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syluslnd · 2 months ago

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While MC and Stylus are looking at the ultrasound and commenting and laughing, how do MC and Sylus react when the doctor turns to them and tells them that they are having twins (I'll leave the gender to you)? Does MC hug Luke and Kieran and tell them the happy news? Luke and Kieran laugh at their boss when Sylus gets a little jealous of the MC and drops the subject, I wonder about that jovial atmosphere. I'm curious about emotions. Later, Sylus and MC go shopping for their twins, and while shopping, they joke with each other about the twins' future and who they will look like. Meanwhile, Sylus softens with the joy of having twins, thinking that MC will make an excellent mother. What happens if Sylus shows he's softening? I love your posts and responses to requests, thank you!!! Sorry for my bad English

sylus reaction when you are having twins

The room was bathed in a warm glow, a soft hum of quiet conversation filling the space as you and Sylus settled in.

The doctor had just arrived, setting up the ultrasound in the private comfort of Sylus’s home—a luxury he insisted upon, wanting the experience to be as calm and intimate as possible.

Sylus kept his hand on yours, red eyes softened as he focused on the screen, his intense attention on every detail. You leaned into him, heart fluttering with excitement and you kept making comments about potential names and which traits you hoped the baby would inherit.

The doctor looked over the images with a warm smile before turning to the both of you. “Well, congratulations… It looks like you’re having twins. Twin girls, to be exact.”

Your eyes widened and you turned to Sylus with a mix of shock and delight. He was clearly taken off guard too but his initial surprise melted into an unmistakable grin. His hand tightened around yours as he gave you a playful smirk.

“Twin girls, huh?” he chuckled, raising an eyebrow as his eyes danced with excitement. “Guess we’ll have double the trouble on our hands, kitten.”

You laughed, hugging him tightly but then caught sight of Luke and Kieran standing at the edge of the room.

The twins,were smiling with a hint of their usual mischief, clearly having overheard. With a little squeal of joy, you bounded over, pulling both of them into an enthusiastic hug.

“Did you hear? Twin girls!” you exclaimed, beaming at the two of them. Luke chuckled, squeezing your shoulders with a warmth rarely seen from him.

“Well, looks like this family just got a little more interesting” Luke said with a grin.

Kieran shook his head, grinning as he hugged you back. “Two mini versions of you running around? Sylus is in for it” he teased.

Sylus’s voice cut in, smooth but with a pointed edge. “If you two are done hogging my wife…” He was smirking but there was a possessive glint in his eyes, hinting at his usual jealous streak.

Kieran held his hands up in mock surrender, laughing. “Alright, alright. We’ll just be their favorite uncles, then.”

You grinned, slipping back into Sylus’s arms. “See, darling? They’re just excited” you teased, giving him a playful look as he pulled you close.

Sylus rolled his eyes, pressing a kiss to your forehead as he settled his arms around you protectively. “They can be excited at a distance” he murmured, though his eyes were warm, his grip on you firm yet gentle. “Those girls already have more than enough family to look after them.”

The doctor, smiling at the playful banter, finished up with a few final notes. “You’ve got a lot of support around you both” he said kindly. “Seems like these little girls will be well looked after.”

Sylus nodded, his gaze shifting from you to the ultrasound screen, then back again, with an expression that was rare for him—vulnerable, almost awestruck. “They’ll have the best” he murmured, his voice softer than usual, his hand never leaving yours.

For a moment, you both looked at the ultrasound screen, a comfortable silence falling over the room as everyone processed the news.

Sylus had insisted on taking you out himself to shop for baby clothes,he couldn’t resist with the news of twin girls on the way.

He guided you through the quaint little store, his hand never leaving the small of your back as you browsed the racks of miniature dresses, onesies, and shoes. His usual composed, authoritative presence softened whenever you held up a tiny outfit, excitement lighting up your face.

You smiled up at him, holding a soft, pink outfit against yourself as you imagined how small your girls would be. “Do you think they’ll look more like you or me?” you asked, eyes sparkling with curiosity.

