#for like a decade or more

[stars-inthe-sky]

Woke up to this in an email and briefly felt my soul leave my body, revert to being 16 years old, and then return with the reminder that my Tumblr is already 12.

[technically-human]

Bisexual crisis Crystal edition

[catmask]

with that said there are characters that a fat maybe not canonically but they are spiritually. to me. they may not be drawn that way but i know whats true. ive seen it like a sort of prophet

[theriverbeyond]

tbh I can't stop thinking about how i went into Hadestown being like "this is a tragic love story based on a greek myth I enjoy :)" and I came out the other side covered in blood being like "this is a thesis about how capitalism inevitably leads to both personal and global ruin, and so we are duty bound to resist it even as we lose, again and again and again. no matter how impossible it feels or how many times we fail and hit a wall and fall, we try again"

[satsuha]

thank you for coming back

trace base

[ofswordsandpens]

sometimes I think about the time where I made a post criticizing the decision to take away the curse of Achilles from Percy and someone was like "die mad about it" and its like dont worry babe I literally will. I will be on my death bed still pissed about it.

[riisitee]

Immortal Decadent After the Ball

If you can't tell, this is based on a painting by Ramon Casas called Decadent young woman. After the dance. (More about it at the end)

Also version with out glasses:

Click to see them good details

The original painting:

"Decadent young woman. After the dance", 1899 by Ramon Casas

I was looking through my folder of paintings, thinking if one of them could be turned into fanart. I found this one and thought it would fit Crowley very well. Well, turns out the name makes it even more fitting! The Incident in Good Omens That Broke All of Our Hearts, happened after a dance/ball (the painting is also known as "After the Ball"), which is just incredibly serendipitous.

Also of course everything about the pose, the dark clothes and the red hair just screamed Crowley to me.

[thjslove]

average gay conversation - Dan and Phil play The Sims 4: Season 2 #16

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[poorly-drawn-mdzs]

Burning Rotten Bridges

[First] Prev <–-> Next

[sharp-fanged13]

What a wonderful occassion to remember this happened and is canon af:

[befooremoonrisee]

to me one of grrm's biggest screw-ups is not letting gaemon and jaehaera grow into adulthood, because the dynamics those two could have with aegon lend themselves to so much.

you're aegon iii and you're forced to marry the daughter of the man who killed your mother and your brothers. her only friend is her dragon and you hate dragons because one killed your mother in front of you and two others killed your brothers. she hates you and would kill you if that didn't mean her own demise. your best friend is also a son of aegon ii, but he hates him too, as he is responsible for the death of his mothers, he was a pretender, he is a nice kid who wants to help people just like you. he's the only one that understands you.

you're jaehaera, your father won the war, but you're forced to become the wife of the son of the man who killed your twin, the woman who put a bounty on your other brother's head and who drove your mother to suicide. your grandmother, the only family you have left, is crazy with grief, she wants you to kill aegon. you're just a child. your dragon is a wretched delicate thing, just like you, your husband hates it. he is afraid of it, it makes you happy. your only brother (if he is your brother) doesn't like you, he spends all his time with aegon, you try to bond with him, but he is not jaehaerys. he will never be.

you're gaemon, son of a whore, bastard of a king. you were the hope of the smallfolk, a path for liberation, but the royals came and they killed your moms. now you're their pet, their tool to avoid being poisoned. you love aegon, he shares the same wounds as you, but you resent him, he is using your body, your life, that's what you smallfolk are for the royals, just pawns in their little games. maybe you're tired of it. then viserys comes back and you're discarded, not longer a friend, but just a tool. jaehaera claims she's your sister, but she isn't, aegon is nothing to you, she creeps you out, she understands what being a hostage is.

[bet-on-me-13]

Danny is the Crazy Old Man™️ of Gotham

So, the events of Danny Phantom happened decades ago

Like, Phantom Planet was one of the first instances of Superheroes in HISTORY. Early 1900's, just the Fentons were Insanely Ahead of their Time!

Danny is still a Halfa, but has allowed himself to grow old and live his best life before fully dying so he can accept his Throne in the Infinite Realms. He decides to experience Life in the fullest way possible, partying, drinking, making long lasting friendships that shape the lives of everybody he meets, all that!

Eventually, Danny's Party Life leads him to Gotham. And this place is just amazing!

It has all the comforts of Home, with so much more! He can Party! He can Fight! He can do anything he wants and nobody bats an eye, because a crazy old man getting into a fistfight in the middle of the road is just another Tuesday for Gotham!

He decides to spend the rest of his Mortal Life there. And this is still Early On in the DC Timeline, like, Batman Year 1 is happening Right Now.

He hangs around, befriends the local Homeless Population, and mostly just has the time of his Life! And he takes up the stereotypical Homeless Old Man look because why fight it? That's literally what he's going for!

He also unintentionally sets up a bunch of future events

He teaches Kid!Jason on his to steal Tires as repayment for driving off some muggers with a Baseball Bat (honestly he was looking forward to being mugged, it's a new experience after all)

He pulls Kid!Tim into an Alley after Tim gets caught out at night and gets chased by some Punks. He hides Tim behind a Dumpster and tricks the Punks into mugging him instead (Yay! He finally got mugged!)

He becomes kind of well known as the Old Man who wants to experience everything before he dies. He says as much too, not like he really has a reason to hide it. He just tells people "I want to live my life to the fullest, it don't matter if I live 10 more years or 10 more minutes, I'm gonna experience every second of it!"

He once walked into a Cloud of Fear Gas to see what it was like. Later he said it was a 6/10. "Not the worst thing I've had injected into my body!" He says with no Context.

He traded places with a Hostage during an active Crime Scene because he wanted to know what it's like.

He was once dared to take Batmans Utility Belt by another Homeless Guy as a joke, so he walked up to Batman later that night in full view of everybody else and just asked for his Belt. He gives up after a few minutes, and one guy asked "Why not fight him for it? It's an experience after all.". Danny replys "Nah, I've fought Vigilantes before. It was fun though, gotta say!"

...

This got away from me, but all this to say: Imagine the Bat Families Reaction when they find out "Crazy Old Danny" is PHANTOM. You know, THE FIRST SUPERHERO!

I imagine Constantine is having a stroll though Gotham after finishing up some business with Bruce, and just bumps into a homeless guy by accident.

Later that night:

Batman: Constantine, Why are you calling? Is it to do with the-

Constantine: Why the fuck is there a Homeless God in your City?

Batman: Wait wha-

...

Or imagine they know before Constantine meets him, and it goes instead like this

Constantine: Why the fuck is there a Homeless God in your City?!

Batman: You mean Old Man Danny? He's just a homeless guy? What do you mean?

Constantine: I swear on what's left of my Soul, that is a God.

Batman, a little shit: I don't think so, I would know (fully knows)

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[turtleblogatlast]

Something about this kind of swimming getup for characters always immediately gives me transmasc vibes. Blue swim trunks and a tank top? Sorry man my brain already connected the dots. The vibes are there, and they’re not leaving.

[wigglebox]

Destiel Pride - Day 16; Baby steps