#traditional TV networks

[moomeecore]

recently did my annual rewatch of over the garden wall, so here's a dump of otgw inspired trees frm my sketchbook that ive done since then

[lamiasage]

Okay guys. I am so stressed out right now. Writing my thesis that is also about the extremely unsteady and horrible working conditions of creative workers in the cultural industries and now getting the news about Gotham Knights being cancelled. I also have a meeting with my supervisor today, and I wasn’t really able to focus in the last days so I have to come to him with barely anything done in the last two weeks. At the same time, I am still having this dream of becoming an artist who can maybe live from that one day, how dreamy and unachievable that may sound. Especially knowing of how hard it is for people out there and how fucked up so many, many things in that industry are. I just feel so devastated and pessimistic right now so if you have something to cheer me up, I would be eternally thankful. 💕

[lilyanacreates]

Oh, great fans, give me lore!

So tell me about this. All I know is that there was megman and sonic crossover

This one is the embodiment of a minicon

OK, I know, zero he reminds me of shadow, but he is a girl now, cool

Ya, I know nothing about this, and I need someone to tell where I can watch megaman fully charged and what is megaman x ?

[mercyillustrator]

Codename: Kids Next Door Fanart ( Numbuh 1, Numbuh 2, Numbuh 3, Numbuh 4 and Numbuh 5 ) >:D

Having those KND brainrot since my childhood and my favorite show while growing up and still on Early 2000’s era :)

💠 Reshares, comments and saved are okay with me. Don’t steal, sell or traced my artwork 💠

- Mercy ;)

[eldestdaughterdeans]

"That reverse cross has been used by Satanists for centuries..."

not to be a pedant but spn plzzz satanism didn't exist as an organized religion until the 1960s. supernatural writers' room resist reactionary ideology challenge (impossible)

[swampjawn]

Time to talk an unnecessary amount about floors!

Episode 6 of Dungeon Meshi was produced in collaboration with a smaller studio, Enishiya - and it went way harder than I expected, for being made up of two relatively simple and self contained stories focusing on one character each.

And you can really see how those extra resources meant the animators could give full focus to both halves of the episode. Let's take a look at one piece that stole the show.

The first half was handled primarily by episode director/storyboard artist Keita Nagahara and co-animation director Hirotoshi (or Hiroaki? [1]) Arai. It's actually kinda insane how much of this section can be attributed to these two.

But the real star of the show is the second half, Chilchuck vs the mimic, led by co-animation director Toya Ooshima in his first animation director role for TV anime!

And the biggest aspect that knocked my dang boots off was something that's very consistent with Ooshima's style: background animation!

By animating the backgrounds rather than using painted still images, Ooshima and the team of other similarly skilled animators are able to create these beautiful dynamic camera movements that wouldn't be possible otherwise. Like these cuts by Takeshi Maenami where the camera becomes an expressive part of the scene, zipping forward and backward, and tilting to emphasize the speed of this murderous hermit crab. (Maenami's style is also very recognizable here - snappy timing and quick camera movements)

Or this cut by the incredible Kaito Tomioka which cleverly combines a traditional background for the walls with a fully animated floor. The level of detail in these tiles is just completely insane, and used to great effect with this wide, diagonal angle, and the way the camera tentatively drifts forward before reversing direction, and the tiles blur out as it speeds up.

I don't think I'm the only one caught off guard by how much they full-assed this little side story, but it was a pleasant surprise!

I broke down the entire episode in this video here. A lot of research went into this one, and I think it's the best one of these videos I've made so far, so if you're at all interested in more of this type of analysis in video form, I would really appreciate it if you checked it out, or re-blogged this post! Thanks

[1] It's listed as Hirotoshi on Anime News Network, but Hiroaki on a key frame that Studio Trigger shared on Twitter, so I'm not sure which one is wrong.

