#flexible suede

[prankvids]

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[durnesque-esque]

The Road to Wicked Part 2

Costumes & Props from the Wicked Movie on display at the NBCUni Offices, LA.

Note: Fiyero's jacket is exquisite! Suede cut out, stitched down to reveal the gold underneath! And the buttons were rigged like welted pockets with elastic - I assume to aid with flexibility.

[Part 1] [Part 3]

[six-costume-refs]

Do you know if you can buy the ankle straps the queens wear on their boots?

Hey!

You can't buy them directly, unless you're able to find someone you can commission for just the straps. But you can make a set yourself pretty easily!! Here's what you'd need to do: - The base material. Six used to use the same leather as the base of their boot, but they've since switched to a suede to hold the crystals more easily. You could use a suede, leather or faux leather, or even a felt. Do note that you'll want to make sure you choose a material that allows you to punch holes for your buckle, and you definitely won't want something stretchy. - You'll also need some sort of interfacing. The interfacing depends on the material you want to get, but I'd suggest something decently thick but still flexible. Off the top of my head without any sort of actual samples in front of me, I'd suggest a Pellon 809 or similar (that's for the US, unfortunately I'm not sure on international availability). - And of course, buy a small set of buckles (Six's are ~1.5cm/5/8", but you could also use 1/2 or 3/4") + small black ribbon or elastic for their loop. - To get your measurements you'd measure the circumference of your ankle with the boot on, and choose where you wish the straps to start from there. You can make a basic pattern using that length measurement, a width of about 4.5 or 5cm/~1.75-2" for the main wider section (use your crystals to determine this too), and then make sure your smaller ends fit into your buckles. - From there, sew together your straps and add a hole through which to buckle on your strap once they're added. - The only things left now are to embellish the strap (which I'm assuming you already know how to do from the heels), attach the strap (you can sew, glue, or even add snaps), and attach the buckles.

And voila! Your very own straps.

[hometoursandotherstuff]

This 1989 home in North Salt Lake, Utah is a shape we've never seen before. It's kind of weird. 5bds, 2ba, $559,900, reduced by $5K. I don't know what they were trying to achieve, but it looks better from afar than it does up close.

The living room isn't too spacious and is an odd shape.

The dining area and kitchen.

Hmmm, I don't know. I think that maybe they should've reduced it more than just $5K, b/c it's being sold as a fixer-upper. The kitchen is very small and dated. Wait. These are 2 different kitchens. I'm confused.

I have no idea which of the 2 bedrooms they show are the primary. This one looks like the walls are some sort of faux suede fabric.

This room could also be the primary. I guess it's flexible.

There is a driveway and a 2 car garage.

The garage roof serves as a deck.

The aerial view shows the rooftop deck.

The lot measures .28 acre.

[mergatroidster]

Cosplay critter studies

the cosplay critters have used many different mediums to create their unique and wonderful costumes, foam clay, polymer clay, bendy CosClay, faux suede, resin, card stock…

the cosplay pony is wearing a full set of armor made of flexible CosClay painted with pearl acrylic paint and decorated with clay sakura blossoms and pinstripes

[ciameth]

A few Pernese dragon head concepts, based on different animal skulls, the author's descriptions, and Michael Whelan's art. To meet the book descriptions, Pernese dragon must have eye ridges, head knobs instead of ears, a wide field of vision through multifaceted eyes, smooth suede-like skin, and jaws capable of both grinding stone and predating large animals. I also decided to play around with the spectrum of Bronze while coloring the designs. I decided the Bronze palette should be a blend of Gold, Green, and Brown.

Equine: Classic horse headed Pernese dragon. Anne McCaffery described her dragons as having 'horse-like' heads, which could mean anything from wedge-shaped with large cheeks to recognizably equine.

Giraffine: This is how I pictured the dragons while reading the books as a kid. Giraffe and Okapi skulls look very draconic, have both knobs and ridges, and big globular eyes.

Ursine: Leaning more into the predatory nature of fire lizards and dragons, here is a design with bite power. Based on a Giant Panda skull with the snout elongated. This design has a bulky skull with massive jaws. A well-developed cranium, zygomatic arch and sagittal crest.

