#from the empire and everything it represents

[byfulcrums]

"You think you can take whatever you want. Things you didn’t make, didn’t earn, things you don’t understand." The story of an indigenous boy fighting against a colonizer to get his home back. A teenager telling the man who is destroying his world that because it is so much more complex and important than what he sees, he will never get to have it.

Ezra's story is about connection, with all living beings: loth cats and wolves, purrgils, people, etc. And it ends with nature reclaiming what has always been its from the machine that is the Empire. It ends with the people getting their home back from the people who occupied it

And here's the thing: Ezra doesn't know a galaxy without the influence of the Empire. The history of the Old Republic, the tales of the Jedi, they're all fairytales to him. Yet he still fights for it; he fights for something he hasn't yet seen, fights for what's right, for his people and his family. He fights for freedom even if he doesn't know what it feels like

And it's this determination, this endless hope, that drives others to do the same as him. He, with only his words, is able to make things different. It challenges the whole "I'm just one person, I won't change anything" belief. Because Ezra is just one person, and one person can't do much on their own; the war is lost if it's only you fighting it

But Ezra frees Lothal. Ezra banishes Thrawn. Ezra inspires others to fight back. Ezra's sacrifice was not meaningless, and it will always be remembered. He will always be remembered

[the-everqueen]

swan thought i have permission to paraphrase/post: dreamling as a ship posits that the only thing that eludes hob, the embodiment of britishness and all that entails, who has an unquenchable hunger for life and all the time in the world to claim it (an empire the sun can never set on, because it cannot/will not die), is the heart of his stranger - the personification of the collective subconscious. empire can devour the world but it can never colonize the dreams of every person! except that the larger fandom's insistence on him as the universal human implies what if it could. and this is not explored as or considered to be a horror.

[temporarytemporal]

cling to me

I know I said I was going to distance myself from this piece of media because of all of its terrible connections, but these two characters seem to have taken root in a permanent place in my heart, and I can't let them go.

Anyway, here's some character design notes below the cut for the one person out there who's obsessed with these characters as much as me.

Early DSMP: the era of childhood innocence

Bandanas: They sport each other’s bandana’s (they’re hidden in the design for every era). I love character designs with complementary colors (and I love how red and green are also cranboo’s colors)

Disks: Early on, cat and mellohi represent the peaceful moments ctommy shared with his favorite people, but they went on to be a symbol of victory and independence from the people who have hurt him.

Flowers: Ctubbo collects flowers and tries to memorize the meanings and symbolism tied to each type of flower. He also collects them for his bees.

L’manberg: the era where children became soldiers

Horns: Ctubbo’s horns start to grow in here.

Pogtopia: the era of an exile and a secretary of state / spy

You can tell I joined the fandom at the end of this era because I don’t have many notes here or for the l’manberg era.

Exile: the era of an exile once again and and a president too young

Hair: Ctommy’s hair starts to grow longer as he neglects taking care of himself.

Clothes: Ctommy’s clothes are tattered; one shoe is destroyed and he took to wearing cw-lbur’s (f-ck ccw-lbur btw!!) trench coat.

Bandages: Ctubbo’s wrapped in bandages from his recently earned firework burns. He’s gone blind in his right eye, and he’s missing the ring and pinkie finger on his right hand.

Compasses: They share their matching ‘your tommy’ and ‘your tubbo’ compasses

Hog Hunt: the era where one sought to kill the blood god while the other sought refuge there

Stolen goods: Ctommy’s has his antarctic empire outfit plus all the goods he stole from ctechno like the turtle helmet, golden apples, and the axe of peace.

Bedrock: Ctommy wears his counterpart piece matching techno’s from his ear.

Prosthetic: Ctommy’s right foot had to be amputated after he loses it to frostbite in the trek to cemeraldduo’s cabin. Ctechno gives him a simple prosthetic.

Disc Finale: the era of mended relationships and a final stand

Headband: Ctommy begins to wear a devil headband to fit in more, as he’s one of the few humans on the server. The devil horns were chosen to resemble ceryn’s real ones.

Patchwork: Ctommy learns to sew, and he fixes his tattered clothes from exile.

Post Revival:

Devil horns: Ctommy’s devil horns (plus a tail) become real after revival, and he gets a white streak in his hair.

Prime cross: The bad things that have happened to them both that they survived strengthen ctommy’s faith in prime, whereas they weaken ctubbo’s faith.

Sweater: Ctommy makes himself a sweater from friend’s wool.

Mechanical inventions: Ctubbo pursues his passion for engineering more as he makes mechanical bee drones and studies nuclear physics. He also makes himself prosthetic fingers, and he upgrades ctommy’s prosthetic foot.

Marriage ring: Ctubbo marries cranboo platonically and wears the ring on his horn. He also founds snowchester so he can have a place to protect his loved ones and raise his son. He grows out his hair to avoid eye contact for cranboo and to cover his scars.

Body type: Ctubbo gets chubbier and gains some muscle as he gets a bit happier in life.

Post DSMP:

The prison break and everything after it never happened. These are my OCs, and I make the rules because every actor/writer who played a part in their creation either abandoned them or turned out to be a terrible person. Cbenchtrio live happily ever after and begin their journey of healing while cdream rots in prison forever.

[sunflower--meadows]

OK, as an Indian person and ESPECIALLY as a Scottish person I have to say this.

The current Palestinian Genocide (let's call a spade a spade) and lack of response is an unambiguously, direct result of British Colonialism.

Palestine was given/promised/whatever word you want to use to describe it to Israel by the British Empire to whom it "belonged" as a colony.

Everything that happened thereafter, the Nakba, every invasion, every injustice is a result of that colonial attitude from which Israel was born.

Everywhere the British Empire has been it has sewn chaos and promoted the abuse of human rights as it left. It has happened in India, it happened in Nigeria, South Africa, Cameroon and Australia.

The reason for such a lax UK governmental response is because if they acknowledge what's going on is fucked they have to take responsibility for so much more. By leaving these countries originally the UK has "washed their hands of it."

I want to make this extremely clear.

Britain's hands will NEVER be clean

The British Empire has committed the greatest atrocities known to mankind and the British Government does not want to acknowledge that.

Israel has been built from these imperial attitudes, has repeatedly and continually committed war crimes and human rights abuses and governments just... don't care

It's actually insane and we need to recognise the root of these humanitarian calamities and hold our government accountable.

Write to your MPs, your MSPs, your MSs make your voice heard in whatever way that you can! Your voice may seem weak but it is so incredibly powerful if enough people speak up, if enough people make sure that the government never forgets about these things we can make REAL CHANGE. The link below will allow for you to find your government representative be that N.Ireland Assembly Scottish, Welsh or UK Parliament as well as their emails.

https://www.theyworkforyou.com/

Tell them how horrible things are in Gaza, tell them about Israel's repeated and continuous mistreatment of the Palestinian people, tell them how the UK cannot continue to plug our ears and ignore the fallout of our past. Just say something!

[whiteraven90]

Your take on griffins is so cool 👀 Do you have worldbuilding notes somewhere? Like what their dynamic is with humans, or what their habitats and habits usually are? I’d love to know more about them!

Hey, thanks for asking! I actually had written a little species description for them, but I shelved it until I draw illustrations for it. However I might as well post it now with less relevant pictures. Who knows when would I get around to drawing those illustrations. First of all... there are no gryphons on Tetra. No mortal ones, just spirits.

Spirits were created by the gods to be sentient blueprints for species. Flora & fauna were created out of chosen spirits (e.g. polar bear, barn owl), and the leftovers were repurposed (e.g. great horned gryphon, common pegasus).

In addition to the whole range of shapes/forms spirits were designed to take as part of nature, they also had their would-be behavioral patterns pre-set into them. So now lets see how the Great Horned Gryphons would have lived!

Great horned gryphons (also simply referred to as 'griffins' from now on) are sexually dimorphic, and live in pairs. They are very resource-conscious - individuals not raised properly may hunt their food sources to extinction, after which they either starve to death or get themselves killed while ravaging the animals of other griffins or humans. Each pair oversees a vast territory filled with wild herd animals. They engage in several behaviors that are basically animal husbandry. They will protect their herds from other predators and even natural disasters. They will herd their animals toward quality food. They can recognize juveniles of many species - humans included -, and will not eat them. They sometimes raise the abandoned offspring of other species, not because they plan to eat them, but because they get a kick out of it. They don't hunt, per se. They hit up one of their herds, select a specimen, and carry it home for lunch. They like to construct their nests atop cliffs and similar high points overlooking their territory.

Their relationship with people is complex (and hypothetical, as is everything else), since people may want to claim the same lands for the same purposes. But typically if they saw a lone human child, just waltzing around on their territory, they'd pick it up and put it down near adult humans. Solitary adult people tend to be safe as well for different reasons. The staple of griffins is large animals, and they like to conserve their energy. Normally they won't get up for 1 lone human nugget.

If an adult pair spots an unrelated juvenile griffin on their turf, they leave it alone, but they don't tolerate mature trespassers or other pairs. They are hostile to all other species of gryphon. Given the opportunity, they will kill and eat them. Great horned gryphons are viviparous and give birth to 1 chick at a time which stays with the parents for several years to learn some manners. Mostly moderation, recognizing important animal species, and caring for their animals. Their lifespan is 40-70 years.

And that's more or less it. At present, great horned gryphons are not plural. There's just one spirit, Griffin, representing the whole species, either until the heat death of the universe or until he bites the dust. Spirits are shapeshifters with a range of native forms as opposed to one original form. They have some rules among them on etiquette, such as when is it ok to take the form of another spirit. Griffin mostly uses his adult male form, and lets Phoenix take his adult female one.

Several of his species' characteristics can be felt in his personality - excels at relaxing, hard to anger or scare, won't hurt kids or pets and is good with them, extraverted, resource-conscious, enjoys having vast lands. His relationship with humans is... complicated. Nowadays he kinda pretends to be a pet at the palace of the emperor of the Karkian Empire, and is banned from or unwelcome in several other countries. Sorcerers summon him sometimes, but the jolly fucker usually charges by the hour for his spirit-y services, and may even screw the summoners over if he doesn't like them.

[felassan]

July 22nd DA:TV Game Informer article (their last DA:TV coverage article) on Everything we Know about Bellara - cliff notes:

Bellara is Dalish elf (played by Jee Young Han as we know). There might be more to her than meets the eye

"Now, with two of [the elven] gods on the loose, magic has poured back into the world in a big way"

CC is expansive

Bellara is the first companion we will recruit (Neve and Harding join automatically it seems)

She is a mage, a Veil Jumper (who she represents), quirky, energetic, effervescent, optimistic, bubbly, academic, a tinkerer, an explorer of ancient elven ruins

John Epler wrote her and led her development, and collective team effort from lots of departments brought her to life

The BW team really love her

Gary McKay quote: "I love Bellara, I think she's fantastic. I see people that I know in her and so that's how she really resonates with me. I love the whole tinkerer aspect to her. It was a collective to bring that character to life. It was everything from the writers, to the editors, the animators, to character modelers, to the texturing, to how we light her. I'm really proud of that character."

She is a good choice in combat for both support and elemental combos. She starts out as a support character, but can be built in other ways

She attacks with a bow at range using electrically-charged arrows. She can also cast time-slow and healing spells (she can be built to heal Rook autonomously). She does this by channeling magical energy into her gauntlet

As such she leans into electrical damage

Damage type matters a lot in the strategy and tactics of combat

She can unleash a devastating vortex to pull enemies into an electrical storm (an AOE spell)

She can debuff enemies with the shocked affliction, which makes them take passive damage

Corinne Busche quote: "Oh my goodness, she is amazing. [The Veil Jumpers] investigate the ancient ruins of Arlathan. Everything about her character as a mage leans into that, but she also challenges the kind of archetypal idea of a mage."