[unkstaarwysbr]

The Changing TV Landscape: The Rise of Online Platforms and its Impact on Traditional Networks

Within TSDS 278, El Uno and TraB delve into a thought-provoking discussion on the evolving TV landscape, which is undergoing a significant shift towards online platforms. This article, inspired by their insightful conversation, explores the advantages and challenges posed by this transformation, with a particular focus on traditional networks like ESPN. The hosts emphasize how audience…

[gh-0-stcup]

I haven't seen anything like that on Tumblr. If anything, I've seen a lot of people overly anxious over IWTV getting canceled.

Interview with the vampire fandom this is the last time I bug you for a while, but please please tell me Twitter is an outlier and not all of you are celebrating the cancellation of other queer shows like it’s no big deal and that they all deserved it. It’s getting harder and hard to feel that way when these posts get thousands of likes. Tell me that all of you don’t think you’re 100% safe just because you’re not on a streaming platform and know that queer shows are more likely to get canceled. Please just show me that Twitter and outlier and just being weird and Twitter. This isn’t me trying to have a Gacha moment. I just wanna see the fandom not being entirely insane and mean like on Twitter. 

[chevelleneech]

Ody3 revolving around Tristan, not Avery…?

I cannot explain how desperately I need the Doctor Odyssey love triangle to throuple to be have been presented as Max and Tristan fighting over Avery, leading to a threesome, only to ultimately end up as Max and Avery realizing they don’t work without Tristan.

Not that I want him to be an after thought, but right now things are sort of framed as Tristan getting a taste of what he’s wanted after all these years, as well as Max and Avery falling into each other really early on insinuating they’re meant to be.

So I want to see them trying to figure things out, which includes a misunderstanding of all feelings involved, leading to Tristan walking away thinking Max and Avery are better suited as a couple, and them believing Tristan saying he just wanted sex from them. Thus they convince themselves a throuple was never an option, only for their relationship to start stumbling, because without the thought of Tristan bounding around the corner or leaping between them in bed unannounced… it’s not the same. Their spark isn’t there, because even just the thought of, “How/when are we going to tell Tristan?” gave them that extra bite.

Because Max is the life-worn one who is a bit more methodical, yet is naturally curious, while Avery is quite cynical and likes to know where she’s headed. Tristan, however, for as serious and rude as he can be, is the rebellious burst of light both of them are clearly drawn to.

So while I know a traditional love triangle or even throuples tends to be because the woman nabbed the hearts of both men, which is what happened with Ody3, I just really really want it to give a little twist. Center the character who is obviously insecure in his place with both of them, and who so clearly wants both of their approval. Tristan wants Avery and Max, they wrote it so blatantly, but he doesn’t (didn’t) know he wants Max too, because his focus was on the fact that Max showed up and managed to get Avery right away.

Having the pairing that instantly clicked, realize they need that third person would so good. It would also add to the beauty of how and why Tristan and Avery not even so much as hooking prior to meeting Max made sense, because they needed their third person. It would also mean none of the duos work without their third, which I don’t think has ever happened on network tv. A throuple that works as a throuple, because coupling them off simply doesn’t.

Lastly, I stand by the fact that their cast chemistry was intentional. No way they wrote Ody3 this questionably on paper, and cast three actors who sizzle on screen together, yet nothing is meant to come of it. A throuple is the only thing that makes sense, regardless of my wish for the above.

[justinspoliticalcorner]

Michael Tomasky at The New Republic:

I’ve had a lot of conversations since Tuesday revolving around the question of why Donald Trump won. The economy and inflation. Kamala Harris didn’t do this or that. Sexism and racism. The border. That trans-inmate ad that ran a jillion times. And so on. These conversations have usually proceeded along lines where people ask incredulously how a majority of voters could have believed this or that. Weren’t they bothered that Trump is a convicted felon? An adjudicated rapist? Didn’t his invocation of violence against Liz Cheney, or 50 other examples of his disgusting imprecations, obviously disqualify him? And couldn’t they see that Harris, whatever her shortcomings, was a fundamentally smart, honest, well-meaning person who would show basic respect for the Constitution and wouldn’t do anything weird as president?

