys sure you don’t wanna use it?».
It leads me to believe that the writers have once again decided to avoid logic in “favor” of some gags. They wanted to introduce an aesthetic creepy freak into the story – they did it, nothing else matters. And this is actually upsetting to me – in theory, the events could have been staged in such a way that the motive is used either indirectly or directly. It’s such a waste….
Now, a few words about Angie and the main event – formation of the student council-sect. I remember Korekiyo talking about it as a natural phenomenon in their situation – in times of despair, people cling to faith as never before thingslikethat… Moreover, I agree, it (as well as the Monocubs’ revolt) is something truly unique. It must be admitted that in no other Danganronpa nobody even tried to do something similar.
…But in what shock and (no other words come in mind ;^) horror I was, watching the accession of the cult of Angie’s God. Those who have studied at least a little bit about sects, understand – it’s not really about despair. A sect is always either money or a cult of personality (sometimes all together), and in the case of Angie – God (Atua) it’s herself. It would be more appropriate to listen Kokichi’s assessment of event: «She uses the situation to take the school under her and make us dependent on “Atua”». His opinion is even more confirmed by the fact that Angie became active just after the guys checked the Flashback Light (with group funeral) and what they saw confused them really.
This sequence of actions actually makes her dangerous. I heard a fact that many fans was genuinely considered Angie as the alleged murderer of chapter three… And you know, I WILL agree to this without any hesitation! Perhaps, at least that way, what happens in this chapter would have made some sense.
Also, in the last post, there were a number of criticisms and aversions to Angie that came from my lips. And I'd like to add something to my remarks, yeah, because even though Angie has taken to enslaving the minds of her classmates very intelligently and promptly, she is still full of contradictions (which breaks down theories about her genius). I’ll outline these contradictions so as not to sound hollow:
1} Angie's motivation for using the Necronomicon is simple – she doesn't believe in resurrection, but she does believe that someone who has died can come back, since they actually didn't die at all (their body could have been replaced by a first-class replica). At first, she backs up her conviction with comments like: «Well, the more people, the more fun it will be in our paradise! Shuichi, don't you have any sympathy for the dead? #shameonyou» BUT! when it comes to a new Flashback Light the next day + the question of “who shall we resurrect” arises, Angie changes her mind without a bit of mercy. The resurrected man is no longer a welcome friend – he is a victim in case an inconvenient time-limit-type motive is reintroduced. Is this a contradiction? Or hypocrisy? Let's just not decide.
2} Theory with replicas. At the first sight of the wax figures of the four dead, Shuichi is irrevocably convinced that this is impossible. He reasonably and inspiringly explains to Angie (who believes in spiritual and otherworldly things) that no matter what works of art the figures are, even Ultimate Talent cannot replace the soul… But how does Yonaga react? Right, she contradicts her own words again. Or to be more precise: She doesn't even try to defend her own beliefs in any way. No one can be resurrected because the replicas don't exist? Whatever! God said the ritual had to be done anyway! It will work – but the logic and danger of realising the motive...? Pfft, who needs them?!
Things might not look so dumb if it turned out that Angie was trying to cover up her plan to kill someone (from the student council, for example) in that way... But in the end, she dies by accident and in a very stupid position. Don't. Be. Like that. DR screenwriters. PLEASE.
☄ Now for some personal impressions of what happened during the investigation and the process of solving the mystery. If I remember correctly, Korekiyo and Celestia are the only unicums who have risked killing someone in the middle of an investigation. Celes did this by confusing things from the start by running from floor to floor… When Shinguji, on the other hand, took a risk in every sense of this word. Firstly, he brought suspicion on himself by using a katana from his own lab (and not on purpose – Monokuma set it up so that there was nowhere else to get a long enough sharp object). Secondly, all the time before the murder he admired the Caged Child séance, longed for it and finally persuaded his classmates to try it out.
In all fairness, by listing all this I'm not trying to say that Kiyo is a lousy blackened – on the contrary, he even manages to turn some mistakes to his advantage. For example, the use of a katana from his research lab is justified by the clever creation of a locked room mystery. After all, Korekiyo is not a member of the student council (Angie only let them into the lab) or a master lock picker. Moreover, the way he created the locked room is quite handy. If it weren't for the gilding on the hilt of the katana, it would be harder to guess the exact purpose of the «upside-down figure + katana» combination.
More than once Korekiyo has been saved by his cunning, his diligence (sawing floorboards in three rooms at night is not like picking flowers xD) and his ability to think ahead. He created a safety cushion for himself by provoking another classmate (namely Himiko) to choose a new killing place for him, then framing that very classmate. By taking the risk of killing Angie, he helped himself by learning from Monokuma beforehand that (logically) only the killer who "got there first" would be punished. Shinguji could have got away with it many times, especially since the trials are based on the principle of "until I hear an unbreakable argument from you, you won't charge me".
But I'm getting a little carried away, ahah! All in all, despite the fact that I'm actually praising Kiyo here, his trial didn't seem all that complicated and confusing to me. Thus, I pretty quickly got to the bottom of the spinning-the-wax-figure trick, found correlations of the evidence and used them correctly to spot weaknesses in the arguments. Difficulties began closer to uncovering the essence of “seesaw effect”. For example, it's still astonishing to me how Korekiyo came up with the idea of navigation by touching SALT in complete darkness. Yes, he had prepared a straight line in several layers beforehand and remembered by heart how the circle was drawn, there was nothing to confuse it with... But he crawled, knowing that his stressed classmates were all around him, jumped on the floorboard with all his legs, managed not to fall in himself and STILL SANG!! What’s amazing human being!
