#financial model creation

[unkstaarwysbr]

Uncertain Horizons: The Evolving Landscape of ESPN and the Quest for Relevance

In TSDS 278, the hosts kick start their discussion by expressing their waning interest in traditional television shows like “First Take” and “Undisputed,” programs they hadn’t engaged with for years. This realization sparks their curiosity about the future and relevance of traditional TV networks, such as ESPN. This article delves into their insightful dialogue, exploring the challenges and…

[honeytonedhottie]

master list⋆.ೃ࿔*:･🎀🍰

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[lua-magic]

Second Lord and your wealth 🤑 creation.

Second lord in first house

How much wealth you create, it is totally depends on your personality, only you are responsible for your flow of money 💰 in your life.

Second Lord in second house 🏡

Your wealth creation depends on your family, you can join hands with your family, or you can earn through your speech, so you can earn through your speeches.

You could also earn through cooking.

Second Lord in third house.

You could work with your siblings, or you can earn through your skills.

The more number of skills you learn, more it will help you financially.

You could also earn through writing.

Second Lord in fourth house

You can work from your Home, or you can work for large masses of people, you could also work or serve your mother land.

You could do well in automobiles and real estate as well.

Second Lord in fifth house 🏡.

You could work in education industry, teaching or do something with regards to children and books.

Second lord in sixth house.

Well, you can show your fighting spirit and earn money 🤑 through it.

You can be social activist, doctor or lawyer.

You could work for pets 🐕 and animals.

Second Lord in seventh house 🏡

You could earn through buisness, partnerships. You could work with or contribute with your better half for your own income source.

Second lord in eighth house..

You could work in the field of research, occult and astrology.

You can also earn your income by managing other's asset, like in banking, Insurance.

You could also work in mining industry, or in secret services like FBI, spy.

Second lord in ninth house.

You could earn by counselling others, and through teaching. You could earn by travelling, or through your father.

Second lord in tenth house.

This placement shows you can earn well by being truthful ton your job and through your own hard work.

The more hard work and professional success you get, the more financial stability you achieve in your life

Second lord in eleventh house

You can earn through your friends circle and your own network of people, the more high networth people you are surrounded by, the more financial success you will get in life.

You could also earn through your social media, or through your elder siblings.

Second Lord in twelfth house 🏠

You have to settle in foreign land in order to earn your income, or you can earn through foreign lands like working in MNC.

You could work in hospitals, jails or in mental asylum as well.

You could work in the field of spirituality, yoga and meditation

*For such native charity of money 🤑 becomes extremely important, the more you give others the more you get it.

Native who has Venus Rahu and Mars Rahu they can earn money 🤑 through their body, like being an actress or model.

[onlyjaeyun]

𝐒𝐓𝐑𝐈𝐂𝐓𝐋𝐘 𝐁𝐔𝐒𝐈𝐍𝐄𝐒𝐒 – 𝐏𝐑𝐎𝐅𝐈𝐋𝐄𝐒

↬ 𝐩𝐚𝐢𝐫𝐢𝐧𝐠: 𝐏𝐚𝐫𝐤 𝐉𝐨𝐧𝐠𝐬𝐞𝐨𝐧𝐠 𝐱 𝐅𝐞𝐦𝐚𝐥𝐞 𝐑𝐞𝐚𝐝𝐞𝐫

↬ 𝐠𝐞𝐧𝐫𝐞: 𝐬𝐭𝐫𝐚𝐧𝐠𝐞𝐫𝐬 𝐭𝐨 𝐥𝐨𝐯𝐞𝐫𝐬!𝐀𝐔, 𝐂𝐄𝐎!𝐉𝐚𝐲, 𝐬𝐞𝐜𝐫𝐞𝐭𝐚𝐫𝐲!𝐫𝐞𝐚𝐝𝐞𝐫

↬ 𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬: 𝐓𝐰𝐨 𝐩𝐞𝐨𝐩𝐥𝐞, 𝐭𝐰𝐨 𝐝𝐢𝐟𝐟𝐞𝐫𝐞𝐧𝐭 𝐬𝐭𝐨𝐫𝐢𝐞𝐬, 𝐭𝐰𝐨 𝐝𝐢𝐟𝐟𝐞𝐫𝐞𝐧𝐭 𝐡𝐞𝐚𝐫𝐭𝐬, 𝐨𝐧𝐞 𝐜𝐚𝐩𝐢𝐭𝐚𝐥 𝐜𝐢𝐭𝐲. 𝐀 𝐬𝐭𝐨𝐫𝐲 𝐢𝐧 𝐰𝐡𝐢𝐜𝐡 𝐚 𝐲𝐨𝐮𝐧𝐠 𝐬𝐞𝐜𝐫𝐞𝐭𝐚𝐫𝐲 𝐟𝐫𝐨𝐦 𝐚 𝐬𝐦𝐚𝐥𝐥 𝐭𝐨𝐰𝐧 𝐦𝐚𝐧𝐚𝐠𝐞𝐬 𝐭𝐨 𝐛𝐫𝐢𝐧𝐠 𝐚 𝐧𝐞𝐰 𝐛𝐫𝐞𝐚𝐭𝐡 𝐨𝐟 𝐟𝐫𝐞𝐬𝐡 𝐚𝐢𝐫 𝐢𝐧𝐭𝐨 𝐭𝐡𝐞 𝐥𝐢𝐟𝐞 𝐨𝐟 𝐒𝐞𝐨𝐮𝐥'𝐬 𝐦𝐨𝐬𝐭 𝐟𝐚𝐦𝐨𝐮𝐬 𝐚𝐧𝐝 𝐮𝐧𝐭𝐨𝐮𝐜𝐡𝐚𝐛𝐥𝐞 𝐂𝐄𝐎.

