#fnaf narrative
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If Andrew was Spring Bonnie, that would be super narratively satisfying imo
Like, it would explain why Cassidy is so attached to his character. She's literally the Freddy to his Bonnie. Not to mention how Andrew's connections to alligators seem relevant to Monty and Freddy's relationship. Freddy sees him as a friend while Monty sees Freddy as an obstacle. Apply that to Andrew and Cassidy, and then you'll get an explanation for a lot of both of their behaviors. Hell, if they were both springlocked like some theories say, then it just makes the parallels between them make even more sense. Not to mention how Cassidy is shown to be kind and actively trying to free the spirits while Andrew is so focused on revenge that he actively keeps the children stuck just to torture Afton.
They're literally opposites in every way, but they're so interconnected that Cassidy wouldn't move on without Andrew, at least not until OMC told her to. The fact that Golden Freddy is shown to be shaking, refusing to die, tells me that Cassidy isn't stopping without trying.
Not to mention how the first game that actively depicted Andrew without any other red hearings is Into The Pit, the game where a monster that looks like Afton but very clearly is not, is the main antagonist.
Andrew is simultaneously the opposite of Cassidy but also the MCI version of William. He's not only torturing William in UCN, but the other children are stuck just the same. Stuck in between afterlife and purgatory, just like Afton has been doing to them for almost 60 years. Keeping them all stuck in a prison of never-ending hunting for the man behind the slaughter, even though they might have been able to move on ages ago if it wasn't for Andrew.
Andrew isn't a bad person. He's an angry child whose final moments were hell on earth. He was locked in the backroom for years on years without the others for comfort. The reason he's so separated from the others is because he literally was separated. He wasn't turned into remnant. He wasn't refurbished. He wasn't fused into Ennard in order to free roam the world once more. He was left with the cruel man who barely passed being human before he even died. He was left with his killer alone, and once he was finally freed from the backroom, he even wasn't in control of his new body. It was William yet again, taking his only chance at happiness, or at least contentment for his physical form. It only got worse once William started taking parts from the other animatronics for Scraptrap's body. He wasn't even alone in his torture anymore. He had everything taken from him since the beginning, and I don't think William even remembered he killed him. William thought he was in control, and he was, until he was hurt. Andrew wanted William to feel the pain he's felt for years, stuck in a hell hole while the others were able to walk into heaven.
I haven't read Fazbear’s Frights btw, I just think there's enough evidence for Andrew through other mediums that denying his existence is futile atp. Not to mention how him being Spring Bonnie just really fits his role as the forgotten one that was always there. That one that even the other MCI didn't know about until the end. I have evidence for Spring Bonnie possessed by a kid too btw I just didn't feel like sharing it here lmao.
#andrew fnaf#fazbear frights#fnaf cassidy#fnaf baby#fnaf theories#fnaf golden freddy#golden freddy#spring bonnie#fnaf springtrap#william afton#fnaf narrative#five nights at freddy's#fnaf theory#fnaf security breach#fnaf#fnaf fandom
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a weeping angel
#daske art#fnaf#five nights at freddy's#fnaf crying child#evan afton#crying child#fnaf tag team#i want this bby to be relevant to the narrative and be more than just a device to roll the plot i am begging
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That one trend on TikTok or something
#tsams#tsams nexus#tsams solar#solarnexus#fnaf#tsams art#solarmoon#idontknowwhatimdoingijustmovedfromtwittersendhelp#art trend#us in another universe#doomed by the narrative#doomed relationship#doomed robot yaoi
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Felt like drawing the human staff and accidentally just drew these gayasses a billion times
Close up of the tiny ones
#vanessa my beloved shes just a doomed girlie. slay#shoutout to however decided she had rainbow hair i have no memory whatsoever where it came from but its the design of all time#just know its a popular headcanon and ppl r so right#honestly i remember not being very fond of her when she first came out but she grew on me with the doomed narrative#immortal au#doodles#sunshine draws#oc#oc — perkeo#oc — sean#fnaf vanessa#fnaf vanny#perkeo: im befriending animatronics so i wont have to dwell on the short span of the human existence and worry about relationships#also them after getting adopted by an extrovert hundreds of years younger than them:
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guy learning how to sew (8 dead 16 injured)
#my art#william afton#fnaf#five nights at freddy's#look at this idiot he doesn't even know he's doomed by the narrative
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do you ever think about how Michael probably hated being compared to his father, yet in both Watsonian and Doylist terms, that's all he ever was
like in watsonian ways, all the animatronics targeted him and attacked him because he looked so similar to his father that they were the same people to the children.
and in doylist ways, the only thing that defined him was his quest to defeat his father.
like, what in canon has clued us in about Mike's personality? That has nothing to do with his family or animatronics? it's that he likes a show called the immortal and the restless.
that's it.
everything else we have given him in fanon.
he spent his whole life trying to deal with his father to prove he wasn't him, yet he's entirely defined by his father.
and without him, he's barely a character.
it adds a sort of horror to his death in pizza sim. like when he attempted to lay his father to rest permanently, the universe laid him as well, because it had no purpose for him outside of his father.
it also kinda makes glammike a little fucked up if you think about it this way, even if he either moved on or his spirit lingered in the pizzeria. his father rose again and the universe either dragged him out of the afterlife or kept him in the basement because what else is he if not his father's watcher
do you ever think about that despite his best efforts to not be his father, he's entirely defined by the man
do you ever think about that
or are you normal.
