#first one i've seen this year!!

[tetedurfarm]

SALMONED

BERRY

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[backpackingspace]

Okay so with the line "the olive tree where we first met" we have two equal hilarious options.

When penelope was sassily like oh I'll marry you if you make a living bed out of this tree right here! Cue penelope stumbling over odysseus very very carefully digging up the tree "because how else is he going to get it to itacha we can't have a wedding bed out in the open in sparta duh"

Or

2. Penelope, knowing that Helen's suitors would soon be arriving to take over her home for a while. Snuck out and went on her own wacky shenanigan filled journey where she scoped out all the major players. Odysseus caught her spying in an olive tree. And when she got back she told Helen she had dibs on the cutie from itacha.

[hellmandraws]

Not gonna lie, I'm super excited about the upcoming One Piece live action series! It's out Aug 31 on Netflix. I actually think it's gonna be good! 🤞🤞🤞

[eddis-not-eeddis]

How To Stop Killing Conversations

Talking is hard. People are confusing. Making friends is difficult, and interacting with coworkers is tortuous.

You want to make friends, you want to reach out, but it's hard and every time you start a conversation it dies, or limps along until both you and the person you're talking to are looking for excuses to kill it and put it out of it's misery so you can both escape the increasingly awkward situation.

As an introvert who has suffered a lot of social anxiety in my time, let me share a few tricks I've learned over the years going through hundreds and thousands of excruciatingly painful conversations until I found something that works. I've kind of distilled the process.

ALWAYS ASK A QUESTION!!!

The first thing is to always leave your partner an opening. You need to let each other talk for a conversation to get off the ground, but it's more than that, really. You need to actively encourage each other to talk. The best way to do that is to ask questions.

Here are two examples of an introduction: Example A

You: Hello.

Them: Hello.

You: Nice to meet you.

Them: Nice to meet you too.

Example B

Y: Hello, nice to meet you, how are you? T: I’m doing well, yourself?

Y: I've been really well. How are you liking the weather?

T: I'm so happy the weather's finally getting cooler, I'm looking forward to pumpkin spice season. Do you like lattes?

Do you see how in Example A the conversation wasn’t going anywhere? It just kinda died, because there weren’t any openings for new topics, whereas in Example B, there were openings to keep the conversation going.

But what do you do if your conversation partner is as socially inept as you were two minutes ago and doesn't play along? All is not lost.

Example C

Y: Hello, so nice to meet you, how have you been doing?

T: I'm doing well.

Y: That's great, are you enjoying the nice weather, then?

T: Yeah. I'm glad it's finally fall, I'm looking forward to pumpkin spice lattes.

Y: I love pumpkin spice lattes! Pumpkin spice anything, really. I recently got the best pumpkin spice candle at the shop down the road, have you been there?

Even if they don't leave you an opening, you can usually make one. It may be difficult, especially when they don't give you much to work with. This is where having a go-to script is a life-saver--me, I always default to talking about the weather, so when in doubt, you can do that.* The important thing right now is to keep fostering the conversation, so once you bring up the weather, segue into a question. When they answer the question, make a brief comment or observation from your own experience and build off of that comment or observation to ask another question.

"But I don't want to make it about me. Doing that's bad, right?"

This is why that questions are important. If you haven't been asked a question, you kinda have to make it about you, you don't have a choice. But to keep from being an attention hog, follow up your shared experience or anecdote with another question.

Example D

T: I love pumpkin spice lattes

Y: Me too. I had the best pumpkin spice latte the other day at the cafe down the road, have you ever been there?

Now you've circled the conversation back around to them again, and you aren't taking the limelight. Sharing an experience is so important, you're trying to show that you understand, that you sympathize, that you relate.**

This really is the most important element of being a good conversationalist. You have to keep asking questions.

The one other thing I will touch on is introductions. DO NOT get into turn based combat.

Example E

Y: Hello

T: Hello

Y: Nice to meet you

T: Nice to meet you too.

Y: How are you doing?

T: I'm fine. You?

Y: Me too.

This will kill any possibility of continuing a conversation. Instead, get it all out of the way all at once, if at all possible.

Example F

Y: Hi, it's nice to meet you, how are you doing?

