#first watch of the year :)
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mourn-and-watch · 1 month ago
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anyway congrats ciri on becoming The witcher
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timefadesaway · 29 days ago
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what was the best and/or your favourite film that you watched for the first time this year?
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waterthatsmoe · 3 months ago
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First years shenanigans
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Bonus jack
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dragonpikachu · 5 months ago
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List of old Gravity Falls things
because fans today probably don't know about all the batshit stuff that used to happen, here's some of the stuff I remember in no particular order:
People theorizing Robbie was a zombie
People also theorizing Gompers was connected to Bill because his eyes looked like that
Mystery trio
That time when Dipper got possessed by Bill, he stuck Dipper's arm in a silverware draw and then there was an avalanche of fan art with forks stuck in the poor kid's arm
The fact people guessed Stan had a twin actual years before the reveal, somehow even getting the name Stanley right, and then it turns out the names were swapped (there's so much old fan art calling Ford "Stanley", how could we have known)
All the crossover art with Over the Garden Wall
The fact Tad Strange's name was leaked and people came up with an entirely made up story about who he was, thinking he was some kind of weird shape demon like Bill, only for him to be a small 8 second gag character
When "Not What He Seems" can out and Stan's quote of "The Author of the Journals, my brother" somehow became a meme
When Steven Universe ended and somehow we got a bunch of fan art of him working at the Mystery Shack
That time "A Tale of Two Stans", the Steven Universe episode "Cry for Help" and the FNAF 4 trailer were all released on the same day, July 13, 2015
This:
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I know there's other shit I'm forgetting so feel free to add some if you know any
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dykealloy · 1 year ago
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what do you mean jennifer saunder's shrek 2 cover of Holding Out for a Hero didn't play over the entirety of dressrosa arc
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malinaa · 1 year ago
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if i think about the hunger games in peeta's perspective i WILL start sobbing
#imagine you're a boy who's going to die. you're in love with the girl you've been watching from afar. you know your fate.#you just want to help her‚ but then there's the announcement and she's here in front of you‚ kissing you‚ risking her life for you and you#think‚ i could live and i could love. you think she loves you when she hands you the berries‚ when she puts them in her mouth.#then you both survive and you go back home and nothing is real anymore. you have nothing. no family. no friends. no love. just an empty#house. a drunk for a neighbor. the love of your life walking into somebody else's arms. you think‚ i survived the games. i could survive#this. and you also think‚ i should've bit down on those berries‚ should've felt the juice burst before i died.#and then the third quarter quell announcement rings in your ears and you think‚ she will live and i will die as i should have in the first#place. the girl you love kisses you on the beach and somewhere you heart stirs and your mind revolts and you savor every touch she has ever#given to you‚ in front of the cameras and off. because you are a tribute and you are always being watched and snow's presence looms and#you think‚ i know she cares. but you get taken. you get drugged. you get tortured‚ your mind altered. the girl is a mutt‚ a murderer. she's#everything you despise‚ your mind stirs. your heart revolts. you gain more awareness but cannot distinguish reality from fiction and you#have never known katniss' love. the war ends. you heal. you come home. you plant primrose for her. years down the line‚ you grow in love#more than you thought possible. but some days‚ you cannot tell fiction from reality so you ask the love of your life‚ you love me.#real or not real? and she says‚ real‚ and kisses you.#and you sigh and kiss her back and revel in this. a home. a life. a love.#lit#the hunger games#everlark#otp: real or not real?#katniss everdeen#peeta mellark#text#tais toi lys#thgpost#*
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ispaintingcalmly · 21 days ago
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Camelot sketches (I’ll probably add more in the future)
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starry-bi-sky · 4 months ago
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FUNNIEST fucking shit that comes with making Danny eleven years old when he had his accident in "late at night, when the nightingale sings" is the implication following, that everything that happened in the show did too. And I fully intend on (mostly) keeping it like that. There'll be some changes (of which I need to figure out) but for the most part??? Yeah relatively the same.
Like I FULLY intend on keeping Dark Danny occurring 6 months post accident. Do you know how fucking HILARIOUS that is??? That Dan got his ass kicked by a goddamn FIFTH-SIXTH GRADER?? I'd never show my face ever again. Homeboy spent the last ten years being a one-man mass extinction event, only to get his ass beat by a kid who hasn't even lost his last baby tooth. That's hysterical. I'm losing my mind just thinking about it.