The Veil Jumpers journey through Arlathan where the ancient empire used to exist and left a lot of artifacts and magical technology behind when it disappeared

Bellara represents this yearning to find the truth of who the elves were after they lost their magic, immortality and a lot of their history

"they still left a lot of their artifacts and a lot of their, for lack of a better term, magical technology behind"

John Epler quote: "A lot of what they know of their past is based on myth, it's based on rumor. Bellara is a knowledge seeker. She wants to find out what's true, what's not; she wants to find the pieces of who the elves used to be and really understand what their story was, where they came from, as well as figure out where they're going next, and find a future for the elves. And within the context of The Veilguard, she joins the team, first of all, to help stop the gods because Bellara feels at least partially responsible since they are elven gods, but also to maybe find a little bit more of who they used to be. Because again, you're dealing with these elves that were around millennia ago that have now reemerged into the world, and who better to teach her who the elves used to be than them."

Magic's place in the world in DA:TV differs from prior games. In Tevinter and other spaces in DA:TV it's much more present by definition and the lore (though the devs wanted to make sure magic didn't violate previously-established lore rules)

Solas is a "determined and tragic character" who "tends to wallow". [nb, these are quotes from the article]. in contrast, Bellara has seen a lot of tragedy in her backstory (we will see this as we get into her arc), but instead of wallowing, she has forced herself to push past it. "She looks at her regrets, and she tells herself, 'I don't want to feel regret'

John: "Whereas again, Solas tends to wallow in his to a large degree. And it allows us to create a very big differentiation. Part of it is also because Solas is an ancient elf, whereas Bellara is a Dalish elf, but she just sees a problem and wants to solve it. She feels a tremendous amount of responsibility to her people [...] to the Dalish, and to the Veil Jumpers, and that drives her forward. That said, she does have her moments where she has doubt, she has moments where she has a more grim outlook, and there are moments where you realize that some of her sunny, optimistic outlook is kind of a mask that she puts on to hide the fact that she's hurting, she's in pain. But in general, she doesn't see any benefit to wallowing in those regrets."

[source]

[jakethesequel]

Welcome back to Tumblr's Poorest Wettest Saddest Littlest Meow Meow Competition! Before we announce the final verdict, let's see how our "lovely" contestants are doing backstage!

VRISKA SERKET, hailing from welcoming Homestuck, is in the blue corner! She's a TROLL, a TELEPATH, and a THIEF. She has also attained GODHOOD, and I'm informed she did nothing wrong! Just off the heels of a dramatic loss in the recent Tumblrwoman Election, she deeply resents being trapped in this narrative device!

Her attire today is plain by Earth standards, but well put-together by ALTERNIAN ones. Nevertheless, she has been known to dress up on occasion, particularly in the colors of her ANCESTOR, the Marquise Spinneret Mindfang!

She is extraordinarily determined, and extremely manipulative. She will do anything she can to make herself into the hero her story needs, consequences be damned. Her actions have made her the source of eternal, vitriolic discourse. Some believe her entirely justified, some believe her a heartless villain, and others believe everything in between; every one steadfast and passionate about their specific stance! Love her or hate her: VRISKA!!!!!!!!

HARRIER DU BOIS, also known as HARRY, sometimes referring to himself as RAPHAEL AMBROSIUS COSTEAU or THE REINCARNATION OF KRAS MAZOV, is here representing scenic Disco Elysium! He is a DETECTIVE, an ALCOHOLIC, a recent AMNESIAC, and a WASTE of ENERGY. Having just recently recovered from an attempt at drinking himself to death, we thought inviting him to compete might raise his spirits some! Unfortunately he does not seem to be totally aware of his surroundings, as he has already tried to touch himself twice on air!

His garish and mismatched clothes are STAINED with seemingly every substance a human body can produce. His face is locked in an EXPRESSION that can only induce disgust and discomfort in those who view it.

The few memories he can draw from his fractured mind paint him as violent, selfish, cruel, and pitiful. He has been trying to get over a breakup for six years, and has only partially succeeded through near-total retrograde amnesia. Worst of all, he's still somehow a decently successful cop. He has no friends and few allies on Revachol, with perhaps the sole exception of the impossibly patient and composed Lt. Kim Katsuragi. Even among his fans, you'd be hard pressed to find one who'd defend him, and ever harder pressed to find one willing to stand in the same room as him. Nevertheless, from the safe distance of fiction, let's hear it for HARRY!

In but a few moments, the doors in front of them will open, and they will be able to approach the trophy onto which we have engraved the name of the winner. 5… 4… 3… 2…

AND THE WINNER IS: VRISKAAAAAAAA SERKET!

—

Vriska: WH8T THE FUCK.

Vriska: WHAT THE F8CK!!!!!!!!

Vriska: I WON THIS????????

Vriska: You pieces of shit can't supp8rt me to win ag8inst some lanky rain8bow-drinking 8itch, 8ut 8eat one-in-fuck8ng 16777216 odds to win poorest, wettest, saddest, littlest g8ddamn meow8east?

Logic [Easy:Success]: She won. That means we lost.

Conceptualization [Challenging:Failure]: Another loss in a long, long line of losses.

Pain Threshold: You've gotten used to the feeling by now. Losing something barely even hurts anymore.

Endurance: You still carry each one with you. Well, except…

Volition: Not now. Not yet.

Authority [Medium:Success]: This doesn't have to stay a loss. Stare the girl down. Challenge her. Don't let this be taken from you.

Wait, what *is* she doing, anyway?

Perception: The grey girl seems to be shouting at someone, but there's no one else here.

Vriska: FUCK YOU FUCK YOU FUCK YOU FUCK YOU FUCK YOU FUCK YOU FUCK YOU FUCK YOU

Inland Empire [Godly:Success]: The unseen audience, the string-pullers of fate. The sadistic writer terrorizing their creation. The storybook itself, the confines it sets. She has seen the death of the author, and needs more.

Empathy [Medium:Failure]: What's got her so upset?

Harry: Is there something wrong with you?

Vriska: I'm not taking that from a walking dumpster, asshole!

Suggestion: There's still time to fix this. Say something nice, quickly.

Harry: I just mean, you seem upset. I thought you'd be celebrating your win. It’s a big accomplishment, right?

Vriska: Are you kidding?

Drama: Are we, sire? Should we be, perhaps?

Vriska: You thought I’d 8e cele8r8ing this? A vote for the most pitia8le, pathetic person in paradox space? I’m not so desper8 to fill my pity quadrant that I need to resort to CROWDFUNDING! That’s like the lowest form of 8egging!

Electrochemistry: You are that desperate. Don’t think we're above begging for it, piggy.

Conceptualization [Easy:Success]: Oh. This was not a contest one wants to win. Maybe our loss was for the best.

Vriska: And I WON!!!!!!!! With this kind of competition, HOW did I get all the votes? All of them!

Reaction Speed [Trivial:Success]: "This kind of competition?" She’s talking about you! Say something!

Harry: It was a tight race. You fought with honor.

Vriska: IT SH8ULDN’T HAVE FUCKIN8 8EEN!

Vriska: Look at you! What the fuck kind of su8juggl8or suit are you wearing? Did someone 8leed on it?

Savoir Faire: No, no, this outfit is *cool*. You just have to give it a little *disco*, man.

Strike a pose.

Vriska: …

Vriska: You can’t seriously think any of that is appealing.

Vriska: Your clothes look like they were dragged out of 8 different gar8age 8ins.

Vriska: You couldn’t 8e more greasy and stained if you drowned in a pail of 8rooding slurry. From the st8 of your body, you actually might have!

Physical Instrument: I told you. You need to cultivate more mass.

Composure [Challenging:Failure]: Please, don’t start crying in front of a teenager.

You realize that you already have.

Vriska: Are you seriously crying right now? I might not 8e an expert on the human metamorphological process 8ut you definitely aren’t a pupa anymore. Shit, you look like you’re halfway dead already. Grow up, Pupa Pan!

Endurance: You need to stop this, now, before you break down further.

Harry: Fuck off, fucking spidery bitch! Leave me alone!

Vriska: Wow. I don’t think I’ve seen a grown man act this pathetic 8efore. How the hell did you not win this!?!?!?!? Do you even have a single thing going for you?

Esprit De Corps: You have a badge and a gun. You are a Detective Lieutenant-Yefreitor of the RCM. At least for now, you have that.

Harry: I’m a pretty good fucking cop.

Vriska: There are no good cops you dum8 8itch!

Authority: Make her stop.

Vriska: I’ve known you less than a minute and you already disgust me. I feel 8ad for the people that actually have to 8e near you.

Half Light: Do what you have to do and do it now.

Vriska: You deserved to win this. I don’t know how you can live like that. 8ack home you would have 8een culled sweeps ago.

Hand Eye Coordination [Legendary:Success]: You have never fired a shot so quickly or instinctually. You didn’t even know your gun was loaded. You pulled it out the way a cat scratches a hand, or a drunk pisses himself. You don’t remember when violence became second nature to you, but you didn’t forget how to do it either.

Harry: Oh, God.

Perception (Sight): Is that blood… blue?

Visual Calculus [Legendary:Success]: Light swirls and shimmers around the girl’s body, flashing a technicolor code you cannot decipher. Her body floats into the air, and her eyes flash open. All eight of them.

Inland Empire: No justice. No heroism. Just mindless violence.

Half Light: RUN.

Vriska: OW!

Vriska: Oh no you fucking don’t!!!!!!!!

(♏) Volition [Impossible:Failure]: You try to run, but your will is seemingly powerless to drive your body. I’m sorry.

Physical Instrument: Don’t look at me. I’m in great shape.

Interfacing: Connections seem fine. Don’t tell me we have to unplug him again…

♏Vriska♏: What the fuck.

Harry: Wh-wh-what are you doing to me?

Vriska: Shut up I’m trying to f8cus!

Inland Empire: Welcome, Thief of Light.

♏Vriska♏: What the hell is wrong with you?

Encyclopedia: Severe alcoholism. Retrograde amnesia. Partial facial paralysis. Dehydration. Heart palpi- (♏)

♏Vriska♏: 8e quiet, 8ook8rain! I’m trying to rifle through memories here and it’s a MESS!

Interfacing: We haven’t quite organized since our recent… restructuring. Try the thought cabinet.

Rhetoric: Don’t tell her that!

♏Vriska♏: Too late, sucker! Found it!

♏Vriska♏: …

♏Vriska♏: …

♏Vriska♏: …

♏Vriska♏: Jegus christ.

♏Vriska♏: In pu8lic? Why would you—

♏Vriska♏: Ugh!

♏Vriska♏: You said THAT?

♏Vriska♏: There was a8solutely no reason to do ANY of that, what the hell!

♏Vriska♏: You should honestly just kill yourself if you’re going to keep 8eing such a fuckup!

Reaction Speed: Yes!

Logic: Sound. You should kill yourself.

Empathy: It would make everyone feel better.

Endurance: Hasn’t this all gone on long enough?

Savoir Faire: It’s a hell of a statement.

Drama: The noble sacrifice, like Romeo, like Juliet!

Rhetoric: You should kill yourself NOW!

Authority: She has bested you. Listen to your better.

Half Light: Anything to get away from her.

Volition: …

♏Vriska♏: Can you creeps 8e normal for two damn seconds?

MORALE CRITICAL

The light fades from your eyes, and you fall to the floor.

Shivers: You are being called back where you belong....

