#flawless almost

[wolfchans]

Who ATE the luck?

[bacchuschucklefuck]

pygmalion and galatea for aroace people

you should tell your friends what I look like, riz gukgak.

[essektheylyss]

I've said it before and I'll say it again: Midst is a perfectly-paced show. I know the story arcs are largely outlined, but it is actually astounding how flawless the pacing is given the improv aspect. It's clearly created by people who understand on an intrinsic level when and how plot points need to land in order for it to flow smoothly. Absolute chef's kiss, infinity/10, perfect pacing, no notes because I am in fact taking notes.

[starflungwaddledee]

been trying to figure out how exactly i want to draw him; i'm glad folks liked him in that one picture! here's some more bill studies. can't make my mind up between a softer duck-like bill (a little closer to his canon one) or a longer and more pointed shape slightly closer to an actual penguin...? thoughts?

speaking of... um. here's how i think he could look if i didn't have to follow like.. The Rules™️.

[masterfuldoodler]

ok idea. what if we gave stories a free pass for one or two plot holes. "this story thread had a big hole in it" ok good to know, that must not be the main point of the story since it's got plot holes. they must have put their attention on what they thought was the important part. time to look closer at the other parts

[fishing-lesbian-catgirl]

I can imagine anything guy image: “I can spiral into tears and convince myself I’m the worst person alive over anything”

[mayahawkeswife]

agatha all along episode 6 without context

[danyseastar]

[cutie-lumi]

Every femstars artist I've seen draws Mugi with big boobs and I'M NOT COMPLAININGJFKSNGK I just love how she has the biggest boobs and then nat is like.... Flat.. I feel kinda rude saying thatdbsknf😭 I love them so much ❤️❤️

I LOVE WHEN PEOPLE DRAW THEM LIKE THIS!!!!!!! it's my ultimate hc for their bodies ever since I?? started shipping them ig?? Fem!Tsumugi not caring about her looks yet being well endowed while Fem!Natsume is like. always looking super pretty, but being flat as hell (and a little bit jealous of mugi's overall body proportions)? SIGN ME UPPPPPPPPPPPPPPPPPPPPPPP IT'S MY FAVE SHIP DYNAMIC. I EAT IT ALL UP ALL THE TIME. I love seeing other artists having this as their hc as well!! Imo it suits them so much OUGHHHHHHH i need to thank all the artists who also draw them like this bc you're the reason why im so well fed. thank u for your service.

[eesttm]

How to Win Taskmaster, Episode 3 – Blindfolds [x]

[thequeenofsarcaasm]

Please give Toji some friends cause what the fuck is he doing here?

[wildsaltair]

bonus:

Russell Crowe as Egan // The Silver Brumby (1993)

[superm4ks]

Kit do you not rep Charles anymore 😭

Of course I do he’s prime I just need a break from his team and that fucking dog

[quinloki]

Canon Characters vs OC vs x Reader

Disclaimer: This is just my two cents, and my perspective on things, and I'm not trying to lay down the law for everyone. I needed to just put this to words though, in order to sleep.

I was thinking about this because of a post I saw, and some, we'll say, kind of useless comments associated with the post. Mean-spirited stuff.

Normally, in one ear and out the other, but the vibes just kicked me off down a rabbit hole of sorts an I wanted to try to put some of my thoughts to words.

First, some style vibes:

Canon x Canon Canon/Canon stories are, to me, like reading an episode of that show. I'm sitting down in front of a TV or whatever, and I'm experiencing the story As A Viewer. I like this style because I don't really have to expend much energy and I just kind of roll with whatever's happening. Generally some sort of 3rd person perspective.

OC x canon OC/Canon stories are like being on a carnival ride. I'm sitting in a car on a roller-coaster, and maybe the OC is sitting next me. I'm experiencing the story more deeply than strictly canon stories, but my connection with the OC is no deeper than say, my connection with Katniss Everdeen when I read The Hunger Games. Sometimes 3rd person, sometimes first person.

