#fucking huge book

[wu-does-art]

thinking about Nico adjusting to letting himself miss and long for the people he loves. based on these bits from the sun and the star:

" As Nico and Will followed the trogs, he thought about how much he missed Hazel. He was learning to make peace with that feeling. It was okay for him to miss people because that meant he wanted them around in his life. That idea was *very* new for him- he was used to either pushing people away or watching them recoil from his presence." *

" That was the most surreal thing of all... Was he happy? Nico wasn't very familiar with the sensation, but he couldn't deny that he felt wonderful in Will's presence. He even longed for the son of Apollo when they were apart. A funny thing had happened as the two grew closer: Nico suddenly understood all those cheesy, sappy love songs he'd always hated."

[morthyew]

sometimes i think about how garak is the kind of old gay to wear a black turtleneck and wire rimmed glasses to read a book at a bar and who tries so hard to seem mysterious because that’s the only way he can even tangentially flirt, but everyone can tell it’s a sad old man ploy except this one guy, who has the reputation for being the shiniest naïvest kid on the block but the two of them start dating and everyone’s like oh no garak’s taken advantage of this hot young thing and conned him into hooking up with him but then they find out the kid actually has a fucked up intense cold machiavellian streak and that garak is using the fake mysteriousness to cover up the fact that he did war crimes for the CIA and is emotionally destroyed by his dishonorable discharge and somehow their initial guesses were kind of also correct but it’s bashir who has garak in a chokehold actually??

and everyone goes jesus christ thank god you two found each other you should never involve anyone else in whats going on with you.

[cozylittleartblog]

me omw to scare mormons out of a wendys!! 🍂🖤🍟

ootd from like 2 weeks ago and yes that really happened

[remnantglow]

a copy of a copy of a copy

[szaryherbatnik]

Uhhh bling bling bitch

More purple version if u care because i truly cant decide which one i like more idk szare nation this was the main version earlier but i decided i prefer the less purple one

[peacockrulz]

Sorry for the lack of posts, have some more headcanons!!

[antigonick]

There was no real comfort in being alone with her thoughts, her memories, but somehow the illusion of freedom lessened her despair.

— Octavia Butler, Dawn (Xenogenesis, Book I)

[poetrysmackdown]

what makes a poem a poem? does it have to be written in a certain way? is this question a poem if i want it to be?

Fun question! This is just my personal sense as an avid reader and less-avid writer of poetry, but for me it’s useful to distinguish (roughly) between poetry as a genre and poetry as an attitude or philosophy through which language and the world can be understood. And of course these two go hand in hand. I see poetry the genre as essentially a type of literature where we as readers are signaled, somehow, to pay closer attention to language, to rhythm, to sound, to syntax, to images, and to meaning. That attentive posture is the “attitude” of broader poetic thinking, and while it’s most commonly applied to appreciate work that’s been written for that purpose, there’s nothing stopping us from applying that attentiveness elsewhere. Everywhere, even! That’s how you eventually end up writing poetry for yourself, after all. There’s a quote from Mary Ruefle floating around on here that a lot of folks have probably already seen, but it immediately comes to mind with this ask:

“And when you think about it, poets always want us to be moved by something, until in the end, you begin to suspect that a poet is someone who is moved by everything, who just stands in front of the world and weeps and laughs and laughs and weeps.”

Similarly, after adopting the attentive posture of poetics, there’s plenty of things that can feel or sound like a poem, even when they perhaps were not written with that purpose in mind. I’ve seen a couple of these “found poems” on here that are quite fun—this one, for example. The meaning and enjoyment you may derive from the language of a found poem isn’t any less real than that derived from a poem written for explicitly poetic purposes, so I don’t see why it shouldn’t be called poetry.

That said, I do think that if you’re going to go out and start looking for poetry everywhere, it’s still important to have a foundation in the actual language work of it all. Now, this doesn’t mean it has to be “written in a certain way” at all! But it does mean that in order to cultivate the attentiveness that’s vital to poetry, one needs to understand what makes language tick, down at its most basic levels. It will make you better at reading poetry, better at writing it, and better at spotting it out in the wild.