By the way, the atmosphere at the séance was indeed tense to the point of creepiness. I knew what was going to happen – I had to be ready for it... But that viscous, crawling feeling of discomfort wouldn't let go no matter what :'D My bestie and I were still completely silent during the chants – just try it, there is no substitute for this experience 😨😂
I will continue to discuss the trial further, for on the purely technical side, it has a number of oddities for me:
During the investigation of Angie's case (i.e. before Tenko's murder), there's a scene in Shinguji's lab that still haunts me, even though it could easily be written off as conventional. When Maki and Shuichi go to the lab to check if the katana is definitely missing, Kokichi runs in after them to get a sheet for a séance. This is the same sheet in which Korekiyo will later carry the sickle to kill Tenko. Question: at what moment did he manage to hide this sickle in it?? If he did this before the séance, then sending Kokichi for the sheet was a monstrous mistake ;^ (although it's not that Ouma is a fan of solving murderers, no matter how disgusting they are to him – that would spoil all the fun) However, it was virtually impossible to do this during the preparations, because an abrupt leaving (to Maki's lab) would have raised a lot of suspicion, and no one had told us about such an event. One last variant is that he's been hiding the sickle under his clothes all this time, but... how? Don't you need special clothes for that?? Kiyo's uniform fits snugly over his body. Your theories? xD
I've noticed a tendency that very often it was Korekiyo who (indirectly) provoked the guys into discussing very pointless topics :'D (which I don't think is the best tactic on his part – blackeneds in general become more active at their trials). For example, when, making excuses on the subject of an offer to hold a séance, he recalls the "possibility" of entering the chosen place by crawling under the floor and because of this suspicion falls on Kibo with his new function. Everyone ends up wasting extra time, even though it is already obvious that Kibo's flashlight is BLINDINGLY BRIGHT – it would have been visible without any slits in the floor, in fact, as well as other light sources. Or this alternative theory that Tenko may have been killed when Himiko lifted the cage... although the blood was visible when Kiyo removed the sheet (which was also covered in blood) and Himiko literally toppled the cage on adrenaline alone, immediately bursting into tears?? In general, moments where the teenagers start tо stall make the trial seem more natural, but personally, as a player, I found it a bit annoying 😅
Well, one last point from the “we would have saved a lot of time without it” section – a lie feature. Honestly, before this I had no idea how to win a debate without using it (although I think the game mechanics provide a way out)... But not in the case of the third trial, no. A reminder for those who haven't replayed it in a while – when the trial comes to a bit of a standstill, Maki supports Kaito's spontaneous theory: «Tenko's killer was inside the cage the whole time». In other words, the murderer in her own case is Chabashira herself, she also threw the sickle under the floor after the deed + allegedly there was even a reason to commit su*cide. To refute this theory, Shuichi has to lie that Tenko died instantly... But... Why, when he could just retell Maki's words during the investigation? Tenko didn't die instantly, yes, but from the pain shock she couldn't move and therefore couldn't throw the sickle (especially so hard that it wasn't under her, but in another corner of the room). Seemingly another convention, but still quite hard to ignore x)
Despite my admiration for Korekiyo's mental capacity in such precarious circumstances, in the end I concluded that our anthropologist had created both an ingenious mosaic and a complete mess xD In theory, he might have won if Kokichi hadn't sneaked into the next room and discovered the trap there. He might have won if not for Kibo's function to reproduce his memories in the form of images... If Himiko hadn't chosen the very room where Angie died... If Maki hadn't noticed a piece of duct tape under the corpse (because Shuichi obviously wouldn't have dared to examine the dead girl's body himself like that – including to avoid disturbing the crime scene). But the main problem here is not the unpredictability of classmates and a series of unfortunate accidents, no. Kiyo, as a murderer with a very interesting talent, has one unforgivable sin... I would like to discuss it a little later.
When Kiyo decides to confess to killing Tenko (although he could have done it a long time ago, lol, he apparently VERY much enjoys hearing detailed and reasoned evidence), the cast begins to divide into two teams: "let's vote right now, recognising Kiyo as Tenko AND Angie's murderer" and "we can't vote right now". The latter team includes Kokichi...
And you know, already figuring out his true motives and attitude towards the killing game, I often wondered: “How does Kokichi feel about murderer-Korekiyo..?”. The answer was found, thanks to the following dialogue:
...now I finally saw that Kokichi was a little bit angry with Kiyo for being a hated murderer. Just because he voted to continue discussing Angie's case doesn't mean he believes in his innocence. On the contrary, he probably just wants to humiliate Shinguji = to lead others to destroy him morally (and he succeeds in doing so).
☄ After all, shortly after this scene, Korekiyo's having a nervous breakdown. He trembles, stammering, ready to almost spit bile... And then he releases his "defence mechanism".
So, now I announce a special category called "Interesting notes from interactions with Sister" o/ (quick note: only during the trial, because after that... everything goes down the drain)
❧ So that's where Kiyo's self-teacher kink is coming from..? To this phrase he replies «Y-yes, you're right. I'll teach them».
