#from seeing it happen as death

[bamsara]

How does Narinder feel about canabalism

the only thing he eats is. the onl. the only thi. the . the only thing he eats is L

[bigfatbreak]

Birds of a Feather previous / next

[keferon]

Guess who spent two days trying to understand how to draw a kiss

Based on amazing incredible gut wrenching Mistakes on Mistakes until..

[flwrkid14]

The Immortal Weight of Tim Drake

There’s a part of Tim that he keeps buried deep inside, locked away so no one can see it—will ever see it. He can’t let them know. Not Dick, not Jason, not Bruce. Hell, not even Steph or Cass. It’s better this way. Because the truth is, Tim Drake isn’t like them. He can’t stay dead.

No matter how many times it happens—how many times a blade finds its way into his gut, a bullet catches him in the chest, or a fall from a skyscraper crushes every bone in his body—Tim comes back. Not right away. No, it takes minutes, sometimes agonizing minutes, where he lies broken, breathless, and unmoving, with nothing but the darkness pressing in. He feels it each time. The quiet nothingness of death that should be final but never is.

He’s not like Jason.

Jason died. Really, truly died. He was buried, mourned, and remembered as the second Robin. His grave sat cold, a monument to a boy too good for the world, too bright to last. And Jason, when he clawed his way out, became a zombie in every sense of the word—not quite living but not quite dead either.

Jason knows what it’s like to rise from death, to feel like he doesn’t belong, like a walking corpse.

But Tim doesn’t know that part.

Tim knows what it’s like to die. He knows the brief moments of oblivion that come with it, the aching cold, the stillness. But he’ll never stay dead. His revival is a guaranteed, while Jason's was a miracle. He’ll never have a grave. Never be mourned, because he’ll always come back.

And that’s what hurts the most.

No one sees him die. He’s careful. So damn careful. On the rare occasions when he can’t hide the fact that he’s dead for a few minutes—those close calls where he doesn’t get up fast enough—he brushes it off, masking the pain with a smile and a joke. If anyone noticed the blood pooling in his suit or the sickening sound of his heart stopping for too long, they never questioned it. The danger passes, and life goes on.

For them, anyway.

For Tim, it never really stops. Every death, every time he’s pushed past the edge, it weighs on him. He knows he’s playing with something dangerous—something unnatural. But what choice does he have? The truth is, it’s not just that he can’t stay dead—it’s that he should be dead. So many times over, in fact.

There are days when Tim wonders if he’s meant to be this way. Maybe, in some twisted, cosmic joke, the universe decided that Tim Drake would be the one who can’t die. Maybe it’s because Gotham needs someone like him. Someone to shoulder the risks no one else can take. After all, if Tim can’t die, what’s one more mission where death is a near certainty? What’s one more gamble with his life? It doesn’t matter anymore, right?

And he doesn’t want them to know, because the moment they know, everything changes. If Dick saw Tim’s body cold and unmoving for just a little too long—if Bruce knew Tim had been gone, even for a heartbeat—what would they do? Tim knows exactly what they’d do. They’d stop sending him on the dangerous missions. They’d protect him, smother him with concern, lock him away to preserve him like some fragile thing that can’t be touched.

But the truth is, Tim’s more dangerous now than he’s ever been. Because he can go where no one else can. He can risk everything, go into every deadly mission, every impossible scenario where the chance of survival is zero. Because he’s already proven that, for him, death is temporary.

That doesn’t mean it doesn’t hurt. It doesn’t mean he isn’t scared every single time it happens—when he feels life slipping away, the weight of his body going limp, his heart stopping, his breath gone. There’s that brief moment, that flicker of panic in his chest as he wonders, Is this the time I don’t come back? Is this the one that sticks?

But then the pain rushes back, and so does his heartbeat.

He’s alive again, and no one’s the wiser.

Tim can die a thousand times over, but he’ll always get back up. And that’s his curse. To always come back. Even if it means he’ll always be alone in the moments that matter most.

He’ll never have a grave. Never be mourned. But maybe that’s the point.

