#for EVERY SINGLE PERSON HE SEES in EVERY SCENE

[certifiablyinsanez]

Okay, I’m not coping well with the emotional whirlpool I’m experiencing after Mastermind. And this scene right here:

Is something that is haunting me. Because it’s not difficult to see what troubles lie ahead for them, what consequences await for the events of the trial. What do we already know about Blitz? That he has deeply hated himself for many years. Maybe he felt slightly better after Millie’s monologue in Ghostfuckers, but I think we all know that such a deep seated hatred of oneself doesn’t disappear in a single conversation. This much is clear by the pictures in Blitz’s apartment still being blacked out that we can see in the background in Mastermind. And any relief he may have felt from Millie’s sincere story is going to be completely shattered.

I have no doubt personally that Blitz has always thought he ruined Stolas’ life. He’s not a stupid man; he’s observant. He knows the struggles Stolas has gone through with the advent of their deal and relationship. He’s seen the wedge he put between him and his daughter. He knows the kind of hell the divorce has put him through. But now?

If there was any doubt he ruined his life before, it’s gone now. Because Stolas has now utterly, and completely, lost everything. His titles, his status, his wealth, his home, his power. All that’s gone. But worse? He’s entirely lost his daughter now. Blitz will probably never forgive himself for that. I mean shit, he literally said this:

Stolas is a much more powerful being than Blitz. But Blitz believes he deserves to die rather than put Stolas in harms way. Blitz will probably be wishing that he died rather than live with the fact that he’s brought Stolas low. Stolas’ punishment is far longer than Blitz’s life span. The consequences of saving his life will outlive him. There no chance Blitz will accept this as Stolas’ choice. Not only will he have to deal with the trauma of the trial before Stolas arrived, but also the result of what it’s done to the man he loves more than life itself.

But Stolas? Stolas would do it again. The way he says it, “Always”, is just so raw and softly powerful. Because he’s just had his powers ripped from his body. He’s lost it all, he’s lost his child. But he would do it again. There was no other choice to be made. There was no alternative. He said it himself:

Stolas is a suicidal figure. He prepped his daughter for the day he wouldn’t be around. He doesn’t value himself or his life at all. He’s suffered tremendously. He probably already believes he’s lost his daughter. His daughter has made it clear that she hates him. Outside of Blitz, who is his light in the darkness, his soulmate and true love, what does he have to live for? To Stolas this was a no brainer. He went to that block with dignity. He was so willing to die for his love.

So when Blitz thanks him for saving his life, Stolas, breathless and weak, says “Always”, because he will always love him, need him, cherish him. He will always put him above himself, which is something Blitz wouldn’t understand but is second nature to a gentle spirit like Stolas. Stolas who escaped the torments of his life in his books, who is humble and sweet with a lowly imp because his body and soul needs Blitz like he needs air. A true romantic, a soft demon who gave it all up for love and would do it again.

Always, he says, and means with every syllable.

[writingadvicesavingcometcon]

I've recently learned that I can't write smutt unless I focus 100% on the characters, their dynamic and the thematic purpose of the sex scene. I'm currently writing Tucker/Felix from Red vs Blue and the moment I figured out why Felix was doing any of this was the moment I got ideas for scenes. Because while the story is from Tucker's perspective (Felix is too rancid for me to try to write in the headspace of and since my stories always need to have the abuse victim being empowered and breaking free after a period of time in the story under the shitty treatment of the abuser, I find everything just flows better if the focus is on them and how it affects them rather than the perpetrator and what their mental process for doing it is), Felix is the driving force of the story because his goal is to break Tucker because he's bored and Tucker is the shiny new plaything (I still have to understand WHY Felix does what he does and how he sees things, I just don't put the focus on him by putting us directly in his head because it's unnecessary and Tucker's feelings are far more important as the person he's mistreating).

Their entire dynamic is so interesting to me and I found once I focused entirely on how Felix would carefully, delicately escalate - constantly testing Tucker's lines and then casually nudging them a few centimetres further until he gets used to accepting that - I knew exactly what to do because I just had to follow Felix's reasoning, thought patterns and long-game plan to reel Tucker in and make him do what he wants.

The prose itself only comes with practice unfortunately, but I cannot stress enough - especially as a gray-ace person who really struggles with finding sex scenes interesting when it's just a sequence of physical sex acts with no rhyme or reason for those specific characters with that specific dynamic to be doing the same cookie cutter barbie doll bumping bullshit they do in filmed real person porn - how important it is for you to focus on your characters and dynamics and existing themes if you're stuck on what to do, exactly as OP said.

Also one quick addition from me: don't be afraid to toss in some unusual factor into the scene.

Felix draws Tucker in with a card game he turns into basically strip poker and uses that plus the sexual interest he built in Tucker from other scenes previously plus pushing on Tucker's natural competitive nature/wanting Felix to respect and like him and uses all of that as the springboard to pressure Tucker into more and more things until Tucker falls into sunk cost fallacy combined with arousal (as well as being drunk because of course Felix included drinking into his slow reel-in methods) combined with the conditioning Felix has already been building in him to do as he's told via how he runs the card game, with a consistent focus on making it easy to pass off to Tucker and others as his own ideas/he was consenting the whole time because he chose to do things himself etc (and we just 'ignore' the fact Felix outright pressured and manipulated him into every single escalation throughout the scene in some way; of course we don't actually ignore it as I do my best to make it subtly clear to attentive readers what Felix is doing, I just also have Tucker be the unreliable narrator who is lying REALLY hard to himself/falling hook, line and sinker for Felix's bullshit).

All of that ended up giving me something new and interesting to build the scene around, which helped influence some of the physical act choices, which then consistently aligned with the themes of making Tucker 'choose' to do things, consistently handing Felix all of the power in the scene (and him doing things/manipulating Tucker and the situation to take it back again any time he loses it for even a second) and steadily moving those boundaries in Tucker's mind at a snail's pace I think he would reliably accept under Felix's careful pace and fine adjustments as necessary to keep him on course.