#quill talks#fnaf#michael afton#glammike#everyday i go apeshit about characters who were unfulfilled by the narrative#like who were you!!#what could you have been if you weren't confined by your narrative!!#did you even have a chance to be anything!!#or were you doomed by the narrative from the start#this post was brought to you by#me going to barnes and noble and getting the character encyclopedia#and realizing mike was left out of it#and at first being like#'how could you forget him?!'#'he's literally one of the main characters!!'#before thinking#'what if there was a fucked up reason tho'
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DCA Promptober Day 31: Trick or Treat
Last one! Took a little extra time but we finally made it! Hope you enjoy, this is a fun little something something for the Confused Spirit fans in the audience
Additionally, if you have not read Confused Spirit, many of these characters will have no value to you I'm guessing, so, sorry about that. There's also some slight, implied spoilers for the fic as well. That being said, hope you enjoy!
Word count: 6392
Content warning: mentions of blood, injury, and death, reader descretion is advised
🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃
It's Halloween at the Plex, and you're, well you're not sure how to feel about it. You had to work, meaning your sister and brother are currently out trick or treating with Clara instead of you, which is a bit frustrating. Not to mention, you'd gotten all dressed up and had nowhere to go until you got off in an hour or so.
You think a mandated Halloween party, on top of having to work on a project, wasn't a great combination, but with the glare Sarah had sent in the meeting last week to you and the other division heads, you didn't have much a choice. Have to set a good example and all that.
At the very least, you weren't the only one dressed up, so you didn't look as ridiculous sitting hunched over a desk covered in green paint and fake stitches.
Your team all had various costumes on, differing in degrees of effort and style. Pete went classic vampire, Jesse was a mummy, and Tyler was a zombie. Liv was rocking a great Mia Wallace costume, and Savannah had on a witch hat but really went for it with her makeup look.
Currently, as both a way to kill time and to potentially fix the problem you'd been having, you were all trying your best to fix the issues going on with Fazerblast.
Specifically, something had been messing with both the electric and the mechanical components of the entire attraction. While Lizzy and their team worked to determine what had been causing the random power outages, your goal was attempting to fix the malfunctioning laser guns and rogue staff bots.
You'd tried to tell both Sarah and Rachel that the place really needed shut down for a few days to actually work on it, but no luck. Seems they wanted it open for Halloween, regardless of how bad an idea you thought that was.
When your code crashes again you groan, tempted to run a hand across your face before you remember the paint.
"Frankenstein's monster was a good choice for you. You really sell it," Pete quips, sipping on a blood red slushy in one hand, still typing with the other.
You turn to him, eyes narrow, "Remind me why I'm helping you with coding again? When I could be doing literally anything else?"
"Gives him an ego boost," Jesse answers from across the room, "No offense."
You scoff, turning to the coworker across from you, "Figured as much. Savannah, any word from the company that sold us the trigger pins?"
"Not yet," She sighs, puffing out her cheeks, "But I keep checking the reviews and nobody else has had the same issues we've had here. They shouldn't be freaking out like this."
"Figured that much, too. Liv?"
She looks up and over to you, tired, dead stare on her face as she holds up the phone, "Still on hold. I'm guessing corporate left early for the day and couldn't be bothered to let everyone know."
You grimace, and check the time. It's after six now, the party starts at 6:30. That's more than enough for you at this point.
"Right. You know what, we're done here. Pack it up, we can grab food before the party because I know Sarah's going to be stingy about it."
With muted, half-defeated cheer, your team closes out of their computers and shuffles to the door. Besides Tyler, he's in a great mood still, but you expected as much.
As you're grabbing your jacket and turning out the lights, you swear you see something out of the corner of your eye by your computer. Something purple. When you turn, you find that your computer is on again, login screen staring at you.
"You coming?" Savannah calls from halfway down the hall.
You turn to yell back, "Yeah, give me a sec, just hold the elevator."
Slowly, you walk back over to your computer, giving it a once over. It looks fine, just turned on. You take hold of the mouse, and hover it over the shut off button again. As you click it, the screen freaks out, glitching before turning black. At the same time, a shock goes up your arm and you yelp, purple flashing across your vision.
Dazed, you shake your head, and clutching your arm, make your way out of the office and to the elevator.
You shuffle in, and as the doors close Jesse leans over and mutters to you above the chattering of your team.
"You alright?"
You nod, "Yeah, just, a little tired I guess." Your head feels funny, but otherwise you're fine. You think.
"What'd you do to your hand?" He asks, looking to how you're still holding it.
You let it go, shaking it off and letting it fall to your side, "Stoved it on my way out. I'll live."
He nods and you continue your ascent. But you can't shake the feeling that something's wrong. Your arm twitches and at the same time your vision becomes glazed over in a purple hue. You shake your head, and it's gone again.
The upper levels are filled with activity. Kids rush from place to place, already tired parents in tow. The words 'trick or treat!' are echoed everywhere as children go from the different tables and booths set up for the holiday.
If Lisa knew this was going on she'd have a fit that she was out going house to house instead of being here. But asking Clara to watch her in this chaos would have been cruel, and so, the less your sister knew, the better. Besides, Gabe deserved an authentic trick or treating experience as opposed to getting themed-corporate garbage in his candy bucket. For one of his first times at least.
As you pass by the Daycare, seeing many children playing in costumes and such, you see the doors are propped open, and Sun is handing out candy to a long line of trick or treaters.