Varan: As much as Anne McCaffery insists her dragons are not reptilian, a monitor lizard skull makes a great design base. They have wedge-shaped heads with incredible bite force, perfect for crushing firestone. The fire lizard progenitor to the Pernese dragon is a coast scavenger and piscivore; a monitor head shape is perfect for both tasks. Perhaps fire lizards would look more delicate, like a tree monitor, while dragons would look more like a rock monitor.

Whelan-like: Michael Whelan's amazing cover art was what drew me to pick up Pern books in the first place. But his designs do not have head knobs and the anatomy is very 'shrink-wrapped' so I've tried to address those issues while keeping it recognizably "Whelan."

Alien: Not based on any earth skull. Bulbous eyes oriented high on the head to see Threadfall. Large surface area for nasal turbinates to warm/humidify the vast quantities of air required by a flying creature, and to filter out Thread char. Head knobs less bony, more fleshy and flexible. Still vaguely "horse-like" shape to the head.

[louisupdates]

…

There are two kinds of rights at stake here: the rights to the master recordings of an artist’s work, and songwriting rights, known as publishing. One senior music publishing executive says their part of the business was ahead of the curve, explaining that publishing deals tend to work on exclusive licensing terms or retention periods. “Publishers pivoted from a rights-ownership business to the servicing of rights,” they say. Those retention periods are getting shorter, they add, down from about 25 years three decades ago to between 12 and 15 years today.

Message says he steers acts away from ownership-based contracts. “We have a default position that we won’t advise our artists to do life-of-copyright deals,” he says. “It’s not that we wouldn’t do them, but our strong advice would always be to come up with a licence arrangement of some description.”

This is the ideological underpinning of BMG and AWAL (Artists Without a Label), which is now under the ownership of Sony Music Entertainment. “The philosophy is flipping the relationship,” says Alistair Norbury, president of repertoire and marketing at BMG UK. “There had to be a fairer and more transparent way to work with the creative community.”

Acts on BMG’s roster – notably Kylie Minogue, Suede, Sigur Rós and Louis Tomlinson – are on licensing or assignment deals, so ownership of the recordings eventually reverts to them. “They want to be with a record label where they have creative control and ownership coming back to them at some point,” says Norbury.

AWAL sings from a similar hymn sheet. “AWAL emerged to help what we now call ‘independent artists’ to remain independent,” says Paul Hitchman, the company’s global COO. “Independent in the sense of owning their rights and retaining control over their career, but without having to compromise in terms of the expertise and support they can tap into, without having to compromise on the global reach and success that they can achieve.”

Norbury believes that, with more choices for acts, music companies have to repeatedly prove their worth and think about mutual gains rather than offering one-sided deals that are land grabs for all the rights. He says, “You want something successful in a long-term partnership rather than owning something that failed.”

In light of all this, the majors increasingly have to offer more flexible deal terms. They are also heavily investing in other artist and label services companies to gain a share of the boom in DIY and independent acts. Sony owns Awal and the Orchard. UMG has both Virgin Music Label & Artist Services and Ingrooves. Warner Music Group has Ada.

-

[Ed.: Louis Tomlinson’s licensing deal is with BMG. His publishing is through LT Publishing administered by Kobalt Music Group. This article implies that all rights for masters and publishing belong to Louis, and are licensed for a contracted period to BMG.]

[Ed.: In the second quarter of 2024, BMG has switched to in-house digital distribution and download services, and changed partners for physical distribution from Warner to UMG.]

[esserisupremi]

Caillens armour is made of a combination of soft suede leather and tough, 3-4mm thick faux dragon skin leather rather than the same metal her fathers warriors wear in battle. Although her protection is very limited, she is able to be much more flexible when on the battlefield. The fact that it allows more arm freedom helps her much more when it comes to fighting. It combines both wereability and protection. Her armour is forest green in colouring with side lacing and metal buckles on the front that can be easily adapted for her physique.  Her leg protection is split at the front and the back of the hips, making it particularly suitable for when she’s riding her horse.  Her legs are covered with a similar material that’s lighter while on her feet she wears a special pair of boots that’s completely heelless and comes up to her thigh.