Sylus chuckled, crossing his arms as he watched you. “They’ll have to have some of my charm, don’t you think?” He smirked, though you could see a hint of tenderness in his gaze as he considered the possibility.

You rolled your eyes, laughing as you picked out another tiny pair of shoes. “Knowing you, you’d probably hope they inherit your serious side too, so they’ll never get in trouble” you teased.

“Trouble is in their blood, kitten” he replied, his smirk widening. “With you as their mother, they’ll be far too clever for anyone’s good.”

The two of you continued wandering through the aisles, his eyes following your every movement. He found himself wondering what kind of future lay ahead.

As much as he tried to maintain his usual confidence, the thought of raising two daughters as the leader of Onychinus gnawed at him. He knew all too well the dangerous life he led and the constant risks around him. Would he ever truly be able to provide a safe world for them or even for you?

While he was deep in thought, you held up a tiny dress covered in delicate lace. “Look at this, Sylus!” you cooed, pulling him back to the present. He turned and for a moment, his usual guarded expression faded as he looked at you with rare warmth, eyes softening at the sight of you envisioning your future with him.

“Perfect” he murmured, brushing a thumb along your cheek as he took in the moment. He had never imagined himself here, yet now, the thought of two little versions of you tugged at something deep inside him.

You noticed the tenderness in his gaze and leaned into him with a soft smile. “They’re going to be just like you in some ways, you know—strong, resilient.” You reached up, placing a gentle hand on his cheek. “And maybe a little bit stubborn” you teased, laughing as he rolled his eyes but wrapped an arm around your waist, pulling you closer.

“Well, if they’re half as stubborn as you, I’ll have my hands full” he smirked, though the gleam in his eyes was unmistakably fond. In this quiet, almost surreal moment, he realized he’d do anything to protect you and the life you’d soon be building together—even if it meant learning how to be softer, just for you.

#love and deepspace #lnds sylus #love and deepspace sylus #l&ds sylus #lads sylus #sylus #sylus x reader #sylus x you

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basket-of-radiants · 1 year ago

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Hello there! I appreciate and welcome the reply, as I did and continue to invite discussion. However reading through this, I'm feeling like you kind of missed the point of my post.

(Stating here and now, because I am and forever will be paranoid about coming across as overly aggressive to strangers on the internet, that I am taking your reply in good faith, and my response is similarly being made in good faith.)

This post wasn't intended as a callout of the Kholins, this isn't calling them problematic, this isn't me saying that any of them are acting out of character or that they were wrong to have done any of the stuff they've done. What would/should a character do, or what is/isn't in character for them, or what's easy/difficult in a fictional story is entirely up to the author. None of these characters are real people who are making real choices and responding to real situations. It's not about their decisions, it's about the writer's decision to have them behave in certain ways and then to have the narrative react positively to them. To use the tried Watsonian/Doylist comparison, I'm not really interested in saying "I don't like that Watson did X so he should have done Y instead." Rather, I'm trying to say "when Watson did X, it implies A about the story, so if Doyle wanted to tell a story about B then it would have been more effective to have Watson do Y." Personally as a reader, I do not like how race and class have been treated in this series. A prominent reason is that Sanderson made the decision in Way of Kings to place these topics as prominent themes and cornerstones of the plot. He then continued to revisit these topics throughout the sequels. Then, after having played such an important role in the story thus far, the entire matter of the caste system was seemingly resolved in a manner that I found insultingly easy and straightforward, as I view these themes (especially as they were presented) to have a lot of gravitas. Since this is such a big topic that is so important to the entire Alethi society as presented, I therefore expect it to play a large role in the story. And since the Kholins make up the majority of the main POV characters, that would necessitate exploring these themes through them as well. That is the purpose of this post. You seem to think my issue was that the characters/story didn't make sense to me or weren't believable, but that was never what I was saying. You're arguing against points I was never trying to make.

Like! I agree, the Kholins are not telling the story of race in these books! I 100% understand that. That is the crux of my entire issue and why I wrote this post in the first place.

