#forgot who she was tbh

[wof-headshots-daily]

Day 59- quickstrike

[confoodles]

If I had a nickel for every time Mariah played a character that was incredibly attached to their phone to the point of putting themselves/others in harm's way because of it, I'd have 3 nickels which isn't a lot, but it's weird that it happened 3 times.

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[highly-flammable]

It might be the South Asian in me but I think Galadriel deserves the chance to slap Sauron across the face at least once for messing with her the way he did.

[booksandmore]

okay but howl and gojo are the same person in different catergories am i right or i right

[dvasva]

Tbh? I think the radiant emperor duology deserves more critique than it gets in its tag, so after stewing it over for a couple weeks and also discussing it with my friend, I have decided to do it myself.

So. Spoilers for She Who Became the Sun and He Who Drowned The World ahead.

First off, so nobody accuses me of hating the series, I liked the series. I'd say I'd give the first book a 4.5/5, I thoroughly enjoyed it, and I like both books. I truthfully skipped the fisting scene, it triggered some dysphoria that I wasn't comfortable with personally but I don't have problem with it existing in the book, it's good where it is, no changes.

No, my critiques come mostly from the second book, hwdts. Which sucks because I absolutely loved Baoxiang in it, it's a well known fact that my ideal type is pretty, really mean, characters. ('What about Madam Zhang?!!!???!? Shes mean and pretty!!' I hear you ask. Give it a second cause i will get to my beloved madam zhang) So, my critiques are mostly organized as 'The first part I didn't like in Hwdtw that signals the thing that became my biggest issue, the bits in the middle that i did like along with the bits that I felt didn't really work well, and Act 3 which is where my issues really were exacerbated.'

By the end of book one, I had a general annoyance but acceptance that Ma Xiuying was a bit of a weak character, and not weak as in 'dang shes a woman and cant fight' or any other sexist way you may interpret that, but weak as in structurally, she didn't really have as much depth as other characters. I thought she didn't have as much time put into her character as others. And yeah you could have a million character analysis essays over Ma and her place in the story and etc, but for me, her setup for the next book as potentially having conflict with Zhu or her own morals was the most interesting part of Ma. In general I think a lot of people tend to overlook this flaw partly because Ma is a cis lesbian character and the main 'love interest' in a book that is usually marketed to people as sapphic, which yeah there is certainly a sapphic relationship in the book but I think saying it's a major part of the book is really giving the relationship a load bearing wall ot isn't strong enough to carry. The Radiant Emperor Duology is not a romance, first and foremost. To describe it as a wlw romance is gonna leave people who read ot specifically for that reason kinda dissappointed by the end of book 2.

My big critiques didn't start until book two, and a particular scene, though. Ma, at the start of book two, was generally filling the niche of 'nagging wife' to zhu, which yknow, is a fine place to start from. I was a little disappointed there was no further discussion of Ma's disapproval of the morality of Zhu's actions, and in fact the dead child was pretty much entirely forgotten by Ma in favor of being Zhu's wife. Which, yknow, sure.

The Scene I had issue with happened (Spoilers once again) after Zhu finally captures Ouyang and imprisons him at her base of operations. Ma, dressed in her empressly regalia enters his room with the intention of being the bigger person. She walks in, looks at the stripped down and humiliated general who killed her father and famously is also really a women hater, and tells him she forgives him for killing her father. And then she gets upset and cries when the prideful general who hates women gives her a dressing down and taunts her and is like 'I'm glad I killed your father'? She nearly cries because Ouyang was mean to her (notably only cause he was mean to her and didn't gracefully accept her forgiveness, not because he killed ehr father) and runs off to Zhu. And Zhu responds with 'Wow, he's just a weirdo, everyone likes you and everyone in existance immediately knows you're a good person and you change people.' Which, my friend suggested before she finished the book, was a case of Zhu placating Ma and dismissing her feelings which would be an interesting dynamic.

Really my hangups with this scene come from multiple parts.

1. Ma' few character traits including being observant and reading people really well (a thing she's praised for in book 1) and having good social intuition are completely thrown out by her thinking being alone with ouyang and forgiving him would be a good idea and then her being shocked and upset when he spat on her forgiveness. And

2. Zhu's response is never once treated by the text as her dismissing Ma and placating her, and Zhu's statement despite never being shown to be true before and that moment being the first time it's ever mentioned, ends up becoming Chekov's moral purity by the end of the book, where the plot hinges on Ma being able to magically heal a damaged character's mind enough for Zhu to win in the end. Which I will get back to. There's a lot of other stuff happening between here and the end.

So, before I get back to Ma and her role in the story, I'll address some other bits from after this scene. Both problems and things I enjoyed generally.