"Damn Pete, the Daycare Attendant really outshone you huh?" Savannah elbows him and nods to the animatronic's costume.
Sun is also a vampire, with a large black cloak, and white shirt. His pants are somehow all black, and the change of shoes is also a surprise. Two lines of red streak down from his smile, which is still as friendly as ever otherwise.
Pete huffs, "It's literally the same costume, besides he doesn't even have fangs!"
You all start walking again, laughing.
"True, but he wore it better, even without fangs."
The comment causes Pete to start arguing with the speaker, which to the surprise of no one at all, was Jesse.
You keep your gaze on Sun a few moments more, head feeling a bit clearer for just a moment. He glances up suddenly, and waves to you, head tilting just slightly. Surprised, you also wave.
There's a buzz in your pocket. As you start to walk away again you check it.
'Your costume is nice.'
You wait for another message, you don't get one.
'Thanks???' You're confused.
'Something wrong?'
'I just would have expected you to say something snarky at this point. Genuine compliments aren't your style'
You narrowly dodge an eager trick or treater running by you, nodding at their parent as they apologize.
'It's Halloween. I'm in a good mood, don't sour it for me'
You scoff, 'There it is. I don't plan to, though it's tempting to have Clara swing by with the kids just for the fun of it'
From there, your normal bickering comes forth, and you continue it both as you head to the party and while at it. It's a bit busier than you expected, more employees than you expected are there mingling about the dancefloor.
The entire west arcade, like the rest of the Plex, is done up with decorations that set the mood. There's even a fog machine, adding to the spooky but cheerful atmosphere.
You still feel pretty funny though, and thus take the time to go 'cool off' out in the hall for a bit.
It grows worse and you have to lean back against the wall. Head throbbing as you try to drink more punch in the hopes that will solve it. Your vision flashes again, purple, and suddenly you're not in the same location anymore.
It's dark, and you're standing over someone. You can't see their face, it's covered with static. They're crying, hands up in surrender. You feel yourself chuckle, but it's not your voice, your tone is off. It's gravely. Not your own.
Suddenly, out of your control, your hand, which is not your hand but some, clawed, thing, comes down and-
Your vision goes red and you clutch your head in pain. Gasping, you find yourself back in the hallway, back in your body. Back to normal.
You take a few deep breaths, trying to calm down. You don't know what that was. You don't want to find out, either.
"Not enjoying the party, Andromeda?"
You look up, standing above you is Moon. He's also dressed up for this, wearing a witch costume that has more aspects of his usual wear to it than Sun's did. His color scheme is purple with bits of orange, and his usual hat is replaced by a large witch hat.
You relax, the pain is gone, for now, "Trying to. I've not been feeling so hot, honestly."
"What's wrong?" He sits down across from you, cross-legged.
You shake your head, "I don't know. My head has just been, feeling funny. And hurts. A lot, really. Been blocking it out I guess."
"How unfortunate. Perhaps I could be of help?"
You shrug, "You can try, but don't feel like you have to, either."
Moon holds out his hand to you, and you set your palm on top of his. He intwines your fingers, which makes your face heat up, but you think with all the paint on your face it's impossible to tell. You look up to him, waiting.
"Close your eyes, and take a deep breath," He urges.
You do. The pain has subsided some, though not by much.
"Breathe in," Pause, "Breathe out."
You follow his instructions, each breath helping to soothe you bit by bit.
You realize however, that even with your eyes closed, there's a purplish tint to the blackness behind your eyes. You frown, and notice that it grows when you breath in, and subsides as you breathe out.
Moon's grip tightens on yours, but keeps speaking.
"In," His tone shifts, growing hoarser, sinister? "Out..."
Alarm spikes in your stomach, but yet, your mind stays calm, almost like its-
You open your eyes, smiling softly, "I think I'm good now. Thanks, Moon-man."
He nods.
Then, something occurs to you.
"Wait a minute, shouldn't you be passing out candy to the kids-" You blink, and you're alone in the fully lit hallway.
You rub your eyes, had the lights been on that entire time? You knew that sometimes the two AI could avoid a switch if the light level wasn't fully one way or the other. But this was different.
You don't get to dwell on it, as a scream erupts from inside the west arcade, several others following. Alarmed, you sit up, ignoring the pain in your skull that's back with a vengeance and rush inside.
You find a crowd has gathered around the center of the dancefloor. The music's been cut, and people are muttering with horrified looks at whatever’s in the middle of the group.
As you move past people who are covering their mouths or eyes, some are crying, some are shaking their heads in disbelief. You find your team among them.
"What's going on?" You ask after shoving past another person.
Savannah shakes her head, and Liv cowers further into Tyler's arms. You've never seen him so grim.
You realize two of them are missing, your fear grows, "...Where's Jesse and Pete?"
Tyler nods to the center of the crowd, and you quickly take the few further steps to burst out into the opening, finding your fears confirmed plainly.
Pete sits on the ground, crying as he cradles a body wrapped in white cloth stained red. You have to flick your eyes away from it for a moment, the sight being beyond shocking.
Swallowing and keeping your eyes to the ground, you slowly approach Pete and sit down. Briefly, you find your eyes meeting your, Christ, your dead friend's. His eyes are wide, mouth open in pure horror.
You turn back to the man beside you, setting your hand on his shoulder as he jumps, "What happened?"
