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lilislegacy · 2 months ago

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Okay, I’m so gonna get hate for this. And it will probably get about 4 notes. This is, by far, the most opinionated thing I have ever posted on here. If you can’t tolerate criticism towards Rick Riordan, the books, or the TV show, please keep scrolling. My goal is NOT to change your mind or start arguments.

I also want to preface this by saying that I love and respect Rick Riordan (even if I disagree with him on things and don’t like some of his choices) and fully acknowledge that he has the right to do whatever the hell he pleases with his own series. I also want to say that I love Annabeth Chase (both the book and tv show version) with my entire being and you will never find me being an Annabeth hater. She’s my girl.

We good? Okay cool. So here’s the thing: I’ve seen a lot of people on here saying things like “If you didn’t like the books, you just don’t know how to have fun,” and “The new book haters are just mad that they aren’t the target audience anymore,” and (my personal favorite) “Nothing in the books has changed, only the readers have.”

And while I see your points, and I respect you, allow me to show you something. Because of the 10 picture limit, I am only going to focus on one specific change: Annabeth’s view of Percy.

WOTTG: Annabeth is surprised to be comforted by Percy

Past Books: Percy is constantly comforting Annabeth

WOTTG: Annabeth is shocked when Percy is smart

Past Books: Annabeth often points out that Percy is intelligent

WOTTG: Annabeth thinks Percy can’t do anything on his own, and Rick communicates that Annabeth is always saving his ass

Past Books: Percy is ALWAYS watching her back, and saving her ass just as much (and Annabeth admits that)

I could put a hundred quotes in here. I could go on and on and on. But I can’t, and I won’t.

My problem with this new book is NOT that it is more goofy than serious. My problem is NOT that little things have changed. My problem is NOT that it’s just for fun. My problem is NOT that it’s much more childish. (And by the way, I’ve read PJO and HOO as an adult, so it’s not like I was a child when I read everything else and am now an adult reading the new ones.) I really did like and enjoy many parts of this book.

My problem is that the characters (especially Annabeth) have flat out changed—in bad ways—and we have no choice but to accept it as canon. My problem is that Rick, while trying to merge his books with his new TV show project, is changing the entire personalities and past behaviors/ tendencies of the characters.

I loved Chalice of the Gods. You know why? It was fun, goofy, and showed the characters that we know and love being happy and adorable. I strongly dislike Wrath of the Triple Godess because the characters—no matter how adorable and happy they might be—are no longer the ones we know and love.

My problem is that Rick Riordan fully admitted that he no longer considers the old book characters when he writes the new books. He is now purposefully incorporating his own personal mixture of the book characters and tv characters and writing those versions instead. Because of his desire to change and transform the series, I doubt he’s even read the original PJO or HOO books in years, which is why everything is so inconsistent. The old book characters—the ones who made the series what it was—are gone. And that is not my opinion. Rick fully admits that he doesn’t imagine them when he writes anymore. Don’t get me wrong, I LOVE the tv show actors. I adore Walker and Leah and Aryan with my whole heart, and I wouldn’t trade them for anything. But the fact is: they will never be exactly like the book characters. It’s impossible for actors to become the words on a page. They’re their own unique version! And likewise, you cannot turn actors into print. It doesn’t work! And why would you try? The books versions were perfect as they were. And the disney kids need to make the characters their own. The two versions can exist side by side, equally as wonderful, and still be gloriously different. We should celebrate the uniqueness of both. But instead, Rick is attempting to merge them into one. And in my opinion, it’s just hurting them both. And I’m gonna get real brave by saying this, but do you want my honest prediction? If he keeps doing what he’s doing now, the TV show is going to get cancelled and the books are going to turn into a joke. I so, so badly hope that this doesn’t happen! I have loved Rick and PJO for many, many years. I badly want both to thrive. But what is going on right now… it is not working, no matter how much we all want it to. And speaking as someone who knows people in the TV/Film industry, I am sadly not the only one who thinks the show is gonna flop. Which is devastating, because Rick Riordan deserves a redemption on the big screen, and the incredible actors deserve to bring this series to life in a new way.