← 𝐩𝐫𝐞𝐯𝐢𝐨𝐮𝐬 — 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 — 𝐧𝐞𝐱𝐭 →

(A/N: the boys barely use their twitter bc they're "too busy" and it wouldn't fit their characters but they do use IG more (except for jongseong) and enha's maknae line are going to make cameo appearances!🥺)

𝐏𝐀𝐑𝐊 𝐉𝐎𝐍𝐆𝐒𝐄𝐎𝐍𝐆: 28, only son of The Park Company's owner Park Jongil, hobby chef, new CEO, one of SK most successful business men under 30, "the public's prince charming"

𝐘𝐋𝐍 𝐘𝐍: 21, university graduate but never had the opportunities to get far in her job until she runs into park nayeon at a cat cafe and gets an offer for a secretary position where she could finally work her way up, hobby baker, introvert, spends most time with her friends but lives alone, no contact to her family, moved to seoul after graduation (@/__solvely__ as faceclaim!!!)

𝐒𝐈𝐌 𝐉𝐀𝐄𝐘𝐔𝐍: 28, TPC's CFO (chief financial officer), 1/3 of Jong's childhood best friends, seoul's man of the year

𝐏𝐀𝐑𝐊 𝐒𝐔𝐍𝐆𝐇𝐎𝐎𝐍: 28, TPC's head lawyer, 2/3 of J's childhood best friends, literally known as "the standard" bc of how pretty he is, lives in the penthouse next door to jongseong

𝐋𝐄𝐄 𝐇𝐄𝐄𝐒𝐄𝐔𝐍𝐆: 29, TPC's CMO (chief marketing officer), 3/3 of jong's cbfs, lowkey jong's right hand, made it on the forbe's list of most successful people under 30 alongside jjong

𝐏𝐀𝐑𝐊 𝐍𝐀𝐄𝐘𝐎𝐍: 30, jong's older half sister, doesn't really have a job, does modelling work every now and then but mostly content creation on social media, same dad different moms, lives close to jongie bc as much as she hates her failure of a father she adores her baby brother

𝐘𝐎𝐎 𝐒𝐇𝐈𝐀𝐇: 28, jong's childhood friend who grew up in the same circles as him, content creator as well, works part time at TPC bc jong's father forced him to hire her, unhealthily obsessed with jongseong, actually thinks she's going to marry him lmao

𝐘𝐔 𝐉𝐈𝐌𝐈𝐍: 22, y/n's childhood bestie and aeri's roomie, works in the marketing department of TPC, cat mom, loves her job but hates working, draws caricatures of her coworkers during meetings

𝐔𝐂𝐇𝐈𝐍𝐀𝐆𝐀 𝐀𝐄𝐑𝐈: 21, y/n's other childhood bestie who works in human resources at TPC, hates yoo shiah with her whole being but likes her job, besties with her boss, always has boiling hot office tea bc everyone just tells her everything

(A/N: I know I said I'd take a break but I really felt like posting the profiles now to hype you guys up a little more 🫣 i know i haven't responded to all the poison asks yet but i promise i'll get to it once i feel like it! this was also pre-made and ready to be posted weeks ago so not much work! sending everyone the fattest kiss and thank you so much for all the love and support. feedback and reblogs are always appreciated!!!🥺💞)

TAGLIST CLOSED: @soonigiri @xrr-s4sha @kwiwin @heelcvr @deobitifull @kpoprhia @doodlelibrary @abrazosolorcereza @certifiedmoa @sleeping-demons @heerinnie @ohmy-moonlightx @starlightmkl @heeswif3y @hoonieluv @fakeuwus @jjaeyuns @cheybabey @ineedsomezzz @super-amberlynn @kshoshi @tinie03 @soiimo @mimikittysblog @primroselover @heebrry @jebetwo @donghyckl @07myonlylove @enhamysunshines @quemirasboboandapaya @lostwonderwall @seuomo @enhaz1 @teawithbucky @beomgyusonlywife @dammit-jjk @teddywonie @azures @boutyouwonu @finchyyy @ocyeanicc @jaylaxies @glitterssim @in-somnias-world @zerasari @spookyauthorspopmusictrash @capri-cuntz @fluerz @3amstarlight

[thesirencult]

WHY INVESTING IN YOURSELF WILL CHANGE YOUR LIFE

"The best thing you can do is to be exceptionally good at something," said Buffett. He added, "Whatever abilities you have can't be taken away from you. They can't actually be inflated away from you. ... So the best investment by far is anything that develops yourself, and it's not taxed at all."

- Warren Buffet

There is a reason people call Mr. Buffet the "Oracle/Sage Of Omaha".

Not only he is great at asset management and making the right predictions when it comes to the financial markets, but he is also very wise and offers great advice.

Investing in your own self is the only type of investment you can make that is absolutely safe and guaranteed to give you a return on investment that would satisfy you.

Knowledge is fuel. You are the vehicle.

We are living in times of abundance. Knowledge and data curation is the hottest skill someone can learn right now. That's what AI models like ChatGPT do. They curate useful data from trash. That's what you should also do with your mind. Throw out what's hindering your growth and feed your brain with nutritious food for thought.

We are nearing the "Age Of Abundance", the Golden Saturnian Age of our times. Don't fall into oblivion.

The resources are within a finger's reach. You are actually holding the most precious asset in your hands right now, that's how I reached you.

Whoever takes advantage of this situation will succeed.

Read books, articles, essays. Watch videos and documentaries. Educate yourself for free. If you have the ability to get a university degree for free, do it ! Don't fall in the trap of "degrees are useless". Instead choose to educate yourself in subjects that interest you and make you even more savvy. Invest in evergreen skills. Learn content creation, marketing and money management. Study philosophy to learn the art of critical thinking.

In the next 10 years we will all transform from 9 to 5 slaves to freelancers and one-person businesses. This is where we are headed. Notice all the lay-offs and how artificial intelligence has taken the world by storm.

Be proactive.

