#I guess. Because profit is the most important. Who cares about the importance of art

[lamiasage]

Okay guys. I am so stressed out right now. Writing my thesis that is also about the extremely unsteady and horrible working conditions of creative workers in the cultural industries and now getting the news about Gotham Knights being cancelled. I also have a meeting with my supervisor today, and I wasn’t really able to focus in the last days so I have to come to him with barely anything done in the last two weeks. At the same time, I am still having this dream of becoming an artist who can maybe live from that one day, how dreamy and unachievable that may sound. Especially knowing of how hard it is for people out there and how fucked up so many, many things in that industry are. I just feel so devastated and pessimistic right now so if you have something to cheer me up, I would be eternally thankful. 💕

[thattimdrakeguy]

anything i see anything new on dc's bat-family it makes me wanna scream "WHAT THE FUCK'S THE MATTER WITH YA" and go after them yelling "FUCK OFF"

(not that bad actually. i'm pretty chill inside most of the time. i'm not what i used to be. a lot of it is performative, but a luke warm attitude towards something you have to say doesn't invoke passion, or anythign exciting that'd make anyone want to read it. not that many do anyways)

so many years of this and none of them get better. it's like it's trying to be pathetic

all those years of things you can research to be sure you get it right, and you fuckers couldn't be arsed to get your ass in gear and make sure all these fans that left have something to go back to?

now this dc server discord. my gosh, i don't think we're seeing the blue skies again. they're catering to a small pond of people, a wee group consisting of those that read panels, and pal around with fan fics and mash-ups that they created and pondered

not the stuff that had plenty of real people going out to the shops and ordering comics, that made them have a love and respect for the medium to the point they were fine calling themselves a fan back when it wasn't right in a cool kind of way in the eyes of many

now they're comics, it's not that serious. whoc ares that much in the end

and i guess i'll never seem like i'm not overreacting a touch

but comics used to tell stories that attached themselves to people's hearts and made them be seen and held, like finally i got something that i respond to

now it's who can rip off the fandom the best, and it's so easy to get content of the same marginal quality on AO3, and fan comics that don't need to blessing of bastard DC Comics

it's sensational the passion people can have despite that, whether or not it's for me. but all those hundreds of thousands of people missing a piece of their prior enjoyment because the 5 stan opinions repeated at nauseum is all anyone important at the writers station (not a real thing, i just mean writers) at the company is making them thing "ah yes, we're doing all right by them"

no you didn't, fucker, you scared the rest away with all the nonsense

now if you want more money you gotta try to earn them back

they think it's hopeless and practically pointless because comics are a dying medium, but they don't have to be. i'm sure it'll never to go back to what it once was, but you can still at least try to have a legacy as a writer that means something to people

when we used to have guys back in the day that could go and fuck around writing stories about peter parker's love life that didn't have much action that you would think the typical reader would desire, that could still effect someone in a way that had them stop and think about themselves, because a fraction of wisdom was hidden in it

now you get characters botched, bastardized, and secretly killed and replaced by those with the same names, and they can't even muster the sense to care. because someone laughed at a character being drawn at the wrong height, or another had a good reaction from people that didn't know the character as they thought they were writing their big magnum opus blockbuster for them

and i don't expect perfection, or the good old days to be possible to back to because they're the old days for a reason

but theirs's still the possibility and ability to go back and figure out the lost art of product control, and ravenous quality that can seep into people's spirits and give them a passion to constantly go back to issue after issue, giving your damn funky company a proper profit that means anything

no there they go ripping off little jimmy on twitter, stan account number 55, who's repeating what their pal jessica said on tumblr about bat-family member that got designated trope number 782 on the list, and that got the writer believing they did a job well done

you can do more

they're all just people, and i admire the fact they got to where they are. bless them for all the accomplishments they have. i can't take that way from them. but i'm also just a person who has what he has to say, and i think there's more to these writers then even they give themselves credit for

whining when people rightfully criticize your poor characterization and (even that's rare given the standards of today's comic fandom population) because it's your interpretation, when that's not how interpretation works

my man the money, and legacy you could create for yourself by doing the job, and research, and making something that actually comes across as a product worth buying could make you name live on for years after your death

comics aren't a large, marginally important industry, that all writers strive to join, but they're a passionate bunch that can make your legacy last for years to come

instead you'd rather sit on the bottom of a barrel being like everyone else typing out the same crap in 5 minutes a junior high student could in 2

batman has made billions of dollars from the excellence of others

and they'd rather sit down and take, what's not even a lot of money given that it's comics, and accept it, then make somethings of themselves, and perhaps with enough lucky make the company and business worth something again

there's no point in not trying

all they'd do is get more out of it with a bit of trying and effort, and passion and metaphorical sweat put into it

why should i read Tim Drake: Robin that can't even remember how Tim would talk about Damian right, and can't be fucked to not make his boyfriend look like a generic twink instead of himself, when i could go back and read something from about a decade before my own birth when it was good (if written by a massive fucker)

i've spent nearly a decade on and off criticizing comics, mainly dc and the bat-family, look at my blog name, it's 'ThatTimDrakeGuy' (yes that's how i personally spell it, with the capitalization), and all i've found are holes and tears in it since i've began back in 2015 when Rebirth was only news and headlines

and i've yet to see things get better when i read some classics and became aware at what was, and what could be

nonsense that people with enough passion to get their asses in gear to get the job and the assignments, with plenty of talents, especially the artists, my goodness regardless if they can remember what characters like tim or damian, and sometimes even easy to remember ass jason todd look like, they still have impressive skill, ability, and talent, that far surpases what the majority of the population on the whole planet can do

so it's not that they can't do it

it's that they don't try

often they try the opposite for quick cheap rewards, in the form of twitter stan brownie points "LOOK THEY HUGGED" "LOOK THEY'RE CRYING" "LOOK HE'S SO SHORT" regardless if that's thhe character, it makes sense, the story needs it, or it'll be remembered in years to come

give me and others a reason to come back

otherwise dc might as well die, which i hate to say, and don't mean all the way because of the jobs that would lose

but how else can i verbalize the general feeling and sensation it gives me, when all of that effort goes to waste with medicore at best products that won't be recalled months from now by any amount of peopel that's substantial?

you could go and be a legend in the field, or another turd in the bucket that's about to fly away in the wind to never be seen 'til their next splatty mess

quite sad and i hate it

and shit, with so many people acceptint it, and talking it up, the idea i can't even see a character i used to enjoy look like themselves at times is a wee miserable

how stupid is that when you think on it

how do you get to that point?

comics aren't serious

but the passion a lot have is

(never hurt anyone over it tho. those people are just wild, and not in a cool way)

[whispers-in-a-dream]

Oh, now I read it fully and yes, the rich will always have fun, and yes, it's unfair and cruel of them to treat others like this. And like really every government of every country should stop the rich for making money with our infra that we need to live. It's so ...insolent. And like equality is the only way to happiness. You can't really be happy when you see other people suffering. Seeing happy people makes you happy. That is the truth. Now let me just change the subject completely so I can talk about AI.

I've seen this around and friends don't be silly. It's not the image generator AI who is eating all our electrocity. This is (in my subjective opinion) about a lot bigger projects. Like the image generator AI is a fun by product of a lot more "important" and profitable research. Google is probably training AI to guess exactly what you want to see and buy by memorizing all the searches people do or something like that. But anyway it's not about some silly picture generators. It's about profiling people. That's my opinion.

Is this my moment to say some other thing I've been thinking about the picture generation AI? Welcome, the industrialization of art. This is what happened to all the craftspeople in the 1800. Did they lose their jobs? Yes. Did the quality go down? Yes. Did they riot? Yes. Did it help? No. Do we now have soo many cheap garments to clothe the whole population of the earth for the next 1000 years (if clothes would last that long)? Yeah, and some still appreciate a good quality piece of clothing when they see one, most don't really care, but some make a living with it still.

The industrial revolution for something as immaterial as art is an interesting concept though. Like if it's digital you don't really need any materials for it, only some human time so it's not as big of a quality of life improvements as all the factories were, but I guess it's still a quality of life improvement.

Excited for AI generated music anyone? Any bets when that'll happen? Somehow I feel like saying 10 years because people's ears are a lot more picky than their eyes... I don't know, it feels like a nice number.

See also, "We're in a drought; conserve water!" Meanwhile, bottled water companies and golf courses for rich folk empty the aquifers.

[notmuchofarolemodel]

music- sia’s movie

originally written on jan 24 2021

I can’t believe i’m writing about this. again.

So, if you didn’t already know, Sia directed a movie about an autistic girl, starring Maddie Ziegler. This is problematic for so many reasons, including the fact that Maddie is allistic (not autistic), Sia did next to no research on autism before directing the movie, and after announcing the movie, she took to twitter and attacked autistic people voicing their opinions. But she’s done so many more awful things since. So yay, article by me, the sequel. /s

Sia has done a few interviews over the last while about her movie and has responded to criticism about it. (very badly.)

Despite her claims, Sia was never going to cast an autistic actor in the first place. She said:

“I realized it wasn’t ableism [Casting Maddie]. I mean, it is ableism I guess as well, but it’s actually nepotism because I can’t do a project without her. I don’t want to. I wouldn’t make art if it didn’t include her.”

It was also found that Sia said had written a film for Maddie a long time ago- in 2015- which almost certainly means she never had any intentions of casting an autistic person.

The plot of the movie, and a clip have both been leaked since the release of the trailer in November.

‘Music’ falls back on harmful Hollywood sterotypes again, and again- but yet, after it was no longer fresh news, almost nobody but the autistic community was talking about it. It’s still set to be released soon this year, but stereotypes such as ‘autism = special/savant abilities’ as seen in Rain man, and ‘Autistic people don’t have feelings’ - are ones that lead to underdiagnosis, and biases in the professional world.

“We are particularly alarmed that Sia has said it would be ‘cruel’ to cast a nonspeaking autistic person as an actor. It suggests that she thinks that autistic people don’t understand our own lives and aren’t the people who should be telling our own stories. When people tell stories about autism that cut out an autistic point of view, when storytellers view us as objects to tell inspirational stories about, or when autism is treated as a narrative device rather than as a disability community full of real people, the stories that are told fall flat, don’t speak to our reality, and are often harmful to us.” -Zoe Gross, ASAN

Sia refused to refer to her main character as disabled, and only used the term ‘special abilities’ which just further proves how these sterotypes affect people’s view of autistic people. In today’s society, autism is a disability, and that’s not a bad thing. She also described the film as “Rainman, the musical- but with girls”

There are several meltdown scenes in the movie, and one of them has been leaked in a clip. In this, Music is having a meltdown in a park, and she is then held in prone restraint. Meaning she was jumped on top of and pinned to the ground. This was not only unnecessary, but potentially deadly. This film is going to be big, if it gets released, and it was very much made for a neurotypical audience’s enjoyment. People will likely see this movie, and think that restraining an autistic person is ok. It’s not. This is how people get killed. Recently a story came up about Eric Parsa, a 16 year old autistic boy who was killed at the hands of the police last year, after they used this ‘technique’ on him.

Regarding this scene Sia said, “If they [cinema-goers] watch the movie, it will allow them to touch into their compassion. That scene was so important to me, because of all the people staring. I felt compelled to put it in.”

This is why people need to listen and learn from actual autistic people. There’s so much dangerous misinformation out there, and it’s unacceptable. There is nothing ‘compassionate’ about harming people, and autistic people are people. i.e people who deserve the same rights and dignity as everyone else.

Sia continues to further dehumanize autistic people by constantly talking about ‘levels of functioning’. humans are impossibly complex, and there’s no one way to function. In an interview with Sia, nonspeaking autistic people are compared to ‘inanimate objects, like wigs’.

Sia also said “People functioning at Music’s level can’t get on Twitter and tell me I did a good job either.” This is untrue, firstly because, again- there’s no one way to function, and just because a person can’t speak, doen’t mean they don’t have a right to opinions, and feelings (and it definitely doesn’t mean they should be compared to ‘inanimate objects’), and secondly because many nonspeaking autistic people have taken to twitter and social media to tell her she’s done a bad job, she’s just chosen to ignore and insult them.

This whole thing is so infuriating, and it’s very obvious that Sia does not care about autistic people.

“Sia being ableist AF while claiming she meant well is some serious abled savior bullshit. I can’t believe so many people green-lit this project & the press team approved the ‘special abilities’ language. Disabled people clearly weren’t part of this production team.” -Kristen Parisi via twitter

She also claimed she decided to make the movie because she was inspired by a 16-year-old named Stevie that she met at an Alcoholics Anonymous meeting. “Stevie used to sit next to me in the front row at my AA meetings. He was low-functioning and on the spectrum with echolalia; he’s the reason I wanted to make this movie,” she said. Autistic people don’t exist simply to be inspiring or make you feel good about yourself. We’re people, who just want to go about our lives, the same as anyone else- we don’t need a cure and we don’t need to fit people’s idea of what autism is, just let us be, please.

Finally, I’m just going to touch on the question ‘Why isn’t any criticism being directed at Maddie?’ This is because she likely didn’t have much say in the film at all. Keep in mind that she was only 13/14 at the start of this project. Sia also said Maddie was worried that people would think she was mocking autistic people. The film is a mockery of autistic people, but Sia is at fault.

“She had researched her role for two years, we watched movies together, and I taught her the nuances and ticks I had observed from [a] friend [with autism],” Sia said. “We did this in the most sensitive and respectful way.”

I can confirm that that is very much not sensitive and respectful- not to mention that Maddie also watched autism meltdowns as a part of her reseach too (filming a meltdown is incredibly dehumanizing) , but the fact that she learned how to ‘act autistic’ from sterotypes, taught to her by a person who just, doesn’t know anything about autism is awful, but also quite absurd. It makes no sense.

No, I do not wish to watch an abled-bodied actor wear my stims like itchy clothes. A caricature of my being.

No, I do not want to see her dance around in skin not her own, profiting from a life not her own.

No, I do not wish to support yet another film that will profit off the lives of disabled bodies without one disabled body involved. -tiffany hammond

I recieved quite a bit of backlash when I posted the first time about why casting a nondisabled actor for a disabled role is bad- from allistic people, so if any of you are reading this as nondisabled people- I literally do not care if you disagree, you don’t get to dictate how autistic people feel. Try a little harder to get out of your own head and see things from another person’s perspective xx

Now, for the love of God, please don’t watch this movie if it comes out in February, and listen to Autistic voices. : Here is a thread of positive autistic representation instead :)

click here for thread!