There is this vision of racism, where it is a problem that is "about" marginalized races, for instance where I live in America racism is considered to be a problem that black communities face and need to overcome. This framing of course ignores the fact that the black communities are not the ones doing the racism, that's being done by largely (although not entirely) white racists and institutions, which is why we can't just leave it to marginalized groups to address race, we also have to demand change from the people actually causing the problems. I don't expect a fantasy series about magical knights to solve one of the most complicated and systemically engrained social issues that humanity faces, but from my read this series did start out with the clear intent to discuss topics of race and class, and then it dropped the ball. It discarded nuance to pretend that complicated issues have easy solutions. However, I find that it's easy to criticize without having actionable solutions in mind, so my post was intended as an exploration into how some of this lost nuance could have been reintegrated into the story.

For instance, for Jasnah. As I thoroughly stated in my initial post, I don't actually have a problem with Jasnah having ended slavery. I do think it could have been done better (see above for specifics) but if that's how Sanderson wants to resolve slavery, fine. The reason why so many other fans were upset at this resolution was because they felt Sanderson was using Jasnah to sweep the entire topic of slavery under the rug without giving the topic the weight it deserved, and I agree with that criticism as well. I'm not arguing that it doesn't make sense for her to do this if she hadn't shown slaves any sympathy prior; I'm arguing that it would have made for a much stronger narrative if she had.

As to your specific points, I don't want to linger too much here, but I would like to briefly disagree. There is no such thing as absolute power. The reason that doesn't exist in the real world is because no leader has or ever will rule alone. Even for a dictator, it's literally not possible to run an empire without delegating, and once you've delegated you've split your power. Furthermore most of your points as to why she didn't face more backlash, while plausible, are all your own extrapolations and are not explicitly corroborated by the text. I'd imagine that all of the same arguments could be made for why the humans would hold on even tighter to whatever slaves they had left. Ultimately however, I'm not interested in debating the logistics of a fictional world unless the author clearly highlights them as relevant to the story he's telling.

I do want to push back a little bit on the notion that the Kholins themselves aren't racist. I definitely don't believe that all white people are inherently racist and must atone for the sin of being white or anything like that. But I think if someone had a lot of personal acquaintances who kept slaves and never really cared much one way or the other, then unless they're an equal-opportunity extreme misanthrope I think I could pretty safely say that that person specifically is quite racist. It doesn't matter if Adolin is nice or not to the specific darkeyes he knows and interacts with, on a broader scale if I'm to consider him a good person who cares about others, this is a topic that should be addressed in his story. For Jasnah I can get even more scathing, because she clearly does think about structures of oppression and has written extensive texts on vorin-society feminism, but the fact that she doesn't seem to have any writing regarding the caste system is very much a statement in of itself. Dalinar has a whole arc in the first book about being able to compromise on the topic of slavery for the sake of unity! And I'm supposed to just trust that this is the guy with divine right to lead humanity because he gave all the slaves new jobs afterwards.

And even now, my point is still not to say that the Kholins are #problematic. They are a major institution in a society built off of racial castes, so I don't even think that should need to be said. What I would like is for a story that's willing to really linger on and embrace their contradictions, treat them as flawed and complicated people rather than push them all on the ever-progressing path toward becoming heroic paragons. For a series with such powerful themes regarding facing the past and ones own actions, it's kind of insulting for such a major topic to be entirely overlooked in regards to most of the cast.

I hope all of that helped to better-explain my thinking.

Proposal for Re-working the Kholins’ Character Arcs - a semi-coherent “essay” by me (feat. @akpaley, thank you for your contributions and for your attempts at editing.)

Hey guys. Different kind of post this time around, compared to my usual brand. It’s time for some fix-it fanfiction masquerading as literary critique. I won’t be using a readmore, I dunno, probably to punish anyone still following this blog or something. So! In this post I’m going to solve the all the issues of racial theming associated with the Kholin family.

