#fucking thesis statement

[deanncastiel]

i haven't even finished listening to the first one 😩😩😩

[mayasaura]

Kabru is always my favorite tho bc I fucking love characters who are both ruthless and genuinely kind. Who have noble goals and strong ideals and will make compromises in order to reach them, especially when they aren't punished for it by the narrative. Kabru will straight up commit vigilante murder because he's done the math and judged it to be the action with the most harm reduction, and he's good at math.

Kabru is the only person in the series both on-scene and thinking about the larger implications of the actions being taken, and I love him for it.

[arostormblessed]

Don’t talk to me about doctor who the magicians apprentice/witch’s familiar dont you fucking EVER talk to me about it. You have one weakness and it’s your compassion for your loved ones. There is a little boy on a battlefield and you tell him you’re going to save his life because that’s what you do, you save people. Your oldest enemy who is responsible for the slaughter of your people calls out to you to tell you that he’s dying. Your oldest enemy who has known you for centuries, who is one of the only people left who has known you that long, sits down with you and talks to you and for just a moment it feels like you’re friends. Like there is something redeemable in him. It’s a trick, you’ve known it’s been a trick the whole time, and he’s going to kill you. There is a little boy on a battlefield and you know what he will become and you run away, you let him die, because what’s the alternative? Your enemy tricked you into coming here, he lied to you, but it doesn’t matter because there is always mercy. You save the little boy because he’s a little boy, even when you know what he grows up to be, and hundreds of years later the manufactured race that slaughtered your own knows what mercy is. Your enemy does not kill you because your greatest weakness, your loved ones, come to save you. I didn’t come here because I’m ashamed, a bit of shame never hurt anyone, I came because you’re sick and you asked. And sometimes on a good day, if I try very hard, I’m not some old time lord who ran away, I’m the doctor. Compassion, then. ALWAYS. It grows strong and fierce in you, like a cancer. I hope so. It will kill you in the end. I WOULDN’T DIE OF ANYTHING ELSE.

MERCY. ALWAYS MERCY. You walk the little boy home.

[its-your-mind]

*deep breath in*

the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏

let me explain.

so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.

Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home

Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.

Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.

Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.

Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.

Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.

Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.

And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.

Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.

There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.

Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.

Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.

The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”

Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar

[radioactive-juice]

Okay so I just watched a video about the extinction from some guy’s Entities series and. Thoughts:

I feel like a lot of people forget that the Entities are not completely separate things. We have the colours analogy and the Giant Creature with multiple limbs too big to see that it’s all one thing. So, as much as it’s useful to understand stuff, Smirke’s 14 is canonically a very flawed explanation of something very difficult to comprehend. 

Especially with the revelation that the rituals will never work by themselves and that the entities need to all come into being at once, it’s clear that they are more connected than they are independent. 

The video was talking about the statements that are contested in terms of whether they are Extinction or whatever else. First, they can be both. Second, the point of the extinction’s Emergence isn’t so much Totally New Never Before Seen Fear but Fear Becoming More Widespread So We Should Distinguish Itself From Others. Fear of drastic change, the end of life as we know it, etc, existed before the Extinction was thought up, and will exist even though the Extinction never technically Emerged. Dekker says it is branching off from the End, but I think that’s still too rigid. 

In mag200 when we get the origin story of the fears, it starts as “Once, there was fear”. It’s one thing that starts to specialise as life gets more intelligent and learns the things to be scared of. Then, “The thing that was fear felt itself began to tear, to crack and fracture along a thousand unseen fault lines”. So, we do have confirmation that it isn’t just One Thing. But they started as one, which begs the question, where do we draw the lines between Fears?

I think a lot of us have the idea of Which Entities Are Which based on their motifs, which I think holds back our understanding. The Web is one that particularly gets me. As an Entity, it’s about control and manipulation, but a lot of the time it’s boiled down to Fear of Spiders. Spiders symbolise control because of their webs, the idea of being trapped, knowing your fate but unable to escape it. That’s the essence of the Web. Falling into a spider nest and getting them all over your face? Horrifying, but not the right psychological aspects. I’d say it’s more Corruption, feeding more on the fear of disgusting things. I think puppets would be an interesting motif for The Web, but puppets are like dolls which are basically monopolised by the Stranger. Now I’m starting to rant. In general, I believe we could have a lot more interesting interpretations of the Entities if we thought of them more as the psychological fear they represent rather than their common motifs. For example, I really like what they did with the Buried also representing debt rather than simply Dirt. 

