#fleeting love

[onedayfandom]

As much as I enjoy Kaiju 8, I wish the whole clean up angle was still like...a thing.

Even just for worldbuilding. Let them do strength training on corpse parts that are in storage for repurposing later. Show me the fluidstains that have seeped too deep into the sidewalk. Hollowed out kaiju shells that got repurposed into buildings cause breaking it down would have taken too many ressources compared to marketing them as bombproof livving space. Let people complain about the R&D Departement being the worst smelling place ever to the point that the people working there have just given up

Everything is so squeaky clean and I just don't buy it!You've been fighting giant Monsters for Generations, where is the gunk??

[blazingstar29]

Final chapter of fleeting love. Thank you everyone.

[llanekee]

What if I unbuttoned your coat with the deftness of a lover Without the fortune to know and the luck to go obscured I suppose this is love in its purest of innocent forms Do you consider it a gift or a work manufactured by ghosts

Does the spin of my heels and the shift of your cuffs The distinct intensity of my scent and the smile you adorn Does the swirl of this love ever haunt beyond the portraits Each with a lover you had, a lover you lost, a lover like me

Never with the fortune to know but with luck to forgo I know what I am, someone you wouldn't have kept very long Suppose that we're glad in this version of our story For we never get the chance to be deft or hurtful or vain In the love of you I can simply bathe in the empty meaning

Lover I don’t know

Lover I couldn’t love

Lover who never called me their own

What if I swept the walls with visions of some future In which you kissed my hand and conditioned me on a dream One day we’ll get lucky, this is the moment to lead us there I suppose I would’ve still ghosted without clear argument

Still, I just have to ask, did you love the lovers, several before What frayed the rope, was it cause or an inevitable break Have you lost me yet, are we yet to lose, are you losing like me With the luck to dodge bullets but the fortune of misconstruing That the lovers are dancing, that you are just another Faceless figure in the crowd, unmet and too proud Leave despite the scent and the violet flower pinned in your hair The click of your heels and freshly manicured nails You came with no warning, no temptation, but I love you the same With the emptiness of meaning that never prevailed

-by Lane Key :]

[thepermanentrainpress]

THE PERMANENT RAIN PRESS INTERVIEW WITH ROYAL SUGAR

It’s been a creative birth over the past couple of years for glam rock/pop duo Royal Sugar. Comprised of Tyler Cohenour (lead singer, guitars) and Garrett Carr (bass, vocals), the Nashville-based pair is making up for lost time since their collaborative start over five years prior. They’ve built their live performance and are eager to play for audiences, timed well with their gripping new single, “Fleeting Love.” 

You’ve called yourselves “musical soulmates.” Do you recall your initial meeting in college, and how you developed and strengthened your friendship?

I remember meeting Garrett like it was yesterday. A mutual friend brought him over to my college apartment at 1am on a Friday night for an unannounced pop-in. I answered the door in my towel, we sat down and sang some Steve Miller Band, and right then and there I was mesmerized by his voice and our immediate connection with harmony and humor. I knew I had to lock him down and start a band with him. The next week he moved into my apartment and we started writing together. We’ve been singing and writing together ever since.

You had a working relationship that started in 2016 but Royal Sugar was officially born in 2021. Tell us about your decisions to put a name on your project, and why it was the right time?

Our hiatus from playing live during COVID really brought about a lot of creative shifts in our writing and new energy surrounding what we truly wanted to do. We’ve always wanted to start a glam rock band and after coming out of that hiatus, we realized how precious music was to us and we felt like kids again. We wanted to be in a fun, flashy, rock band. So we started one.

Tyler, you’ve faced challenges with your immune disorder. If comfortable, can you share how it’s impacted your life, and especially your career as a musician? To other artists and creators who are going through difficult times medically, what message do you have for them?

Having an immune disorder while being in a touring band “during a pandemic” doesn’t necessarily sound like the recipe for success, but I truly believe that time away from touring brought about this energy we’re feeling now and this complete renewal of our sound. Music has always been my haven and my therapy, and to be able to be in a band with my best friend; to share it with the world makes everything worth it.

I never gave up on that passion I had inside during the dark times and I don’t think anyone ever should. There’s a reason you feel compelled to create and there’s a reason it becomes your therapy in the tough times. Always chase that feeling. I had to move back to Florida for two years to isolate during the pandemic, but Garrett stuck by me. We wrote over Zoom and the second I got back... Royal Sugar was born.

“Fleeting Love” is moody and fantastic. It’s about toxic relationships and the ease in being pulled back towards another. How was the writing process? Is it very collaborative between you two?