I am not trying to force my opinions onto anybody. You are welcome to disagree with me and move on. I am not saying that I’m right and you’re wrong. If you disagree, that’s okay. If you agree but you don’t have a problem with it, that’s okay. In fact if other people have literally no issues, that makes me somewhat happy. And if you loved the book, I’m honestly so stoked for you. Feel free to just keep on scrolling, my friend.

But me? I’m sad. I’m really, really freaking sad. And I’m a little angry too, even if I don’t have a right to be. I can’t help it because I’m only human. But this is how I—and a lot of other people—feel. And you know what? That’s okay too. Because the fact of the matter is:

Annabeth isn’t the same Annabeth anymore. And Percy isn’t the same Percy anymore. And it’s not because they went through trauma, or because time has passed. It’s because Rick Riordan doesn’t have any interest in writing those versions of them anymore. And I think the comparisons between the old and the new show that fact pretty clearly.

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ultrace · 1 month ago

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A Reminder About the Moral Imperative of Pirating Games

Today -- or rather, two days from now in an extraordinary feat of time travel -- the United States Copyright Office ruled (among other things) to uphold the ban against the digital lending of antiquated and abandoned video games by digital library structures; e.g., archive.org or other sites in association with the Video Game History Foundation. This was, no surprise, at the urging of lobbyists from the ESA and other groups who are not in favor of the digital sharing of their works with anyone who has not paid appropriate purchase or licensing fees. The fact that the vast majority of video games ever produced are no longer available for initial purchase from an authorized publisher is not a mitigating consideration.

The sad reality is that regardless of what individual programmers, composers, graphic artists, voice actors or other contributors to a game may feel, most publishers of those games do not view the games as artistic achievements to be shared for posterity so much as competition against their latest offerings. Part of that perception might lie with gamers themselves, who depreciate games rapidly based upon their age, a devaluation that is greatly accelerated over other entertainment media such as movies, television, music and books. It often isn't economically feasible for publishers with the rights to games (for those games whose chain of custody can even be tracked anymore) to port the game to a modern system, as the target audience would be small and what those players will pay is a pittance. Despite its considerable technical achievements and overall coolness, personal favorite Scarabaeus simply isn't going to sell to enough persons to make up the cost of business efforts.

But the alternative shouldn't be to let unused properties rot, either. I have advocated emulation of older games before; indeed, I spent four and a half years doing exactly that to make about 1700 posts about classic arcade, computer and console video games. Generally, I advocate this because as gamers we deserve the breadth of experiences available to us and the only way to achieve that can be the legally dubious route. Now, however, it is clear that without the intervention of gamers as a population, the appreciation of old games will be lost -- as some publishers would like them to be, and that would be a shame.

Though I can't directly link to any site that provides ROMs or disk or tape images of older systems, such things can be very easy to find on Google. The difficulty of emulation varies with the system; many older cartridge-based consoles such as the Atari 2600, NES, SNES and Sega Genesis, are amazingly easy. MAME for arcade games may take a little adjustment for its interface depending on which version you go with. All of these are based on long-since obsolete chip-based ROM storage which was incredibly small. Games of the Fifth Generation of video game consoles (PS1, Sega Saturn, et al) have CDs or larger storage mediums which take a little longer to download and more storage space on your drive. The Commodore 64, Amiga, Apple II and other computer systems have tens of thousands of games -- some of astounding quality -- but most require you to operate the system within the emulator, so that may be a bridge too far. Whatever road you decide to take, good luck and enjoy.

#emulation #classic video games

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ancientgoddessofegypt · 4 months ago

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Lilith The Enchantress: Lilithian Energy In The Houses. How Each One Brings Their Own Tempting Flair.

So you're probably wondering, where am I going with this?

I wanted to focus on the temptation of lilith, and why she is so oozing and attractive as is she.

For this reading, I will focus on the houses. In my later post, it'll be in each sign.

So lets dig in! Shall we ;)

Lilith in the first house - Pleasing to the eye. Can have a very sultry appearance. There is a point where they must undergo a transformation of the self, and at some point they will have a divine, sensual aura. There sensual power comes through the way they look at you, and often times they can tell when they're being a little too flirtatious. But that is so they can get the person of their choice. Like a siren, they go in for their target and come out on top. They use their attractive persona as like a spell, think of the girl on who framed roger rabbit with the beautiful red hair and dress.