Sign the Petition

Filming & posting videos of children's autism meltdowns on YouTube is a clear violation of YouTube's community…www.change.org

link

Sign the Petition

Sia has announced she is directing a movie about an autistic woman, and claims she wants to represent the…www.change.org

all other relevant links are linked within the underlined text.

my original article - link

[mysterykidscasefiles]

Mystery Kids and the Case of the Whispering Rock

Summary: Norman, Neil, Coraline, Wybie, Raz and Lili arrive at Grunkle Stan’s Summer Camp with the hope of having a summer of fun, or in the case of the two Psychonauts, with the intent of investigating a psychic disturbance. When they meet two twins that seem to be experts on the secrets of Gravity Falls, they find themselves reluctantly teaming up. But how much can they actually trust each other? There are secrets in this town, but more surprising are the secrets being kept from each other.

Table of Contents

Act 2

Chapter 24: The Right Tools

Thud!

“Oops.”

Tiny particles invade Wybie’s throat. He started coughing and found he couldn’t stop.

“I think you went overboard on the glitter…” Wybie managed to choke out.

“Nonsense! There’s no-” Mabel began to cough. “Such thing... as too much…” But she couldn’t finish her sentence, and instead, she doubled over with wheezing, hacking breaths.

“You were saying?” Wybie asked. It was becoming easier to breathe as the glitter began to settle on the floor of the attic bedroom around them. “Also… why did we need glitter again?”

“Neil, tell him,” Mabel said with a nod to the red-headed kid beside her.

"Glitter enhances everything," Neil informed him matter-of-factly. "It's called aesthetic."

"And more of a good thing is always a good thing!" Mabel added cheerily.

Wybie raised an eyebrow at her. "I'm not sure that's true." However, he didn't say anything more than that. Wybie had known the girl for only a few days, and he had already learned that arguing sense into her was pointless.

Wybie looked down at the square device on the ground which used to be black, but was now pink, had a collection of cupcake stickers, a cat made out of puff paint with big eyes, and rhinestones clustered in any additional left over space. With Mabel’s newest addition, the whole device was also now covered in glitter. As mismatched and horrible as the whole thing looked, he had to admit the cat was painted really well. After the mummy project, Wybie had no doubt that the girl was talented artistically, even if she did have… unusual tastes.

When Neil and Mabel said that they wanted to help Wybie fix the EMF meter, he expected that they would just help him find supplies. He didn’t expect… this kind of help.

“What’s wrong with how it looked before?” Wybie asked.

Mabel shook her head, as if he had just asked the silliest question she had ever heard. “If you were a ghost, what would you be drawn towards? A boring black square box? Or this work of art?”

“Definitely this,” Neil agreed. “It's a lot more fun and everyone likes cupcakes!”

“But the problem wasn’t about getting the ghost’s attention,” Wybie explained. “The problem was getting the device to work properly.”

After they got home from getting lost in the woods and finding the mysterious cabin, Wybie had started working on building the EMF meter while the rest of the kids finished the fake mummy for the shack. It wasn’t a very complicated device, and by the next day, Wybie had the device built. EMF readers detect electromagnetic fields that are given off by electronics, especially old electronics that don’t have their wires properly shielded. EMF fluctuations are also said to indicate ghostly activity. The idea was, even if they couldn’t see Luis themselves, the EMF meter should be able to pick up his ghostly energy… provided they were far enough away from any electronics that could set off the EMF meter. Wybye was still a little skeptical of the science, but he didn’t have a better idea.

Coraline and Norman had been eager to get back to the Cardinal’s old mansion to see if they could find Luis again as soon as possible. They wouldn’t be able to communicate with him if they couldn’t see or hear him, but at least the EMF reader would indicate if he was still around or not. Once they knew if Luis was still around, they could work on other ways of communicating with him.

When they arrived back at the old mansion, Wybie turned on the EMF meter and it immediately calibrated to the surrounding area. The device had an indicator needle that could swing between green, yellow and red; green indicating low electromagnetic energy, yellow indicating medium, and red indicating high levels.

At first, the device was reading green, but as they stepped further into the house, the needle swung to yellow, and the device started letting out a slow beeping noise. Excited, Wybie tried to find the source of the electromagnetic field disturbance by moving the EMF meter around. Coraline eagerly called Luis’s name, but she got no response.

As Wybie swung the device to his left, he noticed that the device started beeping louder as the needle detected more activity. He moved to the left and the beeping increased, the needle moving to red. Slowly, he seemed to be narrowing in on the location of the disturbance. He stopped in front of Norman, and Norman moved out of his way- only for the beeping to decrease again as the needle moved back down to yellow. Wybie adjusted his position, and he was able to pick up the trail again… only to find himself standing in front of Norman for a second time.

Norman’s eyes widened in surprise and the color seemed to drain from his already pale face.

“Wh-what does that mean?” Norman asked nervously as he eyed the EMF meter. “Why is it focusing on me?”

“I’m not sure,” Wybie said as he fiddled with some of the buttons on the meter. “Do you have your phone on you? You should give it to someone else. Maybe that’s what’s setting off the device.”

Norman did so, handing over his phone to Neil.

Norman stepped away from the EMF meter, but again, it focused in on Norman, beeping incessently.

Norman shifted uncomfortably as everyone stared in confusion at the device.

“Wait, I think I’ve seen this movie,” Raz exclaimed with a fake gasp. “Norman’s been dead the entire time!”.

A few lighthearted chuckles from the group eased the atmosphere, and Norman let out an awkward laugh himself.

“It’s probably because Norman was possessed by Luis,” Dipper suggested. Some of his ghostly energy must still be on him, which is messing with the EMF meter.

“Can you do something about that Wybie?” Coraline asked. “We aren’t going to be able to find Luis if the EMF reader keeps lighting up everytime Norman gets close, and I really don’t want to have to wait to find out how long ghost energy can last on a person.”

“I can probably make the device less sensitive,” Wybie said. “That should make it harder to detect Norman and more likely that it will detect a bigger electromagnetic disturbance, like a ghost… theoretically. That's assuming this is even a valid method of finding a ghost.”

“I can leave,” Norman suggested hesitantly. “Maybe that would make it easier for the EMF meter to work if I wasn’t here?”

Dipper shook his head. “No, you should stay. We want to make sure the instrument is actually reading a ghostly entity, not just left over energy. We can actually use you to make sure the calibration is correct.”

“The new calibration might take a while, but I think it will be ready by tomorrow,” Wybie said.

Coraline frowned impatiently, but nodded. “I guess we have no choice but to wait until then.”

“Oh! I can help you, Wybie!” Mabel said eagerly

“Me too!” Neil chimed in.

“Sure,” Wybie said with a shrug.

After all, how could more help be a bad thing?

Past Wybie had been so naive.

Well, Mabel and Neil hadn’t messed with the inside of the device, and as long as it was still functional, that was the most important part.

”You fixed the inside and we fixed the outside! We make a great team!” Mabel said, patting him on the back.

“The outside wasn’t broken-”

“Agree to disagree,” Mabel said flippantly.

“But I haven’t completely fixed it yet,” Wybie said. “I still need to screw this back panel on, but the screws I had to use for the back panel are a lot smaller.” It was a common occurrence when Wybie built things out of spare parts. No big deal. He just needed to use different tools. “I need to use something else. Neil, can you hand me that smaller screwdriver by your leg?”

“Sure!” Neil said and offered the screw driver to Wybie, who thanked him.

“I guess it’s time to find out if it works,” Wybie said as he finished tightening the last screw. “Coraline wanted to try the mansion again today as soon as this was done.”

“Didn’t Mr. Pines want us to work in the shack all day? Won’t he be mad if we all just left?” Neil asked.

“Raz and Lili left a few times yesterday and I think they were gone this morning and I don’t think Mr. Pines noticed. He was too busy with all the tourists,” Wybie said.

“Oh yeah… Why do you think Raz and Lili keep leaving without telling anyone?” Neil asked.

Mabel’s smile widened. "I bet Coraline’s right and they're sneaking away to make out!"

"But whenever they leave they are always really serious and determined. That’s not how people look on TV when they’re about to go kiss someone, or my brother with his boyfriend,” Neil said.

“Also if they are just sneaking off to kiss, why would they be gone for hours?” Wybie added.

“Because they are going on romantic dates, obviously!” Mabel insisted.

“Two to three times a day?” Wybie countered.

Mabel shrugged. “They’re in love!”

“Maybe.” Wybie said, but he suspected there was more to it. Perhaps they were trying to get out of doing work around the shack? Or maybe they had found something more interesting to do in Gravity Falls?

“Do you think your Grunkle would be okay if we left the shack early today to go to the mansion?” Neil asked.

“It depends,” Mabel said thoughtfully. “Grunkle Stan cares if it eats into the profits. With all the new customers we’ve been getting because of the mummy exhibit, he’s probably too happy to care. It’s also past the mid-day rush anyway. We probably won’t get another big batch of tourists until tomorrow.”

Wybie was glad he had been lucky enough to avoid the crowd of tourists that had come to the shop to see the grand reveal of the mummy. The reason Wybie had time to finish the EMF meter was because Coraline, Dipper and Norman were handling the gift shop so they weren’t needed downstairs.

Wybie looked over his EMF meter and turned it on. It hummed, but didn’t start beeping right away, which was a good sign unless the twins bedroom was hunted. In which case it should be beeping very incessantly…

Wybie sighed and turned off the device.

“What’s wrong?” Mabel asked.

“Machines I understand. I could tell you a hundred facts about the different spiders and slugs living in the Pacific Northwest. When I don’t know something, I can research it until I figure it out. But this… ghost stuff. I don’t understand it at all

Mabel cocked her head to the side. “And that’s… bad?”

“Yes!” Wybie said, throwing his hands into the air. “We spoke to a ghost, we found a cabin in the woods powered by magic! I’ve seen all this crazy stuff in the past two days and I don’t know how to make sense of it! How am I supposed to learn or study about something that just breaks the laws of physics? I know ghosts are real. I saw Louis with my own eyes and I’ve known monsters are real ever since… Well, that thing that Coraline doesn’t want to talk about. I can see it, and believe in it to a certain extent, but how am I supposed to understand it? What units of measurement do I even use for ectoplasmic energy or the amount of magic powering the cabin? How am I supposed to understand it, let alone build a device to detect it?” He held up the EMF reader in frustration.

To Wybie’s surprise, Mabel giggled. “You sound like my brother.”

“I do?”

“Dipper will go on and on and say that he loves mysteries, but that’s not true. It’s not the mystery he likes, it’s solving them. The truth is my brother hates mysteries. He can’t stand the uncertainty… he hates not knowing, it eats at him. What he really enjoys is putting the pieces together. You’re similar, you like taking things apart and then putting them back together, but better than before. But with this ghost and magic stuff you’re stuck.” She held up his discarded screwdriver. “Your usual tools aren’t going to help you understand.”

“So what I’m I supposed to do?”

Mabel shrugged. “I don’t know. I don’t know how that stuff works either. What do you usually do when you’re stuck and what you’re trying to do isn’t working?”

Wybie frowned. It wasn’t uncommon for him to get stuck with an engineering problem, but what did he do when he was completely out of his depth?

“You get better tools.” Neil said eagerly and Wybie looked up. “Just like you had me get a different screwdriver for the different sized screws.”

Wybie nodded slowly. “I improvise. But how am I supposed to get better tools to understand magic and ghost stuff?”

Mabel shrugged again. “I guess that’s just another mystery?”

Wybie groaned. “I hate when there are too many mysteries and not enough solutions.”

Mabel grinned. “Welcome to Gravity Falls.”

I'm finally back with the beginning of Act 2! I hope you liked it!

I've also been busy going back and editing this story. I haven't made any major changes so there is no need to reread the story since everything is mostly the same!

Table of Contents <Previous

[radi0chrry]

Small Despicable Me rabbit hole: Antonio Perez

If you all don't remember who this is, it's the mexican boy who broke Margo's heart in the second Despicable me movie. His name is Antonio Perez. He is the son of El Macho ( the second Despicable Me villain) and only appears for less than 15 minutes in the movie.

The small rabbit hole started when I randomly remembered watching a behind the scenes on my DM2 Blu Ray and one of story boards showed Antonio helping out defeat the purple minions so I was like "oh he was going to be a good guy initially."

So I went to search this up to see if it was true and it was. Led me to a small rabbit hole of concept art of him having a completely different role. More kind and shy(?) personality.

I just want to know why Illumination took this direction of having him be an important side character to a minor side character. I dm'd one of the storyboard artists (@adamvanwyk ) but he was active like 2 years ago so I doubt he will answer. I guess they thought Margo was too young to have a boyfriend or didn't know how to write him in the other movies. I want to assume it's the latter but I still think it would've been nice to have him stick around because it seemed like he had potential as a character.

Illumination at this point are more money driven than story driven. I was slightly disappointed that he didn't even get referenced in the fourth installment as his father did appear in one scene. But again, Illumination just cares about profit.

To this day, I still want to know why they rewrote him to his current self. As an artist and writer, it's just a curiosity to me. Who knows maybe one day the answer will pop up. However I'm no longer much interested in looking for concept art like I did a few years ago but if I do come across it, I'll post it.

I do have a full archive on my Wattpad (_80sghost_) with full credit to the storyboard artists but I don't use Wattpad anymore. I'll post a few more images I personally liked from the concept art that I found few years ago.

Thank you for reading and stay tuned.

Edit 7/13/24: I don't know why this post is the most popular in my blog. It was me ranting about a writing decision from a writer's pov. I had to rewrite it because I don't like how it was initially written. However I'm not deleting it because it's a good form of archive.

[camrensrealbish]

Hi there 👋. First I just wanted to wish u a congratulations on your degree u truly deserve the best thank u for being here with us and keeping our hopes alife ✨✨✨

Secondly I just logged in and I saw Camren vs PR post about everything that happened yesterday and it truly disgusts me that they now use women's body and issues that comes with it such as bodyshaming as a form of a marketing strategy. I have been a victim of bodyshaming before and trust me it's a very serious issue, it's something I won't ever wish upon any woman at all but seeing Hollywood use that type of issue as a strategy to promote music is so irritating and disgusting to me. Aren't artists making music for people to listen to and be happy, why is the music industry different? Why are people that we look up too and call our guardians the ones biting us in the back? Artists of such a young age are now in relationships with older men that could be thier uncles, artist of that age that this people are meant to protect are now being victimized by predators in the industry, artists can't love who they want because people who are humans like them are homophobic and hate the word called 'gay'. My real question is why and how did the music industry get to this stage. Artists can't be authentic anymore because they have to follow the rules, what rules exactly? As long as the higher class gets the money no need for caring about your clients even if it's taking a toll on them. Fake relationships are now the new real, women's body are now tools that bring in money, I can't even begin to imagine what this artists go through behind the scenes. We were brought to this world to be happy and leave lives according to our own terms, artists are not tools or toys for predators and pedophiles to control, they are humans. I hope one day the truth revel itself and artists can be free.