"The, the lights cut, just, he just," He can't seem to look away, he's shaking, "I don't, I don't know how this would've, who could've, do-done this..."
You put your other hand on his other shoulder, forcing him to turn and look to you, "Pete. Breathe. Just breathe. Okay?"
He nods slowly, and you turn to behind the crowd behind you, "Please tell me somebody's called the cops?"
"No signal, trying to get ahold of Derrick in the office, but haven't had any luck," You realize that it's Bri who's answering you, looking rather grim in her black cat costume.
You nod, "Right. Who's got basic medical training? I think he's gone into shock."
Someone steps forward, and starts tending to Pete. Someone else comes forward and lays a sheet over Jesse's body. A ghost costume you realize, how ironically morbid.
You stand, and-unfortunately being the person with the most experience in this scenario-try your best to take charge and calm things down. You also feel some level of responsibility, given that all the other Division Heads seem to be missing now.
Working with Bri, you send a group to the security office to see if they can't notify the police of what's happened. Additionally, you try to lock down the area to keep this from getting beyond the walls of this room and causing mass panic. Not to mention, you have no idea who did this, meaning they're still among you as far as you're aware.
It's all going as smooth as it can be until Bri and the other guards’ radios erupt with screaming. Causing you to pause in your discussion with Savannah.
You can barely make out what they're saying, only catching snippets here and there.
"-Something in the office!"
"Everybody's dead, oh god, they're all-"
"Help! Please! Anybody!"
To make matters worse, the lights cut again, sending the growing paranoia among the crowd into a full blown hysteric mob. You can't make out a thing in the dark, and when your head starts aching again, purple blinding you, you know you're a goner for the time being.
Another vison comes to you, this time, the room is dimly lit, and you can tell this is a closet of some kind.
Again, you tower over a cowering figure who you realize is, David? What in the world is he doing here? What is happening?
"I don't know what they see in you, if anything at all," A voice that's not your own, yet comes from you, says. It's familiar but yet you can't-
David's sentence is shaky, "Look, I don't know what you want but I don't want any trouble. Okay?"
"Trouble? Friend, you're in a lot more than just trouble," There's something heavy in your hands, it glints in the light, "I'll tell you what though, if you hold still you'll be saving me a lot!"
Axe, it's an axe and it's swinging, down, down, down-
"Hey, it's alright. You're alright," Bri's shaking you, hand on your shoulder.
You take a deep breath, realizing you're on your knees in a room lit by a red emergency light and some flashlights. Glancing around, you see all your friends, including Abby and even Jacob are here with you. There's a few others who you're guessing are other security guards based on how they stand near the door, on edge.
You look back to Bri, "How'd I get here?"
Bri juts her thumb, "Tyler found you half out of it on the ground and grabbed you. Somehow carried Liv here too."
"I'm stronger than I look," He flexes with a nod.
You manage to crack a weak smile, clutching your head as more pain shoots through it, "What happened? Where are we?"
"Security office by Fazerblast," Bri answers, glancing over at the covered window in the door, which you realize has been barricaded, "Furthest we could get safely with this many people."
"What do you mean by safely?"
She opens her mouth, but Pete speaks up, "The bots have gone awol." You turn to see he's on the ground, leaning up against the wall, blood dripping down the side of his head, face solemn, angry, "They're picking us off one by one. Anybody in sight is getting killed off. Doesn't help that we can't see a fuckin' thing and they can."
Your eyes widen, "What? …but, why? How?"
"Does it matter?" He asks, looking to you now, "We're dead meat if we try to leave, but we're sitting ducks here."
Bri scolds him, "We're not sitting ducks. This our best chance of getting out of here alive. If we can get power to the cameras, even better."
"Working on it," Liv says, something sparking as she speaks, "But I'm not an electrical engineer."
"Just give it up, Liv. There's no point," Pete scoffs, shaking his head.
He and Bri start arguing, Savannah trying to interject to keep the peace.
Someone sits down beside you, hand resting on your shoulder.
It's Abby, her Glamrock makeup is smeared with dried tear streaks, "Hey."
"Hey," You sigh.
She bites her lip, "Are, are your siblings...?"
Your eyes widen and shake your head.
"God no. They're, they're safe. Out trick or treating with Clara," You put a hand to your face, relieved as you realize that fact, "Your brother?"
She sighs, "Also safe. With my parents. Not here. But," She stops, and you know exactly what she's thinking.
You nod, turning away as you hear her sniffle. Your friends are still fighting, the guards by the door are getting antsy, another spark startles Liv and she looks ready to cry. You need to do something.
Your vision turns purple but you shake it off immediately. Whatever this is, it can wait. You're going to make it.
Standing, and clutching your arm to keep it from twitching, you clear your throat, "We're not going to die here. Not on my watch. Bri, you and your guys here have any sort of weapon?"
"Tasers. And there should be a baton in here somewhere. Why, what are you thinking?"
You nod to the control panel for the cameras, "If there's anyone who can get those working in a blackout, it's Lizzy. And I know they were in Fazerblast before all this. Hell, it might've been their team that caused the outage."
"You want to go out there?" Pete asks, "Are you insane?"
You shrug, "Have to be at least a little bit to do this job. Someone give me a radio. We can at least double check before considering it."
Bri hands you her radio, and after a moment's hesitation, you set it to the engineers' channel and hold in on the button, "Lizzy, you still okay out there?"
Quiet. Your friends exchange a few bleak glances.
