#flexible suede

[prankvids]

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[durnesque-esque]

The Road to Wicked Part 2

Costumes & Props from the Wicked Movie on display at the NBCUni Offices, LA.

Note: Fiyero's jacket is exquisite! Suede cut out, stitched down to reveal the gold underneath! And the buttons were rigged like welted pockets with elastic - I assume to aid with flexibility.

[Part 1] [Part 3]

[squeakadeeks]

1. Sorry for putting in two asks in the span of five or six days un-anonymously. I just don’t know if I’ll get a notification if I ask anonymously.

2. What do you advise to not use for a person just starting to make their own cosplays from scratch? I’m just starting and have already used old Elmer’s School glue and tape because it was all I could easily find.

You’re the only cosplayer i follow on this app so I’m, again, very sorry for the amount of asks you’re getting from me.

no worries at all!

So this is a tricky question because it can be quite broad. Its hard to label things as stuff to always avoid because theres a time and place for everything- BUT I can highlight some beginner friendly materials! Fabric wise, cotton broadcloth is a friendly fabric because its not slippery, not picky about the bias, and its not stretch, making it a good staple if youre looking to start sewing. its also able to be hand sewn. I would also recommend suede as a good starter fabric too because its cheaper and has a good structure (but it can be harder to hand sew).

Construction wise, EVA foam is a great cheap, sturdy base that has some flexibility, which is why its a go-to for non-fabric construction as compared to say cardboard. you can also use air dry clay for smaller shapes, and even paper mache as well for other structures. Glue wise, starting out hot glue was my GOAT, as well as limited applications of superglue. I used hot glue when starting out because it has a much faster dry time than PVA glue (minutes vs hours) can stick better to fabric, and doesnt leave behind a "wet spot" of darkened material like elmer's glue can. Superglue was good for smooth surfaces that hot glue can struggle with, and has a similar fast dry time (but be careful with it around skin since it bonds to skin very well. its what it was originally made for actually!)

every now and again I will use elmer's glue, but more as a primer than as an actual adhesive. the reason being its very slow to dry and it not able to stick to smooth surfaces like plastic very well like superglue can. But ive heard elmer's glue has a lot of applications in wig styling, although I havent used it much outside of small applications myself.

I still use tape, although usually either duct tape to secure foam seams from the back, or double sided fashion tape to help with small security fixes when sewing things.

i wouldn't really say there's materials to avoid, but there are things that are more or less applicable, and things that are easier and harder to use. that being said if you got enough gumption you can make a lot of things work for you, although the end product will be limited by the foundational materials (ie yes you can use pva glue to fuse things, but no it wont be as robust as sewing and/or superglue)

[woodnymphbf]

Binding With a Cereal Box! My First Flexibound Rebind

My newest bookbind is out of the press! This time it's a rebind of various works by the author of the Mothman Prophecies. I love old kitschy paranormal books, so I thought I'd make one for myself!! Out of a cereal box no less, so it's very flexible 😌

I got this idea for binding a book using a cereal box for the cover by The.Little.Key on tiktok! If you want to know more about my process with binding this, it's all below the read more cut!

As I said above, I got the idea of a flexibound bind from The.Little.Key on tiktok, who made her own rebind of ACOTAR using flexible cardboard. She said that you could easily make one out of the cardboard from a cereal box, and I said bet!! My copy of this book was a little worse for wear, and I wanted to be able to still annotate the pages. I find that a lot of rebinds I've done have ended up a little stiff so it wouldn't be the best to try to annotate in, but this ended up being perfectly bendy and super flexible! I'm really happy with how it turned out, despite some imperfections here and there.

I ended up using a fuzzy, imitation suede from amazon that feels great to the touch but collects cat hairs like a MOFO. On top of that, I used Heat transfer Vinyl for the words (HTVRONT being my personal fave brand, though I did try Siser for the black outline of the title. It was okay!) and for the images I used TransOurDream heat transfer printable paper -- the ones specifically for dark backgrounds because I've found they end up with a bolder color. I know that cereal box is not exactly archival quality due to its acidity, but honestly I'm not expecting this book to become a family heirloom or anything lol

A couple things to note about this particular binding style. Since it is a thinner book, I did end up with a little crease on the back cover due to the place where the cereal box was originally folded. I don't mind this that much, but if it's something that would annoy you then maybe either a thicker bookcloth would work, or trying to find a book that's as thick as a cereal box would come in handy. You also have to find a cereal box with the correct gain orientation that is parallel to where it's going to be folded. The first box I tried wasn't the right grain direction, so I chose a different box. And the last thing of note is that when you're gluing your endpapers, make sure you're applying the glue as close to the spine as possible, otherwise there will be a gap near the hinge when you open it, if that makes sense?