{  x } { x }

[mules-stuff]

The Comfort Factor: Finding the Most Comfortable Mules High Heels for All-Day Wear

In the world of women's footwear, comfort and style often seem at odds with each other, especially when it comes to high heels. However, there's a particular type of shoe that manages to strike the perfect balance: mules high heels. These chic and versatile shoes have gained popularity among fashion-forward women for their ability to elevate any outfit while providing unmatched comfort for all-day wear. In this article, we'll explore the comfort factor of mules high heels and share tips on finding the most comfortable pair for your feet.

Mules high heels, also known as block heel mules, are characterized by their open-back design and chunky heel. This unique construction offers greater stability and support compared to traditional stilettos, making them a favorite among women who desire both style and comfort. Whether you're running errands, attending meetings, or hitting the town for a night out, mules high heels are the perfect footwear choice for any occasion.

When it comes to finding the most comfortable pair of mules high heels, there are several factors to consider. First and foremost is the quality of the shoe's construction. Look for mules made from high-quality materials such as leather or suede, as these materials provide durability and flexibility, allowing your feet to move naturally throughout the day.

Another important factor to consider is the heel height. While high heels are synonymous with glamour and style, excessively tall heels can lead to discomfort and even pain after prolonged wear. Opt for mules with a moderate heel height that provides elevation without sacrificing stability. A block heel mule, in particular, distributes your weight more evenly across the foot, reducing pressure on the balls of your feet and minimizing fatigue.

Additionally, pay attention to the shoe's cushioning and arch support. A well-cushioned footbed and supportive arch will help absorb shock and reduce strain on your feet, allowing you to stay comfortable and pain-free even during extended periods of wear. Some mules high heels also feature padded insoles or memory foam technology for added comfort and support.

Furthermore, consider the fit of the mules. Proper sizing is essential for ensuring maximum comfort and stability. Avoid shoes that are too tight or too loose, as they can cause rubbing, blisters, and discomfort. Look for mules that offer a secure fit around the heel and ample room for your toes to wiggle comfortably. If you have wide feet, opt for mules with a wider toe box to prevent pinching and discomfort.

In addition to these practical considerations, don't overlook the importance of style when choosing mules high heels. After all, fashion should never come at the expense of comfort. Fortunately, mules come in a wide range of designs, from classic leather mules to trendy embellished styles, ensuring there's a pair to suit every taste and outfit.

When shopping for mules high heels, take the time to try on different styles and brands to find the perfect fit for your feet. Walk around the store and pay attention to how the shoes feel on your feet. Do they provide adequate support and cushioning? Is there any rubbing or discomfort? Trust your instincts and choose the pair that feels the most comfortable and supportive.

In conclusion, finding the most comfortable mules high heels for all-day wear is a matter of prioritizing quality, fit, and style. By investing in well-constructed mules with a moderate heel height, supportive cushioning, and proper fit, you can enjoy the best of both worlds: fashion-forward footwear that doesn't compromise on comfort. So go ahead, step out in style with confidence, knowing that your feet will thank you for choosing comfort first.

[throughtrialbyfire]

glance, motion, roots, texture, hair, change for the Dragonborn trio (if you want!)

hi there!!!!! :3

glance: At first glance, what stands out most about your OC's appearance? What's their distinguishing feature?

emeros - aside from height (tall), i'd say his eyes. he doesn't have the characteristically all-black sclera of bosmer, rather his are a mid-toned grey, and his piercings, since he wears fairly expensive-looking ear jewelry

wyndrelis - his eyes for sure, he's got white-ish irises, so his stare tends to bore right into people, and his glasses that are enchanted to never fall off of his face unless he chooses to remove them

athenath - aside from height (short), their hair, curly and dark and a bit shaggy from him being the one to cut it themself

motion: How does your OC move? How does their clothing help or hinder their range of motion? Are they flexible, coordinated, clumsy?

emeros - he chooses all of his garments by practicality, with some observation of style, so his clothes never tend to hinder his movements. as for how he moves in general, he's got a very lofty air about him, with a high chin held higher when speaking to authority figures/trying to negotiate with people, and flourishing gestures made with his wrists/hands.

wyndrelis - answered here!

athenath - they're fairly bouncy, and move fluidly, like a cat on the prowl. their clothes are fairly practical as well, since he spends most of his time traveling from town to town, and prefers to not have to worry too much about range of motion

roots: Is your OC's look inspired by any specific style of clothing or fashion trend? What are the roots and/or inspiration for their look?

