#ft. elon

[zweedsanimatiepoppetje1]

rocket goes boom

Source: How Not To Land an Orbital Rocket Booster

[truetellsnigeria1]

Elon Musk's 400 ft rocket, the biggest ever made by man costing $3b explodes 4 minutes after liftoff (videos)

Elon Musk’s space exploration company, SpaceX’s massive rocket, Starship, exploded in the air just four minutes after launching in Boca Chica, Texas on Thursday, April 20. SpaceX’s rocket cleared its launch platform but failed to separate from its booster, exploding four minutes after lift-off during the inaugural flight.   The uncrewed spacecraft, which SpaceX says could one day facilitate…

[luvyeni]

SEX FASHION GUITAR — JAEMIN SMAU MASTERLIST

𐙚 pairings. rockstar!jaemin x stylist!reader

✧ genre. rockstar!au, fwb!au crack/humor, fluff, angst college au ( ? ), mutual pining

warnings. swearing, death jokes, eventual smut, jaemin is a fuckboy highkey, will add more if needed

synopsis. l/n y/n fashion major and photographer on the side who says what she wants, na jaemin music major and lead guitar player for underground band DREAM. After yn forgets her to change her account and says something that catches the eye of jaemin she tries to ignore him — expect thanks to chenle she now works for them.

characters. l/n y/n, na jaemin, 7dream, sieun ( stayc ) winter ( aespa ) ft. hanbin ( zb1 )

started. 04-01-2024

ended. 04-22-2022

authors note. been working on this for a minute and i can't wait for you guys to read it❤️

let me know if you want to be added !

( 🩶 ) ... LET'S PLAY !

0.) PROFILES

1.) nightmare fuel ...

2.) will you do it ? ...

3.) fuck elon musk ...

4.) not that bad 😆 ...

5.) down a peg ...

6.) fitting day📍...

7.) unfair treatment ...

8.) he's unsaveable ...

9.) 5 minutes until show time ... ( written )

10.) not to your face , no ...

11.) no need to fight it ...

12.) next time ... ( written )

13.) stay the night ...

14.) that random dude ...

15.) throwing me off 😐...

16.) how far are you willing to go ...

17.) nice guy ...

18.) bowling with hanbin ...

19.) maybe it's time ...

20.) let's end it ...

21.) hostility in the chat 😬 ...

22.) spiraling ...

23.) new york ...

24.) im sorry ... ( written ) ...

25.) best non-confirmed boyfriend ever ...

26.) y/n is better ...

27.) debut day ( im sorry pt 2. ) ...

28.) release party ...

29.) number 1 ! ...

30.) people really like us ...

31.) rumored ...

32.) next week ...

33.) music show ...

34.) so happy ...

35.) disney ass outfit ...

36.) he's mine ...

BONUS CHAPTERS !

1.) jaemin not having media training ...

2.) dreams first award ...

3.) the girls vs jaeminslvt ...

©️LUVYENI

[mknewsmedia]

Elon Musk proposes buying Twitter for originally agreed $44bn

[the-teddy-roosevelt]

Let me tell you a little thing about cars.

I have had a gripe against modern car design, at least here in the States, for the longest time. Recently I have seen the utter abominations of the 21st century be more and more common and finally decided to share my stance to the wonderful world of the internet! So, be prepared for a lot of reading because this is a full scale rant with the occasional photo.

And now: Why Modern Car Design is Going to Kill Us All.

I have been doing much research these past months as I continued to observe more of these "newer designs" I have spoken so much about, and there are a few things I need to delve into.

The Flat Front

Supersize Me 2: Not so Electric Boogaloo

Elon's Bastard of a Car

1

The Flat Front

So, these cars I have been talking about, just to be more specific, are SUVs and Light Trucks/Pickup Trucks.

You see that massive, flat front in the image above? Well, believe it or not, that is causing more deaths in car-related accidents yearly! Due to being so boxy, when a pedestrian is hit, they are more likely to break bones around the torso/head, then pull the person UNDER the car rather than how a car normally would hit the person's legs, then they would hit the hood of the car.

These can also create massive blind spots/zones where you can't see what is right in front of you.

I shall dive more into this in the next section.

2

Supersize Me 2: Not so Electric Boogaloo

So, onto the next section. As you can see above you, this is a comparison of two cars, only 24 years apart(end of Escort to start of F-350). Only 24 years, and it had a 246% increase in weight, was 91.7 in. or about 7.64 ft. longer, and 26.8 in. or about 2.2 ft. taller.