I'll be posting it hopefully some time within the next year. I have another story I want to finish and post first which focuses on the fascinatingly similar vibes between BDSM and military culture (the latter being a toxic non-sexual version of the former with a complete lack of self-awareness) and therefore has to involve choices which reflect the characters' start in military behaviours then a shifted interest/focus on consensual and caring dominance/submission between them (instead of the highly dubious consent of the malicious-intent long-game manipulative power imbalance between Felix and Tucker).

Once Tucker escapes Felix, I want him to have a recovery fic where he tries to process what happened and take back his control through exploring with Washington, someone who actually cares about him and will do his absolute best not to cause more harm while trying to figure out where the actual lines are with a man who wants to take back control over things a shitty person traumatised him with but may or may not actually be ready for each thing he wants to do. So everything I write for them MUST revolve around that and resolving it and Tucker taking back his autonomy and healing in whatever ways he needs, and Washington trying to help facilitate that while being concerned over making sure he doesn't just retraumatise the poor guy.

But yeah. Everything became actually possible even as a gray-ace when I stopped trying to force myself to focus on SexActsTM and instead put ALL of the focus on the characters themselves and how they interact with each other generally and what they would do within a smutt scene in a way that stay consistent with the entire point of their story.

(Do what you want forever of course, but if you can't write smutt because you don't know what to have the characters do and it's always boring to you and others, a lack of what OP mentions is why.)

Advice for writing smut???

gonna do bullet-points of things i tend to live by when it comes to smut (this is just my opinion):

don't switch styles: the way you write the smut has to be consistent with the way you write the rest of the story, so if your story is more comedic or romcom-y in nature, the way you write the smut should have those stylings. i personally find it very jarring when authors decide to break the format for the smut, almost like the story has to stop for the sex intermission; if you're writing a horror story, the smut must be informed and influenced by that genre, and if you are breaking genre for the smut portion, tell us why you're suddenly switching gears (it has to be an aesthetic choice you're making on purpose). likewise, if your style in that story is more lyrical, the smut has to be somewhat lyrical too, or if your story is more cormac mccarthy-esque-cut-and-dry, the smut can't suddenly involve an effluvia of purple, sappy prose. integrating the smut in the story and treating it like any other part of the story is key to me. too often i've seen ppl switch to this anonymous pornified style when they get to the smut

which brings me to specificity. i'll talk about het sex, since that's what i tend to write most: not all men are going to be fingering or eating pussy the same way, not all dicks are big and they shouldn't be, not all women immediately get excited by fingering, not everyone moans the same way or makes the same sounds. you're writing about particular characters so it has to be particular to them. i know this is very old advice, but i think it bears repeating

there isn't an exact formula or sequence you have to follow, there aren't precise steps, you don't have to go "well, first he has to kiss down her neck, then reach the boob area, then play with the nipples, then put the nipple in his mouth, then slowly go down on her, then prepare her for entering her etc. etc. etc." this can get boring and repetitive and you start thinking of your characters as these mechanical dolls who have to fuck for your audience. and that can be a vibe too, if you do it on purpose. but sometimes you can get stuck in a porn routine (and ofc, having only the guy show initiative can also get boring)

in order to break that, insert some character moments. what are the characters thinking during this? sometimes they might be thinking of something completely unrelated on the surface, but which has a thematic relevance that can make the scene hotter. likewise, maybe they're doing smth that seems unsexy on the surface, but which, within the context of the story might be really hot. sex doesn't just involve, well, sex, but so much weirdness and humanity and creativity. two bodies (usually) are trying to do this really awkward thing together and they might have a lot of baggage and history to inform it. there's a lot you can do with that.

don't make it glossy and clean, where everyone smells of strawberry shampoo and there is never anything out of sync. the most boring smut tends to be the kind where no one makes any mistakes and everything is super efficient. i imagine it feels like using an industrial pump to milk various farm animals.

and you know what? you can make that hot too. you CAN write a kind of robotic efficient smut and make it really interesting based on the context. let's say you're writing a 1984 AU fic where ppl are forced into intimacy only to procreate and their sex drive is diminished. you can play with that premise and lean into the dehumanizing industrialization of sex, but you have to mean it, aka your narratorial voice must be conscious of these factors.

if you're writing dubcon, make the dubious part present, make sure you draw out the ambivalence and ambiguity. if you're writing noncon, the character whose consent is being violated has to be transformed by this in some way. it can be forced pleasure, for instance, but not only. it has to be a journey for them too, some kind of spiritual pit, or a form of access to terrible knowledge. i know this is a personal thing, but noncon doesn't work for me if the character being noncon'd is just sort of *there*, suffering passively. i think that sort of dead passivity can be done very well too, but the narratorial voice has to persuade me.

that being said, don't be afraid of fear in consensual sex. terror and vulnerability are a part of consensual sex too, imo, and again, depending on the story and the characters, there's a lot you can explore there

i personally find it really hot when the narratorial voice starts discussing some of the ideas that the story wants to convey during the smut. so like, you can characterize person A and outline their worldview and their plans while they're ramming person B, and the thinking & fucking are thus entwined. idk, i dig that

speaking of which, smut can convey world-building details and social/philosophical ideas, not just emotions and character beats

not all smut has to end with mutual orgasm or even one-sided orgasm, it depends what you want to do or where you want to go. again, you don't have to follow a sequence. plus, it's fun (and hot) to write about frustration and failure too.

if you want to mix up the descriptions, resort to the story & characters. you'll find it's easier to describe someone fondling a boob in a new or at least interesting way if you're thinking about that particular character in that particular story, and not just Man X from planet porn (sorry to be snarky, but mainstream erotica is soooo guilty of this)

screaming & really intense reactions are cool but they have to match the characters and the situations

sometimes, it's hotter if an effect is mild or negated, if the usual outcome doesn't happen; mix up the order of events, toy with the usual reactions. it's not about being original, it's about finding out what works for your characters. writing about sex is, in a way, a performance of it, an attempt to go through the sexual motions, to find out what works and doesn't, to engage with the erotics of text (roland barthes entered the chat)

if you are bored by your own smut, that's a problem. i know we all talk about how hard we find writing smut, and IT IS hard, and sometimes it's not enjoyable, because writing itself is often not enjoyable, but even when it's painful and annoying, it gives you that little intellectual kick like "huh, i'm creating this and making these people do this, and ohh look, i can maybe put this unnamable thing into words". but if you become bored, that's a sign you have to look at the language & characters and figure out what's not working for you

last thing i'll underline: pay attention to your narratorial voice. in this ordeal, you are the seducer. not the characters. you have to seduce us with words and context. your voice matters. you have to be confident in your weirdness and particularity. this is your bedroom (so to speak), so invite us in.