But other than that, this was a super fun bind and I had a lot of fun creating the design! I'm obsessed with old, kitschy paranormal books so I figured I might as well make one of my own!

[six-costume-refs]

Do you know if you can buy the ankle straps the queens wear on their boots?

Hey!

You can't buy them directly, unless you're able to find someone you can commission for just the straps. But you can make a set yourself pretty easily!! Here's what you'd need to do: - The base material. Six used to use the same leather as the base of their boot, but they've since switched to a suede to hold the crystals more easily. You could use a suede, leather or faux leather, or even a felt. Do note that you'll want to make sure you choose a material that allows you to punch holes for your buckle, and you definitely won't want something stretchy. - You'll also need some sort of interfacing. The interfacing depends on the material you want to get, but I'd suggest something decently thick but still flexible. Off the top of my head without any sort of actual samples in front of me, I'd suggest a Pellon 809 or similar (that's for the US, unfortunately I'm not sure on international availability). - And of course, buy a small set of buckles (Six's are ~1.5cm/5/8", but you could also use 1/2 or 3/4") + small black ribbon or elastic for their loop. - To get your measurements you'd measure the circumference of your ankle with the boot on, and choose where you wish the straps to start from there. You can make a basic pattern using that length measurement, a width of about 4.5 or 5cm/~1.75-2" for the main wider section (use your crystals to determine this too), and then make sure your smaller ends fit into your buckles. - From there, sew together your straps and add a hole through which to buckle on your strap once they're added. - The only things left now are to embellish the strap (which I'm assuming you already know how to do from the heels), attach the strap (you can sew, glue, or even add snaps), and attach the buckles.

And voila! Your very own straps.

[hometoursandotherstuff]

This 1989 home in North Salt Lake, Utah is a shape we've never seen before. It's kind of weird. 5bds, 2ba, $559,900, reduced by $5K. I don't know what they were trying to achieve, but it looks better from afar than it does up close.

The living room isn't too spacious and is an odd shape.

The dining area and kitchen.

Hmmm, I don't know. I think that maybe they should've reduced it more than just $5K, b/c it's being sold as a fixer-upper. The kitchen is very small and dated. Wait. These are 2 different kitchens. I'm confused.

I have no idea which of the 2 bedrooms they show are the primary. This one looks like the walls are some sort of faux suede fabric.

This room could also be the primary. I guess it's flexible.

There is a driveway and a 2 car garage.

The garage roof serves as a deck.

The aerial view shows the rooftop deck.

The lot measures .28 acre.

[mergatroidster]

Cosplay critter studies

the cosplay critters have used many different mediums to create their unique and wonderful costumes, foam clay, polymer clay, bendy CosClay, faux suede, resin, card stock…

the cosplay pony is wearing a full set of armor made of flexible CosClay painted with pearl acrylic paint and decorated with clay sakura blossoms and pinstripes

[jaeharu26]

So far, out of all the new traditional clays I've tried sculpting with over the past couple of months, La Doll Premix is the closest feel to digital sculpting. It blends easily and smoothly but it's dense enough to keep its shape and hold really high detail. Gotta be my favorite air-dry clay so far to sculpt with. Otherwise, I've tried:

Sculpey Traditional. It'll get the job done. It dries out over time but vaseline and cornstarch will recondition it to be workable again. It always burns for me so I usually have to cook it for less time than suggested. It bakes really really cakey so sanding and then smoothing with acetone afterward is a must but will give you a really smooth look in the end that holds paint well. It's on the cheaper side. It's toxic though.

CosClay Doll. My favorite bakeable polymer to use so far. Not too expensive. Bakes flexible, especially the thinner the pieces are because the blend is mixed with rubber. Non-Toxic. Affordable. Smooths really well with alcohol pre-bake. Doesn't smooth as well with Acetone post-bake as Sculpey. Bakes smoother and holds paint fine but still a bit bumpy and 'clay' looking which is always a peeve for me with bakeable clays. Still my favorite to use though. Really really holds its shape well.