This is a dramatic increase for little to no reason other than to "protect the drivers". As we have discussed in section 1, this is not the case. In fact, if one of these larger SUVs were to hit another, usually smaller car, it is more likely for the smaller driver to be killed, or at least seriously harmed by the bigger vehicle.

Speaking of smaller, children:

Children are one of the biggest victims of these larger cars with them being run over either in frontovers or backovers, most often by their own parents in a driveway.

If you don't fully believe me that these cars are truly big enough to run over the younger side of children, an entire experiment was done, putting kids in front of parked cars, and just look:

Terrifying.

I addition to this, the larger frame of these cars means that they create more pollution. Let me explain: The bigger cars needed more fuel, that means more fossil fuels being burned, and due to the US's car based infrastructure, there are more cars being produced, that is even more fossil fuels for both production and upkeep, and more pollution.

But oh dear reader, these SUVs and Light Trucks are not even the worst of it...

3

Elon's Bastard of a Car

Gentlemen, women, and all of you folk in between, I give you: The Tesla Cybertruck.

This... Thing, is the bane of everything I hate about modern car design, from the boxy shape going throughout the car, to being an "indestructible" vehicle, and its ability to kill anyone.

Okay, that is a lot I am claiming, so lets break it down.

We have already talked about how dangerous the box design is, but the Cybertruck appears to be a geometry problem found in high-school. This is unbelievably dangerous, making any crashes with other cars much more likely fatal.

The fatalities can also be helped by the fact the damn car is made of STAINLESS STEEL and "indestructible" according to advertising. Most cars are made to be able to crunch in order to let the force of impact be more spread out throughout the vehicle. Yes, it will cost quite a bit to fix, but hey, you're alive. Meanwhile when it is made out of such a hard material, such as steel, that crunch isn't going to happen and only kill the people inside the vehicle, and the people crashing into the giant steel block.

The company claims it can go from zero to 60 miles per hour in 2.6 seconds, which, if true, would mean it has a faster acceleration than most NASCAR and Formula 1 vehicles, with none of the accompanying engine roar to warn anyone that it's coming. The headlight, meanwhile, is one single bar of light, which some experts are already worried will blind oncoming drivers.

There are so many other things about this utter abomination that I would love to talk about, but I think this is where I'll leave off.

One last thing, I just want to say how this is mostly my experience and research from the United States of America, and not the rest of the world. Also, I do not see these things getting much better unless somehow the US removes all of its car based infrastructure.

Thank you for reading my friends, and remember, fuck monopolies.

[imninahchan]

gnt eu nem sou usuária ferrenha do tt mas já tô sentindo os sintomas de abstinência que krl ih agora elon musk onde eu vou ver fts das minhas celebridades underground lowprofile que só saem de casa pra trabaia onde eu vou achar outra comunidade de cinco contas de jovens depressivas que ficam fazendo edit de atrizes dos anos 50 e rivalizando entre a rooney e a lily colins pra ver quem vai fazer a biopic da audrey hepburn hein elon musk onde eu vou achar contas de obcecadas pela sandra hüller que fazem edit toda semana HEIN ELON MUSK

[compacflt]

I wonder why Maverick never joined the astronaut program? Space Shuttle too boring? Not wanting to be called an ASCAN (astronaut candidate)?

I think Mav and Ice would be pro-SpaceX. possibly even pro Elon pre-twitter meltdown.

as someone who likes space as much as the next queer ND girl (love space sooo much)… planes are way cooler ngl. yes. space is a bit boring. slow & quiet. no one to hear you scream and no one watching you be cool. space suits are clunky and awkward. no fast piloting maneuvers (mav’s specialty). no room for horseplay. “someone’s already beat me to the moon what’s the point😞.” NASA gets mad at you if you say anything rude over their public radio waves. and, this is a headcanon that has no evidence in canon? But i feel like mav is one of those pilots who takes a LOT of his confidence from the assumption that, whenever he chooses, he CAN bring his plane back down to the surface and come home. And has never really considered space as Somewhere You Can Go, and once he’s presented with that opportunity it…kinda scares him a little. space is just so big. and empty. and far from home. i know the requirement for astronauts is 50km off the ground… whatever the darkstars max altitude is (110k ft AGL?) he’s probably like, yeah, that’s good . That’s as far from the earths surface i ever need to be. That’s good enough.

oh yea Ice and mav were DEFINITELY pro-elon pre Twitter meltdown. they live in a wealthy part of California. every other car on the street in Cali is a tesla i s2g. coming from someone who’s spent most of their life in the SF Bay Area—most Cali liberals were pro-elon until extremely recently. now every third tesla i see has a “i bought this before I knew elon was insane” bumper sticker

[littledemon55]

An alle Buchliebhaber: Tut den Leuten in Gaza einen Gefallen und boycottiert Thalia und alle Firmen, die sie aufgekauft haben. Sie unterstützen Israel. (Und Regenbogen Kapitalismus und T*ylor Sw*ft und Elon Musk etc)

[gaykarstaagforever]

MrBeast's channel now is just him doing "crazy" things with lots of money.