Jason can have the grave, the tragedy, the return from death that breaks the world apart. Tim just… dies. And he’ll keep dying. Keep coming back. Because that’s what he’s meant for.

It’s better if no one knows. If they don’t know, they won’t hesitate to send him on the missions no one else could survive. They’ll trust him to do what they can’t. And Tim will keep shouldering that weight, carrying death with him like a shadow, never far from his heels.

Because for Tim, death isn’t an ending. It’s just another step in the fight.

[narikill]

aughdhshfjjsjcjdjfjsbgsknfjs <- leshy in this art probably

[trappedinafantasy37]

I went to a very old save of mine in which I knocked out Minthara in Act 1 and I talked to her again in the throne room. If you knocked her out, this is how she looks at you when she questions you:

She seems genuinely disturbed over your actions. Can you blame her? You were the one who knocked her out. You brought her harm for reasons that she cannot understand. She can understand someone killing her as that is what she expects of those around her. She will criticize your choice of sparing an enemy and showing mercy to someone you have greater reason to kill. Even though she has doubts about you, she shuts herself down, thinking she should be more grateful rather than doubtful of you.

You can tell her that you saw her as a potential ally, but she will call you a hypocrite as Gut and Ragzlin were not shown the same mercy, nor was any other True Soul.

You can even tell her, "You were simply too stubborn to die" as a means of trying to take any culpability off yourself. To try to turn the situation into a little jokey joke. However,

Minthara does not take it as a compliment and she knows you are full of shit. Even though you took the "good" path, she does not trust you.

Minthara understands mercy and even she believes some people are deserving of it. Sadly, she does not see herself as one of those people and is disturbed as to why you gave her mercy. There is no answer you can give her here that will make her trust you. She knows you went out of your way to spare her and only her, and that frightens her.

Remember, this is not the first time in which Minthara's entire army was killed right from underneath her and she was deliberately left as the sole survivor. Orin slaughtered all of her men in a blink of an eye, and Orin's "mercy" only brought her pain and torture. Later down the road, Minthara criticizes herself for not paying more attention to Orin when she first arrived at Moonrise. And so she is giving you a lot of attention, she is watching you, studying you, because she fears that you are going to hurt her the moment she takes her eye off you. Because you already have. Your "mercy" gave her a concussion, your deception had her found guilty of incompetence, and she was then subjected to even more torture by the Absolute in which she was given permanent brain damage. She is afraid that the only reason that you spared her, is because you want to torture her. Even when you show up in Moonrise and enter into her mind prison, she is expecting you to kill her and begs you do it quickly. She is not expecting mercy from you, only death. She is only in that predicament because of you. Why would she think for a single second that your mercy comes from a place of good intentions?

She knows fully well that she owes her life to you and that her life is entirely at your mercy, one you can revoke at any time. She doesn't trust you, she doesn't trust the rest of the companions, but she cannot leave nor walk away. There is no good way out of this for her and she's afraid of the cycle repeating. She is not going to make the same mistake again. Instead of her oath to you being from a place of affection, her oath to you comes from a place of fear.

[ardate]

Every Boromir hater makes my enormous love for him grow stronger. Sorry you couldn't understand him, I get him tho and we're holding hands and the whole of Gondor is laughing at you

[corallapis]

[edwinisms]

it’s actually so wild to me that this fairly quirky YA type show gave both of its main characters deaths that can, in one way or another, solidly be considered hate crimes. they were both flat out murdered as a result of being A) gay and effeminate or B) brown (south asian, specifically) and you could argue whether or not those kids thought of it that way in the moment or whatever but the bottom line is that they would not have been in the situations that killed them if they weren’t of their respective minorities. like legitimately that is a ballsy choice for this kind of netflix show, let alone for the two Main Characters, and i respect it big time

[lgbtlunaverse]

So I've said multipe times now (here and here) that thinking nmj is just so blinded by privilege he doesn't undertand that acting out of line gets people killed is, in my opinion, a misunderstanding of his character that ignores the part where he's, you know, actively dying the whole time and thinks that's a good thing. But that doesn't mean I don't think privilege plays no role at all in how he views the world.