And it makes sense, if we think back to the hcs that Miyadera could have replaced Kiyo's parents, i.e. to be his main mentoring, educational figure... Now, copying her whole personality, her behaviour, whole experience with her, Korekiyo also tries to resemble the teacher and gradually experiences real pleasure in educating others. Which is why, when he befriends Shuichi after FTEs, he offers to be none other than his disciple. This is the only form of intimate communication available to him, ugh.
❧ I wondered for a long time: why Kiyo was so afraid of being declared as a culprit...? Shouldn't he, on the contrary, be coolly calm, because his execution / his death, would only be a transition to another life in which he could be reunited with his sister? But no, he's blatantly panicking :(
And sister's next phrases (even though she is addressing Shuichi)
prompted me to think of two things at once:
1) Kiyo isn't afraid of being culprit, but being blamed, because he remembers from childhood the consequences of his mistakes – the need to apologise to his sister over and over again, literally begging for her forgiveness and understanding. Even on "Argument Armament" he confirms my point with the phrase «You're all wrong, not me!» (which sounds like a rather childish statement :'D)
2) Whatever true love he speaks of, all he feels for his sister is fear. He wants her to let him into her arms when they reunites, but how is that possible if he has already made a mistake, if he has failed to realise his main goal? He fears death because his sister's punishment awaits him beyond it – and his execution, in fact, proves this directly. have always been of the opinion that the second part of it is an illusion on all sides. It would be logical to think of it not as something real, but as a representation of Korekiyo's subconscious; something that symbolically emphasises the gravity of his crimes.
❧ /foreword/
Once I was lucky (or maybe not so, ahah), to meet Chinese and Japanese Korekiyo fans on Twitter who were able to communicate with me (and their audience) in English. That's how I came to know one of the most horrifying facts: the Chinese and Japanese FD of Danganronpa don't consider Korekiyo's sister as abuser. What's more, they're sometimes even angry at this opinion; for them, Ane-Kiyo (an alternative name for our "Miyadera") is the main victim... And you know, I was so worried at first! «What if I'm getting my favourite character wrong?». «What if the English translation is so shoddy that it can't be trusted?».
But it's hardly that serious. Eventually, I found the reason for this mismatch of beliefs for myself.
English fd has several arguments. The most important of these, as far as I know, is the list of requirements that Korekiyo's sister makes in the trial: «You musn't raise your voice / musn't stutter / musn't waver» and so on. For a Japanese fd, however, there is no problem with it... And _that makes sense_, as these requirements are more indicative of a strict upbringing than a full-blown abusive relationship, which is confirmed by the fact that AneKiyo's tulpa enjoys being a teacher who teaches ignorant children [screenshots above]. Strict upbringing in Japan and China – especially in traditional families – is not uncommon + Japanese fans are convinced that the "sister behind the mask" has nothing to do with the life-in Korekiyo's sister at all (which is difficult to confirm or deny in any way, as we can only take the meagre bits and pieces that the game offers us at face value). In other words, no one is right or wrong in this situation – it's just a matter of cultural differences.
My personal impression: Kiyo's sister made the same demands on him as she did on herself, firstly because she was terminally ill, and secondly because she was the eldest and the role model. Roughly speaking, these attitudes + the fact that she had a loving, obedient brother at her side simply kept her from going mad from the pain she was experiencing. Of course this doesn't excuse her actions – it just makes her more psychologically understood. There is essentially no reason to go to extremes and see her as some kind of cruel tyrant. Even the way the tulpa makes Shuichi apologise – in a gentle, ingratiating tone – illustrates her preference for confusing and covert manipulation rather than shouting and pressure.
❧ It's interesting that when Kiyo (based on his voiceline) is already almost crying because he feels cornered, and can't afford himself to make a mistake in front of Sister... She calmly tells him to give up and admit defeat, even though she seemed to be on his side and defending him the whole time. Kiyo himself is surprised by such an advice, agreeing very timidly, with a shaky «O-okay...».
I think this is a direct demonstration of the indifference the Sister sometimes showed towards Kiyo's failures / worries when she was alive. This meant that Miyadera could actively support him for a while, but as soon as her brother made a mistake, she would coldly dismiss his feelings, to which Kiyo could only reply: «Okay...».
☄ And now... I can freely move to scenes that take place after the trial, before the execution (and this is one of those cases where it would be better if it didn't exist at all, or only existed in a few sentences).
TW: mention of incest and analysis of incestuous relationships.
❧ Yes, I'm starting with the most dysmoral stuff. After some thought about "why would Miyadera need this all in all", I came to the only plausible conclusion. Kiyo was probably the first one to fall in love with her (especially if she restricted his contact with other people = was the only person close to him) and she took advantage of that: а) out of despair that death is near and she has no friends or anyone else, has no choice; b) because a lover is even easier to control – he will be completely at her mercy.
I've made similar theories before. The only thing that wasn't clear before the direct playthrough was: "Why do many fans also see hints of sexual abuse from Miyadera..?" But now I have a bit of a guess...