Lilith in the second house - They have an eye for detail. This is the time to take you to their home and show you the rose petals on the bed with the red and white candles everywhere. They know how to make a person want them, by adding to some flair into their home. While also using different aesthetics for they're look to match with the energy that is being shared between them and they're lover. Very picky with who they spend their time with you know. They aren't for everyone. These are the type to make you wait for it.

Lilith in the third house - These are the lovers that can write erotic letters and make you think about them all night. The way their minds can carry a story, and then when you meet them in person its even better than the books. They hold their composure well, but deep inside they are ready to be explored in more ways than one. My my my, they sure know how to right a love spell. One that lasts til the very end.

Lilith in the fourth house - It's actually so much harder to get them to show you who they truly are, thats what makes their mystique so awe dropping. The way these lilithian beings share themselves is with the power of their emotions, and eventually they will bring you right into their beautiful dungeon they call a home. Where you will find all them in just one bite. Very sensual with the right one. The one that makes them feel good, the one that knows them from the inside out. These lilith babes will let you have all of them if once you have succumb to their power.

Lilith in the fifth house - The sensual energy these lilithians carry is a one of a kind. Their magnetism never goes unnoticed, and they take you on a roller coaster of emotions with their performance. They are intimate with their audience and can put you under a spell with the way they make things look. Their hearts are in it with this one. Very gentle to the eye, but to the soul its much more deep and profound. Can't take them anywhere because their wild manes get stuck in the pursuit of love, where they will drenched you with all their sweet and tears to make more use of the bloody romances they've indulged in. They will have you thinking about them for many moons, due to them putting their all into what they do in the matters of the heart.

Lilith in the sixth house - To be loved by a lilith babe with this placement, is to have made yourself fully devoted to them. Worship is what they want, and it is what they need to pursue them. They don't let just anyone in, so you must be prepared to give yourself as an offering. Very pleasant, and freaky to ones they want most. Most never see this coming, which is why they always get away with it ;) The sensual energy they carry is very smooth, abundant and hard to describe. Mysterious auras that you want more of, so much so you will spend every hour, every day of the week wanting to get to know them.

Lilith in the seventh house - The die hard lovers who goes in for the kill. What they want wants them, and they oozee it in with their attraction spells. Their auras are unique, fresh and able to commit to their partners. It's just that they have so many options to choose from so they have no use to sticking around if you're not pulling in your weight. Im sorry, its hard having to be loved by so many! The sensual power in them is hot, tempting, and alluring. You just can't get enough of them. Can see right thru you and can captivate you with just a look!

Lilith in the eighth house - The way they just make things easy with how they seduce people is something I feel nobody else can relate to. The way they come in and take the throne with how they please their partners as well as themselves, It may be that nobody could come close. But thats the thing about being in a scorpion house, is that you touch people in a way that people are not able to control within themselves.. yet you've already mastered it. Very pleasing, pulsating, bold and full of passion. The sensual nature in them could have you feel things you've never felt before, and that will have you in a panic. because the way they are able to get you to come out of that shell and move deeper into them . Will have you begging for more & more & more. Bewitching auras indeed!

Lilith in the ninth house - The delicacy mixed with erotic power. The angels and the demon. The artist and the muse. They have the power to seduce anyone with just their mind alone. They can seduce you with their wit, their humor, their charisma and just their soul in general. But on a sensuality note, they are abundantly clear on what it is they want. And they know just how to get it. They waste no time in going after the energy it is they feel desires them. They are devoted to themselves and the power of a Godly force and nobody comes close. So to the ones who get to experience them, they feel a closeness to the divine that makes you tremble a bit. Because they show us a sense of carefreeness thats been missing, so the way they seduce you is in how they free themselves in a world that is committed to self restraint.