Specifically, his view that death (at least premature or violent death) means something.

Death isn't always a tragedy to NMJ, but it is always meaningful. If you kill an evil dangerous person for your righteous cause, that death had meaning. There was evil in the world and now there is less of it. Similarly, if you die in the pursuit of your righteous cause, that death has meaning, because the sheer dedication you gave to it that you were willing to die for it will further that cause, and your bretheren will be invigorated by your sacrifice to fight even harder.

If a death isn't meaningful, that's an injustice and it is up to the living to give it meaning. That's what cuts so deep about his father's murder. There were no consequences, no changes, no meaning. Wen Ruohan was just going to get away with it! He fights and wins an entire war to make it mean something, to make it so that the unjust murder of Nie Mingjue's father is part of Wen Ruohan's downfall.

But this is a view he can only hold because he's the kind of person who's death will be meaningful. Most ordinary people's deaths are meaningless. Not ontologically, not inherently, but they are made meaningless because no one cares. For death to be meaningful you either have to be so powerful that anything you risk your life for will be impacted in some way. (Like, say, if you sacrifice a long life for immense martial power in a faustian bargain with a blade) Or if people with that kind of power care enough about you to do so for you. For most people, this isn't true. A starving street kid has no power to change the unfair world that put them there, even if they risk their life trying, and no one will do it for them once they die.

Nie Mingjue knows this in abstract, and of course rightfully believes it's wrong. But all that does is make it yet another righteous cause people should be willing to die for. Everyone's deaths should mean something, we'll make it so or die trying!

This is what the conflict between nieyao is about at its core. Because Jin Guangyao, fundamentally, cannot conceive of his own death as meaningful. Nie Mingjue grew up around powerful men who could change the world but refuse to do so because god forbid they risk a single hair on their perfect heads. Meng Yao, on the other hand, grew up in an environment where no one of importance would blink twice if you died. He was surrounded by meaningless death. Indeed his entire early life is defined by that lack of care.

Meng Shi dies and no one cares. Meng Yao gets thrown off a flight off stairs and no one cares. He has to be the one to do the caring, and once he's gone no one else will do it for him.

So he has to live.

Jin Guangyao eventually gets far enough that he actually does aquire the power to change some things... as long as he's alive. If he changes too much, holds on too tightly to his ideals, he'll die and it'll all be for nothing. He can't sacrifice himself for his goals because doing so would immediately render those goals unobtainable. No one will care about what he tried to do. He won't be a heroic sacrifice, he'll just be trash that finally cleaned itself up.

And well... Nie Mingjue dies, and someone makes it mean something. Makes it mean so much that the entire story of mdzs would not exist without it. Jin Guangyao dies and it doesn't mean anything. Most people are glad to be rid of him, and the few that are not don't do anything to change that.

[sketchy-noodles]

It’s MerMay, so here’s a DeathDuo AU

Missa is a dork of a human who likes to come down to the pier to sing and work on his music where no one will bother him. Phil is a massive fish boi who likes the sound of Missa’s voice ❤️

Plus a bonus messy doodle of Missa carrying his husband around in a bucket.

I’ve decided Phil can change his size to fit into various different bodies of water. His default is big fish and he won’t get any bigger than he is in the first picture, but he can shrink himself down if need be to fit into smaller spaces

[justaz]

realistic zukka: zuko is swamped with being firelord and righting everything wrong w the fire nation that he has No Time for visitors or personal letters, sokka is busy as chief of the swt and building all his little inventions to speed the rebuilding efforts along. zukka doesn’t speak for weeks bc they simply don’t have the time or mental space to think about that.

that is, until zuko wakes up in the middle of the night to a face over his, grinning like a madman. zuko’s instinct is to fight bc there has been five assassins this week and it’s only monday. sokka is screeching like a banshee bc if zuko breaks his invention-

the guards burst in and light up the room to find chief sokka of the swt desperately scratching at the ground to get away from a half awake firelord zuko who is currently beating him with the first thing he could get his hands on: sokka’s invention.