[mythalism]

in my rook hating mindset now after that post this morning and cannot stop thinking about how they are literally the worst protagonist maybe in any story i have ever experienced JRHGKJERHGJERG. and like if you love your rook i am not saying you shouldn't. if you love your rook i am so so happy for you genuinely but you are also probably brilliant and have a huge brain because what the game gives you to build off of is so abysmal.

i literally cannot stop thinking about how insane it is that rook literally causes a double blight and worldwide catastrophe on a scale which thedas has not seen probably since the creation of the veil itself and just. experiences no remorse. and the story tries to tell us thats a good thing and makes them better than the villain/their foil. JHREGJKHERGJKHERG. HELLO?!!??!?!?! literally no one ever goes "hey maybe you shouldnt have done that" except solas and hes framed as the VILLAIN!!! WHAT!!!!!!!!!! hawke blames themselves for not putting the pieces together fast enough when a bouquet of white lilies arrived at their door? the narrative gleefully condemn anders with the immediate opportunity to kill him for his crimes. nearly every single character in origins immediately puts the entirety of the responsibility for the fifth blight on loghain's shoulders, regardless of the CLEAR SUGGESTION that the battle at ostagar could never have been won. and all of these makes sense for the world and characters!!!!! of course hawke would blame themselves for their families deaths when they were given the role of protector by leandra after malcom dies. of course the city of kirkwall is going to want anders dead for his extreme act of violence rather than start the uncomfortable process of acknowledging the beloved chantry's complicity in large scale abuse happening in the mage circles!!!! of course alistair and the warden are going to blame loghain for the blight and cailan's death!!!! it doesnt matter if they are right or wrong, it makes sense for their perspective and worldview to feel this way!!!!

have yall gotten the low approval conversations in inquisition????? solas's "Inquisitor. Tell me. How does it feel? Being you. Are you blissfully unaware or, deep inside, is some part of you banging on the walls, screaming?" cassandra getting drunk and practically spitting in your face how she regrets raising you up to such power? blackwalls' "Are you proud of yourself, of what you’ve built here? How about the lives you’ve destroyed along the way? Given much thought to those lately? Is this Inquisition all you wanted it to be? Because I’m disappointed. All I see is a gang of thugs led by a self-serving tyrant." and these SCATHING comments from those who once believed in the inquisitor enough to join their cause come from decisions that affect a fraction of the population that dies under the southern double blight. people will rip the inquisitior to fucking shreds when they fuck up. THATS THE ENTIRE POINT OF THE TRESPASSER DLC EHRGKJHERGKJHERG. like holy shit every decision carries the weight of "oh my god whos gonna hate me. who is going to die because of my choice. how is this going to come back to bite me." have we forgotten what its like to return to varric after leaving hawke in the fade and confess what we did? the call we just made? to look him in the eye and tell him that we sacrificed his best friend? WHY IS ROOK NEVER ASKED TO PARTICIPATE IN ANY OF THIS INTROSPECTION?????????? TO EVALUATE HOW THEIR DECISIONS AFFECT THOSE AROUND THEM BOTH PERSONALLY AND SOCIETY AS A WHOLE????? OH MY GODDDDD

the regret prison scene is so insane. first its insane because its solas at his best and most cunty. but secondly it makes no fucking sense even if im largely distracted by pookie being fun and villainous. solas tries desperately to play up rook's regrets during their conversations and we are supposed to believe that it was that manipulation that allowed him to swap with them in the prison. how does this actually work? blood magic? dont worry about it, kitten. but then when we get into the prison.... the only two regrets that manifest are things that just happened within the last 3 hours - your two party sacrifices. lets be clear that these are not even real sacrifices because literally all of these people volunteer to go and then argue about why they should go. this is so fucking stupid. then rook looks at the statues and says "i dont regret this because this was your choice". YEAH????? OF COURSE YOU DONT FUCKING REGRET IT WHY WOULD YOU. HELLO???? THIS WAS NOT ROOKS CHOICE THIS WAS ROOK JUST SAYING "SURE I GUESS". AND THEN THATS ENOUGH! THEY JUST LEAVE BC THEY CONQUERED THEIR REGRETS!?!?!?!?!??! WHAT!!!!!! there is no discussion of rook being responsible for the blight in the south that we find out via ooc inquisitior letter has KILLED LITERALLY EVERYONE. no suggestion that their recklessness and willingness to act WITHOUT ALL THE INFORMATION at the ritual is the reason for every single thing the evanuris do following their release.

and let me be very clear bc i know this was causing drama on twitter last week. i am not saying the double blights is rook's fault. i actually dont think it is their fault, although i do think they are stupid and reckless and shouldn't have acted so carelessly. but although rook is responsible for ghilly and edgar breaking free, rook is not responsible for the their actions following that freedom, and rook is not at fault for being put into an impossible situation (the need to stop solas's ritual) without all of the information on what the ritual was and what stopping it might incur. however, the double blight is rook's fault in the same way that the veil, the fall of the elvhen empire, elven mortality, and every demon's existence is solas's fault; which is to say, it is and it is not. solas was backed into a corner, in a desperate situation without knowledge of the potential consequences, and was forced to make a decision for the good of the world when he imprisoned the evanuris and blight with the veil. rook was backed into a corner, in a desperate situation without knowledge of the potential consequences, and was forced to make a decision for what they thought was the good of the world when they interrupted solas's ritual. but while solas feels immense guilt and responsibility for the choice he made, rook feels.... absolutely none. and the game tells us that... they're right? people should just not take accountability for anything? i will give credit where it's due here that varric's contribution to this scene is quite good and his line where rook tries to take responsibility for his death and varric says smth like "no, that was my own choice and you dont get to take that from me" is B A N G E R. WHERE WAS THAT ENERGY IN THE REST OF THIS FUCKING GAME!?!?!?!?!?!?!?!!?