Lilith in the tenth house - Enchanting and mysterious in nature. The world wants to have them but cannot get enough of them. The secret to these characters is that they know what it is you're looking for, but you just won't get it from em. Not immediately that is. They'll make you wait for it. Hell, they'll even charge you for it if your a beggar. They know you want it, but they aren't easy. Like a coquette, they'll have you waiting for years, and their energy will be intact and while yours feels depleted. Lilith tenth housers just know how to work it with their sex appeal. It can transform you, to say the least. ;)

Lilith in the eleventh house - A special energy is unlocked in these lilithians because not only do they have the capacity to seduce the whole world they can be someone close to them too. Be careful with them, because they might bite! ;) Their sensual power comes from the ability to be close with them and they have a compassionate nature too! This makes them way more likeable and seductive. And even if you're close to them, there is still something else about them. Almost hard to ignore, so its no wonder friends and associates try to get it on with em.

Lilith in the twelfth house - If all the other placements are tempting to the eye, then these beings are tempting to the soul. They have a capacity to entice others with the way they carry themselves. They have a gift in pulling you in, and telling a story with just their body language alone. The moment you are seduced by them, is the very moment you come over and have a meeting with God. They are no angel, but they can just about make you feel things that where never present before.

Lilith in these houses can show the tempting, seductive energies of a person if they learn how to tap in. There is a short story about lilith being the tempting 'devil' we kind of all known of her to be. However, learning more complexities of her story. She is so much more. So this just a small version of what we know as lilith, there will be many more to come!

#astrology observations #astro observations #sensuality #astrology theories #astrology thoughts #tropical astrology #spirituality

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ohnoitstbskyen · 1 month ago

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100 songs to get to know me

I posted this image over on the bluesky, and it got like 100 likes, so now here we are. I was going to write them all up here, but Tumblr imposes a 10 video limit on embeds per post which I find infuriating.

So! You can read the first ten entries here, but you can read the entire list here: https://tbskyen.bearblog.dev/100-songs-to-get-to-know-me/

1. ABBA - Lay All Your Love On Me

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I genuinely don't quite know if my enjoyment of ABBA is something I came by honestly, or something which is simply genetically engineered into my Scandinavian soul. I remember hearing my mom blasting their songs on the home stereo in my childhood, and the association has put permanent nostalgia blinders on me for all of ABBA's greatest hits. Still, I think the beat is undeniable and the mournful tone of the chorus adds some real melancholy to the dramatic plea at the core of the song.

2. Afenginn - Oestrogenmanipuleret Basilisk

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Afenginn describe themselves as "bastard etno-punk" which is probably as good a description as you're going to get. There's a lot of klezmer and eastern European folk influences here, but what is more important about Afenginn's best songs is that they go hard as f*ck and it's an absolute blast to dance to them at a show. They played this the first time I saw them live, and the rhythm comes back every time I hear it again. Good times!

3. Afenginn - Ralli in D Minor

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With 100 slots to fill, I am giving myself permission to allocate two slots to Afenginn, and for the same reason. Ralli in D Minor is less of a dance tune to me, and more of a headbanger, but with a sufficiently loud subwoofer and a game crowd, you could f*ing mosh to this.

4. Anamanaguchi - Prom Night

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I discovered Anamanaguchi as the composers of the title track to the Nerdist podcast back in the day, and being unfamiliar with the concept of chiptunes, I was drawn in initially by the sheer novelty of hearing the squeaks and bloops of my gaming childhood employed towards rock tunes and combined with "real" instruments.

Beyond the gimmick, though, Anamanaguchi won me over fully with the Scott Pilgrim game soundtrack, and then 2013's Endless Fantasy, where the gimmick of chiptune nostalgia noise (at least for me) finally coalesced into something that felt entirely like its own thing. Plus I'm a sucker for exactly this kind of bright dance pop, and Bianca Raquel's vocals here are a perfect match for the tone of the music.

5. Jennifer Hudson - Memory

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2019s Cats is a fascinating fucking disaster. Tom Hooper is the worst director of musicals in my living memory, the abuse of the VFX staff extended beyond brutal crunch and absurd challenge imposed by a director who had no idea what the hell he was asking them to do all the way into an astonishingly arrogant and condescending joke from Rebel Wilson and James Corden at the expense of workers who were the last people at fault for the disaster that the movie became (look in the fucking mirror, Wilson and Corden, your performances were rancid).

