#first attempt at clothing like this??

[lastchristmas]

drawtober day 18: anti-hero | @taylortober | shop prints

[cockworkangels]

tried really hard to capture some of his whimsy

[blueberrymilkcookie]

some booberries

also a decorrupted shmilk

[pheoflame]

🤨

[inumbrapugnabimus-maybe]

evil art style challenge, part 2! Part 1

[sammhainnn]

do we fw the ajaw design

[sysig]

I think they’re the same guy, somehow (Patreon)

[thedreadvampy]

my friend invited me to go with them to a show tonight

and the thing is it was not good. it was a cabaret with some amazing circus acts but each of them got like. 5-10 minute slots. and were interspersed with 20+ minutes EVERY TIME of some of the most tedious standup work I have ever seen from the MC and the same 5 physical comedy bits repeated ad nauseum. this guy literally did a Borat bit. in the year of our lord 2024. he sang 2 entire rounds of the Family Guy theme.

and it just KEPT GOING. it was meant to be a 90 minute show, which imo is already a slog for a show starting at 11:30PM but within the bounds of reasonable. it finished. at fucking 1:50 AM. ALMOST TWO AND A HALF HOURS OF THIS SHIT. and it did not help that the 5 bits were all of the 'OH NO SOMETHING HAS DISRUPTED THE SHOW' variety which is funny for a bit, less funny when you're literally 45 minutes past the end of your scheduled finish and still fucking going.

HOWEVER. what I did not realise was that this was in fact. my friend's favourite comedian. and if I had known this I might not have gathered up my stuff and walked out during the curtain call and probably would not have announced on the way out, 'that was the most tedious fucking thing I have ever endured.' and I almost certainly, when someone overheard me complaining about the length and tedium and said 'yeah it ran a bit long huh,' have replied, at the actual near-shouting top of my voice, "I AM GOING TO KILL MYSELF."

I feel. bad for spoiling the show for them.

in my defence I have been very tired this week, I got home at 2:30 AM, and raked seating really hurts my hips so I was in agony by the end of the first hour. but mostly I'm just a bitch who loves to hate tbh.

[waitineedaname]

do any femmes follow me. can you guys help me come up with mobei-jun's outfit

[cuddlytogas]

yesterday some friends and i went to the special ancient egyptian pharoahs exhibit at the ngv, and i got so utterly entranced by a linen funeral shroud, i think i saw god and/or went completely insane for about fifteen minutes

the fibres were so fine. and not just fine, they were uniform. it was from the roman period, so only (only!) 2,000 years old, but the fibres were still so fine and uniform

i'm not good at identifying weft and warp on a piece of fabric - i think i got it wrong while i was looking at it - and obviously it's very hard to know what's inherent to the fabric and what's the product of degradation over time or mishandling, but there was this long, thin tear right down the middle, and i thought it was maybe a seam that had come apart, but the painting alignment didn't quite fit that, and there were a few threads crossing through it that i could see, so i wonder if maybe one or two weft threads had degraded or torn or been pulled loose. but the tear was so straight and exact, and held together at one end by the other fibres, it was so incredible to see

and there were a couple of places where i thought there were slightly chunkier threads - it happens all the time in modern linens - but when i looked closer, i could see that actually it was two threads in the same part of the weave (warp threads, i think?)

and again, okay, could be a product of the degradation, or damage - but also... it could so easily have been a slight fault in the manufacturing, and i don't know the first thing about ancient egyptian weaving techniques, or what kind of loom they did or didn't use, or any of that - but still, it was so easy to imagine these two warp threads being set slightly too close together on a loom, and being caught together by the weft, and leaving this slightest bulge, this perfect imperfection in the cloth

it was beautifully, intricately, colourfully painted, too, yes - but underneath that, i can only imagine that lovely dun, beige colour was unbleached and undyed; and yet again, yes, of course it would've darkened with age and use - it was a funeral shroud, there was a corpse under it once - but to look at this linen and see the colour of the flax two thousand years ago, it's just - absolutely mind-boggling

the whole exhibit was deliberately structured around highlighting the craftsmanship behind the artefacts, as well as the power, social structures, and cultural significance they represented, which was fairly well done. I watched that video after seeing the exhibition, and in hindsight, yeah, I did notice that many of the labels highlighted the detail and excellence of the items, and they had things like jewellery moulds and scribe's tools, as well as the big impressive statues and murals. at least a couple of the room introduction wall texts made sure to mention craftspeople; and there were a few places dedicated to both the bureaucratic structures, and working people and villages, that created and kept up the temples and palaces.

but there was also definitely a slight lack of information, i felt, in regard to the crafts, especially if that was their goal. i might also just be underestimating the general public, but there were a few times where we were wondering what something in an image was, but found nothing in the label; and it would've been cool if they, perhaps, had images or recreations of craftspeople in the period showing how the items would have been made.

like, obviously i'm biased towards the fabric, because that's my craft - and to be clear, the shroud was part of the room on jewellery and adornment, with the label pointing out the jewellery worn by the painted figure, rather than the craft of the item itself. but it would've been cool to have, in this example, either a contemporary image or a recreated one of what tools would have been used for the spinning and weaving of this cloth, and by what groups.