BOHS Foam Clay. Ultra light-weight clay. It's... different. Air-dry clay but gravity is its enemy and heavy parts will droop badly without armatures and mesh frames. Has a really nice satin-suede finish but dries really fast. Best for simple basic-shaped things that don't take too long to make. Sticks to itself well and other surfaces well. Really good for clothes and thinner things. Some of the colors will bleed when mixed with water though which is problematic. Too much water turns it to a liquid. Once it starts to dry it's really hard to smooth or mold again. Not easy to blend or build onto itself. If you want to make little Mario Baddies or Pikachu, then this can be great, otherwise, more detailed things have always come out poorly for me. Since it's ultra-light clay it's incredibly moldable, which works against you if you're trying to hold onto and shape it at the same time. Dries really squishy and you can chuck your figures across the room and they'll bounce around instead of break which I just think is neat. Def hurled my Goomba around the room a couple times just to watch him bounce around.

Sculpey Souffle. Bakeable clay. Branded as baking smooth with a similar smooth satin-suede finish. Also in the 'too soft to really make anything that isn't flat or really complex with without a stamp' category for me though. I really did love how smooth it baked and how well it held paint. It's branded as not mixing color-wise either so you can make some really nice and cool jewelry with it. Not figures though, unfortunately, or at least, not in my case.

Then yeah, La Doll Premix. Loved working with it. Result wise smoothing and building with it was the closest in ease as digital sculpting and I was really impressed. Feel wise it was the same as working with CosClay, a decent soft enough clay to not tire out your hands or require a fancy pasta thing to condition but dense enough to keep it's shape and holds its shape really really well. I can't review anymore than that in this post though since I'm still waiting for my piece to dry. Out of all the clays this one held the most detail so far though and like BOHS, being air-dry, should allow you to 'edit' or carve into it or add water and add clay or resculpt/cut away pieces you want to change or don't like after it does dry. Which is a must for me. Hoping it is easier to sand and smooth than the bakeable ones and has a smoother finish and holds paint well. If it does, I can def see it being the main clay I use for figures going forward.

Porcelain Clay: Is still on my list to try.

Daiso 'Soft Clay'. Worst clay in the world. Dries in like a minute and becomes crumbly and unusable. Unconditionable. You can use it to make slime with or with a stamp/mold real quick but that's about it. Don't waste your money.

[louisupdates]

…

There are two kinds of rights at stake here: the rights to the master recordings of an artist’s work, and songwriting rights, known as publishing. One senior music publishing executive says their part of the business was ahead of the curve, explaining that publishing deals tend to work on exclusive licensing terms or retention periods. “Publishers pivoted from a rights-ownership business to the servicing of rights,” they say. Those retention periods are getting shorter, they add, down from about 25 years three decades ago to between 12 and 15 years today.

Message says he steers acts away from ownership-based contracts. “We have a default position that we won’t advise our artists to do life-of-copyright deals,” he says. “It’s not that we wouldn’t do them, but our strong advice would always be to come up with a licence arrangement of some description.”

This is the ideological underpinning of BMG and AWAL (Artists Without a Label), which is now under the ownership of Sony Music Entertainment. “The philosophy is flipping the relationship,” says Alistair Norbury, president of repertoire and marketing at BMG UK. “There had to be a fairer and more transparent way to work with the creative community.”

Acts on BMG’s roster – notably Kylie Minogue, Suede, Sigur Rós and Louis Tomlinson – are on licensing or assignment deals, so ownership of the recordings eventually reverts to them. “They want to be with a record label where they have creative control and ownership coming back to them at some point,” says Norbury.

AWAL sings from a similar hymn sheet. “AWAL emerged to help what we now call ‘independent artists’ to remain independent,” says Paul Hitchman, the company’s global COO. “Independent in the sense of owning their rights and retaining control over their career, but without having to compromise in terms of the expertise and support they can tap into, without having to compromise on the global reach and success that they can achieve.”

Norbury believes that, with more choices for acts, music companies have to repeatedly prove their worth and think about mutual gains rather than offering one-sided deals that are land grabs for all the rights. He says, “You want something successful in a long-term partnership rather than owning something that failed.”

In light of all this, the majors increasingly have to offer more flexible deal terms. They are also heavily investing in other artist and label services companies to gain a share of the boom in DIY and independent acts. Sony owns Awal and the Orchard. UMG has both Virgin Music Label & Artist Services and Ingrooves. Warner Music Group has Ada.

-

[Ed.: Louis Tomlinson’s licensing deal is with BMG. His publishing is through LT Publishing administered by Kobalt Music Group. This article implies that all rights for masters and publishing belong to Louis, and are licensed for a contracted period to BMG.]

