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#from relationships where there is 100% trust on both ends
serialreporter · 2 years
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nobody is safe from being 'marked.' even if you're not someone he intends to kill, even if you're someone who winds up becoming close to him, he will always be aware of your routine and habits. it's practically intrusive, the way his mind works - and how it's always registering the habits of others and the shift of the room's atmosphere. he thinks nothing of it of course, he'd say he's just observant, as if it's not a deeply unsettling and damaging mindset to carry around, always being aware of the ways you can end someone in the back of your mind.
which is why it is never, EVER wise to let your guard down around the ghostface or to trust him completely. you could be someone he may never lay a finger on, but it doesn't mean there isn't still the threat of it happening.
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thebibliosphere · 1 year
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One of the really fun and interesting things about writing a polyamorous romance as someone who is ambiamorous/polyamorous is finding new ways to make sure the narrative hits the expected genre beats without just sort of... mushing it into a pre-existing monogamous romance mold, which is what I'm afraid happens a lot of the time.
Trust me, it was my job in the publishing house to make them fit that mold. I hated it.
Reading other poly-centric romances, I can always somewhat tell when someone is writing polyamory from a sexual fantasy aspect (zero shade; I'm here for all the group sex) without actually considering how it functions as a relationship dynamic, which can often come off as... well.
It's lacking for me as a romance.
Erotica-wise, it's fine. But it misses the romantic beats for me that I want as a polyamorous-leaning person.
There's so much emphasis on the polycule and never the individual dyads within the larger relationship.
For example, in a triad, there are actually four relationships to handle.
The dyad between A + B. The dyad between A + C. The dyad between B + C. And the overarching relationship between A + B + C.
With monogamous-leaning authors or authors that've been pressed into conforming to the pre-existing genre beats, there's a tendency to treat the relationship as a homogenous mass where everything is fair and equal, and you treat all your partners the exact same way.
And I get it. It's easier to write everything as peachy-keen and to have external conflict be resolved with either acceptance or a brave confrontation.
But it doesn't always land for me as someone who wants to see my style of love represented in the genre.
In healthy polyamory, either closed or open, each relationship is unique in its own way. Taking the example of a triad again, the way A acts with C likely differs from how A acts with B.
And that's a good thing!
Because C might not want the same things as B, so trying to treat them both the exact same is a surefire way to make sure someone isn't getting their needs met, and that will lead to conflict.
Polyamory isn't striving for equality between partners but rather equity.
What are your individual needs, and how do I meet them, as well as meet the needs of my other partner(s)? What do you want from the larger relationship as a whole? How do we accommodate everyone without making someone feel neglected or uncomfortable? How do we show this in the narrative? How do we make sure character A isn't just treating B the same as C in every interaction? Do they ever fall into that pitfall? How do they remedy it?
It seems like common sense when you write it out like that, but it's a major pitfall I see time and time again. The characters never alternate their approach between partners, if there's any focus on the individuals at all.
The other major telltale thing I've noticed is that taking time to be with one partner is seen as a step down from the "goal" of the greater polycule.
The narrative is framed in such a way that they might start out with individual dates, but the end goal of the romance is to eventually be together 100% of the time all the time, and wanting individual time alone with any one partner is somehow "lesser."
Which is the goal of romance in monogamy, but it's not the goal of romance in polyamory.
Granted, you do need to end on a Happy Ever After or Happy For Now for it to fit the genre requirement. And a nice way of tying that up is to have everyone together at the end as a happy polycule all together all at once. I'm not disputing that as a narrative tool. I'm just pointing out that there's a tendency to present those moments as the sum total of the relationship when in actuality, there are multiple relationships that need to end happily ever after.
The joy of polyamorous love is the joy of multitudes. It's the joy of experiencing new things, both as individuals and as a polycule. If you're not taking care of the individual dyads, however, your polycule is going to crash and burn. You cannot avoid that. So why, then, is there such avoidance of it in stories meant to appeal to us?
Is it simply inexperience on behalf of the author? Or is it that they're not actually being written for us? Is it continued pressure to meet certain genre beats in a largely monogamous-centric genre? All of the above?
Either way, I'm having fun playing around with it and doing all the things we were warned against in the publishing house.
I'm having fun with Nathan and Vlad enjoying their own private dynamic that is theirs and theirs alone. I'm having fun with Ursula and Nathan being so careful and vulnerable around each other. I'm absolutely 100% here for the chaos of Vlad and Ursula without a chaperone. And I'm here for the chaos of Vlad and Ursula together and Nathan's fond, loving eye roll as he trails after them, too enamored to tell either of them no because where would the fun in that be...
Anyway. Don't mind me. Just getting my thoughts out while everyone else is in bed.
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nerdyfan1 · 2 months
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Ok guess talking about A New Wish again cus I got invested lol
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Anyways maybe it’s a me thing (it’s definitely a me thing) but, I do get a little sad when ppl act like Peri doesn’t care about or straight up hates Dev. I’ve seen a few rbs and tweets it’s not a lot but, it did make me think about this. See I actually got the opposite impression of what we’ve seen of the dynamic. Peri cares a bunch for the kid and Dev doesn’t dislike him just still struggling to trust him. We’ve seen him take awhile to trust ppl and let his mask down for Hazel. She also seems to be the only one who got to him so far.
So Peri is going through what a lot of parents do, ending up with a kid they weren’t prepared for. Bro seems mostly tired. If anything I feel if Peri was to be mad at anyone it not be Dev, it be the fairy department who assigned him a very obviously tougher case that a newbie as himself wasn’t equipped to handle. Dev by no means is a bad kid but, he’s more complicated compared to his god kid counterpart in Hazel. She definitely has her own issues (hence why Cosmo and Wanda wanted to help her) but, she’s more well adjusted than what’s going on with lil Dimmadome over there.
I’ve seen someone mentioned Peri was screwed over by the Fairy Department here which I 100% agree with. In fact I’ll go a step further and say they both were. Just like Peri should have been given a kid who he could more reasonably handle Dev should have gotten a gotten a fairy that had more experience so they could properly handle his issues. Yet despite all this I actually like that they were paired up this way.
It was a unfair yes but, also really irrelevant thinking about this. Cus given how the episodes been going so far I definitely see these two having an arc about Peri learning to appreciate his parents while letting them know he’s his own man now. While Dev is gonna learn to continue to open himself up to others. Eventually growing to trust Peri and see him as a dad. You given who his actual dad is like.
I take these two so seriously guys. I don’t think I’ve seen a fairy and god kid relationship like this. Most of them are usually at least got along relatively well. Honestly no not here. Peri and Dev pair up feels like it is set up to fail yet the idea they still in the end up making it work and get to see each other eye to eye is great. I have a strong feeling that where this is heading.
I’ll give them a bit and they’ll be like the sweetest adopted father and gay son dynamic. 💞
Edit: Wtf where all these notes coming from? I’m at least glad to see ppl agree with me here. I’m beyond happy he got Peri btw. Even if in universe it probably was a mess up or The Fairy Department fucking shit up lol
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queenpiranhadon · 6 months
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Hello! You commented on my post about my dream request so here it goes...
Pro Hero! Dynamite is dating Underground Pro Hero! Y/N. He doesn't know she's a hero, doesn’t even know she has a quirk. She has a "job" where she can travel a lot; a model for Mitsuki & Masura (they know, because parent instincts). Anyway, YN gets sent on a lot of missions with Pro Hero! Deku since he's one of the few who likes working with everybody. Dynamite sees how close they are and is seething, and end ups turning it into a huge fight.
(i woke up at this point but pls make it comfort if you can)
thank you in advance!!🫶🏾🫶🏾
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A/N: Idk if this is what you wanted but I loved this prompt so much!! Big thanks to @zanarkandskylines for beta reading and editing this I owe you so much 😭 Here's my masterlist!
Warning(s): f!reader, Katsuki and reader are dating. and they live together, reader is an underground pro hero with a pre-established quirk, mentions of blood, Katsuki thinks reader is cheating on him with Deku, angst to fluff, characters might be a little ooc, mentions of passing out, reader cries a lot, Katsuki does too, Katsuki almost kicks reader out, cursing, Katsuki calls reader princess.
Pairing: Pro Hero! Bakugou Katsuki x Underground Pro Hero! Reader
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•─────•°•❀•°•──── ɢᴏᴏᴅɴɪɢʜᴛ ────•°•☁︎•°•────•
Shit. 
Pain flares up in your abdomen as you try not to think about the blood gushing out of your side, as the taste of iron lines your taste buds, making you want to vomit. 
You were on a mission with your close friend and pro hero, Deku, who you consider a friend till the end after endless mission assignments together. Your quirk, Rays, allowed you to control the lighting of any setting you were in- even if it were bright outside, you could plunge anything within a 100-mile radius into complete darkness if you chose to do. Along with that, you could illuminate anything within the same distance in the middle of the night. Your eyes would change colors while your quirk was active, growing lighter and darker with the lighting around you- a feature that allowed you to be hired as a model for Jiyū, a clothing company owned by renowned clothing designers, Mitsuki and Masaru Bakugou. They joked that that lighting always favored you during photoshoots, capturing your eyes in such an alluring way that it was almost like you were the one who made the clothing look exceptional. They’d often drop hints that you would, in fact, be a perfect fit for their hotheaded son. You’d laugh at their insistence, waving off their jokes. They never would guess the reason behind your choice of career path, especially as a secret pro hero. 
You were an underground Pro Hero by the name of Sola – specializing in espionage and stealth, a major asset to Pro Hero Deku as you balanced his brute force with elegance and mobility. You loved your job, not ever having to need to be prominent on the Hero charts and found your reward through the knowledge that you were helping others. It was silly, you thought, to sneak around with a secret identity like all the books you read, unlike the Pro Heroes you knew that basked in attention. And even though you didn’t need people fawning over you 24/7, you still had one issue with all the secrecy. 
That being your boyfriend, Katsuki Bakugou.  
You loved him with your entire heart, and more, as he did you. The both of you got together a few months after the explosive blonde had graduated from UA, your relationship blowing up the tabloids with a bang as he climbed the hero rankings. 
You trusted him with your life, and he trusted you with his heart, and yet you couldn’t tell him about your job as an underground pro hero.  
This was one of the reasons why.  
You hid behind a pillar in the abandoned warehouse you had caught a drug network alongside Pro Hero Deku. The both of you were tracking the pricks for months, coming home late every night with a new excuse to tell Katsuki. You knew it would burden him with worry, choosing to keep your secret hero identity just that - a secret, even from Katsuki. He couldn't worry about you when he had his own job as a Pro Hero to worry about.  
Not to mention he wasn’t exactly on the best terms with the greenette you worked with constantly. 
The fight ensued, you heard Deku’s grunts and the cracks of bones, no doubt his One for All in usage. You manipulated the light around him, effectively blinding your opponents while giving your partner the advantage of sight.  
You were losing blood at a rapid pace, head becoming fuzzy as your body slumps to the floor, giving into the exhaustion from overuse of your quirk. 
The last thing you heard before the world turned black was Deku’s triumphant call for you, reporting that all the villains were restrained.  
When you woke up, you were in Izuku’s apartment, head hazy and your temples throbbed like they were being stabbed repeatedly by blunt needles.  
You got up without a word, thanking Izuku for his hospitality before leaving to go home, brushing off his concerns and walking out his front door.  
Anxiety gnawed at you on the taxi ride home, subconsciously fiddling with your shirt to make sure your bandages weren’t visible, and praying to whatever deity was watching over you that Katsuki wouldn’t notice.  
You reached your apartment complex, taking a deep breath and settling for a somewhat content look, before inserting your keys into the lock and opening the door, basking in the familiar warmth of your shared home. 
Spotting Katsuki at the kitchen stove, you creep up to him and wrap your arms around his waist, to which he stiffens, but you don’t think much of it as you tighten your arms around him.  
“I’m home!” You sing, smushing your cheek against him but he says nothing.  
Worry works its way through your mind, wondering why he wasn’t responding, until his gruff voice snaps you back into focus. 
“Where were you.” he says, phrasing it like a statement, not a question.  
Your heart drops into the pit of your stomach- does he know? Did Izuku tell him?  
Wh-what?” A nervous laugh escapes you. Had you been caught? “I told you, I was in the US -” 
“Cut the bullshit.” he snaps, and you let go of him – you can physically feel your heart snap in two. “Where. were. you."
“I...” you trail off, the words caught in your throat, willing the tears that threatened to spill not to fall.  
You both stand there, wordless, staring at his eyes, full of pain.  
“You never even loved me, did you?” he says, voice cracking full of emotion, your eyes widening.  
“Katsuki no- I" You try to explain, but he cuts you off, the pounding in your head returning with the new rush of emotions.  
“Just stop. Please. Leave and never come back.” He spits out, tears finally dripping down his face. ���Go fucking be happy with shitty Deku because obviously he’s a better fucking boyfriend than me.”
He thought you were cheating on him. Those late nights coming home, prolonged trips without explanation- god you were so stupid.  
You rush towards him, mind racing as you try to explain, try to fix things. You couldn’t lose him, you couldn’t- it would destroy you in ways unimaginable.  
And yet, he pushed you away forcefully, making you cry out in pain as he contacts your wound in your side.  
He almost stops breathing when he sees the blood, your blood, on his hands.  
You panic, and he grabs you by the shoulders, lifting your shirt up to reveal the bandage wrapped around your torso that the blood managed to seep through.  
“Kats-” 
“Who fucking hurt you.” he growls, low and feral- all resentment from the previous conversation melting away with the realization that you weren’t with Deku – or at least in the way he thought.  
“I’m an Underground Pro Hero.” You whisper, a desperate attempt to mask your feelings as you curl into yourself. You can’t risk looking up at Katsuki and seeing his reaction. 
“You what- fuck, you have a quirk?!” He looks at you, eyes wide.  
You nod hesitantly, his vermilion stare meeting your own, attempting to assess what else you could be hiding from him. 
“I wasn’t allowed to tell you- the Commision wouldn’t let me, I wanted to tell you so bad Katsuki, but I knew you had so much on your plate, and I didn’t want to bother you, and-” you break down, Katsuki cutting you off as he encircles you in his arms, consoling you silently, letting your distraught form melt into his embrace.  
Heaving sobs turned into choking cries, which dwindled into sniffles that lead to silence. You’d drifted off, cried yourself into a sleepy daze while he carefully cradled you in the kitchen. His own guilt ate away at him- he understood your situation, the Commission was as unsympathetic to a hero’s situation as the League was to anything. But it still hurt, that stupid Deku knew about your status as a Pro Hero before he did. He shook his head, dispersing his feelings. He hated himself for his words, for assuming the worst and thinking you were capable of doing something so low. Running his fingertips over your bandages gingerly, a pang of worry struck through him. He wiped the tears off his face, and then yours, lifting your sleeping form and headed for your bedroom. 
Right now, he needed to take care of you.  
Changing you out of your clothes, he settles you into one of your favorite worn out shirts of his, tucking you into bed before getting ready to sleep himself. 
He joins you in bed, heaving a shaky breath after everything, wrapping his arms around you, one hand placed on the back of your head and the other on the small of your back, holding you against his chest like you were made of porcelain - too scared to let you go, but scared of breaking you, too.  
“Goodnight, princess.”
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linkspooky · 4 months
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DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY
I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.
Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.
In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.
Unnecessary Redemption Arcs
The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.
I'm about to argue against both of these points.
Azula's arc doesn't work as a tragedy.
Because of this her arc is unsatisfying and unfinished.
I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.
Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.
AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY
Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.
[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T
Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.
I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.
Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.
Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.
Yeah, that never happens.
Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.
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Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.
Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.
Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.
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Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.
(Terra always lies, Terra always lies, Terra always lies).
Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."
Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.
At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.
Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.
There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.
If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.
If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.
If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.
Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.
Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.
There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.
Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.
To simplify into bullet points, Judas Contract works because:
The creators thought out what they wanted to do with Terra.