😊😊😊😊 you're so nice thank you, this made my day

You're so right. Music industry became hell, and it's so ironic how it produces art that's suppose to resonate with people, but they decided that creating fake persona around the artist is the most effective way of selling their art. I guess that's the easier and more certain way for them of making predictable profit from the product, at least used to be. I really hope with the new generation and more diversity in the industry things can change.

What's worse is how they create beauty standards, how their lives are glamorized and all of this is not even real. Our society is messed up

And it seems like there are no moral boundaries for them, anything that has a potential to make money is enough of a reason to make the artist do something. And it's so so messed up how they use important issues like mental health, body shaming, homophobia just for good publicity. I'm sure the artist themselves tries to make it somewhat authentic not to feel like an asshole, but the last Camila's pap pics taken just to use them as an excuse to continue this subject doesn't sit well with me. Of course she has a right to speak up and she experienced body shaming herself, but it's disappointing if it's only done for publicity.

Grooming is a huge issue. And it's so in these bosses' business to create a standard that allows them to make otherwise riskier moves on minors. If that's more common, they aren't under the radar. It's always publicized as legal, and the relationships officially start with an 18 years old, but excuse my suspicion if they meet when the girl was 15 and the man was someone with industry privileges. They always try to deflect the suspicion by blaming it on lack of tolerance for an age difference in a relationship, but that's not it at all in these cases.

It's so sad to see the girls trapped in this life and doing things that they used to be so against of. Seeing Camila living this "public life" suddenly, I'm so worried for her mental health.

And even if not a contract, the culture and people around you trap you. Slowly change your moral code, you care less and less, because everyone around you does that. Hollywood is a scary place to be in.

[slugtranslation-hypmic]

important question that's been bugging me for a while. since hypmic plays in a female powered society.. does that make everything like..our world but reverse? so that guys are more often oppressed and girls are more likely to be predators, taking what happened to hifumi (like men are more likely to us) and stuff like that? (or like if we imagine everything genderbent and apply our society to that) sorry I hope this is not too triggering. love your work!

This is a delicate question. I am going to put my answer below a cut. Topics included: sexual predators, misogyny, assault, kidnapping, the mistreatment of male sexual assault victims

I don’t think that I’m necessarily the best person to answer this or examine this. I’m not educated enough in this particular topic. However, I have tried to give it as much thought and respect as I can.

The Question of Female Predators

This is a very complex topic. Female predators are already not uncommon in the world we live in, so I guess the question of whether there would be more or less female predators depends on what factors contribute to people becoming a predator.

I could be entirely wrong about this, but I think one factor that causes a lot of fear of being preyed upon is the size difference between most AMAB people and AFAB people. Obviously, there are millions of exceptions to this rule, but AMAB people generally tend to be taller, more muscular, and broader than AFAB people. The majority of AMAB people are also men (whereas the majority of AFAB people are women), so on average, an altercation between an untrained man and an untrained woman is not likely to end in the woman’s favor. This isn’t going to change in the world of Hypnosis Mic.

It’s the societal factors that would change. The Center for Hope and Safety says, “A sexual offender generally believes he is better than other people and so does not have to follow the rules that ordinary people do.” This is a stance the Party of Words elevates. The Party constantly practices “othering” and promotes themselves as an elite group. Only they are allowed to enter a certain area. Only they are allowed to write the name of their ward in kanji, whereas every other location must use the foreign-looking katakana. ARB events frequently feature Party members shoving characters around from place to place with no explanation, as questions are not allowed. Only the Party can know what’s going on. Using this as a guideline, I think it’s very possible for predators already within the Party to use this as an excuse for being a predator. “Men are worthless, so I can abuse them.”

You could argue that the Party is founded on the principles of safety for women and non-violence, but the Party is also very hypocritical. Its promises of safety are only for the party itself; it puts on painful gladiator battles to turn a profit and purposefully cause infighting to keep the Party safe. Ramuda even suggests (and I have no reason to disbelieve him) in TDD 12 that they have a stockpile of weapons as well. The Party doesn’t care for anything but itself and staying in power.

So yes, predators within the Party are probably more likely to abuse their power, but would the shift towards a female-dominated society create more female predators? That’s a much harder question to answer. I am not remotely equipped to speak on what causes someone to become a predator. I do, however, think that societal norms can enable predators or foster mindsets of fright against certain groups.

In the world that we live in, it is very possible for men in certain areas to sexually assault or otherwise mistreat a woman and be applauded by their communities. Think of online communities such as “The Red Pill” or “Men Going Their Own Way”. Such communities believe that women deserve this mistreatment, and while these are very extreme examples, this same mindset permeates a lot of global societies. Even on a small scale, a lot of men tend to make casual sexist comments because we were raised with the notion of this being socially appropriate. And there’s the issue - it’s inappropriate, but it’ll continue to be socially appropriate as long as we don’t continue to challenge ourselves, challenge our friends, and raise our children with better standards of accountability and respect. These social changes do not happen in the blink of an eye, and I highly doubt that a single three years with the Party of Words in power would change that.

Similarly, a lot of girls in our societies are taught (both consciously and subconsciously) to defer to their male peers or even to fear men in positions of power. Once again, unlearning this and teaching future generations more positive standards does not happen overnight. I doubt that most women in the Hypmic universe are able to make radical shifts of thinking and acting over the course of three years. Furthermore, I doubt that many men are really taking the Party’s misandristic words to heart. None of the main characters seem particularly bothered by Ichijiku calling them barbarous fools on the regular; it’s an annoyance, sure, but that’s it. We’d have to see the Party in power for a much longer time to witness any large societal changes.

Additionally, the world inside Chuuouku and the world without are quite different. While Chuuouku boasts state-of-the-art architecture and technology, the rest of Japan gets by like normal, if perhaps in a bit shabbier fashion than to be expected for this futuristic world. Men and women seem to still fit into stereotypical gender roles in much the same way that they do today. Doppo’s bosses are all men; the majority of doctors we see are men, and the nurses tend to be women. While some of Jirou’s female classmates seem to be especially assertive, male and female students get along in the same way as we would expect to see in our world. Women are still kidnapped and trafficked by primarily male yakuza. The former military looks to be exclusively made up of men. Progress moves slowly, so I think we can assume that the Japan outside of Chuuouku is approximately our modern Japan.

One of the major issues in examining this topic is that we see so little female-male interaction in regards to sex or romance. Ramuda and Hifumi are the only characters (that I can think of off the top of my head) who have any on-screen sexually/romantically charged interactions with women, but probably because this is a series largely marketed towards women, these interactions never go beyond light, impersonal flirting. To really take a look at how predators and assault may be featured in the Hypmic universe, we would need a much larger sample size. That being said, I’d still like to examine two case studies: Nemu and Hifumi.

Nemu

The two driving forces of Nemu’s character are her rejection of violence and her desire to have personal strength. The first of these is probably rooted in her childhood, from living with an abusive father, witnessing his violent murder, and witnessing the subsequent suicide of her mother. Samatoki doesn’t appear to have any resources for dealing with his own processing of these events, and he turns to violence and emotional outbursts as a way to channel his feelings. This violence continues to wear on Nemu, but she can still withstand it under normal circumstances up until the moment she is kidnapped.

Nemu cites her kidnapping as an example of her weakness, when in reality, it is an exhibition of anything but weakness. She remains calm throughout the entire ordeal, comforts Jirou and Saburou and keeps them hopeful, throws her shoe at Genchou, and offers him to cut her fingers off if that means the others will be spared. Nemu isn’t weak – she is a hero. She is a seventeen year old girl who lost both parents at a young age and has witnessed horrifically traumatic situations, yet she keeps her head during a hostage situation and acts with courage in order to keep everyone else safe.

Nemu calls herself weak not because she thinks she’s weak for anything she did during the situation, but because the situation happened to her in the first place. She is victim blaming herself for violent assault. This isn’t a logical position, but it’s a very understandable position for someone with her background. Unfortunately, Samatoki doesn’t have the knowledge or resources in order to help her process her trauma safely, and his own coping mechanisms only set her off further.

Nemu isn’t mentally weak, but she is very emotionally vulnerable. Even without the Party’s hypnosis, an offer from the Party would be too tantalizing to ignore. They can promise her a world in which suddenly she has the power over everyone else and where violence is not practiced. An offer like this is impossible for her to ignore. Even though the Party are the ones putting her in jeopardy again, they implicitly promise her that she can never be hurt again. For a young, brave, powerful girl holding in so much pain, that promise is everything she’s ever wanted.

As mentioned before, the Party doesn’t care about stopping violence. In fact, it encourages infighting among its civilians. If Nemu were not in an emotionally vulnerable position, she could see that and reject the Party’s offer, but that’s exactly why the Party targets her and not any of her peers. Imagine how many other young girls in similar situations fall prey to the same trap. These girls need healing and positive environments, but they are fed propaganda instead.

Hifumi

I don’t talk about this much because it’s a very uncomfortable subject for me, but the way Hifumi is depicted is a real tragedy.

We don’t know the details of what this particular girl did to Hifumi, but we do know that it continues to impact him over ten years later. We know that Hifumi developed his coping strategy on his own, seemingly without professional help, and that without it, he can’t begin to live even an approximation of a normal life. The illustrations of him encountering a woman show him hiding, cowering with his neck covered, or crying. He looks to be in genuine fear of losing his life. Consider being this afraid of half of the population and how frequently he must encounter women in his daily life: on the street, in the grocery store, on public transportation. Without the jacket, Hifumi’s life is a nightmare.

And yet the canon source material frames it as a joke. The humurous background music in ARB and Hifumi’s exaggerated gestures in the manga show that his fear and discomfort is a punchline. This would definitely not be a funny gag with the genders reversed (a woman sobbing in fear and running away every time she sees a man), so it is a travesty that this is the stance the authors continue to take.

The world we live in is, generally speaking, not kind to its male assault victims. Misogynistic attitudes create an environment in which it is shameful for men to admit that they were assaulted, especially by women. It should not be a punchline when one human being hurts another, and it is wrong and sexist beyond all belief to perpetuate the idea that women can’t be cruel, violent, and manipulative just as much as anyone else can.

I would like to hope that Hifumi’s case isn’t indicative of all Hypmic universe male assault victims, but I don’t think that’s the case. Hifumi definitely has access to mental health resources, considering that his roommate does, but there is no evidence that Hifumi has ever come forward to ask for help about this issue. This is probably a combination of Hifumi’s internal shame and an unsupportive environment. While Doppo does help Hifumi navigate daily life around women, Doppo’s facial expressions suggest he considers the matter a nuisance. He threatens to take away or withhold the suit when Hifumi’s coping method annoys him, and otherwise doesn’t seem to take Hifumi’s distress seriously. Jakurai appears to be more supportive, but he doesn’t ever offer additional help or resources to Hifumi beyond what Hifumi already has. In fact, the majority of Jakurai’s interest in the subject seems to be around examining Hifumi like a case rather than as a person needing assistance.

It’s also probably a result of the faux macho attitudes that are rampant within the Hypmic universe. Hypmic men are bound by a multitude of ridiculous expectations that I always feel like an idiot translating. “Men don’t cry.” “Men don’t get stuck feeling disappointed.” Absolute nonsense. Men can and will do anything, just like any other group of people. It’s far more productive to encourage men to be their best selves, respectful and helpful to themselves and everyone else, than to feed into this sort of behavior which implies the hideously false “men can’t be assaulted”.

This all results in Hifumi living a double life and only being able to remove his façade in the safety of his own apartment or with his two friends. That’s a miserable existence, and while Hifumi appears to be cheerful enough, it’s sickening to see that this is supposed to be comedic.

The Question of Male Oppression

The Party of Words does institute laws to oppress men, but this oppression is fairly ridiculous. Yotsutsuji says that men are taxed at a higher rate than women and that men aren’t allowed into certain areas (such as Chuuouku, I presume). Despite these challenges, the majority of Hypmic universe men seem to lead pretty normal lives. As mentioned above, the professional fields still appear to be dominated by men, and male-on-female violence doesn’t seem much different from how it is in our contemporary world. These laws aren’t making a significant change in male lives, so they must be made to impact women. Yet these are token impacts only, as they don’t in any way actually make the lives for non-Chuuouku women any better. By making this an “us against them” deal, the Party is able to make more women sympathetic to their cause and cause more infighting (thus distracting people from “us against the Party”) without actually having to make positive changes for anyone.

These laws also aren’t the reason why rebel groups exist. Consider the motivations each character gives in TDD 11. Ichirou mentions a lack of central law and regulations making it difficult to keep loved ones safe. The infighting that the Party promotes via its rap battles allows for power-hungry individuals like Mozuku to take over whole areas and instate whatever rules they want, no matter the cost to the citizens. Samatoki is frustrated by being directed to fight when he can’t see a good cause; similarly, Ramuda is concerned about the effects of the fighting on the neighborhoods they pass through. Even with non-lethal weapons, a country in constant conflict is not one in which its citizens can prosper. Jakurai is concerned about inequalities between Chuuouku and the rest of the country. He mentions in FP/M 15 (which we’ll have up in a few days for you to see for yourself) that he’ll use the prize money from winning the DRB to provide medical care for locations that the Party can’t or won’t supply with aid. Later in the chapter, he drives away from the spectacular, futuristic city of Chuuouku back into a Tokyo marked with graffiti and squalor. Even the male citizens don’t care about how they’re treated as compared to their female counterparts; they care that everyone is suffering together under the Party’s poor governing.

The Party has never sought to oppress men and elevate women. The Party’s goal is to elevate itself and oppress everyone else. The gender inequality is as much of a diversionary tactic as the Division Rap Battle.

[mandoalorian]

What the Pedro boys are like at college

This is my first time doing one of these so please be nice! Yep, TUWOMT isn’t out yet but I have read the script and I have written for Javi Gutierrez here. If you don’t want spoilers, maybe don’t read his scenario. I’ve made it so Javi’s is the last one so you can skip over it easily. I write for all the main Pedro characters! These include:

·         Din Djarin – The Mandalorian

·         Javier Pena – Narcos

·         Frankie Morales – Triple Frontier

·         Maxwell Lord – Wonder Woman 1984

·         Jack Daniels: Kingsman: The Golden Circle

·         Oberyn Martell: Game of Thrones

·         Dave York: The Equalizer 2

·         Pero Tovar – The Great Wall

·         Ezra Prospect – Prospect

·         Marcus Pike – The Mentalist

·         Max Phillips – Bloodsucking Bastards

·         Dio – NYPD Blue

·         Javi Gutierrez – The Unbearable Weight of Massive Talent

·         I DO NOT WRITE FOR PEDRO PASCAL.