[Ed.: In the second quarter of 2024, BMG has switched to in-house digital distribution and download services, and changed partners for physical distribution from Warner to UMG.]

[ladycels]

I broke Marcille down into a bunch of shorter projects, the first being the suede waist cincher. It's got some stretchy bits, and I added three lace up sections for added flexibility. Goal here is comfort not compression :)

[esserisupremi]

Caillens armour is made of a combination of soft suede leather and tough, 3-4mm thick faux dragon skin leather rather than the same metal her fathers warriors wear in battle. Although her protection is very limited, she is able to be much more flexible when on the battlefield. The fact that it allows more arm freedom helps her much more when it comes to fighting. It combines both wereability and protection. Her armour is forest green in colouring with side lacing and metal buckles on the front that can be easily adapted for her physique.  Her leg protection is split at the front and the back of the hips, making it particularly suitable for when she’s riding her horse.  Her legs are covered with a similar material that’s lighter while on her feet she wears a special pair of boots that’s completely heelless and comes up to her thigh.

{  x } { x }

[mules-stuff]

The Comfort Factor: Finding the Most Comfortable Mules High Heels for All-Day Wear

In the world of women's footwear, comfort and style often seem at odds with each other, especially when it comes to high heels. However, there's a particular type of shoe that manages to strike the perfect balance: mules high heels. These chic and versatile shoes have gained popularity among fashion-forward women for their ability to elevate any outfit while providing unmatched comfort for all-day wear. In this article, we'll explore the comfort factor of mules high heels and share tips on finding the most comfortable pair for your feet.

Mules high heels, also known as block heel mules, are characterized by their open-back design and chunky heel. This unique construction offers greater stability and support compared to traditional stilettos, making them a favorite among women who desire both style and comfort. Whether you're running errands, attending meetings, or hitting the town for a night out, mules high heels are the perfect footwear choice for any occasion.

When it comes to finding the most comfortable pair of mules high heels, there are several factors to consider. First and foremost is the quality of the shoe's construction. Look for mules made from high-quality materials such as leather or suede, as these materials provide durability and flexibility, allowing your feet to move naturally throughout the day.

Another important factor to consider is the heel height. While high heels are synonymous with glamour and style, excessively tall heels can lead to discomfort and even pain after prolonged wear. Opt for mules with a moderate heel height that provides elevation without sacrificing stability. A block heel mule, in particular, distributes your weight more evenly across the foot, reducing pressure on the balls of your feet and minimizing fatigue.

Additionally, pay attention to the shoe's cushioning and arch support. A well-cushioned footbed and supportive arch will help absorb shock and reduce strain on your feet, allowing you to stay comfortable and pain-free even during extended periods of wear. Some mules high heels also feature padded insoles or memory foam technology for added comfort and support.

Furthermore, consider the fit of the mules. Proper sizing is essential for ensuring maximum comfort and stability. Avoid shoes that are too tight or too loose, as they can cause rubbing, blisters, and discomfort. Look for mules that offer a secure fit around the heel and ample room for your toes to wiggle comfortably. If you have wide feet, opt for mules with a wider toe box to prevent pinching and discomfort.

In addition to these practical considerations, don't overlook the importance of style when choosing mules high heels. After all, fashion should never come at the expense of comfort. Fortunately, mules come in a wide range of designs, from classic leather mules to trendy embellished styles, ensuring there's a pair to suit every taste and outfit.

When shopping for mules high heels, take the time to try on different styles and brands to find the perfect fit for your feet. Walk around the store and pay attention to how the shoes feel on your feet. Do they provide adequate support and cushioning? Is there any rubbing or discomfort? Trust your instincts and choose the pair that feels the most comfortable and supportive.

In conclusion, finding the most comfortable mules high heels for all-day wear is a matter of prioritizing quality, fit, and style. By investing in well-constructed mules with a moderate heel height, supportive cushioning, and proper fit, you can enjoy the best of both worlds: fashion-forward footwear that doesn't compromise on comfort. So go ahead, step out in style with confidence, knowing that your feet will thank you for choosing comfort first.