Judas contract is Terra's story.
Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.
AZULA'S ARC IS NOT WELL THOUGHT OUT
I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.
It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.
Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.
"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."
So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.
I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.
Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.
However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.
No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.
The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.
Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.
Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]
Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.
That's only if you regard it from Zuko's perspective.
Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.
Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.
Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.
However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.
Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.
This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.
There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.
That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.
Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.
Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.
This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.
Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.
It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).
Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.
It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.
Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.
There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.
On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.
That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.
Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.
How exactly is he doing that in this scene?
The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.
This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.
However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.
And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.
Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.
What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.
Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.
Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).
However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.
However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.
THE GOOD
The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.
Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.
Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.
Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.
However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.
In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.
Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.
It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.
However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.
Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.
What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.
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But, you want to be a hero right?
Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.
He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.
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He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.
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If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!
However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.
This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.
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There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.
The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.
Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.
This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.
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This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?
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The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.
It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.
Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).
@stillness-in-green does a more succinct summary of this plan.
Just me?
Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.
Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.
However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).
Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.
His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.
Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.
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From a conversation with @class1akids
Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.
It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.
Citing my conversation with class1akids again:
Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.
Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.
Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."
So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.
Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.
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What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)
Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.
Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.
Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.
Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.
Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.
This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.
The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.
Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.
Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.
THE BAD
Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.
Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.
The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.
If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.
Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.
I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).
It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.
Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.
Anyway, time to quote the bad bad video again.
"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.
I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.
I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.
Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.
If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.
However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.
If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.
(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)
If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.
They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.
If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.
If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.
It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.
It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.
If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.
The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.
Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.
While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "
As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.
Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.
Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.
Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.
This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.
Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."
People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.
Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.
I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.
Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.
The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.
Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.
Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.
Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.
Then there's the famous mirror scene:
Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.
Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.
Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).
Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.
I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.
THE UGLY
Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.
Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.
Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.
The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.
The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.
As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.
Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?
Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.
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Rant from @hamliet
This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive. 
First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil. 
Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.
I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.
I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.
Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.
Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).
Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.
However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.
However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.
That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.
The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).
Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.
As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.
(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."
The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.
Stealing from @hamliet again:
The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.
Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.
You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it.   Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.
There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.
She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.
Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.
But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.
Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.
The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.
Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.
AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.
Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.
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santanasaintmendes · 1 month
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what it’s like to date them ~ f2 + sebastian montoya edition
masterlist
drivers included: ollie bearman, kimi antonelli, dino beganovic, sebastian montoya and arthur leclerc
type: fluff & a tiny bit of angst
warnings: mentioning of jumping off a cliff (ollie) , small sexual innuendo (sebastian) , mention of making out (ollie), if any of those make you uncomfortable please keep scrolling!
photos are found on pinterest & all credits go to their rightful owners!
a/n: it’s my first time trying something like this so feedback is appreciated! i love sebastian montoya so i just HAD to include him. likes and reblogs are always appreciated, enjoy xx
Ollie Bearman
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being ollie bear man’s girlfriend is no easy task
he’s constantly travelling around the world and sometimes being in a relationship is unrealistic for an f2 driver like him
but to be honest ollie would rather jump off a cliff than not have you by his side
the two of you are the exact embodiment of sleepy gf x cuddly boyfriend
whenever ollie gets the chance he flies you out to watch him race
late night walks together are a common thing for you both
LEGO DATES OF COURSE (reference to cosmic girl records)
cute good morning voice messages (HIS SLEEPY VOICE IS TO DIE FOR)
he’ll randomly send you photos of what he’s doing whether that’s photos of his meals or him at the gym he loves to keep you updated
in the EXTREMELY rare occasion you guys fight he’ll never EVER let you guys go to sleep without making up (and out 😌)
he loves gifting you flowers and he’ll keep one so he knows when to buy you another bouquet
he’s a goner when you play with his hair while cuddling
y’all hold hands under the table ALL THE TIME
he’s like your own personal photographer, constantly taking photos of you for your instagram or his
he 100% smiles when he reads your texts if you’re far away back home
sometimes it’s so bad that kimi and dino will tease him about it all day long
sings to you. badly, but you’re too nice to tell him he’s got a bad voice
you guys love watching movies together, whether it’s old movies like top gun or the latest ones like deadpool and wolverine
sometimes yall just sleep on the couch together
of course, ollie being the true romantic he is, loves taking you out to fancy restaurants, dancing in the rain, gives you his hoodies, the list could go on forever
facetiming and messaging 24/7
you guys could honestly talk forever, the conversation always flows so easily between you guys
y’all know that one scene in tangled where rapunzel and eugene are in the boat on the lake with the lanterns and eugene’s admiring rapunzel? LITERALLY YOU GUYS
i’d say, Ollie’s love language is 100% physical touch and quality time
homeboy CANNOT keep his hands of you, so you’ve either always got your fingers intertwined or his hands are around your waist or on your back
honestly? you couldn’t ask for a better boyfriend and ollie for a better girlfriend 💖
Kimi Antonelli
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they say italians are one of the most romantic people on earth and kimi never fails to prove that to you
kimi has you laughing all the damn time with his habit of cracking jokes all day, sometimes the two of you will be sitting in silence, make eye contact and burst out laughing
he loves loves loves calling you cute names in italian, amore, bella, tesoro
he loves teaching you small phrases in italian
100% you guys are idiots to lovers, you both are lost in your own little world with humour only the two of you guys understand
kimi ALWAYS makes time for you, even when he’s tired, hes always up to call or cuddle no matter the hour
you’re a sucker for his italian accent 🇮🇹
you love playing “Bella Ciao” on full blast to wake him up from a nap
AND TRUST, at first he’s always grumpy
but he can never stay mad at you for long it’s always ends up with laughs and tickles
kimi texts you the funniest most random things
once you woke up to a text from kimi that read: do you think penguins get angry
safe to say you had to explain for the next couple of minutes to kimi that it was impossible to know because he kept hitting you with the “but why” card
he loves sending you memes that are definitely not funny just to see what your reaction is
he loves to tease you ALL the time
you guys love to take the silliest photos together
exactly like blake lively and ryan reynolds, the two of you have a good social media presence which often includes making fun of each other and joking around. it makes the fans go crazy and love you two even more
yall have shared playlists fr and kimi just loves annoying you by adding the most weirdest songs like the barney theme song or the bill nye the science guy song
he gifted you a CD player once and he loves giving you CD’s he makes with songs he thinks you’ll like
he once told you he’d step on a LEGO for you
you guys love to attend concerts when you have a chance
dating kimi can sometimes be a walk in the park and other times not the easiest
comforting kimi after a bad race is always hardest because he’s such a dedicated and passionate driver
but there’s nothing that you can’t fix, if that’s just holding him while he’s upset or just sitting with him while he speaks, you’re there for him every time
and he loves you for that, you’re both teenagers but he’s 101% sure that one day he wants to marry you, and you? you’ve known it since the moment you met him
Dino Beganovic
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dino may be the funniest guy you’ve ever met
he loves seeing you smile and each time he makes you laugh or smile it’s like an achievement
dino’s also an athletic guy, always in the gym or going on hikes in whatever country he’s in at the time
and he drags you along every time
sometimes it’s a pain but it’s worth it when he has the biggest smile ever when you guys reach the top of the mountain or exit the gym
dino’s an excellent cook despite what his friends may claim
he cooks for you any chance he gets
when you first found out Dino was swedish you nicknamed him IKEA boy just to annoy him
leaving you at home is the hardest thing he has to do and sometimes coming back is even harder, but you always make sure to stay up for him so when he walks through the front door you’re there to welcome him home
you find the fact that his name is ‘dino’ hilarious so you’ll randomly send him “🦖”only for him to reply with “🖕”
if there was one phrase to describe the two of you, it would be enemies to lovers
the first time you ever met dino was when your mutual friend arthur introduced you to him, and instantly you didn’t like him
you honestly never figured out why, maybe it was because you were jealous of how confident and smart he was?
yes, that’s probably it
and when you guys first met, the feeling was mutual, dino didn’t exactly like you either
but because of arthur who was whole heartedly convinced that he could get his two best friends together, you eventually began to feel things for dino and guess what?
he felt the same
it didn’t take long for you guys to get together
and arthur made a lot of cash in the process considering the whole grid had made a bet with him
you hold it against him till this day
but nevertheless it was the best choice you’d ever made, becoming dino’s girlfriend
he’s a gentlemen through and through
you often fly out to surprise Dino at his races and its always worth it to see his ginormous grin when he sees you
you guys definitely have your rough patches in your relationship but you both work through it together every time
you guys love going on cute coffee dates, especially to the cafe’s in Sweden, the two of you have a mission to find the best cafe there
he loves taking you to museums when you both visit his home
he loves telling you stories of his childhood and hometown since the two of you both grew up in different places
before dino you’d never believed you could ever fall for someone like him, and he proved you wrong yet again
Sebastian Montoya
he’s not f2 but i just HAD to include him, he’s my cutie patootie fr
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if there was on word to describe sebastian it would be oblivious
you had a good fat crush on him for a solid 3 years before the two of you got together
he just could never get a hint
you tried your best to subtly show that you liked him but he’d brush it off as you being overly kind or something like that
both of your families were super close so you basically grew up together
you were the same age as him so you were the closest out of everyone in the family
it wasn’t until your 15th birthday when Sebastian took you by surprise and confessed he had feelings for you
how could he not? you were stunning and basically his best friend. childhood friends to lovers, are you joking?
you always accompanied him to any karting competition or tournaments, you were and still are his biggest fan
sebastian is like a dream come true
he’s hilarious and sweet and caring and you could go on and on about how
he’s such a charmer, especially with his words
he loves calling you cute names in spanish such as cariño, mi amor, bebe, angelita, hermosa and so many more
dating sebastian is like you always though it would be like
he’s the loyalest guy you know
he loves going to the gym and he’ll send you photos whenever he’s there
you both have a habit of calling each other before you go to sleep, talking about how your day went or what you had for dinner that day
you’d think with both his parents being able to cook such great colombian food he’d be a great cook but you’d be wrong
sebastian nearly once set your kitchen on fire when he tried to fry an egg which goes to show just how bad of a cook he is
so you take the reins when it comes to cooking your meals when you eat together
sebastian’s probably the funniest guy you know, humour comes to him so naturally you’re almost jealous
yeah, you guys fight more than you’d like to admit, but he’s always the first one to apologise and pull you into a hug, peppering you with kisses
he’s like a giant teddy bear if they were absolutely ripped and had the biggest biceps you’d ever seen
sebastian often has to go away and he wishes he could take you along every time so when you get a chance you always accompany him
flights to wherever he’s racing that weekend is always fun
once you tried to convince him to do a face mask with you on the flight but he wouldn’t budge
sebastian loves touching you, not always in a sexual way but even sometimes just soft touches or holding hands is enough for him
kisses, kisses and more kisses
he absolutely loves it when you play with his hair
if you accompany him to the gym he’s definitely showing you off
whenever the colombian football team is versing another team you always go for the other team just to annoy sebastian
you guys often post each other on your instagram stories, usually including a joking insult
if you’d told your 13 year old self that you were dating sebastian she would not believe you at all, and well maybe dreams do come true
Arthur Leclerc
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you never ever thought you’d end up dating charles leclerc’s little brother
the first time you met arthur was in a supermarket at 9pm, you were rushing around, late to a party when you crashed head on with a stranger
that stranger just so happened to be arthur leclerc, you recognised him immediately as he bent down to pick up all his groceries that had fallen on the ground
you realised you were standing there gaping, you immediately apologised and helped him pick up his shopping
arthur was taken by surprise when he looked up to see such a . . . mess. to say the least
your mascara was poorly applied and your outfit was NOT it at all
it nearly made him laugh at the absurdity of it all, and yet as he continued to watch as you apologised he was stunned by your eyes
they were well, gorgeous.
he asked for your number much to your surprise and well the rest was history
arthur is by far the most sweetest and handsomest guy you’ve ever met
he helps pick out your outfits for the day without complaint, always helping you put on your heels when you guys go out for dinner
arthur loves to be by your side 24/7
whether it’s to make sure other guys don’t get the wrong idea or just because he loves being in your company he’s always with you
but of course because he’s a formula 2 driver his job requires him to travel a lot
which often means you’re left alone, it sometimes poses to be difficult for the two of you, especially you and it sometimes ends with you guys fighting
but there’s nothing that the two of you both can’t overcome together
he looks at you like you hung up the stars 🤩
arthur loves making you laugh, it’s like he could high on just your laughter
so any chance he gets to make you laugh, he takes it and honestly it only makes you love him more
matching outfits? definitely.
cute french nicknames, mon amour is a favourite for sure
arthur loves to gift you things, whether it’s perfumes, clothes, handbags, if you linger too long on something while you’re shopping, best to know that it’ll appear in your apartment in the next week
he absolutely loves to take you on the craziest dates ever, bungee jumping, sky diving, swimming with sharks, anything that’s completely crazy? definitely.
maybe it was fate or something like that, but arthur’s grateful that you crashed into him that night in the supermarket, looking like a mess, you couldn’t have looked prettier in his eyes.
a/n: AHHH! So that’s brings us to the end, thank you for reading if you got to the end!
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percheduphere · 9 months
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LET'S TALK ABOUT WHAT MOBIUS WOULD CHOOSE
Here's the thing:
If given the choice, Mobius would 100% choose to stay with Loki at the End of Time instead of living his life out on the timelines.
It would be completely in-character for him to admit this and enthusiastically choose it because Loki has been Mobius's choice in almost every episode of the series with the exceptions of S1E3, S1E6, S2E4, and S2E5.
In S1, I think it's important to note that while working with Loki in S1E1 and S1E2 serves the TVA's purposes, both episodes hinge on Mobius wanting to believe in Loki in the first place. There is a stronger emotional undercurrent guiding all of Mobius's actions that is consistent through the S2 finale.
In S2, tellingly, the relationship firmly reciprocates with S2E1 through S2E6 showing Loki choosing Mobius, with particular attention in S2E4 and S2E5 (the very same episodes in which Mobius isnt given a plot opportunity to choose Loki). It's subtle, but the act of choosing Mobius actually begins as early as S1E4 (choosing to trust Mobius despite the memory loop torture and wanting his friendship). Loki's conviction in Mobius gradually increases alongside intensity through, once again, the S2 finale.
S1E1: Mobius chooses to save Loki from Renslayer and deletion. He chooses to believe Loki isn't a villain. The whole premise of the series relies on Mobius's belief and Mobius's choice to act on it.
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S1E2: Mobius chooses to: 1.) believe in Loki's apocalypse theory, 2.) believe in Loki's deduction that Sylvie is hiding in Alabama, 3.) bring Loki out into field (where Loki's unpredictability and uncontrollability are highest; logically, Mobius should have left him at the TVA), 4.) give Loki his daggers.
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S1E4: Mobius chooses to 1.) believe in Loki's claims that the TVA is lying, 2.) put his life on the line to free Loki and help Sylvie.
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S1E5: Mobius chooses to bring Sylvie to Loki in the Void.
S2E1: Mobius chooses to 1.) prioritize Loki's health and well-being, 2.) put his life on the line to stop Loki's timeslipping.
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S2E2: Mobius chooses to be: 1.) vulnerable with Loki, 2.) encourage Loki's cunning and more terrifying qualities.
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S2E3: Mobius chooses to encourage Loki's use of magic.
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S2E4: Loki chooses Mobius. Tom choosing to place himself between Sylvie and the pies (protecting Mobius when he is vulnerable) was a lovely choice.
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S2E5: Loki chooses Mobius. I'm so annoyed I can't find the gif of Loki talking about how Mobius should have a choice.
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S2E6: Mobius chooses to leave the TVA because Loki is no longer there and looks at his original timeline, as Loki gently encouraged him to.
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Mobius would choose Loki at the End of Time in a heartbeat. What other option would he choose?
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dystopyx-blog · 2 months
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as a Floyd enjoyer
I do read a LOT of octotrio posts.