Please please request a ‘Pedro boy’ scenario HERE. You can also request for me to write a one shot HERE.

Masterlist

Enjoy!

 ***

Din Djarin: Does college exist in Star Wars? I’m not sure… but if we take a moment to imagine Din being schooled by the Mandalorian Creed. He learns the history of Mandalore, about the great leaders such as Satine Kryze. He learns the importance of ‘the way’ and studies the art of weaponary, learning how to use guns, detonators, vambrace, and whistling birds. He learns about the legacy of the darksaber and, as we already know, he trains with the Rising Phoenix. I imagine Din likes to keep himself to himself and has been a loner his whole life. He places his trust in his fellow Mandalorian’s but they are not his friends. They are simply just his allies. Being schooled in the Mandalorian Creed would be physically exhausting but it’s something Din can manage. After all, he doesn’t have a choice. This is the way.

Javier Pena: We know Javi always wanted to leave Texas, and I think college was the perfect time for him to venture out. He didn’t choose a school with a pristine academic reputation, but instead, he picked a school that had the best renowned night life so he could go out and enjoy drinking and partying. Javi wasn’t a complete wild card. He was the kid who seemed to be good at almost everything. He was able to graduate top of his class with honours in Criminal Law.

Frankie Morales: When Frankie was younger, he loved helping his dad work on the family car and he even scored a part-time job at a garage when he finished high school. At high school, he never really found interest in the core subjects like English, math, science, history… and so when it was time for college, he wanted to develop on his hobby. Frankie chose to major in engineering, with a minor in transportation and logistics. This was perfect for him. In his second year, he went from looking at cars and motorcycles, to different forms of aircraft. He remembers one morning, he sat in the pilot seat of a helicopter after the fuel compressor had went bust and he had never felt more at home. On a whim, he dropped out of college and was lucky enough to get a place in piloting school. Frankie stuck by Santiago throughout college, but while Santi went out and partied, Frankie would slump down in his chair, drink a few beers, and be ready to head back to his dorm at 9pm. He had a few flings in college but had no interest in pursuing an actual relationship. It was important to him that he used his time in college to discover what he really wanted to do with his life.

Maxwell Lord: He probably went to Cornell, or Harvard. Maxwell could’ve gotten in from his family name alone, and if he wasn’t the most academically bright, no doubt his mother would’ve paid him into college, but Maxwell had always been smart. He was home schooled his whole life and so college was a big change for him. He worked hard. He showed up to every class early, and handed in homework and dissertations early, and used his charm to schmooze with the teachers, doing all he could to make sure he got the best grades. Maxwell majored in Business and Economics, and minored in Marketing. He didn’t have much choice in what he studied in college because he had his life set out for him the moment he was born. Maxwell didn’t have friends, but that’s not to say he was a loner. Everyone on campus knew who Maxwell was, and everyone knew the kind of family he came from.

Jack Daniels: Despite Jack and his high school sweetheart going their separate ways for college, they couldn’t stay away from each other for long. He was a Political Science major but never really cared much for it. He had a lot of friends, was a care free spirit and attended parties. He is someone who has natural academic ability but his failure to attend class and do homework meant that he, inevitably, began to drag behind. Realising political science isn’t for him, he dropped out of college and moved in with his high school sweetheart. He much preferred it that way, and he was able to be with her all the time. Having his company meant that she was now distracted from her studies and when she fell pregnant with their first child, they decided to run away from college all together and start a family far away.

Oberyn Martell: Is there college in Game of Thrones? I’m not sure, but a modern! Oberyn would major in classical studies and minor in philosophy. He is a prince, after all. He excels in both subjects and picks up languages such as Latin and Greek easily. It comes natural to him. He passes with flying colours and never has to try too hard because the words of Aristotle and Plato were engrained into his brain ever since he was old enough to read a book. As prince, he knows it is important to graduate with honours and that it’s his priority but that doesn’t mean he can’t make time for fun. He doesn’t commit to any relationship during college but does embrace his sexuality. He’s kind, gentle, and respectful. He’s a really great lover, but an even better friend.

Dave York: Dave studied criminology and forensic science at college. He was able to learn the ins and outs of criminal psychology and the process that cops and forensic teams go through when trying to trace a murder. His knowledge in this subject sure helped him in later life. He passed with flying colours, but never wanted a career in crime – or at least, not a career you’d need a degree in. But his newly received qualification, Dave decided to join the CIA as an operative where he met Robert McCall. He played good guy for a long time, but his bad intentions linked to criminal activity traced all the way back to college. He met his wife in college, and truthfully, she was the only thing who kept him from spiralling into criminal activity at an earlier stage.

Pero Tovar: Again, I am almost certain college didn’t exist during this time period but if we make it a modern AU, I think Pero would have majored in geography and minored in cultural studies. He had a goal to travel the world and see all the magnificent places. Pero was a grumpy adolescent, and seemingly he never really grew out of it. He had a group of people he hung out with who were similar to him but he never really considered them friends. He didn’t partake in extracurricular activities and he would just focus on studying. But he did have a flare in art which was lost on him during later life. He used painting as an emotional outlet and a means to express his feelings.

Ezra Prospect: I guess this is a modern! Ezra then. He studies geology, and he’s really smart. He does a lot of reading, but he actually prefers non-fiction over fiction. His interest in geology goes past his degree, and he actually collects a variety of rocks and gemstones, going into deep research about them and believing that certain ones possess healing powers. Ezra has a partner throughout his time in college, and they spend a lot of time with each other. Ezra’s partner encourages Ezra’s love for geology and finds his passion endearing, even encouraging him to earn an income from his knowledge! You help Ezra use the rocks that he collects to create bath salts and make jewellery to sell on and earn profit.

Marcus Pike: Marcus was an art and design major, and all his teacher’s loved him. He was never the best at the practical side, but he excelled in art history and his knowledge on the subject was outstanding. Marcus had one long term relationship during college but his partner ended up breaking his heart. It took a long time for Marcus to recover, but he’d always been one for second chances. He’d hope that he’d never get his heart broken again.

Max Phillips: Max was a bit of a player in community college; a jock, who studied his undergraduate in Physical Education. When Evan had Max kicked out for sleeping with his girlfriend, Max went and studied Sales Management at a university just for Vampires. Filled with a feeling of wrath and hatred for Evan, Max made it his mission to ruin him. No more time could be spent partying in his fraternity, playing soccer for the college team and sleeping with the cheer leader’s – Max made it his goal to graduate from Vampire University with a top major and steal the job of leading Sales Manager from Evan. And that’s on holding grudges.

Dio: Yeah, Dio didn’t go to college. He dropped out of high school when he was fourteen. In his youth, his hobbies included making fire and stealing from the rich.

Javi Gutierrez: He’s a film major of course! He was born into a rich family, we know that, and comes from a very financially privileged background. His parents knew that he did not have to pursue a degree in something that would ensure him a job, because Javi would be well off no matter what, and so they were fine with Javi doing something he was truly interested in. Javi has loved literature, art and movies his whole life. He minors in screenplay writing and excels top of his class, constantly impressing those around him with his ability to memorise anything from one liner quotes to whole scenes from movies. He shares his extensive knowledge of trivia, and all his lecturer’s firmly believe that the film industry is something that Javi could one day potentially succeed in. However, Javi is awkward. He shy’s away from all the partying and spends Friday night’s in his dorm, munching on popcorn and watching classic movies. A relationship is never in question for Javi because of his family circumstances, so he just lays low and focuses on his studies. As soon as he graduates, he heads back home to Mexico and his dreams of being a famous Hollywood screenplay writer seem so distant.

[jyndor]

(Imperialism etc anon) Ok I get where you're coming from! Thank you for being understanding. While Zutara is obviously not inherently racist or anything there are zutara interpretations that *are* racist (example: fire lady katara which I can get into) and it does need to be acknowledged that Zuko's status as fire nation royalty does create a power imbalance between him and Katara. Now, this is a conversation that has a lot of nuance to it but it seems like the people harassing you are (1/2)

(2/2) just repeating some genuine critique they saw without understanding what it means just to say that they're right, harassing people in the process. I did not have that context when sending that first ask and I apologize, since anons harassing you and others are clearly doing it out of bad faith. I just didn't like the leveraging of concepts that really matter in real life (colonialism, etc), ykwim? But I get what you were trying to do.

hey anon I’m finally getting to you after 84 years XD

so first off, I want to be careful about how I approach this because I understand that as a white person (even if my ancestors experienced imperialism) in the US I absolutely benefit from imperialism and don’t want to like, idk, whitesplain XD so if anyone gets annoyed with any way I say anything, just lmk and I’ll rework it. and I also do understand that these are real world issues that are far more consequential than messaging in media (although I do think it’s very important that we challenge messages in media because of media’s influence on our thinking and politics).

but before I talk about zuko and his relationship to fire nation imperialism, and then later fire lady katara and why it isn’t INHERENTLY racist but definitely can be, I want to talk about the atla fandom and how we got here. like, why I assume that most anons who come at zutara shippers are asshats acting in bad faith. if you already know fandom history, skip this section.

1. atla and the fandom has always been kind of shitty and racist

so IDK if everyone is familiar with the history of the ship war in atla fandom, but it’s regarded as one of the nastiest ship wars in fandom history which I agree lol. atla’s creators were some of the first to interact with the fandom the way they did - back then it wasn’t all that common for creators to get into twitter feuds with fans and boundaries were respected more than they are now imo. but for better or worse, and it is a mixed bag, bryke interacted with fandom a lot. certainly at cons but also on social media.

but honestly things really got extra mean in fan spaces when bryke made a “joke” atla season 4 slideshow out of fan art (some of which was really sexual in nature and totally inappropriate) that mocked fans’ creations, but especially zutara fanart and zutara itself. it was pretty tasteless especially considering how most zutara fans were teen girls, and featured some art of sokka saying that if you think zuko and katara would be good together, you’re doomed to have failed relationships. that’s where the whole “dark and mysterious” bs came from, which does describe some zutara fic but not even most of it lol. I actually do respect bryke a lot despite my criticism of them, but I don’t think I’ll ever get over that shit. like even if you hate zutara, even if it’s a joke, we were kids. and they were adults, and the whole thing was nasty.

however, the ship war was chaotic and messy, but it does feel worse now. maybe it’s because back then the fandom was MOSTLY teens and kids, and I don’t think that’s true now. we were all trying to prove our ship was best with like, content from the show and theories and all that, and now it’s like... whose ship is ~problematic lol it’s a show by white us americans appropriating from various cultures impacted negatively by us/british imperialism that they then profited off of, of course it’s racist. that doesn’t mean we shouldn’t talk about that, and in fact many poc have been saying this shit for years - that atla is racist and colorist at many times (guru pathik anyone?) and no one really listened.

if fans are complaining only about zutara, then I’m automatically writing them off as being insincere or ignorant. and since most of these people are anonymous, I have no idea if they are having substantive discourse about colorism in avatar or cultural appropriation (even if it is mostly appreciative). if you are on anon, I have no context about what you actually think except for what you give me. and that definitely is how I view anons in general but especially within the atla fandom because for all 13-ish years I’ve been in it, it’s been messy. that’s why zutara fans have isolated ourselves from the rest of fandom, because the rest of fandom has been really nasty to us. like did we give back some nastiness? absolutely.

but I would hazard a guess that most anti-zutara shippers don’t know about the conversations we have had in this community to make it safer for people of color, conversations that centered poc and woc especially. hey, that’s okay - not to compare zutara to r*ylo because eurgh but like, idk what discourse the r*ylos have about their community. no idea, I don’t go looking for it. and I don’t go to the tags and harass r*ylos - even though they harass the fuck out of everyone else.

2. so zuko and his privilege

undoubtedly zuko as fire lord is in a fairly privileged position LMFAO. but during the show zuko is very clearly exiled - he holds very little political power in the fire nation EXCEPT for during the first season when he is in command of a ship that ozai gave him on a punishment quest lol like yeah he does terrible things and he of all people would not excuse his actions even if he was a traumatized kid, that’s the point of his arc - that he got some exposure to the rest of the world and worked to be better. and the only reason he was exiled at all was because he cares about people - he didn’t question fire nation supremacy at 13, but he sure did question the morality of his people being lead to slaughter.

but after zuko and iroh defect from the fire nation and stop hunting aang, he has next to no power, in any kind of way. like the guy is a political refugee. and yes, he goes back to the fire nation for like five minutes before realizing that he hates everything about fire nation hegemony and that he wants to end his father’s reign of terror, like that isn’t exactly someone who is going to be well esteemed by the powerful elites when he returns and takes the throne.

and I disregard the comics because they suck lol but zuko does have power as the fire lord, but he limits his power. like compared to ozai, phoenix asshole? azula? for the rest of the world, zuko is kind of an ideal leader for a former colonizing/imperialistic nation to have - someone who worked to end that tyranny, who is anti-imperialist, who believes in justice and equality, who wants to make things right for the peoples who his family oppressed.

I do think it is important to talk about power dynamics and imbalances in relationships - for instance, one could argue that mai is at a significant disadvantage in her relationship with zuko. sure she is from a powerful family but not as powerful as zuko’s. sokka? hah forget it. he’s just as disadvantaged as katara is politically speaking. toph? well, she’s definitely not as powerful politically as zuko - her family tried to silence her for years because of her disability. and oh, she’s disabled so it might be ableist for zuko to strike up a relationship with her when they’re both adults. forgetting of course that toph and sokka and katara and suki and mai are not going to be shy about their wants and needs, that these relationships are not likely to be coercive by nature of the show they’re in and the characters they involve. this is not bill clinton with monica creepiness. like, you’d have to write the relationship that way.

the only person who arguably has more political power than zuko is aang. I guess zuko can’t ever be in a relationship with anyone other than aang. and zuko’s family massacred aang’s people so I guess we can’t ship zukaang. now I know you’re not saying that, context matters. power dynamics are important. but you can’t take away the agency of characters - katara, who is essentially a princess, has agency and can choose who she wants to be with. strictly speaking, aang is more powerful than anyone in terms of political power - he’s the avatar - and of course the dynamic is different by nature of aang not being from a line of oppressors, but there still is a power imbalance in their relationship. and I don’t know how many k/ataang shippers have discourse~ on that. not that I really feel like they NEED to, um idk what they talk about lol I’m not in those circles.