they don’t speak for weeks bc sokka is Upset

[raticalshoez]

i'm having hyperfixation drought so i did what i did best and created a crossover episode

[xxplastic-cubexx]

you should post screenshots of all the marvel rivals magneto lore for those of us who don’t have the game 👀

"Max Eisenhardt was born with a near-limitless Mutant ability to manipulate magnetic fields. Suffering a lifetime of brutal persecution, Magneto made it his mission to ensure the survival of Mutantkind, no matter the cost. His unyielding crusade often puts him at odds with other Mutants who seek more peaceful ways to coexist with humanity. Magneto led the campaign to gather the planet's Mutant population and transport them decades into the future to a safe haven on the sentient island Krakoa, protecting his brethren from the growing dangers of the wider world."

magneto lore description + his signature :) i'll come back to reblog and add to this post as the rest of the stories are unlocked!

full Trial of Magneto story below the cut screenshotted AND typed up by Yours Truly

As he gazed off into the distance towards the line where the ocean met the sky, Magneto's cape fluttered gently in the calm breeze that was drifting across the coast of the sentient island nation of Krakoa. His was a life far longer than most people ever had the chance to live, and this was one of the few moments of true peace that he could recall. But he knew from experience it would not last for long. It never did.

"Something on your mind, old man?" a familiar voice asked from above, breaking the silence. As Magneto glanced up, there, hovering on the wind like a majestic goddess, was Ororo Munroe -- the Mutant weather manipulator known as Storm.

"Funny, isn't it," mused Magneto, "that we fought all those years for a better future for Mutantkind... and now we have finally found it, further in the future than any of us ever imagined."

Not so long ago, the sovereign nation of Krakoa had been swept up in a chronal storm -- a time-twisting anomaly that would have ripped the island to bits if not for Ororo's deft manipulation of its tumultuous currents. Instead of becoming lost in the timestream forever, Krakoa arrived safely on the other side of the tempest in the year 2099. The future that Mutantkind had always dreamed of was finally theirs to claim. And Magneto was never one to let such an auspicious opportunity pass him by.

"It matters not what century we are in," Storm said. "What matters is that our people have a home here on Krakoa, thanks to you, Erik..."

Magneto cringed as his old friend called him by his human name. True, he had gone by many of them over the decades -- Max Eisenhardt, Erik Lehnsherr, Magnus -- but they were monikers he had merely tolerated in order to better fit into a world where Homo Sapiens still believed themselves in control. Here, in this new era, he could choose a name that spoke to who he truly was. Magneto -- the Mutant Master of Magnetism.

"I may be leading the cause to find our fellow Mutants and bring them to this safe harbor, my dear," said Magneto, "but the success of this crusade cannot be attributed to one Mutant alone."

"You're damn right it can't, bub," a grizzled voice snarled from the edge of the jungle that bordered Krakoa's shore.

Magneto and Storm both turned to see a familiar figure walking out of a newly-blossomed Krakoan gate. The short, hairy figure looked as though he had just been to hell and back. And knowing Wolverine, that could very literally be the case. Alongside Wolverine stood a young Mutant, just old enough for her powers to begin manifesting.

"Found the kid who got sucked through that dimensional rift," Wolverine continued. "She's lucky I went in there after her. Limbo is no place for a new Mutant."

"I couldn't disagree more," another voice said, this one with a hint of a Russian accent. "This New Mutant has managed just fine there."

"Illyana? Can it truly be?!" Storm rushed over to the young woman who had just stepped through the gateway, instantly wrapping her in an embrace. For years, Illyana Rasputin, the Mutant teleporter known as Magik, had been like a daughter to Storm. Before she was claimed by the darkness of Limbo... Before...

"Nice to see you too, Windrider," said Magik with an uncomfortable smirk. "It's been... longer than I care to remember."

