#found those quotes from website

[garlicbrede]

For some reason my brain decided to make a long rant in the tags, so uh yeah got that for anyone that wants to see it.

my mom loves to lie and like she always swears she was NEVER homophobic or anything to me as a child “i even have a gay work friend” but a really funny memory resurfaced recently where i asked if i could use birthday money i had to buy a rainbow flag when i was like ??? 7?? because i LOVED rainbows. and she said no that means something Evil and god will hate you . so what did i do. but ask my grandmom for a rainbow sweater for christmas and proceed to only wear that sweater for three years when it got cold because i didnt like the idea that god hated colors and i wanted to challenge him

[dontforgetukraine]

Ukraine Donation Guide Master Post

(Ver. 2 updated Aug 13th, 2024) I will be reformatting this and adding more in the future when I have time.

Also a quick note, all of the groups I have found through twitter have been around long enough for them to be vetted by each other and the brigades they work with. In fact, a lot of these groups collaborate with each other too. Those that are in the fight for Ukraine have been diligent in calling out those that are grifters. Word spreads around quickly if an organization doesn't show up with what they promised. They also use their social media (often Twitter) as a means of transparency for their work.

Remember: When considering on whether to donate, always use your best judgement and donate to those you trust if you do not see what is listed is up to your standards.

Multi-Purpose

United 24 has various fundraisers dedicated to defense and drones, medical aid, rebuilding Ukraine, humanitarian demining, and science and education. You can pick which one you want to contribute to under their various projects.

Liberty Ukraine uses funds for humanitarian aid, medical supplies, protective gear and equipment, and rehabilitation therapy. You can choose which campaign of theirs to donate to.

Come Back Alive is a charitable foundation that supports Ukraine's military with competent assistance while also focusing on security and defense. They also have projects that use sports to help veterans rehabilitate. You can choose which campaign to donate to.

Serhiy Prytula Charity Foundation works to help both civilians and Ukraine's army. You can choose to donate to an active project or any of their general campaigns. Civilian aid campaigns cover temporary housing, supporting crisis and emergency responses, schools, demining, and healthcare. Military aid campaigns cover drones, optics units, communications equipment, and support of air defense teams.

Food Aid

World Central Kitchen works with local partners wherever they are providing food aid. They make sure meals and meal kits are what the local population eats. Even though there is no separate fundraising campaign for Ukraine (that I can see), they still do great work.

Animal Rescue

Hachiko Foundation works to help displaced pets and strays in frontline areas. They help with veterinary care, outdoor shelters, setting up feeding stations, and rehoming animals.

Medical Aid

Hospitallers (Website) is a volunteer organization of paramedics that was founded in 2014. They evacuate the wounded, provide medical aid on the frontlines, assist in rehabilitation, and transfer of the deceased to burial sites. They are also supported by Ukraine Charity. Visit Hospitallers' website to see how many they have evacuated, different methods you can donate, and more information about them.

Other

Saint Javelin (Twitter; Website) is a great place to get apparel, gear, and other cool loot to show your support for Ukraine. They don't take donations, but instead raise funds through their shop with a portion of their sales going towards humanitarian aid and critical items needed by the defenders (generators, pick-up trucks, medical supplies etc). Part of their shop has items made in Ukraine to support Ukrainian businesses. Overall, their products are high-quality. I include them due to their impactful presence in the Twitter community I follow and how they make Ukraine visible in an alternative way. Consider buying someone a gift from their shop.

The Kyiv Independent (Twitter; Website) is a great English language resource for news about Ukraine. I include them because I think supporting good journalism is incredibly important, especially now when the information space is fraught with Russian propaganda, misinformation, and disinformation. My followers have probably noticed I've pulled a lot of quotes from their stories in an effort to amplify Ukrainian voices and experiences. Look on their website for more information on different way to support them, such as their Patreon.

---

If you're on twitter, there are a number of groups and people that fundraise for Ukraine and for specific units fighting on the frontlines. If there is no official website, a PayPal for donations is listed in their profiles. When considering on whether to donate, always use your best judgement and donate to those you trust if you do not see what is listed is up to your standards.

@/Teoyaomiquu almost always has a fundraiser for Liberty Ukraine with a specified purpose. At the time of writing this, he is currently raising funds for engineering equipment such as excavators. One such excavator is already in Kursk. Follow him to stay up to date with what he's fundraising for.

Dyga's Paw (Twitter: @/dzygaspaw) is a smaller group that has recently raised funds for starlinks, drones, batteries, and Ecoflow generators. You can look at the fundraising campaigns they currently have on their website.

@/DefactoHumanity represents and founded Planet of the People with their website U(a)nited for Freedom. She frequently posts updates about their fundraisers and what their partners need. They are known for providing Frontline medical aid supplies, protective equipment and other military aid, technical equipment (starlinks, drones, scopes, etc), and infrastructure equipment (generators, vehicles, power stations, etc). They even have a merch store of the battalions they partner with if that's your jam. Here is their link tree if you wish to explore more. And in case you're curious, there is an article bout the founder here.

@/wilendhornets (Website) specialize in making high quality drones that have gotten a lot of praise from Ukraine's army. They have attracted a lot of media attention too. Check out their website for the list of articles that have been written about them. Their Twitter is very active with strike footage.

Ants Kitchen Hub (@/ants_kyiv) is a volunteer kitchen that makes dry rations for the Ukrainian army. They are more active on their other social media. To learn more about them, check out their link tree.

@/frontlinekit (Front Line Kitchen) is represented by Richard Woodruff. Originally they made shelf stable food for the Ukrainian army, but now their fundraising has branched out to other campaigns such as raising funds for medical supplies and drones. They are a well known group that many battalions have come to for help.

@/bekamaciorowski (Rebekah Maciorowski) is as combat medic and nurse who helps provide medical care to soldiers and civillians at the frontlines. She raises funds for medical supplies and other equipment, but also helps train soldiers in first aid. More of her social media that features her work can be found in her link tree.

@/UkraineAidOps (Website) is another organization battalions frequently go to for help. They fundraise for all sorts of equipment from medical supplies to drones. If you're interested, they also have a shop with patches from different brigades and flags signed by soldiers. Their shop also includes a separate section called the Victory Gallery where artifacts from the war are turned into art. This includes shells that are painted on, scrap metal from downed enemy planes are turned into keychains, and pieces of a rocket are turned into lamps.

Chris Garrett is the co-founder of Prevail. His organization deals with humanitarian demining as well as training for trauma care, training of bomb disposal, and education to the public. Prevail works with local agencies in Ukraine as well as the army.

Project Konstantin (Twitter; Website; Linktree) is still going strong after the death of their founder, British paramedic Peter Fouché. His digital ghost can be found here. They collaborate with the military, thus giving them an insight into what is dearly needed. They often raise funds for starlinks, personalized first aid kits (IFAKs), generators, portable power stations, and other nonlethal military equipment. I regret forgetting them the first time this post went around. Visit their website to see everything they have done and more. It has more information on what and how they do it than this post can cover.

One Team One Fight (Twitter; Website; Linktree) has some of the original members that worked for Ukraine Aid Ops. They formed their own group after differences with the previous one, and are still helping Ukraine. They are very visible on various social media showing what they have accomplished in their deliveries to various brigades. They're another group that seeks to bring starlinks, drones, medical supplies and protective gear to the battalions that come to them for help. Check out their website for more information on their current fundraisers, their achievements, and received recognition.

NAFO 69th Sniffing Brigade (Twitter; Website) Another small group that focuses their funds on delivering drones, generators, vehicles, and saving the occasional furry companion. They are very diligent in their updates for their fundraising campaigns. Check out their website for more information and the articles written about them.

Postmaster General Boomer (Twitter; Website) focuses on humanitarian aid, animal aid, and logistics. Boomer is the beloved pet of one of the founders and the secret boss/mascot. They have many transparency reports and are diligent in reporting the various "tours" they do in getting supplies where they are needed to go. They are based in Germany but have built up many connections during their existence. They have also worked closely with Ukraine Aid Ops.

--

I am sure I have forgotten some, so please reply or comment with any more I should add to this master post. I will edit and update as I see and evaluate more.

Last updated: Aug. 13th, 2024

Version updates listed below

August 13th, 2024 Added:

Hospitallers

Saint Javelin

The Kyiv Independent

Project Konstantin

1 Team 1 Fight

NAFO 69th Sniffing Brigade

Post Master General Boomer

[batshit-auspol]

With the sudden collapse of the Soviet Union in the early 1990s, many of the former empire's resources were sold off to the highest bidder, and their $14 billion space shuttle program was no exception.

Seeking to recoup some of that eyewatering spend, in 1998, the "Buran" (Russia's answer to the American Space Shuttle) was offered up for sale on eBay for $10 million.

No serious offers were received - with most people assuming the listing to be a joke, until the New York Post confirmed the sale, with Russian authorities stating they "actually have two" if anyone is interested.

(Pictured: A later auction of a smaller scale Buran in 2005)

Sensing an opportunity, a group of Aussie entrepreneurs including Australia's first astronaut and the lawyer for Prime Minister Paul Keating offer to lease the shuttle from Russia, to put it on display in Australia during the Sydney Olympics.

After gaining permission from the Kremlin for the lease, in 1999 the Russian military briefly stops bombing Chechnya in order to dismantle the Buran, and it is placed on a barge to be shipped to Sydney on the (soon to be infamous for other reasons) Tampa shipping vessel at a cost of $5 million.

Once in Sydney, after a disastrous few months on display where crowds failed to flock to the shuttle exhibition featuring such compelling educational offerings as "activities is to assist in the development of issues of nutrition and hygiene at home" (an actual quote from their website) - the leasing company declared bankruptcy and washed their hands of the space shuttle completely.

The Buran Gift shop where you could buy soviet space ship themed football jerseys, in case you needed one of those

One of four people listed on the lease, described as a business partner of the Prime Minister, also claims he never knew he was a director of the company, which went on to cause a lot more problems.

This whole debacle presented a slight issue for the cash strapped Russian authorities, who had now only been paid $100,000 for the 9 year lease of the shuttle instead of the $600,000 they were owed. Eventually the decision was made to abandon the once $1 billion Soviet pride and joy in a Sydney carpark, where it resided for a year under a small tarpaulin.

Failed attempts to be rid of the shuttle included a 12 day auction hosted by an LA radio station, where listeners were offered the chance to buy the shuttle for $6 million, however all bids turned out to be pranks and the shuttle remained.

Multiple attempts were also made to sell the shuttle to Tom Cruise, with the exacerbated movie star's representatives repeatedly telling the insistent traders that he was not interested in owning a Russian spaceship.