The answer is obviously no—not enough people were able to see any of those things. At which point people throw up their hands and say, “I give up.” But this line of analysis requires that we ask one more question. And it’s the crucial one: Why didn’t a majority of voters see these things? And understanding the answer to that question is how we start to dig out of this tragic mess.

The answer is the right-wing media. Today, the right-wing media—Fox News (and the entire News Corp.), Newsmax, One America News Network, the Sinclair network of radio and TV stations and newspapers, iHeart Media (formerly Clear Channel), the Bott Radio Network (Christian radio), Elon Musk’s X, the huge podcasts like Joe Rogan’s, and much more—sets the news agenda in this country. And they fed their audiences a diet of slanted and distorted information that made it possible for Trump to win. Let me say that again, in case it got lost: Today, the right-wing media sets the news agenda in this country. Not The New York Times. Not The Washington Post (which bent over backwards to exert no influence when Jeff Bezos pulled the paper’s Harris endorsement). Not CBS, NBC, and ABC. The agenda is set by all the outlets I listed in the above paragraph. Even the mighty New York Times follows in its wake, aping the tone they set disturbingly often. If you read me regularly, you know that I’ve written this before, but I’m going to keep writing it until people—specifically, rich liberals, who are the only people in the world who have the power to do something about this state of affairs—take some action.

[...]

This is the year in which it became obvious that the right-wing media has more power than the mainstream media. It’s not just that it’s bigger. It’s that it speaks with one voice, and that voice says Democrats and liberals are treasonous elitists who hate you, and Republicans and conservatives love God and country and are your last line of defense against your son coming home from school your daughter. And that is why Donald Trump won. Indeed, the right-wing media is why he exists in our political lives in the first place. Don’t believe me? Try this thought experiment. Imagine Trump coming down that escalator in 2015 with no right-wing media; no Fox News; an agenda still set, and mores still established, by staid old CBS News, the House of Murrow, and The New York Times.

That atmosphere would have denied an outrageous figure like Trump the oxygen he needed to survive and flourish. He just would not have been taken seriously at all. In that world, ruled by a traditional mainstream media, Trump would have been seen by Republicans as a liability, and they would have done what they failed to do in real life—banded together to marginalize him. But the existence of Fox changed everything. Fox hosted the early debates, which Trump won not with intelligence, but outrageousness. He tapped into the grievance culture Fox had nursed among conservatives for years. He had (most of the time) Rupert Murdoch’s personal blessing. In 2015-16, Fox made Trump possible. [...]

The fake story about Haitian residents of Springfield, Ohio eating cats and dogs, for example, started with a Facebook post citing second- and third-hand sources, Gertz told me; it then “circulated on X and was picked up by all the major right-wing influencers.” Only then did Vance, a very online dude, notice it and decide to run with it. And then Trump said it himself at the debate. But it started in the right-wing media. Likewise with the post-debate ABC “whistleblower” claims, which Gertz wrote about at the time. This was the story that ABC, which hosted the only presidential debate this election, fed Team Harris the questions in advance. This started, Gertz wrote, as a “wildly flimsy internet rumor launched by a random pro-Trump X poster.” Soon enough, the right-wing media was all over it.

Maybe that one didn’t make a huge difference (although who knows?), but this one, I believe, absolutely did: the idea that Harris and Joe Biden swiped emergency aid away from the victims of Hurricane Helene (in mostly Southern, red states) and gave it all to undocumented migrants. It did not start with Trump or his campaign or Vance or the Republican National Committee or Lindsey Graham. It started on Fox. Only then did the others pick it up. And it was key, since this was a moment when Harris’s momentum in the polling averages began to flag.

[...]

To much of America, by the way, this is not understood as one side’s view of things. It’s simply “the news.” This is what people—white people, chiefly—watch in about two-thirds of the country. I trust that you’ve seen in your travels, as I have in mine, that in red or even some purple parts of the country, when you walk into a hotel lobby or a hospital waiting room or even a bar, where the TVs ought to be offering us some peace and just showing ESPN, at least one television is tuned to Fox. That’s reach, and that’s power. And then people get in their cars to drive home and listen to an iHeart, right-wing talk radio station. And then they get home and watch their local news and it’s owned by Sinclair, and it, too, has a clear right-wing slant. And then they pick up their local paper, if it still exists, and the oped page features Cal Thomas and Ben Shapiro. Liberals, rich and otherwise, live in a bubble where they never see this stuff. I would beg them to see it. Watch some Fox. Listen to some Christian radio. Experience the news that millions of Americans are getting on a daily basis. You’ll pretty quickly come to understand what I’m saying here.