for all three of them, the clothing typically worn by skyrim and oblivion npcs was my main inspiration, and i just took it from there! in the actual, in-world styles, emeros borrows from the colovian regional style of cyrodiil, athenath from styles of bravil and leyawiin, and wyndrelis from styles of cheydinhal and bruma

texture: Does your OC favor any specific kinds of cloth or textures? Is there anything they can't wear or don't like? What sort of fabrics do they prefer?

emeros - he'll wear any sort of material, but he has a heavy preference for leathers, furs, and cotton. if its breathable or practical, he'll prefer it over most others.

wyndrelis - he loves wool, since he grew up in a colder part of county cheydinhal. he likes linen and such just fine, but wool and fur are things he'll always enjoy more

athenath - suede, linen, cotton, and anything in that range are things they majorly lean towards. they don't like wool much, but use it when they have to, bc they don't like the itchy texture

hair: How does your OC wear their hair? Does it have some kind of meaning?

emeros - he likes to wear it down at his chin, and neatly combed. it doesn't have any meaning, he just prefers it that way

wyndrelis - he wears it short, parted at the right side, and tries to keep it from growing too long. no particular reason other than hair prickling the back of his neck too much annoys him

athenath - they used to wear their hair cut pretty short, but got bored of it and didn't like how it looked, so they grew it down below their shoulders. they cut it themself, so it's a bit shaggy, with bangs in the front because they like being able to see and keeping his hands free from having to pull his hair back is much easier than worrying about it

change: Has your OC ever drastically changed their appearance? Significant haircuts, big tattoos, complete wardrobe swap, etc? Why? How do they feel about the change?

emeros - somewhat! he used to dress more extravagantly when he was younger, as his family expected him to do so. and to some degree, he liked it, but he enjoyed practicality more, and the moment he was able he shifted his appearance towards pragmatism over style

wyndrelis - nope, he hates major changes AHAHKJHGDF

athenath - oh yes, definitely. he was raised to wear dresses, and their family tried to make them grease their hair straight, in typical aldmeri fashion. they despised how his family had so much interest in how he wore his hair, so early on when they started coming to terms with their gender, he cut it very short and refused to wear styles his parents tried to force on them. that was when he was around fourteen, i think!! anyways, they like their hair long and now wear it that way, and have no problem wearing dresses and gowns if they want to, but it was a big step for him to finally establish some sense of identity and autonomy.

thank you so much for the asks!!!! <3333333

oc appearance asks

[caltropspress]

RAPS + CRAFTS #19: AJ Suede

1. Introduce yourself. Past projects? Current projects?

Suede God. Do your homework on my double digits of projects. 

2. Where do you write? Do you have a routine time you write? Do you discipline yourself, or just let the words come when they will? Do you typically write on a daily basis?

I write any and everywhere when inspiration strikes. I get some of my best work done on public transportation. In the past, I've written my best hooks on the drives to and from jobs. Nowadays, it’s more about atmosphere than location.

3. What’s your medium—pen and paper, laptop, on your phone? Or do you compose a verse in your head and keep it there until it’s time to record?

Notes pad but not limited to that. If I could, I’d do the Jay-Z thing and memorize bar-for-bar, but at this point I just write everything down so I don’t forget.

4. Do you write in bars, or is it more disorganized than that?

I write in ways that are more like mathematical equations. Time signatures, iambic pentameter, and rhyme schemes I vaguely remember from smoking before my 10th grade English class in the Shakespeare unit. That mixed with the fundamentals. It’s all math. 

5. How long into writing a verse or a song do you know it’s not working out the way you had in mind? Do you trash the material forever, or do you keep the discarded material to be reworked later?

Complicated question because even the “bad” stuff can be repurposed when it’s in season. Some of the bars might not flow because of time and place, but that’s always subject to change and vice versa.

6. Have you engaged with any other type of writing, whether presently or in the past? Fiction? Poetry? Playwriting? If so, how has that mode influenced your songwriting?

There are things that I want to do, but I don’t wanna say preemptively. I’d rather show if I end up being serious about it.