[collapsedsquid]

My sense is that Silicon Valley has developed in just the opposite direction. My dearly missed friend, Aaron Swartz, was arguably the most genuinely open-ended intellectual to come out of modern tech. And he hated living in Silicon Valley in the early 2000s. He used to complain (sample here - he would expound on this at great length if you prompted him) about how intellectually dull Silicon Valley was, how disinclined people there were to talk about ideas, and how much happier he was after he moved to Boston, a place where people actually cared about books. Aaron was a member of the first class at Y Combinator. However, his broader intellectual interests were not only irrelevant to founder culture as it was back then but made him an actively bad fit, so that he ended up wandering off in a very different direction. In fairness, he was an awkward customer in all the right ways, and might very likely have lit out for other places no matter what. Silicon Valley has changed remarkably in the intervening two decades. Its culture now centers not simply on technology but the exercise of power. Powerful founders and funders not only aspire to make lots of money, but to reshape the world along better lines. They see themselves as a political elite as well as a financial one, and they are looking to educate themselves, often in ways that reinforce their own values and understanding of their own benevolent role. They want to be formed, and accidentally or consciously form others too. Tanner talks a lot about the classic Greek concept of paideia (education/formation). Its most prominent elucidation, the Cyropaedia, was written by Xenophon to support Athenian conservatives, who favored the rule of the few, in their struggles with the democratic faction. Xenophon’s notion of elite education was the model for the “mirror of princes,” a genre of mediaeval texts providing guidance for the education of rulers.Latin texts were similarly bastardized in the nineteenth century to mould the young gentlemen who would rule the British Empire, and through them influenced the anglophile East Coast elites who populated the State Department and the OSS. And that helps explain the creation of a canon. Founders who model themselves on Augustus Caesar, and engineers who aspire to reshape the world in their image, will not find what they need to know in textbooks on optimization. Nor, however, will they find it in the cultural precepts of the mid twentieth century WASP ruling class. Those were different times, and different values. Hence, they’re crafting their own mirrors from found materials - science fiction, biographies of great men, rationalist and libertarian tracts, and books about themselves. And there are lots of the latter, reflecting and refracting their own culture right back at them.

[bestworstcase]

thinking about those two deer in the lost fable again. out of all the assets created just for this one episode, why?

like… it’s not random. the only other animals in this story have been amber’s horse, zwei, and the branwens’ bird forms. all have some narrative relevance, a clear connection to a character that justifies the expense and effort of modeling them. and then in the lost fable—an episode that was always going to be a heavy lift technically and financially for the sheer amount of ground to cover and novel assets required—has these two deer. they’re only on screen for like two seconds.

it’s narratively motivated. the lost fable is a highly symbolic episode and that symbolism foreshadows the ever after / ascension / all the v9 lore quite strongly; it follows that the intended symbolism of this shot demanded the presence of these deer.

the god of light has deer antlers. in the blacksmith’s story, the first act of destruction is to eat; darkness eats, light does not. light holds himself at a distance, he designs, he does not live. these deer are grazing. salem appears from a plume of smoke at the base of the withered tree, and the deer startle at her approach and look up at her. the shot transitions to salem looking upon the grimm in the ruins of a town—

“she cursed the gods, she cursed the universe. she cursed everything—everything but herself,” says jinn. but her expression isn’t anger. (always check her eyebrows.) it’s more intense concentration, intense thought…

…which brings her back to the pool of grimm. jinn says that “fate” led her back here because that’s what ozpin believes. but this sequence begins with those deer, eating. destruction in its purest unadulterated form. salem visually emerges from the withered tree. she’s observing the grimm and she’s thinking. if the fountain of life had given her immortality, then surely the pools of grimm would finally take it away—not “finally let her die.”

rolls over.

the fountain of life gave her infinite life. salem hoped the pool of grimm would take it away. not kill. not destroy. infinite life. if you take from an infinite quantity, an infinite quantity still remains. this force of pure destruction could not destroy, so it created…

destruction first, to clear the wilderness away. darkness eats the tree’s brambles and through this act creation is born. jinn’s telling distorts through ozpin’s belief, but the truth is there. pure destruction and infinite life are not in conflict; rather, destruction feeds life.

the pool of grimm did take from her life—subtract from the infinite and the infinite remains—she’s torn apart and remade. creativity, to imagine what, and who, could replace the wilderness.

jinn tells this story, ozpin’s story, in a way that obfuscates salem’s real agency and her personhood, casting her alternately as tragic object of fate and inhuman monster. fate led her back to the land of darkness; a being of infinite life with a desire for pure destruction.

he believes salem wanted to die when she leapt into the pool of grimm.

did she?

the deer, the grimm, herself, the pool of grimm. wilderness and ruin. all that remained. i arrive at the edge of the world […] should i kneel?/what should i feel?/will i fall apart?/maybe that’s all i want […] and in my heart it’s there/standing tall enough to fix it all/it’s just a new beginning/it’s just a different ending […] i am everything and nothing/all at once/i’ll meet you at the horizon/where we first met/where i died, i’ll be born again…

(something. something. without you i am nothing, but because of you, i am everything. self-similar narrative.)

the edge of the world. . .

mutters. sow the death and reap the seed -> the moon will sadly watch the roses die -> a rose will grow to be a seed/from every life another leads -> some roses will never bloom. the burning rose, the shattered moon.

did. she know—did she have an idea that destroying herself would create a new world? destruction to clear the wilderness, creativity to imagine its replacement.