You're about to try again when, "Uh, yeah? Why wouldn't I be?"
Relief, you think Pete even cracks a small smile.
"There's... a lot of shit going down in the Plex right now, how have you not heard about it?"
"Dude we've been stuck in Fazerblast for hours. Besides trying to fix the power the doors got jammed. I'm not leaving until this is done though, so we just kind of ignored it. Did think it was weird there was no parents complaining about not being able to use a half-functioning attraction though." Their tone is so casual you have no choice but to believe it.
The information, however, is huge, "That's, actually the best case scenario for us right now. So listen up, we gotta do this right or we don't stand a chance."
After explaining the full situation to Lizzy and their team, you work with your friends to come up with a plan. A good one. Something tells you you're only going to get one shot at this.
Meanwhile, you struggle to keep it together. You keep getting more and more flashes of that other perspective. Speaking in those voices that you can't quite place how you know. Increasingly, you start to recognize the locations they're in are getting more familiar to where you are currently.
It's a no brainer to you then, that you're a part of the team that goes to retrieve Lizzy. You force Bri to stay in the office, along with one of the guards. If you don't make it back, you at least want some people to stay safe.
You try and fail in vein to stop Pete and Abby from coming with you, Tyler picks you up again when you question him coming along.
"We're better off in even groups," Pete argues, gripping the metal chair leg he stole tightly, "Makes our chances that much better."
You don't disagree, but you don't like it either, "Fine, you're right. Now put me down please, Ty."
"Can do boss," He sets you down.
You're all armed as best you can. The guard, Joseph, has a taser, and Tyler has-apparently-pure brute force on his side. Pete has the chair leg, which is similar to the stun baton you're carrying.
Abby has brass knuckles. You don't know how she has those but you're not going to question it. Apparently, Utah state law doesn't have any clauses relating to them, now you know.
You move quickly and silently through open darkness to get to the staff entrance to Fazerblast, which is thankfully only a short distance away. You all stay close, not saying a word as you navigate.
There's not a soul around, human or machine. You don't know if it you puts you more on edge or not.
When you get to the door, Pete's able to get it open quickly, and you all file inside, locking it again soon thereafter.
The light inside the attraction is blinding in comparison to the darkness outside, the music and sound effects playing as if everything is entirely normal. It's almost more eerie in that regard.
You find Lizzy and their crew sitting around one of the towers, the reunion is brief, but happy. It's agreed that the senior engineer will come with your group, and the parts and service crew will stay for safety reasons. You're about to depart again, when the radio starts going crazy.
"We've got issues here!" Bri shouts down the line, "Don't come back, it's not safe!"
Static blares from the device, followed by banging, shouting, crying, and then a loud crash. The silence that follows is deafening.
"Fuck. No, no, no," You bang on the side of the radio, "Come on, Bri! Savannah! Anyone!?"
No answer.
"Dammit!" You toss the radio to the side, hands coming up to grip the sides of your head, "Dammit, dammit, dammit."
A hand on your shoulder, Abby again, "There's nothing we can do right now. We're going to have to refocus. Plan. Hope that they'll be okay-"
There's a banging at the front entrance to Fazerblast. Everyone freezes.
You think quickly as the sound grows in volume, "Lizzy, how in control of the power are you currently?"
They dig through their bag, and toss you a makeshift remote, "It's what we've been using to test."
The pounding gets louder, and the shutter creaks.
"Everybody who isn't armed find a place to hide. The rest of you are with me. We're gonna flip the tables on them."
Everyone scatters, and you make your way to the doors. You have no idea what's on the other side of that metal shutter, but you're going to find out one way or another. You'd rather it be on your terms.
"Can you get it open?" You ask Pete, hitting the lights and leaving only a flashlight to see.
He nods, "You're sure about this?"
"As I'll ever be. Abby, Joe, Ty, go hide nearby. We'll assess the biggest threat and go from there."
They all nod, and head off into the darkness.
Pete gets the panel open, taking a deep breath, "I hope you're right."
You press your back against the wall beside the panel, almost accustom to the feeling of your vision switching to purple. That other perspective is right outside now. You see Freddy is the one banging on the door, along with several map bots. You squeeze your eyes shut and you're back in your body again.
"Me too."
There's a beep, and the shutter slowly starts to raise. Quickly, you grab Pete and shove him on the other side of you, using your arm to press him up against the wall beside you.
As bots start pouring in, you lean your head back against the wall, holding your breath.
You watch as they fan out, scouring for anyone that they think is in here. They don't see you. You relax slightly.
You turn to Pete and nod, guarding him as he moves and shuts the door again, it quietly sinks back to the ground, locking you in here for the time being.
Moving across the wall, you regroup with the others.
"I counted six staff bots, and Freddy," Abby whispers. The other three agree.
Pete keeps lookout on your corner, "The music still playing helps us a little, but not a lot. We stick together, and go one by one, saving Freddy for last."
You frown, "Freddy's not last."
"What do you mean? Of course he is, he's going to be the hardest to take down."
You shake your head, "You miscounted. There's one more animatronic that made it in."
"Who?"
Off in the distance, you hear it, the jingle of bells. There's a flash of red as he lands on one of the walls, far off from you but within your line of sight.
You shake away the purple again, knowing it's going to show you what he's seeing at that moment, "Moon."