And I mean "crazy" the way people who liked Young Sheldon might use that word. Like, omg, so much charity dental work! Airplane! Terrible candy bars he licensed from a generic bad candy bar company! Complicated game show pop culture reference, that ruined people's lives! Paying people to interact with children and then never supervising them, like at all!

What is this suburban church youth group shit, Jimmy? You have at least a billion dollars. You need to get out of this lame middle class hole you've fallen into. You're a GOD now, Jimmy. You need to think big.

Here's my recommendation. Get STUPID with it. Drop heavy things from Space onto Canada. Load one train with gasoline and another train with AA batteries and crash them into each other in the desert. Buy a $19 million Bugatti La Voiture Noire, pay some tiny garage to put giant plastic Lego Ice Planet wheels on it, then drive it offroad in Finland and crash it into a lake. Buy everyone in Detroit Bean Boots for Christmas. Everyone. Then deliver them to the unhoused population yourself, dressed as Santa.

Paint all of Pittsburgh, including the trees and trash piles, sky-blue with water-soluble paint. Lash eight semi trucks together and make them pull an accurate scale model of a Roman chariot, that is 30 ft tall. Offer Elon Musk $100 million to let Brock Lesner open-hand slap the plastic surgery out of his stupid square moron head, on camera, on X. Commission and publish your own edition of the Bible with the name Jesus changed to "Spanky Ratshit," and pay Walmart whatever they ask to stock it nationwide. Get permission to flood the Narendra Modi Stadium in Ahmedabad halfway up, then put some real frigates in it. Then hire LARPer pirate crews, train them for a month, and make them battle with a tech-powered pirates' weapon system for a "booty" of $20 million.

Buy half of Montana, and give it to Taylor Swift, on the condition that she has to do a reggae album. With the accent.

Get weird with it, Jimmy. You don't need to do videos entertaining boring children anymore. Create historic events with your money. Do something exciting.

[crybabyboyscout]

Working for Tesla is wild just for the simple fact that we’ll get word in the chat that Elon is on site and people be fangirling out they minds. Meanwhile I never expected to see the man. Both sides valid tho cause we work at headquarters. But like. The facility is over 10 million sq ft

[tttttohm]

vultures 2 review:

it’s giving andrew tate tattoos and elon musk twitter… better than v1 tho

3/16

[zvaigzdelasas]

Completely banning twitter? Now I was under the assumption that doing so was against freedom of speech & freedom of information? [30 Nov 22]

[winnednes]

yin-yang but woke

ft. elon musk

[kaylathebitch30]

Ta*lor Sw*ft has good music, and she does a lot of very good very progressive performative activism that does help a lot of people. But I will never see it is anything but performative activism, if you just look at the way she lives her life you can see that she does not care about her impact on the world. Her goal is to get richer and richer and richer indefinitely no matter what that cost, her goal is to live in the most luxurious way she can.

If you're someone that she likes she will be nice to you sure. But I have a feeling that if you went up to her to her face and you called her out on some of the things she does, like the way she handles her private jet usage? You would get the nastiest fucking attitude ever I guarantee it.

And that's not even getting into the whole Evermore theme park fiasco or her trying to sue the guy who reports on private plane usage even though it's public information he's just gathering it in one place that's easy to access. Elon Musk had sued the kid before for the same reasons, he lost. If she is suing someone for the same reasons Elon Musk? Like the same exact person for the same exact reasons? There's no way I ever trust her or her character again.

[taste-in-music]

taste-in-music’s top 30 songs of 2022

Hello everyone! Welcome back to my annual countdown of my 30 favorite songs of the year. 2022 had a lot of great music releases, and I’m so excited to recount the songs I replayed throughout the year. Now, on with the list!