Madam Zhang and her parallels to Baoxiang and her being the absolute queen of dissociating really was interesting (before act 3). She was a very compelling character who I completely understood and felt positively about. She had a way more interesting relationship with gender imo than Ma did, especially in book 2. I didn't really like that she was overwhelmingly shown having sexual villence done to her, that felt weirdly like a punishment. But, I did like her a whole bunch, and I liked the look we got into her head. She was probably my second, maybe third, favorite character in the whole book until Act 3.

I really, really liked Ouyangs dynamic and relationship with Zhu. The weird sexual tension between them, their weird kinda nonsexual but also kinda very sexual S&M relationship. It was somehow the most sensual, sexual part of a book that featured Madam Zhang having sex with multiple people, and Zhu going down on Ma, and a lot of other mentions of sex or scenes involving sex. Tbh I feel like, in a way, Ma was left to the sidelines for most of the book because Ouyang became the primary 'love' interest for a hot second there and the only reason Ma could get her spot back was Ouyang and Zbu's separation. Also, from what I've seen when people talk about this book, they always kinda try to express Zhu and Ouyang's dynamic as very nonsexual and nonromantic, as platonic mostly. And there is no inherent superiority of romantic over platonic, but I think to insist that it is only platonic, and not a strange swirl of romantic, platonic, sexual, frustration and relief, and a swirl of familiarity and vulnerability all wrapped into one, is doing the dynamic a bit of a disservice. And ther is, imo, very clearly a subtle hint of romantic intent and interest on Ouyang's part before he realizes Zhu has a body he hates.

Which is also another point I didn't like. Ouyang and Zhu's relationship end felt off. The entire bit with the pirates felt off, but especially how Ouyang found out about Zbu's body, and how Zhu reacted. I think Ouyang finding out second hand, from a combination of being suspicious and from Jiang saying it, was a poor way for that to be revealed. I think there was a better way for that to happen that woyld have felt more like a betrayl to zhu than this did. The fact that Zhu and Ouyang were so in tune and could see each other perfectly, but this one thing was a blind spot for both of them because of how unaffected by gender Zhu was compared to how overaffected by gender Ouyang was is a really interesting thing to explore, an interesting disconnect between two character's whose entire basis for their relationship is 'like recognizes like'. I think Zhu seeing it as a betrayl would have been more impactful if she had presented this informatuon to Ouyang herself and been rejected than how it went down. And, I think her not realizing Ouyang would be disgusted that he felt connected and felt a sameness to someone with a body he found grotesque and that he feared would have been more interesting for zhu, who views herself outside of womanhood and didnt really think that other people would not see her outside of womanhood, if she was the one who told ouyang herself.

Also, less importantly, think going into Ouyangs annoyance that zhu kept moving his target further away was a good move but it wasn't expanded on as much for my taste. I also really liked it when (spoiler) Xu Da dies, and that entire part despite some minir bits, was extremely good in that Zhu finally has tasted loss. She had, up until that point, been riding a wave of positivity, she was the underdog who won over and over again despite all the odds and despite her own reckless choices. So I did appreciate that everything went wrong for her at least once. that would have been, imo if other things were changed, a good place to end a book two in a three book series. Which will make sense as to why I mention it im a bit.

I also didn't like how Ma was nonexistant unless the plot was like 'ok we need to remind people that Ma exists.'

And there's of course other stuff but those are the main points of acts 1 and 2 that i wasn't fond of or that i liked.

Act 3 is a wholely different behemoth which can be encapsulated with 'I wish it was longer but also different' (courtesy of the convo my friend and I had).

My friend and I both agreed that we liked this kind of courtly drama game it was playing. My friend doesn't tend to like the structure or writing style of a lot of the chinese wuxia, danmei, or courtly drama translated books i read, so it was nice to know that the genre content isn't the issue for her there.

The biggest problems I had with the ending though was 1. I think Baoxiang and Ma had an interesting dynamic despite it being really rushed and how distasteful I found the entire concept of Ma being such a good wholesome goody good good person that she could change Baoxiang, quiet his demons and fix him in some way. That was annoying in an otherwise interesting dynamic. And 2. I think Madam Zhang's character traits and cleverness and all that were wiped away to make her inexplicably jealous of Ma in a way that I don't think fit her character and just served to fit a trope of jealous empress who hates the favored concubine.

So, here's my major proposed changes.

1. Ma gets sent to Khanbaliq extremely early on. Like, act one maybe after ouyang is captured early. This serves three purposes. A. Ma has something to do and is more present in the story. this could be a good xhance to let her actually feel frustrated or upset at Zhu in some tangible way that needs to be resolved or talked thru eventually. B. she gets more time to build a relationship with Baoxiang, whose entire defeat hinges on him having a strong connection with her. and C. Her absence in the other parts of the book feel less like she's being ignored or forgotten. It makes Zhu's lack of haste more than just a way to annoy Ouyang, and turns it into an interesting moral choice. Should she rush to Khanbaliq to save Ma or trust that Ma will be ok in favor of gaining power? Her lack of haste means Ouyang leaves, depressed, and she loses Xu Da, all while she doesn't even have the assurance that Ma is ok, she is truly at her lowest point with nobody with her. If Ma is in Khanbaliq and that's explored, then Zhu and Ouyang can also explore their dynamic without Ma feeling a bit like she is battling for Zhu's attention.