THAT was the lesson solas needed to learn, not that his regret was wrong but that it was MISPLACED!!!!!!!!! and that is why it is mythal acknowledging that their burden is shared and not his alone is the culmination of his entire story and what finally allows him to move on. pride stands alone, wisdom seeks out the input of others to make an informed and wise decision. this is also why he leaves such breadcrumbs for the inquisitor (a high approval one, at least) because he respects their opinion and their input and their existence and the way they treat him turns him back into wisdom from pride. this is why a romanced inquisitor mentions his name being pride and how its possible that hes not even CAPABLE of changing his mind because it would be so against his nature, and he needs someone whose opinion he values to show him the way. his flaw is his SELF INFLICTED LONELINESS!!!!! NOT HIS REGRET. varric even fucking says this in some random banter you get with his ghost in the infirmary but im too lazy to go find it on my desktop. its something about how he sees attachments as a weakness rather than a strength. his pride causes him to take on responsibility that is not his, his wisdom -> pride corruption has led him to believe he is the only one capable of fixing the world's problems and he will destroy both himself and those he loves in the process. he asserts that he is just a man but is unable to stop making decisions for the world like a god.

THIS is the solas/rook foil that should have been: rook relies on their friends and that reliance is ESSENTIAL; after all, the neve/bellara and davrin/harding sacrifice is essential to win. in contrast solas refuses to rely on anyone, and this isolation makes him increasingly cruel. when he has no one to mirror the way a spirit should, he becomes Pride, too proud and too god-like. his attachments make him more human. he is terrified of depending on others and will kill them rather than risk the vulnerability of dependence after what it has done to him (mythal, felassan). he has to unlearn this avoidance and fear, he has to admit that there "could have been a better way" that someone else saw and he did not. he must learn that he does not have all the answers. he is not Pride. its NOT that rook doesnt experience regret and doesn't take accountability for mistakes while solas is trapped by his own regrets. the message we got instead is so incoherent. but it was SO CLOSE TO BEING GOOD. the bones of this are littered everywhere in both the game and in the datamined content and for some reason it just could not be brought together in a way that makes sense.

the message that rook is "right" and better for not having regrets is genuinely insane, especially when the "regrets" they have to conquer are literally just. other peoples decisions. the fact that rook has the audacity to say to solas that he could never escape the prison while they could so easily because he is trapped by his own regret as if rook is better than him is genuinely so fucking dumb it makes me want to claw my eyes out for having been forced to read it. rook sacrifices nothing and learns nothing. the sacrifices within the game belong to the characters that make them, rook does not order people to their deaths in the same way that solas or even THE INQUISITOR do. rook never is asked to grapple with the fact that they ACCIDENTALLY unleashed a double blight, no matter how good their intentions. WHY DOES NO ONE BLAME THEM FOR THIS???? regardless of if it is their fault or not, the objective truth of fault does not matter, what matters is that you make decisions and PEOPLE JUDGE YOU FOR THEM!!!!!!!!! THIS IS LIKE FOUNDATIONAL TO THESE GAMES JEHRGJKREHGJKRHG. this is what the entire game is about doing to solas. judging him. based on his choices. and the game clearly wants you to have empathy for him in the end. but its so OBVIOUS that the vessel for building up that empathy should have been ROOK EXPERIENCING THE SAME THING!!! THE SAME JUDGEMENT!!! THE SAME GROWTH!!!!! FEELING THE BURDEN OF THE WORLD ON THEIR SHOULDERS. FEELING THE DREAD OF GUILT AND SHAME AND REGRET. TRYING TO DEFEND THEIR INTENTIONS!!! I DIDNT MEAN TO I DIDNT MEAN TO IT WAS A MISTAKE!!!! LEARNING THAT THEY HAVE TO OWN UP TO IT BUT THEY ALSO HAVE NO CHOICE BUT TO MOVE FORWARD!!!!!! HELLO!??!?!?!?! they BARELY even express remorse for the treviso/minrathous sacrifice, even when faced with neve/lucanis's anger they just go "a decision had to be made and i made it". well. YEAH? LIKE YEAH THATS RIGHT BUT HUMANS HAVE FEELINGS??? YOU ARE SUPPOSED TO BE A PERSON, NOT A BLANK SLATE VIDEO GAME PROTAGONIST!!!!!!!!!!!!!! ITS OKAY TO FEEL BAD!!!! YOU MADE A DECISION THAT RESULTED IN PEOPLE DYING. ANY HUMAN BEING WOULD FEEL BAD ABOUT THIS. ITS KIND OF FUCKING WEIRD THAT YOU DO NOT. HOW IS ROOK JUST BORN BEING OK WITH THIS. ITS SO ROBOTIC AND ARTIFICIAL LOL

rooks actions are such a clear, perfect parallel to solas putting up the veil and the guilt that haunts him afterwards that i KNOW it was intended that way and somehow it just got completely shafted. it literally feels like they did have a coherent parallel going and for some reason were forced to change directions last minute and thus we got some mish mashed barely cobbled together incoherent nonsense with clear echoes of its former self. instead rook has no flaws, makes perfect judgements at all time, has unconditional support from all of their friends who also make perfect judgements, are immune to making mistakes, and the message is its actually just really easy to not have regrets if you just choose right every time and refuse to take responsibility for anything as long as you had good intentions :D