3. fire lady katara is in the eye of the beholder

so fire lady katara is not inherently bad or racist, it’s essentially like saying michelle obama shouldn’t have been first lady of the us (now I get that like the obamas being in power didn’t mean black people are not marginalized lol). you can have conversations about whether or not individual versions of fire lady katara are fucked up, and I’m superrrr open to that because I’ve seen it be kinda shitty before. i’m just gonna leave this link to @shewhotellsstories and her post on this.

but often times katara as fire lady is very dominant in global/fire nation/water tribe politics, she’s a game changer ambassador (that is probably the most popular headcanon I see), she holds on to her culture (and many fans have designed her being in her wt colors, zuko is respectful af to her, she and zuko spend extended periods in the swt, etc. like... it just depends on the way it’s written.

also leaving this response by @avatarnerdkiller to the idea of katara being a prize figurehead.

anyway, thanks for your patience anon and I am curious to see if you see this or even feel like responding after all this time XD

[love-sapphirerose]

Yashahime: Princess Half-Demon Episode 19

https://www.animenewsnetwork.com/review/yashahime-princess-half-demon/episode-19/.169235

Similar to the last time Yashahime gave Moroha something substantial to do, the insidious stupidity of “Princess Aya's Beniyasha Hunting” can only be truly appreciated if I just describe the events of the story in chronological order. Given the crummy vives that the preview gave off, I don't think anyone was expecting much more than a cheap detour from this episode, but I'll be damned of this series doesn't continue to impress with how little of a shit it gives about being good, or even mediocre, or hell, even functional. And before we dig into this post-mortem, I'd like to field any defenses that people might make about Yashahime being meant more for kids, and thus shouldn't be taken seriously. For one, this is a decades-in-the-making sequel to one of the most popular anime ever, so don't act like the show shouldn't have something to offer for fans whose ages can be counted with more than one digit. Also, y'all know that crappy kids' entertainment still sucks, right? It doesn't just get a free pass for being made with younger viewers in mind. Nobody in their right mind is going to argue that stuff like Avatar the Last Airbender or Steven Universe should be judged at the same level as Caillou, for Pete's sake.

Anyway, “Princess Aiya's Beniyasha Hunting” commits the gravest sin that any work of art can commit, in that it is a completely pointless waste of time that takes the precious minutes of existence that its viewers have been afforded on this earth and just flushes them straight down the toilet. I, dear reader, respect your lives much more than Yashahime ever will, so I'm going to dispense with the “twists” and lay it all out in order: Way back in Episode 1/7, when the girls busted into Hiiragi Dango's place to rescue Towa, they brushed by his daughter, Aya, and got a speck of mud on her kimono. Being a literal psychopath, young Aya then hatched an elaborate scheme to trick the girls and get her revenge: She recruited a band of mercenaries and forced Jyubei to sell Moroha's services as well, and then she established the false pretext of recruiting demon slayers to her father's employment to lure Hisui and his two nameless buddies into fighting the mercs in a big, competitive battle.

These mercenaries are cartoonish morons, and one of them, Lady, is a pretty offensive homophobic/transphobic/maybe-even-racist stereotype, but in one of this episode's few saving graces, it's actually hard to get all that mad about it, because these goofs are pointless and don't really do anything. They spend all night building a wooden façade of a castle on the battlefield for…some reason, and then they all sort of disappear once the firebombs start dropping. No, the demon slayers know that Moroha is the only one that really needs to be taken seriously as a threat, so they recruit Setsuna to aid them, leading to a cousin-vs-cousin showdown for the ages!

Except that obviously isn't what happens, because even though Setsuna and Hisui suck, they're not awful enough to be completely on board with burning InuYasha's kid alive in the middle of a field for the sake of some half-cocked job interview. No, we eventually learn that Moroha and the slayers were in cahoots all along, since they figured they could throw the fight and earn enough cash from the not-actually-real job offer for everyone to profit. Sure, the slayers apparently didn't even tell Moroha about the very real volley of firebombs they'd be tossing her way, but who's keeping track of neglectful homicide attempts amongst friends and family, eh?

It's that throughline of “not telling your teammates the most basic and necessary information” that really sinks this episode, which was already a bummer to begin with. Nevermind Hisui and Setsuna almost turning Moroha into barbecue; the big dramatic turn of the story occurs when Setsuna and Moroha both agree to not tell Towa about the fixed battle because…she's a bad liar, I guess? Except Moroha is the one that lets slip about the battle in the first place, and I don't know why anyone would assume that keeping Towa in the dark would be easier than just explaining that the fight is rigged, nobody is getting hurt, and so on. Even if you bought that silly excuse, the episode still doesn't make any goddamned sense, because once Towa predictably gets mixed up in the fight anyways and mistakes Setsuna's “acting” for real aggression, nobody bothers to just explain what's going on then, either! The episode establishes that Aya can't hear anything they say from her little tower, so why keep up the charade? And how is any of this easier than one of the girls just telling Towa, “Hey, we're going to scam the spoiled daughter of that guy who kidnapped you out of some money by faking a battle. If you want in, cool, but if you can't keep up the ruse, just, like, hang out here this afternoon or something. We'll be back in a few hours, tops.”

It's just so unbelievably lame, and it's the kind of plot that is doubly frustrating because it depends entirely on characters withholding important information for no reason other than to cheaply manufacture some consequence-free drama. Also, remember how the whole setup for the battle was a lie, anyways? Yeah, Kohaku shows up out of nowhere to explain to Aya that he knew the whole thing was a waste of time, except he didn't tell his own crew of demon slayers this because…he wanted them to learn a lesson?

To recap: Aya, a character we've never met, goes to insane lengths to deceive Hisui, a cardboard cutout that we do not care about, in order to double deceive (and possibly kill) Moroha, all on account of that one time she got some dirt on Aya's clothes. Then, Moroha, Setsuna, and Hisui attempt to trick Aya, which ends up being a waste of time since they already fell for Aya's initial trick, and there's a bunch of needless drama with Towa because everyone made a conscious decision to also trick her, even though she probably would have been able to allow the secretly useless and entirely overcomplicated ruse-within-a-ruse to go off without a hitch, if only she had she known what was happening in the first place. Takechiyo even gets in on the action by tricking Towa into thinking Moroha got horribly murdered in her arms. Why? Who the hell knows! Maybe it's because Takechiyo just gets off on psychologically abusing teenaged girls. I'd buy it. Just look at the little creep.

Throw in some harmful stereotypes and a hilariously clunky last-minute scene where Towa gets all tearful over Moroha's safety – despite definitely not giving a crap all those times that Moroha was in actual danger – and there you have it: “Princess Aya's Beniyasha Hunting.” No, Moroha does not transform into Beniyasha. Yes, I'm just as mad about all of this as you are. The only reason this episode is getting a two-star rating is because there's a funny bit where Moroha plays along with the bounty hunters' silly entrance-theme bit. I'm giving it one extra start for making me laugh exactly once. That might be damning Yashahime with faint praise, but with nineteen episodes down and only a handful to go, I'm afraid that faint praise is just about the only good thing Yashahime can hope to earn at this point.

[edmund-valks]

From Suramar to the Winter Court

"We… don't normally get your kind here. Then again, the living are hardly expected to be where the souls of the dead dwell. What you've shown me makes me think you would normally be… elsewhere. Perhaps among the Venthyr."

"Why is that?"

"They're the sort who help people work through their pasts."

"I don't need my past. I need a future. So I've come here, to find one. To make one."

"I don't understand…"

"Then let me explain more clearly…"

***

I was born to a family of musicians in Suramar, long after the Sundering. We lived in the grandest city on Azeroth, but could never leave it. The dome we lived beneath was our salvation as much as our cage. It was a tradeoff accepted by our ancestors; we had no choice but to live with it.

My parents were not rich. They had enough money to ensure all their children were tattooed, but only with the simplest patterns. Still, we did not struggle in my early days. Music brought joy, and everyone wanted more joy. We played and sang and did not starve.

As I got older, my voice changed. Never quite the singer my family needed, I became far worse as I progressed through adolescence. It wasn't technique; I know how to breathe, how to shape my mouth, how to project. My tone, however, and range… Well. They were of little use. I became accompaniment at best. I took up needlework to minimize the burden I'd become. Cunningly patched garments are no match for a soulful aria, though.

If I hadn't grown entirely out of youthful beauty, they could have at least hoped to gain by my marriage. Instead, my voice and face and body achieved unity in ugliness, none betraying the others by achieving. This would not have been an issue in the year of my birth, but life had become ever more lean in the city.

The poorest are always aware that they are, and we had become increasingly close to being among them. Our art paid the same as ever, but the cost to survive had grown. People had begun to disappear, though it was always those who you might expect: the lonely, the bitter, the rebellious. Perhaps, we told ourselves, they had finally committed a grand crime and gotten exiled. That was the punishment, you see -- banishment from the city. It meant you were cut off from the Nightwell. You would wither away without its magic to sustain you. The lucky went to sleep and never woke up. The others went mad.

As we were becoming progressively nearer to the bottom rung of the social ladder, the demons returned. We -- my people, not my family, even my great-grandparents were too young to recall this -- had fought them before. The shield that was our sky had been created then. This time… things were not so easy for us. The High Magistrix traded our sovereignty for our survival, and so the Legion came to live among us.

There was an outcry, of course, even some small acts of rebellion. None were successful. The leaders were either jailed or exiled, not executed. I think the idea was that death created martyrs, while exile simply made animals. Life changed little, is what I am getting at. The major difference was the Legion walking our streets, presumably making demands of our leaders. We were more concerned with surviving, so I can't say we worried too much about all that.

It was difficult, though. Those who could afford to purchase the joy of song were fewer and fewer, yet they were increasingly wealthy. If there had ever been such a thing as a middle class, it had effectively disappeared. The rich sacrificed nothing; the rest of us scraped by.

Except those who didn't. There were more disappearances. Sometimes there were raids. Usually the families taken away were related to someone known to be a criminal of some sort. It was easy not to notice or care. We were much more concerned with our own lives. The bottom was coming quickly, we knew.

My family tried with me. I know they did. Nobody could have guessed I would betray them by ending up a collection of flaws held together with collective disappointment. They would not miss me, I was certain, so I decided I would do some good for them. I left one night while they slept, heading down to the docks.

The demons were most common there. Intimidating though they were, I often felt their presence to be… not soothing, exactly, but more tolerable than others. At least when I stood beside a flayed-skin husk that fed on souls I could feel almost pretty. They ignored me, mostly, so I sought out those of my people who worked among them.

There was work to be had, you see. The Legion needed portals opened and maintained, portals that required someone act as the conduit to maintain them. It was not very skilled labour, but that was good. I lacked skill, possessing nothing but my relative youth and determination to no longer burden my parents with my disappointing existence. I became what the later rebellion called a collaborator. In exchange for helping the Legion to destroy our planet, I could improve my family's lives. It seemed a fair trade.

I was surprisingly good at the work. I learned quickly, and I tired far less easily than others. The demons and my supervisors taught me runes and cosmology that were typically reserved for those who could afford tutors. I was rewarded quite decently for my efforts, and I passed that along to my family. They lived better than ever because of me, but believed me dead. I'd requested that, you see. I wanted them to profit without knowing I was a collaborator. Let them think I had died in service to something useful or whatever, and that in so doing I had made sure they would survive. They didn't need to be any more disappointed than I'd already made them.

The problem was I finally understood where people were going. We brought the Legion in, maintained paths from the Twisting Nether and other Legion worlds, but that was the most innocuous of what was happening. The disappeared, those too far gone to be of use to Elisande's regime… they were taken elsewhere. They would be loaded onto boats or carts or cages mounted on the backs of horrible beasts I never learned the names of. And then they would be gone. I didn't know exactly where, though I learned the name: the soul engines.

What happened there was beyond my understanding. I knew as much as I needed: the poor went in, power came out. My work… well. I don't know if they were related. The Legion handled it, so I suppose I helped in that sense, but doing what I did was the only thing that kept me and my family from finding out more about the "process" first-hand. Perhaps I was involved in the murder of thousands? All I know is I saved at least seven lives.

…

I'm sorry, I'm not used to talking about all of this. It seems important to be honest here, so I'm trying. In all honesty, I don't take any responsibility for what was done. How could I? It wasn't my decisions that caused any of those things to happen. I did what I had to to survive. And I made them pay in the end.

Once the… second, I suppose, rebellion started in earnest, the system became increasingly strained. My hours lengthened. Several others became so burned out they were "sent home early", almost certainly a euphemism for being fed to the engines. Some were murdered for collaborating with the Legion, or Elisande, or whoever the rebels were mad at that day. I couldn't help them, any of them. My life -- and others' -- depended on keeping my head down. So I did.

I considered, though, and I thought. I was becoming very senior, at least by maintenance standards. The portal builders were under pressure as well, their numbers thinning or being pulled for other priority tasks. That left space for opportunities. I didn't want to be them, but I was capable of learning. That made me an apprentice of sorts, something I never would have been a decade earlier. My family lacked the resources to get me a mentor; the Legion invasion had given me one for free, while providing for their needs.

My education on runes happened at an aggressive pace. Every day was multiple practical exams, and if I failed it was likely to kill me. I didn't. I wasn't allowed many questions, so I made them count. I learned a great deal in those days. For instance, I discovered that a small instability introduced by a slightly malformed rune could cause a devastating energy backlash. Can you imagine what might happen if a system under strain began breaking down while under heavy use? People could die, especially if the portal structures are being kept constantly active with no downtime for repair.

…

I said I was trying to be honest, didn't I? I knew what I was doing would kill them. That was the idea. I only did it because I thought I could get away with it. While nobody would think a lowborn technician was smart enough to do it, they would still prefer to punish the "unskilled" over someone who went to the same academy or whatever. That made me safe, even if I was an obvious suspect. They needed me, and I wasn't like the others. I benefited from their system and never dissented. Would I have done it if I thought they might be less blind? I don't know. I'm not willing to die over principle. It won't prove a point to anyone, won't change the world. Nobody would remember my sacrifice, so no, I don't think I would. The world hasn't earned that from me, and I don't deserve to die. We all do what we must to survive.

***

"...So no, I'm not pursuing "redemption". I don't have sins weighing me down. What I am is… curious. This is the world my people once knew, back long ago, isn't it? Where the only magic is that of the world around? We kept the night for millennia, but missed out on what that meant beyond our walls."

The fae hovered for a moment on her great wings, what could have been a shiver rippling through her fur. "I-I'm still not sure you're going to like it here. You don't seem the sort to laugh."

"There hasn't been much to laugh about in my life," the shal'dorei snapped. She took a breath, continuing on more softly. "Besides, I don't plan to stay forever. We are helping each other. Perhaps you can help me laugh."

Blinking several times, the creature was clearly hesitant, but desperate times did come with special rules. "We… can certainly try! Um. Come along, let's get you introduced to everyone, Miss…?"