This is good, but this is better

Example G

Y: Hi, nice to meet you, how are you liking the weather?

Don't ask how they are doing, or if you do, before they can answer, follow it up with your placeholder (weather etc.) so they have to say some thing like

Example H

T: I'm fine, and I'm really liking the weather.

or

T: Not so great, the weather sucks.

Either of those options are much easier to work with than your basic "I'm fine."

Usually, if you can get past the introduction, you can get a conversation going. And then, even if you don't end up hitting it off with the person you're talking with, you at least don't leave the conversation feeling like you've died a thousand tiny deaths.

In fact, if you get past that introduction, you may have just made yourself a friend.

Remember folks, basically everyone around you is more afraid of you than you are of them, and in this benighted age no one has been taught conversation skills, so we are all pretty much in the same boat. (Unless you were born an extrovert, in which case we are all deeply envious and would probably kill you if we didn't need you in our sad and lonely lives so much.)

Have grace for one another, and for yourselves because talking with people is difficult.

Go forth, and stop killing conversations.

*If you are one of those awful people who likes to brag about how you hate small talk and only want to talk about important and meaningful things, I have one question: Do you ever have a conversation that lasts long enough to become meaningful? I thought not. Small talk is an important skill. Develop it.

**This is how you deal with sad or difficult situations too. When you want to show you sympathize with someone going through a hard time.

Example:

Y: How are you doing?

T: Not very well. My dog died last week.

Y: Oh, I'm so sorry to hear that. My own dog died last year and I still miss her a lot. How are you handling it?

Now you've circled the conversation back around to them again. You aren't making it about you.

If y'all want, next time I can share how to extricate yourself from a conversation.

[eddiezpaghetti]

Okay, so my experience with Stranger Things is a weird one.

I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.

And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.

It's really fucking obvious that Will and Mike are gonna be endgame.

Like holy fuck. It's so fucking blatant I don't even know why people are nervous.

No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.

And then this?

They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.

Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.

Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.

But this?

This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.

It's the same reason you look at this

And go, "Oh..."

"Those two are probably a couple."

And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--

--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.

Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.

[maximura]

[casiavium]

Actually the worst thing to come out of the new pjo series is people deciding Annabeth's dad was 19-22 when he was given her by Athena (and therefore "just a kid at the time" so it's not his fault, he was in debt and couldn't afford it) He was in the middle of/nearly finished with his PhD, the Chase family was rich and he was probably a legacy (college not demigod wise) so no, he was just a shit dad. And she was also like 7 when she ran away and he was already married to her stepmom who was half the problem. Characters can be 30+ actually it's okay I promise

[occasionallybirds]

Sora, aka Carolina rail or meadow chicken (Porzana carolina)

October 16, 2023

John Heinz National Wildlife Refuge, Tinicum, Pennsylvania

[mintleflower]

ignore Rogier ok

[georgeharrisonsmiling]

All those years ago.

[wonder-worker]

this is a Princes in the Tower and Edward of Lancaster stan account btw

[canisalbus]

Vasco seems like a honeycomb (candy) type of guy tbh

Never heard of it before, but it looks nice. Apparently it's really easy to make at home as well? Is it good?? The texture seems interesting.

[seventh-district]

Dying Star

In the back of your mind, you recall something you once heard, something about light, and time, and distance. Space. Something about... how you can still see a star that's already burnt out, because its light hasn't reached earth yet. The ghost of a star that's already died. Only still perceptible thanks to time, and distance.

You remember Sam's words, once whispered to you on this very roof.

"Whatever your choice is... I'm not gonna live forever. I made that decision a long time ago."

You think about dead stars.

You think about time.

- - - - - - -

Sam’s words have been weighing heavy on your mind ever since you discussed your shared future and the various forms it could take. You didn’t realize just how heavy they were until it all came spilling out of your tired mind on a late night spent together beneath the stars.