On the fandom wiki (I know it sucks. If there’s a better alternative lemme know), a lot of the s5 domains are described as serving multiple fears, which makes sense since they cater so closely to the specific fears of the people in them, which aren’t necessarily a single Fear. Then, of course, we have Protocol. I’ve seen a few posts echoing the same point of We Don’t Need to Rethink the Fears to Make Protocol Make Sense, We Just Need to Stop Defining Everything So Rigidly. I hope Protocol continues to Get Weird with it so we’re forced to think about the Fears from a different perspective than Archives. It’s healthy. It’s enrichment. 

In conclusion, the Fears aren’t so separate, Smirke’s 14 has never been real, the Extinction isn’t a world-breaking anomaly, and motifs don’t necessarily define what Powers are actually at play.  

[luobingmeis]

my jgy thoughts have been expanding and adapting and roiling and toiling etc etc etc and all of it is coming down to me affectionately marveling at this character. he’s cut-throat. he’s cunning. his kindness leaves lasting impressions. his mercy is what predates his demise. he’s one of the few cultivators who helps those in need. he will sacrifice them if it benefits him. he loved. it didn’t last. it killed him. it orchestrated his downfall. he’s a genius. he’s paranoid. he compartmentalizes. he splits the world into who he would sacrifice and who he would not. people he loves and people he would sacrifice are not mutually exclusive. he’s filial to a fault. it was all for his mother. he is a study in assimilating to survive. the results vary. he manipulates the herd mentality to his benefit. it is turned against him. he is killed for the one thing he didn’t do by the one person he wouldn’t sacrifice. it is still somehow better than what the hive-mind cultivation world would have done. i love this tragic kaleidoscope of a character.

[boylikeanangel]

henry telling joel the story of how he informed fedra about the leader of the resistance so he could get the medicine he needed to save sam, and seeing joel's entire face and demeanour change as he starts to understand who henry is and how similar they both are. joel initially not trusting henry because he's a rat, but once the full context is given to him, he tells henry it's not fair on him for so many people to want him dead for what he did. joel not questioning why henry would betray so many people for his brother, because he knows he would do exactly the same thing in his place. henry DIRECTLY making joel ask himself the question "what is more important: the world, or the one person you love? your honour, or your family? when it comes down to it, how many people will you hurt to make sure she's safe?", and you can just see that joel immediately knows the answer.

[knifearo]

if you’re aro and participating in any kind of negative conversation about other aro people not being aro enough/not being oppressed/not doing whatever whatever whatever then i’m hitting you with a huge cartoon mallet. gonna treat you like a looney tune if you’re gonna act fucking Silly. take a second while those little cartoon birds flap around your head to remember that we are here to support each other as a community and exclusion discourse of ANY kind has never been productive or helpful to anyone. treat people kindly, focus on commonalities and community support, and use common sense. thank you 👍

[rearranging-deck-chairs]

the doctor isnt neurodivergent or autistic or adhd or nonbinary or genderqueer or asexual. what the doctor is, is Not From Here

[romulussy]

genuinely funny (and mildly irritating) to see so many people up in arms about gerri's refusal to comfort roman lol. when the stone cold killer bitch is a stone cold killer bitch :/

[balladofthe101st]

I don't know why but messy speirs >>> clean pretty shaved spiers while all dressed up Nixon is way better than messy Nixon.

it's all in the psyche. our mind's telling us that speirs is supposed to look dirty, rugged, and war-torn because he's a born- soldier and warrior. while nixon's supposed to have a clean and shaved- and dressed up to the nines-look because he's a preppy, yale and momma's boy. in this study i will

[thresholdbb]

Janeway gets away with so much insane shit because she saw it all when she became a lizard

[difeisheng]

di feisheng may be villainized and called a 大魔头 time and again by people throughout the jianghu, but i think it's fascinating that, going by traditional genre conventions, he's a more ideal image of a xia than li xiangyi and the entire narrative would flip if you were to centre it on him as the story's main wuxia protagonist

[cringefaecompilation]

idk guys but i think "black lady making a parody campaign of an overrated kid's book written by a transmisogynist where they mock the original book and its writer at every given venue and it barely feels like the original" is not nearly equatable to "white guy making a joke about an asian trans woman having a dick in her intro, immediately calling attention to it by laughing at his own joke, and not developing that poor trans woman as anything more than a mildly antagonistic force/love interest for another trans person"

[meyerlansky]

gale was never ever ever getting a shot at bryan

not in a million years

[wrishwrosh]

band of brothers fic?? in 2024 ??? its more likely than u think