Yes, we see the "no physical connection" note, but any way you look at it, Kiyo's words sound TOO provocative. If it had been, let's say, a simple hug, nothing would have stopped him from saying it directly (and that would sound just as "romantic"), but no... And the illustration itself seems designed only to confuse. On the other hand... Where basically could they have made love if the sister lived in the hospital? .-. And probably very often was in a weakened / critical condition?¿
Moreover, during the same monologue, Shinguji utters an intriguing line:
They called. What "they" he is talking about...? The parents? Doctors? But if "they" were so outraged, why didn't anyone try to limit the communication? Or is this a hint that attempts _were made_, but Shinguji siblings always found a way to "find each other again", unwavering feelings, all stuff..? Honestly, it sounds like clichéd phrases from novels that are hard to take for granted. I don't even have any assumptions here.
Another thought-provoking formulation
❧ «I had to kill». So Korekiyo with his own mouth calls it coercion – and again, related to his sister. It is as if he is admitting: "Yes, I had a sick, lonely sister. One day she died. If things had been different – I would never kill...". But that doesn't change the ambiguity of his words, does it? Moreover, I would venture to say that it is precisely this position that scores a few points in favour of his haters. For Shinguji, the quest to "gather 100 female friends" was a noble gesture, but for all sane people it remains an unwarranted horror, as it is unlikely that his sister would have directly asked him to do such a thing. There is no evidence,
[except these words, I guess]
...to support this, besides the tulpa – as a projection of Korekiyo's unconscious – can't be trusted with everything. Therefore, the only conclusion to be drawn is that Shinguji has invented such a goal out of despair caused by her death...
And in fact, he confirms it, yeap.
All of the above only convinces me that the quest. to gather. a hundred. female. friends. should. never. have. existed. This concept destroys everything from logic to the personality of Korekiyo Shinguji (or rather, those little particles are left of it). And that should be the fiction of his story.
Oh. Another line provoking the question "why is it..?".
❧ Yes, it's clear that Kiyo's understanding of love is distorted by the negative background of his relationship... But I would have described it in detail: in fact, Miyadera just never recognised him as anything more than a "little brother" or a "convenient, ephemeral lover". She didn't think they were similar in any way; that they could understand each other... An unbreakable, cold distance, full of endless illusions.
❧ But here I come to those Korekiyo's explanations that make me blaze as much as the "Shinguji is a maniac" concept.
So... At first, Kiyo claims that his goal wasn't to escape from the academy. In fact, it makes sense – there is no one and nothing waiting for him on the outside, all that he needs is inside him...
! Meanwhile, during the trial and just before it ends !, he remains nervous, panicky, angry and hysterical, afraid of being blamed (we've already confirmed this).
But then Kiyo suddenly contradicts the "I had no intention of escaping" thesis.
He declares that leaving the Academy would be a nice bonus for him, as he'd still be able to collect friends for his sister – he's just blighted by greed.
...What?!
So you're saying he behaved that way during the trial because he was still hoping to win..? That he has covered up the evidence behind him in order to get out of the academy..? (although, again, he DOESN't HAVE TO DO THAT – he can die in peace: his sister is happy, life after death continues!!)
I don't understaaaand 😫 It's so outrageously cynical! The facts add up to an unbearably illogical, contradictory mass, which in turn spoils the fans' attitude towards Korekiyo again... It breaks my heart.
☄ As you can see from the tone of the previous paragraph, I'm not going to end on a very positive note. A few hundred words ago, I promised to outline Korekiyo's main sin (read writer's)... So, I think it's about the circumstances under which Korekiyo decided to kill.
«Caged Child» séance.
An anthropologist who genuinely honours tradition... An anthropologist who's frankly delighted to have the opportunity to conduct a super-rare séance and communicate with the dead... Suddenly destroys everything that is part of his life's work in such a devil-may-care way? Are you _serious_?? Nothing could be more cynical than that. EVEN IF, as we know, the real reason for this attitude is love for his sister and the desire to give her 100 friends, this is no excuse, as anthropology and sister are still two closely linked things for Kiyo. It was Miyadera who encouraged him to develop their shared passion. It was Miyadera who made him a special uniform for field work. To betray anthropology is to betray his "true love", and how Kiyo can allow that to happen when he's so obsessed with this imposed love?? Doing this to your own brainchild is terrible.
And now, Korekiyo's last words:
By golly, if only the writers had left out those few rather deep, good lines – it would have been much better. I can't claim to be a literary genius, but the recipe sounds pretty simple to me:
We have a younger brother whose most important, closest person, who has built his life around her own leadership, is his ill older sister. The sister dies, the brother loses his mind in despair, and a little later gets involved into a killing game.
The organisers can erase his memory of his sister's death (provided he doesn't have a tulpa), or leave him with a tulpa and manipulate his mind with motives. Whether from chapter two or three – any motive will work. The main thing is to remind Korekiyo of how much he misses his sister, how much he misses the control he's so used to and/or the warmth, the voice, the visual embodiment of her.
This provokes a murder. Kiyo kills ONCE and NOT with an important anthropological séance, showing his respect. He tries to hide his direct involvement in the crime and panics at the trial because he has been taught – you cannot be wrong, Sister would not approve of your mistakes. One way or another, mistakes were made because of haste – his guilt is proved.
And well done o/ We get a character who resorts to killing because he can't deal with the death of someone dear to him and who had also abused him all his life. Touching – check ✔️ Empathy – ✔️ Cruelty – still ✔️ It's not so hard! .-.