[...] The reason? The right-wing media. And it’s only growing and growing. And I haven’t even gotten to social media and Tik Tok and the other platforms from which far more people are getting their news these days. The right is way ahead on those fronts too. Liberals must wake up and understand this and do something about it before it’s too late, which it almost is.

Michael Tomasky of TNR explains it perfectly: Donald Trump won due to the right-wing media apparatus feeding lies to the voters.

[alycemichelleee]

50+ Mods for Aesthetic Gameplay

Lighting Mods

Balance Gshade

Sunblind

Better In-Game Lighting Mod 

No Blur in the Distance

CAS Mods

Simfluencer CAS Background

Stand Still In CAS Mod

More Columns In CAS

Zodiac Signs Mod

Instant CAS Story

Chingyuu Traits

Aesthetic Traits

Minimalist CC Wrench Icon

Unlimited Likes and Dislikes

Tidy CAS

Hair Overlay

More Traits In CAS Mod

World Traveler Aspiration

Preference Plus Mod

Overrides

The Appliance Collection

San Myshuno Billboard Overrides

Bauney Pods Max Headphones

Cocogames Phone Wallpaper

Black Art Painting Mod

Functional Magazines

Ultimate Movie Mods

Cutting Board Override

HD Feet

The Pet Collection

Digital Sketchpad Recolor

Ebonix PC Game Overrides

Brasi's TV Override

Interaction Mods

Go For a Jog Together

Storytelling Socials

Precious Moments

Drama Mod

Expanded Storytelling Relationship Bits

https://www.katie-mods.com/

Greetings Mod

First Impressions Mod

Gameplay Mods

Sim With Shan Traditions

Relationship Pregnancy Overhaul

Immersive Social Bunny

Longer Parties and More Guests

MC Command Center

Ding & Ditch Doorbell

21 Day Season Instead of 28 Days

KiaraSims Events

Basemental Drugs

Wicked Whims

Control Any SIms

Social Network Crossover

Home Regions

[genderkoolaid]

Trans men face deep isolation in Pakistan. The country, with a conservative Muslim majority, has entrenched beliefs on gender and sexuality, so trans people are often considered outcasts. But trans women have a degree of toleration because of cultural traditions. Trans women in public office, on news programs, in TV shows and films, even on the catwalk, have raised awareness about a marginalized and misunderstood community. The Pakistani movie and Oscar contender “Joyland” caused an uproar last year for its depiction of a relationship between a married man and a trans woman, but it also shone a spotlight on the country’s transgender community. Trans men, however, remain largely invisible, with little mobilization, support or resources. Trans women have growing activist networks — but, according to Aman and others, they rarely incorporate or deal with trans men and their difficulties. “It’s the worst,” said Aman. “We are already disowned by our families and blood relatives, then the people we think are our people also exclude us.” Trans women have been able to carve out their space in the culture because of the historic tradition of “khawaja sira,” originally a term for male eunuchs working in South Asia’s Mughal empire hundreds of years ago. Today, the term is generally associated with people who were born male and identify as female. Khawaja sira culture also has a traditional support system of “gurus,” prominent figures who lead others. But there is no space within the term or the culture surrounding it for people who were born female and identify as male. “Every khawaja sira is transgender, but not all transgenders are khawaja sira,” said Mani, a representative for the trans male community in Pakistan. “People have been aware of the khawaja sira community for a long time, but not of trans men.” He set up a nonprofit group in 2018 because he saw nothing being done for trans men, their well-being or mental health. Trans people have seen some progress in protecting their rights. Supreme Court rulings allow them to self-identify as a third gender, neither male nor female, and have underscored they have the same rights as all Pakistani citizens. Although Mani was involved in the trans rights bill, most lobbying and advocacy work has been from transgender women since it became law. “Nobody talks about trans men or how they are impacted by the act,” said Mani. "But this is not the right time to talk about this because of the campaign by religious extremists (to veto changes to the act). I don’t want to cause any harm to the community.” Another reason for trans men’s low visibility is that females lead a more restricted life than males in Pakistan, with limits on what they can do, where they can go and how they can live. Family honor is tied to the behavior of women and girls, so they have less room to behave outside society’s norms. On a practical level, even if a girl wanted to meet trans people and get involved in the community, she wouldn’t be able to because she wouldn’t be allowed out, said Aman.