—

Kim: Yes, Lieutenant. A fascinating dream. I’m sorry you did not win the competition.

Harry: What do you think it means, Kim? Do you think it could be some kind of message? Should I try to find that girl?

Kim: “That girl?”

Harry: Yeah! Vriska!

Kim: No, Lieutenant. I do not think you should go looking for Vriska Serket from Homestuck. Perhaps try looking for the killer in our murder case?

[whereserpentswalk]

There's an orc attending your college. Your city is pretty diverse, there's a lot of human cultures represented there, and even harpies and dwarves are common. But an orc is still a really rare sight. And she's not assimilated at all, she wears the symbol of the dark lord around her neak, and the strange black cloths from the wastelands she came from, and she always seems to have a gun somewhere on her. It's strange just to see an orc in person, she's not like the green skinned monsters you see in movies, her eyes are pitch black, and her skin is so pale you can see veins, she's muscular and tell but also strangely skinny, and her teeth are sharp and spiked like a sharks, this one doesn't have tusks, just these rows of serrated teeth.

Everyone avoids her at first. There's something creepy about her. She doesn't move like a human. She emotes weirdly, being stoic during conversations, but sometimes smiling or laughing at odd times. In class it becomes clear that she lacks knowledge anyone growing up in your society has, but has extensive knowledge on things most humans will never know. She also very clearly supports the dark lord and the demons who serve him, and gets mad when his narrative of conquest and strict genetic hierarchy is challenged in class.

You end up paired with her for a class project. It's weirdly awkward. But you end up spending more time with her then most. It still takes awhile to get used to her mannerisms, and you have to convince her of evolution in a long debate (but eventually you do convince her). She seems strangely naive to a lot of things. Every time she does something that she considers a failure she goes into self loathing, and she gets really afraid she's going to be punished. You have to explain to her things are going to be ok sometimes.

You try to spend time with her. She supports the dark lord but out of a strange sense of fear more than the type of ideological support humans in nations not under his control have. When she does something that she thinks is heresy agaisnt him she becomes afraid. And while she's angry at people who follow gods other than him (which is basically everyone here) she's more afraid of them than everything. When a holy symbol you own touches her she's surprised it doesn't burn her, you have to tell her it's ok.

She has a lot more freedom here than she did back in the wastelands. You slowly help her realize she doesn't have to worry about being punished for sinning agasint the dark lord. She's able to go on the internet for the first time, you help her get everything set up. You also introduce her to your freinds, only some of whom feel safe around her, but those who do seem to like her.

It's weird just hanging out in her dorm. She can be weirdly laid back and introspective at times, at least when she's not nervous or paranoid. But when she's just relaxing she'll tell you about things, about the beauty of the desert sands, about what it was like to observe the rattlesnakes and condors and wyverns of her homeland. How she likes to observe the city, the way the diffrent people flow through it, she was scared of it at first but now she likes to explore it, and the way it lacks stars at night but the lights from the buildings replace it. She says she wishes she could stay here forever, that she wishes she could be an artist but that she was sent here to learn skills useful to the dark lord's empire.

There's something nice about showing her new things. You get to take her to a musical for the first time. Get to show her neighborhoods you like. Get to explain to her what public transport is (though she got scared feeling trapped in a subway car). You get to show her stuff she never got to experience because orcs are never really children, she loves getting to hold a plush for the first time, or watching cartoons for the first time, it's like she's finally getting to live an experience she never had. Even though she's a well armed adult she really likes plushies once she finds out about them, they weren't something she was allowed to have back home.

Over time she starts meeting people and learning things that go against her worldview. As she makes more friends, understands new things, slowly learns that she shouldn't be punished for mistakes, she slowly comes around to seeing how fucked up the world the was raised in is. She tells you she doesn't want to worship the dark lord anymore, she cries just from saying it. You hug her, and realize she's never been hugged before, she seems to really like that feeling. She bathes in the waters of a healing goddess, and she worships something out of love instead of fear for the first time.

Eventually the spawning warlock who spawned her and her siblings comes to visit her. You told her to be careful but she ended up spilling that she doesn't worship the dark lord, she ends up spilling all the things a warlock like that considers a sin. When he leaves she tells you she can't go home. Not ever. Never again will she see the shifting sands, or flying condor, or flowing serpents of her homelands. She's trapped where she is now.

You know it hurts her a lot. She says she feels like she's in a small pocket of safety. Back home she'd be hurt for being an apostate. In human lands outside of the city she'd be hurt for being an orc. But she's safe here. She stays in her apartment for awhile, while you try to make things work. She's finally changing her major to art, and despite everything she's finally free, free to watch the starless sky, free to not be punished when she makes a mistake...

[rcksmith]

Brick by Brick - Kaz Brekker

Requests: “Heyy, I wanted to request a Kaz Brekker x reader fic where y/n is Pekka Rollins' innocent and naive daughter, and she stumbles across Kaz when he breaks into Pekka's house. Kaz tells her to stay quiet and stuff and y/n obviously has no idea who Kaz is, only that he's handsome as fuck and she kinda falls in love with him despite the fact that he's literally robbing her father

Love, anon :3

P.S. I love your writing.”

Couple: Kaz Brekker/ Fem!Reader

Warnings: swearing.

Word count: 2k

A/N: Thank you very much for your kindness and sorry for the delay. I love you. My loves, requests are open and I am banning Kaz's smut request rules. U can ask for anything in the original universe, without being in a UA. I hope you like💕 English is not my first language, so I so sorry if have a mistake.

Requests are open. Love you ❤️

------------

Ketterdam was not a good place. It wasn't safe, it wasn't pretty, it wasn't healthy. Every dark corner, every ghostly street, every edge whispering curses, was fulfilled the entire list of unholy sins and harbored monsters as horrible as the harbor rats on the coast. If the soil in that place was cursed, the people were demons.

Pekka Rollin’s knew this like he knew how to count kruger. He was one of those monsters. He taught profanity and stained the ground on which his feet walked with innocent blood. Pekka destroyed homes, hopes, kicked people's dreams and hit each one soul with his staff of damnation.

Each one.

Because of it that he kept his daughter under lock and key from the ugly world, far from that wretched city that he himself helped build the horrors and desolations. Maybe it was out of love, maybe it was out of sensitivity. Or maybe it was because you were the only healthy and intelligent heiress capable of leading his empire one day. You represent too many precious things for him to risk losing control over you. Maybe Pekka would never be able to love anything or anyone other than his own greed.

Whatever it was, he covered your eyes to Ketterdam. He decorated the blood-stained walls with sparkling pink and said to you that the smoke that covered the tops of Ketterdam's houses at night was Aladdin's magical fog, which pointed the way to a cave full of treasures, and not that it was the incinerated bodies of his enemies, nosy people and families who starved to death on their land. Pekka deceived you with pretty tales that the big mansion you lived in was because he would always give you the best, and not that it was bought with money stolen from honest people and that he liked to see in material forms the extent of his capabilities of evil. Like a trophy.

Rollin’s wove the ties around your limbs like a cursed puppet, and pulled your strings according to his unscrupulous interests of greed. For all of Ketterdam, Pekka was a demon of the worst kind. But for you, he was a bearded, loving father who made you see magic and romance in every corner of that city condemned by God.

The worst types of monsters were those who tricked and manipulated their children like pawns in a game of chess. But, again, perhaps Pekka wasn't capable of loving anything other than his own greed.  And, if the price for having an heir who agreed, trusted him for the rest of the life, who would follow in his footsteps and obey all his order, was to make you believe in his goodness, in the beauty of a life with him only to implant wonderful - and illusory -  memories in your childhood, so be it. After all, you were a girl, and in his view, girls were sentimental. So how would you go against him in the future, or not act according to his orders or not run his business as he wanted when he was too old, if you only had memories of him being an excellent and loving father? You will feel so guilty! You would fall under the weight of your own mind's arguments that everything he once did was to protect and give you the best, so your only obligation would be to be a good girl and return the favor by obeying your father's orders.

Loyalty.

Maybe, if you were someone else and this was a different story, you would have realized the hoax at 16 years old. Maybe you would have born with a strong, inquisitive and responsive personality. Maybe you would have developed that spark and fire that wouldn't let you lower your head to any man, that would make you stamp your foot on the ground, lift your chin with petulance and unravel the mysteries of that dark empire alone and take justice into your own hands.

But this was no different story. And you were just you.

You were born with a sweet aura and gentle personality. You liked butterflies and flowers since birth because their color and beauty attracted you and made you smile. Your romantic nature was not only accepted by your father, but encouraged and recharged every day - for his dark game. 

For 19 years you lived in the theatrical farce that Pekka created with monstrous hands, believing and agreeing with every story in your bubble. But the blame can never fall on the shoulders of the pure in heart, who blindly believed in words and stories just because it didn't have a single wave of malice or disbelief in the veins. One should never condemn the soul that was born naturally sweet and destined to be the breath of light that such a terrible world as Ketterdam needed. 

 You believed in love, fairy tales and pure honesty, and that was not a defect. The Herculean guilt should fall on the shoulders of the devil who abused the innocence of a girl for his greedy benefit.

In your perfect world manipulated and distorted by the unscrupulous Pekka, you blossomed like a dazzling lily in the middle of Plato's allegory of The Cave. You acted with honesty, patience and affection towards everyone who crossed your path: employees, cooks, gardeners, bakers, painters, stylists, delivery people, friends of your father.

You were, genuinely, a kind soul. Your interests were related to literature, cooking and painting, your heart vibrated with the sunset, with the first snowflake falling to the ground and how twilight seemed even more stunning in books when they portrayed a couple in love beneath it.

You always saw the poetic, lyrical, angelic side of life, with the eyes of an artist and a passionate soul, smelling mystery and romance in the air when others only smelled wet grass because of the rain.

And being like that was, perhaps, the reason for your downfall.

It was three o'clock in the morning on a Friday the thirteenth. A combination so full of superticities, curses, fears and prague. While some saw that day and time as a condemned and satanic sign, you saw it as something mystical, mysterious and enigmatic. And maybe that was your mistake. Maybe you should be careful about the things you think, the things you wish. Maybe three in the morning on a Friday really was the devil's time. Because as you crossed the hallway of the mansion's library, unable to sleep, you saw him.

Dressed in black like the darkness outside. Skin as white as the moon's glow. Hair personified as a raven's feathers. He seemed to belong to the mysteries and occultism of the world as sin belonged to hell. The huge Victorian window behind illuminated him like an apparition, a mirage, a nightmare…an erotic dream. Or like a demon.

You should have screamed. You should have ran away. You should have done something other than get stuck in that same place, anything other than feeling inside you squirms and something sinks into your belly like warm honey.

His eyes, as blue as the deadly waters of icy Fjerda, were fixed on you with as much intensity as the dangers of Shadow Fold. For a split second, a human emotion passed through those irises; surprise?

An inattentive observer would not have noticed such a tiny sign, but you lived 19 years analyzing every detail of life.

Would a demon have such a mundane emotion?

“Who are you?” Your voice came out like a breath in winter. 

Your concentration should have been on your dad book under that man's arm, but it wasn't.

A single thick, black eyebrow of his was arched, and only there were you able to run your eyes over the details of his appearance.

“Do you always ask questions for thieves?” His voice was like the scratching of sand on a stone, like a withered willow branch brushing against human skin.

That man, in his entirety, seemed to have come out of the dark romance books that you read hidden in your room in the early hours of the morning. You should have focused on the fact that he just called himself a thief, not the way your soul seemed to be shivering because of his voice.

“Or you´re just stupid?” the thief continued.

Kaz never made decisions based on fear. Only in despair. 