Still, the silver lining of Cats is we got to hear Jennifer Hudson shake the world on its foundations with her rendition of Memory. I don't give a shit what anyone says, this performance is transcendent and no amount of institutional failure can dim its quality.

6. Annette Bjergfeldt - Min Bærende Bjælke

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Annette is one of my mother's oldest friends, and a prolific singer-songwriter now turned author. I've been going to her concerts since I was a little child, and while I am absolutely not the target audience for any of it, it has stuck with me as part of my musical vocabulary deep into adulthood.

She has experimented with brass band accompaniment a few times, but for my money, nothing quite comes close to the floating, optimistic vibe of Min Bærende Bjælke. It sounds like a very particular kind of lasting romance, which of course is also what the lyrics are about.

7. Hozier - Blood Upon the Snow

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We'll get more than one Hozier song on this list, but Blood Upon the Snow stands out to me as a song which easily transcends the videogame soundtrack promotional tie-in nature of its conception. Bear McCreary's hurdy gurdy and lyrics about surviving through adversity by holding on to existence with your teeth and nails... yeah, it hits with me. There's something real in that.

"The trees deny themselves nothing that makes them grow, no rainfall, no sunshine, no blood upon the snow." Something about that feels real.

8. The Beatles - Something

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idk if I really need to write anything about George Harrison's most famous love song that hasn't been written more extensively by a million dad-rock enthusiasts before me.

I will say, this is one of the few songs I listen to regularly that justify the expensive audiophile headphones I invest in. There's a LOT to hear on a good, lossless, original mix of this song, if you're the kind of pervert who gets off to listening to a song a hundred times to focus on different parts of the soundscape. (it's me, I am the pervert)

9. Blink-182 - Adam's Song

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I discovered a lot of my music taste as a young man from extremely low-resolution AMVs that my friend used to download off sketchy file-sharing sites. Blink-182 entered my musical lexicon through the one above, specifically, piggybacking off of my teenage love of Dragon Ball.

I never really grokked what the lyrics were actually about, until relistening to the song years later, but something about the minor-key wail of the thing really sat with my angsty teenage soul and has stuck with me ever since. I cannot listen to this song without that music video playing in my head, the song will forever belong to Vegeta.

There's remastered versions of this AMV out there, apparently, but if it's not 144p with tinny audio, it's just not right. That's not what the song is supposed to sound like, not to me.

10. Blink-182 - Miss You

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Blink-182 is one of those bands I discovered via anime AMVs and listened to obsessively for a period as a teenager (The Offspring will show up later on this list), and then fell entirely out of touch with for years until discovering much later in life that they did, in fact, keep releasing music. I Miss You from their self-titled 2003 album felt, when I discovered it sometime in the early 2010s, like a much more mature and interesting sound from a band which had gotten stuck associated with my adolescent superpower kung-fu fantasies which I was, at the time, feeling a bit embarrassed about.

The song had a resurgence on TikTok a little while ago as a meme template, which made me listen to the albums again, and rediscover yet again that Blink-182 is, in fact, still putting out albums.

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The rest of the list is here: https://tbskyen.bearblog.dev/100-songs-to-get-to-know-me/

#tb posting #Youtube #tb blog #music recommendation

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oobbbear · 1 month ago

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This rant has 1 target audience and it’s me sorry I like to talk about my unfinished/abandoned stories like they’re successful tv shows and I’m the director getting interviewed about the little details of said show

I love afterland postal so so so much you don’t know how hard it was for me to cut it, but it got to the point that it’s effecting my mental health so I had to stop it. His story in the afterlife is a healing journey, so for that healing journey to be effective I have to make the downfall in his past life hurt, like, HURT hurt, and I went a bit too far that and focused on it a bit too much that I was not working on the healing part anymore. Everyday I regret the making of water angel cause it ended being my fav instead of the protagonists and it being the physical manifestation of death made me focus on the downfall of the story too much, until it literally just crumbled to the ground. If I pick back up Dolus’s story one day I will cut out water angel entirely and maybe most part of his past life, focusing mainly on the afterlife part and how he recovers/deal with his past traumas and rid of bad habits. I want to draw this gremlin again so so bad.