You fare better than you expected. A bunch of humans versus machines. You manage to take down three of the staffs bots in the dark, and by screwing with the lights a few times, manage to disorient the Daycare Attendant enough to keep them from discovering your location.
However, one of the parts n services guys gets found out, and his terrified screams as your claws rip him apart send, something, down your spine.
You know something's wrong with you now. You're taking far too much joy in beating in the metal skull of the staff bot below you. Oil splattering your clothes and face. You feel manic, alive. Out of control.
You shake your head, stopping. You ignore the glances being sent your way, you have to make it through this.
With this one you realize there's only one more staff bot left, then it's just Freddy and the Daycare Attendant. You flick the lights off again, huddling together with the others.
"If we go for one, the other is going to know. Our best bet is to divide and conquer," Pete says.
You nod, "One person with an electric weapon per team, one with something heavy. Tyler, you go with the group at the disadvantage to even it out."
Your teams end up being Joseph, Abby, and Tyler together to take on Freddy, leaving you and Pete to deal with Moon.
You trudge through the darkness, silence between the two of you.
There's been a voice in your head for a bit now. You block out whatever it says. Your grip feels shaky on the baton, and you can tell Pete's on edge more because of you than the looming threat somewhere out in the dark.
Keep it together. You just have to keep it together.
"Hello, Diana."
You turn, he pulls you up into the air, away from Pete. You don't even think to scream, instead only able to watch terrified as the ground and your friend get further and further away.
Moon settles on one of the towers to set you down again, and you scramble back and fall onto the ground, looking up at him with fear.
His faceplate twists, observing you. Then, his eyes narrow cheekily and he chuckles lowly.
"What's the matter, Bright Eyes? You look like you've seen a ghost."
You bit your lip as it trembles, raising the baton as a threat, "W-with how this night is going it's, certainly a possibility."
"But that's not my costume now, is it?" He takes a step closer.
You hold firm with the baton, hitting the button for the taser part to go off, "Moon-man, I don't want to hurt you. Don't make me."
The spark seems to deter him, growling.
"Why are you doing this? What did any of these people do to you?" You ask, beg in your words, "Killing innocent people? That's not you."
Moon snickers, and despite your waving of the baton, he moves closer, clawed finger resting on the end of it. He presses it down as he crouches to your level.
You now sit eye to eye with him as he speaks, "Andromeda, would you like to know a secret?"
Your grip tightens on your weapon, head shaking once. That doesn't deter him.
He leans in closer, his smile hovering just above your lips.
"This is the best Halloween I've ever had," Then, he kisses you. You're so surprised that you don't feel the baton be taken from your hand until it's gone.
He pulls away, chuckling again.
A loud bang suddenly resonates in the space, and the Naptime Attendant starts to twitch and collapse on the ground in front of you.
Pete stands over you both, breathing heavy as he clutches the chair leg in both hands.
"Sorry, had to take the stairs."
Moon snarls and flips around, hand raising ready to slash across the man's chest.
Panicked, you hit the button for the lights.
But it's too late.
As Sun's rays pop out, one by one, Pete can only stand there, blood slowly starting to soak through his shirt. He coughs, then takes a step forward, then another, stumbling past you into the wall. You quickly flip around as he collapses back against it, breathing ragged.
"Well, at least now you look authentic," You turn back to see Sun standing hunched over, clutching his faceplate, "Though, it's still not quite as good as mine."
As he straightens, you have to suppress a gasp as it's revealed that one of his optics has shattered from the previous impact.
His rays twitch and his focus snaps to you as you stand.
His faceplate clicks to the side, "Aren't you a sight for sore eyes, Sunshine."
"Sun." You can't reach for your baton without it being obvious.
"Are you having a good Halloween? I know I am." He tsks, "A pity about your costume, though I suppose the grit and grime really sells it."
You take a deep breath, running the back of your hand under your nose to wipe away the blood that's dripping. Your vison flashes purple, and for a moment you find you’re staring down at yourself.
You're a mess. Hair all over the place, clothes torn. There's streaks in the paint covering your skin. There's still blood coming out your nose a little bit.
And your eyes are bright purple.
You come back to and watch Sun's eyes narrow.
You shift slightly, hand twitching.
You see there’s a slight shadow over Sun’s eyes. And in his good optic a small white pupil flicks to your hand. You swallow.
"Don't do something you'll regret, Icarus."
You stamp your foot down onto the baton, it pops up into your hand and you click to turn it on.
You jut your chin out, tilting your head slightly, "Come on, Sun. You know me better than that."
You rush forward, he steps back, dodging and spinning to face you as you charge again. It's almost like a dance of danger. And it truly becomes one when Sun takes one of your hands and spins you around, dipping you low and back up as you try and fail again to use the baton on him.
You let out a noise of frustration. Charging forward again, the two of you go round and round. Narrowly you miss him every time. Narrowly he dodges every swing. He’s fast. Faster than you’d have ever anticipated, than he’d ever let on about. You never realized how close to death you may have been all this time.
After another miss, this one the closet you’ve gotten yet, Sun puts an end to your game. He grabs hold of the baton, only flinching as you turn it on, and rips it from your grip, tossing it aside. He spins you into his arms and holds tight.
You fight against him in vain.
"You know, Bright Eyes. I would have thought you'd appreciate your treat a bit more than this," He snarls the words, "But maybe you've been too busy resisting it to do so."
You slow your struggling, and Sun releases you finally. The words having done the job far better than his hold to sedate you.
You turn to face him cautiously.