Reader x canon Reader/Canon (or Reader x/ OC) is like putting on a VR helmet. I don't get much physical input about the "Reader OC" because I'm experiencing the story through their eyes. I don't expect the reader to be me, but there's a bigger feeling of immersion to be had. Some description might happen cause it's relevant to the story, and it's still a type of ride, I can't jump the rails on the roller coaster, after all. (Even with a VN you still follow the tracks). Sometimes first person, sometimes second person (I'm partial to 2nd person perspective, but that's just me).

I love Fan Fiction, I love it. All of it, and man even more than anything, what I love is that I'm going to dislike 80% of it. Because that 80% was written for someone who is not me. (Hell, that number's probably closer to 99% if we're looking at ALL fandoms, but I digress).

Second - The VENT:

What got me the most in the post that prompted this, was someone saying "Bring back the Mary Sue OCs!" and then they went on to describe something more detailed, and I just -

Look, respectfully, fuck you.

The point is, you're not going to be happy no matter what. Whether it's "mary sue" OCs, or x readers, or alternative universes, or a ship you don't like, you're going to find something to be unhappy about.

Cause people have been bitching about all styles of fan fiction since the first "You've Got Mail" chimed in 1991. And until 1998 and ff.net you really had to hunt for it, and until 2007 and Ao3 the idea of tagging a fic for any reason wasn't really a thing. Every click was a surprise! \o/

I just have seen the same song and dance a dozen times. It's exhausting. People become okay with OCs and decide x readers are the enemy, and before that OCs were *all* Mary Sues and cringe and people who made OCs were the enemy, and before OCs people who wrote even a little OOC were the enemy, and people who wrote AUs were the enemy, and you can write fan fic but it HAS to be Canon Compliant, and everyone MUST be in-character at all times - "They would not fucking say that" was the enemy.

Look, just please - please - in any capacity, stop it with the "All X style of story telling is crap" mindset. There's over a dozen different ways to do x readers alone. I know 20 x reader writers and I don't think any of us have the same style, preferences, or vibes.

I've had a lot of comments along the lines of "I thought I hated x readers, but I really loved this." on a few different fics I've written. Sometimes it's not the style of the fic, sometimes it's the style of the writer, and my Brother In Christ - you're going to have to read some awful shit to shuffle through the thousands of writers out there to find the vibes that resonate with you.

Ostracizing entire swathes of fan fic because you need something to be "The Enemy" so you can lift up something else, and then bitching you can't find anything new to read seems like a personal problem.

And I know y'all are scrolling by TONS of posts that don't interest you, every day, as a matter of course. So don't give me that "clogging up the tag" BS, because we deserve to be here same as anyone else in the fandom.

[philhoffman]

I just stumbled on an article by film professor Caetlin Benson-Allott called "The Queer Fat of Philip Seymour Hoffman," originally published in the book Millennial Masculinity: Men in Contemporary American Cinema and it is FASCINATING. Here's an excerpt that lays out her basic thesis:

In these films, the actor manipulates his physical breadth and weight as well as his gestural scale to draw the viewer’s attention to how compulsory heterosexuality marginalizes certain lives and bodies. These physical techniques help Hoffman visually exceed the fat male stereotypes of his early career, stereotypes that coded his body as immoderate, less than masculine, and thus most suited for minor roles, comedic turns, and pathetic losers. In such cases, fat male stereotypes rely on stock meanings attached to the actor’s stockier build. Hoffman transcends these roles with nuances of movement and deft exploitations of gesture and in so doing illuminates the process through which overweight male bodies are made unintelligible by a filmic culture that denigrates fat genders even among the gender and sexual alterities that it occasionally exploits.

Hoffman’s physical acting exemplifies the gendered as well as sexual potential of gesture and performance, for he uses his corpulence to visually refuse the traditional masculine-feminine gender binary and dramatize orientations and physical expressions of the body otherwise excluded from heteronormative American cinema... In each [film], he offers another version of what has remained a pale, overweight male body... As James Lipton notes, these relentlessly physical performances suggest that “Philip Seymour Hoffman may be the archetypal sex symbol of our time” in that he gestures toward new approaches to representation for marginalized sexualities and genders.