But okay xD I hope you enjoyed reading this long analysis along with my still fresh impressions! ^^ I can't tell you how much I miss Kiyo continuing to play... But I have to move on, because the further I go, the more useful I find it. Thanks for your attention and have a nice day everyone – let's love Korekiyo Shinguji! 💖
#danganronpa#danganronpa killing harmony#drv3#korekiyo shinguji#analysis#tw spoilers#❗kiyo's sis mention❗#phew that was a lot#I really put a lot of time and effort into it#If any thoughts and theories were repeated from others...#keep in mind that I didn't start reading tumblr posts about Kiyo very long ago and might not have seen it :D
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I personally think Kaede is this most overrated character in DR. By a mile. For a character who only appeared in one chapter, she made a big impact on both the “true” protagonist of V3 as well as the fandom
I actually liked her at first. But the more I played, the more she started to get on my nerves.
It was incredibly stupid if her to plan a murder against the mastermind when there was no evidence that there was even a mastermind in the first place and it was her fault Rantaro died, even though she didn’t directly kill him.
Hope you get my opinion on her
I understand what you mean, even if I don't share your opinion.
(SPOILERS FOR DRV3 BELOW, OF COURSE)
It's an entirely logical leap for Kaede to assume that someone(s?) HAD to be behind the animatronic bears insisting they murder each other, of course. And I honestly kinda (stupidly) admire how she was willing to throw her hat over the wall on the matter of violently attacking the mastermind. The real problem is that... yeah, you're not wrong about dumb her overall plan was. Given how much was still uncertain about where they were and what was going on, it seems like making the leap to "anyone who can open this room MUST BE the mastermind" is a bridge too far, y'know? Even the assumption that the mastermind has to be one of the 16 students present is a large leap! At least I can attribute these assumptions to A) Kaede's established characterization as someone who's really aggressively gung-ho about her own plans/goals, even when it's to the detriment of herself and others, plus B) Kaede's complete blind faith in Shuichi, who came up both those highly flawed hypotheses. Hormones make you do stupid things sometimes, eh?
On the matter of how you feel Rantaro's death is her fault, I'm not sure whether I can agree with that. Are you assuming that if Kaede had never set up her rolling-ball trap, Rantaro would've been allowed to explore the behind-the-scenes areas totally unimpeded? That feels unlikely to me. Perhaps there'd be a convenient way to prevent this from being an issue, like shutting off his access to the hidden door. But I think he'd probably retain his access only to become trapped/captured and then murdered by Tsumugi in a way that could be believably pinned on somebody in the cast, regardless of whether it was Kaede in the Library with the Shot-Put ball. Doing this would keep any behind-the-scenes areas that are not yet ready for exposure (at least not this early in the show) neatly under wraps. I also think Tsumugi would want to move fast to prevent last game's "winner" from getting very far a second time, given that he's A) clearly a threat, and B) killing him early will provide good shock value for her audience.
Ultimately, I've probably posted or reblogged enough posts over the years explaining all the ways/reasons I love Kaede as a character. I love her flaws and how distinct they are from the now-standard "I'm just a regular guy full of self-doubt and low self-esteem" issues of our numerous boy protags. And even without any point of comparison, I love me a character who's determined in the face of certain doom, extremely obvious about her crush, doesn't take any shit, and is very possibly autistic. I definitely still feel the protagonist-swap twist would've been far more effective if they'd put Shuichi in her role and flipped the script so that we take her over when he dies. If we started off as a boy struggling with his self-esteem and somehow wound up with gung-ho autistic heroine who charges in before she even thinks? That'd be a TOTAL inversion of my expectations.
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Hey mod. Sorry if you've been asked this before, but who are your top 5 favorite characters from all the games? Including the anothers
//Don't worry about it.
//For DR1, it's Taka, Mondo, Kyoko, Mukuro and Chihiro. Chihiro has been one of my favs for a long time (I wrote an entire fanfic on him so that much is obvious) and through the combination of writing her in Survivor, fixing what wrongs DR3 did to her, and also having read DR:IF, Mukuro very quickly gained best girl status for that game. Mondo and Taka are also ridiculously underrated characters, Mondo especially, and I really wish they got more love and attention.
//DR2, which is my favorite cast, my top 5 are Fuyuhiko, Hajime, Mikan, Mahiru and Gundham. Fuyuhiko is obvious, he's a very well-written character, Hajime is a great protagonist with a really interesting backstory, Mikan in the game is a little weird but she's the same case with Mukuro which is the more I write for her, the more I like her, Mahiru is, always has been and always will be my all time best girl, and Gundham is GUNDHAM.
//DR3 (I know it's not a game) my top 5 is Munakata Gozu, Miaya, Kizakura and Seiko. Though the unfortunate thing is Seiko is really the only one of those characters that I LOVE. Miaya, Kizakura and Gozu are in the top 5 because I thought they were all pretty decent characters who I liked watching. Munakata sucks ass, but again, Survivor has improved my opinion of him a little bit. The rest of the characters in DR3 can fuck off, they're almost all terrible.
//DRV3 is Gonta, Shuichi, Kaito, Kokichi and Kaede. Kokichi for a long time was my favorite character in the series, but my opinion of him hasn't really stayed strong after all this time. I still love him, but my opinion of Kaede has just gotten stronger and stronger to the point where she's surpassed him. Same is true for Gonta honestly, which is why Shuichi beats him, but I still do love the gentle giant.