I’m often very harsh on the Kholins for benefitting so much from exploitative power structures while doing little to help those below them. But then I’ve also criticized them for actually addressing these very problems in-universe. How can I be upset at them for their inaction and then also be annoyed when Jasnah ends slavery? The short answer to all of this is just that the ways these topics are addressed all feel very inauthentic. For example, in real life history it took over a century of protests, slave revolts, political campaigning, and civil wars to legally end slavery in Europe and America, and abolitionists were met with fierce opposition at every turn. A fictional world need not follow our same historical trajectory, but it still seems a little disingenuous for a monarch to just decide to end it within her first year of power because it doesn’t mesh with her philosophical framework. It’s more like trying to wrap up a subplot than actually address the topic.

Ultimately however, there’s only so far this line of criticism can ever take me because the Kholins are the protagonists and you can’t get rid of them without turning the whole story into something else entirely. And Sanderson shouldn’t have to, these are characters that he created and he’s allowed to tell a story about them. And I actually like a lot of their personalities and arcs and outlooks quite a lot. I do think it’s…unfortunate…to have used slavery and racism as disposable props in a story that ultimately turned out to be about a bunch of royals learning to be better people and saving the world along the way. So I guess what I’m interested in is if there’s a way to keep the premise, keep the characters, keep the general story beats, keep the themes of honor and personal growth, keep the basic structure of everything, and still handle those themes with grace. You know, could this be a compassionate story about addressing racism told from the point of view of nobility? Is such a thing possible?

Well, I’m going to try my best. And I’m going to be imperfect about it, obviously, so if you actually care enough to read all this shit, I welcome discussion and disagreement.

Jasnah is the most obvious example to point to as being indicative of the problem, but I also think she has the easiest character fixes. She’s already been established as an outspoken dissident on many of her society’s deeply ingrained values. Just add to her atheism and feminism that she’s also always been an outspoken abolitionist. Give her ties to an ongoing reformist movement. Have her lecture Shallan about it in Way of Kings. Make that a reason she’s butted heads with her family so much. I do think it’s poor writing to have a ruler end slavery on a whim, but I won’t deny that having the right person in power can make a huge difference. It’s not as cathartic as having Kaladin lead a slave revolt (or as having Moash destroy society <3) but that doesn’t make it inherently bad so long as the topic itself is still treated with weight. Have her moralistic ideology be firmly pre-established so that when she has to explain why she’s abolishing slavery, her reasoning can be purely pragmatic. The reason she’s moving so fast is because this is a historical point of heightened change, and so her reforms are more likely to work, but if she waits too long and things settle back into a new status quo, she may have missed her window. Not to mention, when her nephew comes of age, her own legitimacy as a ruler might be challenged, so she needs to do as much as she can in what may be end up being a short reign. As a character, Jasnah has always been able to girlboss her way past political realities through sheer force of personality, and that’s great and all, but I think it heightens her character’s competence if she does have to deal with real backlash, not just to her but to her policies as well. The narrative doesn’t even need to linger on her opposition, but acknowledging it and acknowledging that she’s simply a member of a preexisting and ongoing movement would have done wonders to portray slavery as a real and prescient issue. Then again, this is a topic which people have fought and continue to fight wars over, so it wouldn’t be unreasonable for her to have receive major backlash either; perhaps when the Kholins hear in Words of Radiance that she was assassinated, the news could come as tragic but not entirely unexpected so as to imply that her opposition has attempted such in the past. All this is to say, I don’t think it’s at all wrong for Jasnah to do what she did. I also don’t think her entire stance on abolitionism should have come down to a comment where she tells her uncle she’s trying to rule according to ethically consistent values. The fact that slavery was insultingly easy to end not only delegitimizes is as a topic worthy of discussion, but also is a really scathing indictment of literally everyone else in the ruling class who didn’t even think to try.

Jasnah done, easy, Dalinar next.