AND PARIAH DARK TOO. Imagine being an eons old tyrant capable of dragging whole towns down into your dimension, and you get singehandedly shoved back into your coffin in less than 48 hours by a kid whose bedtime is still 8:30. You didn't even have the time to expand your army! You were still trying to take over the city the kid came from!
And he just!!! Shoves you back in!! Insane! This kid hasn't even been dead for a full year yet! He's still growing in his ghost fangs! And he just knocked you flat on your ass in an oversized mech suit. What the fuck! It's like looking down and seeing a four week old kitten meowing very indignantly at you and trying to bite your feet, except that kitten is also actually a black-footed cat and they have a 60% kill success rate, and oops! Now you're dead. You took too long laughing at the kitten trying to attack you that it clawed up your pant leg and ripped out your throat.
COULD I, realistically, span these episodes out over the course of 2.5 years prior to Danny's family dying?? Yes I could! Do I think it's hilarious (and horribly traumatizing, which makes it twice as fun) to shove all of this into the span of (roughly) a year instead?? Yes. Because the show has such a skewed timeline that I've always just assumed that at the end of the show, Danny was starting his sophomore year in high school. So fuck it, lets go for it!
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kazz-brekker · 7 months ago
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i do have to respect that everyone was like "bridgerton is the most cheerfully historically inaccurate horny on main period drama romance show with a very anachronistic soundtrack to be released in 2024" and my lady jane was evidently like "bet"
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bacchuschucklefuck · 8 months ago
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summer of junior year 06/11
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nolvini · 3 months ago
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soul eater? I hardly know her!
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jedi-starbird · 11 months ago
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'Desert hermit Ben Kenobi develops a reputation as a crazy wizard because he keeps talking to thin air.'
No. This is Tatooine, talking to yourself is hardly the weirdest thing they've seen. Ben Kenobi, however, keeps having full on fucking screaming rows with thin air and seemingly gets replies back, which is decidedly a step up.
(They've managed to piece together that a major point of contention is the acquisition and raising of a child? Clearly Ben is a wizard that had a bitter divorce with a desert spirit and is working through a custody dispute)
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pricetagged · 2 months ago
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Here's a young (maybe 19-early 20s) Simon struggling with his emotions, working as a butcher's apprentice, and fixating on the pretty student waitress at the café next door (':
Content: plus size f-presenting reader; allusions to domestic abuse (Simon's past); fat-shaming (not Simon); little bit of violence, unedited. (Link to Ao3)
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He's not sure that it counts as desire. Interest. It crawls over him, makes him feel aggressive, makes him want to dig his teeth in and shake and snarl.
It's hunger.
And he knows hunger. Knows it like he knows the cigarette burns on the back of his hand. Knows it like he knows his old man's a waste of space and that he has to defend his mum and protect Tommy and- and-
He's the man of the house, only the house is rotten. Woodloused frames, crumbling bricks. Gutted. Empty shelves hidden behind broken doors. Chipped plaster, electricity cutting off. Squeaky steps that always clued them in when the old man was on a rager (not that it helped, creaking out a warning but giving no clue where to run. The percussion leading to a gallows' jig; the heavy step before the hit).
But the old man's gone now. And Simon is left trying to fill in the boots he doesn’t know how to wear. All growth spurt and gangly limbs and anger. So much anger at the old bastard. Tear-soaked anger at his mum sometimes (buried deep behind the shame that he feels when he thinks of her black and blue. Anger and shame, bitter roots that he chews at to soothe the clench of in his jaw and the grind of his teeth). And then he sees you through the window. Through the peeling CHRISTMAS SPECIAL sign highlighting ham joints and turkey and pigs in blankets.
You're so soft.
You look like you’ve lived a life well-fed and well-loved. Something round and sweet and helpless, like the puppies he and Tommy had seen dumped in the park while they snuck cigarettes and swigged from cheap supermarket cider.
And that brings him back to the hunger. He's an awkward creature, shuffling to the café where you work part-time. He's more feeling than man, all rage and appetite stuffed into a skin suit. You sense it too, nerves tugging at the tilt of your smile as you approach the scavenger that swept in to sit at the cheap plastic tables in this greasy spoon. He sits awkwardly, too, hunched over the table like his stomach is gnawing at him. Big hands snapping the disposable plastic coffee stirrers and shredding the napkins. That first day, he just stares at you. Sneers a little when you flutter over to take his order.
You slosh the tea a little when you serve it.
He sees the burn bloom, watches as you suck at the sting with plump cheeks and a rosy little mouth, and he just wants to dig in and scratch hard to see you do that again.