[keepmycandleburning]

I've thought a lot about Voldemort's speaking style in order to write dialogue for him. First of all, he typically speaks formally without using contractions. You can see this in the majority of his dialogue. But sometimes when he's teasing someone or joking (the next few examples too), he does use contractions:

Or when he's copying someone:

At the DE meeting in DH ch 1, Voldemort only uses one contraction the entire time, when he's saying this to Bellatrix:

In the graveyard, he seems to be putting on quite the dramatic performance. He has a speaking quirk where he repeatedly asks (mostly rhetorical) questions in a certain style, with a structure of 'is it not?' 'did you not?' 'will you not?' Typically with a name right after: did you not, Wormtail? He's doing this over and over and over in the graveyard scene:

It's so recognizable and so characteristic that I love to make my Voldemort speak this way. It's so him. And it's a fascinating thing because of how affirmation-seeking it is. He doesn't just make his statements, he has to actively draw the other person into it with this provocative questioning where he's almost daring them to disagree with him. Interestingly, in the rest of the series I think he only uses this structure once, to Bellatrix in ch 1 of DH.

Voldemort uses people's names very frequently when he's addressing them. This mirrors how the majority of the Death Eaters use a formal title for Voldemort every single time (or very close) they speak to him. See how frequently he uses Lucius's name here:

The only thing Voldemort ever (in the canon era obv) calls Peter Pettigrew is Wormtail. Voldemort calls most DEs by their last names: Yaxley, Avery, Rookwood, Rowle, Dolohov, Crabbe, Goyle, Nott; and some by their first names: Lucius, Narcissa, Draco, Severus. He is also on consistent first name terms (I mean... not reciprocally) with Bellatrix (and even nickname terms with 'Bella,' something she's only otherwise called by her sister, her brother in law, and her family house-elf), which notably remains consistent even in Voldemort's internal monologue that calls Lucius 'Lucius Malfoy' when the cup is stolen and just 'Malfoy' in the Shrieking Shack—and also note how in the Shrieking Shack Voldemort calls Snape 'Snape' when speaking to Lucius, and that later in the Shack Voldemort's internal monologue calls him 'Snape' even when out loud he's saying Severus. I'm not sure to what degree this is just the writing style of the books but to me it's notable because these sections are from Voldemort's POV.

On the note of names, Voldemort speaks of himself in third person as 'Lord Voldemort,' typically as a fear/power tactic, and also as 'he':

He frequently warns people not to lie to him (and calls them out for lying, like Wormtail in GoF 1 and Lucius in DH 1):

Voldemort tells a lot of jokes, most often at the expense of other people and for his own entertainment or the entertainment of his Death Eaters. He has a teasing, clever sense of humor:

I would have to make a whole post to show all the moments of Voldemort being funny as hell. Maybe I will...

Voldemort is often described as speaking quietly and softly (and the verbs whisper and breathe are used), so much so that multiple times his voice is barely audible (but also see the above quote where his voice remains audible even though it's quiet):

In GoF, he speaks lazily (he's also described as moving lazily, and looking relaxed in the Slughorn memory, and as 'gliding' when he walks). In DH, he screams multiple times to express negative emotions, typically fear. His voice is described as a hiss, and as 'sibilant.' And of course, high and cold and clear. He spoke differently when he was young, and super differently at the orphanage, but that's a whole new post.

Voldemort has distinctive mannerisms. He tilts his head a little to one side:

He holds wands delicately:

He paces, in the graveyard and in the Shrieking Shack. He's often in dim lighting (can his slit pupils see in the dark, like a cat?), and is drawn to be near fire (for warmth?): in the Riddle House, at the Death Eater meeting, in the Forbidden Forest. He laughs and smiles, again often at other people's expense. He's in general a very expressive person, which you can see in his face (so many examples. In his meeting with Dippet he even looks nervous and his face reddens) and eyes (wide with astonishment in the graveyard; pupils contract to thin slits when he's shocked) and nostrils (dilating with excitement lol). And he has this one weird facial expression he does when he's really happy:

When Voldemort was a child, he was tall, thin, and pale with jet-black hair and dark eyes, and looked a lot like his father. He was described as very handsome consistently.

In the scene with Hepzibah Smith (late 1940s or 50s), his hair is a little longer than it was at Hogwarts, and his cheeks are hollowed, but he looks even more handsome. He's pale in a way that makes Hepzibah think he's overworked. And his eyes become red when he's feeling a strong emotion.

In the interview scene with Dumbledore (around 1968), his appearance is drastically different:

Notably here, it's not just his irises that are red, it's his entire eyes.

As Dumbledore says in HBP (unless he's wrong/lying...), Voldemort's appearance is changing because of his repeated Horcrux creation. After this interview, he has around 13 years for his appearance to continue changing; note that at no point of the First War was Voldemort handsome (directly stated in above quote).

I'm running out of image space LOL, but it's really important that in the graveyard, Voldemort directly states that he got his 'old body back':

The potion that revived him gave him his old body. The way he looks in the graveyard is how he looked on Halloween 1981. This is also supported by Voldemort looking this same way in book 1 when possessing Quirrell, by the DEs immediately recognizing him, and by the Ministry workers immediately recognizing him in OotP. Also in the Halloween 1981 flashback, Voldemort's face scares a child, and he's described as having a 'white hand.' His skin is described as 'white' post-resurrection, but only as 'pale' at the DADA interview & earlier, which again implies that by 1981 he looked the way he did in the 90s. Also, at the interview his voice is already 'higher and colder,' which means his voice was a gradual change too.

And the way he looks is:

(Notice how it's the exact same face Harry recognizes.)