Pairing: Sam x Darlin' / Reader

Word Count: 4,053

Contains: [angst] [a dash of humor] [a hint of chubby!Sam bc i like 'em strong and soft] [crying] [cuddling (dub-con cuddles with Quinn in the past & consensual ones with Sam in the present)] [emotional hurt/comfort] [implied/referenced dub-con sex (nothing graphic) (in the past between Darlin' and Quinn to be specific) (refer to my Ao3 notes for further explanation)] [mentioned Quinn] [not quite Dissociation i guess but Darlin' does zone-out/get lost in thought more than once] [pet names (Darlin' (obvs.) and honey)] [Reader is Darlin'] [Sam wears a cowboy hat bc i said so] [some passive suicidality from Sam if you squint (hell, maybe you don't even have to squint)]

A/Ns: Well, well, well, here I am, the person who said they wouldn't write any Redactedverse fanfic. I recently felt a mighty need to expand upon the blurb I wrote in this post, and I'm braving my fandom anxiety by sharing it here. pls be nice 2 me abt it

Timeline-wise, this fic takes place sometime after the ‘Talking About the Future With Your Vampire Mate’ audio but sometime before their presumed eventual departure from the house that William gave Sam, given that they've already had the 'turning' discussion but are still on the same roof in this fic.

This is a songfic, inspired by and quoting verses from 3 songs. Those being:

‘Dying Star’ by Ashnikko feat. Ethel Cain

‘Fix What You Didn’t Break’ by Nate Smith

‘No Plan’ by Hozier

The roof of Sam’s house is far from a ‘cushy’ place to relax. But as you lie here next to him under the stars, a knowledge settles within you that you wouldn’t trade the rough shingles beneath you for the softest mattress in the world. Not if it meant there’d be anyone other than him lying next to you.

Some people might counter that it’s an easy thing for you to say, given the number of nights you’ve thrown a balled-up shirt onto one end of a worn-out couch and called it a bed. But some people don’t know you as well as they think they do.

You’ve known luxury. Quinn might’ve been just as content taking his fill on a seedy motel bed as he was wrapped in silks at a Hilton, but he knew how to play up the luxe when it served him to do so. And in the early days as he worked to lure you in, it did. Plush sheets and expensive drinks helped to soften the preordained blows and dull the imminent pain that your nights with him held.

Once you’d latched onto the bait though, he let the act drop one piece at a time, like props collapsing on a stage. After all, what was the point in all of those frivolities when you both knew what you really came to him for? It wasn’t to be wined and dined, it wasn’t to be dressed up and shown off, and it wasn’t even to be slowly stripped of it all, laid out across the rolling clouds of a pillowy mattress.

It was to be used. Tranced. Restrained. Bitten. Drank from. Choked. Hit. Edged. Denied. Made to writhe and whine and bleed and plead. Plead for more, for less, for nothing, for anything. Anything to quiet your mind and fill the ever-expanding void inside you where you suspect love was supposed to live.

That’s what you both really wanted.

At least, that’s what you told him you wanted.

That’s what you told yourself.

You only got what you asked for.

To your right, Sam stirs, stretching gently with a yawn. The soft noise he releases as he does so reminds you of where you are, and you trace back through your thoughts to find how you got so lost.

…Right. Luxury.

While your relationship with Quinn certainly changed over time, you never forgot what it felt like in the beginning. 

You remember nights laid next to him, body sore, mind quiet. Quinn’s idea of aftercare was lacking to say the least, but you had nothing better to compare it to at the time, and you’d take what you could get. At least your head felt empty, and the bed was soft. Exhaustion would pull you under soon enough.

The mattress, sheets, and pillows enveloping you were likely worth more than you even made that past month. ...Or several. You found that display of luxury hard to be impressed by though, when it wasn’t the type of comfort you’d been seeking.

As Quinn shifted in his presumed sleep, pulling you in tighter, you didn’t fight it. You found yourself unwilling to fight anything he did, like his mere presence was enough to drain the fight right out of you. You told yourself that you were okay with that. Because you wanted it.

Lying there with your head on his bare chest, you took a deep breath and told yourself that you liked the stench of cheap cologne, poorly masking the cigarettes and alcohol on his breath. You silently told yourself that you liked everything. You liked the pain that he chased with hints of pleasure. You liked the loss of power, the way you couldn’t fight back if you wanted to once he looked you in the eyes. You liked all the things he said, no matter how much the truth might hurt.