Magneto stepped towards the new arrival, not embracing her, but examining her closely instead. There was something strange about her. It was clear that she had walked a far different path than the Illyana Rasputin of his world. This child had been hardened by the horrors of war, something to which Magneto himself could closely relate.

"You are not the child we once knew," Magneto said. "But you are welcome here on Krakoa. All Mutants are, regardless from where or when they hail."

"How about people who grew up thinking they were Mutants, only to h ave their entire world turned upside down when they learned the truth years later...?"

Magneto audibly gasped as the question was asked by another woman who had just arrived through the Krakoan gateway. His gaze instantly shifted over to her as she walked forward. Her every step stirred ripples across his memory, for he had been there when she had taken her very first ones so many years ago.

"Wanda..."

"Hello, father," the Scarlet Witch said as she approached Magneto with a calm confidence that few had ever shown in his presence. She reached up and began to slowly remove Magneto's helmet, an action that would almost certainly be met with instant retaliation should anyone else attempt it. But Magneto stood as silent as solid steel, simply basking in the magic of his long lost daughter's company. His stoic expression softened as Wanda leaned in and gave him a gentle kiss on the cheek.

"How... How can you be here?" Magneto managed to say. He could bend Adamantium into any shape with his Mutant power, but these simple words were somehow nearly impossible to form.

"It took a bit of work," Wanda mused. "I'm not technically a Mutant like you, after all, which means Krakoa wouldn't normally let me through its gates. But a touch of chaos magic did the trick."

"What I meant to say is..."

"Oh..." Wanda's playful tone vanished faster than a stage magician's pet rabbit. "Your Wanda... She's gone, isn't she? I'm sorry... This must be difficult..."

"Quite the opposite," Magneto said, regaining his composure. "To see your face again, to hear your voice, to know that -- somewhere in this fast Multiverse a version of you has thrive -- is perhaps the least difficult thing I could ever conceive. It is all that any father ever wants."

"I wouldn't say I've been thriving, exactly," Wanda admitted. "I've been holding my own universe together by its threads for far too long. I truly believed that I was its only hope to survive."

"Like father, like daughter," chuckled Wolverine.

"But I've started to see the bigger picture," Wanda continued. "We're all fighting our own wars. The only chance we have of winning them and keeping ll of our universes intact is if we start fighting together."

"Speakin' of fightin', I'm late for a date with Natasha," Wolverine said. "We've got ourselves a tin-plated dictator that needs overthrowin'."

Magneto almost chastised Wolverine for entrenching himself in the petty squabbles between the humans of this era, but he paused for a moment and considered his daughter's words. Perhaps she was right. Perhaps his own war to preserve Mutantkind was just one battle of many, all of them equally important.

"Since Krakoa arrived in this future, my allegiance has been to Mutantkind alone," said Magneto. "I felt it best to isolate our people in order to protect them. But your words inspire me, my dear. It is clear that no Mutant is an island."

"Except Krakoa, da?" Magik chimed in playfully.

"In order to commit to such an alliance, however, it must be a mutually beneficial one," Magneto continued. "There are still Mutants out there, lost across space and time, who require out assistance in order to lead them home."

"That sounds like the perfect task for a Sorceress Supreme," Wanda said. "But I'll require your help. As fond as I am of your classic look, I think we're in need of use a helmet that's a bit more functional."

"Of course," Magneto said, raising his hand into the air. Within moments, tiny scraps of metal buried beneath the sand of Krakoa's beaches converged and reshaped themselves in a complex yet familiar device once worn by Charles Xavier himself -- Cerebro.

"If I recall, old school Cerebro was capable of tracking down Mutants anywhere in the world," said Wanda. "But a few arcane enhancements should expand the helmet's search area to include adjacent dimensions as well. Like you said, all Mutants are welcome here, regardless from where or when they hail."

"Well?" said Magik, her eyes burning with anticipation. "Try it on already, old man!"