Afterland Postal is a story about learning to love life through death. I like to draw Dolus with CT moon and Callisto sitting together because all three of their stories are about “learning to love life again through the death”. In Dolus’s case is his literal death. For CT moon is him fantasizing death. And for Callisto is through the death of her old life.

After the “death” all three of learned to love themselves again by traveling. They see the world in different perspectives, goes out of their bubbles and get a taste of the wild possibilities of what life has to offer.

For Dolus, I specifically placed him in this post office that delivers mails to the living plane so he can run around experiencing the world but doesn’t have to deal with life? One of his big thing is that he enjoys simply existing, he likes observing the world, feel his surroundings, I had an entire chapter that’s describing how he sees the world through his 5 senses. The feelings are the only thing he enjoyed about life, now he’s a ghost life doesn’t have effect on him anymore, he can really slow down sit down and look at the world he didn’t have the time to look at before, see what he missed and what he may have never be able to see.

For CT moon is basically all described in that If my world goes Bang comic.

Callisto is a different case cause she doesn’t die, strongest fucking character in my stories she survived and very passionate about living. In the original plan after her finding Hester and having Hester’s soul freed, she’s gonna go and travel the world. She has been living in this little house in the middle of nowhere for good half of her life, having her burned down her past and moving on to a new one is good for her. I had a lot a lot of sketches that is just her traveling, I used this as a chance to expand on this weird magical world she lives in, so many cool places and concept. (Also she started dating people again wohoo) I really wish I didn’t burn myself out after that animatic this story would have been so fun to work on.

SPEAKING OF TRAVELING AS A HEALING MECHANISM☝️I m gonna go on a mad Orange Knife spoiler rant since I don’t think there’s a single soul still reading this thing. In Moondust & Natto plot, Moondust really really wanted to see the world with Natto, she loved the world she loved life, in her eyes the outside world is a struggle but one she would fight for because the sunset is beautiful and the grass is soft and for that the hardship is worth it, she loved the world so so much and she wanted to have Natto experience it too. Freedom was a large part of her soul and being add to OK’s collection permanently took that away. She never got to see it again not even the part of her that got added to worm made it out, her soul is killed long ago and body died with the fire that led to Worm and the remaining crew’s freedom, which honestly I think she would be happy knowing that her death freed Natto in the end. She would be mad knowing the person who killed her is freed too but she would understand if she knows Worm’s situation better. After Natto is free I’d like to think he carries a piece of Moondust with him so in his heart he completed their dream, and they can finally experience the world together.

It’s 2am and nothing is making sense sent post to tumblr.com go

#bearz rambling tag #Afterland postal #witch au #celestial twin au #Orange knife #natto #Moondust

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foone · 6 months ago

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I wrote a really long post and then didn't post it, but as an aside in it I joked about how not everything is sexual just because some people have sexualize it, and my example was keyboards. I'm into building keyboards, and that's not a sexual thing, despite the fact that you can definitely find sexual keyboard art out there.

So I googled "keyboard rule34" and discovered that the "official" rule 34 site does indeed have many pages of keyboard porn, but wait, it's not really!

It's people having sex or masterbating or just being naked IN FRONT OF A COMPUTER, and thus there's a keyboard there.

That's... A different thing! That's just keyboards being a background element of the rule 34!

It's a little like going on the furry site and searching for "dragons" and you get an image of two humans having boring sex in a field and in the distance a dragon is flying by.

Anyway the funny part is that I, being me, got distracted away from both that point and my original point, by geeking out over these background element keyboards. I could identify a few by design as being directly based on real keyboards, and others I criticized for being unrealistic with not enough keys and a completely unergonomic layout.

Mind you, I think that of a lot of "real" keyboards people make, and they weren't just made up by the mind of a hentai artist who spent way longer trying to make sure all the body parts were appropriately moist-looking.

Which is a shame. Our porn artists should focus more on including realistic keyboard depictions in their art, it'd really improve it. At least for me, an asexual keyboard geek who rarely looks at porn.