[wheelsgoroundincircles]

1969 Holden Hurricane Concept

1969 Holden Hurricane Concept

1969 Holden Hurricane Concept

1969 Holden Hurricane Concept

1969 Holden Hurricane Concept

Holden has gone back to the future, restoring its very first concept car - the 1969 Holden Hurricane Concept.

The futuristic research vehicle described as an experiment "to study design trend, propulsion systems and other long range developments" has been restored to its former glory as a labour of love by a dedicated group of Holden designers and engineers.

Code named RD 001; the Holden Hurricane is a mid-engined, rear-wheel drive, two-seater sports car which incorporates a remarkable array of innovative features and technology, much of it way ahead of its time.

Features such as electronic digital instrument displays, station-seeking radio, automatic temperature control air conditioning, rear vision camera and an automated route finder were all showcased in this ground-breaking vehicle 42 years ago. Many of these technologies have only recently made their way into mass production, demonstrating Holden's remarkable foresight into both design and engineering technology.

The Holden Hurricane stole headlines and dropped jaws nationwide when it debuted at the 1969 Melbourne Motor Show.

Michael Simcoe, Executive Director GMIO Design, said it was fantastic to see such a significant vehicle restored.

"At Holden we have always prided ourselves on our ability to look into the future through our concept cars," Mr Simcoe said.

"It's amazing to think that the features we take for granted today were born out of creative minds over 40 years ago."

As its code name suggests, the RD 001 was the first product of the GMH Research and Development organisation, staffed by a small squad of engineers working in conjunction with the Advance Styling Group at the Fishermans Bend Technical Centre in the 1960s.

The team that designed and built the original Holden Hurricane employed some advanced technologies and techniques when it came to the powertrain. Powered by an experimental 4.2-litre (253 cubic inch) V8, this engine was a precursor to the Holden V8 engine program which entered production in late 1969.

The Holden Hurricane's V8 engine featured many advanced design components such as the four-barrel carburettor - a feature which wouldn't be seen on a production 253ci Holden V8 until the late 1970s. The end result was approximately 262hp (193kW), a towering power output in 1969 and one that ensured the Holden Hurricane had the go to match its show.

But perhaps the two most innovative features were the "Pathfinder" route guidance system and the rear-view camera.

The "Pathfinder", essentially a pre-GPS navigation system, relied on a system of magnets embedded at intersections along the road network to guide the driver along the desired route. A dash-mounted panel informed the driver of which turn to take by illuminating different arrows, as well as sounding a warning buzzer.

The rear-view camera was also a ground-breaking innovation.

Engineers using a Closed Circuit Television (CCTV) system with a camera mounted in the rear bumper feeding vision to a small black-and-white TV mounted in the centre console.

Former Holden Chief Studio Engineer Rick Martin led the modern-day Hurricane team in researching the vehicle's components, systems and history in order to restore it.

"There are some genuinely remarkable ideas and technology in the Hurricane," said Mr Martin.

"From the automatic air-conditioning and magnet-based guidance system, to the inertia-reel seat belts and metallic paint, this was a car that was genuinely ahead of its time.

"The hand-picked team of engineers and designers who built the original Holden Hurricane worked in strict secrecy and began Holden's now proud tradition of ground-breaking concept cars."