The moment Magneto put on the helmet, he saw flashes of powerful Mutants scattered across the Multiverse. A telepathic ninja trapped in a strange world of unholy amusements. A king of the seas preparing to strike at the unsuspecting surface world. A powerful cosmic presence determined to burn the darkness out of the night sky. And thousands more, each yearning to defy fate and to find their place in an ever-shifting cavalcade of timelines and realities.

"There is much work to be done," Magneto said. "Far more than I expected. When do we begin?"

"No time better than the present..." said Magik. "Or the future, I guess. Wherever we are."

"You have given Mutants a gift this day, Wanda," Magneto said proudly. "Your efforts will not be forgotten."

"I'm going to hold you to that," Wanda replied. "And when the time comes, the army that you're about to gather may very well be the one that tips the balance in our favor."

"Then let this be a call to all Mutants across time and space," Magneto continued. "The gates of Krakoa are open to them. In the words of a dear old friend..."

"...to me, my X-Men."

[lumiereswig]

I'm still seeing a lot of angry takes in the tags about how excessive Watcher's current costs are and how all fans really want, apparently, is "just shane and ryan sitting in a basement" back again. While I do think Watcher is probably spending over budget and that's a real issue, a lot of the takes I'm seeing show a fundamental misunderstanding of how video production works and where costs actually lie. So a few quick things that I just keep seeing that are bothering me:

It was never just Shane and Ryan in a basement. BFU did a great job selling that conceit and making sure you never saw anyone beyond them and maybe TJ, but they absolutely had other crew members with them on ghost hunts and they didn't do all the work on BFU themselves. This Q&A from Season 2 lists 36 people on staff for Buzzfeed Unsolved. It's fair to make arguments that Watcher may or may not need 25 people, but those arguments should not be coming from a place of "before it was just Shane and Ryan and nobody else."

If you don't know how many people are needed to make a professional video from a TV/film standpoint, you will not have a reasonable grasp of why Watcher wants to keep 25 people on staff. Sure, some YouTubers get by with a ring light and a contracted editor. The Watcher team have stated repeatedly that they do not want to work as just YouTubers and see themselves more as a production studio—so why do people keep referencing the YouTube model to understand their business? This is like asking the local shake shop why it doesn't function like the kids' lemonade stand down the block. The item category is similar but they're not trying for the same products or process.

The "gold dusted food" is not the big budget sink you think it is. On most TV shows I've worked on it's normal to partner with businesses that are shown onscreen and work out a deal where the price of the product (in this case the gold food) is reduced or eliminated in exchange for the free publicity. Watcher very likely made a deal with every restaurant it worked with to make the Korea trip affordable for the company. The real budget spends are on things you're probably not seeing but that still matter: camera and lighting equipment is expensive, insurance for that equipment is expensive, business overhead and paying your staff are expensive. So again—it's fine to critique Watcher for the streaming plan and the perceived budgetary issues, but go into this knowing the costs might not be coming from the things you see onscreen.

My source is that I work in TV and film and actually have a clue on how the industry functions. Again, 36 people worked on Unsolved (and those were the people mention in Season 2—who knows how big the team blew up past that in later seasons). Entertainment work is real work, and demands decent equipment, competent staff, and the same types of business and budget problems you'd find in any other business (overhead, staffing, etc.). Feel free to critique Watcher's business model, but first try to understand where that model is coming from and what goals it's attempting to serve.

[bread-wizards]

I think a lot of the meta about Orym forgets that Orym isn't just an adventurer, he is a former bodyguard. His self worth is tied up in how well he can protect people and especially his loved ones. Thats why he sold his future to a hag, because its all he had left to give in order to be able to help.

Thats also why he seems so angry after FCG's death.

Otohan has killed his husband and father. Then him. Then he is brought back and told she also killed Fearne and Laudna. She killed Eshteross. She almost kills Keyleth. Now FCG has to sacrifice himself to save them all and kill Otohan and Orym was knocked out for it.

His job is to protect people and even with the added power from Nana Morri, it's still not enough. 6 years later and his loved ones are still dying and he can do nothing but watch.