"Ciscandra," she answered, deliberately omitting a surname. "Thank you."

[alatismeni-theitsa]

Thanks for bringing the racebending to my attention. I never considered that it was harmful towards the origin culture. I considered that it was kind of strong to claim that sort of race thing in a way, but maybe that comes from the more.. christianity? view of where there isnt a direct way that God looks, except any way the person perceives. That's probably what I thought, too, until just now reading your answer to someone else. So.. it's not okay? 1/?

I honestly want to understand as my perspective on this now changes. It makes total sense why it would be entitled of someone to do such a thing, and how it's inconsiderate of the actual origin culture that the deities come from now that I'm thinking about it in this way. So again thank you for bringing this up and answering that other anon. I have some things to revise in my head on this, as I honor Apollo and Hermes, I want to make sure that I get accurate and do my research.

I really enjoy being able to read your experiences and I think it's important as, someone outside the culture, gets to experience and understand more to be as accurate and non... whats the word... inappropriate with representing such a thing, I guess I can say. If that makes sense.__________________________________________________________

Thank you for sending a message and for listening to the opinion of Greek people. (I am not the only one with that opinion, many of my 500 followers also share the same ideas.) Anyways prepare yourself for a looooooong analysis! So, get under comfy blankets and take your tea/coffee next to you!

To begin with, there are Greeks that don’t mind but those are usually Greeks who have close contact with the American way of thinking through social media. Or some that don’t care because the approach our mythology in a kinda superficial way? I am not saying this to offend any Greeks who don’t mind the racebending. Every Greek has the right to have a relationship with their culture according to their own standards. Those people who think racebending is ok are usually no less patriots than the ones who do. However, those who don’t mind the race bending are extremely rare to find. 

If I go to my 50 y/o aunt and announce to her that foreigners depict Demeter as Black she is gonna lose her mind. I have also asked the opinion of Greeks who are not into social media or groups where Greek mythology is discussed by foreigners. When they were informed of the racebending the first thing they said was “but... why??” and they couldn’t fathom how this could help anyone. The second thing they say is “But the Gods are white!” explaining that our ancestor have depicted them as Caucasian for centuries and we, as Greeks, know no other depiction of them.

I assure you, it has nothing to do with white superiority - which is a myth anyways. Greeks can be perfectly racist to people who are pastry white :P If you racebended the gods into any other race, we would still have a problem. It’s all a matter of respecting iconography and tradition. It would be ignorant of even us Greeks to change the depiction of the gods when our ancestors were very clear in their art about their race. It was also clear in antiquity that the gods had bodies. I am in another computer and I cannot access my files, but I had a file for a philosopher who tried to argue against the public opinion that the gods didn’t have bodies. But the majority of ancient Greeks believed that the gods had a physical presence.

Also, race matters for Greeks as it does for most of other cultures. You expect Nigerian deities to look like the average Nigerian, yes? Because they were created by a homogenous Black population. You think the same for Indian and Chinese deities, yes? It makes sense for deities and public figures from a certain culture to look like the people of that culture. I think it’s common sense. Turning an old Nigerian deity into a Chinese, would’t represent the Nigerian people any more. For similar reasons, we don’t want our important heritage figures changed. (In case a warrior was described as Black African in our ancient texts, then of course we wouldn’t have a problem with keeping that figure Black).

You are correct when saying that the race bending comes from a Christian point of view. I think many hellenic polytheists/pagans/wiccans haven't managed to escape the Christian logic. In Christianity we have accepted for many centuries that saints and important figures would be viewed with different races, so people can come closer to them. For example, there is a Chinese, Native American, Mexican (different tribes), Black Jesus etc. Most of the times they are also dressed in the traditional regalia of the respective culture. It's a thing for the last 200 years at least. 

Even Greeks depicted Jesus kinda white (he has an olive skin complexionand brown hair, which is closer to the Greek standards). And this happened since the Byzantine Empire. We even call the Virgin Mary "Mother of all Greeks" (apparently Mary has a particular interest in our nation xD) We have made her into a Greek mum. But we kinda have the freedom to do this because Christianity is an international religion which is alive for the last 2.000 years, so these changes come organically.

On the contrary, almost nobody has worshipped the Greek gods since 500 AC. The religion was been dead for almost 2.000 years, until Western classicists made it a popular. Now people who have no actual contact with the Greek culture start worshiping those gods. Don’t get me wrong, I believe any foreigner can worship the Greek gods! The thing is that most of the foreign worshippers don’t see the Greek gods as part of the culture that created them, because of the Americanization of the gods in the media and the complete stripping of the Greek elements from them.

But gods are still part of the Greeks’ heritage. Many ancient traditions and myths have kept from the ancient years, we have the names of gods and the gods are still used as symbols here. Our culture hasn’t died, as many westerners (perhaps subconciously) believe. It is alive and evolving, despite foreigners usually ignoring us. So, the ideas about our ancient religion have been involving with us, becoming part of our national identity in a unique way. 

After 2.000 years of the religion’s “death”, foreigners become enamored with Greece again. But not our Greece. They become enamored with a part of our culture that hasn’t existed in millenia. They study the culture only till the Roman years and then they skip 2.000 years of evolving cultural identity and go straight to the 21st century western (west Europe/America) ideals and societies.

You can only imagine how it seems to us Greeks, when foreigners suddenly remember us again and, on top of that, they don’t become part of our culture but they insist that a part of our culture (in its ancient form) becomes tailored to their own standards. And now foreigners ingore our own point of view, because, as they have done the last 2.000 years, they keep on ignoring us :P (I mean they as a people, greatly generalizing here). Please see that post for how disconnected a Greek feels about the modern Greek religion, and the analysis that comes with it. (Link)

Similarly, imagine if suddenly the Nigerian culture became a trend in Greece and now some Greeks become interesting in the old (almost dead to Nigeria) worship of Orishas. And now they want to depict the Orishas as White, because they, themselves are white and maybe white deities reflect better the racial situation in Greece. Wouldn’t that be disrespectful, though? Not only because the Black becomes White, but because we would take an inactive worship from the Nigerians and add our own politics to it.

Our situation is also kind of special because for the last centuries every country that has become interested in our culture has abused it. They have stolen antiquities from us and northwestern Europe but also in the US have no problem having those stolen artifacts and displaying them. There is a tradition of foreigners claiming to “love” Greece but they are really in love with our ancient aesthetic and they don’t give a shit about the Greeks who preserve the culture and even die to protect their antiquities. 

So we are used to this kind of treatment and it hurts extra when it’s happening again. But we are also desensitized. For some reason a person can be dressed as a Greek deity for Halloween and we won’t bat an eye. At the same time, I see people from other cultures defending the importance of their figures, when foreigners dress up as them for fun. 

I don’t understand how we consider this disrespectful for any other culture but if it’s the Greek we don’t care. Why could this be? Perhaps because many Greeks have come to see their own culture as public property. Perhaps because it is what the prominent international media tells us and maybe because we are used to selling our culture for profit (we are a tourist country) and we only see it as merchandise. 

Let me add I am not only fascinated by my own cultures but also cultures around the world. It makes no sense to me that people want Gods of color and their only solution is to make the Greek gods Black. Have we forgotten the numerous rich cultures of Asia and Africa?? There are a ton of deities there who, if you want to draw Afrocentric art for example, will be great inspiration! It reminds me of a publishing house which put POC in the covers of western classic books (thus kinda turning the white main characters into POC only in the cover) while not promoting books from POC or books featuring POC. I think it’s counterproductive.

I think that’s all I have to say for now! Feel free to ask more questions if I haven’t covered you! And if you have more thoughts you can drop them in my ask box.

Also, one question for you before you leave. You mentioned “I considered that it was kind of strong to claim that sort of race thing in a way”. Can you explain to me why? I would like to understand better people who think this way. Then maybe I could explain more effectively to them that their race bending practice isn’t as helpful as they think it is.

P.S. Even saying “races” of people exist is considered deeply racist in Greece (and Europe). I mention that as potential food of thought. For us there are only hues of skin colors, not races, so our social politics are different. 

[robotnik-mun]

So, what happens when I decide to throw caution to the wind and mash together as many fucking Sonic Continuities as I possibly can? You get a big ass tangle of a family tree that needs to be split up into five separate images, that’s what. 

It’s ugly, it’s unpolished, and I made it on a whim. Because the mental image wouldn’t leave me. And because I actually started developing this godforsaken nightmare of a family tree, born of merged continuities, headcanons, and sleep deprivation. 

Now keep in mind that this thing is pure crack- it implies a world where Sonic eventually collapses from exhaustion of having to fight TWO Robotniks. It’s a mish mash of what-if’s, continuity mergers and personal ideas glued together. And I wanna stress it has nothing to directly do with my current setting- this is just like, The Path of Insanity. 

Anyway, yeah. Against my better judgement I made notes for this insanity. Also, you may notice pictures of characters from other franchises being used as portraits for various characters. Those are basically faceclaims of sorts, meant as abstract representations rather than the literal idea of what they looked like... since, honestly, even I’M not cruel enough to inflict my ‘art’ on you. 

Anyway, let’s get the ball rolling- 

“Robotnikhotep”

-Robotnik Ancestor in ‘Mobigypt’. Was probably some big important muckity-muck.

“Julius Robotnikus”

-Probably Mobius’ answer to Caligula. His family eventually fell out of power and was forced to re-settle in what would eventually become Overland. 

Ivo Kintobor

-Yeah, that whole ‘House of Ivo’ thing? This is the guy responsible. Most likely a douchenozzle, as there is a high concentration of that in the bloodline. Basically a minor warlord who unified a bunch of clans to form his own Kingdom, that was subsequently absorbed into Overland during the unification. 

Brutus Kintobor

-Oh wow, a SKINNY Robotnik/Kintobor. This douche canoe attempted to conquer Angel Island for the Overland, but failed miserably. Sent back home in disgrace, a failure.

Gerald Robotnik

- Originally born Gerald Kintobor of the House of Ivo in Overland. He was more interested in science than politics, and after completing college he left that mess behind and immigrated to the United Federation. He changed his name to signify the break from his family history. 

-Explored Angel Island in his youth, where he learned about Chaos Emeralds and the like from the various ruins there. He was even friends with then-guardian Janelle-Li. 

-Started up Robotnik CORPS. He founded it as a way to disseminate his technology to the people of the UF and earn money to fund more experiments. 

-You know the rest. The ARK, Maria, NIDS, Black Doom, Shadow, yadda-yadda-yadda. 

Olga Robotnik

-Gerald’s wife. Duh. 

-She met him while he lived in a spare room her father was renting out. She’d collect his rent. They grew close and eventually had kids and started a family. 

-The shit this poor woman endured is amazing, but she managed to remain unbroken by it, and tried to remain close to her surviving grandchildren. 

Grigory Robotnik

- The first son of Gerald. He wasn’t a genius, but he pursued a career in academics and became a doctor of physics. He had two children, Warren and Maria.

-After the ARK incident he became paranoid and accused the government of covering up what really happened. The obsession to uncover the truth destroyed his physical and mental health, and he died a shunned outcast ranting on pirated radio stations about various conspiracies. 

-Died in a halfway house, but he managed to get ahold of Gerald’s diary before biting it. While he never got to use it to bring down GUN, it still paved the way for Eggman’s eventual use. 

Amelia Robotnik 

-Maria’s mother. After the ARK incident and the supposed death of her children, she fell into a deep depression and eventually committed suicide. In case you haven’t noticed, the story of the Robotnik family is depressing as fuck. 

Warren Robotnik, ‘Warpnik’ 

-Maria’s brother. What a tweest! 

-He was with her on the ARK, and demonstrated a similar scientific gift to his grandfather. He wasn’t close to Shadow the way Maria was. 

-When the ARK was raided, he was captured and subjected to brainwashing treatments by GUN in the hopes of turning him into a loyal, in-house mad scientist. All it did was make him batshit crazy. 

-He escaped some time during the Great War, and is now loose in Mobius, a lunatic geneticist fixated on continuing his grandfather’s ‘great work’... or at least his own warped perception of it. 

Maria Robotnik 

-You know her. You love her. Her life is a tragedy. She’s Maria! Nuff said. Years later, and she still weighs heavily on Shadow. 

Ivo Kintobor

-And here is where things get a bit confusing! Ivo was born ‘Ivo Robotnik’, the second son of Gerald. Long story short, he was a douche more interested in politics and profit, and as such did not get along with his father, who bequeathed the family company to his younger brother. 

-Despite this, Ivo SOMEHOW managed to reproduce. And when the ARK incident happened, he bought the government line hook line and sinker. He changed the family name back to Kintobor and moved everyone back to Overland to start anew. 

-He’s like 50% responsible for Julian winding up the way he did. 

-And yes- he DOES want to bulldoze the puppy orphanage to create a combination oil rig/toxic waste dump. 

-Was murdered by Julian, who disguised it as an accident. 

Lydia Kintobor

-ICE BABY ICE. 

-Julian and Colin’s mom. 

-She 100% supported her husband’s douchery, and was an active participant in tormenting her secondborn son in the hopes of ‘breaking’ him out of being a genius. 

-Killed in the same ‘accident’ that took her husband’s life. 

Colin Kintobor Sr. 

-Born in the United Federation, but moved to the Overland as a child and grew up there. 

-Major league Nationalist and Human Supremacist. Prick. 

-Hated Julian basically forever and was encouraged by his parents to do so. He became their ‘golden child’ and was pushed to succeed at everything. 

-Pursued a career in politics, law, and the military, and eventually served as a general in the Great War. 

-Was eventually murdered by his own brother

Miriam Kintobor 

-Colin’s first wife, via arranged marriage. 

-She was pretty much his opposite, yet despite that fact the two came to genuinely love one another. 

-Died giving birth to their son. Have I mentioned the Kintobor/Robotnik family history is a trainwreck yet? 

Angela Kintobor

-The second wife of Colin. She probably met him while serving as a military functionary during the Great War. She is also the mother of Hope Kintobor. 

-Other than that, I got nothin’. She likely died when Hope was young, by way of Swatbot invasion. Seriously, do NOT become a Kintobor Love Interest. 

Colin “Snively” Kintobor Jr. 

-You know him, you hate him! It’s the Snivster, bay-bee! 

-His mother died giving birth to him. His dad blamed him for this. You can guess the rest. 

-You know most of the story- crappy childhood, admired his uncle Julian, helped him take over the Kingdom of Acorn, spent a decade as his punching bag, etc etc. 

-After seemingly offing Julian during Endgame, he briefly took over the Robotnik Empire.... and promptly lost it to Naugus, forcing him to flee for his life. In exchange for information about Robotropolis’ defenses, King Acorn spared his life but sentenced him to be imprisoned forever.