Thank you so much! The writing process for this one and all of our songs has always been freakishly telekinetic for us. We’ve both been through toxic relationships in our past lives and it was time to bring those feelings to life through our new sound. I think as human beings we place so much stock in the initial dopamine rush and yearn to experience it again once it’s worn off. It becomes toxic when you realize the risk and take it anyways. You experience the pain, because it’s the only conduit you have to the pleasure of the past. Unfortunately, it’s a fool’s errand.

What emotions did you want to portray in the sound, and tell us about the instruments and production choices you made for “Fleeting Love.”

It’s definitely a solemn affair. To me, it feels like the sonic representation of the fear of being alone. We wanted to capture the intensity of these feelings and also their juxtaposition. Starting with a clean, solemn guitar riff and crescendoing into an expansive chorus of synths, organs, and distorted guitars. I.E. The push and the pull of pain and pleasure.

What details can you share about the music video, and how it came together?

We were so fortunate to be able to film at Vu Studios in Nashville in front of this incredibly massive LED wall. It felt like a dream: fog, strobe lights, animations. A friend of ours, Ryan Mclemore, directed and edited the video and absolutely captured the emotions we felt when writing this song. The trippy-ness, the heartbreak, the euphoria.

You have an electric modern pop/glam rock sound and a 70’s and 80’s fashion style. It’s fresh but also an homage to acts like Mötley Crüe and Def Leppard. How would you describe your style (hair and heels included!)?

We’re definitely heavily influenced by ‘70s glam artists like David Bowie, T-Rex, Elton John. As well as ‘80s rock artists such as Bon Jovi and Def Leppard. And our mutual love for modern pop choruses and synths is what really brought this particular blend together and created our sound. As for the style, I would describe it as equal parts leather, glitter, hairspray, and heels high enough to reach shin-split status.

Your first single was a cover of Harry Styles’ “Medicine.” Why this song, and how has Styles inspired you as artists and performers?

We attended the Harry Styles show here in Nashville back in 2018 and heard him perform it live. We had never heard the song before, but felt like that song spoke to us the most in the set. It felt exactly like the sound we were chasing as a band. We were in awe of how a modern-rock ‘n roll song could resonate with a young audience, the energy was palpable!

When we found out it had never been released we thought it could be a cool way to make it our own and share it with others, like us, who just wanted to be able to enjoy the upbeat arrangement and ensnaring lyrics.

You have Jordan Arnold and Jack Devine join you on drums and guitar for your live performances. What can you say about them, and how you’ve been building your live shows and stage presence?

One of the things that makes Nashville such an amazing city as an artist, is the massive pool of extremely talented, dedicated, and hard-working musicians. We had a specific sound and level of vivacity in mind for Royal Sugar live. After a lot of searching, we found these two guys that perfectly fit the profile. We've spent a lot of time working out the live show and are loving the way they embody the Royal Sugar rock ‘n roll ethos.

You’re very active on TikTok. How has this platform helped you, and have you found what works for you with content creation?

TikTok has been a huge piece of the puzzle for us finding and connecting to our audience. We had our doubts about the app initially because we didn't quite understand it. Once we started spotlighting our creative process and performance on the app, we were shocked to see how many people out there were looking for this kind of new high-energy rock ‘n roll. We had a lot of fun with it and feel really grateful for the audience we've connected with through the app.

How do you stay creative and engaged on social media?

We try to never take anything too seriously and have fun with what we create. Everything we make whether it be music videos, original songs, sketches, etc. we are intentional about always remaining authentic. Having a lighthearted approach keeps it fun for us and our followers.  

You’re based out of Nashville. What are some of your recommended places to visit? 

We love a good night out on the town in Nashville. There's never a night the city tucks in early without a bit of fun and wildness, which can be a dangerous thing at times. We've had many fond and somewhat hazy memories of experiencing all that Nashville has to offer. For a lively cocktail atmosphere, we've found ourselves hanging out at Pearl Diver in East Nashville an innumerable amount of times. We also love going to dinner and burlesque at Skull’s Rainbow Room.    

What can listeners expect from Royal Sugar in 2023?

Expect to see us playing live a lot in 2023! We miss performing and traveling so much and feel completely reinvigorated after this live show and touring hiatus. We plan to release a lot more of the songs we've recorded and continue writing for our full-length record.  

Our signature question: if the band (collectively) could be any ice cream flavour, which would you be and why?

Sweet Espresso Fudge Swirl - something sweet with enough caffeine to provide a euphoric amphetamine rush. Organic and dairy free to not exclude anyone from enjoying!

-

Thanks to Tyler for answering our questions, and providing us with insight into all things Royal Sugar! To keep updated with the band’s releases and live shows, visit them on Spotify, Facebook, TikTok and Instagram. 