2. Madam Zhang is suspicious of Ma, or feels actually tangibly threatened by Ma. In act 3, Madam Zhang's anger towards Ma feels really out of place. She got exactly what she wants, she is empress, her emperor isn't interested in removing her from her position and her position isn't threatened by anyone. Baoxiang won't get rid of her, he won't demote her, he has shown zero sign of ever even considering it. So, why is Madam Zhang jealous of Ma? Imo, especially since she very clearly has dissociated into oblivion and has no love or affection for anyone anymore, and no real desire or motivation to secure her position further aside from maybe producing an heir to make sure shes taken care of after Baoxiang dies, there's no reason for her to be inextricably jealous of Ma. It kinda just erases all of Madam Zhang's political savvy and cunning into jealous, petty woman, and that sucks. If she was suspicious of Ma's intention, or Baoxiang genuinely expressed spmething that actively threatened her position, her hatred of Ma would make sense, but instead she hates Ma cause Ma is ugly and spends every night with Baoxiang. She hated rice buckets concubine cause that concubine used a lot of funds and competition genuinely made her position less stable. She needs better motivation for hating Ma.

3. As I mentioned earlier, Zhu needs to be the one to tell Ouyang that she does not have a dick. That's just all around better, it feels more like a betrayl to bare your secrets and be rejected, etc etc.

4. The duology should have been a trilogy, with book 3 starting when Zhu is at her lowest, ouyang is dead, ma is in khanbaliq, Xu Da is dead, a new guy is the emperor. This is where a book three should have started. in a series that has so many important characters, i feel like it needs more space. she's in a 10 gallon tank when really she needs a 30 gallon tank. Lots of it, especially towards the end of book 2, felt rushed and the extra book will absolutely push that back a bit and make it less rushed.

Anyways that's my critique of The Radiant emperor duology. Once Again, I liked the series, its one of my favorites i've read all year. I don't dislike it, and having a critique or opinion about something doesnt mean I didn't like the book or understand the book (because obviously if i understood it i would understand why its flawless). I liked it, there are things I wish were different, that's it.

[kanos]

MORTAL KOMBAT. all her life she felt that she was made for more. made to change the world - to change her future. but in that fantasy, she chose power over all and took matters into her own hands when she joined the black dragon and teamed up with the worst of the mercenaries.

taglist: @imogenkol @statichvm @marivenah @risingsh0t @strangefable

@ravensgard @firstaidspray @pitchmoss @hartsvale @florbelles

@carrionsflower @josephzeppeli @thedeadthree @leviiackrman @roberthouse69

[taglist opt in]

[simonxriley]

Skylar 'Phoenix' Jackson feat. her cat (r6s) // Liz Walker feat. Shadow (cod) Momo Kudou (my happy marriage) // Kaiya Kobayashi (oshi no ko) Himiko Nakamoto feat. her kasugai crow (demon slayer) // Meiying Liu feat. crow friend? (heaven official's blessing) Callisto Amari (hunter x hunter) // Rhaelora (an archdemon's dilemma: how to love your elf bride)

I was tagged @rhettsabbott to use this cute picrew, thank you! 💜

Taglist (opt in/out) @playstationmademe @imogenkol @sergeiravenov @alexxmason @carlosoliveiraa

@leviiackrman @g0dspeeed @katsigian @collinnmckinley @inafieldofdaisies

@carrionsflower @justasmolbard @cassietrn @theelderhazelnut @illmetbymoonlight

@voidika @shegetsburned @killerspinal @dickytwister

[therighthandofvengeance]

Delenn: I’m sorry, I just can’t remember the word for what I’m thinking of.

Sheridan: Maybe I can help you find it?

Delenn: It’s a food sword? a sword for your food?

Sheridan: Do you mean “knife?”

Delenn: Yes, that’s it! Knife!