Eventually a Singaporean group dismantled the shuttle and shipped it overseas, however Russian authorities soon reported they once again had been failed to be paid for the lease. Singaporean representatives responded that they definitely had paid for the shuttle, and that they simply couldn't remember when or how much was paid.

Representing the Russian government, Lawyer Suhaila Turani told the Wall Street Journal “I feel sorry for the Russians. They’re good in space, but they’re very naive in business.”

For a time the shuttle was abandoned in the storage yard of event company Pico, with the company owner telling the Wall Street Journal "I just want this thing out of my life" after three years of being stuck with it.

A few years later the shuttle was found by German journalists dismantled in a junkyard, and it was then bought and shipped to Germany to be put on display a museum, so all's well that ends well (except they dropped it from a crane while trying to set it up, but it polished up okay).

[ms-demeanor]

making my own post because nobody needs my bullshit on their post:

OP:

Reblog 1:

Reblog 2:

My response:

The IRA blogs were here and they were active and they were quite popular; their posting patterns did not match normal tumblr users (i was followed by lagonegirl and followed back only to be put off by the account reblogging the same five or ten posts every hour for a day before selecting another five or ten posts to reblog hourly the next day - it was clear engagement bait).

Tumblr has never been as transparent about these accounts as both Twitter and Facebook were, but several of the accounts had shared names across platforms and you can find a significant amount of data that was released by both facebook (ex: ads purchased by the IRA accounts) and twitter (over three million tweets from IRA accounts). Academic researchers have published papers on the data released from facebook and twitter. Several papers. So many papers. Soooooo many papers. We have a LOT of direct evidence that you can explore for yourself that there were hundreds (possibly thousands) of IRA accounts that were created on Facebook and Twitter. Of those accounts, some shared usernames across platforms, and of those accounts, a few had tumblr accounts that posted the same content on twitter and tumblr.

To quote a buzzfeed news article from the time:

The Russian-run Tumblr accounts used the same, or very similar, usernames as the account names contained on a list of confirmed IRA accounts Twitter submitted to congressional investigators. In some cases, the Tumblr and Twitter account has the same profile image or linked to each other in their bios. Some IRA Tumblrs and Twitter accounts also cross-promoted content between platforms, further linking them together.

Current tumblr user @ alwaysbewoke (who I don't want to tag because I'm sure he's got better things to do) is interviewed in that article and talks about following one of the blogs identified by tumblr as an IRA blog that had a matching account on twitter identified as an IRA account but unfollowing when the left-leaning blog supposedly run by a black creator started rooting for trump in the election.

Dr. Jonathan Albright is heavily quoted in the article; the data review he collaborated on is one of the only reviews of this subject that includes data from Tumblr and Reddit.

One of the claims that I've seen is that tumblr just deleted funny black people, but these were blogs with thousands of followers on tumblr who never recreated, never popped up on another social media site, never started a reddit account after getting banned; nobody ever showed up saying "hey this is 4mysquad, I got banned on tumblr and twitter, follow me to pillowfort". These very popular blogs got deleted and, as far as I know, nobody ever popped up claiming to be a person who was deleted - and it's not like tumblr users haven't figured out how to evade bans.

What you are doing when you make posts saying that the IRA accounts on tumblr never existed is *absolving tumblr of guilt for their utter lack of transparency.*

Tumblr is not the only tech company that has tried to fly under the radar as its larger counterparts face regular scrutiny in Congress and in the press. Earlier this month, Reddit revealed it too had deleted hundreds of accounts with ties to the Internet Research Agency. A WIRED investigation found more than a thousand links to Russian propaganda websites are still live on Reddit, and unearthed two suspicious accounts that Reddit immediately shut down.

So should you believe what Tumblr says? No, because Tumblr has been functionally fucking silent on this issue and the information about this subject aside from the list of blogs has come from the hard work of data scientists, journalists, and researchers.

(For the record; some of those bot accounts that were recorded by Dr. Albright also had Google+ accounts in 2017 - there is every possibility that they had myspace accounts).

Now, the reason that I'm popping onto this post as an annoyed anarchist is that I was tracking a similar group of blogs for a while and was discussing them and I stopped precisely because of the galaxy-brained liberals who are now trying to dunk on communists for criticizing electoralism. One of the people who was following my project was one of the ones who started calling out the "joe biden kills dogs" posts as disinfo and I realized they were using some of the guidelines I'd written up to "identify" misinformation and that is very a rock fucking stupid approach to what was clearly a leftist making jokes and was horrified and realized there was no way that I could continue documenting what I was documenting without someone attempting to call actual leftists russian bots.

I've seen the post that OP is referencing [it's one where someone makes a very obvious joke about the democrat presidential ticket and people jump on to call them a bot and then someone tries to do the "AI tell me a story" thing and OP is just like "I don't want to :(", proving that they are in fact a person and not an AI] and have deeply enjoyed the humor of watching liberals a) not understand a very, VERY obvious joke and b) become the unwitting butt of a joke they were trying to make, but also I am so exhausted by watching normie dems call leftists AI bots after years of watching normie dems call real live actual leftists who hold actual political views that real people actually have, like prison abolition, russian bots.

But I am also so fucking tired of left conspiracism and how stupid it sounds when leftists dismiss a preponderance of evidence that is easily accessible and publicly available for analysis as "lol so you just trust everything tumblr tells you?"

No, dipshit, learn to click a fucking link or twelve.

[killertoons]

I've got ideas and a theory for the recent welcome home updates (10/18/2024)

Walk with me-

So that short story alone already showed pulling ideas from Edgar Allen Poe with the tell-tale heart and the cast of amontillado

(I wouldnt be shocked if they reference other Edgar Allen poes works like the raven soon but that's me cheating to peek at clowns kofi and I won't speak further on that-)

Basically Sally is doing a rendition of the tell-tale heart and poppy got cast....only she doesn't want to be involved. It's a scary tale, and for those who didn't take advanced English

The story of the tell-tale hearts about a man so absolutely freaked out by this old man's eyes to quote

'I think it was his eye! Yes, it was this! One of his eyes resembled that of a vulture- a pale blue eye, with a film over it.'

So the man sets out to kill him, does so by lurking in the dark for 7 straight nights till finally the 8th night he finally does so, dismembered him and hide the pieces under the floorboards!

But when police came to investigate...he could hear both but a beating heart under the floors and from his guilt he admitted to the murder and ended the tale with

'"Villains!" I shrieked, "dissemble no more! I admit the deed!- tear up the planks!-here, here!- it is the beating of his hideous heart!"

So already Sally doing a rendition of this tale is wild already as I imagine it's been changed to be more family friendly for the neighborhood, but poppy isn't up for it.

And Sally's sad about it! And of course the neighbors all know why poppy actually didn't wanna do it. And Sally trying to be a good friend realized the play scares her so they gotta do something to let poppy have her cozy state of mind away from anxiety

So they form their plan-

To cask of amontillado her into her house, brick by brick.

Another famous story by Edgar Allen Poe, that one is about a guy luring someone he had a dispute over into a cellar and bricking him up down there to rot.

It's a revenge story, one we have no details other than a man was wronged (we never learn the reason) his anger and vengeance taking center stage.

Through the entire story time, the neighbors are supposed to be following a book along as a read aloud story but they keep breaking into separate lil conversations or making quips to each other... Till the end where audio is lost on the rest of the story after poppy was bricked away.

However...

Because we have the secret website we can check there and what's found was....worse

Poppy in the dark of her barn and something is lurking with her in the dark.

By the end someone gets her out but the sounds of the people aren't named... although they sound familiar to us

I could say what we were all thinking and state the obvious "oh those must be the puppeteers! That was poppy's puppeteer having a freak out moment-"

Which I personally agree but there's more to it.

Do y'all know how big birds puppet works?

It's one person in there, with a screen to tell you where to go and a script taped inside while they maneuver around like this!

I imagine poppy is the same way since she's based design wise off big bird

Now with this in mind, add how hard it is to move or see or perceive where you are in general in that suit. How clasterphobic your gonna be if you can't get out!

I get clasterphobic trying to get out of a dress that fits too tight at the store, I can't imagine how scary this would be especially if your on your own in the dark room as well!

with only your lantern to read your lines and something to occupy yourself- maybe knitting as it's a hobby you picked up-

When you hear breathing that's not yours. From within the suit. A suit that's JUST big enough for you, mind you.

So it be impossible for anyone else to be breathing...only you forgot someone.

The puppet suit itself...is breathing.

And there's scratching at the door, something else is lurking in the dark with you but you can't see it. You can't get out, the suit can't leave but your mind is stuck the doors open but in another world it's closed and sealed-

But I'm getting ahead of myself

What is said is...what if that IS poppy reacting in the dark to something...but also it's the puppeteers reaction to poppy as well. They share a mind and A space for a moment in the dark where their fear matches them and it doesn't break till the door opens and the puppeteers talk..

I think the horror is going higher as both sides are gonna start interacting more and more with each other..

[ef-1]

I see some confusion (both real and manufactured lol) about the authenticity of the claims reported by F1-Insider on the Red Bull seat.

There are two main claims in that article

That everyone, including "the Verstappen family" were told by Horner and Helmut that Sergio WILL be replaced by the next race in Zandvoort:

2. That the drastic change of course was the result of Liberty Media (the rights holder to all of F1) pressuring Red Bull not to drop Sergio during the break because it would cost Liberty too much money if the only Mexican driver, who is regarded a hero, is dropped before the Mexican GP- tanking the event:

There has been a lot of handwringing about how F1-Insider is not a reliable news source, this is only partially correct because they are not really AMuS (<- regarded as THE gold standard in f1 journalism and reporting) F1-insider mostly report on other people's interviews and sources, it is however a reliable Verstappen camp source. Ralf Bach, the owner of F1-Insider AND MORE IMPORTANTLY THE AUTHOR OF THIS ARTICLE is a career long f1 journalist (30 yr long veteran and is inducted in the paddock hall of fame) has been a Verstappen camp insider since 2016 (think of him as Erik van Haren-lite), if he says something about the Verstappens it is either from Jos or Raymond. He's also by extension close to Helmut (Helmut gave him all those exclusive interviews about how close Red Bull came to bringing Seb back into Red Bull after Ferrari refused to extend him). Most of F1-Insider's interviews are from Red Bull, specifically Helmut and camp Verstappen.

Ralf Bach and Jos are even closer than that because they're friends. In 2021, Jos complained to Bach about Lewis and Toto without knowing he was saying those comments on the record because he thought he was just chatting with Bach as a friend. When Bach wrote about those comments in F1-Insider, Jos tweeted that he doesn't know who F1-Insider is because he didn't know Bach had founded his own company and the website was still quite new. Bach then asked Jos to delete that tweet because it dented F1-insider's credibilty and Jos DID delete that tweet because didn't want to make his friend look like a liar and he HAD said those things to Bach lol. + Bach was only second to EVH when it came to reporting Jos' side of the story when they were trying to overthrow Horner after news of the allegations against him broke.