This year was so jam-packed I have ten honorable mentions to share before we get to the list proper: tears in the club by FKA Twigs ft. The Weeknd, Destination l’amour by Pi Ja Ma, Little Freak by Harry Styles, Fast Times by Sabrina Carpenter, EMPATHY 4 BETHANY by Saya Gray, Be Cool by Maggie Rogers, This Hell by Rina Sawayama, Heavy Heart by Bartees Strange, Karma by Taylor Swift, and Shotgun by Soccer Mommy

F2F by SZA: “F2F” was a fast favorite that came late in the year, mostly for how pleasantly surprising it was. The 2000s pop-punk revival has been percolating for the past few years, and SZA’s entry into the genre suits her frighteningly well. She’s written on the complications of revenge sex and missing an ex before, but the area-ready bombast of the guitar-driven instrumental elevates it to the next level. It may have looked to the past for sonic inspiration, but it feels fresh.

君に夢中 (Kimini Muchuu) by Hikaru Utada: I didn’t know what to expect when I clicked play on J-pop icon Hikaru Utada’s new album on a whim, but when I heard “君に夢中,” which translates to “crazy about you” in English, I was immediately struck by a feeling of familiarity. It may be because the opening synth riff reminds me of “Boys Of Summer,” it may be Utada’s impassioned delivery, it may be the rattling hi-hats that instate an undeniable groove on the song’s back end. Whatever it is, Utada managed to capture something ethereal on this track, and I can’t wait to explore more of her catalogue in the future.  

Flower (In Full Bloom) by Luna Li ft. Dreamer Isioma: Romantic angst never sounded so damn dreamy. On “Flower (In Full Bloom),” Luna Li pleads with a lover that refuses to put in the effort in a relationship, while Dreamer Isioma provides the opposing perspective speaking about how the spark has already died. As the song progresses, the cushy soundscape of twinkling keys escalates to a bitching guitar solo that makes for one hell of a final moment.

Kissing Lessons by Lucy Dacus: If nothing else, “Kissing Lessons” is a marvel of concision. Each detail Dacus compiles, bracelet charms, hair tosses, dreams of buying a three-story house, all come together to form a rich vignette about a young girl’s budding sexuality and growing inculcation into gender roles in just under two minutes. Place those details over a rollicking rock instrumental and you’ve got on special sucker punch of a song that gives you just enough to want to know more. The only choice, then, is to hit repeat.

It’s Raining by Superorganism ft. Dylan Cartlidge and Stephen Malkmus: For Superorganism, there is no sample too silly, no instrumental flourish too strange to throw into their melting pot. Describing “It’s Raining” from their sophomore album World Wide Pop means describing the barrage of baffling moments it throws at warp speed. Frontwoman Orono Noguchi sings about a “cyborg grilled-cheese-sandwich machine” over thunderclaps. English rapper Dylan Cartlidge spits bars about Elon Musk over a backing chorus of what sounds like demented Muppets. Pavement frontman Stephen Malkmus’s lyrics about riding a horse-drawn carriage are ushered in with clip-clopping hooves and a sample of a neigh. These moments come together to form a loopy, loping confection that’s as absurd as it is addictive.

Superfan by Chelsea Jade: On “Superfan,” Chelsea Jade navigates the blurred lines of talking to a crush, a situation where you’re trading adversarial jabs and confrontational quips and you can never tell if you’re flirting or fighting. Ultimately, Jade reveals the obsession lying beneath the surface, identifying herself as a “superfan” trying to play it cool. Driving home the playful awkwardness is Jade’s use of vocal samples throughout, whether they’re narrating along to her conversation or splicing through the chorus with hiccup-y clips of harmonization. It’s a song that cuts through the guise to reveal the vulnerability at its core.

Holding Back by BANKS: In the years since her debut, BANKS has become my go-to artist for electropop bangers that conjure emotional vulnerability and goddess-level confidence alike. “Holding Back” may be an outpouring of memories in the wake of a doomed relationship, but the hard-hitting electronic groove and boosted bass breathe new life into a familiar concept. As BANKS switches between vulnerable coos and full-chested belts, she unleashes the innermost desire for her care to be reciprocated. “I wrote you a melody,” she sings in the chorus, “can’t you see that?”

Whatever Fits Together by Skullcrusher: Skullcrusher has perfected the art of weaving immersive tapestries from whispy sonic fragments, a strummed guitar here, a gossamer synthesizer there, a lyrical fragment about leaving home to tie it all into a single package. “Whatever Fits Together” pulls disparate pieces from their distinct places in the ether to form something transient and melancholy, the mournful tone of Helen Ballentine’s voice balanced by a sunny tambourine. It’s ephemeral, it’s beautiful, it all fits together perfectly.

