#from the way the writing has been going

[charulein]

Not me writing something that will tear me asunder emotionally once I've progressed with shb lmao

[s0fter-sin]

vampire au where they can only drink the blood type they were before they were turned. other blood has an almost poisonous effect, burning them from within like acid and drinking too much of it can kill them

in the old days, before the knowledge of blood types, it made humans they could feed on absolutely precious. they're kept safe, pampered and doted on; a vampire’s most prized possession

attacking another vampire's human is seen as the highest insult; not only is it a slight against them, it also carries the implication of "i want you to starve"

it's also used as the cruelest of punishments; starving a vampire for months, until they're feral with hunger just for their torturer to throw in a random human, watching them desperately suck down poison, their instincts begging them to keep drinking even as it kills them

ghost is one of the few who survived it; thrown in a pit so deep, he saw stars in the middle of the day, left with nothing but the dried bodies of the humans roba drained without care, others with their throats slit, blood he can't drink spilled out around them

a taunt of the one thing he needs but will never get

but ghost hasn't survived this long just to give up here

he refuses to die in this stinking, rotted pit

ghost is a force of nature as he descends over roba's manor; killing any who wander into his path until the halls run red. until he gets his hands on roba and tells him a secret:

vampires can feed on the blood of any vampire, regardless of blood type

it becomes a legend in vampire high society; if you starve another, you'd best make sure they actually die

otherwise you might end up piled in a dining room, the vampire you left for dead lounging on a throne of corpses with his fangs lodged in your throat

ghost decimates roba's empire, burning it to the ground until no one dares to speak his name in fear of incurring his wrath. it's incredibly taboo for a vampire to feed off another but ghost's too powerful for anyone to challenge him and the other vampires are too scared to try. scared of what he's willing to do, the lengths he'll go to; not that they'll ever admit it

soap is the first human he ever brings to court; delicately bathed in the finest silks and jewels, his throat always bare so he can show off ghost's ownership, his bite framed in lace

he's not like the delicate waifs the other vampires show off; he doesn't cling to his master, demure and submissive. he shows off his teeth as often as any vampire, fully willing to rip out the throats of any who insult him or ghost

a feral master needs a just as feral pet

[young--just-us]

I cannot be convinced thst the kids did not have to share beds while the mansion was being rebuilt

Scene I'm referencing under the cut bc the visual gag struck me

Season 3 episode 3 "Mainstream"

Also one of my fav episodes so far, I'll always love the conflict of the kids navigating their lives after being revealed

[fatedroses]

More than just the Demon.

[starry-bi-sky]

more clone^2 memes because i think they're funny

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[lord-squiggletits]

Reread/skimmed my oldest Pharma apologism posts (mainly the ones about Pharma not being a functionist) and it just occurred to me that possibly another reason the fandom saddled Pharma with the "functionist bigot" label is because his introduction by First Aid says that everyone hates Decepticons, but Pharma really really hates Decepticons. Mix that with the portion of the fanbase that lionizes and whitewashes the Decepticons, and I can easily see it entering common fanon that "Pharma hates Decepticons -> the Decepticons are freedom fighters wrongly maligned by the Autobots/the franchise -> Pharma must be a bigoted functionist since he hates Decepticons who represent freedom."

The simpler explanation is just that Pharma is an antagonist and therefore gets the "everything about him must be evil and wrong" black-and-white analysis so common in fandoms in general, but given some of the bizarre Decepticon takes I've seen I can also easily see Pharma's Decepticon hatred being taken as a sign of him being bigoted and evil.

Though AGAIN in this case it would still be singling Pharma out as a bigot for crimes/flaws that multiple other Autobots are guilty of like.

Oh, Pharma hates Decepticons? Well a lot of other Autobots hate Decepticons too, First Aid's narration about Pharma even says "we all hate Decepticons"; for that matter, there are a lot of Decepticons who hate Autobots. It's a massive civil war that's lasted for a lifetime causing two groups of people to be stuck in a near-permanent blood feud, you can't assume that every Autobot who hates Decepticons (and vice versa) hates them because they're a bigot. Maybe there's been a war where both sides have been building an ever-increasing mountain of reasons to hate each other, so hating the opposite faction is a social problem caused by war and politics rather than a sign of individual moral failing.