For Ralf Bach to say, and I quote ,"The Verstappen family were surprised [...] Horner and Helmut gave them a clear statement: Perez is gone" literally means only 1 of 2 things: This is coming directly from camp Verstappen, either from Raymond or most probably Jos given that's his friend and the way Ralf specifically made sure to say 'the Verstappen family' (girl who else? Sophie? Victoria?).

Whether both claims are true can be up for debate but what is a point of fact is that Ralf Bach is reporting what camp Verstappen is telling him they know. And they're telling him that they were verbatim told by both Horner and Helmut that Sergio will be booted on Sunday after the race. The heli ride with Daniel, Max, Jos and Raymond + the fact that camp Verstappen have no reason to lie about this point to at least most of this being true.

[letteredlettered]

feedback and fic in fandom (3 f's of our own)

This conversation about feedback on fic says everything I’ve been wanting to say better than I could say it. But I’ll go ahead and try anyway.

Over the last five years or so there have been some great discussions around the rise of commodification of fanworks and decline of fandom community. This commodification looks a bit like enshittification of the internet: a cool site exists; its popularity makes someone realize they can get money from it; it has more and more ads; the site adds features to drive engagement, including The Algorithm; the things that made the site cool start to fall away. The site exists now as a vehicle purely to get clicks, and the people on it are on it solely to get clicks—to make money, to be successful, for some kind of social cachet.

AO3 doesn’t have advertisements. It’s not making money. But what is happening to fandom is proof of concept that enshittification changes the way we as humans engage. A cool website in 2004 was often a community space where you could meet people, have conversations, find cool things, and make cool things. A cool website in 2024 is either a content farm that will continually feed you enough content to hold your attention, or a social media site where your participation will come with stats to show you whether you are holding the attention of others.

AO3 wasn’t built to be a community space. It doesn’t have great functions for meeting people and having conversations. The idea was that, because fandom community spaces already existed, AO3 would serve the part of that community where you can find the cool things and store the cool things you made. It was meant to be a library in a city, not the whole city itself.

But it was also never meant to be a website in 2024, a content farm constantly generating content solely for your clicks and eyeballs and ad revenue, or a social media site where the content creators themselves vie for your clicks and eyeballs.

The most common talking point when people discuss the enshittification of fandom is the folks out there who are treating AO3 as that first kind of enshittified website: the content farm. This discussion is about how people treat fanfic as a product for consumption.

The post that kicked off the discussion on @sitp-recs’s blog was about someone who wasn’t getting very many kudos or comments on their fic, and was feeling pretty demoralized about it, then joined a discord server and found an entire channel dedicated to people loving their fic. But those on that server had never come to share that love with the author, which the author found really discouraging.

There are more and more stories like this. Someone on tiktok pulls a quote from a fic on AO3 and makes a 10-second video with them staring at a wall, the quote pasted at the bottom, music playing over it. It has 100,000 hearts, and 100 comments with people gushing over the fic, which has 80 kudos on AO3. Overall, people notice more and more hits on their fics, but fewer and fewer comments or even kudos. Fewer and fewer people seem to feel the need to interact with the author, instead treating the fic like a product to be used and discarded—which the enshittified internet (a stunning feature of late-stage capitalism!) encourages. The fandom community is dying, these stories conclude.

I agree. 100%. Both of the stories above have happened to me—viral tiktoks about my fic, secret discord channels to follow and discuss my fic—and let me tell you, it fucking sucks.

But from these observations about fandom enshittification, the discussion continues in a very odd direction. The solution to the death of fandom community is our favorite enshittification buzzword: engagement. We should engage the authors. They’re producing these products for free. We consume them at no cost. We must demonstrate our gratitude by paying them back.

It’s as though the capitalist consumption that the enshittified web encourages is so ingrained within us that we must think in terms of payment, in terms of exchange, transaction. Or as though, by forgoing payment, authors are some kind of martyrs defying capitalism, and the only way to honor their great sacrifice is comments and kudos.

Indeed, the discourse around this sometimes does veer away from capitalist rhetoric into something that smells almost religious in desperation. Authors are gods who bestow us mere mortals with the fruits of their labor benevolently, through love; the least we can do is worship them. Meanwhile the authors adopt the groveling sentiment of starving artists: I produce great art; I only humbly ask that you feed me in return.

These kinds of entreaties make my skin crawl for a number of reasons. I’m not a god. I’m not writing because I love you. I don’t expect your worship or even your praise.

I think the thing that disturbs me the most about it is that it suggests that authors (or, if the OP is feeling generous fan work creators) are the most important people in fandom. I’ve even seen posts stating that without creators, fandom wouldn’t exist—as though readers aren’t just as important. As though conversations where people discuss characterizations and plot points and randomly spin out interpretations and ideas and thoughts related to canon are meaningless. I’ve even seen people scramble to include folks having these discussions as “creators,” as though realizing that these people are necessary and integral to fandom communities but unable to drop the idea that the producers are the ones who are important. As though that person who just lurks can never count.

Is this what community is? When you join the queer community, are you expected to produce a product of your queerness? If not, must you actively participate and give back to the queer community in order to be considered a part of it? Or is it enough that you are queer, that you exist as a queer person and want to be around others who are queer, you want to be a part of something? What is community, anyway?

The problem with people raising the authors above everyone else in the community and demanding that tribute be paid is that they are decrying the “content farm” style of 2024 website out of one side of their mouth, but out of the other side are instead demanding that AO3 become a 2024-style social media website. Authors are influencers. “Engagement” and clicks are the things that really matter. They are in fact suggesting that the way to solve the commodification of fanfic is by “paying authors back” with stats.

Before anyone comes at me with the idea that comments aren’t just “stats,” I will clarify what I mean. There are literally hundreds of posts on tumblr alone claiming that any comment “helps” the author. Someone replies that they are shy to comment. Someone else replies that incoherent keyboard smashes, a single emoji, or the comment “kudos” are all that is required to satisfy the author, all that is required as tribute—all that is required as payment to keep this economy healthy.

I’m not condemning the comments that are keyboard smashes or emojis or a single kind word. I receive them. They make me happy. If anyone wants to leave such a comment on my fics, I’m really grateful for it. But this is not community-building. This is a transaction. In @yiiiiiiiikes25’s excellent response in the post linked at the beginning, they point out that “you have a cool hat” is something that is “perfectly nice” to hear from someone—and it is! We all want to be told we have a cool hat! But as they go on to say, what builds community is interactions that are deep and specific, interactions that are rich in quality, not in quantity. A kudos or a comment that says only ❤️are lovely things to receive, but they don’t build community.

My reaction, when I see people begging for kudos and comments as the only means by which to keep fandom community alive, is very close to @eleadore's. I want to say, “No. Readers do not need to comment or kudos. Believe not these hucksters who claim to know the appropriate method of fandom participation. Participate as you feel able, or not at all; nothing is required of you.”

I’ve been told before (several times) that I’m not qualified to participate in such discussions because I am an established author who has some fics with very high stats. It doesn’t matter that I have also been a new writer with almost no one reading my fics. It doesn’t matter that I still write in new fandoms where no one in that fandom knows me. It doesn’t matter that I, like any human being, still care about receiving recognition and attention and praise.

And maybe that’s correct. I personally don’t think that billionaires have a place in deciding the direction of the economy, and--if we're really going to consider fandom an economy--in fandom terms, if I’m not a billionaire, or even a millionaire, I’m definitely in the infamous “one percent.” So, just as no one wants to hear Elon Musk say “money isn’t everything,” maybe it’s not my place to say “kudos isn’t required, actually.”

That said, I’m not the only one who has a problem with the stats-based discourse around fandom community. However, the main counter-response to this discussion I see goes something like this: you shouldn’t be writing fic for validation. If you’re writing for attention, you’re doing it for the wrong reason. Authors should write fic because they love it without any expectation of return.

This is, in my opinion, missing the point of what is meant by fandom community.

I wrote fanfic before I knew that fanfic, as a concept, existed. I read books; I wanted them to be different; I wrote little stories for myself with new endings, with self-inserts, with cross-overs, with alternate universes. I did it for myself in the 90s. It never occurred to me that anyone else would do this, much less that people would share.

As @faiell points out—creating and sharing are two different things. I created fics for myself, but I decided to share them in the early 2000s because other people might like them, too. And of course, I wanted to hear whether other people liked them. How could I not? I might decorate my home just for me and not for anyone else’s preferences, but when people come over and say my house is nice, how can I not enjoy that? And if a lot of people think my house is nice, which encourages me to post pictures of it online, isn’t it understandable I might do so with the hope that more people will say my house is nice? And, honestly, if no one is appreciating my pictures, I probably won’t continue to go through the trouble of taking them and posting them. I’ll just enjoy my house that I decorated without sharing, the end.

When I found out there were whole fannish communities where people discussed canon and tossed ideas around about it, made theories and prompts and insights into the characters, fics they had written and recs for other fics and analyses of fics and art based on fics and fics based on art—I wanted to be a part of that, too. Now, sometimes, I write fic not out of an internal need to do so but out of a desire to participate in that community.

The idea that we write fic only for the love of it, then post it only because we possess it, is a process entirely centered on the self. It’s fandom in a vacuum. The idea that we share this thing, that we feel pleasure if someone likes it but feel nothing at all if no one says anything about it, that it’s completely okay to be ignored and unseen—that’s not what a community is either. That’s some weird sort of self-aggrandizement through self-effacement—because yes, there is often a weird kind of virtue-signaling in this kind of discourse.

I say this as someone who has virtue-signaled in that way: “some people write for stats, but I write for myself.” It’s bullshit. Sure, I write for myself, but why post it on the internet? Honestly, said virtue has a whiff of the capitalist machine, which would like you to produce for the sake of production, work for the sake of work. The noblest among us expect no recompense for that which they give!

The reason that I’m bringing this back around to capitalism is that capitalism actively works to dismantle community. The reason that folks are out here pleading for “engagement” in order to “pay back” authors for the products they give us “for free” is because people no longer even have the language to discuss how to participate in meaningful community. And frankly, how to build back fandom community, in the face of enshittification, is getting harder and harder to see.

But I do think that if we value fanfic and the fanfic community, it’s really, really not constructive to judge whether someone’s reasons for writing fanfic are valid. It’s also weird to me that it would be considered wrong that someone’s reason for sharing fanfic is because they would like to receive some recognition for it, when in fact that seems to be the most natural reason in the world for sharing something so private and vulnerable with the world.