Like a lot
so, as a yandere writer
time for yandere octotrio headcanons!
a lot of this will probably tie in for my ideas for my self insert and yandere posts I’ve written in the past!
it’s hard to say who was interested in you first. Either Azul was interested and sent the tweels on you, or the tweels were interested in you and then got azul interested and then azul sent the tweels on you, all I can say for certain is that at some point, someone is interested, and you get the tweels sent on you.
So you got the tweels following you around now. The two have different ways of studying. Floyd, of course, is more hands on. Jade typically stays back, taking EXTENSIVE mental notes. He mostly only gets involved when he can tell Floyd is getting a bit too… much for any one person to handle.
of course, then you have to deal with TWO tweels, and idc who you are, dealing with BOTH of them is way more to handle than just one of them. Like, one tweel is like 100%, but when those fuckers are working together it’s like at least 110%.
but… you seem to handle them really well somehow??
so whether it was Azul who was interested first, or they were interested from the very start, safe to say they are VERY interested in you now.
The tweels, despite being chaotic neutral at best (chaotic evil at worst) are still pretty goddamn loyal to Azul. So they eagerly report back to him (either to convince him or further convince him, again, doesn’t matter)
then this is where it gets really fun (for me)
I love the octotrio, and what I especially love is the mix of platonic and romantic. Like, ofc Floyd and Jade are purely familial. But when it comes to their relationship with Azul, it’s the kind of platonic that so fucking seamlessly shifts into romantic that no one is sure when it turned, and also no one cares. The octotrio blend so fucking seamlessly with each other, that they could even be purely platonic with each other, it could be less romance and more family, but an outsider would never fucking know or understand that. THE OCTOTRIO RELATIONSHIP/S ARE SO FUCKIN NOM NOM NOM I’M DEVOURING IT —
Ahem
anyway
point is, whether octotrio is a romantic poly or just three really fucking close friends, they all look at you and go “that one, we want that one.” And they don’t even have to vocally announce they want to share you, it is understood. There is no “all in favor say aye,” after a few times of the tweels reporting back to Azul they’re just all agreed “yes, this one is ours now, we are taking them for the seafood polycule.”
calamari, unagi, and shrimp, yum yum
ANYWAY
Expect the tweels on yo ass even more than before. Not only that, but they are FULLY embracing their statuses as fucking terrifying menaces to keep all your icky clingy friends away
Suddenly they’re paying extra close attention to your flaws. All of which they find endlessly endearing, what they’re really looking for is a chance to snap.
an insecurity, a life ending mistake, anything to get a chance to whisper in your ear that you need special help. Or maybe they’ll even use the fact they’re living up to their name and stick to you like leeches to convince you you need to talk to Azul
maybe you’re strong, maybe you can’t be fully convinced. Maybe once they do bring you to Azul (trust me, they will) you decide “nope, I’m out.” Thing is though, once they get you there, it’s already decided. Azul will know exactly how to trap you, exactly what to do to get you to come back, or even better, stay.
if you’re in Yuu’s shoes, I imagine he’d be willing to let you AND Grim live in the lounge. To make it less suspicious, he’ll probably say you have to work, or that he gets to use Ramshackle. Something to make sure you’re not suspicious why he’s suddenly so hospitable. But really, ramshackle or service are not what he’s after. Obviously. No, he needs you there, with them.
I don’t even really have to get into what these guys do as yanderes, since most students are already pretty frightened by the tweels. And now that they have someone to ‘protect’? HO BOI, do they REALLY give the student body to fear.
and if they get past Jade and Floyd, then there’s Azul, who will bribe or blackmail until they leave their darling alone.
yeah, sorry to say, once they have you in their sights, it’s pm over for you.
Doesn’t matter who saw you first, cuz you were doomed from the start either way.
GENERAL OCTOTRIO + READER HEADCANONS ❤️
Pleeeasassse I cannot get the image of octotrio dog pile outta my headdd. Azul, Jade, and Floyd are CUDDLY MOTHERFUCKERS, you cannot convince me otherwise. And once they have you, you’re joining. Typically Jade and Floyd both spoon Azul (you can’t convince me otherwise (or maybe you can, let’s talk)), and you’ll likely be sandwiched between Azul and whichever tweel called dibs that night. Or, it’s the true dog pile, where limbs are kind just all over the place. There’s typically a tweel at the bottom (cuz big bois), and that tweel is typically Jade because Floyd insists on being on top, despite his height and weight. And adding you just makes the dog pile feel so much fuller ❤️ (and if you’re one of those people like me who falls asleep better with like weight on top of you… yeah, you are not gonna be awake long enough to protest)
it may take a while for Azul to get comfortable enough to go full octomer on you, especially if you’re a darling who runs away, but once he does trust you enough, he will. And like… come on, I think we as a fandom agree that octo Azul is beautiful/adorable, so of course you do not react negatively to it, even if you’re a stubborn darling.
maybe you’re speechless, and Azul gets flustered and wants to ZOOM back to the surface, but the tweels hold him back, and thank god they do, because even if you aren’t screaming “omg you’re so cute/pretty!!” like I would, you probably mutter it under your breath, just loud enough that he definitely hears (did you know sound moves faster in water?) and he is a blushing cephaloboy. (Bet you didn’t think I’d bring SCIENCE into this, HA)
Suddenly now they’re also snuggling you in the water in med form, because yes these boys cuddle in med form, and you’re one of them now. Can’t breathe in water? Silly, they got magic for that. You are not getting out of this seafood pancake 🫵🫵
you are going to have so many limbs all over you omg. The tweels are trying their damndest to wrap their eel tails around the both of you, and Azul is keeping all of y’all together with his arms
(here’s another science fact, octopus do not have tentacles, those are arms)
AND DON’T EVEN GET ME STARTED ON THE BREE—
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tokyo-terror · 1 year
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GENERAL RELATIONSHIP HCS !
characters: 141 + graves
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phillip graves:
☆ southern boy lvl rizz, only he has absolutely zero rizz. the first time he met you he almost exploded because he's not used to talking to non-military people, what else is he supposed to talk abt other than unit stuff??
☆ probably gets his ideas from random movies he saw when he was younger (the black and white cowboy ones, but make it less misogynistic). classic flowers at your doorstep with the awkward :] kinda smile.
☆ can cook but never gets the chance to do it because he's always at the base, so the first thing he does when he spends the night he cooks a full course meal (he fucks up the dessert but it's ok 🤞)
☆ random gifts and acts of service is this man's lovee language, and it goes both ways. he melts at being given little things and is always ready to help around the house without being asked.
simon "ghost" riley:
☆ NOT A HARDASS!!! leave my bbg alone .. he's a very sweet guy. he's not very used to not being alone, so he relies on banter and easy conversation to fully enjoy and get used to a person's presence. not very fond of labels, but he finds comfort in the agreement of being each others.
☆ he's always willing to put himself on the line for you, even when his own comfort is at stake. so he tends to be a bit self-destructive if he accidentally goes too fast, he relies on a balance of being able to count on you for a steady rhythm
☆ follows you (and soap) around like a lost dog a lot, he just enjoys being able to be around people he trusts. especially when he's able to joke abt stuff that's happening in the moment, lots of food puns when cooking.
☆ stomach sleeper 100%. lets you lay on top of him so he can be weighed down and surrounded by his comfort items. can't sleep without at least 5 weighted blankets + you so warm nights are very common, but he runs cold so it's not a problem.
john "soap" mactavish:
☆ very work-focused guy, so he likes to plan his schedule around missions and you. always double-checking and asking what works best for you. if schedules don't line up, the next outing tends to always have a surprise.
☆ (canonically) scared of dogs, so whenever he passes by pet shops with you he always gets happy to see all the other animals but avoids the parts of the shop with the dogs. tries to talk you into getting obscure animals often, ends up with a cat that he tries naming sgt whiskers. it's named kevin instead bc animals w human names >>
☆ he chews on a lot of things when he's working with bombs, so his habits transfer onto you. he's always absent-mindedly chewing on something when having quiet moments with you, even trying to chew on you if you let him
☆ unironically very proud of being scottish (he's so real), so he likes bringing things from his home into yours. very big on the idea of blending and sharing stuff, so he likes getting things that are common in your country and vice versa :)
kyle "gaz" garrick:
☆ not shy, but a very hesitant and nervous guy. he takes a bit to build up enough of a relationship with you to where he asks you out because he's nervous to let people into his life that could potentially get hurt/end up with his dogtags.
☆ he's on the snarky side with his humor, always tending to take little jabs at the people around him to make you laugh. he loves making you laugh, probably has the candid videos of you laughing so he can play them while he's away on missions
☆ shower routine that he cannot seem to break when he's home, he always ends up bringing military issues soaps and towels from base because he swears it's the best (it's not). please give that boy some dove 🙏 he secretly (not really, he's very open abt it) loves the strawberry-scented dove soaps.
☆ collects different buttons from outfits he wears when they eventually pop off, so he starts collecting yours too. jeans that don't fit? he already has the buttons in a box with your name on it. old shirt of his that you wore? in the box.
☆ old man rizz 😿 religiously meets up with friends to play poker. he ends up teaching you how to play and lets you win because he thinks it's endearing. cannot play chess though, so he never plays bc he wants to impress you
john price:
☆ talks highly of his unit to you, and always tells his unit that his spouse wouldn't approve of what they're doing when they go against orders. the 141 walks on eggshells around you until price laughs and fesses up about lying
☆ beard routine, type of guy that has special oils and conditioners specifically for his beard. it becomes a nightly routine when he's off the field to let you do it for him after he showers. splurges and gets you hair/beard care stuff too.
☆ takes you fishing when he goes on leave. if you're not into fishing he just lets you sit in the boat and relax while he does all the work, but he enjoys it when you take an interest in his hobbies. gets you your own fishing rod and has you look up new bait ideas (he can't figure out phones).
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writersblog20 · 2 years
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It’s okay, sweetheart
Pedro Pascal x reader
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Credits to the gif makers!!!
Summary: When your period strikes, Pedro strikes back harder
Warnings: mention of fear of commitment, mention of always feeling alone, hints of neglection. Mention of being scared to let people in, period, cramps, and a whole lot of fluff
Words: 3,2K
It’s okay, sweetheart
You were traveling around the world with your co-star Pedro Pascal to give interviews about the upcoming new series that everyone was dying to see. You and Pedro hit it off great, like you’ve known each other your entire life and he was your comfort person. You’ve told him that and there was nothing wrong with it. in contrary even. “I’ve never gotten a better compliment sweetie. I love you too.” Was what he told you when you confessed how attached you were to him. “And I promise you, I’m not going anywhere.” So that’s how you got even closer to each other. You guys were inseparable. Where he went, you went and the other way around and if not, than you would facetime each other. You both had such a wholesome relationship, it was absolutly amazing
He was your safe space and he gladly took that spot with love. You weren’t afraid to tell him anything. You were used to pushing people away, sometimes even friends and you hated that. You wanted to trust people and let them in your ‘sacred garden’ but you just couldn’t and that was the same with relationships. You ended things before they could. It scared you to death but with Pedro it was different. He creeped up on you and slowly made his way to your heart and the moment you realized that he was standing next to you in your ‘sacred garden’, holding your hand tightly, you realized that you let him in. Let him love and care about you. it still scared you but Pedro radiated so much trust, love and care, it was something you’ve never experienced. You’ve kind off always been alone but not when Pedro came along. He held your heart on a golden plate. He was the first person you trusted 100% and where you weren’t scared or uncomfortable with. And trust me, that says a lot since you were almost from nature uncomfortable and awkward but not with Pedro and that was when you decided to open up and tell him everything. That’s when he made you that promise and you knew he would keep his word.
So you were finally done with the interviews and you would have a premiere to attend to and an after party but you felt physically a little off today, maybe because your period was on its way. You had cramps and they got worse with every passing second. It’s been a very long while since your period was this bad.  You and Pedro exited the room and he noticed how you crouched a little and put pressure on your stomach, trying your best to hide it but of course he would notice. He noticed everything, every discomfort, panic or whatever would bother you, he would notice.
“Hey, you okay sweetheart?” he asked you as he stopped next to you and placed his hand on your back. You bit your lip and tried to give a smile but Pedro gave you a stern look. “I have horrible cramps. I’ll just lie down when we’re back at the hotel before going to the premiere.” Pedro didn’t looked convinced but let it slide, wanting to bring you safe to your hotel room. “Alright, you set the pace okay?” he told you and brought your arm to his so he could link it and hold you. You nodded and carefully walked to the car.
When you were finally in the car, you brought your knees to you, hoping that would ease the pain a bit. Your arm was between your stomach and your leg, pushing pressure on the painful spot. Pedro sat next to you and softly went with his fingers over your scalp and placing so now and then kisses on your head. Luckily it didn’t took long when you arrived at the hotel. Pedro helped you up to your room and waited on your bed while you cleaned yourself a bit up in the bathroom and changed into pajamas. You had a plushy with you which you could heat up so it was a plushy and a heating pad in one. You were so happy that you had microwave in your room. You got out in Pedro’s oversized sweater that he gave you and joggings. You had the hoodie over your head and placed the plushy in the microwave and waited. “Go lay down sweetheart. I’ll take care of this.” he told you when he walked up to you, rubbing both of your upper arms with his hands.
You turned around and placed your arms around him for a hug. Pedro chuckled lovingly and pulled you in tighter. You weren’t really an affectionate person. You’ve said it before, you sometimes reminded yourself of Sheldon from the big bang theory. You didn’t mind a quick hug but you were so touched starved that a longer hug or any other type of affectionate felt unnatural because the last time you’ve had affectionate was from your mom and that stopped when you turned 10 years. So it was quite a while ago. Pedro on the other hand, was very affectionate and it scared you in the beginning because you didn’t know how to act or what to do and what I said earlier. It felt so unnatural. But you didn’t want it to stop and that’s how you learned to receive affection and give it back.
Pedro kissed the side of your head and led you to the bed. You crawled in with a groan from pain and worry took over the features on Pedro’s face. You laid down on your side, knees tucked towards your chest. Pedro got some painkillers and gave you a bottle of water. You smiled softly from gratitude. Pedro smiled and placed a kiss on your forehead. “Sweetheart, I think it’s better if you stay here tonight. Get some rest and try to get better. They’re going to be more premiers that we will attend. It’s not the end of the world if you stay in tonight.” Pedro tried to convince you as he sat on the side of the bed and softly rubbed your back.
The microwave pinged and he got the plushy out. It wasn’t the best heating pad (Because there was just a small pad in the plushy) but it was better than nothing at all. You thought about what Pedro said and you had to be honest with yourself. You weren’t seeing it happen anytime soon and walking crouched down on a red carpet was not a great look. “I think your right…” you mumbled and Pedro looked at you while walking back. He placed the covers away for a second and looked for your consent, making you nod. He carefully lifted up your hoodie and placed it over your shirt that you were wearing underneath the hoodie. He looked at you if he placed it right and you nodded again. He got the covers up and tucked you lovingly in.
“You take your time and rest princesa. You’ve worked hard enough. I’ll let them know okay? You go and rest now mhm?” you gave him a weak smile but felt grateful that Pedro would take care of it. “Thank you P!” Pedro just smiled adoringly at you and kissed the top of your nose and after, your forehead. “You have fun okay? And drink one for me.” Pedro smiled. “I will. I’m gonna miss you but see you later okay?” you nodded “You completely comfortable? Need something else? Can I do something for you? You need stuff from the store or…” you stopped Pedro from rambling with a chuckle “I’m good P, thank you. Have fun!” Pedro smiled again and gave you a last kiss before exiting the room. You scrolled a bit through Youtube but you fell asleep fairly quick.