His analytical mind rewound every step of the years he spent investigating Pekka Rollin's; every detail, every day, every season, every strand of gray that appeared in Pekka's red hair. Where had Kaz gone wrong? Pekka had no children. And Kaz made no mistakes. Never. But the girl in front of him, too curious for her own good and common sense, had too similar traits to Pekka to be anything other than his daughter.

Desperation hit.

This made EVERYTHING infinitely more Herculaneum. Your existence meant that Pekka had many more secrets than the Kaz discovered in their constant meticulous investigation. You were a loophole, and that meant there could be others. Loopholes that Kaz had no idea about. Kaz Brekker felt naked, even though he was covered from toes to neck. Being without clothes wouldn't have bothered him any more than the damn fact that he hadn't come up with the perfect plan. He failed. And that disturbed him deeply.

Suddenly, that library seemed sneaky and questionable, even though Brekker had studied the layout of the mansion for months.

How the fuck did he didn't have the knowledge about that girl?!

A daughter meant many things. But being caught by his daughter created a LOT of problems. Problems involving Kaz Brekker on a gallows.

Fucking hell.

The Barril's bastard waited for a scream, for an accusation, waited for the guards to be alerted at any moment and…the silence was sepulcher. A silence so solemn that he heard the sound of his own blood running through his veins. None of his muscles relaxed, but the part of his brain that worked in despair was activated.

Or he could kill you. But a body would add an extreme problem and…

‘’Who are you?’’ Your voice was so feminine that for a second Kaz thought he had fallen backwards and landed in a bed of roses.

Which was bullshit. Because he never falls. And he had never touched a rose in his entire life

Were you really talking to the man who was robbing your house?! Where was your instinct?! Your common sense?! Your discernment?! And where, by the damned Saints, were you all these years?

“…you don’t look like a thief’ That voice again. That damn voice that made him think of roses he never touched.

Why didn't you shut up and run away?

“Have you seen enough thieves to know one?” Normally Kaz had higher control, but he couldn't hold back his whip tongue, which seemed somehow wanting to hurt you the same way he was being hurt.

That atypical creature blushed. You blushed! For the love of the saints! Who blushes face to face with imminent danger?! Were you stupid or just terribly naive?! And why did that sweet blush remind him once again of a rose?

Bloody hell, where have you been all these years?! Why didn't anyone tell him about you?!

“No’’ you replied like a little animal being caught biting the sofa “but common thieves wouldn’t have that much intelligence to be able to bypass the security of this entire mansion’’

You had a point. But why were you worried about arguing with a damn thief instead of running away?

“That's yet another reason why you should keep your mouth shut about what you're seeing here.” His voice dropped to deeper, more threatening tones. “Bypass security is not as difficult for me, just like hiding a body''

That should have scared you. It made you scared; but with less than it really should. He was threatening you with death, his voice as cold and hoarse as a grim reaper, his eyes as serious as prophecies of the apocalypse. So why you could only think that this about him was overwhelmingly enthralling?

Maybe it was because there was a lack of excitement in your life, maybe it was because you've read a lot of erotic books about mysterious men entering the towers at night and taking the girl away, or maybe it was because Pekka deprived you of the world so much that he left you unaware of the true gravitas of situations. Whatever it was, there was something that grounded you like the roots of ancient trees, something that made you want to look at that thief more closely. Perhaps you liked the danger... That nameless man represented a large part of all the danger of Ketterdam that was so diligently hidden from you for 19 years. He represented death. But he also represented the new, the mystery, the unknown. And you, romantic by nature, loved the occult and its secrets. That man came from a world of shadows, mists, risks, deaths. Where every night was full of adrenaline and every second was a fight to stay alive. He smelled like the ghostly five a.m. fog that you watched envelop the mansion every winter, that made your heart clench with the feeling that there was so much more to the world than you knew. Very quickly, Kaz - even though you didn't know his name yet - became everything you'd always wanted to know, but had always been deprived of.

Once again, you weren't a different person to know about Pekka's disgusting game, but you were romantic enough to feel your soul begging for adventure. Even if these adventures meant ruin. A downfall.

Did it only take one handsome, mistery man for you to throw all your comfort in life out the window and want to ruin yourself with him? Want to get lost with him? The same stranger who just threatened to kill you? Apparently, yes.

You took a step into the library, and Kaz stood firm on the ground, his blue eyes boring into yours like a shining knife. Brekker thought you were extremely naive. Who knew that damn Pekka Rollin's daughter would be so pure? He would bet the Crow Club on the certainty that, if Pekka saw you now, he would have a heart attack. The monster sure had kept you in a little pink bubble your entire life, given that you seemed to not have a single ounce of survival instinct left in you. And how would you have? You certainly didn't know what pain, loss, hunger, cruelty were. This was comical and irritating to Brekker. You were a daddy's little girl. But it was in these waters of thought that his ship hit one fact: you must be very valuable to Pekka. Because otherwise that idiot wouldn't have made so many efforts to hide you from the entire world. To hide the wrong eyes from you. Eyes like Kaz's.

A shiver ran through Brekker's body; a damn good chill, a note of music he'd been waiting to hear his whole life. Revenge.

Brick by brick.

Oh, how ironic fate was. The boy who lost everything at Pekka's hands, was face to face with what was everything for the man. Like a breaking violin string, you have become the most valuable item in all of Ketterdam to be stolen. The most valuable item for Kaz Brekker.

The corner of his mouth turned up, as if pulled by the devil's rope as he set the book down again. He had something else to take away.

Kaz advanced towards yoou. And suddenly, as fast as lightning that cuts through the darkness, everything in your vision turned black and you fell into the abyss of unconsciousness as something pressed against your nose and mouth.

[ne-videl]

𝓶𝓲𝓭𝓼𝓾𝓶𝓶𝓮𝓻 𝓷𝓲𝓰𝓱𝓽'𝓼 𝓭𝓻𝓮𝓪𝓶

♡

yandere Rezef Hill x immortal fem reader

quirks of eternal life and the obsessed prince.

yandere, sfw, mentions of violence, kidnapping & imprisonment, angst??, you are immortal and reaaly bored, poor english, possibly wild image of high society bc real history suck

word count: ~3.5k

a/n: hii!!

exams be killing me

glad its over until the next year but I still have a shit ton of books to read at summer bc I'm in literature class (Tolstoy I hope ur spinning in your grave I don't want to read 3rd and 4th tome of war and peace but I have to)

anyway for this fic I re-read first chapters and?? Rezef is such a dick in the beginning?? and I forgot abt it??

also when I think about someone immortal this type of person just comes to mind (I mean ofc u don't give a damn about some angry man, you literally have been through everything) and don't worry about Cayena she's chilling in a nice place

indeed, lady [name], you are shining brighter than usual today. you've only recently returned to the capital, haven't you?" – at that warm evening, a pretty young girl was chirping in your ear, sitting with you on a luxurious sofa in the ballroom.

you listened with half an ear to a mixture of flattery and sincere admiration, looking into nowhere from under your eyelashes.

the ball was playing its climax, and the guests were harmoniously spinning in a german waltz. others, more noble and older, entertained themselves with idle conversations.

you too, thanks to your position, were little constrained by the limits of secular norms, and did not bother dancing. tonight you wanted anything other than to gallop around the stuffy hall. your eyes, devoid of the childish brilliance peculiar to your peers, looked indifferently at the guests.

the ball in honor of the beginning of summer was a great event, even the royal family usually participated in it; such celebrations instilled in their noble participants a sense of reverence for the higher-ranking present and idle anticipation of the upcoming entertainment.

but no matter how hard you tried, you couldn't see anything more from the height of your velvet sofa than pretentiously dressed men and women; strangely moving, stiffly dancing and talking vague figures under the sickening light of numerous chandeliers. all this in the stuffy luxury of the hall seemed to you so fake, pretentious and unnatural that you could barely restrain yourself from haughty laughter, or from a bored sigh.

[name], beautiful [name]! daughter of the richest man in the empire, a brilliant socialite, trendsetter and muse of famous poets.

you vaguely remembered what was inside some rubbish that you read about a hundred years ago, you don't know when and you don't know where.

and although in your case, "a hundred years" might not be just a phrase, you couldn't care less. whether this the fifth life or the hundredth – what's the difference? right, there's none – you thought lazily, openly staring at the crown prince exchanging pleasantries with representatives of the capital's bohemians.

like you, who on the last night of spring were dressed up like a Christmas tree, his highness shone with the white brocade of his suit today. eyes with the color of ceylon sapphire peeked out from under his golden bangs, giving everyone present the condescending look of the royalty. little prince – as you laughingly called him to yourself – was handsome to the point that young girls blushed deeply as soon as they saw him, and married ladies sighed dreamily.

at the sight of the handsome prince, some memory cracked in your skull, however, it died as quickly as it appeared. this and a thousand other memories were simply not worth your attention, and, of course, you never scolded yourself for the forgetfulness inherent in your age. you were above it all.

Rezef easily distinguished among the crowd a lady dressed in thick silk with bare shoulders. on your neck, which he did not hesitate to stare at, there was a pair of pearl necklace with a large emerald. when you met his gaze, you smiled falsely and slightly bowed your head.

middle-aged count, whose name he could not remember, looked at the woman in the corner of the hall, and scratched his gray beard with a smile.

"gorgeous, isn't she?" – an old dog next to him grinned vulgarly – "the beauty of the empire, they say."

"what a wonder." – Rezef did not take his strangely enchanted gaze off you, and the words escaped from his lips with a gasp – "it's not a pity to fall in love with such a creature." – he said maliciously, as if he concluded for himself.

the crown prince walked towards you, ignoring the knowing look of the nameless old man beside him.

he walked confidently, with a deceptively friendly smile, and would have been incredibly ridiculous to you if he hadn't been so handsome.

"good night to you, lady [name]." – Rezef smiled warmly, and held out his hand in a snow-white glove to you, – "may I keep you company?"

he kissed your palm, and without waiting for consent, sat down next to you.

you talked about various nonsense; Rezef did not take his shining eyes off you and listened, and you chatted in a dry tone about the opera, exhibitions and the weather in the capital, hardly forcing yourself to remember the topics that the ladies had already retold a hundred times.

but the guests were invited to the cotillion, and you left the little prince as easily as you accepted him into your shining company.

with the last round of the dance, everything that was happening completely mixed up in your head into a bright, stuffy mess, accompanied by the imperial orchestra and the clatter of shoes on the lacquered parquet.

and in the end, caught by the prince's arm, you were only a little confused, but you didn't show it.

"why won't you stay the night at the palace?" – Rezef said, whose broad chest rose and fell rapidly after dancing, just like your own.

you raised your eyebrows, looking at him from under your eyelashes, and fell into thought, accompanied by the prince to one of the front balconies.

normally, you wouldn't mind spending the night with such a handsome man, but today you didn't want carnal pleasures at all. and of course, you could afford to just turn down the prince like that; just because you're not in the mood, just because you don't want to.

"thank you for the offer, your highness, however, I will refrain." – you said.

for a second, when his eye twitched, you saw something unpleasantly bitter in Rezef's soft features, a mixture of disappointment with something else. but you didn't care to the depths of your callous heart; today you're not in the mood, today you're not having any fun at all.

and what was the point of that endless journey that you called life if you weren't having fun?

Rezef fell silent, maintaining his sugary smile and standing next to you, and you leaned on the marble railing, looking up at the sky.

the pale disk of the moon is floating high on the horizon. there was music coming from the ballroom, the rustle of dresses and the clatter of shoes, irritating your ears; the little prince had been gathering his thoughts for a couple of minutes to speak; and you rested your chin on your silk-gloved hand.