[throughtrialbyfire]

glance, motion, roots, texture, hair, change for the Dragonborn trio (if you want!)

hi there!!!!! :3

glance: At first glance, what stands out most about your OC's appearance? What's their distinguishing feature?

emeros - aside from height (tall), i'd say his eyes. he doesn't have the characteristically all-black sclera of bosmer, rather his are a mid-toned grey, and his piercings, since he wears fairly expensive-looking ear jewelry

wyndrelis - his eyes for sure, he's got white-ish irises, so his stare tends to bore right into people, and his glasses that are enchanted to never fall off of his face unless he chooses to remove them

athenath - aside from height (short), their hair, curly and dark and a bit shaggy from him being the one to cut it themself

motion: How does your OC move? How does their clothing help or hinder their range of motion? Are they flexible, coordinated, clumsy?

emeros - he chooses all of his garments by practicality, with some observation of style, so his clothes never tend to hinder his movements. as for how he moves in general, he's got a very lofty air about him, with a high chin held higher when speaking to authority figures/trying to negotiate with people, and flourishing gestures made with his wrists/hands.

wyndrelis - answered here!

athenath - they're fairly bouncy, and move fluidly, like a cat on the prowl. their clothes are fairly practical as well, since he spends most of his time traveling from town to town, and prefers to not have to worry too much about range of motion

roots: Is your OC's look inspired by any specific style of clothing or fashion trend? What are the roots and/or inspiration for their look?

for all three of them, the clothing typically worn by skyrim and oblivion npcs was my main inspiration, and i just took it from there! in the actual, in-world styles, emeros borrows from the colovian regional style of cyrodiil, athenath from styles of bravil and leyawiin, and wyndrelis from styles of cheydinhal and bruma

texture: Does your OC favor any specific kinds of cloth or textures? Is there anything they can't wear or don't like? What sort of fabrics do they prefer?

emeros - he'll wear any sort of material, but he has a heavy preference for leathers, furs, and cotton. if its breathable or practical, he'll prefer it over most others.

wyndrelis - he loves wool, since he grew up in a colder part of county cheydinhal. he likes linen and such just fine, but wool and fur are things he'll always enjoy more

athenath - suede, linen, cotton, and anything in that range are things they majorly lean towards. they don't like wool much, but use it when they have to, bc they don't like the itchy texture

hair: How does your OC wear their hair? Does it have some kind of meaning?

emeros - he likes to wear it down at his chin, and neatly combed. it doesn't have any meaning, he just prefers it that way

wyndrelis - he wears it short, parted at the right side, and tries to keep it from growing too long. no particular reason other than hair prickling the back of his neck too much annoys him

athenath - they used to wear their hair cut pretty short, but got bored of it and didn't like how it looked, so they grew it down below their shoulders. they cut it themself, so it's a bit shaggy, with bangs in the front because they like being able to see and keeping his hands free from having to pull his hair back is much easier than worrying about it

change: Has your OC ever drastically changed their appearance? Significant haircuts, big tattoos, complete wardrobe swap, etc? Why? How do they feel about the change?

emeros - somewhat! he used to dress more extravagantly when he was younger, as his family expected him to do so. and to some degree, he liked it, but he enjoyed practicality more, and the moment he was able he shifted his appearance towards pragmatism over style

wyndrelis - nope, he hates major changes AHAHKJHGDF

athenath - oh yes, definitely. he was raised to wear dresses, and their family tried to make them grease their hair straight, in typical aldmeri fashion. they despised how his family had so much interest in how he wore his hair, so early on when they started coming to terms with their gender, he cut it very short and refused to wear styles his parents tried to force on them. that was when he was around fourteen, i think!! anyways, they like their hair long and now wear it that way, and have no problem wearing dresses and gowns if they want to, but it was a big step for him to finally establish some sense of identity and autonomy.

thank you so much for the asks!!!! <3333333

oc appearance asks

[caltropspress]

RAPS + CRAFTS #19: AJ Suede

1. Introduce yourself. Past projects? Current projects?

Suede God. Do your homework on my double digits of projects. 

2. Where do you write? Do you have a routine time you write? Do you discipline yourself, or just let the words come when they will? Do you typically write on a daily basis?

I write any and everywhere when inspiration strikes. I get some of my best work done on public transportation. In the past, I've written my best hooks on the drives to and from jobs. Nowadays, it’s more about atmosphere than location.

3. What’s your medium—pen and paper, laptop, on your phone? Or do you compose a verse in your head and keep it there until it’s time to record?

Notes pad but not limited to that. If I could, I’d do the Jay-Z thing and memorize bar-for-bar, but at this point I just write everything down so I don’t forget.