7. How much editing do you do after initially writing a verse/song? Do you labor over verses, working on them over a long period of time, or do you start and finish a piece in a quick burst?

I don’t often edit verses, but the longest part of all the album processes are the mix and master. Especially for the self-produced projects.

8. Do you write to a beat, or do you adjust and tweak lyrics to fit a beat?

There’s no right answer. Every song and beat combination requires different things. I do prefer to write to a beat 90% of the time, but sometimes you unlock new pockets when you write in silence and puzzle piece it together.

9. What dictates the direction of your lyrics? Are you led by an idea or topic you have in mind beforehand? Is it stream-of-consciousness? Is what you come up with determined by the constraint of the rhymes?

No comment. Can’t demystify the whole process.

10. Do you like to experiment with different forms and rhyme schemes, or do you keep your bars free and flexible?

Anything goes based on what the beat demands. I like to be like water; my style is similar to Bruce Lee’s Jeet Kune Do. It’s a mixture of all the fundamentals, but I assume formlessness based on the musical situation. The stronger the foundation, the more flows and schemes you have access to. It’s just a matter of where and when each style is going to present itself.

11. What’s a verse you’re particularly proud of, one where you met the vision for what you desire to do with your lyrics?

I love all my kids, but always proud of the verse that I haven’t written yet. That will be the best one every time.

12. Can you pick a favorite bar of yours and describe the genesis of it?

I wholeheartedly wish I could. I’ll leave that to the people.

13. Do you feel strongly one way or another about punch-ins? Will you whittle a bar down in order to account for breath control, or are you comfortable punching-in so you don’t have to sacrifice any words?

Yes, I do feel strongly about punch-ins. I will restart a whole verse before I allow myself to punch-in. I can always hear the punch-in, even on other artists' songs. If you have to punch-in a million times, your live show is going to be a disaster. Punch-in artists often perform with their vocals playing over the instrumental. A real lack of breath control. If you’re doing it from an artistic standpoint, call-and-response etc., I understand. 

14. What non-hiphop material do you turn to for inspiration? What non-music has influenced your work recently?

I would be here all day. I love a lot of music.

15. Writers are often saddled with self-doubt. Do you struggle to like your own shit, or does it all sound dope to you?

I’ve spent less time with self-doubt than most others, but it is a very natural feeling. I believe in what I can do and I’m validated by most of our favorite rappers, so I know I’m dope.

16. Who’s a rapper you listen to with such a distinguishable style that you need to resist the urge to imitate them?

ABSOLUTELY NOBODY. We all start off similar in one way or another from childhood influences, but I been in the game a long enough time that my rap DNA is 100% my own.

17. Do you have an agenda as an artist? Are there overarching concerns you want to communicate to the listener?

I just want to make the best music and let that speak for itself. I don’t have any concerns in the rap world. I just want to make a living off the music and take care of my own. 

RAPS + CRAFTS is a series of questions posed to rappers about their craft and process. It is designed to give respect and credit to their engagement with the art of songwriting. The format is inspired, in part, by Rob McLennan’s 12 or 20 interview series.

Photo credit: unknown (hit me up)

[baddingtonbitch]

the platypus really is the ultimate animal

funny name based on their flat webbed feet

cute as hell

furry with flat tails but have bills like a beaverduck

two layers of fur that they can trap a layer of air between for warmth and buoyancy and apparently their bills are flexible and feel like suede

they're carnivores and can hunt using electroreception like sharks

classed as mammals even though they eggs. but they also lactate

males have venomous spurs on their hind legs and their venom can cause extreme pain that lasts for months in humans

fur glows blue/green under uv light. for some reason

who is doing it like them

[system-of-a-feather]

Dude I'm really shocked how flexible our gender is and how confusing it is when we don't actively decide what we want to present as. Overall we are very nonbinary, arguably transmasculine heavy leaning, but nonbinary nonetheless. Gender is eh for most of us, but a slight joy in life was how confusing we are to kids (in a positive curious way and not in a distressed way). Today though I was wearing a loose turtleneck and a suede vest so boobas were unintentionally more hidden than not and I had two adults assume I was a man / male / amab and I'm just like

*every time* someone gets confused or assumes I'm not a woman I just POG. Especially if someone just a moment ago assumed I was a woman. Yes please be confused that is the best thing.