Pharma worked at the New Institute so that means he must be evil/bigoted? Chromedome and Brainstorm also worked at the New Institute, but there's no widespread fandom shunning of them or headcanoning them as bigots.

Hell, even the very premise of assuming Pharma is a functionist bigot for hating Decepticons is ignoring the very premise of Pharma's motives, which are, uh... being blackmailed by the leader of the Decepticon Justice Division, who represents the ultimate form of Decepticon ideals to the point of literally wearing their symbol as his mask? So how were we jumping straight to "oh Pharma hates Decepticons bc he's a posh bigoted functionist" when there was a far more immediate interpretation/headcanon of "Pharma hates Decepticons because he's being tortured and blackmailed by one."

That's not to say that Pharma couldn't have hated Decepticons before Delphi, and I think you could make interesting headcanons/extrapolations based on either idea. But still. It kinda feels like people saw Pharma and just wanted to make him the Token Evil Autobot who's the opposite of our Good Heroic Autobots regardless of whether evidence from canon supported it or not.

Good riddance to bigoted functionist Pharma fanon, I'm so glad that the majority of Pharma fanon these days actually gives him a chance and puts him on equal footing as other Autobots.

[nakaremfarlei]

Was just thinking about the amount of animals Obi-Wan interacts with compared to literally everyone else and in the Clone Wars episode where Kamino gets attacked he literally gets saved twice by the same ray-like animal and just...

The growth from judging Qui-Gon for the 'pathetic lifeforms' he picks up to whatever he has going on during the Clone Wars era. He must have gotten that from Qui-Gon though, right?

And because it's my brain and it's rotting with all the star wars stuff I am consuming I was thinking of Obi-Wan saving all these creatures and the 212th having to deal with that. Surely they made one of the rooms pet proof in case one of them needs a new home. There also have to be clones who love that because of course Obi-Wan can't really take care of rescues on top of all his duties.

After the first few times this happens Cody learns to order animal food and other necessities. And if the Republic doesn't fulfill these requests or asks too many questions he'll just have to make sure to organize them on planet during the campaigns.

[clear-what-i-was-seeing]

artists have "draw this in your style", i think fic authors should start doing "write this in your style" where a ton of people write the same prompt but all do their own lil interpretations and characterizations and fun dialogue bits etc

[mxtxfanatic]

It’s actually kind of amazing that Luo Binghe’s fandom personality is The Crybaby, because just off the top of my head, I can really only remember three places where Luo Binghe cries in the entire book: at Maigu Ridge, when he thinks he’s hurt Shen Qingqiu irreparably (again) during their first time in the Bing-ge vs. Bing-mei extra, and in the flashback of Luo Binghe being “accepted” as Shen Qingqiu’s disciple, where the narration clearly states that was the last time Luo Binghe allowed himself to cry ever again. I think Shen Qingqiu may have cried more times in the novel than him, actually 😭

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[raycatz]

midnight thoughts: like, I know there's a decent number of people in the LU fandom who haven't played the games or have only played botw/tears onwards. So, how familiar are people with zelda music? Like, would anyone be interested in like a fandom discussion post talking about music that stands out from each title?

[curiositymemes]

STICK SEASON: WE'LL ALL BE HERE FOREVER.

taken from the 2023 album by noah kahan. trigger warnings for mental illness, trauma, medication, references to suicide, and the exquisite agony of life in rural new england. feel free to change wording and pronouns and provide context as necessary. do not add to this list.

northern attitude.

how you been? 

you settled down?

you feelin’ right? 

you feelin’ proud?

you settle in to routine.

what does it mean? 

i’m not how you hoped.

you’re gettin’ lost.

scared to live, scared to die. 

you’re feelin’ lost.

stick season.

you must’ve had yourself a change of heart.

now i am stuck between my anger and the blame that i can’t face.

it’s half my fault, but i just like to play the victim. 

i’ll dream each night of some version of you that i might not have but i did not lose. 

i thought that if i piled something good on all my bad i could cancel out the darkness i inherited from dad. 

i miss the way you laugh.

you once called me forever now you still can’t call me back.

that’ll have to do.

my other half was you.

i hope this pain’s just passin’ through, but i doubt it. 

all my love.

how have things been?

well, love, now that you mention it.

i’m sayin’ too much, but you know how it gets out here.

now i know your name, but not who you are.