Another Man’s Jeans by Ashe: Ashe may have broken onto the pop scene with brokenhearted ballads, but there’s always been a confidence and cleverness to her delivery that’s made her stand out. On her comeback single “Another Man’s Jeans,” she douses her witty songwriting with pure funk concentrate and struts through a kiss-off to a situationship with more swagger than she’s ever showcased on tape before. It makes for one of the most fun party jams of the year.

girlfriend by hemlocke springs: I first encountered hemlocke springs via an Instagram Reel where she posted a video propositioning “do u wanna hear the weirdest bridge you’ll ever hear in ur entire life?” The subsequent bridge shows springs hurling her voice up and down the scale with reckless abandon over a spritely synth groove, and wile it might not be the “weirdest bridge” I’ve ever heard, it certainly was one of the most memorable the year had to offer. The rest of the song, a blasé kiss-off to a potential suitor, pulls of the rare achievement for a viral song and lives up to the catchiness of the initial clip.

Spitting Off the Edge of the World by Yeah Yeah Yeahs ft. Perfume Genius: “Spitting Off The Edge of the World” is awesome in the archaic sense, encapsulating the simultaneous awe and terror that comes from facing something so much bigger than yourself. It’s a song that earns it galactic sense of scope from the quiet moments it provides to contrast it, as Karen O and Perfume Genius trade demure, flitting verses before the chorus kicks in on the heels of a larger-than-life barrage synths and guitars. It’s titanic, it’s triumphant, it’s just awesome, (in that it’s also just damn great.)

The Loneliest Time by Carly Rae Jepsen ft. Rufus Wainwright: I remember when this song was released just ahead of The Loneliest Time album and questioning how this collaboration could possibly work. As soon as I heard it, the answer was clear: never question Carly Rae Jepsen. At this point, Jepsen has boiled pop music down to a science, but that doesn’t mean it’s sterile or forced. The string-adorned, disco-inflected groove on “The Loneliest Time” is the perfect landscape for Jepsen and Wainwright to trade verses about giving an old flame a second chance. It all culminates in that excellent bridge where Jepsen enthusiastically declares “I’m coming back for you baby / I’m coming back for you!” I, too, will continue coming back to this song, and Jepsen’s catalogue as a whole, when I need a pick up from my own personal loneliest times.  

fairy song by beabadoobee: Throughout her second album Beatopia, beabadoobee’s jaunty melodies and sugar-sweet vocals just barely cover a greater desperation for care and connection percolating beneath the surface. The best demonstration of this is “fairy song,” where a running list of self-care tasks atop perky pianos slowly cracks apart until it fully breaks into a buzzy whirlwind of distortion and beabadoobee’ screams just barely audible in the background. Then, just as the pandemonium reaches its peak, the song pulls itself back together and returns to the chipper atmosphere it began with. Ignoring one’s distress will only take you so far before the weight becomes too much to bear. Sometimes, drinking water and going outside isn’t enough. Letting the mess fly free every so often might just be the key to moving forward.

Cardigan by Sophie Cates: “Cardigan” is my silly pop song of the year, the track I turned to when I needed an instant sugar rush of endorphins. Sure, Sophie Cates rhymes “again” with “again” with “cardigan” with “again” again on the hook, but when it's set against the most instantly catchy melody of 2022, I hardly even notice. That’s not a slight against Cates’s writing though, the other choice details she employs throughout the song paint a vivid picture of a romance that’s lost its sparkle, and the wistful desire for the magic to return. It’s that undercurrent of longing that elevates “Cardigan” from being just a silly pop song to a great silly pop song, one that sticks around long after the initial rush has passed. 

Bump by Dora Jar: Dora Jar’s music captures the dark whimsy of a fairy tale, but the real fairy tales where the pixie dust and glass slippers come with a hungry wolf or vengeful witch lurking in the shadows. It’s a musical world that’s a little spooky, rife with curiosity, and lit up with a flicker of excitement. “Bump” is one of the best demonstrations of this quality, with Dora Jar describing the wonder of a chance encounter that may escalate into something more. The song is accented with astonished gaps, a swampy chorus of backing vocals, and an air-tight beat. It’s sweet and wondrous and a little claustrophobic, sonically capturing that tight-throated, heart-hammering anticipation to see what comes next.

In The Eyes Of Our Love by Yumi Zouma: “In The Eyes Of Our Love” is good in a way that just feels obvious, providing a breezy yet danceable energy that’s poised to play out the romantic climax of a teen movie from the 90s. Beneath its cheery surface, though, is a tremor of anxiety. Lead vocalist Christie Simpson signs of crumbling walls, splitting lips, and looming storms, worries that accelerate and melt away over the song's duration. Every great pop song grows all the greater with a sense of urgency, and “In The Eyes Of Our Love” threads that needle effortlessly while still being danceable as hell. What more could you want?