"tell me, lady [name]." – your bored gaze returned to the Crown Prince, – "this night, the moon and the stars, and me, doesn't that remind you of anything?"

you raised your eyebrow. even if you tried, you wouldn't be able to remember; over the years, memories inevitably dimmed and got lost.

Rezef looked at you expectantly, with almost childish anticipation. a sick gleam flashed in his eyes.

the longer your silence dragged on, the more you disliked his face, his eyes; the childish interest in his handsome features contrasted unpleasantly with the look of a madman. as if you won't say what he wants to hear now, the earth itself will crack and split in half.

"I'm afraid not, your highness. nothing at all." – you said, lightly shaking your shoulders.

the little prince didn't say anything else. his lips trembled, and he stared into the distance, clearly terribly disappointed.

the last night of spring burned out in your cold eyes, and you sighed indifferently.

♡

Rezef remembered his childhood well. in a world where everyone hated him, for some reason, there were no pretty princesses or kind older sisters. nobody. at all.

there was only a lady dressed in silk and the moon.

you came to him in dreams; whether out of boredom or out of simple human pity, he didn't know. you came because you could and wanted to; because you said you loved doing what you wanted.

it was just the two of you in this dream world. you told him all the life you could remember; and you had a long one, longer than the biggest cat's tail.

the boy lay on your lap and listened, and sometimes cried.

in this world its eat or be eaten, but you definitely won't eat him.

"they all say that I have no place in this world. that I'd better disappear." – little prince was clutching the silk of your dress tightly in his hands and squinting. – "I hate them."

"all of them?" – you answered with a relaxed, lazy smile, running your hand through the boy's golden hair.

"you and I have a lot in common. that's the way life is, child. when you grow up, you definitely start hating someone." – you were grinning. – "and you cry and feel sad a lot."

"when I become emperor, I will definitely make you the happiest in the whole world! so that you will never cry again." – the boy squeezed your hands tightly in his palms and smiled radiantly. he hesitated slightly, and looked at you from under his golden eyelashes. "but you didn't tell me your name."

"[name]." – you breathed out laughingly.

"aren't you a fairy by any chance?" – little prince tilted his head to the side, looking at you with a radiant gaze of his blue eyes.

"perhaps." – you giggled.

prince laughed loudly. a fake moon was hanging over you two, and fake stars were shining; everything in the dream world is fake – you told him.

but he liked these strange dreams. and wanted them to become real; to have a real moon, real stars, and only him and you.

♡

every time already grown-up Rezef met the woman from his dreams, he felt his heart beating faster.

human heart, such a fragile and pathetic little thing. how many of these hearts have you got your hands on?

he would gladly have torn out each one with his own hands.

the love for you, which has passed through the years, was like bitter liquor sliding down his throat. after it, the stomach turns out, but it intoxicates so much that he can't hold himself from taking another sip.

there is no light in him to give you. all he has is the suffocating darkness of his mind, cultivated by the mores of the palace, the thirst for power and cruelty. but just as no one else besides yourself mattered to you, Rezef didn't give a damn about the nature of his feelings.

poor, pathetic little prince. no one told him that this is not the way he should love someone. like a child who has not been taught to walk, and now it's crawling.

he's still holding back, but if necessary, Rezef will gladly drag you with him into the depths of hell.

but it hurts so much. every time he sees you laughing with someone else, smiling at someone else, he wants to cry.

it should be me! – his heart screams – it should be me! – his wounded soul cries while the prince stands over the corpse of one of your suitors, whom Rezef himself turned into a bloody mess. you should have held his hand. should have been smiling at him.

when someone's neck crunched under his hands again, he thought about you. would you praise him if Rezef brought you this man's head? for your smile, he would give his own heart, still fresh, in warm blood, right out of the gaping hole in his chest.

if you knew, you'd laugh.

because you are eternal, and he is just a human being. Inevitably, there will come a day when you will live, but Rezef will not. one day he will die, will end, and you will laugh coldly and continue your endless journey.

no matter what he does, no matter how hard he tries, you will always have an escape route. you can leave him.

unfair.

Rezef was even a little mad at you for that. he loved you so much; if you had only fluttered your eyelashes once and smiled – even falsely – he would have laid the whole world at your feet!

but you're breaking him. you don't care. you're only interested as long as you're having fun.

oh, how he despised that feeling, and despised you. how much he wanted to kill all the butterflies in his stomach, tear out every shiny wing; wanted to never see your mocking smile and indifferent eyes again, one fleeting glance of which easily made Rezef forget about al struggles for the throne.

he loved you as he had never loved anyone before; and hated because he didn't want to love, because he knew that you won't ever reciprocate.

♡

he and you could't be called friends, however, in the capital's high society, almost all of its representatives were friends and enemies at the same time. in any case, it was not shameful for the crown prince to visit the daughter of the richest man in the empire for dinner.

tall pine trees lined up in orderly rows along the hectares of the estate's garden, shining with luxury no worse than the imperial palace. they bowed their gloomy heads and silently greeted the carriage that evening under the hot july sun that had not yet set.

after dinner was served and eaten, you ordered one of your maids to serve tea in the garden.

"undoubtedly, what happened to the count's daughter is a disgrace to the whole family, however, I cannot help but sympathize with her." – you talked a lot again and at the same time didn't actually say anything.

the only good thing about such conversations about nothing was the opportunity to listen to your measured, eternally bored voice, and just look at you like at a painting in a museum.

the upper world was completely fake and unnatural, and you gladly accepted this fake as a living embodiment of it. and Rezef was willing to play along, because he was the prince, because it was necessary to. and so your conversation drifted from topic to topic, from one rumor to another. the warm wind made him close his sapphire eyes.

"I've seen you in my dreams, marchioness. when I was little." – the crown prince lazily tilted his head to the side, – "I know you, yet you don't remember me. isn't that unfair?" – he said with mock, with sarcastic sadness.

"is it?" – you took a sip of flower tea from a porcelain cup – "well, life is full of injustices, your highness."

a small cabbage butterfly landed right on your finger, moving its thin paws under the cold gaze of your eyes.

"lady, do you like butterflies?" – the prince smiled warmly – "there are a lot of them in your garden."

"only poisonous ones, perhaps." – you replied, and with a smile reflecting his own, squeezed the butterfly in your hand. – "they bring death, yet die themselves if I squeeze my hand just like that. how curious."

"and what about you?" – Rezef, as if enchanted, watched the transparent wings fall on the countertop – "can't you die?"

"I can't be killed in a way that matters." – you answered with a grin, as if you were repeating these words for the thousandth time.

prince pursed his lips in a forced smile. in the end, nothing has changed; he is still just a man at the walls of the eternal city. you won't listen, won't understand, and won't love.

because eternity is beautiful by itself, eternity does not need anyone else.

Rezef likes to think he's doing the right thing.

It's your fault. you could not smile at him so beautifully, not illuminate his darkness with your cold light, not make him feel this.

he didn't want to expose the ugliness of his soul, didn't want to go that far. it's all because of you. you don't even know what an insane cocktail of love and hatred you're making him feel.

and you also don't know that your tea is poisoned.

♡

"do you like your new quarters?" – Rezef almost purred, – "I was trying to guess your preferences, but if something doesn't suit you, be sure to tell me."

huh?

"you won't feel a need for anything," – little prince smiled radiantly, – "prepare to enjoy family life. just have fun and obey me, and I will make you the happiest in the whole world."

what?

Rezef was sitting, busily folding his beautiful hands, and enjoying for the first time the confused, trembling look in your eyes.

a giant bedroom, a four-poster bed, silk sheets on which you were sitting, a translucent nightgown that barely hides anything, and a scarlet ribbon around your neck.

while you were looking around uncomprehendingly, the prince sat down on the bed next to you and smiled sickly.

you saw that abomination again in the bright blue; the look of a pure madman, love which became an illness, mixed with almost animal hatred. a ribbon around your neck.

did he just put you on a leash, like you were some lap dog? that pup, who cried on your lap? you, a being older than his entire palace? you, for whom biting off someone's head is like having breakfast?

you haven't been humiliated like this in the last half-millennium.

"child." – you said slowly and quietly, and in your dry voice there was no trace of the cheeky, fake politeness peculiar to this aristocratic disguise of yours – "I'll pull your guts out through your mouth." – your lips trembled in sheer rage.

Rezef stroked your head and sighed.

"you came into my life so easily. it didn't mean anything to you, did it?" – the corner of his eye twitched, and he laughed bitterly, – "don't think I'll let you go now. never."

hit landed right on the bridge of his nose. you turned out to be much stronger than he expected, and your face was distorted with rage like he had never seen before. Rezef felt his nose bleed.

was the devil himself looking at him through your eyes now? – he thought with a strange calmness.

you hit a couple more times, and, shaking the blood off your knuckles, tore the ribbon from your neck.

how dare he? all of them are just actors in your endless play. if you're not having fun, then none of this makes sense. if you're not having fun, then what are you living for?

you were breathing fast, and were silent. it was as if for eternity you two just looked at each other; you – with fury, he – with calmness, even affably. you were sick of that expression.

but that rage of yours quickly subsided. it wasn't that you forgave him, it was just that after a couple of days you got bored with being violent.

and a year later, you stopped paying attention to the seemingly completely insane circumstances of your new life at all. you didn't mind his sole yet imaginary control over you, just because he didn't mean that much to you.

even now, nothing has changed at all.

and with the tendons cut at your ankles, looking at him with the same bored eyes, you were still disgustingly beautiful to him in the moonlight on the last night of spring.

"tomorrow I will become emperor." – instead of greeting you, Rezef said, entering the room. his face did not express joy, rather, bewilderment, as if he himself for some reason was not completely happy with it.

"yeah." – you said, without looking up from the book, – "congratulations."

now it was difficult for you to move around by yourself, so Rezef usually carried you in his arms.

he sat down on the bed and put his head on your lap and frowned.

"tell me, [name]," – he looked up at you, and when he met your impassive face, he forced a smile, – "why do I feel like I'll never see you again?"

"because you won't. I'm bored." – you shrugged and continued, – "you know, I could hate you." – you spoke calmly and dryly – "but you're not worth it. because in the end, I go on living; I always go on, and you, child, will fall into the very depths of hell."

you stroked his golden hair and smiled calmly. Rezef hid his face on your hips.