[shoezuki]

the essay i got due tomorrow n barely done is like. its good i like it im excited to write it and im so upset that i have no time and am sick like.

its in my fairy tales n folklore class n im writing on the subject of taboo topics in perrault's 'donkeyskin' and specifically the symbolism/metaphors of the donkey hide she wears n how it symbolizes her trauma haunting her long after she escapes her fathers attempts to marry her n like. i like the story a lot n how its kinda fucked up but perrault really watered down the father-daughter incest topic n tried to make it more 'safe' and less taboo. but he fucking failed and i wanna argue bout it so bad. but my head hurt

[saintmelangell]

was there an actual reason why everyone started acting like phoebe bridgers was cringe or was it just regular misogyny/biphobia

[nudibutch]

asking this as a fellow stone with some questions about where that comes from personally. are there things you like doing or imagining on your own but don’t like in practice, or are you stone in most of your fantasies, too? for me I only respond in a stone way when I’m with someone. on my own I like and imagine plenty that I can’t enjoy so don’t really want when I’m with a partner

more the former, like 60/40 or 75/25 (most of my fantasies involve things im not comfortable with with someone else, some of them are stone-specific). there are things i like fantasizing about on my own, but when it comes to in practice i am definitely not as comfortable with it. although i have capital D fully Divested with partners i trust, it takes a LONG time for me to get there (like well over a year), its usually a once-only or extremely rare event, and i havent let anyone touch me intimately or penetrate me in about 5 years (save for my pap smears, lol). i feel like with the right person i could explore that again, but it would take a monumental amount of trust. i think my brain is conditioned to "youre disappointing someone when you say no to this specifically" and i would need a lot of support if i ended up still not liking it.

i also think a lot of it is connected to the fact that ive only recently been touched or interacted with in a way that i DO like, so my body in general is extremely unpracticed/inexperienced with connecting my pleasure to my physicality. i dont think this is a cure-all by any means, but i have a feeling that if i got to a point of trust with someone to be able to do that more often, i think my body would respond very differently than it has in the past.

[spiderh0rse]

I love when things that really don't need halos get one anyways

[jitteryjive]

i need to remake my cup bros ref… both cup and human designs… it’s been almost a year(?) and i’ve developed the headcanons and i would like to share with the class!!! (i wrote thirty tags. Please help me)

[bloomingbluebell]

man... rhoam's "redemption" in aoc really sucked, huh?

like botw SHOWED us, several times, how much pressure rhoam put on zelda to unlock her powers, despite her telling him, several times, that it wasn't working. he got angry and banned her from doing not only something she saw as useful, but something that she was clearly very interested in and passionate about because she "wasn't dedicating enough time to her prayers." yes, his diary expresses regret for it, but at the end of the day, if zelda saw that it wouldn't mean much to her. the actions rhoam took, and the way zelda grew up under so much pressure that she nearly died as a child in one of the springs (this is in urbosa's diary, iirc) mean so much more than his regrets and his intentions. it took him nearly 10 years to realize that he fucked up, and by that point it was too late. the calamity had returned, and rhoam had lost any chance he had at making things right with zelda.

meanwhile, in aoc, all that's there is some half-hearted scene in the temple of time that's supposed to make everything better? yes, aoc had a very different and arguably better outcome than the calamity that led to botw, but the damage was still done by rhoam. it's still the same hurts and abuse and trauma that he put his daughter through all because of the prophesized calamity.

[alchemiclee]

been trying to figure out what exactly it is about aventurine that feels perhaps relatable, or what it is that makes me want to study him like a bug...

and camr to the thought that he's pretty pessimistic for am optimist...but also ob the other side of the same coin, he's optimiaric for a pessimist. kinda both at the same time,.or depending on the day or how you look at him maybe.

he's an optimist becuase he knows he's going to win. he always wins. he has always won his gambles. he knows it will happen again and again. his luck, or gift, or blessing, or whatever you want to call it ensures that. but he's also a pessimist becuase he knows that "win" also always comes with some kind of suffering for him. he wins all his gambles, but at what cost? a lot, actually. so is it really a win? he knows he will win, but he also knows he will be used, abused, sacrificed, broken, or in pain. he expects those to be a consequence of his winning luck, to the point of making sure it happens and becomes self-destructive because of it. he acts calmly like it's ok and is the outcome he wants and calls that a win because it's what he plans and expects. he bets on it and it happens.

but at the same time, he's slowly breaking and seems to want it to end. he tests the limits of his luck to see if it's a real "gift" or if it is all a coincidence and has an end. he probably wants to meet the end to end the pain and suffering, but knows his "luck" won't allow it. he wants to be against the luck and see if he can win. a whole contradiction it itself. his luck kept him alive so many times and continues to do so. it will always do so, unless perhaps his end is the goal. what if he bets on losing this time? bets in meeting his end? he needs to get lucky enough to achieve that goal. flip his lucky fate by turning his luck around, make his end the final lucky win.

but it seems like he either lost for once and didn't meet his end....maybe his luck truly does intend on keeping him alive...or he changed his mind in the end and got lucky enough to get out of meeting his end once again...

he's still a bit of an enigma to me and i'm not sure exactly what happened. but he's for sure a complex and amusing character (even if I still want to put him into a snow globe and shake it as hard as I can) and this whole penacony story is too complex for my soggy trashcan brain lmao but i'm enjoying the ride