Y'all ever think about how children's media is the only media to really put priority to friendship (ex: the power of friendship) and how once you grow up media starts to shift towards a focus on romantic love and sexual relationships and how that kind of puts out this idea that valuing friendship is a childish thing you need to grow out of and replace with romance and sex cause I do.
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I’m putting these words on a high shelf until you guys can actually start applying these words to actual situations where it would be important to apply them to and not fictional content
text behind read more
Text on box: the words “glorify, normalize, sexualize”
text pointing to kid: people who think the depiction of a certain dark topic without demonization equates to endorsement of that dark topic irl
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Character bio: Sonic
Bio in text version below:
Sonic T. Hedgehog
He/Him - 18 years
What you see is what you get - just a guy who loves adventure! Sonic has gone on more solo missions as his friends started going on their own adventures after what happened on Starfall Islands.
They all showed up for his recent 18th birthday - even Eggman decided to crash the party so he could get his butt kicked for old times sake!
No one really knows what Sonic is up to during his solo missions. What's going on in this hedgehog's life? He isn't very keen on sharing for whatever reason, making his thoughts and feelings a mystery to those around him.
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sometimes a theme tune composed for a show aimed at little kids is far better than it needs to be, when honestly any vaguely catchy or obnoxiously ear-grabbing formula would do just fine nobody would really care, and then you look up the composer and it's always some like. former member of an alternative rock group or experimental new wave keyboardist and you go ah yeah it makes sense now.
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childhood books that are so fucked up on the reread part 1 of infinty: septimus heap. our guy was a child soldier from birth. the entire city-state dealt with an oppressive police state for a decade, waiting for the monarchy to resurface. this fucking necromancer will not ever go away. not after the first time he dies and certainly not after the fifth. you'd think he'd be bored by now. some old queen moved a tower to the other side of the palace for no reason. the main character got time-kidnapped for six months and had to live in the same place that all his loved ones had not been born in yet. his best friend was raised by wolverines. his other best friend is named Beetle. the castle is called The Castle. there's a defunct nuclear reactor underneath it. some of the rats can talk and have human levels of intelligence and people still put out rat traps and try to kill them. there's a fuckin time purgatory that some guy thought everyone would love even as an increasing number of random lost travelers got trapped there forever. if you think you know all the secret tunnels under this place no you don't. and you can rent pink paddleboats in the summer
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The Percy Jackson Movies: the ideal adaptation for anyone who hasn’t read the books but likes the concept
The Percy Jackson Series: the ideal adaptation for new fans and younger fans
The Percy Jackson Musical: the ideal adaptation for older fans and fans who grew up with the books
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here's the thing. i like toxic fictional relationships. i like whump. i like seeing characters hurt each other and get hurt.
but only if the narrative acknowledges that it's fucked up and wrong. the moment this shit is romanticized or glorified, the moment the narrative starts acting like the abuser is actually justified or should be pitied, you lost me. that shit is just repulsive.
like you can show the ramifications of an abusive relationship or show a person getting kidnapped or hurt, and having to deal with its aftereffects. this makes for good emotional drama and character arcs. it's interesting, it's sometimes relatable and if done well, it can send a good message of what not to do or what to be wary of.
even if it doesn't do that, at the very least, it gives us catharsis. even if the characters don't get a happy ending, we can be satisfied knowing that this piece of media is not encouraging toxic or abusive behaviour.
but you can't act like this shit is ideal or cute or romantic. even if fans support or pity the character, that doesn't mean that the creator should hop on the bandwagon and act like all of this is justifiable.
for example, movies like gone girl or midsommar aren't exactly showing good, healthy people in healthy relationships. but it is framed in a way that we know that the writer doesn't condone this kind of behaviour. even if these stories don't have happy endings, the framing makes it clear that this is just a social issues explored in fiction, but not romanticized or encouraged.
if i didn't know that c//a was gonna become canon, i probably would have liked it despite the abuse, because i would have thought that the whole point was to show us an unhealthy relationship with an imbalanced power dynamic. i'm fine with that, i find it quite compelling.
and that's the difference. if you're gonna write an abusive relationship, you should have the balls to admit that it's abusive instead of going all “um well it's a complex situation and technically both of them were at fault and the abuser is actually a poor widdle baby who deserves instant forgiveness”. miss me with that shit.
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