4. Do you write in bars, or is it more disorganized than that?

I write in ways that are more like mathematical equations. Time signatures, iambic pentameter, and rhyme schemes I vaguely remember from smoking before my 10th grade English class in the Shakespeare unit. That mixed with the fundamentals. It’s all math. 

5. How long into writing a verse or a song do you know it’s not working out the way you had in mind? Do you trash the material forever, or do you keep the discarded material to be reworked later?

Complicated question because even the “bad” stuff can be repurposed when it’s in season. Some of the bars might not flow because of time and place, but that’s always subject to change and vice versa.

6. Have you engaged with any other type of writing, whether presently or in the past? Fiction? Poetry? Playwriting? If so, how has that mode influenced your songwriting?

There are things that I want to do, but I don’t wanna say preemptively. I’d rather show if I end up being serious about it.

7. How much editing do you do after initially writing a verse/song? Do you labor over verses, working on them over a long period of time, or do you start and finish a piece in a quick burst?

I don’t often edit verses, but the longest part of all the album processes are the mix and master. Especially for the self-produced projects.

8. Do you write to a beat, or do you adjust and tweak lyrics to fit a beat?

There’s no right answer. Every song and beat combination requires different things. I do prefer to write to a beat 90% of the time, but sometimes you unlock new pockets when you write in silence and puzzle piece it together.

9. What dictates the direction of your lyrics? Are you led by an idea or topic you have in mind beforehand? Is it stream-of-consciousness? Is what you come up with determined by the constraint of the rhymes?

No comment. Can’t demystify the whole process.

10. Do you like to experiment with different forms and rhyme schemes, or do you keep your bars free and flexible?

Anything goes based on what the beat demands. I like to be like water; my style is similar to Bruce Lee’s Jeet Kune Do. It’s a mixture of all the fundamentals, but I assume formlessness based on the musical situation. The stronger the foundation, the more flows and schemes you have access to. It’s just a matter of where and when each style is going to present itself.

11. What’s a verse you’re particularly proud of, one where you met the vision for what you desire to do with your lyrics?

I love all my kids, but always proud of the verse that I haven’t written yet. That will be the best one every time.

12. Can you pick a favorite bar of yours and describe the genesis of it?

I wholeheartedly wish I could. I’ll leave that to the people.

13. Do you feel strongly one way or another about punch-ins? Will you whittle a bar down in order to account for breath control, or are you comfortable punching-in so you don’t have to sacrifice any words?

Yes, I do feel strongly about punch-ins. I will restart a whole verse before I allow myself to punch-in. I can always hear the punch-in, even on other artists' songs. If you have to punch-in a million times, your live show is going to be a disaster. Punch-in artists often perform with their vocals playing over the instrumental. A real lack of breath control. If you’re doing it from an artistic standpoint, call-and-response etc., I understand. 

14. What non-hiphop material do you turn to for inspiration? What non-music has influenced your work recently?

I would be here all day. I love a lot of music.

15. Writers are often saddled with self-doubt. Do you struggle to like your own shit, or does it all sound dope to you?

I’ve spent less time with self-doubt than most others, but it is a very natural feeling. I believe in what I can do and I’m validated by most of our favorite rappers, so I know I’m dope.

16. Who’s a rapper you listen to with such a distinguishable style that you need to resist the urge to imitate them?

ABSOLUTELY NOBODY. We all start off similar in one way or another from childhood influences, but I been in the game a long enough time that my rap DNA is 100% my own.

17. Do you have an agenda as an artist? Are there overarching concerns you want to communicate to the listener?

I just want to make the best music and let that speak for itself. I don’t have any concerns in the rap world. I just want to make a living off the music and take care of my own. 

RAPS + CRAFTS is a series of questions posed to rappers about their craft and process. It is designed to give respect and credit to their engagement with the art of songwriting. The format is inspired, in part, by Rob McLennan’s 12 or 20 interview series.

Photo credit: unknown (hit me up)

[baddingtonbitch]

the platypus really is the ultimate animal

funny name based on their flat webbed feet

cute as hell

furry with flat tails but have bills like a beaverduck

two layers of fur that they can trap a layer of air between for warmth and buoyancy and apparently their bills are flexible and feel like suede

they're carnivores and can hunt using electroreception like sharks

classed as mammals even though they eggs. but they also lactate

males have venomous spurs on their hind legs and their venom can cause extreme pain that lasts for months in humans

fur glows blue/green under uv light. for some reason

who is doing it like them