You woke up from your hotel room opening and closing. You quickly looked up, not expecting someone to come in but as soon as you saw Pedro, you smiled and felt relieved, that was until you realized he wasn’t supposed to be back yet. “Hi….” you said softly, you haven’t moved since Pedro left the room earlier. “Wasn’t expecting you back.” you told him. He still had his suit on and he looked dashing. “I’m skipping the afterparty. The’re more to come, besides, I want to be with you.” You smiled and felt your heart fill up with love. You weren’t alone anymore because of Pedro. And he meant that.
“So…. I got some stuff from the store on my way back.” he told you and placed the bags on the bed. You sat up with a lot of groaning and Pedro was by your side in no time to help you sit up. He placed the pillow straight up so you could rest your back against it. You curiously tried to look in the bag but Pedro pulled it towards him with a smile. “So I figured that this heating plushy isn’t doing too much for you, so I got you 3 extra…..” you looked surprised at the amount while he got them out. One was a bunny, the other a pink bear and the last one, he kept in the bag. “And now my favorite…” he told you and got Grogu out of the bag. You were surprised but you had the biggest smile on your face and that was all Pedro wanted. He smiled at your reaction. “I didn’t even knew these existed but I thought you might like it.” he told you and gave them to you. 1 plushy was already bigger than yours so the fact he got you 3…. That was just too sweet.
“P, this is too much! Thank you! but why so many?” you chuckled out. “Couldn’t choose and I liked them all.” you chuckled and couldn’t wipe away the smile off your face. “Besides! This one smells like eucalyptus” he told you excited when he held Grogu up. “And this one smells like lavender” he got the pink bear up. “And this one smells like patchouli!” he told you, holding the bunny. Pedro sat next to you and you reached your arms out to hug him. Pedro chuckled and scooted closer to you and held you lovingly in his arms, softly rubbing your back. “Thank you so much! You have no idea how much this means to me.” Pedro kissed the side of your head. “You are more than welcome princesa. Trust me, it’s my pleasure.”
“Oh and I got you some other stuff.” He told you and reached in the brown bag. “ginger, some painkillers, fruit, fruitjuices, and snacks if you’re up for it and I didn’t know if you still had any left but I took some pads with me.” he told you and looked at you, only to see you with a big smile. “Thank you… really.” Pedro shrugged. “It’s fine sweetie, really. You don’t have to thank me anymore.” He told you with a chuckle and kissed the top of your head. “How did you know that I had to get my period? Besides the cramps of course.” You asked him. “We’ve been on the road for a while now, so I kind of know when you have to get your period” He chuckled while scratching his neck. It was sweet really, besides that just showed you how much in tune he was with you and the small things you showed from discomfort and how fast he picked up on them, while for some people it would take years and even then, you could be a closed book.
“So I was thinking…. I get changed into something I can breathe…” you were already laughing, knowing that Pedro found the suit a bit too tight but it worked. “And after, I get my laptop and we watch something on Netflix. Let me take care of you.” he told you casually as he rubbed your back. you smiled and wanted nothing more. “That sounds really nice, I’d like that.” You still learned to be vulnerable around people and letting Pedro in like this and let him take care of you, was something you extremely missed and it was the first step in the right direction. Pedro smiled at you. “Alright. I’ll be back in a sec princesa.” He quickly excited your room and you got the plushies in your arms, smelling them. You LOVED the Grogu heating plushy.
It didn’t took him long before he got back in his pajamas. He placed some of the stuff in your small fridge and put the kettle on so he could make you some fresh ginger tea and got the plushies out of your hands, placing them one after the other in the microwave until they were nice and warm. He placed them besides you and on your stomach. Obviously you held Grogu tight. Pedro smiled when he saw you cuddling Grogu. “I love them all but this one is my favorite.” He chuckled. “I figured and to be honest, I would be butthurt if it wasn’t.” you chuckled.
Pedro got the tea and placed it next to you and gave you some stronger painkillers with more water. “You’ve got to drink more water sweetheart.” You knew he was right so you took some good gulps and placed it besides you again. “Good job.” He praised you casually and kissed the top of your head before getting comfortable next to you. He helped you getting the pillow right again. Pedro held out his arm so you could cuddle up to him. You let your head rest on his shoulder and partly chest. His arm going around you, his fingertips already back at your head and he tucked the covers more up. “Comfortable princesa?” he asked you and you just nodded.
You and Pedro choose out a movie that you both wanted to watch. You sat up to drink your tea for a moment and lied back down. “How was the premier by the way?” you asked him curious. “Boring… you weren’t there.” you smiled softly. Pedro chuckled “It was fine. The usual. You didn’t miss much but I missed you.” you crawled closer to Pedro. “Thank you for coming back ya know” you told him softly. Pedro went over your head. “Always sweetheart. Always.” You turned your focus back on the tv and halfway through the movie Pedro touched the plushies and got up. You looked questioningly at him. “I’ll warm them up again for you.” You smiled and whispered a small thank you as you handed him the plushies.
He got some fresh fruit that was cut up out of the fridge and handed it to you. “Try to eat something sweetie.” Pedro helped you sit up a little bit and got you comfortable again by tucking you in again and propping the pillow up. You felt spoiled even though it was normal to take care of someone who was sick, you were just used to do it yourself. You were glad that you were learning to open up with Pedro. You didn’t want it to be someone else. He carefully placed the plushies back while you ate some fruit.
He laid back down next to you and stole some fruit. You smiled and shared some fruit with him while you rested your side against his. You didn’t want to eat anymore so you waited for Pedro to finish and in the meanwhile you let your head rest on your shoulder. You felt his head slightly leaning against yours and you felt so very loved in that moment that you felt it radiate through your entire being. It felt warm like a nice hug without the actual hug.
When Pedro finished, you both laid back down again. Until you felt the cramps coming back at a high speed. You squeezed your eyes tightly shut and sat up straight, worrying Pedro in the meantime. You put your hand on your stomach and put pressure on the spot. Pedro felt helpless, looking at you when you were in so much pain and he couldn’t do anything about it broke his heart. He just kept rubbing your back and when he saw that a tear escaped the corner of your eye, he scooted closer to you and pulled you carefully into his body, resting his chin on your head as he tried to comfort you through the pain, placing kisses on your head and softly rocking you both.
“Can I try something princesa?” he asked you. You reluctantly nodded. “You trust me right?” you nodded again. “Okay, lay down sweetheart.” You did as he asked and Pedro laid down next to you. “I’m going with my hand underneath your shirt if you’re okay with that and rub your tummy and put some pressure where the cramp is. It used to help me when I was younger and was sick. Are you okay with that?” he asked you, knowing it was a step closer to letting him in and he new you found that scary. You nodded, wanting to try anything that could help. Pedro looked at you again for once again, consent. Which you gave him. His hand was big and warm underneath your shirt. “Where are the cramps exactly?” he asked you.
You grabbed his hand and let him to the horrible spot that pained you so much. Pedro immediately put pressure on the spot and you the cramps ebbed away and it felt like you could take a proper breathe again. “This works.” You remarked a little out of breathe from the pain. “Good, that’s good.” He told you and got one of the heavier plushies and placed it besides his hand on your stomach. His thumb softly rubbing your tummy and normally you would feel extremely insecure but not this time. It felt so nice, warm and safe that you didn’t care anymore. Besides, it stopped the pain. You covered Pedro’s hand with your own. Pedro linked your fingers through each other and you felt your body relax again, thank to Pedro.  
You haven’t felt so content, relaxed and peaceful in so long that you didn’t want to fall asleep. You wanted this moment to last forever so you tried to fight against your heavy eyelids. The warmth coming from the plushies, the body heat of Pedro and the closeness of it all enveloped you whole, making it hard to stay awake in such a relaxing state. You opened your eyes when you felt and heard Pedro softly chuckle, who was clearly keeping an eye on you and saw you fight against your sleep. “It’s okay princesa. Close your eyes, I’ll be right here when you wake up. I won’t go anywhere okay?” you nodded, too tired to speak up. You closed your eyes and felt Pedro softly tighten his fingers with yours as a confirmation that it was okay. He softly placed his lips to your forehead and lingered them there for a bit before placing a kiss.
You got more comfortable, your head resting on Pedro’s chest slightly, eyes already closed and it didn’t took long before a peaceful deep sleep brought you over to dreamland, handing over the best dreams to you.
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cepheustarot · 6 months
Text
What awaits you in April?
Attention! This reading is for entertainment purposes only. This tarot reading does not give a 100% guarantee that all the described situations will occur or being ultimate truth. You build your own life and destiny and only you know yourself best.
Paid readings
Pick a pile. Choose one or more pictures. Trust your intuition.
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Pile 1: At the beginning of the month there is a high probability of quarreling with your loved ones so be careful! It turns out that a person can hurt you with their words, offend you, hurt you with their actions, someone may even try to humiliate you or do something for which you will feel vicarious embarrassment. In general, this person will behave as if everything is permitted to him, he will begin to put his interests above your friendship, your pastime and he can cross all the boundaries of what is allowed. The behavior on the part of this person can greatly bother you and affect your morale, you will feel as if this relationship restricts you in actions and has become a heavy burden for you so in the first half of the month you will be concerned about this feeling and this situation with the person. 
There may already be a situation in your life that takes a long time to resolve and feels like it is not improving in any way but only getting worse. You may feel that there will be no changes for the better and you accept the consequences. This can occur in absolutely any area: in love, work, study, in the same situation with a person that was mentioned at the beginning. In fact here I see help from other people, you can be supported, motivated, and it is this faith in your strength that will help you move on because it is this faith that you lacked. Here I see that the situation will change for the better, I can even say that you will easily overcome the difficulties that have arisen, you will feel like a winner, you will feel strong self-confidence and that you can do everything. 
The third event is more related to the field of study / work, or it may occur in terms of family. In any case there is same meaning: you and your ideas may not be approved, someone older than you will limit your actions, disagree with your opinion (this may be both a boss, a teacher, and someone from the family), they may be threatened with dismissal at work and they may be demoted at school your academic performance or expelled from the university/college. But, as I see it, here you will be able to find a way to a person, you will be ready for a diplomatic conversation and, as I see it, after your words, the person may soften and make concessions to you.
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Pile 2: At the beginning of the month you can move on to the next stage of a relationship with some person! It can be someone you have wanted to meet for a long time and here you will have a chance to start communicating with him; you can also confess your feelings to the person you like and in most cases this person will reciprocate! If you have had a cold with someone in a relationship for a long time then it will gradually fade away, your relationship will become warmer, closer, it can be either someone from family, friends, lovers. In addition to relationships with people there will be a good opportunity to get a pet for those who have been planning to do this for a long time! Since there will be no problems here that could prevent you from doing this. 
In the middle of the month you will meet a lot of people, you will be able to make connections, both at work and in general terms of friendship or love. Perhaps you will be invited to a birthday party or to an event, festival, competition where just such a large number of people will be. In general, everyone will be friendly to you, they will show interest in communicating with you, someone may take the initiative and speak to you first. 
At the end of the month you will find yourself facing two elections and will not be able to decide which decision to make as they will both be beneficial for you! This may be related to travel, you will be offered to go on a business trip or study abroad as an exchange student, you may be offered to go on vacation for weekends or holidays; there will also be several opportunities that will help you get closer to your goals or even fulfill your dream. Accept the option that resonates in your heart and that is closer to you!
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Pile 3: At the beginning of the month I can't say that there will be intense events: it will be a relatively calm period for you, without strong emotional outbursts. It is a good opportunity to gain strength here, relax, pay attention and time to yourself. I also advise you to be careful in your words and actions, since the principle of "reap what you sow" will work here. For example if you overwork a lot then do not think that you will be able to recover in a couple of days, it will take a lot of time. Or if you say something offensive to a person and don't apologize, then the relationship between you can deteriorate greatly. I can also say that this month you will receive the answer you have been waiting for! This may be a response about getting a job at a particular company, or a response to a "risky" message that you once sent to a person. 
In the middle of the month you decide to interrupt communication with a person whose relationship did not bring you positive emotions but on the contrary, you felt only heaviness, irritation or intense sadness from them. You've been thinking about it for a long time and you might be afraid to interrupt them but when you decide to do it, you will feel a great relief! I can say that with this act a significant stage of your life will end and a new one will begin, which will bring you a good person into your life, with whom you will feel happy and joyful again, you will feel only sincere and warm emotions from communicating with him. 
The end of the month will be important for you in terms of your emotional state. Lately, you may have felt devastated, not knowing if you were moving on the right path, or generally not knowing where to go next and what to do next in your life. These thoughts could weigh on you and you could not find answers to your questions in any way. It's not that the answers will immediately appear in your chapter but gradually you will come to realize what you really want. This is because you can discover new interests, new people, a new field of activity, and gain new experience. You could stand still for a long time, feel that there is no progress but here you will finally start moving along the desired path again or someone will take the first steps at all, move from the start.
Thank you for reading! I will be glad of any feedback 🖤
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starryhyuck · 2 years
Text
twilight. (m)
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pairing: vampire!jaehyun + afab!reader
words: 3.3k+
summary: you’re 100% sure your boyfriend is a werewolf. surprise kicks in when you discover he’s a different kind of monster.
genre: smut
warnings: dubcon, squirting, choking, anal, reader gets thrown around like a ragdoll, crying, public sex, blood drinking, creampies
You’re a passionate fan of the Twilight series. Most of your friends know this, so your declaration that your new boyfriend is a werewolf comes at no surprise.
“Is it just because Jaehyun has a six pack?” Seulgi muses, chewing at the end of her fork thoughtfully.
You roll your eyes. “No. Although, that is a nice bonus.”
Johnny sighs at the other end of the table. “Is this just like last year? You know, when Taeyong dressed as Edward Cullen for Halloween and you were convinced he was hiding in plain sight?”
Your gaze drifts to the boy mentioned as he sits across the local diner, where most of your university frequents. Taeyong is laughing at something Jaehyun said, and guessing by the blooming red of Doyoung’s ears, you assume they’re teasing him again.
“No! Listen, my Taeyong theory was very good even though none of you entertained it, but this is different. Trust me, I know Jaehyun is a werewolf. I sleep right next to him,” you try to say convincingly.
Your friends offer you dead gazes. They’ve heard it all before from you, and were thoroughly pleased at how dumb you looked when you shoved Taeyong in the sun to prove diamonds would glitter off his skin. It merely resulted in your bashful apology to Taeyong, who was more than happy to laugh and forgive you.
“Maybe we shouldn’t try to mess this relationship up when it’s just started,” Minjeong says carefully, eyeing your reaction.
It’s true — you had only started dating Jaehyun two weeks ago after months of senseless flirting. Johnny was about to lock the both of you in a room just to get you to realize how much you like each other, but luckily you confessed before it got that far.
A pair of arms encircle your waist, and a kiss is pressed to the shell of your ear. “What are you scaring them with today?” A throaty chuckle sends shivers down your spine.
“Someone has another supernatural theory,” Seulgi responds to Jaehyun’s question, one eyebrow raised. You glare at her and give her a warning look not to spill your suspicion.
“Oh really?” You can hear the smile in Jaehyun’s voice. He knows all about your Taeyong debacle from last year. “Who are we targeting this time?”
“No one!” You quickly respond, spinning in his hold and plastering a smile on your face. You kiss his cheek and grab his hand, tugging him away from the table and out the diner. “They’re just being silly. Why don’t we go back to your place?”
Jaehyun laughs, lips ghosting the back of your neck.
“Yeah? Baby wants to go back to my place?”
You whimper at the tone of his voice, knowing exactly what he plans to do to you.
“Yes, please, daddy.”
It feels like you’re on Cloud 9. Jaehyun’s hand is tangled in the back of your hair, your face is shoved in one of his comfiest pillows, and his cock is brutally fucking your pussy. Before Jaehyun, no other guy really knew how to ruin you like this. Jaehyun was the first one who turned you into a dumb, drooling, cockwhore mess.
“Pillow princess,” he sinisterly laughs above you, watching your mouth fall open in ecstasy. “Never wants to do any work. Always wants daddy to take care of her.”