Let’s go back to that idea of how hurtful it is to find out your fanfic is trending on tiktok without anyone from tiktok saying anything to you about your fic, or how it can be painful to find out there’s a secret discord channel dedicated to your fic. The people who respond to that with, “Ah, but you shouldn’t be writing to get attention!” are missing the point. The fic did get attention. It got lots. Attention obviously wasn't why the writer was writing--they were writing to participate, and they didn't get to. At all.

However, if your conclusion is that the author was upset because these particular stats were not accruing under this author’s profile, thereby preventing them from achieving the vaunted status of BNF and influencer—I don’t know, maybe you’re right. But I don’t think that’s why I, personally, have been hurt by these things, and I doubt it’s what hurt the people in these posts either. They’re hurt because they want to participate, and they have been systematically excluded by the very people they thought were part of the community they thought they could participate in.

Sure, if those folks from tiktok and the discord server all came and showered the author with kudos and comments that said “kudos,” the author might have felt satisfied enough with the quantity of this recognition that they would continue writing. But in the end, this still does nothing to address the problem of fandom community, in which the deep, meaningful recognition, interactions, and relationships in fandom are getting harder and harder to have and to build, as a result of how people now expect to engage in online spaces.

So, how to address the problem of fandom community? You probably read this long, long post hoping that I had an answer, and for that I must apologize. I don’t have solutions. My intent was to be descriptive, rather than prescriptive. I wished to outline the problems that I’m seeing in what was hopefully a slightly new or at least thought-provoking way, rather than offer solutions.

But, now that I’m talking about being prescriptive, maybe I can offer one suggestion, which is—maybe the solution to this isn’t about prescribing behavior. I do understand the irony in writing a prescription saying we shouldn’t prescribe people, but I’m going to write it anyway:

Maybe we shouldn’t be telling anyone the appropriate reasons for writing fanfic or for sharing it. Maybe we shouldn’t be telling readers they need to kudos or need to comment. If we’re going to go pointing fingers, we should be pointing at the institutions of capitalism that have made the internet what it is today—but I don’t think that’s going to solve the problem either.

But I do think that describing this problem, understanding what it actually is, not blaming readers for it and not blaming authors for it—I do think that helps. The discussion I linked at the beginning of this post is what I think of as the fandom I miss, the fandom that's now harder and harder to access, the fandom that is dying. That fandom was a social space where people had opinions and disagreed and went back and forth and gazed at their navels and then talked about Buffy the Vampire Slayer.

In the words of @yiiiiiiiikes25, it was a fuckin’ discussion about hats. And we’re hungry for it.

[duck-in-a-spaceship]

The deification, the religious trauma, the queer experience and the holy repression of Kim Kitsuragi.

This is another page for the zine I'm working on!! Sort of. The words will be different, but the original didn't make sense out of context so I just slapped a quote in there. Chatting about art selections + no words version under the cut.

All of these images (except Kim!) were taken from the National Gallery of Art's website. I believe the filters I had on were Baroque, Renaissance, Rococo, and Romantic, but I don't entirely remember. Feel free to ask me about anything that catches your eye! The halo is taken from the Gothic work of 'Saint James Mahor' by Simone Martini. My main goal was to just find classical or renaissance paintings that I thought looked related to the Dolorian Church or just kind of had those vibes. My own personal favorites are the gutted pig (ha. get it), the dog and the bird, and the haloed lady in the top right. I found a lot of good stuff though!

The true unsung hero of this collage is its background. This is 'Berlin Abstraction' by Marsden Hartley. My main criteria in finding a background were that I wanted it to be abstract and I wanted it to be by a queer artist. (Also not too modern.) The messier parts of Kim that he keeps under that veil of composure. As an added bonus, 'Berlin Abstraction' depicts a lot of military imagery as well, specifically showing the overlap of these two identities of being queer and a soldier or RCM. I was really pleased to find it!

[airbender-dacyon]

Benlynn Parallels & Analysis

Alright, so this is by no means an exhaustive list, just what I am able to recall right now, but here's some of the Ben & Brooklynn parallels I noticed from Season 1 of Chaos Theory, as well as a few under the cut that are speculation based on trailers and promos from Season 2 (so spoiler warning for those). And I ended up doing more analysis on this than I intended, whoops.

Apologies for the long post, but I wanted to keep any spoilers under the cut and this ended up being much longer than I planned. I also apologize because it's been a minute since I've been able to watch Camp Cretaceous in its entirety and a bit since I last watched S1 of Chaos Theory so I hope my memory is right on most of this.

Also, this is meant to just be a fun post. It is a ship post, but I also acknowledge that the parallels likely don't mean anything beyond they're friends with shared interests/similar traits (if they even mean that).

Dark Jurassic Nerds

"What about that website I showed you?" "OMG. Dark Jurassic? Yes. Amazing." "Isn't it?"

Ben, in a surprising twist to me, was the one to discover Dark Jurassic. When Camp Cretaceous ended, I wouldn't have guessed he would be the one to become invested in a social media site. I will say that it makes sense that Brooklynn, having grown up as a social media influencer, was staying away from social media more after the Nublar Six returned home and that she didn't come across Dark Jurassic sooner. Regardless, the pair are both heavily invested in the website, though Brooklynn seems to have vetted the theories more than Ben, given her interaction with Yaz:

So it seems like Ben had a habit of sending a lot of stuff he found interesting her way, but only a few things, like the Dino Immersion Therapy, Brooklynn found to be legit.

2. "Okay, at first, I was like, ugh. But this view!"

I still think it is surprising that between Ben's flashback and Kenji's flashback, Brooklynn expresses more excitement over the view of a pretty ordinary skyline from the rooftop of a college dormitory that Ben shows her during her surprise visit than she does the bioluminescent Parasaurolophus at sunset amidst cliffs and a waterfall that her boyfriend of 5+ years had planned as a big romantic gesture.

We don't know the exact date when Brooklynn visited Ben at college, so I fully admit that probably plays a big part in the difference in Brooklynn's reaction. Since this is shortly after Ben introduced Brooklynn to Dark Jurassic and we know that 1) Brooklynn visited Yaz 14 months before the start of Season 1 and 2) Kenji broke up with Brooklynn shortly before (at least a few weeks, I believe) her apparent death roughly 6 months before S1, the Benlynn flashback takes place at least 14 months before S1, probably even earlier than that. Heck, it might be 18-24 months before S1. So, obviously Brooklynn is in a much healthier headspace in Ben's flashback whereas she had become obsessed with uncovering the dinosaur trafficking conspiracy by the time of Kenji's flashback, resulting in her indirectly neglecting her relationship with him.

3. Funny Stories, Personal Questions, & Other Shared Interests?

"Uh, yeah. College is great, but sometimes I gotta get outside just to feel like I can breathe." "Weird how it can be so hard to feel normal, now that everything is so... normal." "See those Pteranodons up there?" "Uh-huh." "One of them grabbed a freshman's backpack and took off with it." "No way." "She had to tell her professor that a dinosaur ate her homework." [Brooklynn laughs] "What?" "That's really funny." "Well, not to her. She failed her assignment." [Brooklynn laughs harder] "I'm sorry, I'm sorry. No, I'm sorry, that's really sad." [Snorts] "That's sad." "The point is, I don't know if there's such a thing as normal anymore." "Yeah."

It hadn't been my intention to quote such a large chunk of the flashback, but I do find it interesting how this interaction between these two played out. Ben & Brooklynn had only a handful of scenes - more accurately, a handful of interactions - together in Camp Cretaceous. And so to see these two alone together and enjoying each other's company was refreshing to see. Again, this isn't a 'they shared a moment together, now they're going to end up together' post. The fact that there was a significant flashback that highlighted how Ben & Brooklynn get along, despite not being one of the other's closest friends within the Nublar Six, was a stellar choice. They could have easily done for Ben what they did with Sammy: a very brief, but still impactful memory/vision of Brooklynn.

But in this scene, it's neat that Ben is telling the story to reassure Brooklynn that 1) even though they've been home safe from Nublar for years now, their experiences will never go away and 2) prehistoric wildlife is out in the world, "normal" doesn't really exist and they shouldn't expect it to. Like on Nublar, they have to adapt to the new dynamic. But, intentionally or not, Ben is also telling the story in a very humorous way, which results in Brooklynn's laughter. And whether you see the moment as shippy or just friends, it was pretty adorable to see Ben making Brooklynn laugh.

The scene on the rooftop also begins in a rather interesting way, as Ben's dialogue starts by announcing the rooftop view is his favorite spot on campus, followed by why he goes there/gets outside. So, presumably, Brooklynn had asked him how college was going. And after the Pteranodon story, Ben does something unique to the flashbacks we've seen in Season 1.

He asks Brooklynn how she's been doing.

"Anyway, how's everything with you? Any cool stories you're working on? Wrongs to be righted? Buried truths to be uncovered?" [Laughs] "Trying. It is hard out there for a reformed "social media influencer turned aspiring investigative journalist."

Now again, I fully recognize this is the easiest catalyst in the flashback to introduce Brooklynn's interest/activity in Dark Jurassic. And I also fully recognize that we haven't seen Darius' flashback with Brooklynn yet and Sammy's vision/memory of Brooklynn is too short to really compare to the other three we've seen so far.

However, in Yaz's flashback, we see Brooklynn is the one helping her with the Dino Immersion Therapy and inquiring about how she's doing, why she's there instead of Sammy, etc. And in Kenji's flashback, we see that he's so excited to share the view he's discovered with Brooklynn. And when she is too distracted (presumably by her mission) to acknowledge the beauty of the moment, Kenji breaks up with her and his dialogue suggests this has been happening for a while.

The video recordings of the earlier Kenlynn date and when the Nublar Six returned home at least give us a glimpse into happier times. But with regards to the flashbacks, while Brooklynn is likely there to check up on her friend (unannounced and strangely late in the evening from the looks of it), Ben's flashback is the only one where the focus seems to be on both characters equally rather than Brooklynn acting in a supporting/secondary role in the scene.

A much smaller parallel, likely unintentional, is that Ben and Brooklynn seem to (almost) have matching outfits in the flashback.

Continuing from that, and acknowledging similar outfits is already a stretch, I guess there is a parallel with music? Kinda?

We see in Brooklynn's video call to Darius that she is wearing what looks like a band/album T-shirt and Ben has become quite the fan of rock music. Some of the concept art for Ben's dorm room also showcased several band posters, if I recall correctly.

So, while not a certainty, it seems they could have also developed a connection through similar music tastes, though this is a fair bit of speculation.

4. Boots

Another parallel that's a stretch, but Ben eating food out of a boot seemed really, really odd when it was introduced. Perhaps out of desperation, maybe he accidentally broke his last bowl or ran out of disposable ones? Who knows. An odd choice, especially with the later Ruby Ropes container conversation being weird enough on its own that the food boot seemed excessive.