On second thought, I may not be the target audience. Never mind.

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thewriteblrlibrary · 11 months ago

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A Step-by-Step Marketing Guide so we can spite traditional publishers (and make people cry).

~ This is a guide specific for fiction/writeblr. All of this is for free and there is little social media posting/ads involved (unless you want to venture into that). ~

Within the writeblr spheres, there's this underlying hope that our stories will find their audience. Perhaps we'll have a fandom full of fanart and video essays, or maybe we'll be an instant classic and sit on collectors' beloved bookshelves. Our stories could sit within the deepest corners of someone's heart and maybe they never tell a soul about what's so special to them. Maybe our stories become those 'underrated masterpieces'.

Or we just want to see people ugly cry over our writing.

Whatever your hope may be, marketing is an important path to venture on (especially because traditional publishers are rejecting diverse books in favor of ones that are already famous + the whole sub-par machine thing they seem obsessed with.)

And thus, my childhood marketing obsession will hopefully be of use to you. This is all for free (unless you want to spend money) and you don't need to figure out social media platforms (unless you want to, and this guide works if you decide to take that route too.)

Step One: Characters

Marketing spheres will define these fictious people as 'avatars' or 'the target audience'. You could also call them characters. Because that's what they are: fictional people.

For this step, you shall create characters that would love your story.

And here's some great news: You've already done this.

Perhaps you wrote your story to comfort a prior version of yourself. Perhaps each character in your story holds an aspect of your personality. Perhaps you were ridiculously self-indulgent and made the story you would've loved to read. These are all possible characters you can reuse for marketing.

Write down 2-4 quick archetypes for these characters. You'll chose an aspect of your story (characters, themes, or the younger-self that you wrote it for) and write a thumbnail sketch. (Main issue, fears, wants, personality traits if they relate to the main issue.)

I'll do it for my story (the Land of the Fallen Fairies) down below:

Anuli-like (my MC): Overthinking and aloof. Wants a happy ending but thinks their current personality/character isn't good enough for one. The present stales in comparison to the past/the childhood they lost. The 'gifted theater kids'. Kamari-like (side character): Postpones happiness in favor of creating a perfect schedule/getting accomplishments. Heavy masking. Creative but doesn't create anymore. Promises themself they'll enjoy themselves later, when they've earned it. Workaholics. My younger self: Wanting a fantasy escapism to embody the traits they wish they had in real life. Dissatisfied and worried about reality. Perfectionists. Self-indulgent: People who love plants and forests and fantasy worlds far away from reality/humanity.

Great! Now it's time to find these characters.

Step Two: Setting.

(Let's assume you're using the internet for your marketing. But a similar method works for real life too.)

Where do the characters live?

In order to figure that out, we need to discover the characters' interests, what they watch to solve their problems, and who they find #relatable.

(You can do this for each character or for all the characters at once.)

For example:

Anuli-like -

interests: Stories. Analysis videos. Fantasy escapism. Things that remind them of their childhood. (so nature, warmth, comfort, play, imagination and the times they would actually enjoy learning.)

Places to look: Nature quotes, ambience videos, children's shows and fairytales (comfort shows). Fandom culture - fanfic video essays, fan art.

Solving problems (the problem being wanting a 'happy ending' but feeling that their personality/lifestyle/characteristics aren't right for one): Mindfulness things. Self-healing. Quotes and meditations and candles galore. Slow living. Nature vlogs. Self care. All that 'live in the moment' culture.

Places to look: Slow living. Nature vlogs. The 'softer self-help' (spirituality stuff. Magic/ overnight answers). Witchcraft. 'aesthetic nature' places. Guided meditations.

#relatable: Burnt out gifted kids. People who think so much that their life passes them by. Storytellers and creative who create to make sense of the world. People who like dark, gory things in spite of who they want to be. People who don't like reality.

Places to look: Those 'learn better and remember everything' places. (The 'burnt-out gifted kid' recovery places.) Stop overthinking spots. Those quotes on Pinterest from poetic people who think too much /aff. Storyteller places. Dark academia. Classical music. One off quotes/ poetry.