“they could claim the powers of their creators for themselves and in turn perfect their own design; all they needed to do was destroy their old masters.” -> “this was it, this had to be it, the brother’s grimm, the pools of black that continued to give rise to horrific nightmares” -> “we could be the gods of this world. […] create the paradise the old gods could not.”

like. it’s not just

it’s those fucking deer. eating. the grimm picking over the ruins. (grimm eat their prey.) salem, observing, thinking. “the gods had hoped that salem would learn from her eternal curse, and she did.” the god of light bade her learn the importance of life and death, and she did. and then she jumped into the pool of grimm and created remnant. a new world. a completely unfamiliar world–

…oh. ohhh

“magic was a gift from the gods that all could wield” -> “without the blessings of the gods, no one could perform magic like mankind was once capable of”

and

“aura is a manifestation of the soul, a life force that runs through every living creature on remnant.” we could be the gods of this world.

how does pyrrha unlock jaune’s aura? “for it is in passing we achieve immortality; through this we become a paragon of virtue and glory, infinite in distance and unbound by death. i release your soul, and by my shoulder protect thee.” a religious mantra echoing salem’s idea of transcendence. magic was a gift from the gods that all could wield; aura is a manifestation of the soul that everyone has, though only a select few are privileged by ozma’s institutions to learn. “with enough training and focus,” salem says, “a user’s aura can turn them into much more than just a man.” the illustration is ozpin’s silhouette—but ozma’s power isn’t derived from aura, it’s magic, and the infinite man is fond of saying that he is “only a man, not even a very good one,” and salem herself sees him as diminished, as lessened. he’s the image of “just a man.” a person’s aura can make them much more than ozma. much more than the brothers’ design.

our powers surpass all others.

salem is grimm. even if she has aura, she cannot use it to protect herself. the gods gave humans magic and then took it back; salem threw herself into the pool of grimm and it broke her apart and—symbolically if not literally—took away her aura and gave it to the people of remnant, reborn from the ashes of her rebellion. a semblance is the outward manifestation of one’s soul. she wanted humanity to claim the powers of their creators and perfect their own design, and… with enough training and focus, a user’s aura can turn them into something much more than just a man.

[diabolus1exmachina]

Lamborghini Urraco P300

Despite having been conceptualised as the model to dramatically increase sales and bring Lamborghini greater financial stability, the Urraco P250 proved a commercial flop. Production started in late 1972 following major equipment and floorspace investment. However, by late 1974, less than 500 had been delivered. The Urraco should have gone into production two years earlier than it eventually did. Lamborghini had originally conceived the model with a view to selling over 1000 examples every year.

The disappointing reality left Lamborghini deep in the red, but the Urraco was only partly responsible for a difficult few years.

Compounding the firm’s troubles had been delays for the Countach, a worldwide recession, problems at Lamborghini Trattori and unionised labour, all of which contrived to take their toll on the company founder. In 1972, Ferruccio Lamborghini had sold his tractor company along with 51% of his motor car business. He cashed out of the final 49% in 1974 when the world was in the midst of an energy crisis that slashed demand for gas guzzling machinery.

Throughout this tumultuous period, development work continued on the Urraco. It mainly focused on the Paolo Stanzani-designed V8 engine that had been created especially for the new model at considerable expense. In November 1974, an uprated Urraco P300 was launched at the Turin Motor Show. It immediately went into production alongside the Countach LP400, Espada Series 3 and Jarama S.

Most significantly, the Urraco P300 came with an enlarged three-litre engine. Equally importantly, the power unit now incorporated dual instead of single overhead camshafts.

To take capacity up to three-litres, Paolo Stanzani’s all-alloy 90° V8 was stroked from 53mm to 64.5mm. Bore went unchanged at 86mm for an overall displacement of 2997cc (an increase of 534cc). Compression was dropped from 10.5:1 to 10.0:1. Four new Weber 40 DCNF twin-choke downdraught carburettors were installed to replace the old 40 IDF 1s used previously.

The consequence of these improvements was a dramatic jump in output. Peak power was up 40bhp to 260bhp at an otherwise unchanged 7500rpm. The torque rating also rose considerably; 195lb-ft was now on tap at 3500rpm compared to 166lb-ft at 5750rpm for the P250.

As before, ignition was via two Marelli coils and a single Marelli distributor.

Lamborghini’s five-speed manual gearbox was beefed up to cope with the increased power and torque. Transmission was via a single dry-plate clutch and Lamborghini differential. New damper settings improved the ride, but otherwise little was changed to the existing platform The P300 was based on the same steel monocoque body shell as its predecessor. The engine was housed transversely like the Miura.

Suspension was independent all-round with MacPherson struts, coil springs and telescopic shocks. Anti-roll bars were fitted at either end The twin circuit brake system incorporated unchanged 278mm ventilated Girling discs. Campagnolo’s handsome five-bolt cast magnesium wheels were retained. They measured 7.5 x 14-inches and originally came shod with Michelin XWX tyres.

An 80-litre fuel tank was fitted in the engine bay.

Visually, the only change made to the P300 Urraco was a switch from a two-bank to six-bank radiator cooling vent on the front lid. The rest of Marcello Gandini’s soft wedge creation was unaltered.In a decade not exactly renowned for design longevity, the Urraco proved somewhat timeless. Compared to Bertone’s other mid-engined 2+2, the Ferrari Dino 308 GT4, the baby Lamborghini aged very well, even though it was ultimately outsold by the Maranello product by five to one.Build quality was considerably improved over earlier examples and nowhere was this more apparent than in the cockpit.Bertone had originally been responsible for furnishing the bodyshells, but by the time the P300 was on stream, this work had been taken in-house.

Lamborghini used better quality materials and ensured a higher standard of fit and finish.To this end, P300s were generally equipped with full leather interiors instead of the often garish two-tone leather and fabric combinations seen earlier.

The full width dash layout was still just as haphazard though. The rev counter and speedometer were located at either end of the instrument binnacle and angled in towards the driver. Supplementary gauges and various rocker switches were housed in between.

Lamborghini’s unusual deep dish steering wheel with its four arced horizontal spokes and leather rim was also retained. Like the P250 (which remained in production for a few months longer to use up an overstock of parts), the only update was the gradual shift to anodised black bumpers, wipers and window frames. A more conventional three-spoke steering wheel was also introduced towards the end of production.

[gummilutt]

Cyjon Loan Jar Modifications

This is an old creation of mine that I never got around to sharing, that I thought might make a nice release to celebrate 100 followers on tumblr. I never really expected so many of you to find and enjoy what I shared, but it's been wonderful once again getting that feeling of possibly helping someone enjoy their game more :)

I enjoy making my Sims lives more difficult financially, to have a real reason to work and run businesses and such, and being able to take loans is an important part of that. While Monique's computer is great in many ways, I never liked how interest is handled which is why I mainly use Cyjon's Loan Jar for loans. But even set to the lowest interest of 1%, the daily increase quickly gets out of hand on a big loan. I wanted more flexibility, and that's how this creation came to be.