-Was busted out by a returned Julian so that his uncle would be able to properly ‘thank’ him for losing his empire. Helped the FFs to escape Robotnik’s revenge, and after spending time bumming around with them (and hating it) decided to throw in his lot with Crazy Uncle Ivo. 

-He’s regretted it ever since... though he sticks with him because its either Ivo or Julian, and Julian will ensure his death is cruel, messy, and lingers for years to come. 

Hope Kintobor 

-The second child of Colin Kintobor. She was born during the later years of the Great War and spent much of her early life living in siege conditions as Overland tried and failed to stop the advancement of Robotnik. 

-Eventually she witnessed the death of her father and remaining family at the hands of Robotnik before being saved by Sonic. She had an extended stay in Knothole afterwards, where she slowly learned that much of her people’s views of Mobians was innacurate. 

-She eventually moved to the United Federation as a ward of GUN, serving as the technology expert for Team Dark. She is close to all of them. 

-Seeks to redeem the name of her family so that it’s legacy won’t be one of bloodshed, conquest and madness. She’s got a waaaays to go, to put it mildlry. 

-Despite everything she still cares about her awful, awful half-brother. 

Dr. Julian Robotnik 

-Had a REALLY goddamned crappy....well, life, basically. Take my word for it. 

-Has basically murdered his entire immediate family by this point. 

-Prior to the Great War he aided the Overlander Ministry of Conflict in toppling the legitimate government of the Kingdom of Amunopolis (Aleena’s Kingdom), forcing it’s royal family to flee to the Kingdom of Acorn and re-settle under new identities, with crown princess becoming ‘Bernadette Hedgehog’. That’s right- he’s indirectly responsible for Sonic existing. 

-Blah blah blah evil experiments blah blah war crimes blah blah sentenced to be executed by Overlander government during the Great War and blah blah blah coup.

-Took over a large swathe of Mobius and expanded to conquer more, and for a time seemed like he might conquer the entire planet. The Robotnik Empire is.... not a fun place. Then or now.

-Then Sonic and the FF’s happened. Then Endgame happened, and he was... indisposed for a while, leading to his empire being diminished. While he has returned, he has suffered numerous setbacks since then, and the Robotnik Empire is now greatly diminished from its peak. 

-That being said, he still rules a pretty big part of the planet, and is still the biggest danger to the world at present.

-Hates his cousin Ivo.

-REALLY goddamn hates That Hedgehog. 

Laura Kintobor 

-That’s Doctor Laura Kintobor (nee Ellison) to you, buster. 

-She and Julian both worked as scientists with Overland’s science ministry, where they met and befriended one another. She eventually managed to coax Julian out of his shell, and their friendship bloomed into a romance, which led to the two marrying. 

-She worked in the organic sciences division and was an expert on biology and zoology. In contrast to most scientists, she was very much an outdoorswoman. Even managed to convince Julian to partake. 

-Much like her unfortunate sister-in-law, she died in childbirth... giving birth to a stillborn daughter. 

-Yeah, this shit is grim. 

Theodore Robotnik

-Third son of Gerald. Blatantly named in reference to Theodore Roosevelt, who was used as a visual reference for Eggman.

-Basically a professional beancounter who later inherited Robotnik CORPS. He chose to stick with his original name even after the ARK incident, and struggled to keep Robotnik CORPS afloat in the immediate aftermath of the incident. 

-Set up a trust fund for his son Ivo, and tried his best to raise him to be a contributing member of society. 

-Sufficed to say, that didn’t work. If he’s still alive, he has a REALLY tense relationship with his son. 

-Named his son after his older brother as a passive-aggressive act of spite for abandoning the ‘Robotnik’ name. 

Dolores Robotnik 

-Mother of Ivo. She was a professor of chemistry who decided to put her career on hold in order to be homemaker. 

-Was much closer to her son than Theodore was, and often wound up having to play peacemaker between the two. ESPECIALLY during Ivo’s tumultous teenage years. 

-Sufficed to say she is not exactly pleased with how he turned out, assuming she’s still alive even. 

Dr. Ivo “Eggman” Robotnik

-HE IS THE EGGMAN. HE’S GOT THE MASTER PLAN! Really, do you NEED to know any more? 

-Well, okay, you do. He was born very shortly before the ARK incident and never knew his grandfather. 

-His childhood wasn’t horrible, but it was rough in areas due to his high intelligence making things more difficult for him than they should of be. Loads of disagreements with his dad over pursuing science. Spent years plagued by the derogatory name of ‘Eggman’ due to his weight problems. 

-You know how you fantasize about ruling the world as a kid? He never really left that stage of things. 

-He initially worked as a research scientist in the fields of AI and energy. During the Great War he was approached by GUN to develop weapons for them. His research would go on to form the basis of the robotic soldiers later used by them in the Robotnik war. 

-Began his plot to take over Mobius during his time there, and secretly began to appropriate resources and machines to build a hidden base on the distant South Island. Eventually his schemes were discovered by GUN, but he fled. 

-While his cousin conquered portions of Mobius elsewhere, Eggman began his long term Death Egg scheme as a means of conquering Mobius in one fell swoop with the aid of the Chaos Emeralds. 

-You can guess how it goes from here- he encounters Sonic on South Island and in the Scrap Brain Zone and is defeated, thus setting the tone for MANY other defeats in the future. He eventually took on the name ‘Dr. Eggman’ as a way to differentiate himself from his cousin, and to make the insult that dogged his life into a name to be feared ala ‘Penguin’. 

-When his cousin Julian was seemingly killed and the Robotnik Empire in dissarray, Eggman started new bids to take over the world. He established the Metropolis Zone as his ‘capital city’ and founded the Egg Army to help supplement his Badnik Horde. The Eggman Empire now exists as a terrorist army at the beck and call of Dr. Eggman, though he’s still got a ways to go. 

-Has four sons by three different women. Slut. 

???

-Haven’t got a name for her yet. She was a random girl that a college age Ivo knocked up, which putty much put an end to her collegiate ambitions. She gave birth to two sons, one of whom she bitterly named ‘Ivan’ as a reminder of his origins after failing to get child support out of her babydaddy. She re-married and is currently leading a comfortable enough life. Humors her son because she knows it annoys his biological father. 

Ivan Eggman

-The oldest of Eggman’s sons. In his mid 30s or so. Scientifically gifted, as his father was. 

-Has numerous, numerous issues pertaining to his stepfather, a hard and strict man with little toleration for nonsense.

-Idolizes his biological father and desperately wants to be acknowledged by him, even changing his original surname to ‘Eggman’. Eggman the 1st was NOT amused. 

-Eventually founded a company, Eggman Industries, and grew rich rapidly. Settled by the Bygone Islands where he pursues life as a ‘villain’ now, though really he’s more like a public nuisance than anything. 

-Honestly he’s basically living a ‘second childhood’ of sorts using his scientific know-how and riches, and has vowed to one day impress his father and earn his acknowledgement. As you can imagine, it is.... not working out at all, given that he’s even more of a goober than his pop. 

-Ironically, he isn’t naturally bald- he SHAVES his head. 

Steve  

-Yeah, he ain’t a robot here- Steve is the organic, younger (by about a minute) twin brother of Ivan. 

-Utterly unconcerned with science or any of that jazz. He’s basically a bohemian beach bum, complete with californian accent- he spends much of his time surfing and earning cash from side jobs. 

-Really mellow and easy-going, and doesn’t really dwell on stuff. 

-Utter himbo. 

Mrs. Robotnik 

- Ex-Wife of Ivo Robotnik. Haven’t given it too much thought, but she and Ivo met while working in acadamia, and eventually married. 

-Initially the relationship was pretty solid, and they even had a child together. However things swiftly deteriorated between the two as Ivo’s immaturity and increasing anger at the world strained their relationship, along with him being a lousy parent to their son. She eventually divorced his ass. 

-After going through a rough patch with her son, she has begun to re-connect with him after his years a delinquent, and now happily supports his endeavors. 

Ivo Robotnik Jr. 

-Middle son of Dr. Eggman. Had a nonexistant relationship with his father while growing up, which combined with the divorce eventually turned him into a juvenile delinquent. 

-He roamed with a biker gang for a while, and prefers to be called ‘Junior’ rather than ‘Ivo’. 

-Fell in with Breezie for a while, the both of them unaware of the other’s connection to Eggman. They eventually went their separate ways once Junior began to turn over a new leaf. He still carries a torch for her, though is painfully aware it’d never work out. Their relationship is... complicated, these days.

-Has since become a software security engineer, making a living providing Anti-Eggman/Robotnik software to companies. 

Lindsey Thorndyke

-A famed actress. She and Ivo had a drunken tryst at a wrap party where he’d been invited to act as a consultant on scientific accuracy. To avoid scandal she informed her husband, and they passed off the baby as their own. 

-What more do you want. Its LINDSEY. 

Chris Thorndyke 

-The youngest son of Ivo Robotnik. Spent much of his life completely unaware of his true parentage. 

-Eh, what can I say, I kind like the theory of him actually being a Robotnik in some capacity or the next. 

-When he was a boy, he befriended Sonic and his friends and even hosted them during the days when Eggman’s schemes for global conquest caused him to haunt Station Square for a while. 

-Admired his grandfather Chuck and pursued science to be like him, studying physics and engineering. 

-Thanks to his mom he’s something of a film buff. 

-In college he learned the truth of his heritage. This has put a strain on his relationship with his parents.

Francis Kintobor 

-The youngest of Gerald’s sons. Pursued a career as a schoolteacher. While he changed his name in the aftermath of the ARK incident as his older brother Ivo had, he chose to make a small joke at his brother’s expense over the ludicrousness of the name change by naming his own son ‘Ovi Kintobor’. 

-Named after Francis Mao, aka That Guy Who Made That One Comic Adaptation From 1991. 

Elizabeth Kintobor

-Dr. Ovi Kintobor’s mother. A career veterinarian with a strong love of animals. That’s about it. 

Ovi Kintobor 

- Grew up on Westside Island, among Mobians. Had a pretty happy and contented childhood, and like many of the other various members of the Kintobor/Robotnik clan developed a pronounced interest and skill in science at a young age. 

-Developed a particular interest in researching Chaos Emeralds.

-A Concientious Objector, he served as a medic during the Great War.

-Deeply, deeply shamed by the actions of his more notorious cousins, he has essentially hidden himself from the world to pursue his research and evade their notice, while helping against them in whatever way he can. 

-Has secretly transported people threatened by his cousins to safer places, and once caused a mass sabotage of their respective robotic forces through the ‘Nicenik Virus’. 

-An ally of the Freedom Fighters. 

-Deeply distrusts GUN (which frankly isn’t a bad call).

-Bit of a hippy, but really is a genuinely nice guy who wants to help others through science. 

-In some villages he is known as ‘Mr. Tinker’. 

[daretosnoop]

Lessons I learned from the Games

Most of this is just silly, some are actual lessons.

SCK/SCK2:

If you’re going to get murdered, get revenge by leaving clues to the blackmail you have on potential suspects and hope to god someone figures it out

If you’re investigating a crime, being a random transfer student at the end of the year is probably not the way to go, but no one cares because they’re too busy with college applications.

If your niece is coming to your place to investigate a murder and you’re not there, the least you can do is set up a cage to trap any possible break-ins.

Nothing beats being able to hold a gun to the murderer #whySCKremastered???

Teens dealing with pressures to meet college and parental demands

Teens resorting to drugs

Teens dealing with sexism that’s found in abundance in college and work environments

Teachers not giving a shit about what students are going through.

STFD:

If you’re getting death threats, play it cool. Keeps the perps unhinged

Toxicity of fan culture

Throw all CEOs into the closet

Nothing beats Jazz

If you’re going to commit crime in an actor’s community, you must do it with flare

MHM:

If you’re going to buy a Victorian mansion, the least you can do is check for ghosts. And also hire a carpenter beforehand

Never invest your life’s savings into anything

Treat those who help you with basic decency (my god Rose!)

If you’re snooping on someone, don’t give them any indication that you’re onto them

If someone slips a threatening message under your door, open the door.

Victorian houses have all sorts of booby traps, FIND THEM.

TRT:

Don’t trust anyone who’s eager to be your friend

Trust the weirdos and grumpy people

Learn French

Don’t leave incriminating evidence that reveals your lies

There is no such thing as too much food

Women in history have been badly treated by (male) historians.

It’s called the past for a reason

Turn a bad situation into an opportunity to learn

If you’re going to do crime, at least ensure you have an escape route that’s not blocked by the snow

Don’t date people who pressure you to marry them/ask you to prove your love for them

 FIN:

As a woman, if you want anyone to take you seriously and help, you have to be adamant, sassy, and everything men don’t like to see in women.

If you’re a POC, the chances of the police helping you decreases

Capitalism sucks

Police suck

Misogyny in capitalism

Old theaters are amazing

Don’t trust the person who’s trying to be your friend!!!!!!

Don’t talk to suspects about your case

Have confidence in yourself

 SSH:

Colonialism still exists in the form of capitalism

The art industry is completely profit driven

Mexico and America tensions

The Mayans

They never talked about what happened to the Mayans…..

Don’t deal with shady salesmen

Sometimes saving money contributes to a bad system

If you accepted a position, take your work seriously

Don’t trust the guy trying to be your friend!!!!

Master the art of amnesia should you ever need to use it

Even if you disband a group of art thieves, it’s best to be humble

No one in life is going to help you, even if you get pushed into a monolith

 DOG:

This game is why it’s important to put your dog(s) on a leash! (insert that dog vine: “it don’t bite. Yes it do!”)

If we didn’t have uptight rangers, the parks would be burnt to smithereens

Misogyny exists in the woods

People who are just trying to do their job always get a bad rap even though it’s because of them the park still exists!

Gangsters are bad, but also low-key cool

Get back at your enemies by making a fake grave of them

Old people have interesting stories

Gold can release arsenic into water

Always check well water before using

Wood mice are bad for health

If you’re going to get tied up and tossed into your tool shed, keep a scythe on hand

Go birdwatching at night

Torque is a fancy word for screw driver

If you’re a POC, people are most likely to suspect you.

CAR:

There is no job security if you end up in hospital

Sometimes you really need a 2000 calorie sundae

If you went to jail, people are most likely to suspect you first

Don’t spy on your co-workers

Don’t trust the person who’s trying to be your friend!