RD 001 stands just 990mm high and has no doors in the conventional sense. A hydraulically-powered canopy opens upwards and forward over the front wheels, combined with twin "astronaut type" power-elevating seats which rise up and pivot forward, along with the steering column for ease of access. Occupants are then lowered to a semi-reclining position before the roof closes over them.

The wind tunnel-tested fibreglass body consists of three segments; the canopy, the engine hood and body shell and was finished in an experimental aluminium flake-based metallic orange paint.

Safety innovations included a foam-lined fuel tank, integrated roll-over bar, digital instrument readouts, ignition safety locks, interior padding and a fire warning system.

The project to restore RD 001 began in 2006 and has been a genuine labour of love for some very dedicated Holden employees. The entire restoration process has been driven primarily by volunteer labour from Holden designers and engineers in their spare time.

But the Hurricane first entered Holden Design in less than immaculate condition. RD 001 had a residency in a trade school where apprentices practised their welding on the priceless concept.

After being returned to Holden in 2006, the Hurricane restoration project has taken many thousands of painstaking man hours to lovingly restore RD 001 to concourse condition.

Holden's Manager for Creative Hard Modelling, Paul Clarke, has been largely responsible for managing the restoration of RD 001. He ensured as many of the original parts as possible have been used or remade using modern techniques to 1969 specification, in order to preserve the authenticity of this hugely important Holden.

"The entire team has done a fantastic job in bringing this beautiful concept back to life," Mr Clarke said.

"The talent we have within the Holden organisation is simply outstanding. Every time we take on a project I'm constantly amazed by the passion and talent in this company, making it a genuine pleasure to work on these projects.

"The Hurricane plays a crucial role in Holden's story and the company has such a great sense of history and heritage that it was very important to bring RD 001 back to life. It's been a challenging but incredibly rewarding process."

Since the debut of the Holden Hurricane Concept in 1969, Holden has continued to build a global reputation for envisioning and executing world-class concept vehicles. Holden is recognised globally within General Motors as a centre of excellence for concept vehicle and show car development and is one of only three GM design studios that is capable to design and build concept cars.

Michael Simcoe added that the Hurricane holds a particularly special place in Holden's history as it kick-started Holden's long love affair with concepts that has since seen the likes of the iconic GTR-X, Torana TT36, Coupe 60, the GMC Denali XT (which was requested specifically by GM for the North American market) and the award-winning Efijy.

Holden Hurricane Concept (1969)

[heteromerous-rhyming]

i think that i've figured out why i don't like show sally.

ok like don't get me wrong, virginia kull?? she ATE with that interpretation. her acting?? amazing. like i could truly get the core of her character.

it's just that i don't like the character the writers give us.

cw: discussion of abusive relationships, of toxic family dynamics, probably a good bit of generational trauma. I don't really get into details except with stuff shown on the show and written in the books but i wanted to be safe.

as someone from an immigrant household, as someone whose mom works a part time minimum wage job, as someone whose seen and been there as my parents fought, i just really really dislike sally's portrayal in the show. and it's partly because of poseidon and partly because of gabe (mostly because of her character in general but yeah, lets get the men out of the way first)

I feel strongly about poseidon in his relationship to sally very specifically. i don't mind his relationship to percy either books or show. but it's pretty damn clear to me that this show was written by someone who's never experienced sally's situation, of being the single working parent with an absentee partner (or in gabe's case a partner who literally ahHHHHHh). because from the beginning, from sally's reaction and snark to gabe, I felt like something was wrong or off, and it was Specifically the show because i read the books and i watched (some) of the musical and i never felt that way towards either of those. i'm not saying that my family situation is sally's (don't have a god for a father for one), but. by all accounts sally knows that this is an abusive relationship, the only reason that she's with gabe is because of the protection he offers percy. i have to assume that this is true because sally jackson turning gabe to stone is something i'm assuming is staying in the show, and i remember this being mentioned by grover? or someone in the first few episodes. and the cord that struck in me was not the traditional (that is, visible, defined, i don't like this word but i don't have a better one) abusive relationship but relationships in my community, of women staying with husbands because of their children, women outright saying this, women who know the world is cruel to single women and to single mothers specifically. sally, to me has never been under any illusions that gabe is any sort of relationship material. she has never been under any illusions that poseidon would be able to help in any way.