//For UDG, I'll say Monaca, Hiroko, Komaru, Kotoko and Nagisa. Again, not a lot of GREAT characters in this game (not the biggest fan of Monaca tbh, I just like her more than Masaru, Jataro and Haiji, and Yuta and Taichi barely had any screentime) but Hiroko is cool, Komaru is actually a pretty unique protagonist compared to everyone else, and Kotoko and Nagisa were complex enough for me to really like both of them compared to their cohorts.
//Another 1 is Mikako, Tsurugi, Akane, Rei and Kanata, though I will give an honorable mention to both Satsuki and Ayame. Kanata is the same case as Chihiro, just this really nice character who shouldn't have died, and the other four are very compelling in their own special way. However, I will say that with SDRA2, Rei got better while Tsurugi got worse in my opinion.
//And Another 2 is Shinji, Hajime, Setsuka, Yoruko and Sora. Unfortunately, like DR3, I think a majority of the characters in SDRA2 are kind of...bad. There's only a handful I can stretch to like the full depth of, but these 5 are really compelling to me. Hajime is the most interesting and sympathetic of the VOID's, Shinji and Setsuka are fun-loving enjoyable characters, and Yoruko and Sora make a really good duo, and great characters in their own right, like Komaru and Toko.
-Mod
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Despite SDR2 and DRV3 having an outdoorsy setting, it's criminally underutilized for the murder mysteries. The only case I can think of that used the outside environment for a murder was 2-2 and even then, it wasn't that much. This led me to wanting to make my fanganronpa take place in an westernized open world setting (plains, forest, cities, suburbs, mountains) that takes full advantages of the world for it's murder cases. My main obstacle figuring out a somewhat believable back story for this open land being used for a death game (it would cost a fortune and years of planning to host a death game) and how nobody else is around to find them and save the hostages. Not to mention, the mastermind will have to make sure nobody can escape the death game. Lol-Virtual-Reality is easiest way to explain the setting but its too easy in my opinion.
if you ask me, it kind of makes more sense to put corpses into rooms because under the rules of the mutual killing game, you want people to discover it, but not immediately inside you have more control over when the body is found since you can lock/barricade doors and use tools to call someone over at a certain time. if the body is outside, you have to either put it in plain sight which would result in the body being discovered before you're ready, or to hide it outside - and there's the risk if hidden outside that the body just isn't found within a few days or even at all. you have to either then just live with there being someone missing and either potentially kill another and leave more evidence, or you have to nudge people towards where it is - leaving yet another paper trail of evidence. 2-2 wasn't a standard case, peko wasn't entirely trying to hide. hiyoko was plan A, and getting everyone to vote for her ASAP was plan B - she was fine being caught as long as fuyuhiko's involvement was hidden until the votes had already been cast.
you kind of explained your own dilemma of why murder mysteries took place indoors - the outdoor setting was underutilised, but then there was a huge amount of explanation as to why it wouldn't work (too much open space for a death game, no help arriving to the exposed setting, escape can very easily happen).
as for the VR, why would this be too easy? is it just a matter of already having been utilised? are there new things that could be done with the VR? another purpose for it to be included in the plot? another motivation for the mastermind to use it (since a VR setup as complex as the one in SDR2 would likely be even more expensive than the outdoor land used for a non-virtual MKG)? why is it taking place outside - is it just for the novelty of having cases take place outside to one-up the original work, or does it contribute to the themes, tone, and plot? since DR1 not having any outside setting helped to create a sense of claustrophobia and isolatedness, could outdoors be used to create a new unsettling feeling?
#admittedly i am the kind who thinks things turn out better if you're focused on making your own thing#rather than Sticking It To The Canon I'm Going To Be Better#do not focus on being a better canon. focus on being a great fanfiction.#no good fangan ever set out to be better than the canon.#but some may achieve it along the way.#i will always advocate more for setting the canon aside beyond the history and some of the in-universe rules and doing your own thing
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honey you e got a big storm coming
35, 39, 47, 48, 51, 56, 83 hee hee
MAPLE.
35. A character who should’ve got more character development?
like. sooooo many of them lol. can i say the entire cast of v3? because honest to god that's my answer -- even my faves in v3 leave Something to be desired
beyond that, i actually think that thh and gbd do a really good job of stretching characters to their maximum narrative utility before killing them off, and i do feel like in both games the most narratively flexible ones are the ones who live. i think if i had to say anyone from those games it'd probably be leon or sayaka just because the way the free time events work in trigger happy havoc work mean they get like three events and then they die and you never get to know more lmfaoo (but even then i still don't think their characters are Lacking in the way that the v3 cast is for me. sorry for being a v3 hater lol)
39. Smartest murder plan?
komaeda's, obviously LMFAO. god every time i replay sdr2 chapter 5 im struck by it all over again. like they literally had to guess!! even with nanami revealing herself! even then! they still had to be like well. hope his luck actually worked out! king popped off and the entire trial is SO good for advancing the plot and tying off hinata's dynamics with BOTH komaeda and nanami! the moment of sickening clarity when hinata realizes that he DOES understand how komaeda's brain works, and knows what his intentions really were? nanami and hinata's final goodbye? uuuugh sdr2 chapter 5 i love youuuuu.
rest under the cut bc Long.