it’s all okay, there ain’t a drop of bad blood.

you got all my love.

if you need me, dear, i’m the same as i was.

what i’d give to have you out of me.

i still recall how the leather in your car feels.

and at the end of it all, i just hope that your scars heal.

i swear i was scared to death.

i smiled stupid the whole way home.

you said, ‘i’ll never let you go.’

she calls me back.

there was heaven in your eyes. 

everything’s alright.

look at me and don’t you lie.

don’t you hold your head up high.

for bullshit, i do not have time.

do you lie awake restless?

why am i so obsessive?

this town’s the same as you left it.

the radio is taunting me.

i don’t get much sleep most nights.

i’m seeing you in every dream.

if only i could fall asleep. 

i’ll love you when the oceans dry. 

i was too afraid of living life in your footsteps.

come over.

it was there when we got here, will be there when we leave.

you won’t have to guess who they’re speakin’ about.

i’m in the process of clearin’ out cobwebs. 

i was takin’ the wrong meds; feels good to be sad.

my house is just barely big enough for my family.

my mouth was designed for my foot to fit in it.

i promise you, darlin’.

you won’t ever go back.

i know that it ain’t much.

i know that it ain’t cool.

you don’t have to tell the other kids at school.

someday i’m gonna be somebody people want.

new perspective.

makin’ me nostalgic.

we were kids; but that don’t make this less hard.

if i could fly i doubt i’d even do it. 

i’d probably get high and crash or somethin’ stupid.

gave me your word.

i can’t pronounce it.

no thing so sure that i can’t learn to doubt it.

everywhere, everything.

would we survive in a horror movie?

we trust everyone we meet.

we’re littered with scars from our preteens.

i wanna love you ‘til we’re food for the worms to eat.

‘til our fingers decompose, keep my hand in yours. 

i know every route in this county.

maybe that ain’t such a bad thing.

i’ll tell you where not to speed.

it’s been a long year.

orange juice.

honey, come over.

it’s yours if you want it.

we’re just glad you could visit. 

feels like i’ve been ready for you to come home for so long.

i didn’t think to ask you where you’d gone. 

why’d you go?

my heart has changed and my soul has changed.

you just asked me to hold you.

it made you a stranger and it filled you with anger.

my life has changed.

the world has changed.

don’t you find it strange that you just went ahead and carried on?

are we all just pullin’ you down?

strawberry wine.

darling, speak to me.

don’t you say a word.

you thought you were cursed?

i’m in love with every song you’ve ever heard.

if i could lose you, i would.

all the time we used to have.

the things i miss but know are never coming back. 

no thing defines a man like love that makes him soft.

growing sideways.

finally found some middle ground.

i said, ‘i’m cured.’

i divvied up my anger into thirty separate parts.

i’m still angry at my parents for what their parents did to them.

it’s a start.

but i ignore things and i move sideways ‘til i forget what i felt in the first place.

i know there are worse ways to stay alive.

everyone’s growing and everyone’s healthy.

if my engine works perfect on empty, i guess i’ll drive. 

i forgot my medication, fell into a manic high.

now i’m sufferin’ in style.

why is pain so damn impatient? ain’t like it’s got a place to be.

if all my time was wasted, i don’t mind. 

i’ll watch it go.

it’s better to die numb than feel it all.

halloween.

the dawn isn’t here, the sun hasn’t rose.

they got money to make and children back home.

i worry for you, you worry for me.

the bridges have long since been burnt. 

i’m leavin’ this town and i’m changin’ my address.

i know that you’ll come if you want.

i’m losin’ myself.

i’m seein’ my life on a screen.

i know that you fear that i’m wicked and weary.

i know that you’re fearin’ the end. 

i only tell the truth when i’m sure that i’m lyin’. 

homesick.

are you bored yet?

the weather ain’t been bad if you’re into masochistic bullshit.

this place is such great motivation for anyone tryna move the fuck away from hibernation. 

time moves so damn slow i swear i feel my organs failing.

i stopped caring ‘bout a month ago, since then it’s been smooth sailing. 

i would leave if only i could find a reason. 

i got dreams, but i cant make myself believe them. 

i’ll spend the rest of my life with what could have been. 

i will die in the house that i grew up in.

i’m homesick. 

still.

i don’t wanna say goodbye.

it only falls into place when you’re fallin’ to pieces.