She goes into a deeper analysis of PSH's roles in Twister, Boogie Nights, and Mission: Impossible III, mentioning a few other performances throughout and focusing on how he used his body to challenge cinema's traditional ideas about fat male bodies and sexuality.

On his role as Dusty in Twister:

Hoffman must still perform the invisibility traditionally associated with fat bodies on-screen or risk violating Twister’s already tenuous verisimilitude. The genius of Hoffman’s performance is that he manages to do both by exploiting the cultural unintelligibility of obesity; he uses the spectator’s own tendency to dismiss fat men to camouflage Dusty’s narrative centrality. Because Hoffman is the only overweight actor in this film, his girth emphasizes Dusty’s position as the film’s fool, which helps disguise his formulaic responsibilities. Hoffman’s weight opens up a dramatic tradition through which he can exacerbate his character’s hedonistic qualities and conceal his intelligence and manipulative capacity. By making his body both overly visible and easily overlooked, Hoffman obscures Dusty’s generic necessity.

On Scotty J in Boogie Nights:

Hoffman orients Scotty’s physical expression of his sexuality around his belly. Because Scotty is written as inarticulate and suffering from unspeakable desires, Hoffman uses his body, specifically his largest and perhaps least mentionable feature, to communicate Scotty’s unmentionable orientation. Hoffman thus borrows a technique from gay male fat pornography and “displaces erotic pleasures [or their symbolic representation] from the genitals and disperses it to other parts of the body, thereby reconfiguring what can count as a pleasurable body.”

On Mission: Impossible III:

In contrast with Tom Cruise’s strong jaw and hard muscles, Hoffman’s relaxed flesh becomes a manifestation of his confidence; Hunt is tense, but Davian is at ease. This lack of visible affect exempts Davian from the tradition of fat villains whose bodies incarnate their overabundance of desire, appetite, or greed. His smooth contours and the reflection of light off the broad planes of his golden skin allow Davian to transcend associations of his body with appetite as he refuses to show interest in Hunt’s interrogation or subsequent threats to his mortality. Hoffman’s elimination of gesture thus helps Davian become a new kind of fat villain, one whose body suggests a lack of interest in the physical world rather than an excess thereof.

Pleaseee seek out this article if you have any interest in Phil's work and physicality—it's one of the most detailed and intriguing pieces I've ever read on him and I'd loveeee to talk about it, the good and the bad. You can download the PDF for free on academia.edu but if anyone has a problem getting it... just DM me lol. Wrapping this up with one excerpt from the conclusion bc I know Phil has taught ME a lot about "being in one's body," as the author says, so I love seeing that in print:

Hoffman’s body offers a new vision of male embodiment outside compulsory heterosexuality, an alternative use of the flesh we might even consider queer. Kathleen LeBesco has observed that the queer and fat liberation movements share many similar projects, but watching Philip Seymour Hoffman suggests that in some cases fat is queer... [Hoffman's] movements propose a new way of being in one’s body, for even within the highly structured heterosexual order of Hollywood cinema, Hoffman helps us envision the body outside normalizing gender strictures.

[onelastchorus]

hc that baiheng had just the biggest older sister vibes. like, yingxing was her baby. she teased the hell out of him over everything and they got lunch together several times a week when she was on the luofu, her dragging him out of the forge blabbering about the latest intergalatic gossip and how he needs to get out more and eat his meals. she was endlessly endeared by jing yuan, always indulging him in seemingly unrealistic ambitions and telling him equally fantastical stories of her journeys across the stars and narrow escapes from peril and despite dan feng technically being older than her, she wasn't ever intimidated by him nor his title. instead she looked at him and saw a kind of humanity he never let himself see in himself. she would've tried to shouldered so many of his burdens if he ever let her in.