"I don't regret anything," – little prince suddenly said softly and laughed.

the last night of spring burned out in your eyes as you disappeared.

brotha euugh

one day I'll go to therapy and stop being funny but not today

I finished playing slow damage and it's the best novel in my life (that shit destroyed me)

also good ends are for weak

I mean I write for yanderes ofc there's not gonna be anything good

it's either normal or "we're fucked" here

also I'm physically intolerable to good endings and will cry if I'd ever had to write one (I love sufferings)

[kaizokuou-ni-naru]

Was reading over the reverie arc tag and saw that you said to re-ask you about Im after what happened is revealed. (I'd provide the link but tumblr won't let me) So, while not much was revealed, thoughts?

what i think is really interesting about imu is how they compare and contrast to the other characters who have been set up for us as endgame villains, those being blackbeard and akainu. compared to both of them, imu is established quite late in the series, and how they will fit into the unrolling narrative and themes of the story is still somewhat unclear.

both blackbeard and akainu are established firmly well before they enter the main story as primary antagonists. we hear about blackbeard as far back as alabasta and meet him in jaya, while akainu is first seen in robin's enies lobby flashback and mentioned even before that. and they each also embody a strong thematic conflict with the main characters that is going to need to be overcome by the end of the story.

blackbeard mirrors luffy in his pursuit of the pirate king's throne, existing in the same lineage of villains as doflamingo and big mom. it seems almost certain that he will be the final and most difficult fellow challenger for the title of pirate king that luffy will need to face, and the eventual showdown between the blackbeards and strawhats has been telegraphed for quite some time. the question this conflict asks is, what does it mean to be a pirate? what does it mean to be a pirate king?

meanwhile, akainu is the embodiment of authoritarianism. he's the law, brutal and indiscriminate; he represents the order that would stifle freedom. he is much more alike to antagonists like rob lucci and cp-9. while i usually try to avoid speculation on this blog, i think akainu's final defeat will probably not be at luffy's hands; i think a showdown with sabo is much more likely. and the reason i think this is because the question that the conflict with akainu asks is, what does real justice look like? this is ultimately the question of the conflict between the marines and the revolutionaries; they are two armies fighting over whether the current order will be maintained or torn down and built anew.

so, then, imu. we meet them quite late in the game, and still know very little about them. however, i do think this is in itself thematically resonant; we see almost no trace of imu anywhere else until we reach mariejois itself, because they have been deliberately erased from the world. imu is tied, specifically and inextricably, to the mystery of the void century, of the erased history, and we will only learn the truth about them when we learn the truth about everything else.

imu's role in the story seems to be specifically to finally provide a direct antagonist to the overarching myth arc of the void century, the forgotten ancient kingdom, and the will of d; the imperial crimes of the world government, shoved endlessly under the rug. can you build a world-spanning kingdom on a lie? will it stand? for how long? there can be no such thing as an immortal empire no matter how much force you might use to make it so. you can't pin the sun in place in the sky.

while it's impossible to really guess this conflict is going to unfold given how much information we still don't have, my top three guesses for who will be primarily involved are robin (for obvious reasons; unraveling the truth of the void century is her dream, and imu stands directly in the way of that), vivi (also obvious; imu is targeting her directly), and law (both because his new goal is to unravel the meaning of the will of d and because it seems significant that imu is likely a previous recipient of the ope-ope no mi's immortality technique).

[wntrs0ldier]

An Offer · part 01

pairing: mob!bucky x reader words: 3,4k warnings: language, typical mafia themes, men talking, a/n: english is not my first language, sorry for any mistakes!

next part> | series masterlist

series summary: When your father dies, the only thing you can do for your family and the empire he built, is to marry a powerful man.

chapter sneak peek: At first he looked directly into your eyes, but soon his stare carefully slid lower. The muscles of his face highlighted as he clenched his jaw, something raw appeared in his eyes. You also glanced down at yourself and stumbled at how your body reacted to the cold and the undeniable electricity hanging in the air. It spread only between you and Bucky.

When your father died, you only had time to fit all the stages of grief into one brief episode of momentary shock, then your thoughts revolved solely around the future of the Family. Besides your mother and younger sister, you had to take care of business. And even though you understood the rules of the dark world you grew up in, no one had ever explained to you what decisions you should make to prevent the empire your father had created from crumbling. 

The warm rays of the setting sun were breaking through between the gravestones. You had to admit that the sun made everything a little better. Ironically, everything around you seemed to be coming to life; the greening grass, the budding leaves on the trees, the birds singing somewhere in the background. Even the slight rain didn't seem so bothersome when the sun was warming your skin and there was a crisp spring breeze in the air. 

You couldn’t focus on the ceremony, your thoughts were occupied by something else entirely. You were unable to ignore the fact that, as the minutes passed, your high heels were being swallowed up more and more by the mud. In all this sense of loss, which you had never experienced before, you felt sorry for a pair of shoes, even though you had hundreds of them. So instead of letting your emotions take over, you began to list some of the funeral attendees you managed to recognise.

You spotted some members of the Rumlow Family. Despite the generally accepted rule of temporary peace and immunity for any funeral, the sight of Rumlow Senior and his son made you a little uncomfortable. You knew that their presence in any other situation would have meant trouble. For as long as you could remember, your Families had lived in discord, and even if there had not yet been a major clash, their company carried the echo of a bomb ticking somewhere nearby.

A few rows away were representatives of the Russian mafia – Melina Vostokova, who stood at the head of the group, and Natasha Romanoff. 

You also saw Tony Stark – the biggest manufacturer of weapons, which your father helped distribute mainly on the black market. Tony himself claimed that he was not a gangster, but the truth was that he took the side that benefited him the most. No wonder he was the richest man in the United States. Or at least as far as you were aware.

Even state attorney Alexander Pierce showed up, which struck you as highly risky and simply stupid, but perhaps it was all about some twisted way of paying respect to a worthy rival. On the other hand – no matter how absurd it was – you wouldn't be surprised if it was John Walker, Pierce's nephew, who persuaded his uncle to attend the funeral. Walker had been looking for an opportunity to approach you for a long time; even now he was staring at you with a strange longing and an inappropriate dreaminess spreading across his face. You felt your skin itch as he stared at you like that, so you decided to look away in case John got the idea to take the initiative.

As discreetly as before, you looked a little further away. You weren't surprised by the presence of Timothy Barnes, the head of the Barnes Family, which not only lived in peace with yours; there were times when the paths of your Families would cross, so Timothy and your father occasionally visited each other to discuss the best strategy of action together. 

It was the company of his nephew that surprised you. Mainly because the presence of Bucky Barnes was an unusual occurrence – a few years ago he simply disappeared and no one really knew what was going on with him at the time. 

With much longer hair and a broader chest, he looked a little different than when you last saw him. And when you watched him from where you were standing you realised that he was staring at some indefinable point, and the hostility beaming from his eyes made you shudder; even if it wasn't directed at you.

You followed his gaze, wanting to know the poor man who had earned Bucky Barnes' cold, piercing stare, and you met Walker's eyes again. As John looked at you, Bucky observed him intently. 

You stayed close to your mother, but did not directly accompany her when condolences and respects were paid. Right next to you stood Michael – your father's trusted advisor and confidant.

“Look at that... How desperate they are,” he said quietly, leaning towards you. “Waiting to take over everything your father worked for.”

You blinked a few times, suddenly awakened by the interest in the man's words. You were, after all, supposed to somehow take care of all this, and what Michael had said complicated matters a lot. You didn't know how you could not only control the money, the power in the Family, the influence, the connections and the territories, but also keep it from the mentioned takeover. You were getting more and more confused.

“How would they do it..?” you asked hesitantly. 

“By marriage, certainly. Nobody wants a war,” Michael replied. Almost choking, you held your breath, an unpleasant knot, burning with anxiety, was tied in your stomach. “But don't worry about it,” he added calmly. “I'll try to get some suitable offer.”

Nibbling nervously on your lower lip, you glanced at your mother. You wished you had been a little more selfish and a lot more cruel – maybe then you would have focused completely on yourself. “Make sure they'll be safe. Mom and Suzie.”

Michael nodded obediently and walked away, leaving you alone with the impression that he had already begun searching for a candidate. But before that feeling could poison your consciousness completely, your mind picked up someone's presence. So you looked in front of you and, still confused by the subject brought up by Michael, fixed your gaze on Bucky Barnes, as it turned out. You frowned slightly, not quite sure why he was standing before you. In addition, alone; his uncle was talking to your mother.

“I'm sorry about your father,” he spoke, and there was something in his eyes that made you believe his words. 

“Thank you,” you replied quietly, but with proper politeness. For some unknown reason, you wanted to move. Perhaps you intended to shake Bucky's hand, or perhaps you just needed to change position. Whatever that was, you shifted, but one of your shoes refused to come off the ground. “Oh, this fucking mud…” you whimpered in helplessness rather than irritation.

Bucky immediately came to the rescue in this unusually absurd situation; he crouched down, and you felt the fingers of his warm hand wrap around your bare ankle. Aware that you wouldn't be able to free yourself from this ridiculous trap – at least not when your companion was throwing himself at your feet – you had to let Bucky handle it. Losing more control of your own legs, you leaned forward and involuntarily rested your hands on Bucky's shoulders. He didn't react; didn't frown, didn't give you an angry or confused look, didn't comment in any way. And you were really grateful to him for that, because you already had enough embarrassment. Though you couldn't complain about it at the moment – the unsolicited warmth spilling inside your stomach drowned out the rest of the emotions. 

Bucky tightened his grip around your ankle even harder – although you couldn't call the sensation painful or at least uncomfortable – and pulled it upwards in a firm motion, freeing your heel from the muddy ground.

“You alright?” He asked, and you hurriedly nodded in response.

You were too busy setting your foot in some safer place to remember to move away from Bucky. So once he straightened up, your hands were still on his shoulders. But he didn't do anything about it this time either. In the most literal sense, Bucky Barnes let you find support in him. As soon as you realised this, you immediately took your hands away and nervously smoothed your dress, only to have them occupied by something other than Bucky's shoulders.

Bucky clasped his hands together in front of him, wrapping the fingers of one hand around the wrist of the other. You couldn't look him in the eyes any longer; especially as his stare was somehow overwhelming. He nodded as if he were someone at your service, and you – too embarrassed by the event from a moment ago, stunned by the sudden, unexpected contact with Bucky Barnes and simply dazed by the atmosphere of the funeral – timidly followed him with your gaze until he disappeared into the crowd. 

Even though he vanished from your sight, you could still feel his burning touch around your ankle.

It was late. Far too late for any social gatherings, but Michael announced briefly that you were expecting guests. He seemed to be in such a hurry that you didn't want to waste time on getting ready either. You had only had time to comb your hair when a maid sent by Michael peeked into your bedroom. You didn't pay much attention to the fact that you were only wearing a short satin nightgown. All you could think about was Michael's nervousness; you wondered what it could have meant and how bad a situation you were possibly in. 

As you left the bedroom, you wrapped yourself tightly in the robe that was part of the set - just as short and satiny as your pyjamas. Before you had completely made it downstairs, you noticed two men not far from the front door. The prevailing coldness indicated that they had only just entered. You hesitantly stepped down from the last stair and headed forward. Recognising Timothy and Bucky Barnes, you immediately stopped. In your first instinct of learned politeness, you tried to give proper attention to the older one, but you couldn't help the way that every molecule in your body, pushed by natural curiosity, was drawn to Timothy's nephew.

Unlike his uncle, Bucky was not wearing a long coat but a leather jacket. Exposed to the pouring rain outside, it glistened in places. You raised your gaze to look at his damp hair, but before you got there, you noticed that he was watching you too. At first he looked directly into your eyes, but soon his stare carefully slid lower. The muscles of his face highlighted as he clenched his jaw, something raw appeared in his eyes. You also glanced down at yourself and stumbled at how your body reacted to the cold and the undeniable electricity hanging in the air. It spread only between you and Bucky.

“Gentlemen,” Michael said. An obvious tension in his voice reminded you that something was wrong. “Please.” He leaned meaningfully towards the dining room. “Miss Y/N should be here in a moment.”

“She already is,” Timothy shared his observation, a sly smile stretching out his mouth. Michael only then noticed your presence.

A silver tray with a couple bottles of alcohol – the only acceptable treat at this hour and on this occasion - was placed on the long dining table, along with glasses. 

You adjusted your robe precautiously and took a seat, facing your guests. Michael sat right next to you, completing the impression of the formation of two camps separated by a table.

“I'm beginning to hear rumors that Brock Rumlow has made you an offer,” Timothy spoke, the expression on his face indicated that he wasn't surprised in any way.

“An offer..?” You repeated, holding back the urge to give Michael a disapproving look. He should have told you. 

“On your hand in marriage, of course.” 