He was right, you supposed. Your desires, the things you craved, the depravity that you so enjoyed, wasn’t normal. It was uncommon, unusual, and in the eyes of some, unfathomable. To possess such dark desires, there must be something truly broken inside you.

How lucky you were, to have found someone willing to indulge you. Someone that could give you everything you wanted, and be so kind as to keep it a secret too. He promised that word of the things he did to you, the things you let him do, would never get out. You remember the way he held your hand as he told you, falling for the guise of sincerity in his eyes. You remember his warm smile, and his razor sharp teeth.

You remember seeing that exact same smile on his face through one-way glass as he sat across from Sam and told him everything.

You stood in that room and thought back to those nights of luxury. To the feeling of his nails ghosting over the freshly healed punctures in your neck. To the way he held you against him. You remember laying there, lifeless, feeling like prey playing dead. Afraid to move, afraid to disturb him. But why? He hadn’t threatened you. He never told you that you had to stay. He never said that you couldn’t move, or pull away. So why did you feel that way?

As you stood, helplessly witnessing hours of his slander in that interrogation room, you understood. Your rose-tinted glasses had long since shattered, and you saw that smile for what it was. It was the smile of a man playing a dangerous game, brimming with satisfaction, thinking he’d won.

The radio near you begins to crackle, static obscuring the hosts voice as they announce the upcoming song. Sam doesn’t even open his eyes, just raises a hand and reaches out, blindly adjusting the antenna of the old device.

You’ve teased him for holding onto it for so long, as he is wont to do with damn near all of his possessions. But as you watch him deftly extend and angle the antenna with practiced care, the response he once gave you proves itself true once again.

“I don’t wanna replace it, Darlin’. It’s not broken. It just needs someone who knows how to make it sing again.”

The static clears, and music flows through the radio’s old speakers once more.

You watch Sam return his hand to its prior position beneath his head, acting as a makeshift pillow of his own. The way he’s lying has his hat pushed forward, and it’d be doing a damn good job of shielding his face from the sun if it weren’t somewhere around midnight at the moment. Still, it suits him somehow, despite its lack of any practicality. All he’s missing is a stalk of wheat between his teeth and a tree to lean against and he’d be the spitting image of the cowboy he swears he isn’t.

His other hand rests on the soft curve of his stomach, rising and falling again as he breathes. He’s the image of peace in moments like these, and you’re drawn to it like a moth to flame. Maybe one of these days you’ll find some of your own, but for now you’re more than content to bask in his.

As you admire him, he takes a slow, deep breath and you mirror it on instinct. The grounding practice helps you leave your mind and return to your body, if just for a moment. In doing so, you realize just how tense your ruminations have made you.

You relax your hands, releasing the blanket beneath you from your iron grip. You brush your palms over it, worried that you’ve torn the fabric once you realize that your nails had halfway shifted to claws. You don’t fret much over damage to your own possessions, but this blanket is Sam’s and you’d hate to ruin it. Though, you suppose he doesn’t prize it too much or he wouldn’t have laid it out here across the roof in the first place.

“If I buy somethin’ it’s because I wanna use it. Now quit frettin’ and get over here.” You recall what he told you earlier as he patted the blanket next to him in invitation, and you smile.

Doing a small stretch of your own, you release the tension in your shoulders, turning your attention back to the stars above you. For a while, you let the soft music wash over your tired mind.

“I asked him not to kill me politely. He drained my magic core, bottled up at the source. I washed up on the sea glass shores. I’m nobody's captive.”

In spite of your best efforts to relax, you’re still subconsciously futzing with the loose threads of the old blanket beneath you.

You’re made aware of it when Sam reaches a hand down, gently laying it over yours and effectively stilling your anxious motion.

“Burning like a dying star, invasive weeds rooted in my heart, set in a crooked trajectory. The journey here was hard, I was almost pulled apart. Trying to leave his orbit took what’s left of me.”

You flip your hand over beneath his so you can hold it properly, lacing your fingers together.

For reasons beyond your understanding, emotion tightens your throat, the threat of tears pooling in your eyes.

…You must be more tired than you thought.

As minutes pass and one song fades into another, your gaze dances across the blurry, scattered points of light in the dark sky.