and that crux of sally's relationships made her first scene in the show all that more jarring. but it's not anything specifically that i can put a finger on. and maybe i'm wrong for this or maybe i'm expecting too much. but. sally doesn't have the resentment or the quietness or the bitterness or even the loudness that i expected. you have been the only true caretaker for your child, the only one in the house that really puts food on the table and on top of that is expected to do emotional labor? to cook and clean or at least pick up the food?

but she treats gabe like he's an annoyance. someone to brush off. and you see the manipulation tactics from gabe, you do, but.

its not that i want sally's spirit to be crushed. my mother's spirit wasn't crushed. the women in my community, they laugh, they cry, they watch silly tv shows, they have lives that they live, and in many cases they live well.

but the women that i know are also angry. they are either on fire or they used to burn. when they banter with their partners it often turns ugly because they are tired of the same damn argument day after day, because often the trivial things that are asked are compounded and compounded and compounded because you live in the same house, there is no escape, there is no private space, not really.

it's new york and sally works a job to support an apartment and her family. they are not well-off. sally has no support network we can see, and how could she? poseidon mentions that she has no one to talk to about these things, her parents are clearly out of the picture. all this to say. there is a certain understanding of class that exists within the books that was excised, i believe unknowingly, from the show, and it is the worse for it. there is a tiredness, a worn-down-ness from being low income that sally had in the books, but in the show i only see a struggling first time single parent. i don't see the complexity of a woman who literally gave up on finding a fulfilling relationship to be with a man for her child. i don't see the complexity of a woman working fulltime and still getting demanded from at home. and i didn't realize that I wanted to see that until I saw the show. i didn't realize that that was what i loved about the books.

i hate that they tried to bring poseidon back into sally's life as this perfect man who through cosmic forces can't help. i hate that sally calls him, i hate that he says he'll listen. but most of all i hate that sally just accepts him, falls into him. it's really hard to be a mother when your partner doesn't seem to help you parent in any way, even if he cannot help you. he's a greek god, there's no way in hell that he can begin to understand the lengths that sally has gone through to sacrifice and survive, the very human things that she's done. sally in the books thinks of poseidon as a sweet memory, almost a fairytale, and it's clear that this story is the one that brings her comfort. poseidon is a one night stand, a sweet stranger, she understands he's not coming back. but this poseidon comes when sally calls, and that i cannot believe. i cannot believe that she still thinks of him as the fairytale man, that she accepts him so easily if there isn't that distance. i cannot believe that there is no resentment, that she still puts faith in him as her god (the first episode when she talks about him just felt so wrong to me) if he's not a memory, but a recurring figure. this is not a story of star-crossed lovers, sally feels too real as a human being for that.

sally finds trust, finds contentment, in the books after percy leaves home, after she no longer has to put up with gabe for his safety. she does not find poseidon again. she marries a human man, a very ordinary human man who cares for her. poseidon visits after she is in this relationship and its an amicable one. he is percy's father but also distant memory all in one. sally has the strength to survive a terrible relationship and still find a way to heal and live fully after that.

but the anger. the fire was there. she turned gabe to stone. she reclaimed her life with her two hands.

you don't kill a man for no reason. you don't kill a man without emotion.

but it's that reason and that emotion that i don't get from the writer's room. and it just makes me deeply sad.