Dalinar is probably the most complicated character for me to discuss and form coherent statements on. He’s just so rife with contradictions down to his core. That’s probably why I continue to like him so much, why he’s still my favorite, even though I still consider him to be a Bad Person over all. I think deep down I’ll always lean a bit too pacifistic ideologically to ever consider a warlord/general to be a good person, no matter how honorable he may be or how much growth he may undergo. Don’t get me wrong, I still do love his growth. Dalinar is characterized by his constant change and forward momentum, even moreso than the rest of the cast. So for discussing him, at what point can I point to him and say “this is Dalinar, this is who he is, this is what he believes and what he cares about”? Of course, during any point in his arc, you’re going to have to grapple with the fact that all of his lofty rhetoric about honor and striving for personal betterment is ultimately going to be pretty useless to all the people whose lives he’s meaninglessly thrown away across his military career. For me personally, when I talk about his character I like to take the end-of-oathbringer approach, where I acknowledge everything he did in the past as Blackthorn, I agree that it was pretty fucked up, and I forgive him and grant him a clean slate. All this to say that even if I’m judging him purely by his behavior as the current Dalinar within the present day continuity of the books, he’s still a massive hypocrite with horrific amounts of blood on his hands which he’s never even bothered to consider. I dunno, when I first read Way of Kings and I first got to meet this general who’s leading an army in a literal genocide campaign, I sort of figured he’d get some kind of “wait am I the bad guy” moment at some point in the future. And he did get a moment in Oathbringer where he has to fully confront his guilt over past actions, it was great, I really really loved it! But it was also all about actions he took before the series even started, so I guess wiping out the listeners wasn’t a sin he thought needed any atonement. I’m not going to get into the narrative’s treatment of singers and listeners on this post (for no other reason than because I have waaaaaaay too much to say there) but the point I’m getting at is that however good Dalinar’s growth is and whatever direction it takes, it’s always going to have poisonous roots to me. And his treatment of class/racial issues is no different.

Fixing Dalinar is going to take a lot of what Dalinar does best: introspection. In Way of Kings, Dalinar dislikes how Sadeas treats his bridgemen because he believes it to be dishonorable, because he believes Sadeas is forcing others into a situation that he himself would never put himself into. He also has various sympathetic reflections here and there about how sad it is when soldiers die, and about how without the benefit of the Thrill, violence is actually kind of bad. You know how it goes. But I don’t think he ever put himself at risk to actually help or protect any of the people who are dying. Whether he wants to end the war or not, he still continues to participate in it. And he’s still willing to set aside the lives of literally everyone beneath him so he can pursue his dream of unity. The book ends with Kaladin and the rest of bridge four saving him and Adolin, and in gratitude, he purchases their freedom and gives them honored positions in his household. You know, because he’s so honorable. Everyone loves this scene, so I’m going to make it the catalyst for Dalinar’s new and improved character development. The problem with saying Kaladin helped Dalinar so Dalinar helped Kaladin is that when I’m being reductive and uncharitable (like I’m being right now), I can argue that their relationship basically started as a quid pro quo. This scene is meant to prove that Dalinar really is the most honorable person in Alethkar, just as Syl thought, only it doesn’t actually do that. See I don’t actually want Dalinar to start treating Kaladin as an equal. I want Dalinar to, in that moment, realize that Kaladin is better than him. That for all of his pontificating about honor, he would have never even considered risking his own life and the lives of his own family to rescue a bunch of bridgemen. I want him to see Kaladin’s honor, and rather than be validated in his beliefs, I want him to be thoroughly humbled. Let him spend all next book reflecting on all the lives of darkeyes he’s destroyed. Let it shame him, as Evi’s death shamed him. He already flirts with these lines of thought, and he already has an arc about confronting his past actions. Let the racial injustices he’s participated in be a part of that. Let him abandon his books and traditions instead look to Kaladin to learn what honor truly means. I don’t know how any of this would translate to his actions, because if we’re being honest his ideals are already quite incongruous with his actions, but the fact that he manages to have such strong theming regardless makes me think maybe that’s okay. I guess ultimately it would be enough for me if his character, as someone who symbolizes the ideals of a nation, was able to look at a darkeyes publicly be a follower rather than always trying to lead by his own personal example.