“You were the star in the pitch black, shine the way on the way back. Out of nowhere, answered all my prayers.”

Sam’s always been so much better at identifying stars and finding constellations. But as the music plays, you begin to see one of your own.

“Picked up the towel that I threw in, took in a heart that was ruined. Showed me the past ain’t a tattoo, loved me even when you didn’t have to.”

“Sam.” You squeeze his hand to get his attention.

He squeezes back in acknowledgment. “Hm?”

“I want you to look at something.” You swallow back the emotion that tries to seep into your voice, but it catches his attention all the same.

He leans up and lifts his hat from his head, setting it aside near the radio. He then reaches to turn a dial back, lowering the music’s volume to give you his full attention.

You release his hand, raising yours up as he turns back to face you. You don’t say anything at first, nearly too lost in your own mind to realize you need to actually voice your developing thoughts.

"What—what're you pointin' at Darlin'?"

Your hazy focus is trained on the brightest star visible in your line of sight, arm stretched out to the sky above you. "That really bright one, to the... to the left."

Sam does his best to follow your less-than-specific directions of 'to the left', your pointed finger doing little to help given the difference in perspective. Luckily, after all these years, he knows this stretch of night sky like the back of his hand, so it isn't hard to locate the brightest one. Ghosting his fingers up along your exposed wrist where your sleeve had slipped back, he takes your hand in his again and brings it back down to earth. "Okay, yeah, I see it now. What about it though?"

"That's you." You say, matter-of-factly.

"That's me?" He questions, humor in his tone.

"Mhm." You nod with finality, blinking slow.

Sam considers the odd statement for a moment before gently correcting you. "I'm uh, I'm pretty sure that's Sirius, actually."

You scoff. "I am being serious."

Sam stifles a laugh. "No—no I mean—like... what's another name for it... Oh, it's also called the Dog Star."

"C'mon Sam, at least call it the Wolf Star if you're trying to turn this around on me..."

He shakes his head and readies himself to explain further, but you cut him off before he can start. "But no. No, this isn't about me. That's you."

He decides to play along, finding something endearing in your overtired nonsense. "Okay... then would'ja be so kind as to explain to this confused old man just how, or why that star is me?"

Your frown is audible in your voice as you latch onto the wrong part of his sentence. "You're not old, Sam. ...Do I need to tell Asher to kick the jokes down a notch?"

He smiles at your over-protectivity. "There'll be no need for that, now. Was just a joke, honey, I promise."

You huff, but begrudgingly shift focus back to the prior topic. "It's... I dunno. It's just you, Sam. It's... bright. Light. Something warm, out there in the cold dark. Standing out amongst all the rest. Calling to me, stealing my attention.”

Sam’s brow furrows as you continue to explain, realization setting in that you really are being serious.

“I... I didn't come out here looking for it, but there it is. ...And there you were. In the dark. The only bright thing I'd seen in... fuck, in years. Years of chasing fleeting warmth, tripping over myself in the pitch black, falling into... places and people that I shouldn't have. You were the light in that darkness. Even there, at Wonderworld, surrounded by the ghost of him. Your warmth, your presence, your aura—even with all of your walls up, you outshone it. Your warmth didn't hurt. I didn't have to squint when I looked at you. You weren't the blinding sun. You were the brightest star I'd ever seen. You guided me home."

In the back of your mind, you recall something you once heard, something about light, and time, and distance. Space. Something about... how you can still see a star that's already burnt out, because its light hasn't reached earth yet. The ghost of a star that's already died. Only still perceptible thanks to time, and distance.

You remember Sam's words, once whispered to you on this very roof.

"Whatever your choice is... I'm not gonna live forever. I made that decision a long time ago."

You think about dead stars.

You think about time.

"...-lin'? Darlin'?" Sam's calloused hand squeezes yours tight, his urgent tone pulling you out of your thoughts. "There you are. Think I lost ya' for a minute there... you good?"

You look up at Sam, concern creasing his features, faint shadows cast across his face from the light of the dying stars above him.

You reach out, pulling him down into you. He falters for a moment at the sudden proximity, but quickly embraces you in turn. Burying your face into his collar, Sam's concern grows when he feels it saturate with tears. A human might struggle to hear your words, muffled against the thick flannel, but his hearing catches them just fine.