47. A headcanon you have about a character?
*pushes two million unfinished drafts of Togami Headcanons to the side* i am going to talk about komaru. i think she's a butch lesbian and every time she's depicted as feminine in fanart my soul dies a little even though butch komaru exists solely in my head. i also think she's really sporty, but i've talked about that elsewhere hehe.
ok i'll talk about togami a little bit. it's 100% projection but i think he's agender. not in a way where he like. actively thinks about it -- even at Full Self-Actualization i'm not sure if i ever see him actually realizing it and actively thinking about himself in that way -- but i just dont think he as any particular connection to being a *man* outside of how it plays into his attraction to other men/his family's expectations of producing heirs. like he just kind of is how he is and doesn't feel compelled to make any particular effort to present as masculine. i could make a joke here about his gender just being Togami, but genuinely i do think that rings true. he's not a boy or a girl but a secret third thing (byakuya togami™️) does this make sense. like. to anyone (<- projecting and insane) whatever. i think he would look nice in a floor length skirt.
48. Favourite OST?
i... usually play the games on silent :X legit i know like 3 songs including mr monokumas lesson. just tried to remember what beautiful days sounded like and the wii sports theme is what my brain supplied (<- embarrassed)
i WILL say that i think drv3 has the best opening track of any of the games. its so jazzy and fun hehe
51. Character you thought you were gonna dislike but loved in the end?
mmm. hard to say, honestly? it's been so many years since i formed first impressions of the thh and gbd casts that i kind of dont even remember what i first thought of them? i have a lot of v3 characters who i thought i would like and wound up feeling kind of ehh about, but that's not the question lol
i think, Big Terrible Writing Choice aside, i was really surprised by how much i wound up actually *liking* korekiyo? like okay OBVIOUSLY they took his character in a terrible direction but before that when he's just like, a weird little freak? that ruled lol
in terms of characters that i've had full turnarounds in opinion over the course of 2012-2022? i remember not particularly liking/caring about kirigiri, sayaka, fukawa, souda, or gundam when i first read the playthroughs of their games, and now they're some of my favorites hehe. but that's less about me going *into* the games thinking i wouldnt like them -- because in both cases i went in completely blind -- and more about them growing on me like a fungus over successive playthroughs lol
56. Best free time events?
ok. take this with a grain of salt because i'm stalled out in my sdr2 replay rn so i haven't redone the free time events for that game in awhile/haven't done any v3 ftes besides maki's and ouma's because im a hater.
i think kirigiri has really good fte's. i love that she gets a little sillay in them and how subtle her progression from "why are you talking to me" to "i care deeply about you" is. i also really appreciate how the game cutting her off as an option for free time at certain points serves to make that progression feel really natural with the game's actual plot. love you miss kirigiri.
mondo's are really great as well, he's such a fun guy to interact with and him talking about wanting to be a carpenter and loving his stupid tiny dog and being too nervous to ask girls out all add such levity to his character and make it SO sad when he dies. like damn that biker gang leader trapped in a murder game really is just like. some guy in high school :-( i also loved that they brought him wanting to be a carpenter back in dr:s! made my heart soar uuuuugh i love you mondo, sorry i never ever talk about you
komaeda gets an honorable mention for his botched love confession. buddy you did So Bad.
83. Least favourite chapter?
[staring myself down in the mirror] i will not hate on v3 this time i will not hate on v3 this time i will not hate on--
chapter 4 of v3 was soooo boring guys. i hated the virtual world and idk if it was just me but the controls for it were just. nightmarish. whatever lets talk about the games i do like.
i also agree with @ovidiomedes about thh's c3 kind of dragging. it's one of my favorite trials, but the actual chapter is. really slow lol. i think part of that is due to the anticipation of chapters 4-6 which are some of my all time favorites across all three games, but i think it has larger narrative problems that contribute to that dragging feeling ://
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Class 77, Class 78 and DRV3 characters in BNHAverse and i want to see their intertractions with BNHA characters
This is an ask I got and was working on a few months ago, but I had to stop due to bigger priorities and now I lost momentum so hard that I can't see myself ever finishing it. But this still took too much effort to discard, so I'm deciding I'll release this incomplete version.
If you have any specific character you want me to do this for, I'm attaching this "danganronpa quirks au" tag to the thing, so any one-character ask will be put in the tag with the post that started it. Sorry, but I guess full-cast asks are a bit too much to ask from me now.
I'll pass on their interactions with canon BnHA characters because I don't care a lot about the individual students of class A in general. I will go over their quirks tho, because powers in the BnHA universe are defined by a character's name puns, and that's a fun and unique format to work with here. Due to the vaguely genetic nature of quirks, I'll generally follow the principle that the family name defines what the power is, and the given name defines its specifics.
Makoto Naegi - Nature Hero, Green Thumb - Quirk: Sapling
Naegi means sapling, so he can generate plant saplings. Makoto means truth (see the canon Makoto Tsukauchi with a lie-detecting quirk) so the sapling he creates can grow at the same true speed that the plant grows in nature. It's a really useless quirk for a Hero, reflecting how Naegi is the guy who got into the special school by chance and doesn't really have the skills to belong there.
Sayaka Maizono - Idol Hero, Danser Flower - Quirk: Dancer
The mai in Maizono means dance so she can have a buff-type quirk that gets its power boosts from rhythmic movement. Ideally, she could use a knife or katana to go with it, but if Ninja Hero Edgeshot doesn't carry a sword around from branding, I think heroes aren't allowed to carry these dangerous weapons unless they're part of their quirk (Hawks) or their quirks are useless without it (Snipe).