Photo credit to: Dillon Jordan

[angel-bitch-boy]

ah ha ha no girl don't use Vampirism, Religion, and/or Cannibalism as a metaphor for all consuming love and obsession you're so sexy ah ha

[thebarefootcajun]

identified by a birth mark inside his groin

he was gone

i’d seen him this morning

love while you can

[eggwhiteswithspinach]

👏 Fleeting Love

[ohtendril]

Colin and Pen + these kinda frames (s3)

[iite-cool]

he can't be gentle. how could he possibly be something that was beaten out of him so cruelly at such a young age?

you don't get soft fingers dancing lightly along your hairline as you sleep on his lap, no, you get a large, calloused paw brushing back your hair so he can see your pretty, pretty features better cos it was annoying him. he can't hold your hand don't be daft he'll crack your smaller bones in half... is the reasoning that he hopes will convince himself to stop fucking thinking about playing with your pretty fingers and pressing soft kisses to them. he's not soft! he's a killing machine! he knows nothing but anger and rage and numbness. so what is this strange fuzzy sensation in the hollow hole in his chest that's bothering him? why does it feel good? why is it making him fucking smile?

when he curls his mass around your sleeping body, don't be mistaken. he doesn't want to feel the way you fit perfectly against him. he's just.. trying to swallow you whole. he's not trying to get closer to you no no he's actually attempting to steal your joy. it's not as if you lessen the, thus far, endless and overwhelming burden of his corporeal blight oh no he's just using you.

everytime he presses his mouth against you and doesn't suck your blood out, he reasons that he's practising self-control and instead forcing himself to leave featherlight kisses that make you giggle oh so sweetly even when he knows deep down that he'd pluck out every one of his own teeth if even one dared puncture your skin. simon's not a soft man. he's not a gentle man. he's killed countless with the very hands that you play with. he tells himself you mean nothing to him, that he could walk away and forget you whenever he felt like it but everytime he wishes that his fingers were softer so that they may be more pleasant upon your skin and everytime he wishes that his lips were less chapped so that you may kiss him more, he knows he's fighting a losing battle.

simon riley will become a soft and gentle man in your embrace and there's not one thing he can do to prevent it.

masterlist

pls comment i have so many thoughts about this man that need to be talked about xx

[warmsol]

i've missed you so ♫

[rebeccapearson]

My apologies, Your Majesty. You're hurt.

[onedayfandom]

"Godzilla Minus One" is about War, Devastation, Found Family, Survivors Guilt, Resilience and couple more things!

Also there is a giant lizard

This is the ideal movie to Godzilla ratio!

[blazingstar29]

the (potentially?) last chapter of fleeting love starts with 1.7k words of sex i hope yall are happy

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[sacchiri]

So @lesmismignon wrote a delightfully quirky Hellsing-in-One Piece-universe oneshot that I thought would be really fun to draw (I was right).

What a lovely crew they would make :')

[ireallyamabear]

The choice to put Una Chin-Reily on a Starfleet recruitment poster in the late 2370s seems a nod to the extraordinary person she is and her exemplary service, but Boimler’s enthusiasm for her as a personal hero cannot mask the fact of what Starfleet execs are really doing here: while it is Starfleet tradition to honour esteemed personnel from its centuries of history, we have to look at the poster as a product of its time: it seems clear that, shortly after the devastating death toll and the rapid militarisation of the Dominion War, putting a prominent figure of the Great Exploration Age - and notedly someone who had not served in the Klingon War - as the poster person for Starfleet is an indictment that contemporary young people of the Federation are not drawn to the service as it is in their time anymore.

Critically, Starfleet has to use somebody from a 120 years ago, a timeframe that would lap generations of even especially long lived member species like Vulcans or Denobulans, to attract new recruits. Boimler says himself that seeing Una as a representative and her motto - “Ad astra per aspera” was: “Uh, it was a really big reason why I joined.” Clearly there is a wealth of recognisable Starfleet officers from 2370 and onwards, but their entanglement in the Dominion War, or at least in the Borg threat makes them unsuitable as role models for people like Boimler who cannot help but associate these contemporaries with the horrors of war and intergalactic conflict. Thus, the retreat to a “safe” historical narrative, with Starfleet still being about peaceful exploration reflects the growing divide between the realities of a colonised galaxy, the ongoing need of new bodies to fill the posts on all those ships and space stations and the aspirations and values of young people today. In this essay I will question whether Starfleet can keep its promise of scientific integrity in the face of growing political unrest in the UFP and ask what “Number One” herself would have thought about-