"Don't burn out too quickly. Please. I still need you here. I don't—I don't wanna be left in the dark again. Please, please Sam. Don't leave me here. I'm not selfish enough to ask you for forever, but please. Not yet. Not yet. Not yet."

The words feel like a weight being lifted from your shoulders, but with it comes a flood of emotion they’d been holding back. You cry harder into him, and as much as it pains Sam to witness, he lets you feel it, for as long as you need.

Your fear of losing him manifests itself physically, nails curling and sharpening again. When he feels them prick his skin through the fabric of his shirt, he calls your name but doesn’t pull away. Instead, he leans further down into you, letting his weight ground you. “Darlin’, I am right here. I’m not goin’ anywhere.”

As you eventually cry yourself out, enough wherewithal returns to you to realize that you should probably release the poor man from your grasp, and the awkward position you pulled him into. When he pulls away enough to see your face, you notice a string of snot running from your nose to his shirt collar. Quickly batting it away out of embarrassment, you cringe, voice thick as you apologize. “Eugh, gross. Uh… sorry. About that.”

He shakes his head, laughing good-naturedly as you wipe at your nose with your jacket sleeve. “It’s completely fine, honey. After all, I’ve been covered in plenty of your, uh… various fluids before. When you come from my line of work, this is child’s play.”

He leans to his right, reaching back and pulling—of all things—a handkerchief from his jeans’ left back pocket. You laugh at his words, and at the sight, but with how congested you are it turns into more of a hacking cough than anything. Accepting his offering, you blow your nose into the black patterned fabric.

As soon as you can speak somewhat clearly, you can’t stop the teasing remark that slips out of you, gesturing with the wad of fabric in your hand. “You know, you really aren’t beating the cowboy allegations with stuff like this.”

He rolls his eyes but his soft smile remains. “It’s a practical thing to have on me, ‘allegations’ be damned.”

You shake your head with a smile of your own, but don’t disagree. As you’re visibly unsure what to do with the dirtied fabric, he takes it from you, setting it aside. “I’ll toss it in the wash when we go back inside. Along with my shirt, and…” He eyes you for a moment. “…that jacket of yours too, given how long you’ve probably been wearin’ it.”

Normally you’d argue that it hasn’t been that long, but come to think of it, you actually can’t recall when you last washed the thing.

Reaching up and rubbing your temples, you already regret your crying fit as a headache begins to set in. “Fuck, Sam... I’m sorry for… whatever that just was. I don’t know what came over me.”

His expression falls into something serious again. “You never need to apologize for feeling. And it certainly seems like… you needed to feel that.”

You nod quietly, but don’t elaborate, prompting him to question you gently. “Darlin’. What was that about? The—the askin’ me not to leave. Are you… afraid that I’m gonna leave you?”

You close your eyes, weighing out your response. “…Not in the sense that you’ll break up with me or something, no.”

His gaze narrows and his head tilts as he rolls your answer over in his mind. “If it ain’t that, then—” He remembers how you mentioned ‘forever’ and cuts himself off as the puzzle pieces start coming together. “Oh. …Oh, Darlin’, no.”

You open your eyes to watch as he shifts from leaning next to you, moving to sit up beside you. “Is this about what I told you, when we sat up here and had our uh… turning discussion?”

You hate to admit it, but you nod in confirmation. “…It’s your choice, Sam, and I never want to take that away from you. I shouldn’t have said what I just did, I—I don’t want to make you feel guilty, or like you have to stick around for my sake. But I’d be lying to you if I said it hasn’t been playing on my mind. The thought of you… leaving. Like that.”

He reaches up, running a hand through his hair. “I… think I maybe should’ve been a bit more clear, when I said that. Because I wasn’t talking about any time soon. I didn’t want to give you the false impression that I plan on sticking around for centuries, but… I also wasn’t trying to imply that I’ve got plans to do it next week either.”

You bolt upright, voice cracking. “Next week?! I sure as shit hope not!” You grab your head, pain flaring and suddenly dizzy from the quick shift in position.