Mary Oliver’s A Poetry Handbook is an extraordinary resource to new writers and readers, and a great read for more experienced folks as well. Mary Oliver’s most popular poems are all to my knowledge in free verse, and yet you might be surprised to find her deep appreciation for metrical verse (patterns of stressed/unstressed syllables), as well as for the most minute devices of sound. In discussing the so-called poetry of the past, she writes,

“Acquaintance with the main body of English poetry is absolutely essential—it is the whole cake, while what has been written in the last hundred years or so, without meter, is no more than an icing. And, indeed, I do not really mean an acquaintanceship—I mean an engrossed and able affinity with metrical verse. To be without this felt sensitivity to a poem as a structure of lines and rhythmic energy and repetitive sound is to be forever less equipped, less deft than the poet who dreams of making a new thing can afford to be.”

In another section, after devoting lots of attention to the sounds at work in Robert Frost’s “Stopping by Woods on a Snowy Evening”, she writes,

“Everything transcends from the confines of its initial meaning; it is not only the transcendence in meaning but the sound of the transcendence that enables it to work. With the wrong sounds, it could not have happened.”

I hope all this helps to get across my opinion that what makes a poem a poem is not just about the author's intention, and not just about meaning (intended or attributed), but also about sound and rhythm and language and history, all coalescing into something that rises above the din of a language we would otherwise grow tired of while out in our day-to-day lives.

I'll always have more to say but I'm cutting myself off here! Thanks for the ask

[no-song-so-sweet]

I want to talk about Harry Potter.

Well. Sort of. I want to talk about Harry Potter in a roundabout way, in that, I want to talk about the reaction my friend group had when shit started really going down with That Bitch Rowling.

Because Rowling is a horrible person. She’s a TERF, a denier of Nazi Crimes, homophobic, anti-Semitic, the list goes on and on (and most recently, has been attacking a trans soccer manager, if my dash is to be believed? Somehow, she just seems more cartoonishly evil with each passing day). But this isn’t about That Bitch Rowling, not really. Or if it is, she’s merely a footnote in the story.

Harry Potter was, and I think this is true for many of us, a large part of my childhood. While the writing may be mediocre at best, it was wildly influential. I didn’t know a single kid that wasn’t hoping for a letter to Hogwarts. It was a Big Deal for a lot of people, and that included my friend group. My friend group, which is made up of members of the LGBTQ+ community. My friend group, which includes a young lady who we didn’t always know was a lady. I’m sure you can see where this might be going.

The day I got a tear filled phone call about That Bitch Rowling was, frankly, heartbreaking. She was mad because a woman she had respected up until now didn’t respect her. She wanted to get rid of her copies of the books, but didn’t want to donate them. I never want to hear her cry like that again. So I made a decision.

I told her to hold onto her books for just a little while longer. I phoned the group. I figured out when everyone could get together for a weekend, and when I had hammered out dates, I packed up my car, and drove the six hundred miles back to my childhood home.

In the passenger’s seat, was my set of Harry Potter books.

Excluding my trans friend, there were seven of us. I had made a plan, and my father had the space to enact it - I grew up on acres of land; complete with 200 year old oak tree, creek in the woods in the backyard, and a massive fire pit.

Nostalgia and youth, I find, paint everything with a rose tinted hue; if Rowling had just kept her mouth shut, I’m sure many of us would have looked back on the Harry Potter series with some amount of shame. But I don’t think it would have suffered the sort of fall from grace that led us to this point.

The fire pit is important for several reasons. For example, it had been the popular gathering place for my friend group of literal decades at this point. Small towns mean that you know everyone from a very early age. We lived right beside the woods, so we used the fire pit to burn the leaves, and the branches storms took down, of which there were many. And when the first six of my friends rolled down the half mile driveway that day, I had already collect enough wood to get a decent fire going.

Six of my friends. We told the seventh a later time. We wanted to be prepared, and anyway, we all had the same cargo (six sets of seven books joined mine on a rickety folding table). I put them to work collecting more firewood (is it really a good bonfire if you’re not risking setting the barn on fire?).

By the time our last member rolled up, I had a fire going.

She had her set of those damn books too.

(There is a visceral grief that comes from being let down by your childhood heroes, and I fully believe that That Bitch Rowling embodies the phrase “never meet your heroes,” because folks, as a general rule, I am not a fan of burning books. But I was prepared to make an exception.)

We burned our copies of the Harry Potter books that day, all eight of us. They were well read, beaten to hell and back, with cracked spines, and dents in corners, and pieces of the pages missing where we had bent down the corners one too many times. And I won’t lie to anyone. We cried. Tears of sorrow and rage, for the piece of our childhood that we were choosing to give up, because to keep it would be to disrespect the woman we had known and loved for longer than we’d ever had those books.