Download from simfileshare

What's new?

The option to control which days of the week interest is added, with individual days or all at once setting options

An optional pop up dialog that informs you when interest has been added, and how much interest will be next time. When enabled (which is the default) the pop up will occur daily at 7am, regardless of whether there is a loan or not. When a loan jar is on lot with no active loan, use the setting option to turn the alert off :)

Easy overview of current settings regarding days, alert and interest rate

Support for pop up dialogs where you can enter rules you use in your hood, so you have easy access to them from inside the game (see picture included in download for example)

Jar and note subsets created by gayars, along with a new glass jar mesh and recolors by gayars

Paper note made recolorable by gayars, with recolors by gummi with game icons to make it possible to differentiate different type loans from each other (see picture above for examples). Set different interest rules for different types of loans, and use the icons to help you tell which is which :)

Alternative object models if you'd prefer something that blends in, with a pop up list to show you the options and what order they are in.

If you are unfamiliar with Cyjon's original, you can find more information about it's original functions on Cyjon's website. For more work by the very talented gayars, check out her website or her tumblr. Thank you my friend, for agreeing to make a new mesh to separate my version from the original, and for making the note recolorable. Being able to tell which jar is which loan is one of my favorite features :)

Requires Uni or a later EP according to Cyjon. Separate guid, so it will not overwrite the original, you can have both. Found in misc/misc, costs 1 simoleon. Has been tested in my game for years without issues. I hope you enjoy :)

[ecrivainsolitaire]

Open Art Guild – Testing the boundaries of collective IP ownership

Experimental release: Dr. T’chem’s Office (authorised for personal and commercial use)

I’ll try to keep this brief (you can read the full thesis statement here) but as we all know, intellectual property law is broken. It’s being exploited from every side and art workers are more vulnerable than ever to automation, copyright theft and myriad other unforeseeable forms of theft from the proletariat. We as a collective need to come together and work towards the creation of a better future.

The Open Art Guild is my proposal for the first of many steps towards a far away but necessary goal: the eradication of intellectual property as it pertains to the arts. It’s based on the open source standard and the creative commons, and the goal is for us to start creating a future where we stop thinking of artworks as private property to hoard, and start sharing the responsibilities and the benefits of their creation with the collective. And as I am proposing the idea, I should give the first step.

Which is why I am announcing the release of my short story series, Dr. T’chem’s Office, into the Open Art Guild license. This is an episodic HFY comedy series about the office hours of a sleazy yet well intentioned xenoanthropologist in charge of human integration into the crew of a spaceship, who happens to find them fascinating. You can read the first few instalments here:

| Part 1 | Part 2 | Part 3 | Part 4 |

The basics of the license go as follows: I’m giving any artist permission to use the assets of my artwork (in this case, settings, characters, plot lines and other unique concepts) both for personal use and for commercial use, provided they commit to crediting the original artist, giving away 30% of any profit back to the hands of the collective in the breakdown the guidelines specify, and giving the same license to any works they create derivative from this series. Any artist can join the Guild by remixing existing artworks in its database or voluntarily submitting their own works. For the time being this prototype model will have to rely on the honour system, but I have outlined the basic guidelines for a platform dedicated to facilitating the Guild’s business and income redistribution.

The purpose of this experiment is to test whether this system is financially viable, what modifications it needs, and how to enforce it. It’s also a way to study what the community thinks of this model. To summarise the implications, here are the pros and cons as I see them.

Pros:

- All fan art, spin-offs, third-party merchandise and other forms of adaptation become automatically authorised and monetisable, provided both the original artist and the remixer are active members of the Guild.

- All adaptations are automatically non-exclusive and must give away the same rights as the original, diminishing the incentive for massive corporations to try and scam an artist out of their intellectual property.

- It effectively unionises freelance artists of all fields to balance out negotiations with non Guild entities.

- It encourages artists to continue their output in order to reap the benefits of the Guild, by using the redistribution system as an incentive, instead of the current status quo where artists are actively fighting market forces all by themselves in order to make enough time and resources to work on their craft.

- It provides a safety net where everyone is invested in the continuous welfare of everyone else, giving a sense of class solidarity and facilitating donations and shared resources.

- It motivates artists to invest in each other, as the growth of one means the growth of the whole Guild.

- Eventually, if the project succeeds and the proposed platform comes to exist, it would effectively create a universal basic income for all Guild members, as well as a self sustained legal fund to protect their assets from IP theft by non Guild entities.

- It will give you complete control over whether your art can be used for AI dataset training, on an opt-in, post-by-post basis, so you don’t have to wonder who might be stealing it. If the platform is created, all works whose creators have not authorised to be used for this will have data scrambling features to make sure thieves can’t use them.

Cons:

- It will require all Guild members to permanently renounce to 30% of their profit, in order to build up the funds and distribution system.

- It will have to be built entirely on trust of the collective, at least until a platform can be established, which may take weeks or may take decades depending on lots of unpredictable factors.

- Leaving the Guild will require all artworks shared with the collective to become Creative Commons; once you renounce your right to monopoly of your IP, it’s permanent, no way to go back. This is necessary in order to prevent asset flippers and other forms of IP scabs to join the Guild, extract other people’s assets and then scram.

- Due to banking regulations entirely out of our hands, some artists will have participating in the redistribution. If the platform ever becomes a reality, one of its main goals will be to remedy this immediately.

This proposal requires a high cost, but it provides an invaluable reward. If the system works, it will empower all artists to profit from their work and protect it as a collective. If it doesn’t, all that will have happened is that you will have created a lot of Creative Commons art, which financially isn’t ideal, but artistically is extremely commendable. Even in the worst case scenario, corporations will not be able to hold your art hostage with exclusivity deals. To me, the benefits vastly outweigh the costs, but I do want to emphasise: there will be costs. This is an effort to subvert the entire way art has been monetised since the 1700s. It will require a lot of work, a lot of people, and a lot of time, to make it work. But I believe it can work. If you believe it too, you are welcome to join the Open Art Guild.