"You, you did this?" You ask, "You did this to me?"
Sun tuts, hands coming up to cup your cheeks, "Well, technically you did it to yourself, Bright Eyes. But I'm happy you did. Makes all of this much, much easier."
It suddenly hits you that he's right. Maybe not intentionally, or fully knowing, but you made the choice to go back to the computer. You chose to try and turn it off again. You could have left the office, it would've shut down eventually. Something had compelled you to come closer and investigate, and you had made the choice to listen.
And now you were suffering from the cost.
"Now, let's finish this up, hm?" Sun bends and kisses you, pulling away after a moment, "You wouldn't want to disappoint now, would you?"
You don't answer. Your feet move on their own as they turn to face Pete, who seems to realize what's happening before you do.
He clutches the wound on his stomach tighter, breathing quickening, "Come on, snap out of it! This isn't you! You know it's not."
"Quiet over there, you'll get your chance to speak in just a moment," There's something set down in your hands, you know what it is, "Don't worry, I'll help you. No need for tears."
You find that you are crying, but can't do a thing to stop it. Your body is not your own, your emotions are not your own. You are entirely out of control as Sun guides you to march staggeredly towards Pete.
Off in the distance you hear shouting as your remaining friends try in vain to take down Freddy. Not that it mattered. Even if they did, you'd be finishing the job.
Your breathing is heavy but controlled, grip on the axe tight, all you can do is stare down at Pete, who looks up at you horrified, eyes wide. You think the look matches the fear in your own gaze.
Sun's hands are on your shoulders, voice a purr in your ear, "Go on, Starlight. You know what you need to do."
The axe raises jerkily, fighting against it and losing. Your eyes snap shut, and it comes down. Again, and again, and again.
You block out everything, all noise, all touches. You block out the sound of sickening crunches and squelches, of Pete's heavy gasps, of Sun murmuring encouragement right beside you all the while.
You block out the wood rough against the skin of your hands, the blood, sweat, and tears, running down your face. Sun's hands wrapped around your waist, head resting on your shoulder.
You suddenly regain control and your eyes shoot open, throwing the axe away from you and stumbling back into Sun's arms. Your hands come up to your face as you sob, shaking your head.
He just holds you as you cry, muttering things you can't comprehend as he presses kisses to your hair.
When you finally subside to sniffles is when he pulls back to press a kiss to your lips.
"There, there, you're alright, Bright Eyes. Come on now," He lifts you to your feet, arms pulling you closer as he leans in for another kiss, "I'll let you pick who's next, how's that?"
You shoot up from your bed, heart racing. You clutch your chest, breathing hard.
You're at home. Sitting on your bed. You're fine. Everything's fine.
There's a yawn to your left that interrupts your thoughts.
It's Gabe, laying on the bed beside you in his pumpkin costume. He yawns again, and stares curiously up at you, fist in his mouth. You pat his head with a sigh.
Right, you were going to put him down for a nap before heading out to trick or treat, then go to the Plex for the same thing. Looks like you ended up taking a nap too.
You check the time, it's almost five. Suddenly, a thought hits you square in the face.
"Did I kiss Sun?" You say aloud.
You do your best to recall the fading nightmare.
Oh god, you did. Right on his stupid flat face. Multiple times. You kissed Moon to but you're less opposed to that albeit confused-but Sun?
Involuntarily you gag, now feeling the sudden urge to rinse out your mouth, even if it had just been to his faceplate, much less a dream.
Shaking your head, you turn to look down at your brother, who's now somehow managed to get his foot in his mouth, despite his costume.
"Gabe, never down a bag of sour gummies and immediately take a nap, it'll give you crazy dreams."
You think you might leave the trick or treating to the kids tonight.
Something tells you that it’s for the best.
🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃
Oof, what a doozy huh? Imagine being the final girl AND the killer... crazy. Good thing it was all just a dream. Here's the promptober list and the spookvember schedule. Thanks for reading as always-
Oh?
What's this?
Looks like there's a link down here.
How'd that get there?
...
Hm.
You should click it. See what happens.
CLICK ME
btw the song playing while writing the fight scene was I Go Crazy - Orla Gartland and it was a VIBE and a half let me tell you-
#hehehehehe#HEHEHEHEHEHE#CLICK THE LINK#YOU WON'T REGRET IT#Also perhaps considering reblogging so people see this one first 👉👈#listen#the boys haunt the narrative okay??#that's what counts#god I NEED art of this thing#like the VISON DO YOU UNDERSTAND ME#gahhhh#rabid about my own stuff on main smh 😔😔#maybe I should go finally read DFtR maybe that would cure me#dcatober24#fnaf dca#dca fandom#fnaf daycare attendant#fnaf sun#fnaf moon#dca fic#confused spirit#x reader#cw blood#cw injury
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Would any of the guards be the type to idolize Patrick Bateman, the joker, walter white, etc.?
does vincent idolizing his real life serial killer uncle count
#if the au had a narrative vincent would 100% die inside of golden freddy and be stuck with his uncle forever as a conclusion to his arc#but luckily for him i need him alive. so that i may Kiss Him#fanon fnaf#five nights at freddys#fnaf#fnaf nightguards#fnaf security guards#vincent bishop#william afton#springtrap
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Happy late valentines💗✨
Here’re the individual cuts bc they look better->
#my art#oc#should I tag sunmoon#yeah maybe#for categorizing sake#this can look a lot better#but I’m going to stop and post it before I go mad#sundrop#moondrop#fnaf sun#fnaf moon#y/n#sun x reader#moon x reader#guess what’s happening in the drawing#I put some narrative in it#first person who guess it gets a taco
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day in
day out
likes do nothing!