In GoF, OotP, and DH, Voldemort is described as:

-tall

-skeletally thin, with a gaunt face (very likely not muscular)

-white skin

-scarlet eyes with vertical slit pupils like a cat (also described as wide, red, bright red, livid, blank, pitiless, gleaming) (remember the whites of his eyes became red too)

-a flat nose with slits for nostrils like a snake

-lipless mouth

-masklike face

-snakelike in appearance, likened to a skull; flattened, serpentine face

-large hands with noticeably, unnaturally long fingers (compared to spiders)

-His eyes gleam in the darkness (GoF) and he's so pale he seems to glow (DH 1 'so pale that he seemed to emit a pearly glow,' DH 32 'the pallor of him gleaming slightly in the semidarkness').

-He wears black (hooded) robes and black cloaks.

-He is described only once as 'hairless,' and not until DH 1: 'his face shone through the gloom, hairless, snakelike, with slits for nostrils and gleaming red eyes whose pupils were vertical.' Voldemort is never described as 'bald,' despite the fact that a number of characters are called bald and balding throughout the books (none of which are ever also described as 'hairless'), and notably it's Voldemort's 'face' specifically that's described as hairless, which is odd. He's specifically described as black-hooded in OotP at the Ministry, so I can only assume he's dressed similarly in the graveyard and that's why. IDK why his head situation isn't described at the DADA interview. If you saw one of my author's notes on Keep My Candle Burning, you will know that when I was a child I guess I was either imagining him in the earlier books before I read to DH (or saw the films), or I missed the single word 'hairless' description that's only given once, and I was imagining Voldemort having black hair as he was described in his youth. There's something strange about this and I almost don't know what to make of it. If he's bald, why doesn't it say so clearly, and earlier, and more than once (like how his eyes are described probably a dozen or more times, and his long fingers, and his white skin)? I kind of wonder if this was decided after, like because of the films or something? Lol anyways... enough heresy...

-He's never described as having long fingernails, fangs (LOL), a forked snake tongue (LOL), any unnatural skin things like scales (LOL), or as not wearing shoes. (Other than in the graveyard where he doesn't appear to put shoes on, or underwear...) But you can write him however pleases you

[beebeeswee]

i will be a juvia defender until the day i die.

i really do welcome anyone to dm me or send me an ask and i'll talk about this more - because i really think anti-juvias completely misunderstand both her and gray's characters, and the context of the show they're in.

juvia is a character who has been excluded her entire life, her magic made her abandoned by and outcasted from her peers and former romantic partners. then she meets gray, the only person in her whole life who has stopped the rain (and when he leaves her the rain comes back), and she falls in love with him and the rest of fairy tail, where she finds people who accept her wholeheartedly. i think it's beautiful that she's able to stay resilient and wear her heart on her sleeve after everything she'd been through.

gray is a character who doesn't believe he deserves love, he has such a deep self-loathing he can't imagine a world where he's worthy of happiness after 'everything he's done', and juvia is someone who loves him unconditionally, who never turns away from him, despite everything he's done to her. part of his development over the main series and 100yr quest is him realising that about himself. they heal each other.

the biggest complain that anti-gruvias have is that she's a 'sexual predator' and a 'stalker'. @ermbehindyou made the excellent point that if she's a sexual predator by that logic so is gray - his constant stripping (even infront of minors!) would be enough to get him on a list in pretty much every country in the world. but that is naturally ridiculous.

(mentioned multiple times in this scene that he is fully nude - not just in his underwear and wendy is on the boat the entire time).

fairy tail is a show that plays on sexual gags constantly, which i do take a real issue with. but that's the show, that's the humour and standards set from the beginning of the main series, and like most of the characterisation of the show, it has become insanely exaggerated as the series progressed. having said that, i think it's misogynistic to single out juvia's actions and ignore the actions of every other character. and i mean that.

call me a crazy feminist all you want but i think many of you are seeing a confident, unashamed female character with overt sexual desires and it repulses you, because it doesn't conform to society's standards of femininity. this was definitely not mashima's intentions when writing her - but his interpretations of her aren't relevant to this debate anyway are they?

i'll end this by saying juvia and gray truly match each other's freak when the humour allows it; but who show true and serious displays of selfless love for one another when it matters, and it's beautiful.

[enbypotat53]

I mean.. this is after episode 18 dropped, but hey, this seems fun! Why the heck not :P (EDIT - I didn't read the rules properly, that's on me, spoilers will be deleted from my answer or reworded to be vague!)

(Also I'm proofreading, and.. jeez. Take a shot every time I say "for sure" 💀)

Favourite character/s?

Well, if we're going for contestants only, my favourite from each season would be Paintbrush, Fan, and Silver Spoon! But my actual top 3 are Paintbrush, Mepad, and Baseball :3 💙

Favourite season?

Season 2 for sure! It's how I found II in the first place, and it's undoubtedly had the biggest impact on me as a whole! (And that finale was PHENOMINAL!)

Favourite episode/s?

FOR SURE either S2 EP12, or any of the movie acts. I have a DEEP personal connection with Alternate Reality Show, as Painty's coming out scene made me realise I was trans! It's also when I started to REALLY ship Lightbrush. And the movie is just.. wow. Couldn't have asked for a better conclusion if I tried.

Favourite scene/s?

Ough.. that's a toughie. Paintbrush's coming out scene is an obvious one, as well as Knife and Suitcase being deleted in EP17. From season 3... I'm not entirely sure! The Nickloon hug was a cute one though :3 (I had an answer for episode 18 too, but I cut it for spoiler reasons. I'll post my EP18 answers seperately if anyone wants them!)

Favourite team?

The Bright Lights for sure! Both S2 teams are great, but c'mon! Ya gotta love the Lights!

Favourite ship/s or friendships?

Hooh boy I could go on for hours about my favourite ships and why, but I'll spare y'all the essay and just list a top 10. (No particular order!)

Ships - Lightbrush, Knifecase, Basenickloon, Fantube, Silvercandle, Tacosoapmic, Toipad, Payjay, Marshbowpple, Comedy Gold

A character you'd like to know more about?