You feel his fingers brush the strands of hair away from your face, and his mouth grazes your cheek. His balls slap against your clit lewdly, his bedroom filled with the sounds of your squelching pussy.
“Now, tell me about this supernatural theory you have, baby.”
“Ungh,” you cry, barely able to remember your own name. You can feel every ridge and vein of his cock hug your walls, preventing you from thinking about anything else.
“Is it about Doyoung?” He murmurs in your ear, ignoring your cries when he picks up his pace. You know for a fact that you’ll be sore tomorrow.
“How about Mark?”
You swear you feel him in the back of your throat.
“Yuta?”
He applies pressure to your clit, rolling the nub between his thumb and forefinger. You see stars.
“Ten?”
The pressure is building, building, building, and-
“Is it about me?”
You hopelessly crash, crying loudly as you reach your orgasm. Your nails dig into Jaehyun’s arm, holding him close while he helps you ride your high.
You’re offered no time to recover, Jaehyun manhandling you onto your side while he presses up behind you. His fingers grip your thigh roughly, hoisting it in the air and allowing him to slide back in your dripping cunt.
“S-Sensitive, daddy-“
“I don’t give a fuck,” he growls, hips snapping into yours. It almost sounds like he’s mad at you. “Tell me about the theory you have on me.”
You feel wetness falling down your cheeks and faintly register that you started crying. You’re a blubbering mess, begging for Jaehyun to slow down.
“What do you think I am, hm? Gonna shove me in the sun like you did with Taeyong?”
All you can manage is a string of moans, your second orgasm approaching quickly. “M-More, daddy,” you beg, desperately looking back to try and get him to kiss you.
“You’ll get more when you answer my question, baby,” he hisses, prodding his fingers against your lips. You take the hint, opening your mouth wide and allowing him to slide his fingers in. You suck at his digits lewdly, trying your best to please him.
He groans at the sight of you. “Fucking hell. So what is it, baby? Wizard? Elf? Bigfoot?”
“W-Werewolf,” you choke against him, finally admitting it. You grow warm and prepare yourself for the upcoming embarrassment.
There’s a pause in Jaehyun’s thrusts before you hear him laughing maniacally. His fingers leave your mouth in favor of digging into your hips, finding leverage so he can pound into you harder.
“Werewolf? Seriously, baby? You’re dumber than I thought.”
You struggle to defend yourself when your climax suddenly hits you, your cunt squirting all over Jaehyun’s sheets. You think you’re screaming, trying desperately to push him away as he shows no mercy on you. You nearly topple over when he harshly grabs your hair, pushing you forward until half of your body is dangling off the side of the bed.
Jaehyun slides in even deeper than before, if it was humanly possible. “Listen to how wet you get for me,” he hums, enjoying the loud squelch of your wetness. “Remember when I first fucked you? Could barely take an inch before you were begging to stop.”
You remember it very clearly. You and Jaehyun hadn’t made anything official at the time, yet you couldn’t keep your hands off one another. He had taken you in the back of the university library, your fingers holding onto the bookcases for dear life while he tried his best to fit his cock into your tiny pussy.
“I couldn’t believe how lucky I got to find an obedient whore like you. You’ll let me take you anywhere I like, won’t you, baby?” He chuckles when your only response is an outcry of his name. “Too bad you’re so nosy. Sticking your face into things that aren’t your business to begin with.”
He leans over you until your palms hit the floor. His cock pushes deeper and deeper when his teeth hovers over your neck.
“Daddy-“ you whimper, feeling restless. “I c-can’t.”
“You can and you will,” he says, and his tone indicates that there’s no room for argument. “After you tell me why you think I’m a werewolf.”
You make your best attempt at pushing forward an explanation as to why you think your boyfriend can secretly transform into a four-legged animal, but it comes out in stutters and half-sentences.
“Sick and I-I thought- you didn’t w-want to t-talk to me- just l-like Jacob did w-with Bella-“
Jaehyun, somehow, is able to piece your explanation together. “When I was sick last week and ignored you, you thought I was going through my transformation like Jacob did with Bella in Twilight?”
You nod shyly, afraid to look back and see the mocking emotion on his face. You squeak when you’re manhandled again, this time being pushed on your back and forced to look up at your boyfriend.
“You have to stop reading those silly books, baby,” he says, his voice gentle even though his hands work their way to your throat. He squeezes it and you choke. “They make you so dumb.”
“Y-You like me d-dumb, daddy,” you whisper, voice hoarse from the screaming and the weight crushing your windpipe.
“I do, baby. You know me so well,” he smiles. You’re about to smile back when you suddenly feel the tip of his cock prod against your other entrance, causing you to gasp. Jaehyun has only tried anal with you one other time, and that was after hours of preparation and lots of lube. He’s never done it dry before. “Don’t worry, baby. Just trust me.”
The pain is overwhelming and you cry, ignoring the scratch of your throat. “Daddy, it hurts!”
“It’s your punishment,” he says meanly, venom laced in his voice. You’re starting to get whiplash at how fast he changes his emotions. “For thinking I’m a fucking werewolf. How stupid are you?”
“S-Sorry! I’m sorry!” You whimper, kicking your feet to try and get away from him.
You sob louder when his cock continues to stretch you open, and you feel like you’re going to be split in half. The feeling, however, is overshadowed when you abruptly feel a pair of sharp teeth pierce the flesh of your neck. You scream, trying to make sense of what’s actually happening, but Jaehyun is fast to pin you down and ensure you can’t move.
The pain quickly shifts into pleasure, and your body is overtaken by a tingling sensation that spreads from the bottom of your toes to the edge of your fingertips.
“What-“ you mumble blearily, eyes shifting out of focus.
You find yourself struggling to stay conscious, mind blanking while you tumble into darkness.
“Johnny!”
The tall man looks behind him, trying to find the source of the voice calling his name. He squints when he sees you behind a pillar, dressed in a hoodie and sunglasses. He jogs over to you, eyeing your choice of outfit.
“Dude, what are you wearing? It’s literally a hundred degrees.”
You shush him, looking around frantically while pulling him behind a nearby building so no one can see you.
“Have you seen Jaehyun?”
Johnny scoffs. “No. Shouldn’t you know where your own boyfriend is?”
You lower your sunglasses so you can look him dead in the eye.
“Johnny, listen to me. Stay away from Jaehyun. I was wrong about him being a werewolf, okay? He’s a vampire. A fucking vampire.”
You receive four rapid blinks. “Haven’t we already gone through this before? I’ll burn your copies of Twilight, I’m dead serious.”
“Johnny!” You scold, frustrated that he isn’t taking you seriously. You quickly unzip your hoodie and show him the markings on your neck, two bright red indents that show where Jaehyun bit you.
“Woah, what the fuck? Did Jaehyun hurt you? I’ll beat his ass, just give me the go ahead.”
“No, no, he didn’t hurt me,” you insist, feeling embarrassed. “I actually kind of liked it.”
Johnny gags. “I didn’t need to know that. Look, you know I love you, but this is clearly you and Jaehyun exploring some nasty kinks that the rest of us don’t need to know about.”
“I’m being serious, Johnny! Jaehyun bit me and it was a vampire bite. He had fangs!”
“You saw his fangs?”
“Well, no. I passed out because his cock was in my ass and-“
“Fuck!” Johnny yells, fingers at his temples in an attempt to erase what you just told him. “What is wrong with you? I don’t want to know that Jaehyun’s dick was in your asshole!”
Students start to stop and stare at the sight of you and Johnny bickering, briefly catching onto the tail end of Johnny’s despair.
“Shut up!” You hiss, clapping your hand over his mouth. “I’m telling you this because it’s important! Jaehyun is a vampire and he got really pissed at me when I told him I thought he was a werewolf. When I woke up, he was gone and I haven’t seen him for days! He’s going to eat me, Johnny!”
He slaps you away and rolls his eyes. “You need to seek counseling, I’m not playing around. Just go tell your boyfriend you don’t like it when he bites you. Problem solved.”
You try to protest again but Johnny finds a way to escape from you, running until you can no longer see him on the other side of campus.
You huff, getting ready to trek back to your apartment and hide from the rest of the possible supernatural world. You freeze when you suddenly feel a presence behind you, and a hand dances around your waist.
“My pretty girl, are you telling the whole world about me?”
The voice sends chills down your spine, and Jaehyun’s lips suck at the lobe of your ear.
“J-Jae-“
He shushes you, pressing you against the wall of the building and out of view from prying eyes. Your heart beats loudly in your chest, and you know that this is it. This is how you die — in the hands of your extremely hot vampire boyfriend.
“I had to spend a few days away from you,” he confesses, fingers wandering up your shirt. “Almost lost myself when I finally got a taste. Your pussy is magnificent, my love, the best pussy I’ve ever tasted in my life but your blood — mmm, it doesn’t even compare.”
“Please don’t kill me,” you beg, crying in distress.
“I would never kill you,” he says with conviction, angry that you would think such a thing. “I would never let anything harm you. You know why?”
You tremble, feeling his fingers push down the band of your sweatpants. “W-Why?”
“Because then I would never get to feel this pussy again. Feel how good she is wrapped around me. Trust me, baby, I’ve lived for a very long time and I waited just to find you.”
Your sweatpants drop down to your ankles, leaving you in nothing but one of Jaehyun’s favorite thongs. You’re far from humiliated, being caught in more compromising positions with Jaehyun before. Your only concern is the fact that you’ve learned your boyfriend is a real-life Edward Cullen, and you have entrusted him with your mortality.
“Are you going to turn me into a vampire?”
“Only if you want to,” he replies, pushing the fabric of your underwear aside and lining himself up to your entrance. “If you want to feel this good for eternity, just say the word, baby.”
You groan when he pushes into you. The stretch is almost like a welcome home. If you’re being fully honest, you wouldn’t last a day if you and Jaehyun broke up. You crave his cock almost every hour of every day, no matter how desperate that makes you sound.
“Tell me you want me, baby. Even if I’m a vampire,” he whispers into the crook of your neck, and you jolt at the thought of him biting you again.
“I want you, daddy,” you sniffle. “Please don’t leave me, daddy.”
“Would never leave you, baby.”
You hear the faint sound of skin slapping against skin, and you moan as you brush your hair back, fully exposing your neck. Jaehyun discards your hoodie to the floor and kisses you gently.
“Want to be marked again, baby?” He asks you and you nod, mewling at the thought. You feel him grin against your skin. “Taeyong thought I was an idiot, you know.”
“Hm?” You hum softly, longing to have him kiss you again.
“You were right about him from the get-go, he’s the leader of our coven in fact,” he says, balls brutally hitting your clit with every thrust. “Everyone mocked you for getting your resources from that shitty book of yours, but I was so proud of my girl. So smart even when everyone else doubts her.”
“Y-You said I was d-dumb!”
He chuckles. “I was just teasing you, baby. But you know I love you dumb. Now show that pretty neck for daddy.”
You tilt your head to give him full access, and his thumb rolls against your clit as a reward. Your eyes dart down in time to see his fangs pop out, and he licks his lips before descending on your neck. Just like last time, there’s no discomfort or pain. Your body almost sings when Jaehyun bites you, and you feel complete in an odd way.
The intimacy helps the coil inside you snap, and Jaehyun groans when he feels your pussy tighten around his cock at the strength of your orgasm.
His teeth sink deeper into your neck, eagerly chasing his own high. You don’t even care at this point if he drains you completely, only focused on his cum filling you to the brim.
“M-More, d-daddy,” you cry, hips meeting the force of his thrusts halfway. “Fill me up. Want to feel your cum spilling out of my tiny pussy.”
He retracts his fangs from your neck and you moan at the sight of your blood spilling from his lips.
“Tastes so fucking good,” he groans. “Want to fuck you forever, baby.”
The sound of footsteps approaching makes you whimper, nails digging into Jaehyun’s wrist. “Faster, daddy, hurry. Someone’s going to see.”
It only takes a few more snaps before ropes of white fill you, Jaehyun groaning loudly into the back of your neck. If you didn’t just fuck him a few days ago, you would have guessed he hadn’t cum for over a year with the amount of his seed he empties into you.
Luckily, whoever was approaching heard your sounds of pleasure and decided it was better to leave you alone. You giggle and turn your head to kiss him, and Jaehyun smiles softly.
“Missed you,” you whisper. “Why did you disappear? I thought you had plans to eat me.”
“Maybe I still do,” he teases, fingers brushing your folds as he pulls out. “I was worried about your reaction. And honestly, baby, you thought I was a werewolf. It was insulting.”
You laugh and kiss him again. “Sorry. I just didn’t want another Taeyong debacle even though now I know I was always right!”
“That you were,” he hums, helping you pull your sweatpants back on. He tucks himself back into his pants and presses a kiss to your neck, licking at his bite and cleaning you up. “I would appreciate it, however, if you didn’t go around and tell everyone.”
“I promise I won’t,” you swear, making yourself presentable. “As long as the only blood you take is mine.”
He laughs. “Someone wants to be a little blood bag, hm? Jealous of me drinking from someone else?”
You frown. “Of course I am. I thought you said my blood tastes divine?”
“It does,” he growls, still licking at remnants of your blood on his lips. “That week I told you I was sick — it was because I needed to feed. If I spent one more night with you, I would have drained you dry, I’m sure of it.”
“You can drink from me everyday, I don’t care,” you say, wrapping your arms around his neck. “As long as you let me have my Bella moment in the forest.”
His grin is blinding. “Whatever my baby wants. How about we have round two in the woods as well?”
Your eyes sparkle. “Deal!”
2K notes · View notes
Text
The Bet
*cracks knuckles* fine, I'll do it myself.
Okay but seriously, I've only binge watched the first 6 seasons of criminal minds, so I'm probably a bit off with character personalities.
This turned into mostly the team finding out, so if anyone wants a part 2 with more scenes pre-reveal I'd love to write it!
masterlist coming soon
Word Count: 3k
CW// brief mention of kidnapping case, use of y/n (i'm sorry), not beta'd
~~~~~~~~~~~~~~~~~~~~
‘When was the last time you saw Hotch leave before the rest of us?’
The most recent case had been a relatively short one, allowing the team to get back to Quantico reasonably early. A young man caught kidnapping local women, caught easily when he appeared on CCTV taking his latest victim. Three women, three days. All had minor injuries, but all were alive. It had been the ideal end to the case and no loss of life meant the paperwork was minimal.
Emily’s voice caught the attention of Derek, who followed her gaze to the elevator, where the Unit Chief stood waiting. He raised his eyebrows, trying to think back on the last few months of late nights, week-long cases and multiple middle of the night calls.
‘Not since before his divorce,’ Spencer piped up helpfully from behind his desk, packing away the days half-finished reports and case notes before he too looked up. ‘Hey, has anyone seen y/l/n? They mentioned going for food on the jet, and I know this really nice Indian restaurant not far from here, I was going to suggest we all go.’
Now that Emily thought about it, she hadn’t seen you after you’d gone to Hotch’s office to drop off your report. Barely five minutes later, Hotch had made a beeline for the elevator, leaving unusually early compared to normal, and then you too had disappeared.
‘Holy shit.’ The dots were connecting in her head. ‘They’re totally hooking up!’
This gathered the full attention of everyone in the room.
‘Who’s hooking up?’ Penelope had her bag in hand as she peeked in the door, drawn to the gossip like a moth to a flame.
‘Y/l/n and Hotch!’
‘Oh my god!’ Penelope was quick to rush over to the group now huddled around Emily’s desk.
‘No way,’ Derek was shaking his head, arms crossed over his chest. They’d been working as a team for years, there’s no way you and Hotch were in a secret relationship, and no one had noticed. ‘Come on, you really think they could have hidden something like that from us?’
Spencer shrugged, joining the conversation fully. ‘Hotch hid the fact that Emily was alive from all of us for months, so a secret relationship wouldn’t be that hard for him.’ Emily grimaced at the comparison, searching for any hint of bitterness in his tone, though found none. He had been hurt that they hadn’t trusted him to know the secret, but that hurt had faded over the couple years since Emily had returned. He offered her an apologetic smile, as if only realising what he’d said.