there were many parts of the exhibit where you could see on the glass where people had pressed their hands or noses or foreheads to try and get close, to see the intricate work on tiny rings or murals or votive items, the engraving and carving and painting done with such incredible skill. and again, they had those scribe's tools, and jewellery moulds, a few weapons, and (iirc) both ritual and functional builder's tools. which i DID VERY MUCH appreciate!

but fibre arts are already often devalued in our culture, and with industrialisation, we've really lost sight of the work and skill that, for thousands of years, went into making fabric. i would've loved to have seen them highlight not just the image of jewellery on this shroud, but the shroud itself.

because, yeah: this linen was beautiful. and to see this cloth, with these fibres that are finer and more uniform than many modern fabrics... like, obviously it's very good linen - the label only said it was for a woman called Isetweret, not what her status was, but i think it's a safe bet she wasn't the proletariat - but still.

just. i really fucking love history, oh my god

[fredwardrawn]

Yay, I actually colored it~

(Values below)

[shadowlikesvsynth]

If Piko's dress has//had pockets where do you think they are//would be? asking because I need to write that he put his phone in his pocket and I realized I Don't Know Where He Would Even Have Them on his clothes.

I feel compelled to add his boxart image here and I don't know how to explain why so I'm not gonna even try. Here. Have him.

[lupismaris]

If these cowboy cut jeans don't fit I'm gonna have to schedule like two more therapy sessions aren't I

[xiakeik]

U know especially for someone who hasn't consumed JJK in awhile, that's really accurate. I'd really love more details if u want but not only is that super accurate but man what a fucking fun character that would be. Idk even know who I'd want to see them interact with the most because I want to see them interact with everybody. The stuff like doing insane things to win arguments and caring so much about how they look is such a perfect way to combine their traits too

Little rushed comic I thought I could do of their interaction with Mr. Stanford Pines himself!

Further explaination under the cut :]

Some other fun things I thought of regarding Nopher that aren't specifically related to Ford/anyone:

Nopher (which I'll say is the fusion name), definitely will have a hard time getting used to the body first. If you think about it, it's just Sukuna & Itadori in Season 1 (which btw, IF my art block doesn't attack me, i MIGHT draw an interaction btwn them). Simply not pleasant LMAO. Ford doesn't really know what to do with it because Nopher isn't much of a threat for the moment. Another thing to note is that Nopher kinda just showed up to to Ford's doorstep (thanks Bill) and while Ford DOES immediately recognize Bill in Nopher, he does not recognize the physical body he inhabits. Ford doesn't know Nobara, and Nobara doesn't know Ford. Only connection they really have with each other is Bill. I feel like Ford would be VERY intrigued by how Nobara, who likely doesn't have much knowledge on Bill, is able to withstand brief periods of possession per say? I'd like to think that although Ford really doesn't want to do anything with Cipher At All, he can't really ignore the fact that he got a "random" person involved. Obviously Nopher's capable of pretty much the entire arsenal that Nobara & Bill have (except Bill's powers might be a teensy bit limited but they don't know that).

Don't ask me where they get the money from but they do enjoy clothes shopping/shopping in general for the trendy stuff. One of the very few things they "enjoy"/have in common.

Nobara within the mindspace once in awhile will get excited to see the things they have around Oregon, same with Bill when they meet the JJK gang in Tokyo.

Bill ABSOLUTELY gets really confused over the idea of being able to see Curses. The creatures released during Weirdmageddon couldn't leave the confinements of the town, so it's a shocker for Bill to find that there are actually other worldly beings residing in a place outside of Gravity Falls. Freely too! (If they aren't killed)

On the contrary though, Nobara will always see the weird stuff happening in Gravity Falls as a threat. She's been trained that way to never let her guard down and she's BRUTAL with it. I think during these times, Nopher's general "crazy" really starts to come out.

Regarding the past 2 bullet points, it's a just whole new struggle for Nopher: Nobara needs to continue protecting people from Curses that normal people can't even see, whereas Bill always wants to try and make allies with them. It's tough.

That's probably all I'm gonna come up with for now!! I do have a semi-large project I'd like to get started on & finish before the end of the week so story-building Nopher may not be prioritized for now. I do hope you enjoyed my ramble though, anon!

[grellssquishyhusband]

I made Sebastian scary oop

[urlocalwormtoday]

can. can y'all tell I'm not good at drawing people. im so bad at human anatomy I draw animals for a reason man 😭

ANYWAY this was supposed to be an attempt at lifesteal Squiddo after I watched her most recent video and fell in love with the storytelling(???) aspect

I was scrolling on the squiddo tag and found a hc abt how, when she was using the client, her physical form kind of metamorphosized in a way into a moth or a butterfly

I wanna make a version in the future with another pair of arms and like a halo and moth wings or something

ALSO. MOTH WINGS WITH EYE PATTERNS ON THEM?? PEAK DESIGN