#i just realised this is such a fnaf camera angle#anyway#what if L was the one under observation instead of light?#something about his trudging repeatedly in the hall is giving ankle shackles and i know that says something but im too tired to tell what#idk i wanted to practice perspective and lighting and shit#i think hes cute#pacing back and forth in doomed by the narrative insanity and listlessness#something very attractive about that#L#Misa#Ryuk#Death Note#Shinigami#Kira#Detective#Anime#Manga#Fanart#Fanfiction#Cosplay#Anime Art#Manga Art#Digital Art#Traditional Art#Death Note Art#Death Note Fanart#Death Note Fanfiction#Death Note Wallpaper#my art
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the fact that the vannessa therapy tapes aren't talked about more in this fandom is criminal they actually ruined me i think abt them all the time.
#like oh my god she could've been so much more.#the parallels between glitchtrap and her father make me so sick it would've been such a good continuation of fnaf's narrative as a family-d#tw bright colors#tw eye strain#vanessa sb#vanessa security breach#fnaf security breach#fnaf sb#art wall
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trying to play morality police in the trigun fandom is so funny, like how are you a fan of the "incestual sexual assault trauma" show and then be outraged to see incestual fanart. my preference is not them either but cmon guys the call is coming from inside the house
#disgust is not morality + what someone finds compelling in fiction does not equal their irl preferences#think about it: we do not assume everyone who plays shooter games will go out killing people (thats the narrative i grew up with and it was#ridiculous even then)#or should everybody who plays horror games be shamed for wanting to kill and maim and etc? should we go to markiplier and be like#“heeeyy so i think you liked fnaf SUSPICIOUSLY lot. care to explain yourself? 🤨 do you want kids to be killed and turned into machines.”#anyway back to trigun. disgust and outrage was (i think) the intended response to All That but you gotta let people play around with#the concept and dynamic. you do not have to understand it and you can continue to dislike it as well#(i certainly do bc i dont feel like it would make narrative sense)#but you cant play judge and jury on someone's entire self based on what they like to imagine#bc guess what. its that same disgust and anger response that is being exploited by right wingers in high power to make ppl support#discrimintory policies#(please believe me on this im hungarian)#anyway. this got too long. love and peace my final message#trigun#trigun stampede
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yttd is a story driven game, whose themes related to so many people. But perhaps contreversial opinion, i think almost all yttd ships are from uninteresting to bad. I don't think yttd needs shipping at all, and that urge that some people have to make ships about medias that don't need any is quite strange to me. For me yttd is truly about found family, and i think the dynamics betwen most characters are way more interessting as friends than anything else. Which is why a ship like joesara always seemed alien to me, like why? Does every boy x girl relationship have to be always romantic to be interresting. I think sara and joe dynamic is even sweeter if you take it from the idea that they are such close people, close friends who do not bend to social rules where a boy and a girl can't be affectionated towards each other. I think joesara is a ship rooted in heteronormativity. "they are friends and care for each other so otp". It not only diminish they realationship to well secretly they are in love. the shippers or even ship in itself doesnt have a singular isssue of course do whatever you want forever. But i think this need people have to like ship characters all the time can sometimes be exhausting for games like this
#your turn to die#yttd#sara chidouin#joe tazuna#except naoreko naoreko is peak#you can ship whatever you want thats isnt disgusting#i just think joesara is the textbook example of a ship that isnt useful to the narrative#when i meant other medias i mostly meant horror games like fnaf ln etc
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I'm just saying in my humble opinion that the game style emphasis on puzzle solving, interaction, and collecting in Into The Pit would also make for a fun, engaging adaptation of GGY
#GGY on the brain also ITP was REALLY fun#GGY#Into The Pit#fnaf#something something playing as Tony as he collects clues and info in between days at school#me reaching my hand out for GGY related stuff waiter waiter more kids doomed by the narrative
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Green eyes, Troubled lives
#fanart#myart#fnaf#five nights at freddy's#vanessa fnaf#Monika DDLC#doki doki literature club#ddlc monika#fnaf vanessa#security breach#fnaf security breach#fnaf sb#crossover#it’s not about who had it worse#they both suffered a lot#and technically both are doomed by the narrative too#you bet your ass these women are not mentally stable#they’re so damn desperate#like come on gals you need therapy both of you#just don’t delete or unalive your therapists please
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I wonder if Evan ever said anything concerning about William to Henry; maybe not seeking help the way Michael would have, but like, in passing. A child innocently answering what they did today, and William's behavior is just a footnote in the story.
Elizabeth wouldn't have. She would have been trying too hard to be perfect.
I wonder if Henry did anything in terms of not letting William look after Henry's own kids or anything like that. Was he so far in denial and trust that he put them at risk, or were the Afton kids just not worth saving?
#am i projecting? maybe#but it's also a fun narrative so deal with it lmao#i swear henry is like. actually one of my favorite characters#i just LIKE HIM being imperfect. way more interesting if he's fucked a lot up over the years#i like time travel fix its for this reason#let everyone have the worst time and then go back and heal together#fnaf#cc afton#evan afton#michael afton#henry emily#cw abuse#cw neglect
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