[cuntylestat]

i know a lot of people worry about iwtv being canceled because of low ratings. idk maybe i'm delusional but i don't think it will be. i'm not an expert on the tv industry, but these are just some thoughts i have on it.

i think people look at companies like netflix and hbo under david zaslav as a model, but amc is not the same and has shown in the past to keep shows going even if initially they are not mega successful (e.g. breaking bad only started getting major attention in s3). amc still works more like a traditional network than other companies do, and they don't tend to cancel things immediately because they do not have the same glut of content that e.g. netflix does.

amc has invested a lot of money and attention into building "the immortal universe" and even if the ratings aren't high, iwtv is still the one with the highest name recognition (the movie is still pretty well known) and far more critically acclaimed than the mayfair witches. they have emphasized over and over again that they are trying to build this into their next big thing for their company akin to the walking dead, so giving up after 2 seasons on the biggest show in that universe's roster would not really fit with that, especially as they're already building more shows out of this (e.g. talamasca). everything they have said is that they believe in this universe they're building and are willing to invest in it. this is from the variety article on mark johnson, one of the producers:

then, there is also a precedent from other networks (who are not primarily streamers but more traditional cable networks) keeping shows going despite bad ratings, e.g. crazy ex-girlfriend had the actual lowest ratings on tv for multiple seasons and still got 4 seasons because it was one of the cw's most critically acclaimed and only awarded shows next to jane the virgin. this does show that sometimes networks will keep a show going because of what it means for their network rather than just the bottom line. what i think also helps is that amc owns the rights to the books and is the studio producing the show. there have been cases in the past where shows got canceled mostly because it was just no longer profitable/advantageous for the network to keep a show from a different studio or vice versa (e.g. shadowhunters allegedly only got canceled because it was split between three companies and netflix pulled its funding and the others were not willing to put up the rest of the money for it).

overall, i understand why people are concerned about the ratings, although i also want to point out that we do not have access to how the show is doing on amc+ as far as i know, so we don't have the full picture of how it's performing. however, i have a good feeling about the s3 renewal (i know some people are speculating that we'll get a tvl show instead of a third season which i really hope is not the case because that's a marketing disaster to me).

[adamsmasher]

Okay it's after 1am and I've had a lot of wine so obviously it's time for a late night wall-of-text post, but this time it's less likely to piss off your weird uncle or whatever because once again, I gotta talk about the best $4.99 a month I've ever spent.

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"Alex, thanks for the recommendation! What shows do they have that you think I'll like?" Oh, you're asking me to gush about my favorite tv shows? Don't mind if I do!!!

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"Oh, why aren't there any good game shows on TV?" you wonder, wishing that the Game Show Network could come up with something that isn't a lame remake of a free-to-play phone game. Well how about Game Changer, "the only game show where the game changes every show (except for [...] Game of Games, Taskmaster, and a few others that have come to light AFTER [Game Changer first aired]. That's right, [the] players have no idea what game it is they're about to play. The only way to learn is by playing, the only way to win is by learning, and the only way to begin is by beginning." And yes, I did sit there and watch the beginning of an episode to make sure I was accurately quoting Game Changer host (and Dropout CEO) Sam Reich's description of his flaghship game show that has THREE separate spin-offs. (for context, he only mentions the other shows that copied his in the one episode I pulled up to get an accurate quote. could you imagine how uncomfortable it would be if he said that every episode? hah!)

Are you more of a traditional Whose Line fan? Look no further than Game Changer spin-off Make Some Noise, where contestants act out "improvisational prompts that [they have] never seen before, isn't that right contestants?" ("We won't know if we've seen them before or not until we see them!" Brennan insists every time he's on...)

You like musicals but wish they were less... ya know, scripted? Check out "Play It By Ear", a fully improvised musical! (you may be familiar with its primary cast members Jess McKenna and Zach Reino from the podcast that inspired it all, "Off Book: the Improvised Musical Podcast with Zach and Jess")

Or maybe you're more into trivia, cuz you're a total nerd like me (and every single performer that's ever appeared on dropout.tv). How about "Umm, Actually" where contestants are given an incorrect statement and have to buzz in to correct it - but you have to say "Umm, Actually" first!

Straight up, you can't go wrong on Dropout. Please, check it out. They're nearly doubling the amount of original shows they have in 2024, and no other streaming service is doing it like them. If I haven't convinced you yet, get the 7 day trial and give em a chance. There's no referral code I can give you that gives me some sort of kickback or whatever, I genuinely wrote what looks like a thousand word essay about Dropout at 1am just because I love them so much.