#for helping me with. all this

[liones-s]

one of the biggest things I can advocate for (in academia, but also just in life) is to build credibility with yourself. It’s easy to fall into the habit of thinking of yourself as someone who does things last minute or who struggles to start tasks. people will tell you that you just need to build different habits, but I know for me at least the idea of ‘habit’ is sort of abstract and dehumanizing. Credibility is more like ‘I’ve done this before, so I know I can do it, and more importantly I trust myself to do it’. you set an assignment goal for the day and you meet it, and then you feel stronger setting one the next day. You establish a relationship with yourself that’s built on confidence and trust. That in turn starts to erode the barrier of insecurity and perfectionism and makes it easier to start and finish tasks. reframing the narrative as a process of building credibility makes it easier to celebrate each step and recognize how strong your relationship with yourself can become

[bamsara]

"youve already written that trope" yesss. i like it a lots. i will be writing it again. 1000 stories of the same trope over and over again for ten million years

[milesofstars]

dont worry about it jason...

[blinkpen]

(i Will go back to everlasting haitus if that GFM slows down too much btw, seeing it to its goal ASAP is my primary focus right now)

[hasanandlena]

Stop scrolling❗️

Hello, world

This is Hasan and Leena, a happily married couple from Gaza. I am a motion graphic designer, and my wife is a content creator. We lived joyfully and peacefully for barely 7 months until the war struck and forced us to endure the hardest days of our life. So far, we have been displaced nine times from one location to another. We've lost our jobs. Our lovely, worm home. Members of our family, in addition to the continual fear we suffer.

The most difficult decision for us was to leave our country, to leave Gaza, overcome the obstacles we faced and the losses we suffered, and begin a new life from scratch.

Help us start a new life, every donation will be a great initiative to start the life we ​​lost

[apollos-olives]

before october 7th this blog was a meme page btw.

[stuckinapril]

Honestly the cliche advice is true. If you fill your life w things you’re passionate about, if you challenge yourself every day, if you give your own opinion of yourself more weight than you do other people’s opinions of you, you will actually thrive. Like no one can tell u anything

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[mohammedismaeel]

Survival Donation Appeal: A Family's Desperate Cry for Salvation 🍉🕊️💔

I am Mohammad Hussein Ismail, a 23-year-old Palestinian from Gaza, reaching out to you during these unimaginably difficult times. My life and that of my family have been profoundly changed by the war, and today I write to you, hoping for your support and assistance.

My Family 🕊️ 🌹❤️

My family consists of five members: my mother Raja (51 years old), my father Hussein (58 years old), my sister Iman (18 years old), and my younger sister Noor (13 years old). We used to live a simple life filled with hope and ambition before the war turned our lives upside down.

On a grim night at the onset of the war, our neighborhood was relentlessly bombed. The blasts shook our home, compelling us to flee into the darkness, navigating through sporadic explosions, desperately seeking safety. By morning, we reached southern Gaza, seeking refuge in Rafah, our hearts heavy with sorrow for what we had lost.🍉🕊️🗝

In this brutal war, my father was injured, severing tendons in his finger due to relentless bombardment. Due to malnutrition and rampant diseases, my sister Iman contracted hepatitis, exacerbating our suffering. We endured the cold winter within the confines of a tent, and the scorching summer heat as well, trapped inside due to harsh weather conditions. Unable to stay together as a family, we were forced to scatter and flee once again from Rafah due to intense shelling, seeking refuge in Deir al-Balah within the Gaza Strip, where our struggles continued in search of safety and hope for survival. 🍉

Now displaced, we endure an immensely challenging life, filled with hardships. We struggle tirelessly to prepare food over open fires, to fetch water, and even find a place to sleep. We've lost the basic comforts of life. Due to inadequate shelter, severe infections have ravaged my body, and I've grown exhausted in the quest for treatment amidst the scarcity of medicine. 🍉 💔

Our plight is desperate, and we implore your support to rebuild our shattered lives and secure a future for our family. Your kindness and generosity can bring about a profound change. Your contributions will provide us with the means to find safe shelter, access essential medical care, and obtain the basic necessities of life we so desperately need.🍉 🕊️

Please, we plead for your help during this critical time. Every donation, regardless of its size, brings us closer to safety, stability, and the opportunity to rebuild our shattered lives.

[sttoru]

“c’mon, megumi. tell me what’s botherin’ ya.” satoru pouts at megumi, his arm thrown around the boy’s shoulders. you watch the scene unfold with a tense smile.

megumi was exhausted from school, training and so much more. the teenager’s patience was wearing thin. especially with satoru almost pressuring him into telling you both what’s weighing on his mind. when all he wants is to be left alone at the moment.

the tone satoru’s using to talk to megumi only pisses the high schooler off more and more. it’s fatherly. like he’s still the little child satoru took in and cared for. it pissed megumi off, along with everything else;

“you’re not my dad, so stop fucking acting like you are!”

you freeze. satoru freezes. megumi freezes. time freezes. the silence was deafening. no one was moving. your eyes flicker over to satoru’s and your heart shatters in a million pieces.

satoru’s hurt. so hurt. it’s visible and he’s not hiding it — not hiding it like he usually would behind a wide grin. his blindfold and glasses aren’t there to hide the way his face falls either.

“i know.” satoru whispers. his voice lost its cheery tone, his eyes have lost their spark. the sorcerer slowly distances himself from megumi. a bitter chuckle leaves his lips. a futile attempt to hide his shaky voice, “i know.”

all you could do is stand there in shock. megumi doesn’t know what to do after his little outburst either. and satoru. . . well, satoru is the first one out of the room. you hear his breath hitch as he walks past you. you see his eyes twitch. the strongest, in tears.

[herssian]

i don’t know where the notion that if you don’t give big bucks to an artist then you’re not really supporting them came from, but when people say even a tiny bit of monetary support saves an artist, it’s not for the aesthetic or the gesture of it all. i’ve been able to have actual drinking water on days i’ve been incredibly broke simply because someone bought a brush pack for 2 euros. in the most actual, literal way i could possibly convey this: the SMALLEST amount counts. in practice counts. people-get-to-eat-today counts. especially in this age of everyone and their mother being out to deplatform artists. there’s value in the tiniest of ways

[chittychittyyangyang]

Listen, you should never film strangers in public without their consent, but I swear there need to be fines or something for people who do that shit in some spaces. For example: I had to go to the ER last night, and some jerk filmed a woman who just came in and was clearly having an asthma attack. She immediately got to go back, and he was unhappy about that. Believe me, I get that it sucks having to wait when you're in pain, but you don't get to pick who deserves care when. The medical system in the US is a nightmare, and the ER could be the worst moment of someone's life. No one deserves to be recorded because some jack ass believes someone doesn't look like they need care.

This is fine to reblog. People who film strangers should be shamed if nothing else.

[chloesimaginationthings]

Michael Afton draws FNAF tape girl for Vanessa,,

[amikoroyaiart]

Some 22 and 09 angst doodles

[garaks-padded-bra]

Well would you look at that!!

[hinamie]

spins him around trying to understand the pink mop he calls hair