Please do read the guidelines for the Guild and the guidelines for the platform before you start creating, and give me whatever feedback you have. If it’s good, if it’s lacking, if I’m overstepping legal boundaries, if you can find loopholes, anything. I tried to make it airtight but I’m not a legal expert. This is not my project, it is a project for the proletariat. Everyone should have a say on what they’re signing on for. And regardless of what you think, share it with all artists you can. This will only work if as many people as possible participate.

Doctor T’chem’s Office’s license

This work has been released under the Open Art Guild license, and has been approved for reuse and adaptation under the following conditions:

For personal, educational and archival use, provided any derivative works also fall under a publicly open license, to all Guild members and non members.

For commercial use, provided redistribution guidelines of the Guild be followed, to all active Guild members.

For commercial use to non Guild members, provided any derivative works also fall under a publicly open license, with the explicit approval of the artist and proper redistribution of profit following the guidelines of the Guild.

For non commercial dataset training of open source generative art technologies, provided the explicit consent of the artist, proper credit and redistribution of profit in its entirety to the Guild.

Shall this work be appropriated by non Guild members without proper authorisation, credit and redistribution of profit, the non Guild entity waives their right to intellectual property over any derivative works, copyrights, trademarks or patents of any sort and cedes it to the Creative Commons, under the 4.0 license, irrevocably and unconditionally, in perpetuity, throughout time and space in the known multiverse. The Guild reserves the right to withhold trade relations with any known infractors for the duration its members deem appropriate, including the reversal of any currently standing contracts and agreements.

[minervamagicka]

introduction / pinned post.

Howdy - I'm Maddie, but you can call me Minerva, minervamagicka or any of the three. I've been playing the Sims since 2010 and making CC for just about as long; though my current focus is Sims 4 equestrian-themed content in collaboration with my partner in crime, Schrodcat, who you can find on DA. Both of us will have a hand in just about everything that is to be released on this tumblr & to DA.

cc master folders

I've reorganized my SFS into folders that I'll be linking below for folks to refer to when searching for my CC. If you'd rather get everything in one go, this is the easiest way to do it!

Click here to view the SFS folder for all of my SIMS 3 content.

Click here to view the SFS folder for all of my SIMS 4 content.

These folders (or, well, just the TS4 folder) will have all of my CC added to them as its' released so they'll always be up to date!

p.s. if any creators would like an SFS code please message me!

donations

I'm not going to proselytize too much concerning my stance on modding and financial compensation here, as it could be an essay in and of itself. What it comes down to is this; everything I ever post for download will always be and always shall be 100% free. It will never be paywalled, hosted behind an ad.fly link or for purchase. However, for those who may want to buy me a coffee so I can fuel my caffeine addiction and keep posting at the speed of sound;

My Ko-Fi & SchrodCat's Ko-Fi / SchrodCat's Patreon

Again; financially supporting one, either or both of us will not grant access to anything exclusive or tangible beyond our gratitude. Additionally, donating with suggestions or requests will not mean those ideas will be automatically fulfilled as if they were a commission. This is just if you wish to express some thanks and get us some drinks!

requests / 'can you do xyz?'

I'm always happy to receive any requests or suggestions for what to release next, however me & S already have quite the list of personal ideas we want to get through first. Therefore, any requests we get will be secondary to those until we finish.

'what are you working on right now?'

S & I have set up a proper Trello board to track our progress on our original meshes & game conversions. You can view it here!

'how can i learn to mod?'

My friend Schrodcat wrote an excellent DA post on this topic with links to resources & some very solid advice on getting into CC creation or modding in general.

'you didn't make [xyz game model], how dare you convert it to the sims?!'

As I've seen an uptick in off-site concern over my [Game]toTS4 conversions, I'm adding this disclaimer to my pinned post that I do not convert models for profit, and I do so transformatively and as a fan of the original work. If it continues to bother you that I do so without the explicit permission/support of the games I port from, I kindly ask you to not engage and to leave my blog.

To learn more, I recommend reading my initial statement on my SSO ports, or, if you're interested in learning more about my stance on modding and my belief in the 'moral economy' of modding in general, this published journal covering the subject may of interest, or this journal article explicitly discussing the use of copyrighted material in modding.

🎊 latest release

→ [MMxSC] Loose Ring Snaffle Bridle

[zoriety]

I don't really like how so many people who were previously agreeing that AI art is theft are alright with palworld because it's kinda-theft but from a big company. I also think palworld sets a pretty bleak precedent.

edit at the top so I'm not misunderstood: palworld is not made by AI, but the dev Takuro Mizobe is very open about his support for it, and is morally on the side of borrowing heavily from what is popular. (link to his words further down)

I think people are missing the point with the arguments. The problem isn't that it's plagiarizing from Nintendo, which I also don't care about, but that the dev doesn't really mind about originality and about mimicking what's popular ( https://www.siliconera.com/how-does-the-palworld-ceo-feel-about-ai/ ). his other planned games are heavily inspired by others too (from hollow knight, for example). It isn't about who is plagiarized from, but the precedent set.

And I'm also seeing 'but it's really fun/I don't care because it's much more fun than pokemon'. Also not really the point - and possibly even the moral challenge here. If a bit of fun in a game is more important to you than the moral principle of avoiding financially supporting ai tech bros, I can't tell anyone not to - and if it turns out that enough people are totally okay with it and will give them money despite some hang ups, that's the win to them and they'll continue - and I suspect it will be!

For me, the dev's opinions and value of other people's creations is obviously little, and I want nothing to do with that. I also accept I seem to be in the minority with it; ultimately, you vote with your wallet with this kind of stuff.