‘Want to make this more interesting?’ Quick to bring the conversation back to inane office gossip, Emily reached into her bag to pull out her purse. ‘100 dollars they’re doing it.’
‘Oh, you’re on. 100 they’re not.’ Derek placed two fifties on top of Emily’s two. Another two went down, and they both looked up to see Spencer sheepishly tucking his wallet back into his pocket.
‘I think they’ve been dating for a couple weeks now, I assumed everyone else had noticed.’
Quickly, Penelope had joined, and much to everyone’s surprise, so did Rossi. Penelope thought they’d just started dating, and Rossi thought it had been at least six months. JJ scooped up the cash, promising to be a neutral party to assure the winner got the whole lot. Plus, when this inevitably went wrong, she did not want to be involved in the fallout.
‘Okay, but how do we get them to admit-‘
‘Or not admit,’ Derek cut in.
‘Or not admit, what’s going on?’ Emily mused. Everyone’s eyes instantly went to Penelope.
‘Oh no, no, no-‘
Penelope’s office felt quite cramped with some many people in it, the space only meant to house one technical analyst, not one technical analyst and five nosey special agents. Five nosey agents who were all huddled around Penelope to peer at the screen over her shoulders.
‘Oh it does not feel right tracking their phones like this,’ Penelope’s fingers danced across the keys as she brought up both locations, ‘My powers should only be used for good, not- not snooping on our friends personal lives!’ Still, she let the trace run its course, displaying the address for the others to see.
‘That’s Hotch’s apartment.’ Spencer recognised the address immediately. Two little dots blinked on the screen, Hotch’s address hovering above them.
‘So they’re together, that doesn’t mean they’re hooking up.’ Derek knew his argument was weak, but hell he had 100 dollars riding on it.
‘Oh come on, they sneak out and go to Hotch’s apartment and you think they’re what, making cookies?’
‘Kids, stop fighting,’ Dave put a hand on both Derek and Emily’s shoulders. ‘Why don’t you just phone y/l/n, invite them for food, see what happens.’
‘You think they’d lie to us?’ Spencer asked, as Penelope pulled out her phone and dialled your number.
‘They’ve been lying to us about this for weeks, if you’re bet is right anyway,’ Emily nudged him with her elbow. He nudged her back.
‘Technically it’s an omission not a lie, since none of us directly asked if they’re-‘
‘Shhh its ringing!’ The room fell to silence as Penelope put her phone to her ear.
~
Even though it had been a short case, you had been looking forward to getting back. And by how quickly Aaron had offered up his apartment for a movie night, he had been too. It was important to keep a clear line between boss and boyfriend while in the field, and it was only professional to stay in separate rooms during cases, so it felt good to have Aaron back in boyfriend mode, with comforting touches and quality time away from the office, away from the titles and roles that accompanied your positions at the BAU.
You had finished your report in record time. It was pure luck that everyone was too caught up in their own work to notice you slipping away. After dropping your report on Aaron’s desk, you had made a quick exit, waiting by Aaron’s car until he joined you in the car park. It had become routine to leave short gaps between your arrivals and exits, allowing the illusion that you had travelled separately, from different apartments, in different cars. It was a short ride back to his apartment.
You had only just settled back against Aaron’s side, a bowl of popcorn perched between your thighs when your phone buzzed.
‘Hey beautiful, where’d you run off to?’ Penelope’s sweet voice rang out from the other end of the line, ‘We’re going for food, you coming with?’
You glanced sideways at Aaron, who kept his eyes on the TV, though you knew he was listening in by the way his arm tensed around you. You gently squeezed the arm closest to you, relaxing further into his hold so he knew you weren’t planning on leaving.
‘Sorry Pen, not tonight, I’m, uh, not feeling great after today’s case…’ You trailed off, hoping she’d accept the excuse and you’d be home free. You should’ve known it wouldn’t be as simple as that. There was pause, and you could’ve sworn you could hear hushed conversation. Must’ve been the rest of the team packing up to leave. You felt almost guilty that they were still at the office, when you’d left as soon as your own report was done.
‘Oh honey!’ Her voice was laced with sympathy, ‘That’s it, we’ll bring the food to you! Nothing like good food and company to cheer up the soul!’ Your head fell back against Aaron’s chest with more force than necessary. Curse her and her kindness.
‘No, no it’s okay, really-‘ You tried to prevent your voice from giving away your panic, ‘No need to go out of your way! Tell the guys I said enjoy!’
‘Its not out of our way at all! See you in twenty, gorgeous.’ The line went dead before you had a chance to respond. You could feel the vibrations of Aaron’s quiet laugh behind you, tilting your head back to look up at him.
‘You think this funny?’ Your words were pointed, but the smile on your lips gave away your hidden amusement. In lieu of an answer, he leaned down to pepper kisses along your shoulder, the side of your neck, anywhere he could reach. You savoured the warmth of his lips against your skin, a soft moan escaping your parted lips as the kisses became more heated. Tilting your head back to give him easier access, you let out a disappointed whine when he instead detached from you, gently pushing you up until you were sitting straight.
‘They’re going to be at your apartment soon,’ He reminded you, giving your arm a squeeze before moving to stand. Your cheeks were flushed red, taking a few steadying breaths as he took the popcorn from your lap, placing it on the coffee table, before holding his hands out to you. Shooting him a mock glare, you resigned yourself to getting off the comfortable couch and getting your shoes on. As much as you loved your co-workers, so much that they were practically family, you really did not want to spend the evening with them, not when you could be curled up on the couch with Aaron, pretending the outside world didn’t exist.
‘Shit,’ You nearly tripped over your untied laces in your hurry to turn, ‘My car’s still at the office, Aaron I don’t have time to get back there, get my car AND-‘ Your words were halted by the soft press of his lips on yours. Clearly, you weren’t the only one wishing you could stay. Melting against him, your hands found purchase on the solid expanse of his shoulders, fingers digging into the soft material of his t-shirt. He pulled back, just far enough so he could press his forehead against yours.
‘I’ll drive,’ His voice was quiet in the minimal space between you, ‘Tell them your car broke down and I offered you a lift home.’ You just hummed your agreement, too caught up in his closeness to really be paying full attention. Overwhelming warmth encompassed you as you breathed in the faint smell of his cologne, trying to catalogue the feeling in your mind as your panic disappeared with the gentlest of touches.
‘Or,’ You offered mildly, blinking up at him through your lashes, ‘We could just turn our phones off, lock the door, and deal with all of this tomorrow?’ Soft open-mouthed kisses were pressed to the column of his throat in between your words, hands climbing to wrap around the back of his neck. Your fingertips teased the baby hairs at the base of his skull. You knew he wouldn’t take you up on the offer, even when his hands gripped at your waist, pulling you flush against him as he once again claimed your lips with his.
 It had been a tough decision, keeping the relationship from your team, but you had both ultimately decided that it was for the best, at least while things were still new. Then, six weeks had turned into six months, and six months into nearly a year. It was becoming harder and harder to keep a secret, and you nearly wanted the team to catch on. You’d met Jessica, and had a proper introduction to Jack, even going so far as to have gone to a few of his soccer practices at Jack’s insistence. You had been slowly moving your stuff into his room, small things like toiletries, pyjamas and a few spare work outfits. You spent more time at Aaron’s apartment than your own. You loved it. What you didn’t love, was having to hide it all from your friends.
‘We really should go,’ Aaron murmured against your lips, ‘At least you’ll get free food out of this.’
You laughed softly at that, pressing one last kiss to his lips before pulling back, cheeks dusted pink. ‘I’d rather have you.’ A rare boyish grin was your only response, before he turned to grab his keys and you quickly tied your laces. You were soon on the familiar road home.
 ~
They didn’t wait around to see if you were rushing from Hotch’s apartment, instead piling into the back of Derek’s car haphazardly. All but JJ, who had familial responsibilities, and Rossi who just wanted to go home, managed to fit into one SUV.  If Rossi had been with them to take some of the blame, Derek might’ve even thrown on the sirens and lights. Instead, he skipped through a few orange lights, and just barely stuck to the speed limits. When they arrived at the Indian restaurant, Spencer was sent to pick up the order, being deemed least likely to do something stupid like flash his badge for quicker service. Emily followed him inside to help carry it all back to the car. Even without the badge, they managed to make it in and out in under ten minutes. Luck was on their side, getting them to your apartment just 25 minutes after Penelope had hung up on you.
When they came to a stop outside your apartment complex, your car wasn’t parked in its normal spot, and they had a moment of celebration before Spencer realised the light was on inside. A light that meant you had beat them.
They all had to hide their disappointment when you greeted them at the door, not showing any sign of having rushed from one apartment to the other. Being one of the closer apartments to the office, yours was often used as a base for nights out, girl’s nights, and team movie-nights. It was the team’s apartment more than it had ever been just yours. Moving seamlessly through your kitchen grabbing plates, cutlery and glasses, Emily and Penelope set to organising the food, while Spencer and Derek moved your coffee table to the centre of the room so everyone could sit around it. It warmed you to know they felt at home here.
‘I’ll have to get someone to look at it tomorrow,’ You sounded morose enough that Emily almost believed your “car trouble” story. She just hummed her commiserations before stealing some chicken from your Jalfrezi. As much as she’d hoped to catch you and Hotch in your lie – or omission as Spencer would remind her – she enjoyed spending time with you, and this had been the perfect excuse for a team night.
‘Hotch didn’t stick around after dropping you off?’ Emily asked casually, scooping up a mouthful of curry with the edge of a poppadom. If you noticed the groups sudden interest in your conversation you didn’t show it. You shook your head, pushing the thought of his hands on your waist and his lips on your skin, out of your mind.
‘He was just being nice, he probably has better things to be doing after a case than hanging out here.’
Derek had to hide his laugh with a cough. You frowned at him, but before you could question it, Emily dragged you back into a conversation about Sergio and how he stole her bagel the other day. She glared at Derek when you weren’t looking. Conversation flowed easily after that, and it wasn’t long before everyone was on their second helping of food and the booze cupboard had been ransacked.
‘Hey babygirl, you seeing what I’m seeing?’ Derek had just sat back down with his second full plate when he spotted it; the start of your downfall. He nudged Penelope, nodding his head toward you. Her eyebrows furrowed in confusion, before rising nearly to her hairline. A sharp “oh my god” left her lips, before she covered her mouth. Just beneath the edge of your oversized t-shirt, a small red mark was blooming on your skin. It looked suspiciously like a hickey. A very, very new one at that. Penelope’s little outburst was quickly noted by Emily, who paused mid-conversation to notice what they had. Her shit-eating grin matched Derek’s perfectly.   
‘What?’ You frowned at her, quickly glancing at Spencer opposite you. He shrugged, offering no help.
‘Maybe Hotch stuck around for a little while after all?’ There was a teasing lilt to her tone as she reached out to tug your collar a little lower. You could feel heat rising up your neck into your cheeks, a beautiful shade of crimson. Covering the offending mark with your hand, you tried to come up with an excuse. Nothing came. Opening your mouth and then closing it a few times, you tried to look anywhere but at your friends. You were caught and you knew it. They knew it too.
‘Is there any point in me saying I burnt myself?’ You tried for a smile, but it turned out more like a grimace.
‘Nope.’ Emily said, popping the “p”.
‘Aaron and I, we, uh…’ You fidgeted with the hem of your shirt, your blush darkening, as Penelope mouthed “Aaron!” at Emily, who practically giggled. You were going to have to restock your alcohol cupboard before they came round again. You took a breath, glancing around the room. All eyes were on you.
 ‘We’re dating.’
There was an immediate outburst of “oh my god!”s and “I knew it!”s. You had expected to feel awful when your secret was finally out in the open, but all you could feel was relief. Well, and a tinge of embarrassment. Warmth bubbled in your chest, looking around the room at your team, your family, knowing you didn’t have to hide it from them anymore.
‘What ya thinking about over there?’ Emily nudged your arm, a small tendril of guilt creeping through her. You’d obviously wanted to spend your evening with Hotch, and instead they’d dragged you away in a hurry, all just to invade your privacy. A small grin broke through your façade.
‘I’m thinking, seeing as it’s not a secret anymore, I can leave you losers and go back to spending the night with my boyfriend.’ A chorus of cheers followed your words, and someone (you suspected Emily) shouted “Go get some, girl!”.
Spencer wrinkled his nose at that. ‘Gross, remember that’s Hotch we’re taking about, he’s pretty much our work dad.’ His words caused a laugh to bubble in your chest, and you leaned over Emily to plant a big kiss on his cheek.
‘Guess that makes me your new work-mom!’ He made a big show of wiping your kiss from his cheek, but the small smile that followed gave away his charade.
‘What are you waiting for beautiful? Your man is waiting for you!’ Your wide grin echoed Penelope’s as she ushered you up and out of the living room. Your overnight gear was already at Aaron’s, so all you needed was your shoes and phone. You felt almost giddy as you threw the spare key to Spencer.
‘Don’t stay up too late kiddos!’
‘Hey, hold on a second,’ You glanced at Derek, who had started stacking plates to take to the kitchen, ‘How long has this been going on?’
‘Oh… Y’know, only about 11… months.’ You shot them an abashed smile, before darting for the door as all hell broke loose.
‘You didn’t win the bet either!’ Emily and Derek’s argument floated out the door with you, and you couldn’t help but laugh. Of course they had bet on it. You didn’t have it in you to care, instead shutting the door with a sound click. Pulling your phone out of your pocket, you dialled Aaron’s number.
‘Hey handsome,’ You couldn’t help the smile that carried through in your words, ‘You want to finish that movie?’
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thetomorrowshow · 3 months
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Okay so basically I have posted 100 fics on ao3!! Wow!!! Anyways here's the top five wips that could be posted as number 101 pls vote ty
Explanations of each one under the cut!
1. Jimmy goes through some really traumatic stuff and turns to terrible coping methods. I'm really proud of this one and excited to start posting it! super angsty though. Heavy themes of s/a and addiction. ~35k words. M. Title: oleander
2. Jimmy goes missing and shows up on hermitcraft a year later - but he can't remember anything of his life before. Joe Hills takes him in! ~65k words. T. Working title: yranac
3. What more can I say. The final part of the trust au is here! There will be short stories (and a sequel???) to follow, but this wraps up the main storyline. ~7k words. T.
4. Jimmy and Scott are well-adjusted and happy now - until some mysterious force starts amplifying the powers of everyone in the city, causing serious problems - in both Scott's control and his relationships. ~40k words (i don't really remember how long it is tbh). T
5. This fic is my pride and joy, and i'm so sad i've barely written anything in it. College au where Scar falls madly in love with a beautiful woman at the bar - who doesn't let him know that she is, in fact, Grian from his study group. No word count and no working title because i am only like two chapters in. T
I think the vote would be fun but i may not listen to it in the end and choose what i want, but it very well could influence my decision!!
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childrenofcain-if · 20 days
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Since you're thinking of adding pregnancy content, will there be marriage content as well? If so, will the ROs be okay with getting married and where in the timeline will it occur? Will marrying M make us royalty 👑
okay well, the pregnancy content isn’t 100% confirmed because i need to work out a lot of mechanics for that. however, i think i’ll add marriage, or at least an engagement as an option by book three. as for what the ROs think about it:
C LACROIX: they have a very complicated relationship with the concept of marriage. they’ve seen it as more of a strategic alliance than a romantic union. to them, it has always been something transactional, a way to consolidate power and wealth rather than a culmination of love. it also feels too binding, too final, and there’s a part of them that fears being trapped in a commitment that might limit their independence. not to mention that their parents weren’t the best endorsement of what a good marriage is.
however, they’d still consider it as time passes because they’re also drawn to the idea of having someone (you) who’s truly theirs. the thought of tying themselves down terrifies them but they’d still try it for the person that they love and trust the most.