That said, I think our genetics are MEGA masculine wired. Cause we got a hella deep voice (natural bass) and our face REALLY wants to beard cause I'm only 11 months on T and I literally shaved this morning and I gotta shave again.

Like we paused on the beard meme thing until I settle down enough that being gender confusing poses less career risks that I can't easily sue if they come @ me so I'm putting like 10% effort into masking as a "tomboy" but XD My natural literal five oclock shadow disagrees XD

Im pretty sure whenever we get back to it we might just beard like a beast pretty fast.

[fashiuslooks]

Materials: oxblood suede . Lining: tan calf leather . Sole: white grip flex rubber sole . Reverse calf suede uppers for an unstructured and glove-feel moccasin. Soft, supple, breathable as well as flexible. A truly luxurious and enjoyable Summer shoe, handmade in Spain https://www.instagram.com/p/CnxgnGBrOwg/?igshid=NGJjMDIxMWI=

[leffot]

In celebration of our 15th anniversary next May, we’ve collaborated with Hiro Yanagimachi on this pair of LS1 Sneakers in color 8 Horween shell cordovan. It’s strictly limited to 15 pairs for our 15th anniversary.⁣ ⁣ Completely hand lasted and hand welted, the LS1 Sneaker is crafted with the same attention to detail as Hiro Yanagimachi’s dress shoes.⁣ ⁣ The fit and comfort is unparalleled among sneakers. They offer the support of a dress shoe while remaining lightweight and flexible.⁣ ⁣ They have a supple suede upper, full leather insole, and rubber soles. Best of all, since they are hand welted, they can be recrafted like any dress shoe.⁣ ⁣ Features⁣ Color 8 Horween shell cordovan upper⁣ Metal eyelets⁣ Full leather insole⁣ Tan rubber soles (at Leffot) https://www.instagram.com/p/CoVjZLjORJ8/?igshid=NGJjMDIxMWI=

[abookishdreamer]

Character Intro: Thespios (Kingdom of Ichor)

Nicknames- Casanova jr. by the others

Showstopper by his father

The Moronic Wonder by Aggie

Age- 13 (immortal)

Location- Mania district, New Olympus

Personality- With a great respect for the performing arts, he loves garnering attention. He can be quite conceited & manipulative while having a complete disregard for conformative rules and authority. He's smart, observant, & quite cultured for someone his age.

He has the standard abilities of a god. As the god of acting his other powers and abilities include limited invsibility, limited shapeshifting (can transform himself into other people & characters for only 10 minutes), vocal projection, stage light manipulation, having an eidetic memory (can remember scenes from movies and TV shows, lines, & scripts), and limited illusion creation.

Thespios is the only child to his father Matikós (god of performance).

They live on the top floor of The Tauros Building, a luxury high-rise apartment building in the Mania neighborhood of New Olympus. His bedroom is every theater kid's dream! It has a theather aesthetic with a semi-circle for the "mini amphitheater" that has a few rich red velvet seats for company along with a HUGE king sized bed covered in velvet & satin sheets and pillows with a bedframe resembling a stage. Instead of a TV there's a projector screen and instead of traditional lighting there's stage lights & neon light fixtures. On the walls there's posters of his favorite movies, TV shows, bands, and deities. He owns the latest Talos Core gaming system as well as an antique typewriter (which Thespios bought on oBay).

He has one pet- a she-dragon named Ravenshade who has frost blue eyes, dark blue horns, claws, & crests, and blue-black & deep fuchsia scales. She's his usual mode for transportation to school.

Thespios has a great relationship with his father. He appreciates the fact that his dad never stifled his creativity or interests. They both constantly frequent the museums, cinema, & opera with a favorite pasttime of theirs being riding dragonback! Thespios knows that he's not the only kid in the pantheon to be raised by a single parent, but he doesn't feel like he's "missing" out by not having another parent.

He's well aware of the events surrounding his conception- his birth mother (a maenad) being a surrogate for his father. Thespios recently met her with the two of them keeping in contact through e-mail every once in a while. There are even talks for Thespios to spend his next school vacation in Thebes where she lives.

His wardrobe consists of suede and leather shoes, leather jeans, regular jeans, polos, mink scarves, berets, sweaters, & leather jackets with black being a major color!