Honestly? Probably the Creatorbots! I know we had the Q&A stream, but the Meeple products are just so intriguing, and although they kinda... exploded, I'd like to see more of them! (Plus goose J.U.S.T.I.N is adorable lol)

Favourite non-contestant?

Mepad for sure! He cares so much for the contestants, and he's just overall such a sweet guy! 💙💙

Favourite voice for a character/favourite VA?

Hmm.. top 10 favourite voices would probably be Lightbulb, Knife, Paper, Cobs, Taco, Mepad, Toilet, Paintbrush, Springy, and Fan!

As for VAs.. top 3 - Jazzy Oliver, Justin Chapman, and Joshua Waters! (I'm sensing a theme here..)

Jazzy is an AMAZING singer, and she is the PERFECT voice for Painty! Her voice for them sounds so determined and upbeat - absolutely the right vibe for them! Plus, her streams are always so fun to be in :3

Joshua does a PHENOMINAL job in voicing Cobs! His (Cobs') voice is such a perfect mix of slimy, kinda bratty, yet intimidating, and it works SO well. Plus, just. I've said this before, but the fact that I feel PHYSICAL RAGE when hearing Cobs speak to Mephone and the contestants? So good. And Josh himself is super chill! Definitely seems like a great guy! :)

Justin's voices are just. Mwah. Chef's kiss. The absolute RANGE they have?? It's SO impressive - I'm jealous! They manage to keep a fun yet unique vibe for every character they voice, and that's hard to do! If I didn't know already, I probably wouldn't believe you if you told me Mepad, Goo, Knife, Silver Spoon, and Paper were voiced by the same person. SERIOUSLY impressive stuff, and I don't think there's a single character they voice that I dislike! They just make them so fun! Plus, Justin themself is a great person. Very genuine, very upbeat, just such a positive guy overall! 💙💙

Favourite song/s?

Well, as I've said before, Just Like Me is probably my favourite song, mostly because of sentimental meaning! There IS another one thay could probably take it down a peg, though.. (or at least share its place!)

If you could go to any location in the show, where would it be?

Hmm.. probably Cabby's library or Hotel OJ! Both seem like super chill places to be, and I'd love to see the contestants!

Favourite AUs?

Lab Rats AU FOR SURE. Made by @ask-lab-rats, the II characters are kids who were born/kidnapped into experimentation by Cobs! It's SUPER unique, and very well drawn, too! Plus, the storyline is great, it really keeps you hooked! :D 💙

How were you introduced to II?

Oh jeez, it's been at least 9 or 10 years so I can't QUITE remember, but I think I found it alongside BFDI! I watched the second season, and loved every bit of it!

What's a crossover you'd love to see?

Hmm.. inside the OSC, probably another dark show like The Nightly Manor or ONE. It'd be interesting to see how they'd interact, honestly! Outside.. not sure! I guess if I had to go with my other current hyperfix, Detroit Become Human would be kinda fun! And ngl it'd be VERY funny to see Kamski and Cobs interact lol

If you could get any merch, what would it be?

For SURE one of the plushies, the sticker sheet, or the blanket! I'm VERY tempted to ask for the blanket honestly, but £40 is a LOTTA money, so.. 👉👈

Would you recommend the show to friends/family?

I mean. Considering I've been begging my friends/siblings to watch the show, and the fact that I JUST watched the movie with my ma? I'd say it's a solid yes

What would you want to see more from the show that didn't happen?

(Again, spoilers, I'll post it if anyone wants the answer!)

How much does II mean to you?

Honestly? So damn much. More than I can possibly describe. I owe my own path of self-discovery to this show, and I've found so many amazing people through this community. The characters mean everything to me, and I'm genuinely so grateful to everyone I've met in the OSC. Plus, the love people have shown for my fanart and analyses means a lot! I'm honestly just a random guy on the internet rambling about his favourite show, but I've found a family here. The journey's been a long one, but for sure an amazing one. I'm looking forward to seeing AE's future projects, whether it be II-related, or something else, and I'm so glad to see the show get the conclusion it deserves. Thanks so much, II crew. You made my childhood a special one. 💙💙

As for who I wanted to win, I was personally rooting for Knife! But as the movie went on, I found I wouldn't have minded either way. I won't spoil ofc, but I'm satisfied with who won. They deserved it :)

It’s finished! Welcome to II-blr’s…

PRE-II18 MINI-Q&A!

A set of 18 QUESTIONS celebrating 18 EPISODES that I’ve prepared for the entire fandom!!! Reblogs are definitely appreciated! As a bonus, you can go into my ask box and ask me any of the questions that *I* made!

You can answer as many questions as you want! Answer one, two, or maybe all of them!

There are no right or wrong answers! Everyone in the II fandom is welcome! (just no rule-breaking responses, please!)

STRICTLY NO LEAKS OR SPOILERS FOR THE UPCOMING EPISODE!!! Please be respectful to those who weren’t able to see the the theatrical releases! (including myself!)

Transcript + Description:

1. Favorite character/s? (bonus: give one that debuted in each season)

Everyone in the fandom has this character that they love a tiny bit over the others. Who is YOUR favorite character? Or characters, if you have many.

2. Favorite season? (S1, S2 or S3?)

Between Inanimate Insanity, Inanimate Insanity 2 and Inanimate Insanity Invitational, which one of them did you like the most, and why? Is it their charm? Their artstyle and animation? Or is it because you enjoy it the most? There’s no wrong answers!

3. Favorite episode? (bonus: give one from each season)

Inanimate Insanity has 54 (about to be 55!) episodes in total! (not including S1 Ep. 5.5.) Out of all those episodes, which one did you enjoy the most, and why?

4. Favorite scene/s? (bonus: give one from each season)

Every episode is made out of SCENES! Was there a specific scene that you really liked, and why? From the emotions, the voice direction, your connection to the scene, or ALL OF THEM?