Letting go sucked. But it was the right thing to do.

When they were gone, we put out the fire, went inside, and built the pillow fort of our dreams. We marathoned Star Wars, and ordered too many pizzas, and had way too much soda. We fell asleep playing Risk, because that’s what our friend choose, and in the morning, I made waffles with chocolate chips and too much maple syrup.

I wanted to talk about this, not just because this is a fond memory for me (even though it is), but because one of my coworkers confessed to me that they hated Rowling, and everything she stood for, and they refused to have anything else to do with the Harry Potter franchise, but they just couldn’t bring themselves to get rid of the books.

I said I was happy to host another book burning.

But I wanted to write this down because I know that sometimes it’s hard to take that final step, to leave behind that last thing. So for anyone who needs to hear it, it’s okay to grieve the things we loose when we grow up. Letting go can be hard, but I promise you’ll end up better off. It’s been awhile since things really went downhill, but I maintain that, in this case, death of the author is nonexistent, and it is better to have loved and then lost, than to hold on too tight.

Don’t hurt yourself on the shattered remains of your childhood magic.

[introspectivememories]

can i be honest? i dont think tim and bear have a really grand proposal. i think it happens at their apartment that they got bc bear finally put his foot down and went "baby you're immunocompromised. you cannot live on a murderboat on the gotham river" and tim reluctantly gives in but not without finding some random apartment complex that's still near the marina so he can go down and get his ass beat at poker by pie. and so it happens late at night, when tim is in nightwing sleep shorts and bear's old band tee on and bear is in some horrendous anime sweats and no shirt because their home is the only place he's ever felt comfortable leaving his scars out. and the lamplight gives a soft hazy glow to bear's tattoos and tim reaches under the shirt to scratch and in the movement bear can see the bear tim got tattooed onto his hip and he can't help grin softly. and they're both sitting on the couch as some lame ass procedural drama goes on in the background and they're eating batburger. tim's got the nightwing special and bear has the sword robin combo. and the ringbox is burning a hole through bear's thigh and tim makes some stupid comment about how lame meredith sounds begging some guy to love her and all bear can think is how much he loves this boy. so he gets up to get some water and he positions his phone so that he can get the best video bc tim is a sucker for home video and he plops down on the sofa hard enough that tim turns around to complain except bear is holding the ringbox open with a soft "marry me?" and tim goes "what?" and bear says "baby i have loved you since you walked through the gates of our high school and i loved you when you left and i loved you when you came back. i love the way you talk to yourself and i love the way dance when i put music on. and i even love the fact that you shove your ice cold feet in my shins every night. and i don't know exactly what to say except that i want to do this everyday until you get dentures and i get a hip replacement. and i want to be horny in the old age home and-" and tim cuts him off sob-laughing and says "can i say yes now?" and bear who is also crying says "wait, let me finish love. -and i want to do this in as many lives as we get together. so all this to says, timothy jackson drake, will you marry me?" and tim launches himself bear and shouts "yes, yes, yes! a thousand times over, yes" and they're sobbing as they slip the rings on each other.

[crowreys-wormstache]

One of these days Adrian Tchaikovsky is gonna drop a novel about sentient spacefaring leeches and for about 600 pages I'm gonna be forced to care about those bastard creatures and I'm gonna LIKE IT

[voluptuarian]

I love trying to do historical research, you want an answer to a simple question like "could Jews serve in the British army in the 1880s" and you get back

Jews in the American Revolution

Jews in the American Civil War

Jews in World War I

Jews who fought for Nazi Germany

Thanks, that absolutely covers the time period and country I specifically asked for, couldn't have done it without you

[heartbeatbookclub]

I was looking at a few posts about autism (as one does) and it just suddenly clicked into place a fundamental thing about Yuri's character that I'd been grasping at, but hadn't really been able to adequately identify. I still have a much longer and more thorough analysis going through a whole lot of my thoughts on Yuri's character and her experience of autism that i'm working on (of which this will likely be a component), but I thought I'd share this separately just to emphasize.

Post I saw which made this click for me was making fun of the fact that most media depicting impaired empathy in autistic characters explicitly depicts them with this unflappable confidence of never having been rejected by people they love. The crux of this is that in actual reality, autistic people almost always have that experience at some point, for some behavior, for reasons they don't really understand. "There is an invisible line where people will get sick of you, and you have no warning of when you're about to cross it." So frequently, autistic people attempt to ride a razor thin edge, walking on constant eggshells to desperately attempt to avoid crossing that line.