you miss something that you can’t place but you can’t deny it. 

you can’t stay here.

it’s hard to face and it feels too ugly.

it’s like i’m still here with you. 

can i fix what is broken?

the view between villages (extended). 

for a minute, the world seems so simple.

i am not scared of death.

i’ve got dreams again.

there is meanin’ on earth. 

i feel so far from it.

it’s all washin’ over me. 

i’m angry again. 

the things that i lost here, the people i knew.

they got me surrounded for a mile or two. 

i found a town big enough for anything i want.

i’m not a city girl, by any means.

it still has a lot of meaning to me.

i grew up there. 

your needs, my needs.

you ain’t gotta tell me what it means.

i promise to be there this time. alright? 

you were a work of art.

that’s the hardest part.

i’m naming the stars in the sky after you.

dial drunk.

i promised to forget you.

i ain’t takin’ any fault.

am i half the man i used to be? i doubt it.

forget about it, whatever.

it’s all the same anyways.

i ain’t proud of all the punches that i’ve thrown. 

for the shame of being young, drunk, and alone.

i gave your name as my emergency phone call.

i’d die for you.

from charmin’ to alarmin’ in seconds.

i’ll let the pain metastasize.

i beg you, sir, just let me call.

let’s wait, i swear she’ll call me back.

son, are you a danger to yourself?

fuck that, sir.

son, why do you do this to yourself?

paul revere.

this place had a heartbeat in its day.

nothin’ was the same.

it just ain’t that simple, it never was.

one day i’m gonna cut it clear.

i’m not from around here.

i’ll leave before the road crew’s out. 

i’ll turn up the music and i’ll forget.

i’m not ready to let go yet.

i’ll just pretend i didn’t hear.

it’s typical, i fear.

folks just disappear.

if i could leave, i would’ve already left.

no complaints.

i thought i had something and that’s the same as having something.

i get mad at nothing.

i pull no punches, then feel bad for months.

thought i was raised better, tried to fake better.

now the weight of the world ain’t so bad.

i saw the end, it looks just like the middle.

i filled the hole in my head with prescription medication.

who am i to complain?

now the pain’s different. It still exists, it just escapes different.

yes, i’m young and living dreams.

i’m in love with being noticed and afraid of being seen.

call your mom.

oh, you’re spiralin’ again.

don’t you cancel any plans.

stayed on the line with you the entire night ‘til you let it out and let it in.

don’t let this darkness fool you.

i’ll drive all night.

i’ll call your mom.

oh, dear, don’t be discouraged.

i’ve been exactly where you are.

if you could see yourself like this.

you’dve never tried it.

stayed on the line with you the entire night ‘til you told me that you had to go.

throw a punch, fall in love, give yourself a reason.

don’t wanna drive another mile wonderin’ if you’re breathin’.

won’t you stay with me?

you’re gonna go far. 

this is good land, or at least it was.

it takes a strong hand and a sound mind.

it makes me smile to know when things get hard, you’ll be far from here.

pack up your car.

put a hand to your heart.

say whatever you feel.

be wherever you are.

we ain’t angry at you, love. 

you’re the greatest thing we’ve lost.

the birds will still sing.

we’ll be waiting for you, love.

we’ll all be here forever.

we spent so long just getting by.

that’s the thing about survival; who the hell likes livin’ just to die?

you told me you would make a difference.

it won’t be by your own volition if you step foot outside this town.

it’s all we’ve had for always.

you’re gonna go far.

if you wanna go far, then you gotta go far.

forever.

let’s drive for no reason.

you look fine in the evening.

honey, it’s starting to storm.

used to wish i meant anything to anywhere, to anyone.

i’m glad i get forever to see where you end.

i won’t be alone for the rest of my life.

i’ll meet a girl in the heat of july.

i’ll tell her so she knows.

i’m broke, but i’m real rich in my head.

when i hold her close, i might loosen my grip, but i won’t ever let her go.

[milolunde]

We all know Timmy is Wanda’s mama’s boy but we need to keep in mind he’s still Cosmo’s kid too and that Cosmo would love him just as vehemently as Wanda

[godblooded]

so like… controversial opinion but… if you agree there should be more female muses or lesbians… uhh… write them?

[yunmeng-jiang]

that man does NOT think of wei wuxian as his gege