It becomes a habit, watching you. He finds out bits and pieces listening as he rends and chops and saws through muscle and bone, stinking of sweat and iron. You're here as a student. You're living in student digs (good, best that you avoid the up-and-downs and rough streets that would fit a student budget), and you're a real sweetheart. Old Sal who has been running the café for the past 30 years leans a heavy elbow on the display counter as he chats with the boss.
"She's lovely, taken to it like a fish to water," his raspy, smoke-charred voice is cheery as he waits for the bacon and sausages to be weighed and wrapped. "Only asked for Thursdays and Fridays off since she has afternoon classes then. Otherwise, I almost have to round her out of the shop, doing more afternoons and weekends than my own kid."
You're hardworking too, then. He wonders if it's because you're hungry too, needing something to do with your time, living on pot noodles and supermarket ready-meals like he'd heard some students do. It's strange how that thought sits uncomfortably, makes him want to hunch over you and bring you his scraps.
That week, he decides to talk to you. Only the words get caught, don't come out quite right as he stares at the way your jumper clings to the soft curves under your faded apron. When you turn around, bustling to other customers, he can't help but stare at the line of your skirt. It's real pretty, decent, sitting just above your knees but Christ, he wishes that it would roll up a little higher. That it would catch on the corner of a table or hitch up as you raise your arms and swish past with a tray full of fry-ups. He almost gets lucky as you bend over to mop up a spill just across the room. Your thighs widen as they press against the table, tights stretching thin and sheer and he just can't tear his eyes away-
(The hunger in his stomach turns hot and biting, makes his cheeks flush and his mouth dry-)
But it's ruined. Fly in the soup, hair in the dish, as you catch him and your eyebrows pinch together as you look away. There's something guarded, bitter, in your lovely eyes, and the dryness in his mouth turns wet and sour. You seem to take pains to avoid him, swapping out with Sal's son so that you can work the counter instead of the floor.
"'m Simon," he grunts as he goes to settle the bill. "Work at the butcher's across the street."
You clearly didn’t expect an introduction, shoulders relaxing and hesitant smile blooming as you give your name in return.
"Yeah, I know. Sal mentioned you a few times. He's tried to give me the rundown of practically everyone on the street, feels like."
"Y'should come in t'the shop," the invitation rushes out in a way that makes him feel clumsy. Perhaps that’s why he did it; to have you in his space, with his head and his footing right. Here, he feels every inch the artificial man. Pieced together, too big and too looming, with no help or guidance on how to talk to soft things and pretty girls.
You grimace a little, eyes focused on the till as you count out his change. "Not really on a butcher-shop budget right now."
"'S'alright. I can keep something aside for ya," he doesn't mention how it would come out of his wages. How it would come out of what he brought home to his mum and Tommy. It didn't matter, though, when he was used to going without.
"That's - that's really nice, actually," Your sweet face is glowing now, and he feels like he could bathe in the warmth of it. "Next time you come by lunch is on me."
He sees the way you tuck your chin and smile as he walks away, and that bottomless pit in his guts feels just a little more full.
(He doesn't quite catch the snickers of the boys at table three, whispering and nudging each other as you come to take their orders. This time.)
He stares more and more through the window of the shop, watching as you come and go. Watching the way you greet the regulars and skirt around the group of lads who like to linger in the evenings. There's something sharp, nasty, to the way they circle around the entrance. The way they cackle and hoot when the one with the eyebrow piercing smirks and whispers to his mates as they force you to brush past. They're a pack of hyenas, shrieking and smug as they toy with the poor little thing that's walked past their watering hole. He's seen this type before, practically grew up with them. His old man was probably one of them, perfecting his cruelty while young, cementing it as part of his nature.
It has Simon sharpening his knives while he grits his teeth. Has the boss tutting at him when he cuts too close to the bone.
He knows there's something violent in him. The old man tried to bring it out then snuff it out, getting scared when the knife that he sharpened was able to cut him in return. He's no stranger to bloodshed. No stranger to the calloused, deprivation-dimmed apathy that breeds like algae in the environment where he was forged. Dripping, slimy, suffocating.
Doesn't mean he likes it, though.
(He'd gone back for those puppies, you know. Felt wrong leaving them. Felt like a rebellion against his old man's sick life lessons as he dumped the box outside the doors of a local veterinary clinic).
So he keeps his eyes peeled, stakes out the café like he owns it. Stares down anyone who looks at you wrong until they look away, muttering under their breath. 'Fucking freaky dead-eyed git.' It seems to work.