That’s Dalinar. Elhokar next?

I actually don’t think there’s too much wrong with Elhokar’s writing, especially in the first two books where a much greater emphasis on these themes were placed. He’s not a protagonist and we the audience aren’t supposed to endorse his actions. Most of what I’d change about his story is more about Kaladin and Moash than it is about him. I definitely don’t love that he can throw away the lives of his own people by the thousands in the genocide campaign that was the vengeance war, and then have the narrative just ignore all that in favor of him being sad about his own incompetence. If Elhokar is meant to be a sympathetic character, then when he calls himself a bad king, that’s what he should be thinking about, the number of lives he’s wasted over these years. I actually like him a lot more as a less sympathetic character, and I think I would have preferred if in oathbringer the narrative and the other characters would have stopped making so many excuses for him. Back to Kaladin and Moash, those are the two characters defined by their experiences as members of the downtrodden caste, so I personally sort of judge the problematic-ness of the whole story by how they get treated. Everyone loves to talk about how those two are foils. So. In order to strengthen Kaladin and Moash’s characters, either Elhokar needs to be as much of a monster as Amaram, or Amaram needs to be just as sympathetic and conflicted and having-of-a-toddler as Elhokar. Don’t get me wrong, I genuinely love the trope of finding at the end of a revenge quest that the person you hated has changed and grown. But I hate how this means that Moash’s hatred is wrong and unjustified, whereas Kaladin’s is validated at every turn. I don’t actually dislike Elhokar. I mean I think he’s a bad person, but I like a lot of characters who are bad people. I just think that if this story really wants to grapple with class and race (because it sure brings them up a lot for a story that doesn’t want to talk about them), then Moash is a much more important character than him, with a lot more to add to that kind of discussion, which is why I think Elhokar’s characterization would have to come second to Moash’s development. (Obviously if this series were being reworked to be better on this topic, Moash would have to be written with a lot more compassion in general, but this post isn’t about him.)

Intermission time. Gavilar.

Gavilar is already perfect, 10/10, great character all around, what a guy, no notes, no wonder he’s so universally beloved among all of the fans, social justice icon.

Okay onto Navani.

I may not be the best person to talk about Navani. She has never been a favorite character of mine, and so compared to the others I haven’t thought as much about her values or the way she thinks or the narrative impacts of her actions. Someone who has more love for her would probably write better criticisms of her. (I’m going to reject any premise that falls along the lines of “Navani isn’t racist because she feels X,” but I’m not wholly confident in my analysis here, and I welcome any good faith critiques both of my own thinking and of her character when come at from other angles.) It’s hard to say where she should have grown from how she starts out viewing darkeyes because I don’t actually know how she starts out viewing darkeyes. I know I’m probably meant to assume she just treats everyone equally because she’s a Good Person on Team Good Guys, but it’s hard to just accept that she had all around good values when she married a warlord and was in love with his more violent brother. I dunno, was her “good guy” status meant to have always been an element of her character, or did she get it secondhand from her association with the new and improved Dalinar? With someone like Adolin, we got to see what shitty values he held at the start of Way of Kings (I’m talking about the Alethi warmongering, not his interest in fashion) but we also got to see how his father gradually won him over throughout the course of the book, and then later on we get to see him develop further on his own. For someone like Navani, I find it strange how she’s always so proactively supportive of Dalinar in everything, even when his own goals and values are in flux. I assume her character is just meant to be super ride or die when it comes to her family, and I do like that in a character, but that also means that she’s been wholly willing to support or at the very least excuse her family’s oppression and exploitation of darkeyes without comment. (See, Lirin is a much better parent than Navani, he would never have let his son start a whole genocidal vengeance war for fun and profit (I say this as if I’m joking but I’m kinda not.)) Some people have reminded me that she was pretty much shut out of the political process by Gavilar and Elhokar, and I agree with that, but I don’t really have any evidence that she would have cared much about darkeyes even if she had been more involved. In general it just seems like the whole topic doesn’t matter much to her. So what I would wish for the narrative would be to lean further into this. Draw attention to her cognitive dissonance and try and make the readers feel conflicted about her as a person. Highlight the fact that she’s willing to overlook the suffering that befalls other families if it means success for her own. I think one of my issues with her is that to me, this is a major (and interesting!) character flaw, but the books never seem to treat it as such. Honestly I think if this were intentional, I’d probably find her character really interesting, but from my reading of the text, I feel that I’m supposed to think of Navani as a generally decent person who’s by and large on the right side of things. The thing is, with the caste system playing such an integral role in their culture, I think she needs to have some sort of feelings about it, or else the fact that she doesn’t should be an issue to overcome. Otherwise she becomes another factor delegitimizing racial oppression as a real and important problem. If she’s a good guy and she doesn’t care about racism, then that’s saying you don’t have to be antiracist to be a good person in this world.