Part Of The Band by The 1975: Over the past few years, The 1975 have twisted the anthemic pop-rock that put them on the map to reveal the absurdity and anxiety at the heart of modern life. On “Part Of The Band,” the band’s first single off their 2022 album Being Funny In A Foreign Language, frontman Matty Healy’s musings on social upheaval are equal parts hilarious and insightful. After stuffing the song full of dizzying rhymes, (“vaccinista tote bag-chic baristas” with “communista keisters” especially comes to mind,) Healy finishes on a searing moment of self-reflection: “am I just some post-coke, average, skinny bloke / calling his ego imagination?” With a twitchily elegant backdrop crafted from plucky string swells, chopped-up vocal samples, and quivering synths, it’s a song whose catchiness, cleverness, and creativity lives up to the critiques on display.

ALIEN SUPERSTAR by Beyoncé: It was difficult to pick a favorite track from RENAISSANCE, an album so consistently excellent in its delivery of dancefloor euphoria. In the end, I had to go with the self-love celebration “ALIEN SUPERSTAR.” Every element of this song oozes self-assurance, from the spacy disco instrumental to Beyoncé’s vocals, which switch from sensual cooing to a British accent-inflected declarations to braggadocious belting at the drop of a hat. The result is a track poised to dominate dancefloors across the galaxy for years to come, and who’s surprised? She’s one of one. She’s number one. She’s the only one.

Nothing Gives Me Pleasure by Girlpool: I clicked play on Girlpool’s fifth album Forgiveness without any clear expectations. I certainly wasn’t expecting to be blasted with a wave of distorted synths followed by the most memorable opening line of the year: “Do you even want me if I even have to ask? / Break it to me gently with your fingers up my ass.” It’s an unforgettable one-two punch that immediately establishes the core themes of the album, trying to reconcile the desire for emotional and physical intimacy, and how those desires often conflict with and contradict one another. “Nothing Gives Me Pleasure” walks the power balance in a relationship built on mismatched expectations, trying to sate yourself with sex and coming up short. The soundscape skitters and heaves, the distortion ratcheting up as Harmony Tividad reiterates the title line over and over: “Nothing gives me pleasure like the words I know you won’t say.” 

cool by Uffie: Uffie made a name for herself in the bloghouse scene of the early 2010s, a musical moment defined by glitchy earworms, a punkish dedication to keeping the party going as long as possible, and lots and lots of glitter. For her 2021 comeback single with Company Records, “cool,” Uffie evolves the quirky maximalism of her past into something slick, modern, and effortlessly, well, cool. On “cool,” Uffie digs for gold in moments of stillness amidst chaos, chronicling moments of reprieve during a night out: sleepy Uber rides, poolside kisses, eating cereal with her partner. The best demonstration of this comes when, at the precipice of each chorus, all the music cuts out for a moment before Uffie ushers in the razor-sharp groove with a simple utterance of the song’s title, delivered with a blasé surety of someone who’s seen it all. As she sings in the song’s third verse, she’s “got nothing left to prove.” 

HENTAI by ROSALÍA: Amidst the raucous genreclash that makes up the rest of the MOTOMAMI tracklist, the gentle pianos of “HENTAI” may initially feel a bit out of place. But if you listen closely, there’s much to discover beneath its deceptively simple surface. First off, the lyrics are filthy as hell, (I know, big surprise for a song literally called “HENTAI,”) but the cheeky references to bike riding and tape making are balanced out by a tender backdrop that knows when to up the bombast. Whether it be the barely-there string flourishes, fluttering vocal runs, or the skittering blast of drums that drives the song’s closing moments home, “HENTAI” provides just enough off-kilter details that make the song transcend from mere sexy piano ballad into only “La ROSALÍA” could provide.

Simulation Swarm by Big Thief: Despite Big Thief’s fifth album Dragon New Warm Mountain I Believe In You dropping all the way back in February, I found “Simulation Swarm” shamefully late in the year. But as soon as I heard it, I knew it would be on this list, and pretty high up too. Adrianne Lenker crafts songs that are immediately familiar, like I must have been listening to them from childhood. The details she employs throughout "Simulation Swarm” balance beauty and malice, painting the dark fairy tale and casual terror of modern life “crystal blood like a dream true,” “swallows in the windless field,” “river of light who I love / That I sing to in the belly of the empty night.” Set against a locomotive folk instrumental, “Simulation Swarm” feels like a gentle hug from the abyss, voicing the ability to face danger and walk forward with hope. 