And you seem to like it, sparing more smiles for him. Bringing him bigger portions than normal and topping up his cup before he even needs to ask.
"I know you've been working since seven, Simon. Gotta keep your strength up," You seem bashful as you slide the plate across, and he just eats it up.
You've been looking at him, thinking about him. It's not something he's familiar with, having someone care for him. His mum loves him, of course. Tommy too. But it’s not the same, not when it's been his job to take care of them. His job to step up to the mantle and into the shoes that his father should've filled. Watching the sway of your wide hips as he tucks into the steak and kidney pie with gusto, he feels satisfied. The hunger is there, always is, but it's not gouging at him under the skin. It's satiated, pleased. The kind of comfort that leaves his eyes heavy and his belly warm.
It's a routine you fall into, and everything is rosy-
Until it's not.
He's closing up shop, wiping down the counters and getting ready to haul down the shutters when he sees them. Those stupid pricks, travelling in their pack and signaling that their quarry is in sight. Look, there it is alone and limping and- You're in a rush, leaving later than usual and shrugging your coat on carelessly as you shout your goodbyes to Sal. You're in that skirt again, the one that makes his lower belly tighten and mouth feel dry.
"Oi, look! Dirty scrubber has her fat arse hanging out!"
It sets them off, chittering and howling as you freeze wide-eyed and lip-quivering.
"Gonna be sick, mate. Don't want to see your knickers, love. Didn't even know they came in that size."
He doesn't even see red. Doesn't see anything but your pretty, round face crumpling as you try to tug your skirt out from where it got caught under your coat.
The ringing of the bell by the door muffles the sound of the first punch. His fist crunches into that prick's nose, and he wants nothing more than to keep going until his face is little more than meat and pulp and blood. He can taste it, smells the blood in the air like a shark.
But you're watching.
"Bit bored with y'taking the piss out of her," he snarls it as he hauls the man by his jacket, shoving him hard against the wall until his head thwacks against the bricks. Easy as hauling a side of beef. "Why don't ya try me next?"
The man seems dazed, head spinning and nose dripping. His mates, too, look floored. Ready to scatter and abandon their leader to the bigger beast. Only the promise of more blood keeps them watching, feeds their nasty appetites and he's just itching to let them see. Watch what happens; it's coming for you next.
"Speechless now, eh? Had so much to say earlier," he's spitting the words out, teeth snapping as he leans down so close to the man's face that he can see how his pupils constrict. "Apologise."
And he's smarter than he would give him credit for. Smart enough to whimper out his 'sorry, sorry, sorry' as he drops to the filthy, damp pavement when Simon swivels towards the others. Something about the set of his shoulders, the way his hands and apron are splattered with the gore of man and animal, has them scattering.
"That goes for the rest of ya! Don't ever want t'see your ugly fucking mugs around here again," he spits on the ground, itches at his jaw with his wrist as he watches them run.
He can't hear them anymore. Can't hear anything over the sound of his heavy panting and pounding heartbeat.
It's cold out. He's only realising it now, standing in the December chill with just an apron over his jeans and t-shirt. It has him shaking, flexing his hand as his knuckles start to sting and swell. He welcomes it, welcomes the familiar bite as he pushes down the savage, ragged anger rippling through his chest.
"Simon-"
"Y'alright?" he cuts you off, faces you head-on.
And all the rage saps out. You're not cowering away. There's no disgust on your face. No tears or embarrassment either, no. You've got a crumpled packet of wet wipes in your hand, reaching out for him. Concerned.
"Figure you'd want to get that prick's blood off you soon as possible," you give him a sad little half-smile. "Didn't have to do all that for me, Simon."
"Yeah, didn't have to." He concedes as he steps closer to you. Crowds into your space until you're toe-to-toe and he can feel your warmth. He brushes his fingers against yours, lets them linger on your soft skin as he reaches for the wipes. "I wanted to."
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Let's all pretend that this was okay and ignore the fact that I still haven't posted the wips that I keep going on about 🫠💖
Just a little self-indulgent drabble idea that I had today, thinking back to watching 'My Mad Fat Diary' as a teenager, feeling nostalgic ~ (The Finn-defending-Rae scene had 18yo me in a chokehold lol).
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stemmmm · 3 months ago
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if you havent read my wife's gf fanfic WHAT ARE YOU DOING!!
(no sound)
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toktopus-art · 3 months ago
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happy halloween 👻 it's haunted house time again
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hayden-christensen · 5 months ago
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Death doesn't discriminate Between the sinners And the saints It takes and it takes and it takes
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