He places a hand on your shoulder to steady you. “I’m not, honey, I’m not. Did you catch the rest of my sentence? I’ve got no plans to leave this world any time soon. I promise.”

You groan, head pounding. “I heard you, I did, I just—fuck, I don’t even wanna think about you leaving so soon. Here I am, stressing, thinking I’ve only got—I don’t know—some odd years left with you, and…” You sigh, trailing off.

Sam stays quiet for a minute, letting the crickets sing.

Eventually, he interrupts their chorus. “…Can I get closer to you?”

You nod. “…Please.”

He closes the gap between you, carefully wrapping a strong arm around your curled shoulders. “You’ve got way more than a couple years. I promise you that.” Your tension begins to ease a bit as he clarifies. “You… you’ve helped me find a life that I actually feel like livin’ again, for the first time in a long time. And I want to experience it with you for as long as I can.”

“…Really?” Your voice sounds so small, so unsure, so… unlike you when you question him that he wants to kick himself in his own ass for the role he unintentionally played in making you feel this way.

“Yes. Really. I mean—” His voice takes on an edge of humor. “If you decide to set your sights on the year 3,000…” He shakes his head. “I don’t know about that. But as far as the 21st century is concerned? …I think I’d like to see it through. For as long as you’re there to see it with me.”

His words cause fresh tears to well up in your eyes, and you sniff in an attempt to hold them back. The sound catches his attention, and he leans forward, thumbing across your warm cheek. “…I’m makin’ you cry again…”

You shake your head, clearing your throat. “No—No, it’s okay. It’s good. They’re… they’re good. It’s… relief.”

He breathes out a relieved sigh of his own. “Yeah?”

You nod, leaning into him. “Yeah.”

As you rest against each other, breathing in the cool night air, you nudge him with your shoulder. “Can we… lay back? For a bit?”

He squeezes your arm in gentle confirmation. “Of course.”

He twists and reaches back to straighten the wrinkled blanket beneath you, before laying out across it himself. The radio crackles as he turns the volume back up a bit. Watching him with tired eyes, you smile at the sight of him patting his chest in habitual invitation.

“Sit in and watch the sunlight fade. Honey, enjoy, it’s gettin’ late. There’s no plan. There’s no hand on the reign. As Mack explained, there will be darkness again.”

Curling up against his side and laying your head on his chest, you release a heavy sigh when his hand comes up to rest on your shoulder. As his fingers press rhythmically into the tense muscle beneath them, you breathe in his scent. Black coffee and wildflower honey… he smells like home.

“Your secret is safe with me, and if secrets were like seeds, when I’m lyin’ under marble, marvel at flowers you’ll have made.”

You reach your hand out across his broad chest, slipping beneath his open flannel and sliding down to rest on his waist. He sighs, relaxing further beneath your touch.

“My heart is thrilled by the still of your hand. That’s how I know now that you understand.”

Yeah, you’ll take this over ‘luxury’ any damn day.

“There’s no plan. There’s no race to be run.”

Laying there with him, listening to the low hum of the radio, the moment grows so comfortable that you almost hesitate to break it.

“The harder the pain, honey, the sweeter the song.”

“…Sam?” You whisper into the night.

His hand sweeps across your back before returning to your shoulder. “I’m here, Darlin’.”

“There’s no plan. There’s no kingdom to come.”

You smile. “I… I’d like to be there, to be here, to see it through with you, too.”

It takes him a moment to recall exactly what you’re referring to, but when it hits him he hums a low understanding tone, clearly pleased. “Then let’s see where it takes us, yeah?”

“But I’ll be your man if you got love to get done.”

He presses a soft kiss to your temple. “We’ve got plenty a’ time.”

A/N: Thank you for reading, I hope you enjoyed. You can find my extensive notes and commentary on this fic right here on Ao3. My Sam & Darlin' Playlist My Sam Playlist My Darlin' Playlist My Sam & Darlin' Moodboard My Sam Moodboard My Darlin' Moodboard Header Image Credit: Gage Smith on Unsplash

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doodles

edgar vargas and squee by johnen vasquez

scriabin by zarla-s

[sissytobitch10seconds]

Calypso isn't that bad, you guys are just mean.