Probably could have done that one better. I dunno. Leave me angry and hateful comments if I’m totally misrepresenting your favorite character. Moving on.

Adolin already has some great character development across the books. And he already has kind of engaged with this stuff in his story. Unfortunately, that’s less used in the “this person was racist but is becoming better sense” and more used in the sense of “Kaladin learns that #NotAllLighteyes are bad” which is pretty unfortunate for a number of reasons. Especially since, if he actually was going to prove he’s different from other lighteyes, out of all the Kholins I think Adolin is the best candidate for being a full on class traitor. I’m serious, looking back over the events of his plotlines, it would suit him shockingly well while disturbing the overall narrative shockingly little.

Adolin’s current plot is loosely as follows: in Way of Kings he likes all the things someone of his station is supposed to like, clothes, violence, dueling, warfare, swords, hangtime with the guys, all the good stuff. At the beginning of the book he doesn’t understand why old, stuck-up Dalinar can’t just let loose and be a relelntless war-monger like everyone else, but by the end of the book he’s come to understand a certain value to honor and thus has begun to become a better person himself. Words of Radiance has him lose his popularity, fall out of favor with all of his friends, grow disillusioned with his society, perform a prison sit-in in solidarity with Kaladin, and murder Sadeas. Most of this is done again, because of his father, and how Adolin now wants to help and support him and his ideals. In Oathbringer he mostly isn’t involved in courtly politics, being away on a mission for much of it, but he does make a pretty big move by rejecting the throne. In Rhythm of War we see the schism that’s formed between him and his father until he leaves on another long-distance mission. Summary over. In general I reject the idea that making the Kholins be individually less racist makes for a better, or more nuanced and compassionate discussion of the topic, but if anyone is primed for a “lighteyes learns racism is wrong” character arc, I think it’s Adolin. Imagine him following a bit less in Dalinar’s footsteps and a bit more in Jasnah’s. You almost don’t even have to change any story beats: in getting to know Kaladin, something clicks in Adolin where he realizes that if he wants to treat Kaladin as his equal, he has to treat all darkeyes as equals, and so he realizes to his horror that he and his entire caste of friends and family are all monsters for treating them the way they do. (Actually, there is one plotline in WoR I’d probably scrap, and that’s his slowburn bromance with Kaladin. I mean I get what Sanderson was going for with the ribbing and then eventual friendship, but Kaladin was an absolute stranger who risked his own life to save Adolin and his father from certain death, and so I feel there should probably have been a bit more overt respect upfront there.) In pushing for his newfound belief in equality, he ends up burning through all of his intracaste goodwill and political capital, causing all of his friends to drop him. When he kills Sadeas, it doesn’t have to be about protecting Dalinar or about personal revenge, it could also be that he’s gotten to know Bridge 4 and learned firsthand about the atrocities they’d gone through, and so there’s no way he’d allow such a pioneer of human rights violations to stay in power. In the following books, maybe he’s become so politically toxic due to challenging the very foundations of his own power, his own family has to send him away on missions so he can’t rock the boat too much at home. Maybe refusing the throne was more of a political statement than a personal one, because he’s come to understand that being a ruler means oppressing thousands of others. Maybe this is another form of hypocrisy he criticizes Dalinar for, how Dalinar might claim to value darkeyes but how he still retains power bought with thousands of their corpses. None of this has to modify actual events very much, it just affects the reasons for them. And it would also meaningfully show why he gets to be a “good lighteyes” if he actually engaged with his status and rejected it, knowing it comes at the expense of others.