5. Favorite team? (across all seasons?)

Between Season One’s Team Epic and Team Chicken Leg, Season Two’s Bright Lights and Grand Slams, and Invitational’s (Old OR New) Sinkers, Thinkers and Pinkers, which among all these teams were the best among the rest?

6. Favorite ship/s and/or friendship/s?

You can’t have a fandom without ships! What are YOUR favorite ships? If romantic pairs aren’t your thing, give some friendships that you really loved.

7. A character you’d like to know more about?

With all the characters within the show, we’ve been dying to know more about the characters that didn’t get as much screentime as the others! Who do YOU want to know more about?

8. Favorite non-contestant? (Host, Co-Host, Misc., etc.)

Let’s give some love to those who don’t partake in the game! Your favorite non-contestant could also be the same as your favorite character! They could be hosts, co-hosts, background characters, other Meeple products— HECK, maybe Steve Cobs himself! There are a lot of characters out there that aren’t in the premises of the game.

9. Favorite voice for a character / favorite voice actor?

Let’s give some love to our beloved crew members who made the show possible! There was DEFINITELY that one character who you really like solely from their voice. Who is your favorite voice for a character, or your favorite voice actor?

10. Favorite song/s?

Let’s get musical! Without the people behind the music of II, these bangers would’ve never been possible! What is a song from the show that you’d put on repeat?

11. If you’d like to go to any location in the show, where would it be?

From the mysterious underground Gemory Cave to the Meeple Headquarters found in the sky, the world of II is endless! Maybe you want to go to a contest area to try a few challenges yourself. Or you want to relax and explore Hotel OJ!

12. Favorite canon divergence / AUs in the fandom (if any)

Now let’s give some love to our artists and writers in this very app! There’s a lot of awesome alternate universes in this fandom. (heck, I have an AU myself! the WTI au! check it out pspspspsps /nf) What are some alternate scenarios you’ve thought of that would make a GREAT AU? Or maybe some existing ones that you’ve followed for a while now?

13. How were you introduced to I.I.?

Were you introduced to the show when you were a child? Or maybe you’ve just learned about it pretty recently? Everyone starts somewhere!

14. What is a crossover (any crossover!) that you’d love to see?

We all have interests outside of II. Let it be shows, games, movies, books, or other interests! Even if it would absolutely NEVER happen in reality, what media do you think should have a crossover or collaboration with the show?

15. If you could get any merch you want, what are you getting?

Imagine this. You have won a raffle, and your prize is ANYTHING YOU WANT that has been sold during II’s runtime! Let it be t-shirts or mugs that aren’t being sold anymore, plushies that got sold out or on sale right now, or all the cool merch that is being sold this holiday season! Heck, you can ask for a merch item that hasn’t existed yet! Like your favorite character that doesn’t have a plushie yet! What are YOU getting?

16. Would you recommend the show to your friends/family?

Maybe you’re too shy to show it to people you’re close to, and that’s fine! But would you recommend the show to others?

17. What do you want to see more from the show that didn’t happen?

This is related to the AU question! Maybe it could be a scenario that happens after the movie, or a look into the daily lives of the contestants. Let’s hope that after II18, we’ll still have post-movie content…

18. How much does I.I. mean to you?

This fandom has grown to be a vast space full of talented creators big and small. You may have made a friend or two, maybe you just joined the fandom. There are no wrong answers. What is Inanimate Insanity to you? It could be as small as a simple show you’re interested in, or as big as the show having changed your life.

Thank you for reading through! Reblogs appreciated of course! To prove that you’ve read through the whole post…

[bronzetomatoes]

I'm reading American Psycho and it's actually so funny. Why does he talk like Ebony Darkness Dementia Raven Way

[yappacadaver]

Crazy wild shit man

[thranduel]

You're right. I can be better than him.

[autistic-beshelar]

ah yes dungeon meshi, the manga where an autistic man gets repeatedly bullied by people he thinks are his friends and not a single person supports him

[lovesodeepandwideandwell]

Extremely funny scenes of Austenian irony at Jane Austen reading group

[dreamofmourning]

i’m kind of inconsolable over opening a poem with the direct address “Difficult friend,”

[infinitelystrangemachinex]

Mel for the unhinged character bingo!

yessss YEEEESSSSSSSSS

[star-bastard]

"oh but Gabes not that bad in this adapation idk if he deserves or if it feels right that he'll get turned to stone"

what do you think Percy "fuck the gods I miss my mom I'm praying to her" Jackson would do the second that deadbeat raised his voice at his mom after this whole adventure

[conjectureand-gloom]

you just know i love protective father figures when i absolutely die when poseidon says “don’t you dare touch him or you will fight for your life” even though it’s the movies which is pretty shit

[01tsubomi]

lately i've been totally devouring the skip & loafer manga - it's such incredible character writing i have no choice but to devour it. each individual character is so fleshed out and interesting but the writer has this amazing knack for placing them together in situations that create a lot of intrigue. just like constant interactions where each character's motivations and reactions are really well-thought out. this is pretty late into the series so really deep in the weeds of spoilers/character drama but the whole gang is roadtripping to protag mitsumi's countryside hometown during summer vacation and as you can see in the first panel mika (girlfailure i love her) recently confessed to + was rejected by the main love interest shima and their other guy friend mukai consulted with her through it (though he has not let on to shima that he knows anything), so sitting in the backseat with the two of them sounds like a nightmare. so she suggests that mitsumi takes the seat instead, since she knows mitsumi has a crush on shima and that unlike her own crush mitsumi's is definitely returned in some way, but little does she know that mitsumi and shima actually very recently tried going out to test the waters with dating but shima as a teenager (former child actor also) coming from a dysfunctional family doesn't know anything about relationships, not even how to tell if his own feelings are romantic, so they realized pretty quickly that it wasn't working and agreed to return back to being friends while ignoring the awkwardness left in the room, none of which mitsumi has told anybody. such a tiny passing little interaction but so much driving the way the characters act in it