Don’t procrastinate on a job

If you’re miserable in life, maybe it’s time to sign up for some therapy

If you have a sad backstory, you’re automatically entitled to everyone’s sad backstory

Mental illness: depression

Health awareness: niacin, don’t eat junk food like a 2000 calorie sundae

Don’t dump someone just because they’re not able to give you a lavish lifestyle

DDI:

If you’re going to trash someone’s boat, don’t leave your business card behind

If you’re tired of small mindedness, it’s best to just leave

It’s always handy in life to know boating skills

If you’re trying to report suspicious activity, communicating by bottles is not the way to go

Don’t feed wild animals!

Capitalism sucks

Look carefully at your environment, you never know what clues are left behind

Always make a plan B in case plan A doesn’t work

Don’t be afraid to explore

SHA:

Never trust the guy who’s trying to be your friend!!!

Always trust the grumpy guy

Horses die easily

There is no such thing as over ripe vegetables

Sunflowers should be planted near gardens so that bees come

Respect chickens

Falling in love with a criminal is difficult when your dad’s a cop

It’s handy to know how to ride a horse

Ghost towns are terrifying

Farmers work hard and should be respected

CUR:

Don’t trust the person who’s trying to be your friend!!!!!!!!!!

Don’t be a negligent parent

Before getting married, make sure your partner has a good relationship with your child

Don’t trust creepy people

America and British will always oppose each other

Talking parrots are always handy

British aristocracy was supported through colonialism #got Loulou on his Travels, uh huh

If you’re a spinster, you’re going to be the mom of something

If you’re afraid of becoming a monster, best be dramatic about it

It’s really important to have good communication between partners

Don’t stick your new wife in a room that still has pictures of your old wife and where all the furniture has covers on them

If you have a manor, you better explore it before some 12-year-old gets hurt exploring it

don’t go to great lengths to protect a rock

calling something that skips every generation a “family tradition” is just rude and exclusive

don’t leave your child alone for so long. Don’t keep them away from people their age

don’t write memories, no one wants to hear your life story

CLK:

if you’re going to presume someone’s identity, you better nail the part down hard

don’t blow up the kitchen when there’s only three people in the house and you were the closest and last one in the kitchen

emotional manipulation

gas lighting

if someone mentions stolen jewellery, putting back what you stole just incriminates you

even if you have psychic abilities, don’t be an ass bout it

no one ever tips because no one like the system. Pay your employees what they deserve!

Even though the depression’s going on, people are still dumping money in psychic lessons and dress making

No one ever gives anything away for free

Even if you’re promised money, don’t put too much trust in the promises of others

Don’t be rude to the person who’s trying to help you

If your partner is demanding to be spoiled during an economic depression, find a better partner

People aren’t as smart as you, tell them straight where you left your will.

 TRN:

The dumb blonde joke is not funny

Cops are useless and unhelpful

People are more willing to listen to adults then teens/young adults

Celebrities are much different in real life then in their celebrity world.

Don’t steal someone else’s ideaà artist theft

Old trains are super cool

People aren’t as smart as you, tell them straight where you hid your treasure

Don’t dump someone just because people think they’re dumb

 DAN:

Capitalism sucks

The fashion industry is brutal

normal size representation

Boss’s can be crappy people

Don’t blackmail people

If you promised to do work, you better dedicate yourself to it

Having a healthy fear of giving away personal information is not a bad thing

Don’t aid stalkers

Covid-precaution: cover face with mask. Act erratic to keep people away from you

Concept of older men dating younger women is actually frowned upon

Love is mysterious

Flashlight on the many women who helped decode during WW2 but largely remain unrecognized by countries today

Forgery is okay sometimes

 CRE:

Indigenous cultures continue to be badly and negatively portrayed in media

Capitalism sucks

Environmentalism

Academia is not as research oriented as one wishes it was

Daddy-issues

Native Hawaiians forced to “work with” big corps in order to survive.

Tourism industry and its affects on the environment and native population

Sometimes an upgrade is not a good thing

ICE:

Animal conservatism

Capitalism sucks

International competitions suck

Running away from humans to hide in a cabin and bonding with a wolf is not a bad thing

Never enter a sauna alone

It’s bad business to kick customers out

If your customers are falling asleep everyday in a common room, it’s probably not a good sign of booming business

Don’t be chill over bombs exploding near your hotel

Always handy to know how to drive a snow mobile

Don’t volunteer to be a maid, ever

Cops are useless

CRY:

Don’t dump your job on your girlfriend

There’s nothing wrong with being emo

Men being emotional and desiring love and affection

Men being abused in relationships

Even if your relative leaves you a ton of money, it’s no excuse for not being a good guardian/parent

Don’t trust strangers. Don’t eat food from random people

Customer service is awful. Even when the customer is trying to instigate a horrible reaction in you, you got to put on a smile

Always trust the eccentric lady

Nancy’s sad backstory allows her to hear everyone else’s sad backstory, unless you’re a guy, I guess.

A date in the cemetery is not a bad idea

If your partner demands you to spoil them, get a new partner

People aren’t as smart as you, tell them where you hid your treasure

VEN:

Anyone can help out on an international mafia case

The mafia is very creative and artistic

Capitalism sucks

Assert your independence as a young woman by dancing in a cat suit on stage? I guess?

Money can be found anywhere

Eat the rich

Don’t trust the person trying to be friends with you

Possessive relationships are red flags

Don’t steal a cheap neckless if you’re a notorious thief

Cops kind of useful for once.

HAU

Don’t pull a prank on your partner before your wedding

Don’t invite someone who used to date your partner and still has feelings for them

If your partner is missing, actually look for them instead of sitting around

Crows are amazing

Fiona might have lost her parents at a young age and her life as a hermit definitely had its side affects, but she also saved herself from the misogyny women endured

RAN:

If your friend gets kidnapped, please, at least fake some concern

Don’t waste time with monkeys

The only other person on the island is probably the culprit

WAV:

Girl bullying can be worse than boy bullying

Don’t trust the person who’s trying to be your friend!!!!!!

  TOT:

Nancy’s sad backstory allows her to hear everyone else’s sad backstory, unless you’re a guy, I guess.

Academic institutions are struggling to fund research

Capitalism sucks

Even if you hate your lead, don’t sabotage the team

Communication is important

Even if you hate your job, don’t sabotage your team

 SAW:

People who resist to change just become boulders in the way of progress

Boomer mentality is soul destroying

Emotional manipulation

Gas lighting

Depression

Sometimes you have to cut away from those you love in order to maintain your sanity

Nancy’s sad backstory allows her to hear everyone else’s sad backstory.

If you have to give your partner a gift every time you fight, you might have relationship problems

Don’t be in a relationship just because you’re used to it

Don’t force someone to adhere to your expectations in life

If you’re unable to talk to your partner and so resort to haunting her inn, you probably have relationship issues

[sonicringbond]

Sonic Ring Bond: The Journey - Scene 42

With character mindsets out of the way, it’s time to set the stage. Well, Blister’s mindset still needs to be set, but right now they have arrived at the peculiar city in the sky. What will they find there? Well, find out for yourself in...

    “Really, a creepy place like this would do a lot better with some ghosts,” Rosy teased as she jumped from Blister’s ship to the stretch of concrete and asphalt that they docked at, “then we could make a test of courage out of it!”

    “I’d rather not have more ghosts after the last time we met some,” Draw tried as per usual to put a damper on Rosy’s enthusiasm as he walked down the gangplank with Sonic and Blister. For his efforts Rosy stuck her tongue out at him.

    “You’re being no fun today,” Rosy teased her koala companion and he rolled his eyes.

    “Whatever, you weirdo girl.”

    “It’s Rosy!”

    There was a comfort that Rosy found in the exchange with Draw and she smiled brightly even in the dreary place. Sonic and Blister were both being more careful than Rosy was though.

    “Be careful while having fun,” Blister warned as she tested the weight of her backpack. “My instruments were acting weird as we approached. I couldn’t rely on them to dock at all.”

    “You were able to dock an airship on your own? That’s amazing!”

    “Well, I don’t really have any choice with a golem hunter on board,” Blister gave Draw a weary glance. “It’s not like I can use my autogolems if they just get broken for coming out.”

    “So, the Engineers do use autogolems too,” Rosy acknowledged thoughtfully, before switching gears and spinning over to place her hands on Draw’s shoulders. He gave her a look, but Rosy continued unbothered. “But I’m sure Draw wouldn’t break yours. Well, as long as they aren’t powered by fairies.”

    “Everything the Engineers make are powered by Rings or steam, so no exploiting any mythical creatures,” Blister assured Rosy, Draw, and the fairy in the group, Mote. “Besides, the way Preserver autogolems work is a total mystery. It doesn’t make sense how the energy of a living thing is converted into a kinetic energy.”

    “Sounds like the type of guys Eggman would get along with,” Sonic finally added his voice to conversation as he strolled off the gangplank and looked around.

    Rosy noticed Sonic was rubbing the underside of his nose with his pointer finger and wondered if he was sensing danger. She couldn’t leave him worried though and risked getting teased herself to lighten his mood. “Oh~, forget that mean old man. I’ve gotten over being embarrassed by you talking like that about us and want to hear more! Come on Sonic, say something romantic~♥”

    “Keep dreaming, kid,” Sonic winked at Rosy and made her puff up her cheeks as she knew exactly what he meant.

    “Ooh~! Why couldn’t you play along nicely this time now that I’m ready for you!”

    “Instead of play, perhaps we could get to work looking for a Ring Radio for my ship,” Blister suggested, walking away from her vessel. Sonic eyed her curiously and took up pace beside her.

    “I’m all for getting this over with, but I thought we were supposed to do the dangerous stuff while you stayed back on the ship?”

    “Don’t worry, I won’t slow you down.” Blister smiled at Sonic confidently. Her confidence did not last however as she lifted her left hand up and stared at it as she flexed the flat fingers of her clockwork arm. “Though I haven’t gone for a run myself since before I lost my arm. I hope I’m not too rusty.”

    “You don’t mean to say you can keep up with us, do you? Sonic asked having a hard time believing it. “There aren’t too many who can, and even out of those with my speed few who can match my pace.”

    “Just check your radio for a signal and I’m sure we’ll be fine. I think I might actually be excited for the first time in a while. A shame it’ll be best to split you flowers up for this little trip.”

    “Flowers?” Sonic asked while checking his wrist device. The detected signal on the device told Sonic all he needed to know, and he was distracted from his question. “Well, sure enough there is a signal here. And not one we recognize.”

    “I wonder if there’s anyone using it?” Rosy pressed her finger to her cheek and mused a moment. That moment was short lived and quickly followed up with her deciding to check as she worked her wrist device and cheerily called into it. “Hello~! Is there anyone home!”

    “You’re going to get us killed, you weirdo girl!” Draw snapped at Rosy.

    “Don’t say that!” Rosy chided him, but as her energy was spilt between her wrist device and him, she wasn’t overbearing. The lack of a response from her device though made her puff up her cheeks. “Phooey! I guess no one lives here either.”

    “Gotta admit, it’d be kind of hard too.”

    ~Sonic wasn’t wrong. For the first time since I had been exploring the lands under Yolk, there were no plants growing over everything. They had been at one point in time, but they had all withered and died, only a thick layer of yellowed leaves that lined the streets and building floors showing they had once lived. It was kind of creepy in a different way than the rest of the weird little city as well since leaves don’t usually last like this. They crumbled easily enough to the touch, but the wind left in our wakes as we ran through the twisted city streets didn’t seem to hurt them and they simply would settle back down were they had last been.

    ~The leaves weren’t the only creepy thing. Yolk seemed even bigger from the city than Blister’s airship, and no matter where I ran it seemed to watch me from behind the clouds just above the horizon. And the storm clouds didn’t bring rain and thunder, but rather a snow of ash. I’m starting to think this place might be cursed. At the very least, it’s weird and unnatural.

    ~How unnatural? I wanted to check the size of the city when we first set out, so I ran a lap all the way around it with Draw clinging to my back and the location of the horizon never changed. And I came back around from what should have been the city’s underside. It’s not right here. It really isn’t.~

    “What now,” Draw asked as Rosy stopped atop a skyscraper that tilted a full thirty degrees off its axis.

    Watching the storm clouds and the ash that fell silently from them, Rosy puffed up her cheeks and exhaled sharply from her nose. “This place is way to dreary to be any fun. So how about we see if we can’t find any beneath the surface. Does that sound good, Sonic?”

    -Just keep your radio channel open,- Sonic’s voice came across Rosy’s wrist device. -This place is a lot larger than it looks. Like several places are trying to fit in one spot and not pulling it off.-

    -I’ve also seen signs of golem activity,- Blister’s voice came across after Sonic’s. -Probably more than enough for our little hunter to earn his keep.-

    “Don’t talk like that about me!” Draw complained from Rosy’s back. “I’m not a kid!”

    -Yet you were clinging to Ms. Rose’s back when we agreed to split up…-

    “That’s because it’s the easiest way to not lose her.”

    “I’m not that bad,” Rosy laughed, but she smiled brighter as she looked down at the decayed city that awaited her challenge. “But at least it sounds like this adventure is going to be exciting!”

Scene 42 · CLEARED Snowflake, to be continued

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On the shorter side, but now the exposition is done and it’s time to start elevating the series of events. A Ring Radio is here, and it’s on, but why? And Golems here as well. Mysteries, mysteries. If I do this right, this set of “episodes” will be some of my most important at this stage of the story yet. I hope everyone is as excited for them as I am!

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Special Thanks to Cutegirlmayra Story by @JoshTarwater/SonicFanJ Inspiring Song – Lost in the Snow – Yoshitaka Suzuki – FINAL FANTASY XV Original Soundtrack (Volume 2【1/2】)

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Sonic the Hedgehog and all affiliated characters and logos are the express property and Copyright© of SEGA SAMMY HOLDINGS used without permission under Title 17 U.S.C Section 107 of the Copyright Act 1976 in which allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. “Fair use” is use permitted by copyright statute that might otherwise be considered copyright infringement. The Sonic Ring Bond: The Journey alternate universe (AU) consumer written work of fiction is a non-profit transformative work primarily for personal use and can and will be taken down without warning or prior notice at the request of the copyright holder(s) should it not be recognized under “fair use”.

*Sonic Ring Bond logo created by DEE Art – twitter.com/daryliscute.

Sonic Ring Bond AU and Sonic Ring Bond: The Journey are the creation of Joshua David Tarwater/ynymbus/sonicfanj/@Joshtarwater and is to be, including all contents herein considered for all legal purposes the property of the Sonic the Hedgehog intellectual property (IP) and copyright owners, SEGA SAMMY HOLDINGS. All story contributors via prompt, suggestion, written scene, art, and all and every other contribution acknowledge that all contributed material is forfeit for legal purposes to SEGA SAMMY HOLDINGS upon official request from SEGA SAMMY HOLDINGS.