But then it was shown that Brooklynn also had an unfortunate boot-related habit, though fortunately nowhere near as disgusting. Kenji trips over one of her boots and comments on it, with Darius also having suffered from the problem:

"She was always leaving these in the middle of the floor. It was so annoying. I was so afraid I was gonna-" "Break your neck?" "Did she do that when she was staying with you after we broke up?" [Chuckles] "I swear she did it just to annoy us."

Again, this one's a big stretch, but it felt like a possibility.

5. A specific set of skills

Or, rather, just one skill. I can't remember if any other members of the Nublar Six ever picked any locks throughout the shows, but Ben having a set of dedicated lock picks was an interesting development. All of the N6 have picked up new skills in the time between CC and CT, but Ben's activities - and this skill in particular - seem to mirror a lot of Brooklynn's.

6. Conspiracy Boards

Again, going back to the fact that Brooklynn was more interested in legitimate stories and credible theories, Ben's board is quite a mess while Brooklynn's is more refined. Ben's looking into all the possibilities, no matter how ridiculous they might be, whereas Brooklynn is focused on (presumably) unraveling the dinosaur trafficking conspiracy and anything else nefarious that might be going on in relation to it.

7. Season 1 Bookends (unused)

I don't want to repost the art without permission and I really want to get the post up today, so credit to Brandon Roberts in this concept art post here. It shows Ben on his laptop in his dorm room.

However, I will provide the description Brandon Roberts gave, as well as the confirmation by Scott Kreamer on the post:

This would have been an interesting parallel and way to bookend the season: opening with Ben on Dark Jurassic getting vague messages and closing out with Ronnie sending vague messages to someone on Dark Jurassic and the reveal that it's Brooklynn.

And only time will tell if there is something real between these two. Or it might all be just an illusion.

"There's definitely some pretty out-there stuff on there, but every so often there's something that seems, I don't know..." "Real?" "Real."

And aside from the spoilery speculation below, I think this might be it. There could be other parallels I'd thought of previously, but as of right now, this is all I can remember. If you made it this far, thanks for reading my inane ramblings. I hope you enjoyed!

Also, shoutouts to @p0m0u and @kitabearuwu for being the inspiration for me falling down the Benlynn rabbit hole and continued inspiration since (we'll see if I can get my Benlynn fic done by tomorrow), especially their posts here, here, here, and here. And special thanks to @p0m0u for letting me use the beautiful gifs she made in this post!

Spoilers for Season 2 Trailers & Promo material under the cut!

Starting from what I feel is the weakest parallel to the strongest:

8. Why are you holding that in your mouth?

When I saw the tweezers or tool or whatever fall from Brooklynn's mouth, I swear I'd seen Ben do something like it before in the show. I tried to scour Season 1 of CT to find it, but to no avail. I then remembered where I'd seen something similar, back in Season 4 of CC. Again, leading with the weakest parallel here, but like the boots, I find it interesting and odd that both of them have held things in their mouths - and these are things that probably shouldn't be held in their mouths - only to drop them at some point during the scene. Ben's out of relief that the BRAD is gone, Brooklynn's potentially by whoever is breaking into her location (if the clips immediately before and after are part of the same scene).

9. You're great and I like you, but...

Given that it looks like we'll have a Darius and Brooklynn flashback finally, I have to wonder, will it play out in a similar vein to the Ben & Yaz moment in S4 of CC? We know that Ben mistook Yaz's interest in getting him away from Kenji & Brooklynn so that Kenlynn could develop as romantic interest. What if we see Brooklynn realize Darius' growing affection for her and makes it clear in a similar way?

I'm not saying we'll get a "Darius, look, you're a great guy and I like you. But I just don't like like you." But possibly something similar.

10. What? You've never seen a ghost before?

We'll see if this turns out to be another 'back from the dead' moment or not, but it has that kind of vibe to me. And I have to credit @p0m0u for pointing it out to me originally. Fingers crossed, it seems like a perfect setup for Ben's line to make a comeback!

And I think that's everything for now!

[sleepanonymous]

This may be a silly question with an easy to find answer but I'm not sure how to find what I'm looking for. On Genius there are quotes supposedly from Spinefarms website about the official descriptions for the songs on Sundowning, but not all the songs have these quoted and I'm not sure how to find the quotes that are missing. Do you know where they can be found?

Anon I’m so sorry 😭 You asked this back in August and I kept meaning to ask some of my friends and then September and October happened and now it’s November and I am super late, I’m sorry.

So the descriptions you’re looking for were removed from Spinefarm’s website a while back. I had an internet wizard check and Spinefarm's website didn't have descriptions for each song; for example The Night Does Not Belong to God had a definition for the term Sundowning instead (literally taken from the Wikipedia page in 2019 lol).

The descriptions, for anyone wondering, are the following:

The Night Does Not Belong to God: "Sundowning, or sundown syndrome, is a neurological phenomenon associated with increased confusion and restlessness in patients with delirium or some form of dementia. Most commonly associated with Alzheimer's disease, but also found in those with other forms of dementia, the term "sundowning" was coined due to the timing of the patient's confusion. For patients with sundowning syndrome, a multitude of behavioral problems begin to occur in the evening or while the sun is setting..."

The Offering: “An exploration of intimacy… ritual… worship… how connecting with someone on a certain level inspires a sense of deeper, spiritual significance.”

Levitate: “You were the bad guy in their story, but that part of their story is now over. The intense pain of realising someone you love does not need you anymore.”

Dark Signs: “Arrogant and bitterly alone. Acknowledging that you have become a poisonous influence in the lives of others.”

Take Aim: “The inherent risk that comes with love. Choosing it over loneliness. To have faith in another human being…”

Sugar: “The darker, intoxicating aspects of intimacy, a decline into obsession and impulse. A cherry between teeth.”

[ridiasfangirlings]

How to buy K merch in the Year 2024

I got several asks about this so rather than do each individually, I’ve decided to just make one big How to Buy K Merch in the Year 2024 post. I’m going to skip over the more obvious western sites like eBay and focus more on Japanese sites here. Because there hasn’t been much new K merch in some time keep in mind that most of what you will be looking for is secondhand, which means availability will vary.

Shopping Services

For some of these sites you will need a shopping service, so we’ll start there. This is by no means a comprehensive list of available shopping services, just ones I’ve used and liked. 

FromJapan - This one is very straightforward — copy and paste the url of the item you want into their search bar. For anything in certain sites like Rakuten this will pull up a page that will give you the item and its price in your currency and you can just click add to cart. For other sites you may need to request a price quote, there’s a small form to fill out and they’ll get back to you on if they can order it. Timing depends on when you make the request. The nice thing about FromJapan is they will hold items for you for 45 days, so you can collect multiple purchases from multiple sites over time and have them all shipped at once. The bad side is that after 45 days they will discard your items, so keep an eye on when your oldest item arrived (you can see how long it’s been at their warehouse on your account page, and they will email you as the deadline gets close too).

Treasure Japan - Treasure Japan is a much smaller service than the others on this list but also the one I’ve used the longest. Being a smaller service means they tend to be more able to purchase items that might have seller restrictions, particularly from places like Mercari. Some listings when pasted into other shopping service sites will have a ‘cannot purchase from this seller’ warning, because some sellers don’t want to deal with shopping services. I haven’t had much trouble with this merchandise-wise, but when I’ve run into it with j-fashion Treasure Japan has been able to order when the bigger services couldn’t. Their site is set up so you will input different sites in different sections, there’s one for auction, one for ‘flea market’ (this will be places like Mercari) and one for shopping sites. 

Buyee/Tenso - Buyee is a shopping service, Tenso is a forwarding service. They’re owned by the same parent company but are separate sites and you’ll need a separate account for each. Buyee is directly integrated with some sites like Mercari and Yahoo Japan, you can put in the url into their search bar and get a listing that you can buy immediately. Like FromJapan, any sites outside of the ones they’re integrated into will require you to request a quote (I found this more difficult with Buyee than FromJapan, personally) and they will sometimes be unable to purchase items. They will hold your items for 30 days at no charge, and you can request to consolidate packages for shipping.

Tenso, as I said above, is a forwarding service and somewhat more complicated. Basically when you sign up they will give you a Japanese address (presumably one of their warehouses) and you can then buy directly from Japanese websites, inputting the address you were given in the address field and paying with your own credit card. The items will be shipped to Tenso and from there you can have them sent to you. Obviously this is more complicated than a shopping service. I’ve used it mainly for things that didn’t involve an item being shipped (this is how I signed up for Fan Clan back in the day, for example, though my lottery goods were sent via Tenso too) or sites that require you to sign up to purchase from. I wouldn’t recommend it for any marketplace type site unless you’re fluent in Japanese, since sellers on those sites may try to communicate with you. 

Stores 

AmiAmi (no shopping service needed) - AmiAmi is mainly for new goods but I’ll mention it here anyway, in case K ever gets more merch. AmiAmi usually sells out on preorders, you place your order and they will let you know when the item arrives. You pay at that time. They do sometimes get used merch though so you can keep an eye out there, sometimes there will be decent deals on items that only have small flaws like the box being damaged. 

Amazon Japan (may or may not need a shopping service) - Did you know overseas people can buy from Amazon Japan? You do now! You will need to make a new account, even if you have an Amazon account in your country. Whether you need a shopping service or not depends on the item. Anything sold directly by the company will likely not need a shopping service — the majority of my K manga and the stage plays were all bought directly from here, and when I was supplying raws for Countdown and LSW I was buying the magazines from here as well (I’ve also used it for Pokémon plushies and sewing books). If the item is being sold by a third party seller though you will likely need a shopping service. The site will tell you when you try to check out.

Surugaya EN (no shopping service required)/ Surugaya JP (shopping service required) - This is a secondhand shop and a great place to find merch. The main difference between the English site and the Japanese one is that the Japanese site has a larger selection (particularly doujinshi, and even more particularly spicy doujinshi). The English site periodically has free shipping sales so keep an eye out. Surugaya also has physical stores and will sometimes share merch between the store and the site so keep that in mind too, I have had items canceled before because they sold out in store and the listing hadn’t been updated yet.

Mandarake (no shopping service needed) - Another secondhand shop similar to Surugaya. I have not actually purchased from them myself and am not fond of their interface but I know people who have bought things from here. Like Surugaya they share stock with physical stores so something you want can sell out even after you’ve purchased. 

Lashinbang (shoppng service required) - More secondhand shops. Lashinbang is rather small though so they don't always have much stuff, at least not for K.

CDJapan (no shopping service needed) - This is also better for new merch than secondhand but still worth a mention. I’ve found their prices tend to be worse than a lot of other stores though, this is more of a last resort for me.