FURTHER EDIT: I do kind of have to respect Takuro Mizobe for his honestly though LMAO. "I don't really care about originality, I'm just going to take what's popular so lots of people play it" I mean he's playing with legal fire isn't he, as long as he walks the tightrope of plagiarizing pokemon in-game models and changing them JUST ENOUGH to avoid being sued

Ultimately he is not really evil, realistically no company will lose money at this stage, but personally I'd rather play original games that aren't purposefully mashed up and regurgitated versions of others

[prettygoodscience]

REDESIGN ADOPT SALE: 20USD (PayPal) An aspiring monster model with a cutesy fashion sense. She doesn't let her 'unusual' appearance slow her down!

Please consider financially supporting me by buying one of my designs.

[rauthschild]

Communist History Of V. P. Kamala Harris

 This is a really revealing history of of this nation's Vice President and presidential candidate. It is a long article but is necessary because it is so very important for you to know. This editorial is by Major General Higginbotham U.S. Marines (Ret)

This timely editorial that exposes the hidden background of Kamala Harris is from the Combat Veterans for Congress Political Action Committee. It is posted here with permission of the author. CVFC PAC supports the election of US military combat veterans to the US Senate and House of Representatives.

The editorial begins:

Kamala Harris' father was an avowed Marxist professor in the Economics Department at Stanford University in Palo Alto, CA. Both of Harris' parents were active in the Berkeley based Afro-American Association; Fidel Castro and Che Guevara were the heroes of the Afro-American Association. The group's leader, Donald Warden (aka Khalid al-Mansour), mentored two young Afro-American Association members, Huey Newton and Bobby Seale; they created the Maoist inspired Black Panther Party which gained strong support from Communist China; the Black Panther Party served as the model for creation of the Black Lives Matter Marxist organization Khalid al-Mansour subsequently went on to arrange financing and facilitated for Barack Hussein Obama to be accepted as a student to matriculate at Harvard Law School.

Following her graduation from college, Harris returned to California and subsequently became the mistress of the 60-year-old married Speaker of the California Assembly, Willie Brown, Jr. Brown's political campaigns were supported and funded by Dr. Carlton Goodlett, the owner of The Sun Reporter and several other pro-Communist newspapers. Brown was elected as Mayor of San Francisco, and strongly endorsed Harris' Marxist political philosophy; he guided Harris' political rise in California politics, leading to her election as California's Attorney General. Willie Brown, Jr. is a well-known long-time Communist sympathizer.

Willie Brown, Jr. was initially elected to public office with substantial help of the Communist Party USA. Today, Willie Brown is widely regarded as one of the Chinese Communist Party's best friends in the San Francisco Bay Area. While serving as San Francisco District Attorney, Kamala Harris mentored a young San Francisco Radical Maoist activist, Lateefah Simon, who was a member of the STORM Revolutionary Movement; Simon currently chairs the Bay Area Rapid Transit (BART) Board. Simon has always been close friends with the founder of Black Lives Matter Marxist Domestic Terrorists, Alicia Garza, as well as STORM member and avowed Communist, Van Jones. Harris has been openly and aggressively supporting Black Lives Matter Marxists; Kamala Harris is still closely associated with Maoist Lateefah Simon and Marxist Alicia Garza.

 Kamala Harris's sister Maya Harris was a student activist at Stanford University. She was a closely associated with Steve Phillips, one of the leading Marxist-Leninists on campus and a long-time affiliate with the League of Revolutionary Struggle, a pro-Chinese Communist group. Phillips came out of the Left, and in college he studied Marx, Mao, and Lenin, and maintained close associations with fellow Communists. Phillips married into the multi billion dollar Sandler family of the Golden West Savings and Loan Fortune. He funded many leftist political campaigns, and the voter registration drives in the Southern and South Western states in order to help his friend, Barack Hussein Obama, defeat Hillary Clinton.

Phillips has been a major financial sponsor for Kamala Harris's political campaigns for various California elective offices. Harris' husband, Doug Emhoff works for the law firm DLA Piper, which "boasts nearly 30 years of experience in Communist China with over 140 lawyers dedicated to its 'Communist China investment Services' branch. He was just appointed to Professor at Yale to school future lawyers in the fine points of Communism. When she was elected to the US Senate,Kamala Harris appointed a Pro-Communist Senate Chief of Staff, Karine Jean-Pierre. Jean-Pierre was active with the New York-based Haiti Support Network. The organization worked closely with the pro-Communist China/Communist North Korea Workers World Party and supported Jean-Bertrand Aristide, the far-left Communist former president of Haiti and the radical Lavalas movement.

Fortunately for Harris, but potentially disastrous for the Republic, elected office holders are not subject to the security clearance process. If the FBI did a Background Investigation on Kamala Harris, she never would have passed, because of her 40-year close ties with Marxists, Communists, Maoists, and Communist China. Harris would never have been approved for acceptance to any of the 5 Military Service Academies, been appointed to a U.S. Government Sub-Cabinet position, or would have been approved to fill a sensitive position for a high security defense contractor. Yet, since Joe Biden was elected, Harris could be a heartbeat away from being President. The U.S. constitutional Republic is being threatened by the People's Republic of Communist China (PPC) externally, and by their very active espionage operations within the United States. The People's Republic of Communist China (PPC), with 1.4 billion people, is governed by the 90 million member Chinese Communist Party (CCP), that has been working with Russia to destroy the U.S. Constitutional Republic for over 70 years.

 If the American voters read the background information (in Trevor Loudon's article) on Kamala Harris, they would never support her election as Vice President of the United States. Joe Biden is suffering from the early onset of dementia and will continue to decline in cerebral awareness; he will never be able to fill out a four-year term of office. Since Biden was elected, the Socialists, Marxists, and Communist who control Kamala Harris, are planning to enact provisions of the 25th Amendment, in order to remove Joe Biden from office, so Harris can become the first Communist President of the United States. Since Biden was elected, because Biden would not be up to it,

Kamala Harris would lead the effort to appoint very dangerous anti-American Leftist, Communist, Socialists, and Marxists to fill highly sensitive positions in the Washington Deep State Bureaucracy. She would fill all appointive positions in the US Intelligence Agencies, in the Department of Homeland Security, in the Department of Defense, in The Justice Department, the Department of State, the FBI, the CIA, most cabinet positions, the National Security Council, and in the White House Staff. American voters must alert their fellow Americans that Kamala Harris is a very serious National Security threat to the very survival of the US Constitutional Republic; she has been a fellow traveler of Marxists, Communists, Maoists, Socialists, Progressives, and Chinese Communists for over 35 years.