‘Marriage’ combined with ‘Brock Rumlow’ made a mixture so disturbing and explosive that you felt the blast in your gut. As if someone kicked you in the stomach. You should have guessed what the ‘offer’ meant, on the other hand you hoped Michael would mention it as soon as it came up. But you didn't expect Rumlow to make a move so quickly.

“This worry does not concern you, I am afraid,” Michael claimed.

Timothy leaned back in his chair and looked at the man with a slightly dismissive look. “We had a good relationship. Freddie and I. We advised each other on many occasions so that our decisions wouldn't endanger our Families,” he said. “So yes, this worry does concern us. And I'm curious to see what you decide.”

You glanced surreptitiously at Bucky, as if you needed reassurance that he was still sitting there, but you sensed he was around even without that. He held his eyes on you as you watched him with evident confusion, then reached for one of the bottles standing nearby. He took a quick look at the label, then poured some of the rusty-red liquid into a glass and slid it over to you. Did he think you needed alcohol to process what you were about to hear?

“Brock Rumlow isn’t the worst thing that can happen to her,” Michael said calmly. “You know how powerful the Rumlow Family is. And making peace with such a strong enemy would make our business, as well as yours, easier. I suppose I don't have to explain it to you.”

“Do you think this is what Freddie would want for his daughter?” Timothy asked.

“Freddie got himself killed,” Michael snapped, the atmosphere at the table became even thicker. “And as for his daughter, he didn't prepare her properly. He was a fool if he thought it would never happen.” 

There was silence. You looked down at the glass wrapped tightly by your fingers, and finally decided to raise it to your lips. It wasn't the nasty, bitter taste of the drink that bothered you, but the thought of your future. You were pretty sure that your fate had already been decided. 

“If you make an agreement with Rumlow, sooner or later he will violate, if not break, all its points,” Bucky spoke up, drawing everyone's attention. “He made the offer less than twenty-four hours after the funeral,” he pointed out. “Not to mention he only showed up to steer you towards positive consideration,” he said casually, and you thought that such diplomacy was clashing with his wet leather jacket and stubble. 

“James…” Michael sighed.

It seemed, however, that Bucky was not going to let go. “You know what this deal is about,” he continued with a strange, surprising resolve, as if the matter affected him personally. “Do you honestly believe Brock Rumlow will hold up his part of the deal? Did you forget his relationship with women or are you just going to overlook it?” he sneered. 

“You know surprisingly much about these agreements.” Michael no longer concealed his irritation. 

“I can marry Brock,” you finally spoke up, and this time they all looked at you. Michael was relieved, Timothy concerned in some way, and Bucky appeared to be a little lost since you seemed to ignore everything he just said. “It’s not like I have to live with him. Right..?”

Bucky clenched his jaw and looked angrily at Michael. “You didn’t tell her.”

“I haven't had a chance. You admitted yourself that they were quick to make an offer,” Michael defended himself. Bending under the pressure Bucky was putting on him, Michael looked at you nervously. “Rumlow Senior has the right to claim an heir who will take over both of the Families in the future. In this case… it is possible that you will have to live with Brock after all.”

These words flooded your mind, almost making you dizzy. You grabbed your glass again and poured the rest of the alcohol down your throat to fight the nausea. 

“Well…” Lips pursed, you took a deep breath through your nose. “This complicates things… a little.”

“I will arrange a meeting and everything will be clear,” Michael said after a moment of uncomfortable silence. “We are not sure what they think about all this. No matter what is said about Brock,” he glanced at Bucky not accidentally. “we should meet with him.”

“Great,” Bucky snorted. “I’ll be there.”

“Excuse me..?”

“Since our decisions affect our Families…” Bucky recalled his uncle's earlier words. “It’s obvious that Y/N doesn't know enough about arranged marriages, so I’ll be there. As an adviser.” He shrugged. “You are more than happy to team up with the Rumlows, and I will try to cool that enthusiasm.” He tilted his head, smiling insincerely. 

“If that's how you see it, it's more a case for your uncle,” Michael protested.

They both looked at Timothy, and his lips stretched slowly in a mysterious grin.

“I believe Buck can handle it,” he said. 

The meeting was over. You decided to accompany Michael to see the guests off.

Michael walked beside Timothy, who was walking to his car; they were discussing something that didn't exactly reach your ears, but you didn't feel the need to know. You weren't concerned that they were discussing your future - you doubted they felt like it after the conversation at the table.

“Bucky?” You started in a soft tone. Bucky, who had just left your house with the intention of joining Timothy, stopped and looked at you. You walked down a few steps and stood on the stone path, right in front of him.

He swept his gaze over you again, starting from your bare feet, through your exposed legs, to the delicate material of your nightgown. His stare didn't make you sick as the thought of Brock did. 

Bucky took a step towards you, and the scent of fresh laundry, mint and wet forest hit you. You stepped back, so he did it again until you were standing under the canopy that protected you from the rain.

“Do you always have to get some poor girl out of trouble?” You squinted, but couldn't help an amused smile forming on your lips.

“No. Just you.” He shrugged, slipping his hands in the jacket pockets. “I don’t want you to get cold. That’s all.”

“You don’t want me to get cold.” You nodded. “Just like you didn’t want me to drown in the mud. And now you don’t want me to marry Brock,” you pointed out, raising your eyebrows. “Why? Because Michael is right; joining our Families together would be the best option. You don’t want that?”

“The best option?” he repeated. “For everyone except you?”

You smiled softly in response – you didn’t feel like thinking about that again. “So? What’s the reason?”

Bucky looked away for a second, took a deep breath and shook his head. “Maybe my heart is in the right place. Maybe I want to do some good.”

You watched him expectantly, finally raised your eyebrows in theatrical disbelief and both of you laughed briefly. No matter how curious you were about the real reason, you decided not to badger him.

“Hey, what’s the deal with Walker?” Bucky asked playfully, frowning.

“Walker? John Walker..?” You let out a nervous chuckle. “Why?”

“I saw the way he looked at you. You can be sure he’ll make an offer, too.”

You wanted to laugh at his words, but the truth was Bucky could be right. And the thought of that made you more exhausted than you already were. “What about you?” you asked casually. You didn't beg for anything, you didn't offer anything. You were just curious. “You're not part of this?”

For a split second you witnessed him tense up. He clenched his hands, only to relax them immediately afterwards – just like his jaw muscles. You didn't understand the source of this reaction, but you didn't even think about it; it was like a brief flash that you didn't have time to think about properly.

“I may have my heart in the right place, but I'm not a guy you marry,” he said. “Steve is. I can put in a good word for you if you want,” he added jokingly, making you smirk. “Get back inside, Y/N,” Bucky commanded softly as he began to leave, taking a couple steps backwards. 

You rolled your eyes, and he turned his back to you, then got in the car, leaving you with that burning feeling again. This time it wasn't just limited to your ankle, but your whole body.

[apas-95]

is the implication, by people who act as though 'basic analysis and critique of the reactionary elements of works' is a condemnation and a demand to never engage with the works in question, meant to be that all the media they engage in is stuff they find completely unobjectionable?

like, one of my favourite television shows of all time is functionally based on the premise of 'what if star trek was more openly imperialist and just textually starred the US military as the representatives of humanity' - it's an incredibly reactionary show! - and I still enjoy watching and analysing it, because I understand that 'watching (or not watching) a TV show' is not in any way a meaningful political action. in itself, believing that is silly and disconnected from reality, but it also says some very strange things about your views if you *truly* find nothing wrong with any popular media produced by the largest empire in history!

I think it's the contradiction, the dissonance, between the unsustainable view of media consumption as Important Praxis, and the reality that they enjoy media that has reactionary elements (as everything does), that leads to the rabid defensiveness. having come face to face with the conclusion that their own - incorrect - mode of understanding the world would, if what you said were true, make them A Bad Person (or mean they'd have to stop watching TV), they lash out at the perceived instigator of the discomfort, rather than the contradiction itself

[jedi-enthusiast]

Yk one thing I barely see talked abt is the fact that Mace Windu's lineage and thus legacy is one of the longest Order 66 surviving ones in Star Wars WHO STAYED TRUE TO THE JEDI ORDER'S PRINCIPLES.

Like damn, Mace rly managed to establish a liniage of highly competent and compasionate Jedi. The Shatterpoint Lineage either outlasted or survived for nearly as long as the Disaster Liniage who pretty obviously stopped truly representing Jedi with Obi-Wan (only rly returninh to the true jedi way with Luke if ya see him as part of that lineage)

Like- who do we have in the Shatterpoint lineage ?

-Master of the Jedi Order , died trying to save the galaxy from the Sith

-Former council member, died saving her padawan from her brainwashed men

-Rebel Jedi training a student despite everything that went down , died saving his padawan & loved ones from a giant explosion

-THE GUY LITTERALY ABLE TO GET THE CHANCE TO FORCE TIME-TRAVEL WHO SEND HIMSELF INTO EXILE TO PROTECT THOSE HE LOVES & THE GALAXY

And who do we have in the Disaster Lineage :

-Guy with questionable methods who did his best

-OBI-WAN who rly doesn't need any explanation (who's also the last true Jedi with expection of Luke (if you counf him) to come out of this lineage)

-a genocial manbaby with an alergy for any sort of moral code or basic logic

-a pick me shitting on her own adoptive family, who isn't even a Jedi if we are being honest (sry Ahsoka, but your character to assasinated to a point where I just can't anymore)

And honestly ? It says a LOT that Mace Windu's lineage stands as pretty much last bastion of a true Jedi Lineage from the old Order.

Agreed 100%

And ngl I find it so funny that people constantly praise the Shatterpoint lineage- (Depa, Kanan, Ezra) -and then shit on Mace like, my dude, WHO DO YOU THINK TAUGHT DEPA AND PASSED ON THOSE VALUES TO HER AND THEREFORE HIS LINEAGE???

But no, Mace's lineage is by far the best imo---I love Obi-Wan and Luke and Yoda, but they get negative points for having not one but TWO genocidal fascists in the lineage- (Dooku and Anakin) -and then someone who thinks the Jedi brought on their own genocide- (Ahsoka) -and then someone who decided that the fate of the galaxy was less important than her feelings and probably kickstarted another war- (Sabine, apparently, since Felony shoe-horned her into the lineage).

Meanwhile the Shatterpoint lineage has the head of the Order who almost won the Clone Wars and stopped the Empire from being created, who only failed because he was betrayed- (Mace) -then an amazing and empathetic general who was literally so selfless that she sacrificed herself to save her padawan- (Depa) -then someone who fought against the Empire, successfully overcame his own issues to both train a padawan and then forgive those who he thought willingly murdered his family, and then sacrificed himself to save his family and give the Rebellion a leg up on the Empire for the Battle of Lothal- (Kanan) -and finally someone who let go of all his grief, rejected the Dark Side SEVERAL TIMES, and then sentenced himself to a life in exile to protect the galaxy from a genocidal fascist- (Ezra).

Like...there's really no competition here.

In the Imperial Era, Mace was probably sitting back as a Force-ghost, watching the Disaster lineage fuck up the galaxy and then have to fix it all over again, smugly staring down Obi-Wan and Yoda like-

Mace, smugly: Hm, did you know that today Kanan taught Ezra how to connect with animals? I'm so proud of them.

Obi-Wan, watching Anakin commit even more mass murder and Ahsoka blame the Jedi for Anakin's actions: Must be nice.

Yoda, staring down Dooku, who literally tried to take over the whole galaxy with a fascist regime: Yes. Nice, it must be.

[worldoshaking]

There’s something uniquely haunting about the words ‘one brings shadow, one brings light’ and how many different things they mean over the course of the story. 