Otaku Republic/Goods Republic (no shopping service needed) - Otaku sells doujinshi, Goods sells merch. The main draw is that these two are easy to search if you’re uncomfortable dealing with Japanese sites. I haven’t used them in quite a while but when I was buying from them they would send me free gifts with every purchase (my S4 cup came from them, as well as a bunch of clear file folders that I didn’t take pictures of because they’re being used as sewing pattern storage right now). The main downside is that while shipping is free over $50 they massively mark up the base prices to make up for it. I eventually stopped using this site because the shopping service was cheaper even with shipping and fees, you are paying for convenience. A lot of their ‘inventory’ is just listings from other sites including Surugaya, so check there first.

GoraShop (shopping service required) - This is Gora’s direct bookshop! They only have the season novelizations and Idol K books right now, as well as some Ayaka stuff. 

Kinkurido (shopping service required) - This is the King Amusement Creative shop. All Memories was sold through this shop but is currently sold out, if they ever restock Gora will likely announce it on their Twitter. They do have some other small K goods available, including some CDs and artbooks (and Sarumi body pillows). 

Marketplaces

Mercari Japan (Shopping service needed) - If you’ve ever used the English version of Mercari, here it is again but Japanese edition. You can find a lot of good used pieces here but prices are set by the individual seller so be wary of overpaying the first thing you find. Be sure to use a translator to look at the description in case you're buying a damaged item. Sometimes shopping services can try to negotiate the prices if you ask. 

Yahoo Japan Auctions (shopping service needed) - Similarly as above, if you’re familiar with eBay this is fundamentally the same thing. Some shopping services will allow you to place last minute ‘sniper’ bids, and most will let you set a maximum bid and keep bidding on your behalf until that max is reached. 

Shopping tips and things to know

The good news about buying from Japan right now: the yen is weak, so you can get deals! In the US, anyway. This may depend on your country so if you’re unsure on the exchange rate you can google “[your country’s currency] to yen exchange rate” and it should give you an approximate.

The bad news: shipping is killer. Keep that in mind, especially if you’re buying heavy items like bags or shoes (yes, K has those, there are several SuperGroupies collabs. If you want a S4 purse or Yata Misaki shoes keep in mind you will probably be paying through the nose for shipping). For the European types, you may have additional taxes too so be aware of your country’s import laws. Ditto when it comes to customs. For my fellow Americans, I have never had a customs issue even when buying fairly pricey dresses so you’re probably okay on that end but I can’t speak for other countries. 

Character tax is real. Basically, more popular characters will likely have more expensive merch because there’s more demand — for example, Fushimi and Yata merch tends to be more expensive than, say, Silvers merch. Keychains and pins are usually cheaper than larger items like figures and standees either way though. 

Most of the Japanese sites will need to be searched in Japanese. For character names, I suggest going to the K wiki and grabbing your favorite character’s name in kanji and using that to search. For pairings, while marketplace sites like Mercari may have listings under the pairing name sites like Suruga will use the two individual character names so you’ll want to search under that. If your browser doesn’t have an add on to translate that’s very helpful to grab in order to make your experience easier. For K itself, in general this is really the downside of having a favorite series with a one letter title. However, using ‘Missing Kings,’ ‘Return of Kings’ or ‘Seven Stories’ can be helpful here but will likely mostly turn up merch made for that specific season/movie. 

If you want to look up something specific like a plush but don't know the Japanese word for it, Jisho can be helpful. Look up the kanji for the word you want and then copy-paste into your search. The downside is sometimes there are multiple words for the same thing or a word may be in kanji but people use the hiragana more often and you won't know, but it should get you on the right path to start.

On buying spicier goods: most shopping services have it in their terms that they will not buy adult items. In practice, however, this depends. I've had FromJapan refuse to buy perfectly tame G-rated doujinshi. Treasure Japan has in their terms that they won't ship adult items but like 70% of my doujinshi collection was purchased through them, with an R18 Sarumi book purchased as recently as last year. I've heard Buyee also states that they won't ship adult items but it's hit or miss if they turn down your order, and if you buy directly using Tenso they likely won't even open your package. Keep your country's laws regarding importing in mind, especially if you think customs might be likely to poke around in your package. Don't get in legal trouble just for spicy drawings.

Buying secondhand is a marathon, not a sprint. Sometimes it takes a while for what you want to show up, so just keep looking! When I was collecting my nui set I literally bookmarked the search for “K ぬい” (nui) on Mercari and checked every day or so, which may be more obsessive than you want but it does get the job done (I was molded in the merch search mines of trying to find lolita dresses that haven’t been sold for 10 years, so I’m used to this kind of thing). If you keep looking you may even find things you didn't know you needed, like this Sarumi bedsheet I forgot to add into my collection post.

Happy hunting!

[emptymasks]

Old Web European Musical Sites

So this post started because I was looking through the waybackmachine on the Internet Archive for the old Disney Fairies site for a friend, and remembered I'd backed up some old musical related sites a couple years ago on the waybackmachine just to archive them.

Which made me remember how recently I saw someone on here, I don't remember who, asking if there were interviews either about Elisabeth das Musical or specifically with Uwe Kroger (the actor who originated the role of Der Tod/Death) in English to which someone had answered no but there are some quotes and fragments in other posts on here. Which made me remember an old website I'd found that did have interviews on and I went out to find it. After I found it, I tried to find another website I'd found that had nice old photos of Uwe on that I'd save for I'd never seen them anywhere else, but sadly can no longer find the site and I hadn't bookmarked it or archived it. But, in doing so I did find some others.

So, come along with me as I find some ye olde websites based around European Musicals and Non-English Musicals, all of which I am archiving using the waybackmachine and can be found on my archive.org account @ wennli3b3 under the 'web archives' tab on my profile.

What is old web? The aesthetics wiki describes it as "Essentially consisting of screencaps and gifs, Old Web is an aesthetic utilizing traditional web design elements combined with aspects of poetry and self-expression. This also includes GIFs, video games, and clip-art. This aesthetic expresses nostalgia for Internet culture of the early 1990s to early 2010s." Think of old GeoCities and AngelFire websites, the pre-2010s internet where it wasn't uncommon for anyone to make their own little website for anything and the internet wasn't just social media. There's just such a charm for me about these old sites and the work people put into customising and decorating their sites, often just as a fun project for themselves or a way to document things they loved. Therefore the websites we'll be looking at are from the 90s up to the late 2000s, 2010s and onwards websites don't count for this list.

What is the waybackmachine? The waybackmachine is hosted on the Internet Archive, it's a digital archive of websites that lets you visit websites as they were during the past if they've been archived there.

[Note: this post won't have clickable links because that can make Tumblr unhappy and either hide or soft-block my post, so sadly no clickable links, but I will write out the links with spaces in the hopes that won't hide the post and you will just have to type them in for yourselves, and I will link my web archive page in the replies to this post. I am also not claiming to be the first to back these sites up or discover them, some of them have already been archived in past, but doing them all under one account means you guys can have an easy list of them all in one place. Some of these sites no longer exist and are only accessible via the waybackmachine, in those cases I will save those sites to my web archive so they are all listed on one page.]

1. musicalvienna . at

Staring with a website some of you will be familiar with and while in it's current 2023 form doesn't count as old web and is easily accessible, we're going back in time with the waybackmachine to see how the site looked and what information it had about old current productions in 2000-2008. And frankly I don't know what to do with the information that at some point in 2000 there was a 'vampire museum' inside the Raimund Theatre that had what appears to be a wax figure of Steve Barton in his original Graf von Krolock costume. I. What??

2. eljen . net / kroeger

A fansite dedicated to Uwe Kroger, the actor, that was run seemingly from 1998-2002 that old photos, links to music that no longer work, but most important to me is the 'Press' page that has many articles and interviews with Uwe that have been translated into English! The site is also available in German eljen . net / kroeger / deutsch. A special shoutout to Uwe's own drawing of himself as Der Tod.

3. eljen . net / elisabeth

Run by the same person as the first site, in fact it is technically the same site however if you go to the root eljen . net there is just a blank page with a link to the /kroeger site, there's no direct link to the Elisabeth site, you can only find it through googling or having the direct URL.

4. iukc . de

The Uwe Kroger fanclub webite seems to have started around 2000 but it was taken offline sometime after October 2021 as going to the URL now leads to a 404 error page, but the site is still accessible using the waybackmachine. On a 2019 capture of the website it states this fanclub was dissolved on December 31st 2019 and was advertising the uwe-kroeger-community . com website as a new fanclub. Some of the pages are available in English and Japanese, but all of the pages are only available in German. The site includes information about the fanclub, as well as lists of Uwe's work, discography, and more.

5. gudrun-kauck . de

A site that as far as I can tell is run by someone just documenting their life and things they see, and that happens to include many musicals. Down the left side of the site there are pages for The Phantom of the Opera, Tanz der Vampire, Ludwig, Concerts, Musicals and Actors. Here there is so much information, interviews, photos, screenshots, transcriptions of scripts and lyrics, articles, and more. This site is a real treasure trove. It's been updating since at least 2004 and it's most recent update was in 2023. This site is in German.

6. jimsteinman . com

The Tanz der Vampire page on Jim Stienman's website has links to lots of articles, interviews and photos for the original 1997 Vienna production and the 2000 Stuttgart production. This site is in English.

7. carpe-jugulujm . com

Another site that is no longer active and can only be accessed via the waybackmachine, it was online by 2006 and taken offline between late 2021 and 2023. It has information on productions of Tanz der Vampire between 1997 and 2009 and is one of the few if not the only place I've found information about the 2000 Estonia production. This site is in English.

8. geocities . ws / mymusicalworlds

This website is all in Chinese, however parts of it are in English and German. It lists information on different musicals, actors, and has lyrics for songs, and photos. It also has midi files but, as with almost all of these old sites, the download links no longer work.

9. theatre-musical . com

This website started around 2002 and was closed some time in 2016, if you go to the website now all you'll get is a message saying the website has been closed, however the old pages are still accessible via the waybackmachine. There's pages for many musicals with lots of information about each show and each of these musical pages has a link to a page that lists other sites, official and fanmade, that are about this musical. There's many more sites to find via

10. elisabeth-fanclub . de

A fansite dedicated to Elisabeth das Musical, more specifically the 2001 Essen production and 2003 Vienna Revival. This site includes information and photos about these productions. It was online by 2004 and was taken offline some time after 2007 and is only now available via the waybackmachine. This site is in German.

11. sisi-net . de

While this site is more dedicated to the actual real Empress Elisabeth, it also has a page dedicated to Elisabeth das Musical which includes several articles and interviews for the 2001 Essen production. There is also some information on here about the Ludwig musical. This site is in German. It was online by 1999, in 2008 the site was empty and "'"under construction" and after 2008 seemed to have either had it's domain sold or hacked and became used for something else, and by 2019 was offline.