Till We Run Out Of Air by Hatchie: I thought I knew what to expect going into Hatchie’s sophomore album Giving The World Away. Early singles like “Quicksand” and “This Enchanted” delivered another helping of the joyful shoegaze pop she’s been delivering for years. It’s a sound I’m always willing to gobble up, but there was an echo of something greater hovering right beneath the surface. With the final song on the album, Hatchie delivered a falcon punch of a finale that transforms that spark into a fireworks show. With its susurrus of swirling, watery synths and arena-ready chorus, “Till We Run Out Of Air” plows right through me with each repeated spin. It’s a song enraptured in the fine line between destruction and exhilaration, tracing the final moments in a romance with larger-than-life bombast. Perhaps the best encapsulation of this euphoria comes at the precipice of the chorus. “Open the curtains and let in the light,” Hatchie sings, before a glowing blossom of synths barrels the listener right into the song’s most anthemic refrain. It’s like the light at the end of the tunnel finally breaking through the darkness at just the right moment.

doomsday by Lizzie McAlpine: On her second album five seconds flat, Lizzy McAlpine elevated her personal songwriting with a cinematic scope. This approach is immediately introduced on the album’s opening “doomsday,” a slow-burning ballad chronicling a breakup though the lens of hindsight. McAlpine circles through deathly metaphors throughout the song: pulling the plug, violent ends, her partner as a “murderer” initiating their split on Halloween, the sample of a bone being split in half. This ghoulish gravitas of is backed up by an orchestral swell that makes the melodrama feel earned. These compounding elements build up the song’s momentum until McAlpine’s final revelation slams into you at full force: “I would’ve married you / If you’d stuck around / I feel more free than I have in years / Six feet in the ground.” The relationship may be dead and gone, but McAlpine makes it clear that she’s only getting started.

Lullabye by Grace Ives: Throughout Janky Star, Grace Ives concocts idea-stuffed soundscapes that vacillate between the anxieties and thrills of young adulthood. The earworms come so casually that they even materialize in the album’s moments of brevity. “Lullabye” is a perfect example of this. As the album’s closer, it shows the chaos winding down, giving way to moments of reflection. Ives’s breathily narrates the “lovely mess” of her life: watching movies on repeat, casually attempting gymnastics moves in the kitchen, and swapping confessions with a loved one late into the night. Set against gauzy landscape of synths, skittering drums, and chirpy backing vocals, I turned to the casual wisdom of “Lullabye” all the times this year when life got overwhelming. “No it’s nothing to be sad about,” Ives sings in the song’s closing moments, “It’s just something I’ve been thinking about.” It’s a welcome reminder of the power ruminating on small joys can hold.

Say It by SASAMI: On her latest album Squeeze, SASAMI took to flipping white male-dominated genres like punk and metal to articulate her own rage. One of the best examples of this is “Say It,” an unapologetic frenzy of glitchy rock scuzz. In an Apple Music interview, SASAMI stated that the song was “about the pain of someone not communicating with you,” carried out as she trades places with a bassy, distorted mirror of her own voice. Situated atop a strutting groove concocted of squealing guitars, grumbling bass, and booming drums, it all comes together to form something equal parts cathartic and terrifying. “Say It” might be one of the best rock songs the year had to offer, but amidst the ruckus, it’s first and foremost a call to throw your repentance to the wind and speak your mind. 

Yuck by Charli XCX: If you’ve been on TikTok for the past year or so, odds are you’ve come across the idea of “the ick,” the moment in a romantic relationship where something as simple as watching your beau chase a ping-pong ball across the floor flips your feelings of adoration into disgust. It only makes sense that one of pop’s most forward–thinking artists would capture this cultural phenomenon with masterful specificity and simplicity. Over a bouncy synth-heavy beat, Charli XCX lays out the moment when her love interest’s gooey romantic devotion starts to drive her away. Throughout “Yuck,” she takes romantic tropes like puppy dog eyes and bouquets of roses and flips them on their head. The result is the definitive song to throw on when the candy hearts get cloying. After spending the last few years of her career pushing pop to its very limits, her latest album Crash was a welcome reminder that even without all the hyperpop flourishes, she can still write damn good and effortless catchy bangers like this.