His father gifted him a gold & silver theater masks necklace which Thespios always wears.

A go-to drink for him is coffee. He LOVES coffee! Thespios is a pro when it comes to his father's espresso machine in their kitchen. He also likes pomegranate cola, lime flavored sparkling water, club soda, and chocolate espresso milkshakes from The Frozen Spoon. Usuals for him from The Roasted Bean includes cafe au laits, a medium pomegranate dragonfruit splash, & a large iced mocha.

Thespios has many talents. In addition to inheriting remarkable flexibility from his father he can also play the lyre, trumpet, and saxophone & he's also a pretty good drawer- mainly focusing on self portraits.

He has a few stamps on his passport, traveling to the other realms a few times! His favorite trip so far has been to the Underworld where he was at the film premier of Blooddancer! He even saved the ticket stubs in a scrapbook.

His favorite snacks include pomegranate flavored licorice twists, salt & vinegar potato chips, caramel olive oil popcorn, and red hot cinnamon jawbreakers.

Thespios is currently on break from school. As far as the godly kids, he sometimes hangs out with Deucalion (Deuce) and Thrasos (god of boldness, insolence, recklessness, & courage). Thespios admires the "bad-assery" of Anaideia (goddess of ruthlessness, shamelessness, & unforgiveness). He doesn't know too much about the "Drool Crew" (the kids of The Litae)- including Pompe (goddess of rites) & Telete (goddess of prayers) except a time where Epidotes (god of purity) was partnered up with him for a project in their home economics class. He's aware of the other godly kids in school like Pandia (goddess of the full moon), Dysis (goddess of the sunset), Achelois (goddess of the moon & comfort), Philia (goddess of friendship), E.B, and Krysothemis.

Thespios' main friend group are some classmates in his drama class- a lampade named Blakelyn, twin Harpy brothers named Arnim & Aerion, a mermaid named Adrina, and a satyr named Kristanos. They are also part of the school's drama club. Thespios thinks that his drama teacher (a Centaur) Mr. Paspatis is a "mad genius."

One student he doesn't seem to care about is Calocagathia (Aggie) (goddess of nobility & goodness). Thespios finds her "know-it-all perfect goody two-shoes" veneer to be offputting. He has only told Blakelyn what happened between the two of them afterschool months ago.

His go-to thing from The Bread Box is the blackberry goat cheese salad.

Thespios is also cool with his father's boyfriend- a woodland centaur named Silvano.

He's fluent in Old Greek, Latin, & French.

Thespios had his first kiss with Adrina at Kristanos' spin the bottle party a couple weeks ago. They still sometimes make out when they do homework together.

In the pantheon he really looks up to and admires The Muses (calls Melpomene "literal perfection"), Apollo (a favorite album of his being 1,000 Days of Sunlight), and the "mad" god Dionysus (secretly hopes that he'll be his mentor)! Thespios also likes hanging out with his noná, Felis (Titaness of cats). He has quite the number of crushes! Aside from Melpomene (muse of tragedy), he thinks that Aphrodite (goddess of love & beauty), Polyhymnia (muse of hymns), Ailuros (goddess of cats & warfare), and Adephagia (goddess of gluttony) are "total babes." There has uncomfortably been more than one "wet dream."

Two of his favorite desserts are the pain au chocolat and almond souffle. He gets them at Salon du Sucre. Thespios also likes the tiramisu cake from Hollyhock's Bakery.

He has a varied musical palate. Thespios listens to everything from M9, Apollo, Eclipse, Discordic Harmony to Death Theater, Eurydice, O, & the punk rock band Dissonance Machine. Lately he's been a fan of Orpheus, even getting a vinyl copy of his live album Immortalis Amor: Cello Concerto.

He's fond of collecting movie soundtracks, the latest addition being Blooddancer.

A guilty pleasure of his are samurai sushi rolls.

In his free time Thespios loves going to the cinema to catch the latest release! He also enjoys basketball, football (soccer), playing video games, laser tag, reading; is a fan of the books written by Favian (god of philosophy), writing (journaling & his own poetry and screenplays), listening to music, and hanging out with friends.

His favorite meals are his dad's feijoada with yellow rice and keftedes.

"Theater is the art of looking at ourselves."