12. geocities . com / broadway / 8851

Another site that is dedicated to the real person Elisabeth, but also has information about multiple productions of Elisabeth das Musical. The site was started in 1996 and is no longer online as GeoCities no longer exists as a website hoster, but can be accessed using the waybackmachine. This site is in English.

13. elisabeth-musicpage . de

A German fansite for the 2001 Essen production of Elisabeth das Musical that contains information about the show, merchandise, photos, etc. The site was online by 2002, went under construction in 2005 and after 2006 went offline and only accessible via the waybackmachine. This site is in German.

14. elisabeth-das-musical . de

The old official site for the 2001 Essen production of Elisabeth das Musical. It's only accessible via the waybackamachine however all I could access is this homepage as the site seems to require flash player which no longer exists. The site was made in 2001, by 2006 it was redirecting to a different website that no longer exists, and by 2008 it was just offline.

15. sissi . nl

The official site for the 1999 Dutch production of Elisabeth das Musical. The site went up in 1999 and is no longer online and only accessible via the waybackmachine.

16. marloes . info

A site where someone cataloged every musical they saw between 1996 and 2004. Some of these listings link to their reviews of the musicals and pictures they took (the pictures of Elisabeth das Musical really interest me because they went on a night where Jesper Tyden was understudying for Der Tod (he usually played Rudolf) in teh 2001 Essen production).

17. danceofthevampries . com

The official site for the 2002 Broadway production of Tanz der Vampire. Whilst we all have... feelings about this production, the site's design is very of its time. It has information on the (re-written) plot, cast, downloads for the original English demo recordings (that no longer work), and more. In 2002 the cast page lists the Broadway cast, after the shows closure in 2003 these pages advertised the 2003 Hamburg cast, and by 2006 it now advertises the 2006 Berlin cast, and then even by 2012 that page was no longer being updated. This site is now only accessible via the waybackmachine, I don't know when exactly it went offline but I remember being able to acccess it back in 2020. This site is in English.

18. tanzdervampire . de

The official site for German-lanuage productions of Tanz der Vampire from 2000 to around 2004, mostly the 2003 Hamburg production. Some pages of the site sometimes redirect to musicalwelt . de, like the 'galarie' page that links to a page of many paintings by Mike Schöbs of the original 1997 Vienna production. The site is only accessible via the waybackmachine, sometimes I have difficultly loading the pages, and sometimes the pages on later dates redirect to stagegholding . de which no longer exists or works.

19. tanz-der-vampire . de

A fansite for the 2003 Hamburg production of Tanz der Vampire that is still online. It has info about the musical and this production. The page I found the most interesting is the info > links page. It has a list that includes screenshots of websites from around 2003 with official and fanmade sites for different actors from the musical (such as Marjan Shaki, Maike Switzer, Aris Sas, Thomas Mülner, Jens Janke, Ian Jon Bourg, Kevin Tarte and more) most if not all of these sites are on the waybackmachine (and I'm saving them to my own web archive page rather than listing them all here, Tumblr has a text limit and an image limit and we're already running close to it).

20. fuer-sarah . de

A fansite dedicated to actors who played Sarah including understudies, alternates, swings, and dancers who played Sarah/Solo Female Dancer in the dance sequences in Tanz der Vampire. This site is in German and is only available via the waybackmachine and was active between 2001-2005.

21. musicalland . de

A fansite dedicated to musical theatre with some more specific pages dedicated too Elisabeth das Musical, The Phantom of the Opera, 42nd Street and Mamma Mia. The site is still online and stopped updating in 2010. This site is in German. The link to the Elisabeth das Musical page no longer works, but can still be accessed using the waybackmachine.

22. old-hickory . demon . co . uk / jim

A fan page for composer Jim Steinman that has pages about his non-musical work as well as his musicals Tanz der Vampire and Whistle Down the Wind. The Tanz der Vampire pages include lyrics in German and English, as well as the entire original 1997 Vienna libretto translated into English, as well as the 2000 Stuttgart production's programme fully translated into English that includes information and interviews. The site is in English and only accessible via the waybackmachine.

23. romeojulietmusicals . com

A fan site for the French musical Roméo et Juliette that has pages dedicated to many different language productions with cast lists, information, lyrics and lyric translations. There are galleries on the site but the images on longer load. This site is in English and was online between 2004 to 2008. There is a 'related links' page that contains so many more links to other musical sites.

24. compat . tf1 . fr

A fan site for Roméo et Juliette for the original 2000 Paris production containing images of the cast, and video interviews and behind the scenes with links that no longer work. This site is in French.

25. mozartbudapest . hu

The official website for the 2003 Budapest production of Mozart das Musical. This website is only accessible via the waybackmachine, it contains the cast list, a bio of Mozart (the person), but sadly most of the image no longer work. I mention it here only because when i opened it I was surprised the original logo animation and music still played. This site is available in English and Hungarian.

26. notredameonline . com

During 2000-2001 this URL was for the French musical Notre Dame de Paris and you can see this via the waybackmachine. The site then went offline after 2001 and the domain was sold and since 2006 has belonged to the University of Notre Dame. I really like the design of this site, sadly most of the links open pop-ups that no longer work. The site is available in French and English.

27. notredamedeparis . it

The official site for the 2002 Italian tour of Notre Dame de Paris. It has a lot of information about the musical and this specific production. This site is in Italian and is only accessible via the waybackmachine.

28. geocities . ws / dreamcatcher182004

A fansite dedicated to a few musicals that was last updated in 2003. It has pages for Chicago, Les Mis, Miss Saigon, The Phantom of the Opera and Tanz der Vampire.

.

So yeah, that was a list. I hope that was interesting or for anyone wanting to find more information about these musicals for research, essays, or just for fun, that this post was helpful or interesting in some way. There are a lot more websites than just the ones on this list, however Tumblr has both a photo and a character limit for text posts. Hope someone found this interesting. I just like making lists.

[cupcakeshakesnake]

are you serious about believing that cats shouldn't be let outside?

why? like don't get me with that "oh they'll kill animals" well yeah, maybe they will. it's their natural instincts, and allowing them outside promotes a range of natural behaviours. so isn't it cruel to prevent that? and if you believe they shouldn't be allowed to go outside, isn't it cruel to choose to keep them inside instead of just *not having a cat?*

also for that arguement the rspb says " there is no scientific proof that predation by cats in gardens is having any impact on bird populations UK wide." while you may not be from the UK, the UK isn't a place where domestic cats are native either!

I wonder if you are American as so many Americans seem to have this weird opinion - is it very common to believe solely in indoor cats where you live? /gen q. it's very common to have cats that go outdoors here in the UK, and the concept of outdoor cats doesn't exist - if someone mentioned an outdoor cat I'd think of a cat that never went inside, like idk a barn cat. a website I found said 90% of cats in the uk can go outdoors but based on what I'm seeing on your feed and Tumblr it's very different for you?

Yes, I'm serious.

I suppose it's also a natural instinct of coyotes (US), foxes (UK) and hawks to kill cats, so isn't it cruel to prevent that? Cats may have natural instincts but they are not part of nature. They're not part of your local ecosystem, you brought it there. Do you only care about your cat fulfilling its 'natural instincts' and nothing else?

Let's say you have, oh I dunno, the Xenomorph from Alien. Let's say you love it a lot. Are you gonna set it free on the neighborhood because its natural instinct is to kill?

If you believe children shouldn't stick their fingers in the wall socket even if they want to, shouldn't you just not have children?

And yes there is plenty of scientific proof. Cats are not native ANYWHERE. If your cat just stays in a fenced garden or maybe a catio, it's fine, but studies found that cats' kill counts are so high because even 'freeroaming' cats roam less than their wild counterparts (i.e. jungle cats) and thus kill in a more concentrated area. They also kill for fun and not just to eat. Cats have contributed to the extinction of 63 species of birds, mammals, and reptiles in the wild, I'm directly quoting an article here.

Very weird of you to push the American button just because I disagree with you, I am in fact South Korean, and oh believe me outdoor cats are barely a thing here. Cats here are either firmly indoors or stray, save for very rare cases. Most cat owners (and people in general) live in the city and if they let their cats out, a variety of things could happen - such as their cats eating trash and getting sick, being hit by a car, or being killed (or worse, captured and tortured) by ill-meaning people (which has very well happened before).

+ Edit) Let's talk cruelty. What is more cruel, a cat being bored out of its skin, or the cat being flattened by a car, or countless small animals being torn apart and left to die? All of which is preventable with a few extra steps from the cat owner.

In my opinion, having cats (or any other pet) is a lot like raising children. Of course their needs should be paid attention to, but they themselves don't always know the best way to go about fulfilling those needs and it's your responsibility to keep them safe and happy at the same time. You can't let them do whatever they like all the time. AND, you are responsible for what your pets/children do.

[maverick-werewolf]

Werewolf Fact #75 - Cynocephali (dog-headed men)

This month's folklore fact is a long-awaited one from over on the Patreon: the cynocephali or "dog-headed men."

Some depictions of cynocephali (the one above is from the Nuremberg Chronicle, 1493) are mistaken for werewolves fairly frequently; there are several differences of note, including but not limited to the fact that they are otherwise very, very human (normal hands and feet, no tail, etc) and that their ears are not always shaped like a wolf's/pointing directly upright. They often are, however, so don't take the ear shape as a surefire thing, either. When in doubt, make sure the depiction is actually meant to be showing a werewolf before using it for, I don't know, a royalty-free image in your werewolf publication (I've seen several). The cynocephali do not shapeshift, nor are they associated with wolves. They have nothing to do with werewolves. Yes, it was just a plot to make you click this link and read about cynocephali.

Cynocephali, or singular cynocephalus, is a term derived from the original Greek word "kynokephaloi," meaning "dog-headed." They have other names as well, which mean a range of things such as "dog-faced" and "half-dog." They were mentioned in assorted accounts and tales of travelers in Africa and India, appearing in sources as old as ancient Greece, and some similar beings can be found in other cultures, such as China. Likewise, depictions of and discussions of such beings continue into the Middle Ages. This same term was later used to refer to baboons, to which no-fun modern day scholars now attribute all cynocephali legends (although we do have at least one Ottoman depiction of a cynocephalus battling a monkey).

There are many quotes across various sources and time periods about these beings, including but not limited to this one from the fifth century BC Greek historian Herodotus, Histories 4. 191. 3 (trans. Godley) [source: Theoi]

"For the eastern region of Libya, which the Nomads inhabit, is low-lying and sandy as far as the Triton river; but the land west of this, where the farmers live, is exceedingly mountainous and wooded and full of wild beasts. In that country are the huge snakes and the lions, and the elephants and bears and asps, the horned asses, the Kunokephaloi (Cynocephali) (Dog-Headed) and the Headless Men that have their eyes in their chests, as the Libyans say, and the wild men and women, besides many other creatures not fabulous."