President Trump had much more background information on Kamala Harris than we presented here, and he was correct, when he accused Kamala Harris of being a Communist subverter.

Geoffrey B. Higginbotham Major General, USMC (Ret).

Ernest Rauthschild's Response

Further, Geoffrey B. Higginbotham is standing in front of the foreign corporate British Territorial United States and Vatican Municipal United States BANNER; and not our Autochthonous Preamble Posterity General Government Flag enacted by the General Congress Assembled July 14th, 1777.

None of the "presidents of the United States" in my lifetime have been elected either in accord with Art. 2, Section 1 or Amendment 12 of the United States Constitution. There is no Constitutional provision that allows the Winners of the partisan conventions, who somehow become a candidate the Electoral College Select from, to choose or pick the candidate for Vice' President.

Since Congress has never declared war during Higginbotham tenure and lifetime, his resume is merely that of a foreign corporate Indentured 13th and 14th Amendment White Negro Slave in a foreign corporate Mercenary uniform.

[fatehbaz]

Guided by international authorities, the Turkish state [...] set sails to a path of massive creative destruction in 1980. Social forces that could negotiate or resist this route were crushed. They have been trying to reorganize ever since [...]. The roots of Turkey’s financial and ecological destruction were in the policy packages of two World Bank figures: Turgut Özal and Kemal Derviş. [...] 1980 was a crucial turning point. World Bank-imposed economic decisions [...] lowered wages [...] while opening the gates to more systematic – and now commercialized – urban plunder. [...] Turgut Özal, the engineer-turned-economist who brought the World Bank’s neoliberal turn to Turkey, served as prime minister and then president between 1983 and 1993. Even though he sparred with Kenan Evren (the NATO-trained counter-guerilla officer who led the junta of 1980-1983) over the issue of military-civilian balances, the two had a unified agenda: commodification of everything including housing, the abolition of social rights, and the crushing of unions. [...]

[T]he model they implemented shaped Turkey from head to toe. Throughout the 1980s and 1990s, [...] [s]mall to medium sized housing acted as a replacement for secure jobs. This amounted to a Ponzi scheme [...]. [I]nstead of creating one to two story buildings as happened up until the 1970s, both construction workers and contractors built 4-story squatter units, with the intention of collecting rent from the units not inhabited by the original occupier. In other words, the newcomers to the cities now shifted part of the cost of the neoliberal package to the newer-comers from the countryside. [...] [T]he consequences of quick and cheap housing (not just for neighborhoods but for the entire society) were not yet well-understood [...]. We still don’t know what ratio of the buildings that were destroyed during the 2023 earthquake were built in the 1980s and 1990s, but they (and therefore, the social-political actors behind them) certainly share a huge part of the blame. [...]

---

The 1999 earthquake changed this.

The direct links between the quality of buildings and the unusually high number of deaths during the Gölcük earthquake opened everybody’s eyes – or so it seemed, back then. [...] The AKP of 2002, voted in partially as a reaction to the poor governmental response to the 1999 earthquake, had a vast popular mandate to enforce the new regulations. [...] But they weren’t enforced. [...] The increasing central regulation under the AKP was not for safety, as promised by the party. The AKP rather streamlined the wealth creation through cheap buildings, roads, and other infrastructure. In other words, urban rents and profits were centralized and concentrated at the top [...].

After this point, the shoddy construction was not a side effect, but a central choice.

The top-down reason for this [...] was a conscious strategy of wealth concentration. [...] [C]heap housing continued to substitute for high wages and secure jobs, as it did throughout the 1980s and 1990s. In other words, shoddy buildings were what an impoverished people could afford. And in the meantime, they were employed in passing jobs in construction and related sectors, further embedding their lives in the systematic creation of cheap housing, as part of a much more massive, and state organized, production of profit-oriented construction spree when compared to 1980-1999. [...]

[T]his path was devised by the World Bank, but the AKP rendered it much more rapacious. [...] Millions still couldn’t afford any decent housing, and now (further de-unionized in the 2000s) they couldn’t even afford units in these poorly constructed (but now giant, instead of 4-story) buildings. The new World Bank policy package (the Derviş rather than the Özal version) had a solution to this too: Household debt. Ordinary people started to live an apparently more comfortable life, thanks to mortgages and credit card debt.

But, as now they say in Turkey, they were buying not chic lives but tombstones. [...]

---

The links between Gezi [2013] and the Maraş earthquake [2023; over 59,000 deaths] are both structural and intimately personal. [...] The same individuals and associations that were active in the Gezi Uprising were and are involved in earthquake preparation and post-earthquake relief. [...] Urban rights, anti-extraction, and environmental movements flourished in Turkey after the 1980s. [...] The devastation caused by February 6 [2023] is yet another wakeup call. Ecologists, feminists, socialists, labor unions [...] [have] been organizing mutual aid once again. Self-organization has become a constant topic of discussion [...].[C]olonialism, racism, capitalism, and ecology are not separate issues. They are all intertwined. [...] Kurds and Alevis undertook impressive aid efforts in the earthquake-affected regions, despite explicit attempts by the government to thwart their relief campaigns. [...] Several associations and movements which we saw on Gezi’s stage – from the Chamber of Architects to the ever-growing multiplicity of feminist and LGBTQ organizations – have been providing the most basic necessities, whereas the neoliberal state has sunk so deep [...] that it has started to sell basic necessities in the earthquake region.

---

All text above by: Cihan Tugal. "From the Gezi Uprising to the 2023 Earthquake: Charting Turkey's Ecological Destruction and Reconstruction". Jadaliyya. 7 April 2023. [Bold emphasis and some paragraph breaks/contractions added by me. Presented here for commentary, teaching, criticism purposes.]