Okay, enough about that. Renarin maybe?

I won’t say too much about Renarin here, because I’d probably just end up repeating a lot of the same criticisms of how he’s used as a “good lighteyes.” From a narrative standpoint, all those criticisms hold for him as well. You know, he wants to join Bridge Four, and future-villain Moash doesn’t like the idea because he doesn’t trust lighteyes, but Kaladin reassures him that Renarin is a good boy, so don’t worry about it, and everything works out fine in the end, proving that lighteyes are good people just like you and me. This isn’t a problem with him as a person or character, it’s just more of that general theme of “the caste system is fine so long as nice people are at the top” which I clearly think should be interrogated. Thus far, in contrast to the rest of his family, Renarin is very young and has had much less of a political presence, not to mention fewer POV chapters anyway, so I think delving too much deeper here will feel a bit hollow to me.

Does Shallan count as a Kholin? I’d like to talk about her super briefly.

Unpopular opinion, but I actually think Shallan is one of the better characters on the topic of race insofar as how she’s written, especially compared to the other Kholins. But wait, I hear you say, what about all of her dozens of instances of casual racism? Yes, that’s what I’m referring to. I like how Shallan demonstrates how ingrained these harmful ideologies are in their society. I like how every time she has a distasteful thought, we the audience are reminded that racism still exists and even good people will continue to promote it if they don’t view it critically. I like that Shallan is problematic, because their society has problems! At least with her it doesn’t feel like the story’s trying to sweep the fact under the rug. There are plenty of issues with her writing, plenty of jabs at Kaladin that probably shouldn’t have been treated as cute. She’s actually the main character whose racism and classism I see criticized the most. And I think that’s a good thing! My issue with the Kholins isn’t that I think they should all be less racist, my issue is that their positions are inherently oppressive, and it seems as though the narrative doesn’t think that matters so long as deep down they’re good people. When people critique Shallan in specific instances, I tend to see a fair amount of consensus and agreement there, but when I critique the Kholins people will argue with me by pointing out that Dalinar/Adolin/Navani/whoever actually treats darkeyes as equals, so my arguments are invalid. Purely my own anecdotal experience of course, but it tends to make me think that there’s something in Shallan’s writing that’s working right, something that isn’t working for the other lighteyed characters.

Now obviously with all of this, I’m not saying I want these books to have more racism in them. What I’m arguing is that if the books are going to explore the topic (which they do) then they should treat the topic with an appropriate amount of gravity rather than acting as if it can be solved by having aristocrats become nicer people.

If you’re still here with me, thank you for reading, I love you, I hope you enjoyed yourself through my descent further and further into rambly nonsense. If you just scrolled to the bottom, that’s fair enough, there won’t be a tl;dr but you’re welcome for filling your dash with massive text blocks.

#god i am sorry for how long this post got #if folks want to reply to this you're welcome to make a new post in response and @ me. i'll rb it.#eventually.#or dm if you just want to chat #reminder again that i am taking replies in good faith and please understand that i am also responding to them in good faith.#i should also start adding copious disclaimers about how i don't expect sanderson to read this or come to my blog for writing advice #i mean if he does‚ then hi brandon‚ but mostly i'm just trying to engage with stories critically #i'm really just trying to be clear as possible #sorry for the delayed response time. i definitely have not been in a stormlight headspace for a few weeks.#discourse #long post #still don't know if anyone actually blocks that tag #honestly though if you're still following this blog i don't know what you're looking for if NOT long posts #more drawings? ha.#oh wait i did actually finally get new batteries for my stylus so if any of you do have a drawing request i can take those again

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