Okie dokie. Once you have this, find channels, social media accounts, blogs, songs, books, etc. that fit with the categories you wrote down. (They should appeal to the characters) You can search up some of the terms you listed into searches and see who pops up. Bonus points if you find people that overlap with multiple sections.

I know I didn't include booktube or booktok in here. You can if you want too. But those can be a bit... 'consume these 500 books'. You also want to find other places where people who would like you story live, even if they don't follow booktube or booktok.

Congrats! Now you know where your characters live!

Step Three: the scary part

Take everyone you found on your search for the settings and write them down a list. Make sure you get an email/contact info. (they usually list them somewhere under 'for business inquires') Also feel free to watch their content and get to know what attributes these settings have.

And now... we talk to them. about our stories. You can do it. I believe in you.

This called 'pitching your product' in marketing spheres. But you can be informal about it.

I know it can be difficult to talk about your work, so here's a tone to have:

'I made this thing I like and I think you'll like it too'.

What you'll do is send an email (or dm) that goes like this (inspired by Creative Hive on youtube):

Hi [name],

[Genuine compliment]

[Quick sentence or two about your story. Include the themes and who it appeals to. If you have a logline/sentence summary, include that. But I find that the underlying themes and 'who's it's for' is more engaging.

For my story, I might say something like.

I've written a story you might enjoy, since you like [interest]. It's called the Land of the Fallen Fairies. It's a nature-themed commentary on the pursuit of happiness and fixing yourself to deserve that happiness, told by an overthinking, unreliable, houseplant narrator. It was supposed to comfort me when I got frustrated with myself and my happiness chasing, and I hope it can comfort others too.

(That's probably a bit long and I can trim it down a bit.)

You can phrase it like a gift if you want too.]

[Call to action.

'If you like it, I'd appreciate a mention on your [platform].

I know this part may be difficult to mention (imposter syndrome is not fun.) But I promise that if they do like it, they'll be happy to mention it.]

If they don't respond within... four-ish days? (A week at most). then you can include a follow up. For this you can include a template with info about your story. This way it's easy for them to talk about your story.

The template:

title

genre

blurb

Author

where to find the book

Bonus points if you have an additional, physical thing to send them.

Congrats! Now do this pitching process a few times until you've covered most of your bases. (Pitch to as many people as you can. It will get more comfortable as you do it. Play your favorite song and don't let yourself think too hard about it.)

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The benefits of this process are that you find people that are already interested in the themes and vibes of your story (in comparison to to ads, which get shoved in everyone's faces.). Someone your audience already trusts will talk about it, which means you don't need to do all this trial and error to find your audience and make content for them.

It's basically a bunch of people talking about something they like!

AND you diversify your audience across niches, but with an underlying theme/interests. Booktok/booktube must appeal to everyone, so it's a hit or miss for recommendations. (Unless there is someone that specifically does one genre/type of story.)

From here you can do fun little things to build up hype and make the book launch feel like this fun event. (I love it when that happens so here's my thoughts about trying to create an event with your story... although that may require another post entirely.)

preorder goals

charity goals

Arg's and puzzles

fund with side plushies and trinkets

Book blog tour

book boxes

as many memes as you can make

rewards (like bookmarks or posters or smth) that people can get for supporting

Talk about the process of creating your story. I know this one channel called 'Dead Sound' that creates 'making of' videos for his short films and they are some of the best videos on youtube.

Okay dear storyteller! Now go forth and share your story with the world!

Additional resources:

Creative Hive <-- a youtube channel that goes through the pitching process.

This video is also very good <-- Haven't watched the rest of the channel but I assume it's also good.

One of the best marketing channels on the internet (the videos are actually entertianing to watch.

Seth Goldin <-- I read his book and took the parts I liked and modified for storytelling marketing.

Dead Sound <-- propaganda to watch the short film series he has (he did the whole 2-d 3-d style wayyyy before spiderverse did... and he's one person making these. One person. It's amazing.

Glitch <--- If someone can figure out how The Amazing Digital Circus was marketed then I will pay you money. It seems to be a lot of memes and funny things.

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