V NÆSHOLM: they’ve always believed in the sanctity of marriage, seeing it as a sacred bond that should last a lifetime. yet, they can’t help but feel apprehensive about the idea, especially when it comes to the pressures of conforming to what their religion and society expect from them. they crave love that’s pure, unconditional, and real, but they’re terrified that marriage might turn into something stifling.
they need someone who can both respect their faith and gently nudge them to see the hypocrisy that a lot of religions preach. V is probably still going to think that them meeting (you) their future spouse was something blessed and meant to be, but it’d still help in making them confident enough to marry someday.
W OSTENDORF: for W, the idea of marrying you is a dream woven into the very fabric of their childhood memories. ever since you were kids, W has harbored a quiet, innocent hope that one day, you’d end up together in a way that only the purest of hearts can dream. they adored you in that tender, uncomplicated way children often do, thinking that life would be perfect if you could just stay together forever. it wasn’t something they planned or even consciously decided—it was just there, as natural as breathing.
every time they think about the future, you’re there by their side, and the thought of a life without you feels unbearably empty. they’ve imagined the ceremony, the vows, even the life you would build together. the possibility of marrying you isn’t just about that though—it’s about finally having the chance to say, out loud, what they’ve known in their heart all along: that you were always meant to be together.
D DIACONU: i’m surprising no one here when i say that D is the least likely to be down for marriage. they’ve always been a free spirit, someone who’s never been tied down by anyone or anything. the thought of committing to one person for the rest of their life feels suffocating, like a cage they could never escape from. marriage, to D, is something other people do—people who want stability, security, and routine. D has never needed those things, and they’re not sure they ever will.
not all hope is lost though, because their feelings for you complicate this stance they have on marriage. they’re not used to caring this much about someone, and the idea of losing you terrifies them in ways they can’t fully comprehend. they’d definitely reconsider this in the future and realise that settling down with would probably be the best decision they’ve made in a while.
M WHITLOCK-SINGH: they have always seen marriage as a duty, something they’re expected to do as part of their responsibilities. coming from a family steeped in tradition, they know that marriage is something they’ll have to face eventually, whether they want to or not. M is practical about it—they know that marriage is often more about alliances and familial expectations than love. they’re not opposed to the idea, but they also don’t see it as a necessity for a relationship to be valid or meaningful.
they would want to marry someone (you) who understands them, who sees their flaws and loves them anyway, and who is willing to build a life together based on trust and equality. with the right person, they could even oppose their family’s decisions for them to marry a noble further down the line, and if you know who M is like, you’d know they rarely ever speak up against their family.
and yes, marrying M would make you a part of the royal family. it’s not going to be easy getting their approval tho, just saying 👀
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antianakin · 1 month
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hey! i'm a star wars newbie who finally watched the first 6 movies + kenobi show after years of absorbing the sw fandom via friends. i'd become so familiar with the popular fanon takes/characterizations that i was really confused because so much of it seemed contradictory...especially regarding the obi wan & anakin relationship. i was wondering if my take was somewhat similar to yours, as i was immensely relieved to read some of yours and know that i haven't somehow misunderstood the entire series... i realize after writing this all out that it's absolutely a gigantic ask and i totally understand if you don't want to post it! so sorry!
my big thing was that i'd become used to the idea that anakin + obi wan are...obsessed with each other? both platonically and in the ship dynamic itself, especially from anakin's end. obi wan would do anything for anakin, and anakin would do anything for obi wan.
i didn't get that at all. obi wan stands by his jedi ideals, but loves anakin, feels guilt and blames himself for darth vader. but anakin?? somewhat reasonable if it was that he'd do anything for padme - her potential death is what torments him in rots - but...for obi wan? the guy that anakin didn't care enough about to warn/save from order 66? padme brought him up first, going "what about obi-wan" and anakin's response is "uh no idea. a lot of people died. let's hope that he's loyal if he's still around!" i was blown awayyy by the nonchalance. even though he just said farewell to obi wan in a heartwarming encounter where his old master explicitly gave him the trust that anakin is complaining that he doesn't receive, going "i'm proud of you", etc. etc., that's his response. i don't think he tried to help obi wan, or felt any specific turmoil about his likely death. yes he's focused on padme and everything's going so fast, but if anything, it shows that between padme and obi wan, obi wan loses. he doesn't mean as much to anakin, or at least, he's not worth that effort, if that makes sense. or maybe i missed something, since this is my first watch?
my immediate reaction was that anakin 100% fucking knew that obi wan would never approve of the things he's doing and plan to do - and unwilling to face that disappointment, because he does care about obi wan's opinion, he takes the coward's way out and lets palpatine do his thing, probably justifying it through his passivity. he's not directly harming obi wan! he's not responsible! and if obi wan does die and doesn't get to learn or react to the fact that his padawan committed these crimes then it's sad and terrible, but also...more convenient for anakin's own state of mind. and if he's alive - well he better be loyal to the chancellor! everything is about anakin. that's why he turns on padme: because in the end, she mattered more to him than obi wan, but still not more to him than himself.
i have no idea if this is an extremely morbid, bad-faith take since it's so different from what i've seen even amongst non-shipping fans. the assumption seems to be "they loved each other more than anyone, more than themselves!" and in my head after watching rots i'm just confused.
and don't get me wrong: this is not me trying to hate!! the relationship is pivotal to the story, but it's interesting to me because of the huge contradictions in anakin's image of obi wan. how he tries to build him up as larger than life, puts him on a jedi pedestal, and blames everything wrong with his life on him. but also how he undermines obi wan's efforts, has this one-sided rivalry thing going on and thinks he's better than obi wan. and of course, all that mixed with the genuine affection and love he does have for obi wan as a father-figure and master.
and i get the appeal of the absolutely-obsessed-with-each-other trope as well! i just don't think it fits these two. unless you think of it as "obi wan loved anakin, but anakin only became obsessed with him (in a homicidal, resentful, you stand for everything i lost and i can't stand leaving you alone kind of way) later". and i don't think obi wan thinking of/dreaming of anakin years later should be treated as a similar "obsession" because yeahh it seems extremely reasonable for him to be haunted by his own padawan's horrific crimes. i guess if anything it's a twisted one-sided unhealthy obsession? anyways wanted your thoughts on their relationship, if you have any!
I will say that a lot of Star Wars fans pull a lot of their chosen interpretations of these characters from lore beyond the first six films. There's obviously the more recent Disney shows, but there's also plenty of novels/comics that were written both before and after the Disney takeover that people have read, as well as (perhaps most notably) the animated TV show The Clone Wars (2008, not to be confused with the animated webseries Clone Wars from 2001-2002).
I'm not afraid of a long post, but I know it can be frustrating to scroll past for some people, so I'm going to give a short TL;DR before the cut and if you would like to read the extended version, please feel free to keep going, but I'd like to note that this response got unreasonably long.
TL;DR: I think Obi-Wan cares for Anakin a lot and that his arc in the Prequels is about learning to have faith that Anakin will do the right thing and when that faith is betrayed, he has to let go of it in order to do what’s best for the galaxy. Having faith is not the same as obsession. I also think that Obi-Wan loves Anakin selflessly, the way all Jedi learn to love, and this means that sometimes Obi-Wan cannot prioritize Anakin above everyone and everything else, but that this is not an indication of Obi-Wan loving Anakin LESS. I think Anakin does care about Obi-Wan, but that love is always wrapped up in his desire for a different kind of relationship than the one Obi-Wan can provide and that creates a lot of friction in their dynamic and is what allows Padme to eclipse Obi-Wan in Anakin’s affections and priorities. I also think Anakin is absolutely obsessed with gaining Obi-Wan’s approval and while this can lean in a toxic direction, I think that it also manages to sometimes push him to be a better person and creates a healthier relationship between Anakin and Obi-Wan than Anakin has with anybody else in his life. I think that the intended reading of their relationship is intended to be positive right up until it isn’t, but that ultimately the writing in the Prequels didn’t always succeed at getting that across and their attempts at fixing it didn’t feel like enough despite the actors’ chemistry with each other.
So I'll start with Obi-Wan and why I agree with you that his feelings for Anakin aren't anywhere NEAR as obsessed or attached as people seem to think. 
Within the Prequels, Obi-Wan’s primary arc as a character is about learning to have faith, both in the will of the Force (TPM) and in Anakin (AOTC). By ROTS, he’s reached the end of that arc and we see the difference in how he reacts to things as a result. He’s a lot more willing to just trust that things will turn out okay, more willing to trust that Anakin will figure himself out and do the right thing if given enough time and encouragement. People have interpreted this as Obi-Wan being too soft on Anakin or blind to Anakin’s faults or being too attached to Anakin (and therefore perhaps being willing to OVERLOOK faults that he knows Anakin has because he’d rather protect Anakin from the Council’s condemnation). 
But I don’t personally see it that way and I don’t honestly believe it’s what we’re supposed to take from his behavior. Obi-Wan is quite critical of Qui-Gon’s faith in TPM and then critical of Anakin himself in AOTC, so it’s not like he’s just always been willing to overlook Anakin’s flaws and mistakes. Obi-Wan’s LACK of faith earlier on is clearly positioned as a flaw for him to overcome. Just because that faith is misplaced and his trust goes unrewarded in the end doesn’t necessarily mean that he was wrong to have it in the first place. Obi-Wan’s faith allows him to accept that Anakin has faults and will make mistakes and trust that Anakin’s compassion and Jedi training will allow him to overcome those faults and learn from his mistakes. This is, in fact, the OPPOSITE of attachment. This is Obi-Wan choosing to let go of all of his worries about the future and living in the “here and now” as he is told to do by Qui-Gon in his very first scene. He accepts that there is only so much he can do to control Anakin’s fate and the rest of it is up to Anakin. 
In The Clone Wars 2008 (TCW), the problem with analyzing their relationship is that the structure of this show is so episodic and disconnected that there’s generally no set-up and no aftermath to the things that happen to these characters in individual episodes or arcs (which are anywhere from 2-4 episodes long out of a 22 episode season). So instead of trying to analyze an arc across the whole show, I will look at one specific arc that is really the only one that focuses on Anakin and Obi-Wan’s relationship (and perhaps one of the more controversial storylines in the entire show): the Deception arc.  
In this arc, Obi-Wan chooses to fake his death as a part of the Jedi Council's plan to discover an enemy plot that would be particularly disastrous for the Republic if it succeeded and possibly cost them the war. Obi-Wan chooses NOT to read Anakin in on this plan and part of the plan actually hinges on Anakin reacting to Obi-Wan's death as though it were real in order to make it convincing to their enemies, so Obi-Wan dies right in front of Anakin and Anakin has no idea that it isn't real until some time later and he is, understandably, fairly upset about it.
I think that this arc shows a lot about how Obi-Wan approaches their relationship. Obi-Wan doesn't necessarily WANT to cause Anakin pain, but he is also perfectly willing to do exactly that if it's in the name of protecting the needs of the many. In this case, Obi-Wan believes that he is protecting the whole Republic from losing a war. Anakin's temporary pain cannot be prioritized above the very real consequences of the Republic losing the war to the Separatists. Obi-Wan is capable of making the hard decision when it comes down to it, even if it means hurting someone he loves, even if it might cost him that relationship. And I also think that the emphasis on Obi-Wan’s choice to deceive Anakin (something that Yoda and even Mace Windu seem a little uncertain about) gives some interesting insight. Obi-Wan and the Jedi basically had to look at Anakin and wonder if his inability to keep secrets well (they’re all aware of Anakin’s relationship with Padme despite his attempts to deny it) was a bigger problem than his unpredictability in the face of strong emotions like grief. There is a very obvious acknowledgement of Anakin's flaws here, and the difference between Obi-Wan and Yoda/Mace in this instance isn't that one of them can see Anakin's flaws and the other can't, but that they disagree on which flaw is going to be a bigger issue for the mission in the long term. Obi-Wan chooses to have faith that Anakin will manage his emotions but doesn't really believe in Anakin's acting abilities and OpSec sensibilities.
Because of the way TCW is structured, we have no real aftermath to this particular arc, there's no further discussion or exploration of how it impacts Anakin and Obi-Wan once the four episode arc is over, so all we can really do is analyze what happens DURING the arc, and I do think that it showcases the same theme of faith and a willingness to do his duty while acknowledging Anakin's flaws that we have seen in Obi-Wan through the Prequel trilogy. Obi-Wan prioritizes his duty over anything else, because to do otherwise is to fail as a Jedi and potentially to condemn millions if not trillions of people to death and torture and slavery. (Which doesn't mean he doesn't love Anakin, but simply that his feelings for Anakin do not eclipse that particular duty. Not everyone would make the same choice, and that doesn't necessarily mean that their love is automatically toxic or more selfish than Obi-Wan’s, but Obi-Wan's choice to place his duty over Anakin's feelings also doesn't automatically mean that he doesn't care about Anakin at all or that he cares less about Anakin than Anakin cares for him.)
The last thing I will say about this arc in this section is that fandom often misinterprets this arc as the Council FORCING Obi-Wan to lie to Anakin. This is explicitly contradicted IN THE DIALOGUE, Obi-Wan point blank tells Anakin that it was his choice and not the Council's and Yoda questions the decision early on and claims it to be have been a mistake later, so anyone claiming that the Council forced this on Obi-Wan is just wrong.
There's a lot of comics and novels that look more at this relationship that I have never actually read, so just know that some fans' interpretations of their relationship could be coming from having consumed these comics and novels as kids. The one novel I'll discuss a little is Matthew Stover's Revenge of the Sith novelization. I will fully admit I haven't read it myself, I've only read snippets of it, but it comes really highly regarded and well reviewed. The line in question here comes from an extended version of the conversation between Obi-Wan, Yoda, and Mace Windu where they're talking about Anakin as Yoda heads off to Kashyyyk.
“I think," Obi-Wan said carefully, "that abstractions like peace don't mean much to him. He's loyal to people, not to principles. And he expects loyalty in return. He will stop at nothing to save me, for example, because he thinks I would do the same for him." Mace and Yoda gazed at him steadily, and Obi-Wan had to lower his head. "Because," he admitted reluctantly, "he knows I would do the same for him.”
Now, the bit about Anakin at the top I think is completely accurate. But I do not buy that Obi-Wan would ever do the same for Anakin. We actually see so many moments that explicitly seem to prove this wrong, that Obi-Wan would NOT “stop at nothing” to save him. Obi-Wan seems to very explicitly prioritize doing his duty above Anakin when push comes to shove. Most obviously, Obi-Wan does actually go fight Anakin after Order 66 and tries more than once to kill him and ultimately leaves him to die on Mustafar. Obi-Wan does his duty when Anakin doesn't give him another choice. He's unable to land a final killing blow, yes, and this does seem to be a direct payoff to his claim to Yoda that he can't kill Anakin because of how much he cares about Anakin, but Anakin is pretty badly injured and ON FIRE by the time Obi-Wan walks away, so there's really no reason to believe that Anakin won't just die here (especially since Yoda is supposed to be handling Palpatine). He's willing to let Anakin die to spare the galaxy.
It doesn't even make any SENSE for it to be true, especially with the implication that Mace and Yoda both also believe it to be true. Obi-Wan is on the Jedi High Council and has the rank of Master, something that isn't just handed out lightly (as seen by the refusal to give it to Anakin when he hasn’t earned it), and the rest of this book goes out of its way to have the Council point out how much they love and trust Obi-Wan, Obi-Wan is THEIR DUDE, they think he's the best at everything ever and trust only him with the most dangerous missions because of how great he is. But somehow the two highest ranked members of this Jedi Council also simultaneously believe that Obi-Wan would "stop at nothing" (which encompasses so many things from just abandoning his duty to literally destroying democracy and committing genocides) to save one person. I don't see how these two things can both be true at once. If Mace and Yoda genuinely believed this about Obi-Wan, they never should've given him this position of leadership and I don't buy that they'd think as highly of him as they clearly do in this book. It's ridiculous. I'm sure the book is great, the prose in the snippets I've read of it do seem to be really pretty and there's plenty I've read that I've actually quite enjoyed, but this line just pisses me off. So it's possible you will see people try to use this line to argue that Obi-Wan was obsessed with/attached to Anakin, but I think that's kind-of bullshit and I don't think it even makes sense within the book it exists in.