Some stories of the cynocephali are also frightfully specific as to how they live, rear livestock, grow fruit, weave baskets, wage war, and much more, even including details of their society, clothing, how long they live, etc. It's all quite interesting. If you'd like to read more specific quotations, you can find many on one of my favorite websites, Theoi.

Sources seem to dispute one another as to whether they bark, do not bark but only howl, only shriek, or whatever other sounds they may make, and there is also a range of descriptions including elements such as if they have beards and whether hair covers their bodies as well as the dog-head. Overall, probably the majority of sources say they wear the skins of animals as opposed to having fur, but there are those that also call them hairy all over.

Please note that I will not be covering/discussing any gods from ancient Egypt in this post, because despite what some modern day scholars like to discuss, I don't consider them "cynocephali." They were wolf-headed deities, not dog-headed (or even jackal-headed), and are overall only related to cynocephali legends by proxy and by modern scholars always putting everything into blasted categories for their next thesis. There were some dog-headed deities in ancient Egypt, and Anubis, Wepwawet, Duamutef, etc, were not among them, and even then, we can't really assert that the dog-headed deities among the ancient Egyptians are actually related to other legends and records of cynocephali.

With that out of the way, let's continue...

One of my personal favorite stories involving a dog-headed man is a version of the tale of Saint Christopher, though these depictions and this tale are not seen as canon by churches and has been proscribed in Eastern Orthodoxy (where such depictions were generally most common). Some of these depictions still survive, however. Some sources believe that Byzantine depictions of a dog-headed Christopher come from mistaking "Cananeus" (meaning "Canaanite") for "caninus," i.e. canine.

In the story about a dog-headed Saint Christopher, there lives Reprebrus (among other variations of his name; ultimately, they all essentially mean "reprobate"), who is captured by Romans in battle and made to serve among them. Reprebrus was said to be of "enormous size," with the head of a dog, said to be typical of his kind. He was later baptized and martyred. However, in another version (this one from Germany), Saint Christopher is depicted as a giant cynocephalus who ate human flesh and performed many atrocities. He meets the Christ child later and carries him across a river, as in tradition (the name Christopher means "bearer of Christ") and repents for his sinful behavior. He is baptized and becomes human, dedicating himself to serving Christianity and became a soldier saint.

There are far more fascinating details in the story than I relayed here in extreme simplicity, but that's a very simple view (the story is actually very specific about different regions and even the unit in which he served).

Other depictions of cynocephali exist in certain Christian traditions, with Ahrakas and Augani sometimes being depicted with dog heads in Coptic Christian tradition, in the life and legend of Saint Mercurius.

Bestiaries also got pretty wild with the creatures depicted therein, many of which were also mentioned in classical sources (such as the Herodotus quote earlier in this post). The image above is from between 1357 and 1371, in a work called The Voyage and Travels of Sir John Mandeville, or simply Mandeville's Travels, the memoirs of a man who traveled across the Middle East, India, and even as far as China. Medieval bestiaries also recorded all the same creatures shown here: a monopod or sciapod, a cyclops, a blemmy, and a cynocephalus, each different civilizations of beings said to dwell across the world (and often cited in multiple sources over considerable spans of time, which generally cite the same or similar regions for each civilization, which I've always found very interesting).

Mentions of the cynocephali span across centuries, such as in works by scribe Paul the Deacon, a Benedictine monk, and they are even mentioned in the Nowell Codex, a surviving Old English work containing Beowulf (as well as a work of the life of Saint Christopher and Wonders of the East, among others). They are also acknowledged in the works of multiple noteworthy explorers, including but not limited to Marco Polo, Christopher Columbus, Giovanni da Pian del Carpine, Ibn Battuta, and Piri Reis.

With that, I think that's a decent overview! Hope you enjoyed the post.

And stay tuned for news and updates on a major [werewolf/fantasy/adventure/horror/epic] book release later this year!

If you like my blog, be sure to follow me here and elsewhere for much more folklore and fiction, including books, especially on werewolves! You can also sign up for my free newsletter for monthly werewolf/vampire/folklore facts, a free story, book previews, and my other sundry projects and works, such as plushes.

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[alexanderwales]

The second chapter of Save the Cat! is about genre, titled "Give me the same thing ... only different!". The general principle is one that I strongly agree with, even if I don't always practice it in my writing: you must know how and why things work in fiction, you must be a student of the realms you're writing in, you must give your own twists on clichés if you think you might be writing them, and must be familiar with clichés so that you don't end up boring people. Study things that are like the thing you're trying to create. Analyze them, take them apart, understand how they work or don't work.

But then a lot of the chapter is taken up with Snyder's own system of ten genres, and when I was reading it I wanted to just stop him and say "hey, what the fuck, did you even watch that movie?"

Also I laughed for like five minutes at him putting Schindler's List in the "Dude with a Problem" genre, even though I agree that according to his typology it completely fits.

I'm a huge fan of making up arbitrary categories and then stuffing things into them. I don't think it's often very useful, no, but it's fun, and when you're done shoving things into boxes, you can pull them back out, find a new set of boxes, and repeat the process. I'm not going to repeat Snyder's categories here, but I think they kind of suck, and don't accurately reflect genre as we understand them, and the whole thing would have been better off is it was taking story archetypes and saying why they work and then what the usual deviations from them were.

Here are two examples that I take issue with, among others. First, by his accounting Planes, Trains, and Automobiles is a "Golden Fleece" movie, the kind of film centered around a hero's journey where what he ends up finding is, ultimately, himself, and every set piece along the way is important only in the way it relates to the hero's self-acceptance or whatever.

No. Wrong. Planes, Trains, and Automobiles is very very clearly a "Buddy Love" under this system. Look at this fucking image:

Could this DVD cover make this any more obvious? Literally all the promotional material is like this. It even says in the book that most "Buddy Love" movies start with the "buddies" disliking each other, and that their relationship is central to the movie. And if Snyder is getting this wrong, what else is he getting wrong about his own system?

Example two. I'm just going to quote it in full:

Now look at The Matrix and compare and contrast it with the Disney/Pixar hit Monsters, Inc. Yup. Same movie.

Fucking what do you mean.

Under this system of genres, Monsters, Inc. is very clearly another "Buddy Love" movie. There's a kid they have to deal with, but most of the movie is grounded in the relationship between Mike and Sulley. Like, what's the low point of the whole movie? They get banished to the Himalayas and then have a big fight! It's about their relationship to each other!

(I looked this up on the savethecat website and found an article claiming that it's an example of "Monster in the House", which is fucking stupid, because what's the monster and what's the house? Just does not apply. The child is takes the role of the "monster" for such a small amount of the movie, then they're looking after her and trying to return her home, and even before that it's not relatable as a monster to the audience. Blake Snyder didn't write the article, so maybe he had something different in mind.)

Meanwhile, The Matrix most closely falls into either "Dude with a Problem" (ordinary man thrust into extraordinary circumstances) or "Superhero" (extraordinary man in ordinary circumstances) and I would argue that it's actually neither of those because it's a goddamned hero's journey and those are their own thing and it makes no sense to try to split them into two parts because you don't get more explanatory power of what's working and what's not. His analysis of what he calls "Superhero" films also sucks for that reason and just totally misses the mark about what makes them tick.

So how are these the same movie? I don't know, it probably made sense to Blake Snyder. I have done my due diligence and searched for answers online, but haven't found much, just some weak ass defenses.

Also, I really hated that he says Chinatown and Who Framed Roger Rabbit? are basically the same movie because no shit. Who Framed Roger Rabbit? is a parody of noir, and was adapted from the script for a never-produced third film in what was supposed to be a Chinatown trilogy. But even then, I don't get how you can say they're the same movie without pointing out the strong "Buddy Love" through line in Roger Rabbit!

This whole chapter was a total miss for me. Decent advice at the start that I've been hearing and preaching for a long time, but this typology sucks and he doesn't even seem to understand it (or the movies he's putting in it) very well. And since the typology sucks, it's a bad lens for understanding the underlying rules of writing, of story structure, the components of story, etc.

[cripplecharacters]

Hi! I'm writing a fantasy story set in a setting that focuses around 12-13 century BCE. My main character, who is not the POV character, has progressive blindness due to a genetic disorder and has lost most of his hearing in one ear due to an explosion in a battle. Given that magic exists very sparingly in this universe, and no one close to him has such powers, he uses only a cane and later, a guide animal for his blindness.

I just read through your blog and I realised it might seem a little disrespectful to not accommodate other avenues of aid, especially for his hearing loss. I wanted to ask if I should add anything else, and if so, what would be appropriate for the period?

P.S.: He is also a warrior, and he fights pretty often; is that unrealistic with the aids that are involved?

Thank you for maintaining the blogs, this has been greatly educational

Hi!

So, while we don't have a lot of commonly known resources about disability in this time period because of the in general more limited resources about it, we actually found a resource that might help you a lot!

This website is called Disability History and the Ancient World, and focuses on exactly what it says lol. To quote it: "Quite contrary to disability studies for other periods, research into this subject has just begun to develop and specialists are few." It has a huge bibliography of various research papers and articles, in various languages and about various topics. Not all of them have links, but they can be copy-pasted and then searched for and whatnot. More specifically, we found an article about deaf men in the 13th century BCE! Here's the article, and here it is in PDF form if that's easier.

For more general practical writing advice, you can play a little fast and loose with accuracy. You kind of already have, a bit, with the aids for blindness – but also with fantasy, and also because you kind of have to, in a setting we know relatively little about!

It is, however, pretty accurate that wherever people are deaf, they develop sign languages to communicate. It might not historically have been a standardized language in a widespread way, but people everywhere want to communicate. If you're being a bit anachronistic anyway, which again, is totally fine especially in a fantasy setting, you could also make it so that a braille-like language exists already; and/or a tactile sign language that's somewhat known. Those are aids that DeafBlind people use today that could translate pretty well to the setting.

As to the combat/warrior, I would say that a guide animal is much less realistic to have in combat than the cane. You also mention that his blindness is progressive, which means it might vary from battle to battle depending on how his blindness progresses and how often he has to fight.

Thank you for your question, by the way! I think we were all a bit fascinated because no one has asked us anything about this time period before.

– mod sparrow

P.S.: For historical context for anyone else other than the original asker, this time period is 1300-1101 BCE, and the numbers go 3-2-1 instead of 1-2-3 because they're counting down to 0. It's around this time that it's the Late Bronze Age and later the Late Bronze Age Collapse, the Shang Dynasty is in place in China, it's the 19th Dynasty of Egypt, and the mythological Trojan War has its symbolic dates (it might be based on a real conflict, or not, we don't know for sure).