At the start of A Realm Reborn, the hero takes on the name of the Warrior of Light, and nothing could be more fitting. They are the champion of justice, someone who fights to bring peace to a war-torn, despairing world. It is a symbolism that resonates naturally and easily with the audience: the Warrior of Light lifts the shadow of the Empire, and lets people look forward to new beginnings, turn to a new dawn with the coming of the Astral Era. (As we eventually learn from Moren, the name was originally born of that symbolism: from people finding hope in their heroes, and giving them a name expressive of that hope.)

And then we meet the Warriors of Darkness: at first glance, they are obvious villains, seeking to undo the Warrior of Light’s work and drown the Source in darkness and fear. Their name evokes skullduggery and mystique, and it is a haunting inversion of the Warrior of Light’s, suggesting that they are bound to be our foes. 

And then we learn the truth of their origins: they were Warriors of Light, just like us, and their path, so like ours, brought ruin upon their world. We learn, for the first time, that the Light is a force to be reckoned with and feared, and that Light and Dark are not so different after all. 

When we finally get to the First, the inversion comes full circle. We meet Ardbert as the Warrior of Light, and our WoL is now the fabled Warrior of Darkness: the bringer of night and reprieve to a world that has known no rest from fear and striving. The term ’Warrior of Light’ is no longer a symbol of adulation, but one of reprobation and reproach. 

The duality of shadow and light is also exemplified by Emet-Selch and the Crystal Exarch. The Exarch turns to the future with hope, while Emet-Selch lives in the past, with the shades of memory. The Exarch seeks to protect Hydaelyn’s will, and avert the return of Zodiark. Emet-Selch slinks and prowls on the margins of history, weaving malign and intricate plots, sowing discord and fear and doubt. The Exarch stands at the forefront of history, facing down corruption and chaos, making his city a bastion of resistance and rallying everyone beneath the cause of hope. Emet-Selch represents the shadow of conquest and imperialism over the land; the Exarch has built a city of kindness, fellowship and egalitarianism.

And yet, even here, the symbolism is inverted, for the hope the Exarch brings is in the shape of the gentle night, while Emet-Selch seeks to drown the world in searing light. In the bright open spaces of the Crystarium, it is only the Exarch who walks in shadow. He deals in secrets, hiding his plans and his face and his name, while Emet-Selch seeks to understand, and bestows terrible knowledge. The light of the Exarch’s plan is perfect and pitiless, and it is up to Emet-Selch’s prowlings and plottings to save him, gun in villainous hand. 

And the most fundamental form of the inversion is learning that Emet-Selch is, in a way, fighting for the same thing as the Warrior of Light is: he is fighting to save his world and his people, and to him we are the villains. 

The light of the Warriors’ hope and belief breaks through the miasma of Hades’ terror and grief. And at the end, Emet-Selch stands there, ragged light spilling out of the hole in his body, and smiles, in a final gesture of acknowledgement. He dissolves into a shower of gentle light, spilling over the Warrior of Light like a benediction. 

Everything is inverted in the First: people glory in the name of sinners, shudder at forgiveness, and celebrate the night. The sin eaters are bright and beautiful and gentle, and they bring a terrible, merciless forgiveness: a forgiveness that tears you apart from the inside; a forgiveness that blankets the world in silence and inexorable light. 

The first time we hear the iconic line ’one brings shadow, one brings light’ is in the scene where the Warriors of Light and Darkness merge into one—the Warrior of Light helping to contain the light raging within the Warrior of Darkness, their souls embracing in understanding and warmth. It is a moment of glorious illumination: of the twin Warriors understanding their connection, and of Ardbert seeing his purpose, the clear resonant notes of the theme song ringing out in glorious triumph. But it is also a moment of gentleness and reprieve. The light is no longer spilling out of the Warrior of Light’s wounded soul; Ardbert is there, providing them with sanctuary, with gentle shade. The Warrior of Light does not have to be fight their battle alone and unflinching. They do not have to be perfect any more, for there is someone to watch their back. 

They are truly two-toned echoes tumbling through time: Ardbert retraced the Warrior of Light’s path on the First, and now they have retraced his.

The symbolism of light and dark is most starkly exemplified by Hydaelyn and Zodiark—Zodiark as the will of the star back to the past, to the splendour and sorrow and hubris of Amaurot; Hydaelyn as the will of the star towards light and growth and change. But now it is Hydaelyn who reigns, and defends herself against Zodiark’s incursion. She is no longer the disruptor, but the preserver of the status quo, of the lives that already exist. On the First, Light brings stasis and silence and emptiness. 

We revisit this symbolism with Elidibus in The Seat of Symbolism: the heart of Zodiark, taking on the person of the Warrior of Light, and fighting off Hydaelyn’s champion, who bears the mantle of a Warrior of Darkness. Elidibus is lost in grief and darkness and doubt; he fears loss, and he does not remember. He must fight to save his doomed cause, though he does not know why. The Crystal Exarch and the Warrior of Darkness bring him light, in the shape of remembering, and of absolution. Now he remembers the comrades he fought for, and the love that drove him; he does not have to struggle on in the darkness any more. 

In the Eden storyline, the symbolism of shadow and light is evoked by Ryne and Gaia, the Oracles of Light and Darkness. Mitron seeks to keep Gaia in the shadows, taking her memories, wresting away her agency over her life. Ryne brings her light, in a symbolic sense, helping her discover who she is and what she wants, offering her warmth and comfort and hope. But it is simultaneously Gaia’s darkness that helps them break the light’s chokehold and return life and growth to the world. It is the hammer of her darkness that breaks through the light’s overwhelming hold on Ryne, quite literally saving both her and the world. And in the end, she makes the powerful choice not to know of her past in Eulmore, preferring to turn her gaze to the future. Her story encapsulates a central theme of the Eden arc: escaping stasis, embracing change and growth, making new memories. 

In Shadowbringers, right and wrong are not inexorable absolutes that we are to be judged by. Light and Darkness are two-toned echoes tumbling through time: humanity and the dragons, the Warriors of Light and Darkness, the champions of Zodiark and Hydaelyn. We should not be too quick to form our judgements, for nothing is as it seems, and there is hope to be found in the night. 

[antianakin]

I'm starting to see some very funny (and by funny I mean infuriating) takes on what Andor was actually ABOUT and the way it utilized its more adult narrative within the context of Star Wars. Andor as a show followed Lucas's themes BRILLIANTLY even while choosing to look at them a little differently.

One of the primary themes in Star Wars is that there really isn't much of a "middle ground" in life. You are either choosing to be selfless and compassionate, or you aren't. Trying to stay in the middle or run from making this choice inevitably ends up badly for the people who try. And one of the other primary themes of Star Wars is that being selfless and compassionate often requires LETTING GO, most often letting go of the people you love and accepting that change happens in life.

I've seen people argue that Andor is able to be a morally grey story because its characters aren't Jedi or Sith who tend to be more bound by these cosmic themes or good vs evil, but I'd argue that Andor actually represents that theme JUST FINE.

Despite many of its characters living in a "morally ambiguous" area, we still have to see them make the choice to be selfless and compassionate or selfish and greedy. One of the primary themes for the characters is how well they can LET GO or not. Cassian is constantly having to figure out how to let go of his plans for his future, let go of his mother, let go of his dreams of a normal life. Cassian is ruled by fear for much of the first season and it's only once he is pushed into a situation where there's no longer any way to run, he starts finally fighting back and refusing to bow to the oppressive force that wants nothing more than to see him discarded like so much refuse. The people of Ferrix have to let go of their desire to stick their heads in the sand and simply hope the Empire won't notice them.

And on the other end of the spectrum you have Syril Karn and Dedra Meero absolutely fixated on their respective goals to the point that they're willing to kill and betray innocent people to reach them. They've convinced themselves their goals are selfless, but their motivations are in fact actually SELFISH, they serve nobody but their own ambitions. And both of them end up paying for it.

So Andor ABSOLUTELY gets the central theme of Star Wars, it isn't actually trying to change that. What it DOES do is take that theme and just digs slightly deeper, looking at this theme from a slightly different angel even when it ultimately comes to the same conclusion. Andor asks if selflessness and compassion always looks like "I'm Luke Skywalker, I'm here to rescue you!" Or if maybe sometimes making the selfless choice means burning yourself to light a fire to lead someone else to safety. Are all people who make the selfless and compassionate choice considered heroes, or are some of them having to make those choices down in the dirt and destined to be forgotten by history? Andor asks how many variations of selflessness might exist and then explores them in its wide, colorful ensemble.

Andor also is looking at what selflessness might look like in characters who are forced into making a choice between standing back when they see evil happening and dirtying their hands just to make the smallest difference because forces of evil outside of their control are making the purer options impossible.

And that is the EXACT SAME THEME explored with the Prequels Jedi. The Jedi who want so badly to be selfless and compassionate, whose philosophies and ideologies lead them to use violence only as a last resort and love everyone and everything in the galaxy equally. The Jedi who are thrust into a war where there's no way to win because the Sith are running both sides of it and the Jedi can't just NOT FIGHT because that will get innocent people killed and will help no one but themselves, but they have to compromise their morals as a result. The Jedi who see a politician slowly amassing unreasonable amounts of power he's unwilling to let go of and a Senate too controlled by fear and greed to see the danger, so their only option is to commit treason to try to remove the corruption personally.

The Jedi LOOK the hero part a lot more than the characters in Andor do. They're strong, confident, powerful, and wield swords of light. They fight out in the open rather than from the shadows. Cassian, Luthen, Saw, Mon Mothma, Vel, and Cinta all manipulate things and threaten people and lie and cheat their way towards victory. Both Mon Mothma and Luthen fully admit to choosing to act like their enemy in order to defeat them. And it's not that the Jedi's way of fighting is any worse than the way the people of Andor have learned to fight. The people of Andor would LOVE to be able to fight like the Jedi used to do. But they can't. Palpatine has created a world in which being heroes that way is NO LONGER POSSIBLE. He started with the Jedi, by forcing the Jedi into a situation where fighting the way they once did was the wrong choice to make. There were no longer any right choices, just better choices. The only choice.

The Jedi stood as a bulwark between the darkness and the people of the galaxy. For years they chose to dirty their hands in order to fight the battles no one else WANTED to fight because it was the ONLY CHOICE TO MAKE. So what happens when the Jedi are gone?

The rest of the galaxy is now faced with the same choice. Do you stand by and let darkness grow? Or do you dirty your hands a little because it's the only choice you CAN make?

The people in Andor are picking up the torch that fell out of the Jedi's hands when they were murdered and persecuted by the Sith. Only the people who are left don't have magic powers or swords of light, so they use the resources they have at their disposal, which mostly amounts to manipulation and trickery and striking from shadows. The fight looks a little different now, but it's still the same fight the Jedi were fighting for years.

So Andor is taking those bigger cosmic themes from the Jedi/Sith conflicts that permeate the rest of the Skywalker saga and asks what those themes might look like when applied to the little people. What kind of choices might THEY make, what kind of things might they have to let go of in order to make those selfless choices? What kind of consequences might happen when they DON'T make the selfless choice? It's the exact same theme Lucas has ALWAYS had in his stories, just viewed from a different angle or through a different lens.

But the stories we've been getting recently that are trying to argue that being selfish is actually totally fine so long as you're doing it For Love, that the Jedi were in fact the source of everything that went wrong in the galaxy, that the Jedi were DESTINED to be destroyed, those all go completely against Lucas's themes. They're the direct OPPOSITE of his intended message. It is in fact entirely possible to write a more adult story with grittier content that STILL SENDS THE SAME FUCKING MESSAGE AND FOLLOWS THE SAME THEMES and doesn't try to get edgy in its interpretation of the source material.