That one present in DR2 writes Sayaka with the kanji for the danser flower, which is what inspired her hero name here.
Leon Kuwata - Musician Hero, Punk Rock - Quirk: Pitch
Kuwata is named after star baseball player Kuwata Masumi and star musician Kuwata Keisuke, the first thing I decided was that his quirk had to be named Pitch since that's both a musical term and a baseball term. The word pitch has a lot of meanings, but it's generally about highness and lowness, so I guess he can control the vertical movement of thrown objects.
Chihiro Fujisaki - Hacker Hero, Master Code - Quirk: Unary System
Fujisaki's quirk would get inherently complicated and esoteric because the fuji part is the Buddhist concept of false duality. Two things that look opposite but from a more absolute point of view are one and the same. But Fujisaki is a programmer, not a monk, and the programming term for duality is "binary", so the fuji is probably better translated as "non-binary" (no, I don't think the coincidence was intentional).
How that translates into a superpower? I don't know, the best idea I have is making touched objects gain opposite traits. Make fire cold, make vehicles static, make dumbbells light. Weirdly conceptual, but since New Order exists, anything goes here, really.
Mondo Oowada - Japan Hero, Crazy Diamond - Quirk: Katana
The oowa in Oowada is the on'yomi reading of Yamato, as in Yamato Takeru's name. His family can't not have a quirk that makes katana out of their arms. Daiya and Mondo are named after the diamond pun, so there can be some extra emphasis on how unshatterable their blades are.
Kiyotaka Ishimaru - Kiyotaka - Quirk: Stone Spikes
Ishimaru is a Shouto-like case of someone too emotionally constipated by family drama to come up with a proper hero name. His use of his given name is likewise an attempt to disassociate himself from a famous predecessor's name, but it also doubles as a call back to how Ishimaru's self-introduction involves him discussing appreciation for one's given name.
The Ishimaru name is a Meiji renaming of the Ishiomaru clan (a 14th-century samurai family turned rice merchants after the end of the wars). All versions of the Ishiomaru family crest had caltrops as their symbol, so his quirk should be to spawn and deploy spikes. Stone spikes because the ishi in Ishimaru means stone.
Hifumi Yamada - Otaku Hero, The Alpha And The Omega - Quirk: Automation
Yamada is a name that's already in BnHA. It's Present Mic. So Yamada gets a somehow voiced-related quirk. His Hifumi name means "one two three". So it's a voice quirk that starts a sequence. Spoken commands that continue on themselves. Like ordering your pen to draw the doujin you want while you eat chips and drink coke. (I'm limiting this one to objects because it'd be broken if it worked on people)
Celestia Ludenberg - Fleurdelis Hero, Celestia Ludenberg - Quirk: The Burning of the Versailles Witch
Celes's version of the Yasuhiro name is a real last name, but it's not tied to any known samurai family, so we can only assume it's been a commoner name from its inception. The name kanji means "cheap and widespread". Like its history, it feels designed to spite Celes.
On that note, she should have a fire quirk. The extra layer of irony to her execution aside, fire is the quirk that feels the most like a generic widespread commoner quirk, considering Endeavour managed to gather 30 fire sidekicks completely unrelated to the Todoroki family, and that doesn't even include Deku's father.
Sakura Oogami - Martial Arts Hero, Oomononushi - Quirk: Health
Oogami is as ancient of a Japanese family name as Japanese family names get. Its lineage is detailed in the Kojiki as descended from the god Oomononushi, the benevolent snake god of water/lightning. The clan is tied more specifically to the worship of Oomononushi's bunrei Ohotataneko, the god that wards off epidemics. I say give her the superpower of perfect health so she can train uninterrupted and have her champion status still completely tied to her martial arts talent. Also the extra layer of irony with Ken'ichirou being sick.
Aoi Asahina - Hydration Hero, Flying Fish - Quirk: Hydraulic Power
Asahina is the samurai clan founded by the famed Asahina Yoshihide. She's probably named after him, referencing Yoshihide's classic relationship with onis with Aoi's relationship with "Ogre" Sakura. Ask in a separate post for more details on Asahina's namesake.
I guess she could have a superstrength quirk in reference to how Asahina Yoshihide's mother, Tomoe Gozen, is famed for ripping a man's head off barehanded. It just needs a classic BnHA stupidly specific strength quirk condition. Her first name Aoi means hollyhock, but it's homophonous with the color blue because she's a swimmer, so have it make her stronger the more hydrated she is.
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S/O: "Sitting drinking coffee or drinking"
DRV3 cast: S/O what are you doing we need to investigate the murderer that just happen!
S/O: No need for I already know who the killer/blackened.
DRV3 cast: Really. You know who was it. Then who is the killer?
S/O: It's me.
DRV3 cast: What! Or WHAT DID YOU SAY? Or THIS NOT TIME FOR JOKES!
S/O: I said I'm the killer I killed him.
DRV3: WHY?
S/O: Because he/she was planning to kill you! I was taking a stroll and walked on them planning the murder. And saw they were planning on killing you. I tried to just stop them but ended up killing him/her. So now I am waiting for the trial right now and will confess.
What V3 cast reaction to this.
Okay, this is a fun idea that I would love to do, but--
I don't do full cast requests anymore
And 2. Requests are closed in the first place
But do feel free to send this back in once they're open
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