And that leaves us with the Disney era, and the one thing we can really look at here is the Obi-Wan Kenobi show. 
Obi-Wan is obviously struggling a lot for the majority of the show and the core of it is what happened with Anakin, but it goes so far beyond that. He's lost his entire family, his community, his culture, his home, and both he and his people are being hunted down. The one person he feels he has left is being raised by people who won't even let them speak to each other. The only other possible connection he can make is with someone who died decades earlier and he's not succeeding at making that connection. Those failures eat away at him just as much as anything else does. It's not just about Anakin and it never is.
I’m also going to go back to that initial theme of FAITH for Obi-Wan. In the Prequels, his arc is about learning to have faith in the will of the Force and in Anakin. That faith was betrayed in the end, and so his faith is pretty minimal during this show at the beginning. But each time he’s proven wrong by a new person he meets, he gains it back a little more. He starts to trust that people ARE inherently good, that there’s a reason to keep fighting, and that he can believe in a better world. And he does try to bring that newfound faith into his confrontation with Anakin in the end, he apologizes to Anakin “for everything” and doesn’t take the opportunity to kill him when Anakin is defeated. But he does have to let go of his faith in Anakin, he has to accept that this is a faith that is never again going to be rewarded. He has to accept that he wasn’t wrong to have faith in general and that he SHOULD be more trusting of people in general, and Anakin made his own choices and will CONTINUE to make his own choices regardless of what Obi-Wan does or does not do. Just because Anakin chose to betray him doesn’t mean that Obi-Wan was wrong to trust him. Again, the end of this entire story for Obi-Wan is about recognizing Anakin’s inherent flaws and accepting them before choosing to WALK AWAY. 
The Obi-Wan Kenobi show is not a perfect show by any means, and I will never try to claim that it is. One of the issues with it is that there are some logistical issues in it that are a little confusing if taken literally. So one of the ways that I am able to make my peace with those little logistical problems is to see the show as more of a long visual metaphor for Obi-Wan's journey towards mental health rather than taking it literally. Maybe all of it happened exactly as we saw it, maybe it didn't.
The visions that Obi-Wan seems to have of Anakin could be taken literally as actual visions Obi-Wan is having, but it could also be interpreted as just a metaphor for Obi-Wan's guilt and pain and fear. 
The flashback sequence where Obi-Wan and Anakin are sparring together could be taken literally as a regular flashback, it could be interpreted as a shared Force vision between the two of them, or it could be interpreted as just a representation of Obi-Wan and Anakin’s state of mind in the present day as they engage in a battle of wits. It also reinforces that idea of a shared history and how Obi-Wan's strength has never been in pure power but in cleverness and resourcefulness..
And that final confrontation could have happened. Maybe it did. But maybe it didn't. Anakin is a representation of Obi-Wan’s faith and trust being betrayed, but he’s been re-learning that trust and faith in people IS rewarded more often than it isn’t, so his faith in Anakin wasn’t the issue. And even if it were, it doesn't really matter anymore. Even if Obi-Wan did make mistakes with Anakin, he was never controlling Anakin's choices. Anakin made these choices himself and is STILL making them himself and the responsibility for them should be placed squarely on Anakin's shoulders. Obi-Wan has to let go of his need to understand Anakin's choices in order to forgive himself for whatever part he may have played in them and learn to have hope for the future again. The confrontation between Obi-Wan and Anakin is, to me, just as much a confrontation between Obi-Wan and his own fears as it is a confrontation between Obi-Wan and Anakin. It's not dissimilar from the Dagobah cave sequence with Luke.
So, personally, I see this entire scene as just one giant metaphor rather than something more literal. Which is why I can accept Obi-Wan walking away from Anakin a second time, knowing that Anakin will continue to live and torment the galaxy as a result, rather than finishing the job when he has the opportunity and doing his duty. Because if it’s not really happening, then Obi-Wan walking away is just a visual representation of him choosing to let go of his guilt and his doubts and his fears, and not a complete failure on Obi-Wan’s part that condemns the galaxy to another decade under Vader’s thumb. I don’t see this show as proof that Obi-Wan is obsessed with Anakin so much as I see it as the show choosing to use Anakin’s visage as a representation of Obi-Wan’s feelings weighing him down. 
So, in conclusion, my interpretation is that Obi-Wan has FAITH in Anakin (and the will of the Force) in the Prequels, which constitutes acknowledging and accepting Anakin’s flaws while simultaneously choosing to believe that Anakin will be able to overcome them. This is the definition of balance in Star Wars, and something every Jedi is striving to achieve. That faith is severely damaged after Order 66 and Obi-Wan does flounder as a result, but is able to ultimately regain his faith in people and in the will of the Force by accepting that he can no longer have faith in Anakin and that Anakin made his own choices despite the support and training he received from Obi-Wan. 
Which brings us to Anakin.
I don’t find your take to be particularly morbid at all. It’s a little bad faith, but I will say that the thing with bad faith takes is that sometimes that interpretation comes from a problem in the writing creating a dissonance with the intended message. So while it sometimes doesn’t appear as though Anakin cares very much about Obi-Wan, the dialogue and vibes of the films are trying to let us know that he DOES care about Obi-Wan quite a lot and that it’s a pretty central relationship in Anakin’s life that he relies on (and, to some degree, takes for granted). I’m not sure that this always comes across super well, especially in the films (and most especially in AOTC), and that lends itself to more bad faith takes on their relationship. So despite my love for bad faith takes about Anakin, I will attempt to be as balanced as I can here.
I do think that almost all of Anakin’s canon relationships have an element of attachment to them, even the nicer ones, which means that there’s always some element of obsession and possessiveness to it, and Obi-Wan is not an exception.
Part of why I think he has this relationship with Obi-Wan is due to Anakin’s desperate need to have someone whose life revolves around him, replicating the relationship he had with Shmi. Despite the fact that Shmi was not attached to Anakin, their relationship was defined by the environment in which he was raised. Shmi’s entire world revolved around Anakin and doing what was best for him and making him happy to try to make up for the fact that they were enslaved as much as she was capable of providing. And, on some level, Anakin NEEDS that, but Obi-Wan never actually provides it (because Obi-Wan is a Jedi and cannot let his life revolve around one person and is attempting to teach Anakin those same values, not because Obi-Wan doesn’t care about Anakin or cares about him less than Shmi did). Obi-Wan is, for ten years, the primary relationship in Anakin’s life, but the frustration of not getting precisely what he wants out of it leads to resentment and obsession. 
Ironically, I also think that this also leads to Anakin’s relationship with Obi-Wan being one of the healthiest Anakin ever has. Anakin wants Obi-Wan’s approval and in order to get it, Anakin has to actually act MORE LIKE A JEDI, which generally involves a lack of attachment. So there’s actually multiple moments in both the films and TCW where we see Obi-Wan’s relationship with Anakin sort-of inspire an ability to act more rationally and selflessly than he does with other people he’s attached to (Shmi, Padme, Ahsoka, even Palpatine sometimes). 
My favorite example of this is actually in TCW. The basic premise is that Obi-Wan and Anakin (and Ahsoka and their troops) are on a mission that goes south quickly and they end up separated. Towards the beginning, Anakin learns that Obi-Wan’s ship crashed and so he’s probably pretty injured if he’s still alive at all, but Anakin and his troops are still pretty far away from where Obi-Wan is. It’s actually Ahsoka who protests when Anakin decides to ignore the information and just keep moving forward, and while Anakin initially snaps at her about it, he then immediately centers himself and turns back to explain that while they COULD run ahead to help Obi-Wan, it would mean abandoning their troops in enemy territory to do it, and they have to prioritize protecting their men and trust that Obi-Wan will be okay on his own. This moment shows not only that Anakin can actually make the right decision on his own despite how emotional he is about Obi-Wan’s situation, but also that when he DOES let his emotions control him a little, he is also able to center himself enough to explain all of this to his student rather than just shut her down. Being a better Jedi has the ripple effect of helping Anakin’s men and his student (as well as potentially ensuring the success of the mission in the long term by making sure that his men survive to bolster their forces later). 
So, I do think there’s an obsession on Anakin’s end of things, but this obsession doesn’t necessarily mean that he can’t be obsessed with someone else MORE or that the obsession can’t turn into something healthier and more mature with some effort. 
As far as Anakin's nonchalance towards Obi-Wan in the films goes, one of my biggest criticisms of AOTC is that the relationship between Anakin and Obi-Wan was not handled particularly gracefully. This is something that they did recognize in post production and tried to fix by adding in that elevator scene towards the beginning, but it definitely gets overwhelmed by the more negative vibes of their relationship in the rest of the movie. They spend most of their time arguing with each other or critiquing each other in conversations with other people. 
I do wish we’d gotten more of a positive dynamic between them in AOTC to help sell that these two characters cared about each other despite their disagreements, but we didn’t. But the fact that they chose to film an extra scene specifically to help make their relationship more positive tells me that the intended reading of their relationship is supposed to be positive even if they’re going through a rough patch within the context of that one movie.The other thing to keep in mind is that Anakin is supposed to be 19 years old in AOTC and this kind of… rejection of the parental figure’s authority at the same time as they are desperate for the parent’s approval seems fairly normal for teenagers, and we know that Lucas was trying to make Anakin a relatively authentic “whiny teenager” (I think Hayden Christensen said something to Lucas during filming about how the character came off as a whiny teenager and Lucas’s response was “but he IS a whiny teenager”). So while that bratty behavior tends to read as a lack of care, it probably wasn’t intended that way.
They do seem a lot closer during the Invisible Hand sequence at the beginning of ROTS where their banter feels less mean-spirited and they’re able to figure out compromises when they disagree. They feel more like equals with a greater confidence and comfort in their relationship. The problem for me here is that AOTC’s failure to really make it seem like Anakin and Obi-Wan cared about each other makes this sudden change to their dynamic in ROTS feel a little jarring to me. There is a three year time gap, obviously, but it doesn’t feel like quite enough, especially since his betrayal of Obi-Wan happens halfway through the film and that emotional ending is only earned if we bought into their relationship as a positive thing that mattered to both of them. 
This is where TCW steps in. I have… issues with TCW and the way Obi-Wan and Anakin are written in the show sometimes, but one of the things it did try to do was help bridge that gap between their rockier relationship dynamic in AOTC and the much more positive one they have in ROTS. In the earlier seasons, there’s still some of that rebelliousness from Anakin, that need he feels to one-up Obi-Wan by refusing to do what he asks and butting heads with him at every opportunity. By the later seasons, we see their dynamic shift more towards what we saw in ROTS, where their interactions feel more like friendly teasing and banter than butting heads. Some of the reason for this is just time passing, some of it is Anakin being Knighted and he and Obi-Wan able to be equals in a way that wasn’t as possible in their Master/Padawan dynamic, but the biggest explanation TCW provides for why their relationship shifted was Anakin being given a Padawan of his own which allowed him to mature and connect with Obi-Wan in a way he never would have otherwise. 
However, while Obi-Wan and Anakin’s relationship is intended to have stabilized and improved over those three years between AOTC and ROTS, he also betrays Obi-Wan four days later and then proceeds to try to kill him personally, so TCW also tried to provide an explanation for that. This is where we come back to the Deception arc and look at Anakin’s side of things. 
First off, the Deception arc does actually provide some solid evidence of how much Anakin truly cares about Obi-Wan and how he reacts to Obi-Wan being in danger when Padme isn’t a part of the equation. During the time period where Anakin thinks Obi-Wan is dead, he becomes very disoriented and fractured. Anakin has a tendency to mask his grief with anger (something we see pretty clearly when his mother dies in AOTC) and that is exactly what happens after Obi-Wan's "death." He is able to mostly control himself at the beginning of the arc (including stating out loud that he WANTS to kill the assassin who “killed” Obi-Wan and the only reason he doesn’t is out of respect for Obi-Wan’s memory), but he isn't really opening up to anybody and seems to be pushing away everyone who cares about him.
When Anakin learns the truth about Obi-Wan’s deception, he seems to mostly hold it together until the mission is actually complete, but his true feelings come to light when he speaks to Obi-Wan afterwards and they aren't pretty. He's angry with Obi-Wan for the deception, angry at the seeming lack of trust. But despite Obi-Wan telling him point blank that it was HIS choice to deceive Anakin rather than something the Council forced him to do, Anakin refuses to see this as anything other than a flaw in the Council, wondering aloud how often they've lied to both himself AND Obi-Wan. This clearly is intended to show a wedge being shoved into the relationship Anakin has with Obi-Wan and the Council, a breach of trust in the name of the greater good (something Anakin doesn’t truly believe in or respect much), and this adds to the resentment and frustration that Palpatine is encouraging in Anakin so that by the time they reach the events of ROTS, Anakin can convince himself to turn on Obi-Wan and the Jedi because they were “traitors to the Republic” and “trying to take over.” He knows it isn’t true, but the things that he knows were true in the past allow him to pretend that what he’s doing now is right. They were willing to lie to him and betray him once, why couldn’t it be true a second time?
This arc is interesting in how it sort-of portrays both the worst and best of their relationship. Anakin does manage to control himself at the beginning, specifically because he wants to respect Obi-Wan’s values even if Obi-Wan himself is dead. He wants to live up to the person Obi-Wan believed him to be, despite how much pain he’s currently in and how much he WANTS to hurt the assassin he thinks caused it. Keep in mind just how quickly he turned on the Tuskens and how little thought he put into killing them all until it was over, and then compare that to Anakin making the choice to hold himself back when it’s Obi-Wan’s death he’s faced with instead of his mother’s. But by the end, when it’s not regular grief he’s faced with but broken trust, we see Anakin find it difficult to see things from Obi-Wan’s point of view, we see his respect for Obi-Wan’s values disappear. But because he cares about Obi-Wan, he also then refuses to believe something that Obi-Wan is telling him very plainly because he’d actually rather blame the Council and aim his pain at the Council than face the truth that Obi-Wan lied to him and perhaps didn’t trust him the way Anakin thought he did. Anakin has a tendency to paint over uncomfortable truths with pretty lies instead of facing them and that’s exactly what he does here, perhaps to the ultimate detriment of his relationship with both Obi-Wan and the Council. 
Unfortunately, due to the way TCW is structured, there is exactly no further exploration of these events and how they impact Anakin and Obi-Wan going forward. We have no idea when or how Anakin chose to forgive Obi-Wan, and since this arc is pretty close to the end of the season, I don’t think we even see them in a scene together again until the following season when they seem totally fine around each other and there’s no lingering resentment or bitterness at all. I don’t know if this would make Anakin’s unwillingness to really try to save Obi-Wan from Order 66 at all make more sense or not, but I do think that’s part of the intent behind this particular arc. 
I often feel the way you do in my more bitter moments, like Anakin didn’t really care for Obi-Wan at all if he was able to betray him like that in the end, like Obi-Wan was always playing second fiddle to Padme and that should’ve been a bigger issue in their relationship than it was presented as, and like Obi-Wan deserved a better friend and student than he got in Anakin. I understand the appeal the relationship has for people, especially given how central it is to their characters, and I have enjoyed it myself in the past, but I’m just less into it these days. Even when I did like them, though, I don’t think I viewed them as equally obsessed with each other, and even if I did, that wasn’t why it appealed to me. To each their own, obviously, but the nice thing about the Star Wars fandom is that it’s large enough that there’s generally something for everyone to enjoy even if you don’t like all of it. If you’re interested in exploring more of Star Wars, I really hope that you go for it and find the parts of it that really speak to you! 
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