Free by Florence + The Machine: How do you persevere in the face of suffering? seems to be the question Florence Welch fixates on most throughout her projects with Florence + The Machine. She’s turned to several places in the past: making a break for freedom on her breakout hit “Dog Days Are Over,” self-destructive love on rock bangers like “Ship To Wreck” and “Shake It Out,” and reconciliation on her previous album, High As Hope. While the definite answer for such a question may never materialize, Welch has recognized how music can be one of the most potent salves for such woes. Her 2022 album Dance Fever provides several welcome additions to Welch’s growing catalog of musical catharsis, but it was “Free,” a free-spirited banger co-written by Jack Antonoff, that ended up hitting me the hardest. “Free” taps into something primal yet graceful, a raucous recognition that sometimes, the most inspiring feelings of freedom come hand in hand with singing at the top of your lungs. “For a moment, when I'm dancing,” Welch declares with titanic vocals over a propulsive drum beat and glittering keys, “I am free.” This relief may be temporary, but for the moment, it’s nothing short of magical.

American Teenager by Ethel Cain: On her debut album Preacher’s Daughter, Ethel Cain chronicles a journey of adolescent ennui and religious turmoil through sprawling, atmospheric ballads. Before she gets into all that, she also proves that she can write a teen pop anthem for the ages. “American Teenager” is the first official song on the album, and while it may be shorter and more immediate than its predecessors, it’s no less deftly crafted. Cain harnesses the larger-than-life, anthemic synth pop of the 80s, accenting the soundscape with shining synths, booming drums, and a bright saxophone solo. While the song relishes in altruistic Americana imagery of crying on the bleachers and whiskey-fueled rebellion, Cain also acknowledges the darkness lurking beneath the jubilation on the surface. The opening verse describes her neighbor’s brother being shipped home in a coffin, “another red heart taken by the American dream.” Still, despite this darkness, there’s a hope at the core of “American Teenager” that catapults it into the stratosphere, that suggests that maybe someday, those promises might come to fruition.

touch tank by quinine: I first came across “touch tank” as a fragment on TikTok, a looping clip of quinnie lip synching along to the first few lines of the chorus: “He’s so pretty / when he goes down on me.” And what an attention-grabbing set of lines they are, it’s not everyday that you stumble across a sweet, unassuming bedroom pop song explicitly discussing cunnilingus. But it isn’t just the refreshingly matter-of-fact  references to sex that make “touch tank” stick in the memory, it’s the atmosphere of intimacy quinnie builds around those lines. In its final form, “touch tank” builds an aqueous wonderland of small yet palpably intimate moments, freshly laundered t-shirts, discovering new tattoos, choosing to be gentle. “touch tank” is a tribute to those early stages in a relationship where you’re poking and prodding with care, trying to reach tender places without drawing blood. Rounded out with warm guitars, cooing flutes, and just a twinge of vocal distortion, it’s a song that feels lived in, welcoming, drawing you deeper into its depths with each repeated spin. 

What were your favorite songs from this year? Did I miss anything? Leave a comment or tag some in the reblogs and let me know.

This year has been an absolute whirlwind, and I hope you all have some good memories from it. Here’s to a safe, healthy 2023! 

[shittygaypornmagazine]

Rant Game Out of Context

ft. @alongwaytostar and @yris-latteyi

"SpaceX but make it E-X cuz they're exes"

"They creater a new nation on Mars called Elonians"

"Elon Musk mpreg because why not"

"Princess Diana: was it a car crash or was it an Irish werewolf?!"

The inherit Pro-Transness of the Omegaverse

Steve/Erwin enemies to lovers

"Do they or do they not make out every once in a while? Yes. Do they or do they not try to kill each other? Also yes."

Elonian-inbreeds coming back to Colorado

NASA sending microorganisms to fuck Elon-clones on Mars

The 13-year-oldification of Michael Jackson

"Willy wonka chakee-cheese peter pan style looking house"

New Brunswick coming out as nonbinary

Miku the Mother of Demigods

Alexander the Great having blue hair and pronounce

New Zealand = Omegaverse = Supernatural

"His pride was in his ass, just like some other things"

"There once was a ship that put to sea-"

Gotham Independent Film Awards 2010 AKA Batman & Joker engagement

Batman drinking martinis

Joker steals shrimps on a stick

"Honey we agreed not to fight tonight" by Batman

"How about our shared bank account?" by Joker

The Colorado Alien Solar Plant

Elonians Apocalypse

The Coup = new TMNT iteration

"They will kill their landlord as a start"

"Genocide of the US government"

"Steal This Album is a filler episode"

"Batman exploded the entire state of Colorado"

Isaac Newton's Gay Agenda

Copernicus/Isaac Newton threesome

Gay Agenda against the Catholic church