Very often autistic people will attempt to avoid doing anything at all which could be considered weird, or off-putting, and will try their absolute hardest to do things in a way that is acceptable to other people, sometimes to the point of outright suppressing their emotions, because they are afraid that they'll say something just wrong enough that the people they care about will push them away, and they don't understand WHY it happened, but they know it's THEIR fault. Sometimes masking is fighting to appear aloof all the time because you can't regulate your emotions in a way that is acceptable to other people.

And holy fucking Jesus, that fits the exact mold of what I've been trying to talk about with the particular way Yuri's anxieties manifest.

It really feels to me like Yuri has this constant fear of breaking the "rules" of socializing, despite not really understanding what those rules even are. She's constantly afraid of saying something wrong, when she doesn't even know what wrong would be, she's just sure everyone ELSE will know it when they hear it. I think a huge part of her social anxiety comes from her own understanding of herself as a very weird person who doesn't really get a lot of how to socialize, and it seems to me like she's probably dealt with her fair share of social rejection and isolation based on those traits. She then felt she had to take responsibility for those traits, probably because it's the one thing she can change, and she is the one common denominator in all of these bad situations (This is something which is pretty common, actually! "Everyone else can socialize just fine, and I have so much difficulty with it! I must just be broken in some way. I have to try super hard to be normal to make friends!")

I think a big part of why it's so apparent in the Literature Club is because she really thinks she's found a place where she can make friends in spite of all of her issues, so when she starts...being herself, and receives even the smallest HINT of pushback, she overcorrects and tries to rein all of herself in to fix her "mistake", because she really wants to make friends here, and doesn't want them to reject her as well.

She's had this experience of others pushing her away for being weird so often that, coupled with her acknowledged trouble for reading situations, when anybody responds poorly to something and she recognizes it, she immediately overcorrects out of fear of being an annoying burden to everyone around her, and that "correction" consists of suppressing herself into being "normal" (or at least "less weird"), because she believes nobody could actually like her just for being who she is. There's something wrong with her fundamentally, and to make friends, for people to like her and want to be around her, she has to "fix" herself.

it's just, like...

it's really hard for me to interpret Yuri's character that doesn't involve her being somewhere on the spectrum, bros. she's written with such delicately constructed autistic coding, despite the appearance of just being a hackneyed weird girl visual novel trope. she deserves the world.......

[seriousbrat]

i hate the 'homophobic snape' thing a lot in general, i mean it's worth noting basically his only friend through most of the books is also the only gay character lol.

but the truth about snape is he doesn't give a shit about stuff like that. I don't think he would have rly known about it if (big if) any of the marauders were gay-- like being 100% realistic I don't think as a teenager in the 70s he'd be above using homophobia as an insult if it was someone he hated. but also if it was someone he was friends with (mulciber) he would be accepting/not care. similar to the werewolf thing, i don't doubt he was frequently extremely vicious and offensive to remus about it but if it had been someone he liked (so lily or mulciber) who was a werewolf he would have been pretty accepting of it imo. if it was a random student he wouldn't have cared.

that being said i often dislike homophobia plots in fic in general because they always seem so gratuitous and over the top. it's obviously using snape as a mouthpiece for the most extreme vile (and out of character) views so that the marauders are justified in bullying him. like i don't think he was woke and politically correct (clearly) but be fr he doesn't care that much. and it's not that i don't think people should explore homophobia in their own writing, obviously, explore away, this is just why i personally dislike the way it's handled a lot of the time. it just so often feels contrived and insensitive to me, kind of misery porn-ish if that makes any sense. like to what extent is it necessary i guess

[edwinisms]

wait yeah hold on how the hell did edwin open a door from hell to earth? like if powerful beings like the night nurse or certain demonic entities are necessary to open and close doors to other planes (especially hell where souls being trapped there is kind of the point) then what the fuck did edwin manage to pull off? did he somehow trick a demon or whatever into opening one? was one opened for one reason or another– maybe upon a demon’s return from retrieving a soul– and he timed it, booked it, and jumped in? there certainly isn’t just some constantly open ever-accessible door at the top of The Endless Staircase considering that would make hell kind of pointless. did edwin payne manage, somehow, over the span of 70 years, to figure out how to open a door from limbo/the staircase to earth by himself? am i just missing something here?